Viewing Room

Created in 1953, ‘Abstract Painting, Red’ is an outstanding example of Ad Reinhardt’s celebrated series of Red Paintings from the early 1950s. Nearly half of the paintings in the seminal series are now...

A striking portrait of Pablo Picasso’s young daughter, Paloma, ‘L’enfant à l’orange (Child with an Orange)’ (1951), offers a rare glimpse into the artist’s renewed focus on his family in the early 1950s...

Strikingly vertical and pointed at both ends, Louise Bourgeois’s ‘Persistent Antagonism’ (1946-1948) is an extraordinary work from the artist’s landmark ‘Personage’ series, which marked her debut as a...

In 1974 Susan Rothenberg transformed the history of painting with her singular and iconic body of horse paintings. ‘Black Blocks’ (1977)—first exhibited at P.S.1 Contemporary Art Center (now MoMA P.S.1)...

‘Coping’ (2008) is a masterful example of Nicole Eisenman’s allegorical paintings, which merge the autobiographical with art history and fiction to create a cutting critique of present-day social and political...

Exhibited at important institutions including the Kunstmuseum Bern, Schirn Kunsthalle Frankfurt and the Louisiana Museum of Modern Art, Humlebaek, Meret Oppenheim’s late painting, ‘Das Auge der Mona Lisa’...

At an undisclosed time, a lamé-clad go-go dancer ascends a light blue platform with a personal listening device. Surrounded by 48 illuminated lightbulbs, listening to music of their own choosing, they...

‘Cell (Choisy Two)’ is from Louise Bourgeois’s series of remarkable and highly personal installations called the Cells. Inviting associations with the biological cell, imprisonment, or a place of solitary...

‘Two Hearts’ (1978) captures the intimacy, introspection and self-revelation of Philip Guston’s late canvases. In the 1970s, Guston’s wife Musa battled serious illness twice, profoundly impacting the artist,...

‘I Look In The Mirror, I Know What I Need’ (2024) is a powerful new lithograph, related to William Kentridge's nine-episode video series ‘Self-Portrait as a Coffee-Pot,’ that premiered in April 2024 in...

‘Interior in London, Brunswick Square’ (1912) is an extraordinary example of Vilhelm Hammershøi’s seminal late work. It was painted during Hammershøi’s final of several highly influential trips to London...

Rita Ackermann’s ‘American Iconology’ (2024) belongs to a body of work that debuted at Hauser & Wirth New York in 2024. Titled ‘Splits,’ these works feature fragmentary figures and distinct registers that...