Hauser & Wirth
News

Selected Press

Tatler Asia

Zabrina Lo

17 August

A major solo exhibition of Lucio Fontana, known for his slashed canvases, opens in Hong Kong next month

‘The ‘Fontana Revolution’ was a good revolution. Maybe it was a little bit too bright for his time—but now we see the light.’
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Lucio Fontana. Photo: Ugo Mulas

The Punch

Nawaid Anjum

14 August

Subodh Gupta interview: ‘Even the most ordinary objects can carry extraordinary human histories’

‘As an artist, I feel grateful that I have been able to transform these humble materials into works that invite reflection and dignity. It reminds me that even the most ordinary objects can carry extraordinary human histories.’
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Portrait of Subodh Gupta

Fantastic Man

7 August

Zhang Enli, Lingering on the Boundary of "A Window"

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Zhang Enli, 2026 Photo: Sihao Li

Ocula

Rachel Connolly

4 August

A Sense of Wonder

‘I feel like the power of film is the power to captivate us, as if we were dreaming.’
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Camille Henrot (2026). Photo: Lyndsy Welgos.

Financial Times

Lucy Davies

25 July

Catherine Goodman at Boughton House: ‘It’s quite difficult to compete with a Raphael’

‘It’s strange, painting, because you work so much from your unconscious . . . there’s a side to it where I’m in my studio and this wildness comes out.’
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stallation view, 'Catherine Goodman. In the House of Tapestries,' Boughton House, Kettering, United Kingdom, 2026. Artworks © Catherine Goodman. Photo: Damian Griffiths.

Flaunt

Hannah Tishkoff

22 July

Allison Katz | An Appetite for Images

‘The thing about painting is that it is a frame, and so much of life just can’t be contained.'
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Allison Katz. “First Impression” (2026). Oil and acrylic on linen. 63’’ x 57 ⅛’’ x 1 ⅜’’. © Allison Katz. Courtesy the artist and Hauser & Wirth. Photo: Eva Herzog.

Artsy

Katie White

16 July

British Artist Sonia Boyce Makes Art of the Unexpected

‘I’m really very interested in playfulness. And I do think as adults, we don’t take it seriously enough.’
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Sonia Boyce, 2025. Photo by Aarony Bailey.

ARTnews

Daniel Cassady

15 July

Hauser & Wirth Expands to Silicon Valley with New Gallery in Palo Alto

'O’Keeffe once remarked that she recognized her own “pelvis bone holes” in Calder’s abstract forms, an observation that helped inspire the exhibition’s exploration of the unexpected parallels between two of America’s most celebrated modernists.'
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Alexander Calder greets Georgia O'Keeffe at a dinner held in his honor at the Whitney Museum in 1976. The photograph is among the archival materials featured in Hauser & Wirth's inaugural Palo Alto exhibition, "Calder | O'Keeffe." Photo Abner Symons/Courtesy the Calder Foundation

Nowness

Lucy Andia & Frederick Shelbourne

13 July

Nowness on Frank Bowling

‘At 92, the documentary meets Bowling in a moment of late-career clarity, observing his fluid evolution into abstraction, and a professional life that traversed the Atlantic several times over, between London and New York.’
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Frank Bowling signing limited edition print of Swan, 1964 ©Frank Bowling Courtesy Frank Bowling Archive Photo: Frederik Bowling

ARTnews

Daniel Cassady

8 July

George Condo Returns to Hauser & Wirth

‘It’s wonderful to be starting the next chapter in our collaboration with George Condo by planning ambitious shows in places identified with cultural breakthroughs...George is, and always has been, a true pioneer.’
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George Condo, in his studio.

T: The New York Times Style Magazine

Chantel Tattoli

7 July

An Art World Soiree in a Secret Garden on Minorca

‘Rashid proposed a starting point that was both very open and yet resounding. When thinking about the artists, I wasn't looking to illustrate a theme, but rather to bring together practices that worked from suspension and displacement.’
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The Residency at Casa Gracia. Courtesy Rashid Johnson and Sheree Hovsepian. Photo: Daniel Schäfer

Art & Object

Dian Parker

6 July

Musa Mayer on Writing, Curation, and the Guston Legacy

‘You are right that [the book and exhibition go] a long way toward creating a balance and a truth. My work with the Guston legacy could not be complete without clarifying my mother’s contribution, to go beyond talking about it, to show her in as full a way as I can through her own work.’
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Cover of ‘Life With P. Journals, 1966 – 1976’ (2026), Hauser & Wirth Publishers. Photo: John Etter

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