Hero image for exhibition titled KOO JEONG A

KOO JEONG A

KANGSE X

22 January – 16 May 2026

Zurich, Limmatstrasse

Dates

22 January – 16 May 2026

KANGSE X is an exhibition of new sculptures, phosphorescent paintings and recent drawings by KOO JEONG A. The exhibition is derived from the Korean term KANGSE (meaning spatial strength) and is an extension of the artist’s previous exhibition ‘ODORAMA CITIES’, presented at the Korean Pavilion for the 60th Venice Biennale, which originated from KOO JEONG A’s animation MYSTERIOUSSS (2017).

KOO’s multifaceted practice encompasses drawing, painting, sculpture, installation, film, animation, augmented reality and architecture, combined with natural phenomena such as gravity, electromagnetic fields and phosphorescence to open up alternative realities in both a geographic and an astral sense. Coinciding with the artist’s solo exhibition ‘LAND OF OUSSS [GRAVITTA]’ at Kunsthaus Bregenz, the exhibition in Zurich develops KOO’s longstanding exploration of the perception of space and traces the poetry that permeates the artist’s unique universe.

The exhibition showcases a series of new bronze sculptures depicting the embryonic figure of Kangse, balancing on a single toe. A recurring character in KOO’s sculptures, animations and drawings and a prominent feature of their presentation at the Korean Pavilion at the 2024 Venice Biennale and the recent exhibition at Luma Arles. Kangse is often found floating through an infinite cosmic void, at once mysterious and mischievous. Set within an interstellar vacuum, the work unfolds through a speculative hand-language referencing the abstract structure of a Diophantine equation and Fermat’s Last Theorem.

Image for exhibition titled KOO JEONG A <br>LAND OF OUSSS [ GRAVITTA ]</br>

Photo: Miro Kuzmanovic © Kunsthaus Bregenz

KOO JEONG A
LAND OF OUSSS [ GRAVITTA ]

31 January – 25 May 2026
Kunsthaus Bregenz

KOO JEONG A transforms Kunsthaus Bregenz into a sequence of spaces defined by permeability and refined phenomena, where invisible forces such as light, scent, magnetism, and movement become perceptible. From a phosphorescent, site-specific skatepark sculpture on the ground floor to magnetic wall objects, olfactory perception, and a film installation on the top floor, the exhibition unfolds in close dialogue with Peter Zumthor’s architecture.

Current Exhibitions