Selected Press
The New York Times
Nancy Princenthal
9 September 2024
Amy Sherald, Brazen Optimist
'You don’t have to live the fight to be the fight. And I don’t always want my identity to be associated with resistance and struggle.'
The New York Times
Zachary Small
7 September 2024
Nicole Eisenman at the Tipping Point
'To use space is to destroy space...Destruction and construction are two sides of the same coin.'
The Art Newspaper
Linda Yablonsky
3 September 2024
New York exhibition places brutality of Leon Golub's paintings in dialogue with contemporary artists
'I was thinking of these in-between spaces...This kind of waiting and pause you see in Golub’s work. Its brutality draws a certain audience, but there can and should be opportunities to bring people into that space and be challenged by tough themes. I think these works can begin that process.'
The Art Newspaper
Philippa Kelly
23 August 2024
Colourful new Hauser & Wirth show celebrates bringing art-making to mental health settings
‘What we've always thought is that anyone who's in an inpatient mental health facility deserves to experience extraordinary art, and to be able to express themselves creatively.’
T: The New York Times Style Magazine
Sasha Weiss
16 August 2024
The Artist Tackling One of Our Last Taboos
‘When she began making work about the beginning of life, she realized that it wasn’t just about her, or her childhood or children but about 'the whole world, how it’s built, how we think.'’
Harper's Bazaar
Kaitlyn Greenidge
14 August 2024
How Amy Sherald Painted Herself Into History
‘In times like these, if I stop creating, then the world turns into complete darkness. If we don’t create, then there is no light.’
Observer
Alistair MacQueen
7 August 2024
The Roth Bar Is Transforming the Gallery Experience at Hauser & Wirth Somerset
‘It’s supposed to prime your senses for what is going to come next, and I hope it will affect people in that way. Too many people go through life without looking up or looking around. If you don’t look up, then you wouldn’t know the stars were there, you know?’
Artforum
Jessi DiTillio
19 July 2024
Critic's Pick: Winfred Rembert
‘Despite its focus on exploitation and adversity, the exhibition has a remarkably cathartic effect. Perhaps this is because, to a certain extent, the show’s meta-narrative is Rembert’s transcendence of the pictured 'hard times' through love.’
The New York Times
Max Lakin
19 July 2024
These Sculptures Changed What Art Could Be, Then Changed Themselves
‘Given its fragility and waning life span, each successive showing of Hesse’s work is potentially the last. Time is part of the deal. Hesse knew this.’
Observer
Elisa Carollo
18 July 2024
Hauser & Wirth’s Beautiful Italian Summer
'Right now, among the many must-see art exhibitions in Europe this summer, there are several shows in Italy of works by artists on Hauser & Wirth’s roster...think Louise Bourgeois’ works mounted in Europe’s first orphanage (designed by Brunelleschi) or Sonia Boyce pieces interacting with Italian folk songs in a medieval palace.'
1 / 21