Hauser & Wirth
News

Selected Press

60 Minutes on CBS News

Anderson Cooper

Sunday 19 October

Artist Amy Sherald: The 60 Minutes Interview

‘I know the definition of what it means to be American. I'm the definition of an American.’
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A glimpse into the studio space where Amy Sherald creates her artwork. Images captured by Kelvin Bulluck.

Financial Times

Lucy Davies

Friday 17 October

George Condo: ‘I want my paintings as loud and amped up as Hendrix’

'Picasso was into deconstructing, whereas I like the idea of reconstructing. I take all the parts and pieces and colours and reassemble them into something different.'
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George Condo © Colin Dodgson

Financial Times

Jacoba Urist

Wednesday 15 October

Jeffrey Gibson was about to give up — now he’s on top of the art world

‘I go back to the way I grew up, being aware of other cultures. It takes away the need to separate them because you start seeing them as encased by this planet. This all happens on the same, massive phenomenal organism.’
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Jeffrey Gibson Studio in his New York studio, 2025 © Jeffrey Gibson Studio Courtesy the artist and Hauser & Wirth Photo: Emiliano Granado

El Mundo

Vanessa Graell

Thursday 9 October

Cristina Iglesias

‘Art should not indoctrinate, but rather open doors to other worlds, including your own.’
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Cristina Iglesias, 2025 © Cristina Iglesias, VEGAP, Barcelona. Courtesy the artist and Hauser & Wirth Photo: Álex Iturralde

Financial Times

Kristina Foster

Tuesday 7 October

Inside Nairy Baghramian’s sculptural playground

‘Everybody’s expecting my next pieces to be larger, bigger, more. So I thought I would go against myself. The exhibition is all about ephemerality and invisibility.’
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Portrait of Nairy Baghramian. Photo: Christian Werner

T: The New York Times Style Magazine

Sasha Weiss

Monday 6 October

She Didn’t Speak to Other Women for 28 Years. What Did It Cost Her?

‘Her work has that same underlying pathos — the feeling that her spirit has been around for a lot longer than any of ours, and that it may linger for many years to come, never belonging, never agreeing, always trying to get free.’
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The artist Lee Lozano giving a 1971 lecture at the Nova Scotia College of Art and Design in Halifax.Credit...© The Estate of Lee Lozano, courtesy of Hauser & Wirth

Tatler Hong Kong

Zabrina Lo

Wednesday 1 October

From showing to living with art: Hauser & Wirth has a new vision for the gallery business

‘Within this ecosystem, Hauser & Wirth holds its own unique place. It is not an institution—it closely partners with the many artists it represents while believing in the transformative power of art and has a goal of reaching out to wide audiences.’
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Exterior view, Hauser & Wirth Hong Kong. Photo: South Ho

The New York Times

Blake Gopnik

Wednesday 1 October

Letting the Squirrels Have Their Way With His Art

‘The pieces are alive...They are witnessing and bearing witness to the reality of the park, and not in conflict with anything.’
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Larry Bell Improvisations in the Park On view September 30, 2025 – March 15, 2026 Courtesy the artist, Hauser & Wirth, and Anthony Meier Fine Arts. Commissioned by Madison Square Park Conservancy. Photo: Timothy Schenck.

Artnet China

Huang Yunqi

Wednesday 1 October

How to 'continue life' after an artist’s death?

'Lassnig has created a highly distinctive and original body of work that is both unique in its approach and strongly universal in its subject matter.'
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Installation view, 'Maria Lassnig. Self with Dragon' at Hauser & Wirth Hong Kong.

TimeOut

Winnie Stubbs

Monday 29 September

A stunning 3-metre bronze statue has been unveiled on the edge of Sydney Harbour

‘I hope [Ancient Feelings] will be an absolute joy for many people and for others it may provoke discomfort, and that tension is precisely where the work finds its strength.’
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Photograph: Supplied | MCA | Thomas J Price | Anna Kucera

Le Figaro: F Magazine

Valérie Duponchelle

Saturday 27 September

George Condo: a retrospective like no other at the Museum of Modern Art in Paris

‘The exhibition will cover my entire life, from my childhood to the old man I am today.’
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Portrait of George Condo

Artnet News

Sarah Cascone

Tuesday 16 September

Decoding Cindy Sherman’s Many Roles, From Straphanger to Society Dame

‘It is [Cindy Sherman] doing the costumes and the makeup, but it’s also the mannerisms in each of the 
images—she adopts the poses of each person, the
body language is the character.’
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Cindy Sherman, Untitled #566 (2016), "Flappers" series. Photo: ©Cindy Sherman, courtesy of the artist and Hauser & Wirth.

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