PAUL McCARTHY

Lives and works in Los Angeles CA

Galerie Max Hetzer, 'Them as Was Is', Berlin, Germany 

Xavier Hufkens, 'Paul McCarthy', Brussels, Belgium

Gagosian, 'the ömen. Albert Oehlen paintings and Paul McCarthy Sculptures', New York NY

Hauser & Wirth, 'Paul McCarthy. A&E Drawings. A&E Drawing Session 2021 With Lilith Stangenberg', Los Angeles CA

Hauser & Wirth, 'Paul McCarthy. Pirates Stew Pot', Monaco

KODE, 'Paul McCarthy. Dead End Hole', Bergen, Norway

The Box, 'Paul McCarthy. Parts Make Up a Hole', Los Angeles CA

Viborg Animation Festival, Viborg Kunsthal, 'A&E VR Experiment. Adolf/Adam and Eva/Eve', Viborg, Denmark

Peder Lund, 'Painted Pirate Heads', Oslo, Norway

Hauser & Wirth, 'Paul McCarthy. A&E Sessions – Drawing and Painting', New York NY

Tamark 22 / Hauser & Wirth, 'Paul McCarthy Alpine Stories and other Dystopias', Gstaad, Switzerland

Hammer Museum, 'Paul McCarthy. Head Space, Drawings 1963-2019', Los Angeles CA

Xavier Hufkens, 'Paul McCarthy. Mixed Bag', Brussels, Belgium

360: VR Room, Zabludowicz Collection, 'Paul McCarthy – C.S.S.C. Coach Stage Stage Coach VR experiment Mary and Eve', London, UK

M Woods Museum, 'Paul McCarthy. Innocence. Video Works 1970-2013', Beijing, China

Kukje Gallery, 'Cut Up and Silicone, Female Idol, WS', Seoul, South Korea

Hauser & Wirth, 'WS Spinoffs, Wood Statues, Brown Rothkos', Los Angeles CA

Fundació Gaspar, 'WS & CSSC, Drawings and Paintings', Barcelona, Spain

Fondazione Giorgio Cini, 'Paul McCarthy and Christian Lemmerz. New Media (Virtual Reality Art)', Venice, Italy

Deitch Projects, 'Paul McCarthy and Mike Kelley. Heidi, Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone 1992', New York NY

Hauser & Wirth, 'Paul McCarthy. Raw Spinoffs Continuations', New York NY

Xavier Hufkens, 'Paul McCarthy. White Snow & Coach Stage Stage Coach Spinoffs', Brussels, Belgium

Lokremise, 'Paul McCarthy', St. Gallen, Switzerland

Henry Art Gallery, 'Paul McCarthy. White Snow, Wood Sculptures', Seattle WA

Nasher Museum of Art, Duke University, 'Full Exposure. Paul and Damon McCarthy's Pirate Party', Durham NC

The Renaissance Society at the University of Chicago, 'Paul McCarthy. Drawings', Chicago IL

Volksbühne, 'Paul McCarthy and Damon McCarthy. Rebel Dabble Babble', Berlin, Germany

Schinkel Pavillon, 'Paul McCarthy', Berlin, Germany

Economou Collection, 'Inbetween. Baselitz – McCarthy', Athens, Greece

Hauser & Wirth, 'Paul McCarthy. Spin Offs. White Snow WS, Caribbean Pirates CP', Zurich, Switzerland

Art & Public – Cabinet P.H., 'Paul McCarthy. Photographs 1977-1996', Geneva, Switzerland

Monnaie de Paris, 'Chocolate Factory', Paris, France

Hauser & Wirth, 'Paul McCarthy – WS SC', London, UK

Galleri F15, 'Paul McCarthy – Ketchup and Blood', Moss, Norway

Marlborough Monaco, 'Mike Bouchet & Paul McCarthy – Double Deck Monty Carlo', Monaco

Space Studios, 'Paul McCarthy. Black and White Tapes', London, UK

Portikus, 'Mike Bouchet & Paul McCarthy', Frankfurt am Main, Germany

Galerie Parisa Kind, 'Mike Bouchet & Paul McCarthy', Frankfurt am Main, Germany

8. Salon, 'Andy Hope 1930, Paul McCarthy. Down Show Show Down', Hamburg, Germany

Park Avenue Armory, 'WS', New York NY

Hauser & Wirth, 'Rebel Dabble Babble', New York NY

Hauser & Wirth, 'Life Cast', New York NY

Hauser & Wirth, 'Sculptures', New York NY

Hauser & Wirth, 'PROPO', Zurich, Switzerland

Peder Lund, 'White Snow', Oslo, Norway

Neue Nationalgalerie, Staatliche Museen zu Berlin, 'Paul McCarthy. The Box', Berlin, Germany

The Box, 'Rebel Dabble Babble', Los Angeles CA

Kukje Gallery, 'Paul McCarthy, Nine Dwarves', Seoul, South Korea

Espace Croisé – Centre d'art contemporain, 'Mike Kelley – Paul McCarthy', Roubaix, France

Hauser & Wirth, 'The Dwarves, The Forests', New York NY

Hauser & Wirth, 'The King, The Island, The Train, The House, The Ship', London, UK

KÖR Kunst im öffentlichen Raum, Kunsthalle Wien, 'Skulptur. Paul McCarthy "Henry Moore Bound to Fail"', Vienna, Austria

Hammer Museum, 'Paul McCarthy. White Snow Dwarf (Dopey #1)', Los Angeles CA

Charles Riva Collection, 'Paul McCarthy – Selected Works', Brussels, Belgium

Sammlung Friedrichshof, 'Caribbean Pirates – in collaboration with Damon McCarthy', Zurndorf, Austria

L&M Arts, 'Three Sculptures', Los Angeles CA

Fondazione Nicola Trussardi, 'Pig Island', Milan, Italy

Hauser & Wirth, 'Paul McCarthy. White Snow', New York NY

De Uithof / City of Utrecht, 'Paul McCarthy – Air Pressure', Utrecht, Netherlands

Hauser & Wirth, 'Paul McCarthy', Zurich, Switzerland

KUMU Eesti Kunstimuuseum, 'Paul McCarthy & Benjamin Weissman – Quilting Sessions', Tallinn, Estonia (Travelling Exhibition)

Salt Lake Art Center, 'Contemporary trends in video art – Paul McCarthy', Salt Lake City UT

Zacheta National Gallery of Art, 'Paul McCarthy & Benjamin Weissman – Quilting Sessions', Warsaw, Poland (Travelling Exhibition)

CCA Wattis Institute for Contemporary Arts, 'Paul McCarthy’s Low Life Slow Life. Part 2', cur. Paul McCarthy, San Francisco CA

Whitney Museum of American Art, 'Central Symmetrical Rotation Movement – Three Installations, Two Films', New York NY

Galleria Civica di Arte Contemporanea, 'Paul McCarthy & Benjamin Weissman – Quilting Sessions', Trento, Italy (Travelling Exhibition)

Maccarone Gallery, 'PETER PAUL CHOCOLATES. Edibles by Paul McCarthy', New York NY

Essl Museum Kunst der Gegenwart, 'Paul McCarthy. Tokyo Santa 1996/2004', Klosterneuburg, Austria

Middelheim Museum, 'Paul McCarthy – Air Born / Air Borne / Air Pressure', Antwerp, Belgium

Hauser & Wirth, 'Paul McCarthy – Damon McCarthy. Portfolios', Zurich, Switzerland

S.M.A.K. Stedelijk Museum voor Actuele Kunst, 'Paul McCarthy. Head Shop / Shop Head: Works from 1966-2006', Ghent, Belgium (Travelling Exhibition)

ARoS Aarhus Museum of Art, 'Paul McCarthy. Head Shop / Shop Head: Works from 1966-2006', Aarhus, Denmark (Travelling Exhibition)

Moderna Museet, 'Paul McCarthy. Head Shop / Shop Head: Works from 1966-2006', Stockholm, Sweden (Travelling Exhibition)

Nyehaus, 'Paul McCarthy. Between Beauty and the Beast. Sculptures, Drawings and Photographs', New York NY

Whitechapel, 'Paul McCarthy. LaLa land parody paradise', London, UK (Travelling Exhibition)

Haus der Kunst, 'Paul McCarthy. LaLa Land Parody Paradise', Munich, Germany (Travelling Exhibition)

Hauser & Wirth, 'John McCracken – Paul McCarthy', Zurich, Switzerland

CAC Centro de Arte Contemporàneo, 'Paul McCarthy. Brain Box – Dream Box', Malaga, Spain (Travelling Exhibition)

Van Abbemuseum, 'Paul McCarthy. Brain Box – Dream Box', Eindhoven, Netherlands (Travelling Exhibition)

Hauser & Wirth, 'Paul McCarthy. Piccadilly Circus', London, UK

Tate Modern / Henry Moore Foundation Contemporary Projects, 'Paul McCarthy at Tate Modern', London, UK

The National Museum of Contemporary Art, 'Paul McCarthy. Films and Video Works', Oslo, Norway

Museum für Gegenwartskunst, 'Zoe Leonard und Paul McCarthy. Werke aus der Sammlung Schürmann', Siegen, Germany

Luhring Augustine Gallery, 'Paul McCarthy. Clean Thoughts', New York NY

De Hallen, 'Paul McCarthy. Videowerken 1971-1999', Haarlem, Netherlands

Butler Gallery, 'Paul McCarthy. Videos', Kilkenny, Ireland Sammlung Falckenberg, 'Propposition' [collaboration with Jason Rhoades], Hamburg, Germany

Hauser & Wirth, 'Paul McCarthy & Jason Rhoades. Shit Plug', Zurich, Switzerland

Hauser & Wirth, 'Paul McCarthy. Pirate Drawings', Zurich, Switzerland

Villa Arson, 'Paul McCarthy', Nice, France

Kunstverein Hamburg, 'Paul McCarthy. Videos und Fotografien', Hamburg, Germany

Tate Liverpool, 'Paul McCarthy', Liverpool, UK

New Museum of Contemporary Art, 'Paul McCarthy', New York NY

Deitch Projects, 'Paul McCarthy. The Garden', New York NY

Public Art Fund / IBM Building – 590 Madison Avenue, 'Paul McCarthy.

The Box', New York NY Luhring Augustine Gallery, 'Paul McCarthy', New York NY

MOCA The Museum of Contemporary Art / New Museum, 'Paul McCarthy', Los Angeles CA

Patrick Painter Inc., 'Heidi File', Santa Monica CA

Eleni Koroneou Gallery, 'Paul McCarthy', Athens, Greece

Wiener Secession, 'Projekt Fassade', Vienna, Austria

Patrick Painter Inc., 'Paul McCarthy. Selected Works. Mark Lewis. New Works', Los Angeles CA

Patrick Painter Inc., 'Mike Kelley – Paul McCarthy. Out O' Actions', Santa Monica CA

The Power Plant, 'Mike Kelley and Paul McCarthy. Collaborative Works', Toronto, Canada

David Zwirner Gallery, 'Propposition' [collaboration with Jason Rhoades], New York NY (Travelling Exhibition)

Sammlung Hauser & Wirth / Lokremise St. Gallen, 'Dimensions of the Mind', St. Gallen, Switzerland

Studio Guenzani, '"Dead H" and Early Performance Photographs', Milan, Italy

Blum and Poe, 'Tokyo Santa – Santa's Trees', Santa Monica CA

La Biennale di Venezia, 'Propposition Propposal' [collaboration with Jason Rhoades], Venice, Italy (Travelling Exhibition)

Kunstbunker Tumulka, 'Paul McCarthy – Mike Kelley Videos 1970-1998', Munich, Germany

Galerie Krinzinger, 'Painter, Video and Drawings', Vienna, Austria

Luhring Augustine Gallery, 'Photographs-Performance Photographs and Video, 1969-1983', New York NY (Travelling Exhibition)

Patrick Painter Inc., 'Photographs-Performance Photographs and Video, 1969-1983', Santa Monica CA (Travelling Exhibition)

Secession, 'Sod and Sodie Sock' [collaboration with Mike Kelley], Vienna, Austria

Hauser & Wirth, 'Santa Chocolate Shop', Zurich, Switzerland

Tomio Koyama Gallery, 'Paul McCarthy', Tokyo, Japan

Air de Paris, 'Salon', Paris, France

Luhring Augustine Gallery, 'Yaa-Hoo', New York NY

Galerie Drantmann, 'Video Works', Brussels, Belgium

Galleri Nicolai Wallner, 'Video and Drawings', Copenhagen, Denmark

Blum and Poe, '5 Photographic Works, 1970-1974', Santa Monica CA

Projects Room, MoMA Museum of Modern Art, 'Painter', New York NY

Art and Public, 'Paul McCarthy', Geneva, Switzerland

Künstlerhaus Bethanien, 'Tomato Head', Berlin, Germany

Galeria Antoni Estrany, 'Pinocchio Pipenose Housholddilemma Tour', Barcelona, Spain (Travelling Exhibition)

Luhring and Augustine, 'Pinocchio Pipenose Householddilemma Tour', New York NY (Travelling Exhibition)

Galleri Nicolai Wallner, 'Pinocchio Pipenose Householddilemma Tour', Copenhagen, Denmark (Travelling Exhibition)

Esther Schipper Galerie, 'Pinocchio Pipenose Householddilemma Tour', Cologne, Germany (Travelling Exhibition)

Studio Guenzani, 'Pinocchio Pipenose Householddilemma Tour', Milan, Italy (Travelling Exhibition)

McKinney Art Center, 'Pinocchio Pipenose Householddilemma Tour', Dallas TX (Travelling Exhibition)

Auckland City Art Gallery, 'Pinocchio Pipenose Householddilemma Tour', Auckland, New Zealand (Travelling Exhibition)

Oö Landesmuseum, 'Pinocchio Pipenose Householddilemma Tour', Linz, Austria (Travelling Exhibition)

Kunstverein Hamburg, 'Mike Kelley and Paul McCarthy', cur. Stephen Schmitt-Wulffen, Hamburg, Germany

Air de Paris, 'Pinocchio Pipenose Householddilemma Tour', Paris, France (Travelling Exhibition)

Le Fonds Régional d'Art Contemporain Poitou-Charentes, 'Paul McCarthy', Angoulême, France Air de Paris, 'Paul McCarthy', Nice, France

Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA Galerie George-Philippe Vallois, 'Paul McCarthy', Paris, France

Studio Guenzani, 'Paul McCarthy', Milan, Italy

Ynglingagatan I Gallery, 'Video', Stockholm, Sweden

Galerie Krinzinger, 'Paul McCarthy', Vienna, Austria

Buchholz und Buchholz, 'The Dead Viking', Cologne, Germany

Luhring Augustine Gallery, 'Paul McCarthy', New York NY

Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA

Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA

Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA

Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA

AAA Art, 'Paul McCarthy', Los Angeles CA

Cirque Divers, 'Paintings', Liège, Belgium

LACE Los Angeles Contemporary Exhibitions, 'Human Object', Los Angeles CA

Exile Gallery, 'Works by Richard Newton & Paul McCarthy', Los Angeles CA

Espace Gallery, 'Objects by Paul McCarthy & Barbara Smith', Los Angeles CA

Los Angeles Institute of Contemporary Exhibitions, 'Contemporary Cure All', Los Angeles CA

Los Angeles Institute of Contemporary Exhibitions, 'Deadening', Los Angeles CA

Centre Pompidou-Metz, 'La Répétition. Œuvres phares du Centre Pompidou', Metz, France 

Halle für aktuelle Kunst, Deichtorhallen Hamburg, 'Dix und die Gegenwart. Dix and the Present', Hamburg, Germany 

Centre Pompidou-Metz, 'Lacan, l'exposition. Quand l'art rencontre la psychanalyse. Lacan, the Exhibition. When Art Meets Psychoanalysis', Metz, France

The Floating Gallery / Auto Brake Center, 'Some Trees / Benjamin Weissman', Los Angeles CA 

CCCB Centro de Cultura Contemporánea de Barcelona, 'Sade. Freedom or Evil', Barcelona, Spain

Hauser & Wirth, 'Gruppenausstellung', Bruton, UK

La Galleria Nazionale, 'Food Age. Food as Influencer', Rome, Italy

The Maria Leuff Foundation, 'Richard Jackson + Paul McCarthy', New York NY

NEST, ZHdK Zürcher Hochschule der Künste, 'Lee Lozano – Paul McCarthy', Zurich, Switzerland

Kunstmuseum Wolfsburg, 'Freundschaften. Gemeinschaftswerke von Dada bis heute' [Amitiés, créativité collective], Wolfsburg, Germany (Travelling Exhibition)

Forde, 'Claustrophobia Alpina II: Subliminal Illuminations & the Shadows of Flight', Geneva, Switzerland

mumok Museum moderner Kunst Stiftung Ludwig Wien, 'The Animal Within. Creatures in (and outside) the mumok Collection', Vienna, Austria

Mucem Musée des civilisations de l'Europe et de la Méditerranée, 'Amitiés, créativité collective', Marseille, France (Travelling Exhibition)

MAMBO Museo de Arte Moderno de Bogota, 'An Uncertain Pleasure', Bogota, Columbia

Skulpturenpark Schwante, Schlossgut Schwante, [Summer Season 2022 Presentation], Oberkrämer, Germany

MoMu Mode Museum, 'Mirror Mirror. Fashion & The Psyche', Antwerp, Belgium

National Gallery of Art, 'The Double: Identity and Difference in Art Since 1900', Washington DC

Whitechapel Gallery, 'A Century of the Artist’s Studio 1920-2020', London, UK

Jeffrey Deitch, 'Luncheon on the Grass', Los Angeles CA

Hamburger Kunsthalle, 'something new, something old, something desired', cur. Brigitte Kölle, Hamburg, Germany

Stahl Collection, 'Stahl Collection, second exhibition', Norrkoping, Sweden

NEON + Hellenic Parliament, 'Dream On', Athens, Greece

West Den Haag, 'Facing the Crowd', Den Haag, Netherlands

Kunsthalle Mannheim, 'Mother!' Mannheim, Germany (Travelling Exhibition)

Hauser & Wirth, 'Drawing on the Mind', cur. Zhang Enli, Central, Hong Kong

Galerie Elisabeth & Klaus Thoman, 'Albrecht Fuchs. A', Innsbruck, Austria Museo d’Arte della Svizzera Italiana, 'Albert Oehlen – "Big Paintings by Me with Small Paintings by Others"', Lugano, Switzerland

LUMA Arles, 'The Impermanent Display', Arles, France

The Pinault Collection / Couvent des Jacobins, 'Beyond Colour. Black and white in the Pinault Collection', Rennes, France

Centre Pompidou-Metz, 'Arcimboldo Face to Face', Metz, France

Palazzo Strozzi, 'American Art 1961-2001', Florence, Italy

Louisiana Museum of Modern Art, 'Mother!', Humlebaek, Denmark (Travelling Exhibition)

Los Angeles County Museum of Art, 'NOT I: Throwing Voices (1500 BCE–2020 CE)', Los Angeles CA

The Landing, 'New Iconography: Artists Raising Children', Los Angeles CA

Castello di Rivoli Museo d'Arte Contemporanea, ‘Espressioni’, Torino, Italy

Hauser & Wirth, ‘To Form a More Perfect Union’, New York NY

Hauser & Wirth, ‘Artists for New York’, New York NY

Museo Jumex, ‘On a Knife-edge’, cur. Patricia Marshall, Mexico City, Mexico

Museum Bojimans Van Beuningen, ‘Bojimans Ahoy drive-thru museum’, Rotterdam, The Netherlands

Punta della Dogana / Palazzo Grassi, François Pinault Foundation, ‘Untitled, 2020. Three Perspectives on the Art of the Present’, Venice, Italy

Haus Lange, Kunstmuseen Krefeld, ‘Das Gedächtnis der Bilder / The Memory of Images’, Krefeld, Germany

LACMA Los Angeles County Museum of Art, ‘NOT I: Throwing Voices (1500 BCE–2020 CE)’, Los Angeles CA

Item Gallery, ‘New Proposals 3’, Paris, France

XNL Piacenza Contemporanea, ‘La rivoluzione siamo noi. Collezionismo italiano contemporaneo / We are the Revolution. Contemporary Italian Collecting’, Piacenza, Italy

Kasmin Gallery, ‘Valley of Gold. Southern California and the Phantasmagoric’, New York NY

Haus Mödrath – Räume für Kunst, ‘Dream Baby Dream’, Kerpen, Germany

Nino Mier Gallery, ‘To Paint is To Love Again’, Los Angeles CA

Villa Bardini, 'Enigma Pinocchio. From Giacometti to LaChapelle', Florence, Italy

Museum La Boverie, 'Hyperrealism Sculpture. Ceci n'est pas un corps', Liège, Belgium

Kunsthalle Würth, 'Lust auf mehr – Neues aus der Sammlung Würth zur Kunst nach 1960', Schwäbisch Hall, Germany

Whitney Museum of American Art, 'Making Knowing: Craft in Art, 1950-2019', cur. Jennie Goldstein, New York NY

Gagosian and Jeffrey Deitch, 'The Extreme Present', Miami FL

Hauser & Wirth, 'Personal Private Public', New York NY

The Horse Hospital, 'Sick Monday', London, UK

FRAC Bretagne, 'Des mots et des choses', Châteaugiron, France

Bundeskunsthalle, 'Michael Jackson. On the Wall', Bonn, Germany (Travelling Exhibition)

Faurschou Foundation, 'The Red Bean Grows in the South', New York NY

Sprengel Museum, 'Self-Perception. Portrait Identities', Hannover, Germany

EMMA Espoo Museum of Modern Art, 'Michael Jackson. On the Wall', Espoo, Finland (Travelling Exhibition)

Jorn Museum, 'DÉTOURNEMENT', Silkeborg, Denmark

Christophe Guye Galerie, 'My Garden of Eden', Zurich, Switzerland

Deichtorhallen / Falckenberg Collection, 'Fuzzy Dark Spot – Video art from Hamburg', Hamburg, Germany

Jeffrey Deitch, 'People', Los Angeles CA

Serendipity Arts Festival, 'My Colour on Your Plate', Goa, India

Museo di Santa Caterina, 'RE.USE – Waste, objects, ecology in contemporary art', Treviso, Italy

Firstsite, 'Bronze Age c. 3500 BC - AD 2018', Colchester, UK

ERES-Stiftung, 'Bodyscan – Anatomy in the Arts and Sciences', Munich, Germany

LAXART, 'Remote Castration', Los Angeles CA

mumok Museum moderner Kunst Stiftung Ludwig Wien, 'Class Reunion. Works from the Gaby and Wilhelm Schürmann Collection', Vienna, Austria

Hauser & Wirth, 'Portable Art. A Project by Celia Forner', Los Angeles CA

Astrup Fearnley Museet, 'I Still Believe in Miracles – Works from Selvaag Art Collection', Oslo, Norway

Deitch Projects, 'People', New York NY

Hamburger Bahnhof – Museum für Gegenwart, 'Hello World. Revising a Collection', Berlin, Germany

PLAY Kortrijk – Circuit for contemporary Art, 'PLAY Kortrijk', Kortrijk, Belgium

Firstsite, 'Bronze Age', Colchester, UK

Riva Project, 'Animals', Brussels, Belgium

Rockbund Art Museum, 'Walking On The Fade Out Lines', Shanghai, China

MAMCO Musée d'art moderne et contemporain, 'Art & Entertainment', Geneva, Switzerland

The Met The Metropolitan Museum of Art, 'Like Life. Sculpture, Color, and the Body (1300-Now)', New York NY

Hauser & Wirth, 'The Land We Live In – The Land We Left Behind', Bruton, UK

The National Museum of Art, 'Travelers. Stepping into the Unknown', Osaka, Japan

Hauser & Wirth, 'Personal Private Public', New York NY

Whitechapel Gallery, 'ISelf Collection. The Upset Bucket', London, UK

Institute of Contemporary Art, 'The Everywhere Studio', Miami FL

Montreal Museum of Fine Arts, 'Once Upon a Time...The Western. A New Frontier in Art and Film', Montreal, Canada

Museo Nacional Centro de Arte Reina Sofía, 'Soledad Lorenzo Collection', Madrid, Spain

National Gallery of Australia, 'Hyper Real', Canberra, Australia

Kunsthaus Glarus / Swiss Institute, 'Half a Tank of Gas', New Glarus WI Riva Project, Charles Riva Collection, 'Animals', Brussels, Belgium

Faurschou Foundation, 'Recent Acquisitions', Copenhagen, Denmark

Sculpture in the City, 'Sculpture in the City 2017', London, UK

Palazzo Franchetti, Fondazione Berengo, 'Glasstress 2017', Venice, Italy

Luhring Augustine, 'Larry Clark. White Trash', New York NY

NMNM Nouveau Musée National de Monaco, 'Poïpoï, une Collection Privée à Monaco', Monaco

Hauser & Wirth, 'Portable Art. A Project by Celia Forner', New York NY

ARKEN Museum of Modern Art, 'Hyperrealist Sculpture 1973-2016', Ishøj, Denmark

MAC Musée d'art contemporain de Lyon, 'Los Angeles, a fiction', Lyon, France (Travelling Exhibition)

Faurschou Foundation, 'Mourning and Melancholia', Copenhagen, Denmark

The Billboard Creative, 'The Billboard Creative Show' [in collaboration with Damon McCarthy], Los Angeles CA

Pippy Houldsworth Gallery, '5 Years at Heddon Street', London, UK

Whitney Museum of American Art, 'Human Interest. Portraits from the Whitney's Collection', New York NY

Charles Riva Collection, 'The Power and the Glory', Brussels, Belgium

MARCO Museo de Arte Contemporáneo de Monterrey, 'Hyperrealist Sculpture 1973-2016', Monterrey, Mexico

Astrup Fearnley Musset, 'Los Angeles, a fiction', Oslo, Norway (Travelling Exhibition)

M HKA Museum van Hedendaagse Kunst Antwerpen, 'The Eighties – A Decade of Extremes', Antwerp, Belgium

Museo de Bellas Artes de Bilbao, 'Hyperrealist Sculpture 1973-2016', Bilbao, Spain

Charles Riva Project, 'Human Figure', Brussels, Belgium

The Geffen Contemporary at MOCA, 'Don't Look Back. The 1990s at MOCA', Los Angeles CA

Studio Guenzani, 'Art from Los Angeles. 1990-2010', Milan, Italy

Galerie Georges-Philippe & Nathalie Vallois, 'Heroes', Paris, France

Centre for Contemporary Art Ujazdowski Castle, 'Objects Do Things', Warsaw, Poland

MACBA Museu d'Art Contemporani de Barcelona, 'Punk. Its Traces in Contemporary Art', Barcelona, Spain

Whitney Museum of American Art, 'Human Interest. Portraits from the Whitney’s Collection', New York NY

Tate Modern, 'Performing for the Camera', London, UK

MAC Metropolitan Arts Centre, 'Double Act', Belfast, Ireland

Museo Jumex, 'The Natural Order of Things', Mexico City, Mexico

Vancouver Art Gallery, 'MashUp. The Birth of Modern Culture', Vancouver, Canada

Miriam and Ira D. Wallach Art Gallery, Columbia University, 'Open This End. Contemporary Art from the Collection of Blake Byrne', New York NY

The Box, 'impromptu', Los Angeles CA

Hauser & Wirth, 'Salon d'Hiver', Zurich, Switzerland

8. Salon, '"Die Kunst, die Kunst, ich pfeife auf die Kunst". Arthur Cravan im Ring mit 13 Künstlern unserer Zeit', Hamburg, Germany

Zentrum Paul Klee, 'About Trees', Bern, Switzerland

Tokyo Station Gallery, 'Voices of 20 Contemporary Artists. at Idem Paris, a Lithography Studio in Montparnasse', Tokyo, Japan

Fundació Gaspar, 'Art Strikes Back', Barcelona, Spain

Grand Palais, 'Picasso.Mania', Paris, France

Hamburger Bahnhof – Museum für Gegenwart, 'A Few Free Years – From Absalon to Zobernig. Donations by Friedrich Christian Flick to the Nationalgalerie', Berlin, Germany

Marlborough Chelsea, 'Marlborough Lights', New York NY

The Warehouse, 'Geometries On and Off the Grid. Art from 1950 to the Present', Dallas TX

Zentrum Paul Klee, 'About Trees', Bern, Switzerland

LACMA Los Angeles County Museum of Art, 'Drawing in L.A.. The 1960s and 70s', Los Angeles CA

Whitney Museum of American Art, 'America Is Hard to See', New York NY

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'My Body is the Event. Vienna Actionism and International Performance', Vienna, Austria

Sammlung Falckenberg, Deichtorhallen Hamburg, 'Self-Inflicted Justice By Bad Shopping – New Acquisitions of the Falckenberg Collection 2011-2014', Hamburg, Germany

Galería de arte Marlborough, 'Eagles II. Contemporary American Artists', Madrid, Spain

The University of Michigan Museum of Art, University of Michigan, 'HE. The Hergott Shepard Photography Collection', Ann Arbor MI

The George Economou Collection, 'Thorn in the Flesh', Athens, Greece

Museum of Contemporary Art, 'Body Doubles', Chicago IL

Deutsches Hygiene Museum, 'ROLL UP, ROLL UP! An Anatomical Waxwork Cabinet meets Art', Dresden, Germany

Centre Pompidou, 'Une histoire, art, architecture et design, des années 80 à aujourd'hui', Paris, France

Rachel Uffner Gallery, 'Proper Nouns', New York NY

Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, 'Open This End. Contemporary Art from the Collection of Blake Byrne', Portland OR

Miriam and Ira D. Wallach Art Gallery, Columbia University, 'Open This End. Contemporary Art from the Collection of Blake Byrne', New York NY

Fondazione Sandretto Re Rebaudengo, 'Something old Something borrowed Something blue', Turin, Italy

Centre Pompidou, 'Une histoire, art, architecture et design, des années 80 à aujourd'hui', Paris, France

The Betty And Edward Marcus Sculpture Park At Laguna Gloria, 'The Contemporary Austin', Austin TX

The FLAG Art Foundation, 'Disturbing Innocence', New York NY

Galleria Il Capricorno, 'Bruna Aickelin 1970-2014', Venice, Italy

La Nef – Musée des Arts Décoratifs, 'Décors à vivre. Les Arts Décoratifs accueillent AD Intérieurs 2014', Paris, France

Monash University Museum of Art, Monash University, 'Art as a Verb', Melbourne, Australia

Saatchi Gallery, 'Post Pop. East Meets West', London, UK

Patrick Painter Inc., 'Titans of the Stratosphere', Santa Monica CA

Museum of Contemporary Art Chicago, 'Body Doubles', Chicago IL

Herbert Foundation, 'Use Me', Ghent, Belgium George Economou Collection Space, 'Thorn in the Flesh', Athens, Greece

Nasher Museum of Art, Duke University, 'Open This End. Contemporary Art from the Collection of Blake Byrne', Durham NC (Travelling Exhibition)

Urban Arts Space, Ohio State University, 'Open This End. Contemporary Art from the Collection of Blake Byrne', Columbus OH (Travelling Exhibition)

B.P.S.22, 'The Opposite Worlds. Popular Cultures and contemporary art', Charleroi, Belgium

Tripostal, 'Secret Passions - Private Flemish Collections', Lille, France Delaware Art Museum, 'Retro active. Performance Art from 1964-1987', Wilmington, UK

GCCC Garage Center for Contemporary Culture, 'do it Moscow', Moscow, Russia

Galerie Sophie Scheidecker, 'Hybrid Creatures', Paris, France

Galeria Javier Lopez, 'Knock! Knock!', Madrid, Spain

The Box, 'Men in LA. Three Generations of Drawers', Los Angeles CA

Taubman Museum of Art, 'Beg, Borrow and Steal', Roanoke VA

Deutsches Hygiene Museum, 'Blicke! Körper! Sensationen! Ein anatomisches Wachskabinett und die Kunst', Dresden, Germany

The Drawing Room, 'The Nakeds', London, UK

Hayward Gallery, 'The Human Factor. Use of the Figure in Contemporary Sculpture', London, UK

MAXXI Museo nazionale delle arti del XXI secolo, 'Remembering is not enough – MAXXI Collection', Rome, Italy

Belvedere, 'Franz Graf – Siehe was dich sieht', Vienna, Austria

Centre Pompidou-Metz, '1984-1999. The Decade', Metz, France

Arp Museum Bahnhof Rolandseck, 'Macht. Wahn. Vision. Rapunzel & Co. Von Türmen und Menschen in der Kunst', Remagen, Germany

Grimaldi Forum Monaco, 'Artlovers – Stories of Art in the Pinault Collection', Monaco Galerie Hummel, 'Trash & Art', Vienna, Austria

Ben Maltz Gallery, Otis College of Art and Design, 'Binding Desire. Unfolding Artists Books', Los Angeles CA

Hammer Museum, 'Take It or Leave It. Institution, Image, Ideology', Los Angeles CA

Wexner Center for the Arts, 'Comic Future', Columbus OH

Museo Jumex, 'Confusion in the Vault', Mexico City, Mexico

MABsociety BANK gallery, 'PAINT(erly)', Shanghai, China

Kestnergesellschaft, 'der schein – glanz, glamour, illusion', Hanover, Germany

MATE Museo Mario Testino, 'Somos Libres', Lima, Peru Ballroom Marfa, 'Comic Future', Marfa TX

Centro de Arte Visuales Fundación Helga Alvear, 'On Paper', Cáceres, Spain

Hamburger Bahnhof – Museum für Gegenwart, 'Body Pressure. Sculptures since the 1960s', Berlin, Germany

Smart Museum of Art, 'State of Mind. New California Art Circa 1970', Chicago IL (Travelling Exhibition)

Nederlands Fotomuseum, 'White – Photography, Art, Design, Fashion, Film', Rotterdam, Netherlands

CAB Centro de Arte Caja de Burgos, 'El Teatro del Arte', Burgos, Spain

MARTa Herford / Kunstmuseum Ahlen, 'Disturbing the Piece. An expedition through the World of Collage', Herford / Ahlen, Germany

Bleecker Street Arts Club, 'Dead Inside', New York NY

De Halle, 'Middle Gate Geel 13', Geel, Belgium

Centre Pompidou, 'Le Surréalisme et l'objet – La sculpture au défi', Paris, France

Perry Rubenstein Gallery, 'The Humors', Los Angeles CA

Galerie Micky Schubert, 'The Estate', Berlin, Germany

Fondation Vincent van Gogh, 'Van Gogh Live!', Arles, France

Kunstmuseum Bern, 'The Weak Sex – How Art Pictures the New Male', Bern, Switzerland

La Biennale di Venezia, 'Il Palazzo Enciclopedico', Venice, Italy

M+, West Kowloon Cultural District, 'Mobile M+. Inflation', West Kowloon, Hong Kong

Utah Biennial of Contemporary Art, 'Mondo Utah.

The Folkloric of the Beehive State', Salt Lake City UT

Kunsthaus Kaufbeuren, 'From Page to Space', Kaufbeuren, Germany

Guggenheim Bilbao, 'Riotous Baroque. From Cattelan to Zurbarán – Tributes to Precarious Vitality', Bilbao, Spain (Travelling Exhibition)

Tacoma Arts Museum, 'Drawing Line into Form. Works on Paper by Sculptors from the Collection of BNY Mellon', Tacoma WA

Skarstedt Gallery London, 'From Figuration', London, UK

Parkett Ausstellungsraum, 'People', Zurich, Switzerland

Communauté Urbaine de Dunkerque, 'L'art à l'épreuve du monde', Dunkerque, France

Oi Futuro Cultural Center, 'Vidéo Vintage 1963-1983', Rio de Janeiro, Brazil (Travelling Exhibition)

National Museum of Modern and Contemporary Art, 'Vidéo Vintage 1963-1983', Seoul, South Korea (Travelling Exhibition)

Oi Futuro Cultural Center, 'Vidéo Vintage 1963-1983', Belo Horizonte, Brazil (Travelling Exhibition)

Beirut Art Center, 'Vidéo Vintage 1963-1983', Beirut, Lebanon (Travelling Exhibition)

Centre Pompidou, 'Vidéo Vintage 1963-1983', Paris, France (Travelling Exhibition)

New Museum, 'NYC 1993. Experimental Jet Set, Trash and No Star', New York NY

Palm Springs Art Museum, 'Beg, Borrow and Steal – Rubell Family Collection', Palm Springs CA

SITE Santa Fe, 'State of Mind. Art from California Circa 1970', Santa Fe NM (Travelling Exhibition)

Ludwig Múzeum – Museum of Contemporary Art, 'The Naked Man', Budapest, Hungary

Deutsches Hygiene-Museum, 'Do or Die – The Human Condition in Painting and Photography', Dresden, Germany

Charles Riva Collection, 'California', Brussels, Belgium

The Bronx Museum of the Arts, 'State of Mind. Art from California Circa 1970', New York NY (Travelling Exhibition)

The Institute of Contemporary Art, 'This Will Have Been. Art, Love & Politics in the 1980s', Boston MA

Julia Stoschek Collection, 'Number Six. Flaming Creatures', Dusseldorf, Germany

The Box, 'Painting', Los Angeles CA

Artipelag, 'Enlightened. Electric light as the Fairy of Art', Gustavsberg, Sweden

Centre Pompidou, 'Fruits of Passion', Paris, France

Centro de Artes Visuales Fundación Helga de Alvear, 'Language Games. An Introduction to the Art of our Times', Cáceres, Spain

ZKM Zentrum für Kunst und Medien, 'Vidéo Vintage 1963-1983', Karlsruhe, Germany (Travelling Exhibition)

Joan Miró Foundation, 'Explosion! The legacy of Jackson Pollock', Barcelona, Spain

Charles Riva Collection, 'California', Brussels, Belgium

Lentos Kunstmuseum Linz, 'Der Nackte Mann', Linz, Austria

All Visual Arts, 'Metamorphosis. The transformation of being', London, UK

Scottish National Gallery of Modern Art, 'From Death to Death and Other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and the D. Daskalopoulos Collection', Edinburgh, UK

Saatchi Gallery, 'The Art of Chess', London, UK

The Watermill Center, 'The Big Bang. The 19th Annual Watermill Center Summer Benefit', Watermill NY

Moderna Museet, 'Explosion! Painting in Action', Stockholm, Sweden

Julia Stoschek Collection, 'Number Six. Flaming Creatures', Dusseldorf, Germany

Le Lieu Unique – Scène Nationale de Nantes, 'Safari', Nantes, France

Villa Arson, 'A la vie délibérée! Une histoire de la performance sur la Côte d'Azur de 1951 à 2011', Nice, France

Staatsgalerie Stuttgart, 'Mythos Atelier Künstlerräume von Carl Spitzweg bis Bruce Nauman', Stuttgart, Germany

Haus der Kunst, 'Ends of the Earth – Land Art bis 1974', Munich, Germany

AG KiöR Arbeitsgruppe Kunst im öffentlichen Raum / Stadt Zürich, 'ART AND THE CITY. Das Festival für Kunst im öffentlichen Raum in Zürich-West', Zurich, Switzerland

L&M Arts, 'Mash Up. Collage from 1930 to the present', Los Angeles CA

Kunsthaus Zürich, 'Deftig Barock. Von Cattelan bis Zurbaran. Manifeste des prekär Vitalen', Zurich, Switzerland (Travelling Exhibition)

ICA The Institute of Contemporary Art, 'This Will Have Been. Art, Love & Politics in the 1980s', Boston MA (Travelling Exhibition)

MoMA Museum of Modern Art, 'Exquisite Corpses. Drawing and Disfiguration', New York NY

Morris and Helen Belkin Art Gallery, 'State of Mind. Art from California Circa 1970', Vancouver, Canada (Travelling Exhibition)

National Museum of Contemporary Art, 'Move. Choreographing you', Seoul, South Korea

Walker Art Center, 'This Will Have Been. Art, Love & Politics in the 1980s', Minneapolis MN (Travelling Exhibition)

Haus der Kunst, 'Ends of the Earth – Land Art bis 1974', Munich, Germany

Museum Ritter, 'Art with Chocolate', Waldenbach, Germany

Maison particulière art center, 'Struggle(s)', Brussels, Belgium

MOCA Museum of Contemporary Art, 'Rebel – James Franco, Douglas Gordon, Harmony Korine, Damon McCarthy, Paul McCarthy, Terry Richardson, Ed Ruscha, Aaron Young', Los Angeles CA

Mystetskyi Arsenal, 'First International Biennale of Contemporary Art. The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art', Kiev, Ukraine

Public Art Fund, City Hall Park, 'Common Ground', New York NY

The Geffen Contemporary at MOCA, 'Ends of the Earth. Land Art to 1974', Los Angeles CA

MALBA Fundación Costantini, Museo de Arte Latinoamericano, 'Bye Bye American Pie', Buenos Aires, Argentina

VOX Contemporary Image Centre, 'Art Histories', Montreal, Canada

21er Haus, Museum und Schloss Belvedere, 'Utopie Gesamtkunstwerk', Vienna, Austria

MARTa Herford, 'Atelier + Kitchen – Laboratories of the Senses', Herford, Germany

Mitterrand + Cramer, 'Hotel California II', Geneva, Switzerland

The Box, 'Los Angeles Free Music Society. Beneath the Valley of the Lowest Form of Music', Los Angeles CA

Berkeley Art Museum, 'State of Mind. New California Art circa 1970', Berkeley CA (Travelling Exhibition)

Boston University Art Gallery, '100 Years (version 4 Boston, 2012)', Boston MA

Museum of Contemporary Art Chicago, 'This Will Have Been. Art, Love & Politics in the 1980s', Chicago IL (Travelling Exhibition)

PMCA Pasadena Museum of California Art, 'LA Raw. Abject Expressionism in Los Angeles 1945-1980. From Rico Lebrun to Paul McCarthy', Pasadena CA

K21 Ständehaus, Kunstsammlung Nordrhein Westfalen, 'Big Picture III (Szenen / Figuren)', Dusseldorf, Germany

Boston University Art Gallery, '100 Years (Version #4 Boston, 2012)', Boston MA

Rubell Family Collection Contemporary Arts Foundation, 'American Exuberance', Miami FL

LACE Los Angeles Contemporary Exhibitions, 'Recollecting Performance', Los Angeles, CA

Fundació Antoni Tàpies, 'In the first Circle. A Project by Imogen Stidworthy', Barcelona, Spain

MUMO Mobile Museum (Mobile exhibition for children which travels throughout France and Africa supported by UNESCO)

Weserburg Museum für moderne Kunst, 'Farbe im Fluss/Color in Flux', Bremen, Germany

Herning Museum of Contemporary Art, 'Welcome in the Dark!', Herning, Denmark

MoMu ModeMuseum Provincie Antwerpen, 'Walter Van Beirendonck. Dream the World Awake', Antwerp, Belgium

Van Abbemuseum, 'The Collectors Show', Eindhoven, Netherlands

Deichtorhallen Internationale Kunst und Fotografie Hamburg, 'Zwei Sammler – Thomas Olbricht und Harald Falckenberg', Hamburg, Germany

Staatsgalerie Stuttgart, 'Das Atelier – Werkstatt und Mythos', Stuttgart, Germany

Marres Maastricht – Centre for Contemporary Culture, 'Out of Storage. Provisoire & Définitif', Maastricht, Netherlands

Museu de Arte Contemporânea de Serralves, 'Off the Wall / Fora da Parede', Porto, Portugal

De Hallen, 'He disappeared into complete silence – rereading a single artwork by Louise Bourgeois', Haarlem, Netherlands

Centre Pompidou, 'Danser sa vie / Dance Your Life', Paris, France

Timmerfabriek, Marres Projects, 'Out of Storage. Provisoire & Définitif', Maastricht, Netherlands

PMCA Pasadena Museum of California Art, 'LA Raw. Abject Expressionism in Los Angeles 1945-1980. From Rico Lebrun to Paul McCarthy', Pasadena CA

OCMA Orange County Museum of Art, 'State of Mind. New California Art Circa 1970', Newport CA

MOCA The Museum of Contemporary Art, 'Under the Big Black Sun. California Art 1974-1981', Los Angeles CA

LACE Los Angeles Contemporary Exhibitions, 'Los Angeles Goes Live. Performance Art in Southern California 1970-1983', Los Angeles CA

White Flag Projects, 'Another Kind of Vapor', Saint Louis MO

Fundación/Colección Jumex, 'Glimmer', Mexico City, Mexico

Kathleen Cullen Fine Art / Elisabeth Ivers Gallery, 'Two Colors', New York NY

Luxembourg & Dayan, 'Unpainted Paintings', New York NY

Fundación Caixa Catalunya, 'Eating Art', Barcelona, Spain

PKM Trinity Gallery, 'TEXT/VIDEO/FEMALE – Art after 60’s', Seoul, South Korea

Galerie Bob van Orsouw, 'The Luxury of Dirt', Zurich, Switzerland

David Risley Gallery, 'DeKooning, DeKooning, DeKooning…', Copenhagen, Denmark

Kunsthalle Emden, 'Zwischen Film und Kunst – Storyboards von Hitchcock bis Spielberg', Emden, Germany

Guggenheim Museum, 'The Luminous Interval', Bilbao, Spain

Punta della Dogana, François Pinault Foundation, 'In Praise of Doubt', Venice, Italy

DESTE Foundation, 'Investigations of a Dog', Athens, Greece (Travelling Exhibition)

Gropius Bau, 'Kompass – Zeichnungen aus dem Museum of Modern Art New York', Berlin, Germany

Essl Museum, 'Festival der Tiere', Klosterneuburg, Austria Magasin 3 Stockholm Konsthall, 'Investigations of a Dog', Stockholm, Sweden (Travelling Exhibition)

Haus der Kunst, 'Move – Kunst und Tanz seit den 1960er Jahren', Munich, Germany (Travelling Exhibition)

Vancouver Art Gallery, 'From the collection. Unreal', Vancouver, Canada

Vanhaerents Art Collection, 'Disorder in the house', Brussels, Belgium

Fondazione Nicola Trussardi / Stazione Leopolda, '8 ½', Florence, Italy

Kunsthaus Bregenz, 'Living Archives – Cooperation Van Abbemuseum', Bregenz, Austria

Hangaram Museum, '200 Artworks – 25 Years', Seoul, South Korea

GAM Civica Galleria d'Arte Moderna di Gallarate, 'Cosa fa la mia anima mentre sto lavorando? – Opere d'arte contemporanea dalla collezione Consolandi', Gallarate, Italy

Torrance Art Museum, 'What's New, Pussycat?', Torrance, Canada

Institut Valencià d’Art Modern, 'Compass in hand. Selections from the Judith Rothschild Foundation Contemporary Drawings Collection', Valencia, Spain

The Hayward Gallery, 'Move. Choreographing You', London, UK (Travelling Exhibition)

GAMeC Galleria d’Arte Moderna e Contemporanea, 'THE PRIVATE MUSEUM. The Passion for Contemporary Art in the Collections in Bergamo', Bergamo, Italy

Gasser / Grunert, 'Exquisite Corpse Project. Leading Artists Recreate Surrealist Parlor Game', New York NY

CAC Cincinnati Contemporary Arts Center, 'Where Do We Go From Here? Selections from La Colección Jumex', Cincinnati OH

MUDAC Musée de design et d’arts appliqués contemporains, 'Covering the wall. Contemporary Wallpapers', Lausanne, Switzerland

Galerías Hermenegildo Bustos, '¡Sin techo está pelón!', Guanajuato, Mexico

MOCA Grand Avenue / The Geffen Contemporary at MOCA, 'The Artist's Museum', Los Angeles CA

Museum on the Seam, 'The Right to Protest', Jerusalem, Israel MUDAC Musée de design et d'arts appliqués contemporains, 'Face au mur', Lausanne, Switzerland

Matts Gallery, 'TAPS. Improvisations with Paul Burwell', London, UK

Whitney Museum of American Art, 'Collecting Biennials', New York NY

Biennale Internazionale di Scultura di Carrara, 'XIV International Sculpture Biennale of Carrara. Postmonument', Carrara, Italy

Whitney Museum of American Art, 'Off the Wall. Part 1 – Thirty Performative Actions', New York NY

ACCA Australian Centre for Contemporary Art, 'Gestures and Procedures', Melbourne, Australia

Kunstforum Ostdeutsche Galerie, 'Permanent Trouble. Kunst aus der Sammlung Kopp München', Regensburg, Germany

Pinchuk Art Centre, 'Sexuality and Transcendence', Kiev, Ukraine

Gagosian Gallery, 'Crash – Homage to JG Ballard', London, UK

Biennale of Sydney, '17th Biennale of Sydney. The Beauty of Distance. Songs of Survival in a Precarious Age', Sydney, Australia

Cheekwood Botanical Garden & Museum of Art, 'Soaps, Flukes, and Follies', Nashville TN

Galerie im Taxispalais, 'Eating The Universe. Vom Essen in der Kunst', Innsbruck, Austria (Travelling Exhibition)

Gavlak Gallery, 'Think Pink', Palm Beach FL

New Museum, 'Skin Fruit. Selections from the Dakis Joannou Collection', New York NY

La Maison Rouge – Fondation Antoine de Galbert, 'Investigations of a Dog', Paris, France (Travelling Exhibition)

Ellipse Foundation, 'Investigations of a Dog', Cascais, Portugal (Travelling Exhibition)

Museet for Samtidskunst – Museum of Contemporary Art, 'Gestures – Performance and Sound', Roskilde, Denmark

Gwangju Biennale, '8th Gwangju Biennale', Gwangju, South Korea

Kunsthalle Göppingen, 'Happy End', Göppingen, Germany

The Fruitmarket Gallery, 'Childish Things', Edinburgh, UK

Wallraf-Richartz-Museum, 'Do or Die: The Human Condition in Painting and Photography', Cologne, Germany Gasworks, 'Hydrarchy. Power and Resistance at Sea', London, UK

Kunstmuseum Stuttgart, 'EAT ART. Vom Essen in der Kunst', Stuttgart, Germany (Travelling Exhibition)

S.M.A.K. Stedelijk Museum voor Actuele Kunst & Museum of Fine Arts, 'Hareng Saur – Ensor and Contemporary Art', Ghent, Belgium

Simon Lee Gallery, 'Barbaric Freedom', London, UK

Portland Art Museum, 'Disquieted', Portland OR

Temporäre Kunsthalle, 'FischGrätenMelkStand', Berlin, Germany

Suntory Museum Osaka, 'Resonance', Osaka, Japan

Walker Art Center, 'Abstract Resistance', Minneapolis MN

CA2M Centro de Arte Dos de Mayo, 'Sonic Youth etc. : Sensational Fix', Móstoles, Spain (Travelling Exhibition)

ARoS Aarhus Kunstmuseum, 'I love you', Aarhus, Denmark

Nyehaus, 'California Maximalism: Sticking a Spike into the Vein of Memory', New York NY

Hamburger Bahnhof – Museum für Gegenwart, 'Die Kunst ist super', Berlin, Germany

Fondazione Sandretto Re Rebaudengo, 'Investigations of a Dog', Turin, Italy (Travelling Exhibition)

Rubell Family Collection, 'Beg Borrow and Steal', Miami FL

MOCA Museum of Contemporary Art, 'Collection. MOCA's First Thirty Years', Los Angeles CA

Bass Museum of Art, 'Where Do We Go From Here? Selections from La Colección Jumex', Miami FL

Seattle Art Museum, 'Target Practice. Painting Under Attack 1949-78', Seattle CA

S.M.A.K. Stedelijk Museum voor Actuele Kunst, 'GAGARIN the Artists in their Own Words – The First Decade', Ghent, Belgium

FRAC Poitou-Charentes – Site de Linazay, 'Attraction (Voyage sentimental)', Angoulême, France

L & M Arts, 'Beyond Black, White and Gray’, New York NY

Lisson Gallery, 'Boule to Braid’, London, UK

Deste Foundation, 'A Guest + A Host = Ghost', Athens, Greece

Lisson Gallery, 'Boule to Braid', London, UK

Château Guiraud, 'Quand la première ivresse des succès bruyants…', Sauternes, France

Elgiz Museum of Contemporary Art, 'Now New. New Works, New Space', Istanbul, Turkey

Kurimanzutto, 'My Generation', Mexico City, Mexico

Kunstnernes Hus, 'Live Art', Oslo, Norway

Palais des Arts de Dinard, 'Who's afraid of the Artist?', Dinard, France

The Garage Centre for Contemporary Culture in Moscow, 'Un Certain État du Monde?', Moscow, Russia

MoMA Museum of Modern Art, 'Compass in Hand. Selections from the Judith Rothschild Foundation Contemporary Culture', New York NY

IMA Institute of Modern Art, 'The Same River Twice. Part 2', Brisbane, Australia

Musée d'Art Contemporain, 'N'importe quoi', Lyon, France

Kunsthalle Düsseldorf, 'Sonic Youth etc. : Sensational Fix', Dusseldorf, Germany (Travelling Exhibition)

Palazzo Grassi / Punta della Dogana, François Pinault Foundation, 'Mapping the Studio. Artists from the François Pinault Collection', Venice, Italy

Contemporary Arts Museum, 'The Puppet Show', Houston TX (Travelling Exhibition)

Frye Art Museum, 'The Puppet Show', Seattle WA (Travelling Exhibition)

Reykjavik Art Museum, 'The Art of Chess', Reykjavik, Iceland (Travelling Exhibition)

Salzburger Kunstverein, 'No Sound of Music', Salzburg, Austria

Galleria Civica d'Arte Moderna e Contemporanea di Torino, 'The Theatre of Performance', Turin, Italy Kunsthalle Düsseldorf, 'Eat the Universe – Vom Essen in der Kunst', Dusseldorf, Germany

Compton Verney, 'The Artist's Studio', Warwickshire, UK

MACG Museo de Arte Carrillo Gil, 'I Use Perfume to Occupy more Space', Mexico City, Mexico

1031PE, 'Group Show', Los Angeles CA

Phoenix Kulturstiftung, 'Helga de Alvear und Harald Falckenberg im Dialog', Hamburg, Germany

MUNAL Museo Nacional de Arte, 'The Practice of Everyday Life. Fundación / Colección Jumex', Mexico City, Mexico

White Columns, 'Looking Back. The White Columns Annual', New York NY

Vanabbemuseum, 'Stars and Stripes Forever', Eindhoven, Netherlands

Galerie Erna Hécey, 'The Cult of Personality – Portraits and Mass Culture', Brussels, Belgium

Galleria Civica di Arte Contemporanea, 'The Rocky Mountain People Show', Trento, Italy

Broelmuseum Kortrijk – Museum voor beeldende en toegepaste kunst, 'FuturARTextiel', Kortrijk, Belgium

MCASD Museum of Contemporary Art San Diego, La Jolla, 'Weighing and Wanting. Selections from the Collection', San Diego CA

Institute of Modern Art, 'The Same River Twice Part 1', Brisbane, Australia

Yokohama Triennale 2008, 'Time Crevasse', Yokohama, Japan

MOCA Museum of Contemporary Art, 'Index. Conceptualism in California from the Permanent Collection', Los Angeles CA

MoMA Museum of Modern Art, 'Here Is Every. Four Decades of Contemporary Art', New York NY

CCS Bard Hessel Museum, 'I’ve got something in my eye', Annandale-on-Hudson NY

Perry Rubenstein Gallery, 'A Sorry Kind of Wisdom', New York NY

ICA Institute of Contemporary Art, 'The Puppet Show', Philadelphia PA (Travelling Exhibition)

Santa Monica Museum of Art, 'The Puppet Show', Santa Monica CA (Travelling Exhibition)

The Contemporary Museum, 'The Puppet Show', Honolulu HI (Travelling Exhibition)

The Power plant Contemporary Art Gallery, 'Not Quite How I Remembered it', Toronto, Canada

Museion, 'Peripherer Blick und kollektiver Körper / Peripheral Vision and collective body', Bolzano, Italy

MuHKA Museum van Hedendaagse Kunst, 'Collectie XXII Fantasy', Antwerp, Belgium

Laguna Art Museum, 'In the Land of Retinal Delights. The Juxtapoz Factor', Laguna Beach CA

Victoria and Albert Museum, 'Blood on Paper. The Art of the Book', London, UK

Galerie Vallois, 'Hotel California', Paris, France

Hamburger Bahnhof – Museum für Gegenwart, 'Cult of the artist. "I can't just slice off an ear every day" Deconstructing the Myth of the Artist', Berlin, Germany

Biennale Internazionale di Scultura di Carrara, 'XIII International Sculpture Biennale of Carrara', Carrara, Italy

Maccarone Gallery / Gavin Brown's Enterprise, 'Pretty Ugly', New York NY

Park de Oude Warande, Museum De Pont, 'Lustwarande 08 – Wanderland. 3rd edition international sculpture exhibition in Baroque pleasure-garden', Tilburg, Netherlands

Gering-Lopez Gallery, 'No Images of Man', New York NY

Grote Zaal Koninklijke Schouwburg Den Haag, 'The Hague Sculpture 2008. FREEDOM – American Sculpture', The Hague, Netherlands

MARTa Herford, 'Die Hände der Kunst – Mehr als 190 Zeichnungen, Drucke und Collagen mit Händen zeitgenössischer Künstler', Herford, Germany

FRAC Fonds Régional d'Art Contemporain Languedoc-Roussillon, 'La dégelée Rabelais', Montpellier, France

KW Institute for Contemporary Art, 'Hotel Marienbad 002. Sammlung Rausch', Berlin, Germany

Zentrum Paul Klee, 'Lost Paradise – Der Blick des Engels', Bern, Switzerland

CAPC Musée d'art contemporain de Bordeaux Entrepôt, 'Less is less, more is more, that's all', Bordeaux, France

ExhibAir Malpensa, 'Electronic Lounge. La donazione Halevim al Museo del Novecento', Milan, Italy

Kramer Amthaus, 'Entschleunigung', Munster, Germany

Moderna Museet, 'Eclipse – Art in a Dark Age', Stockholm, Sweden

Indianapolis Museum of Art, 'On Procession', Indianapolis IN

Tel Aviv Museum of Art, 'Depletion. Works from the Doron Sebbag Art Collection', Tel Aviv, Israel

MCA Museum of Contemporary Art, 'Southern Exposure. Works from the Collection of the Museum of Contemporary Art San Diego', Sydney, Australia

Eleni Koroneou Gallery, 'Faces', Athens, Greece

Villa Arson, 'Ne pas jouer avec des choses mortes', Nice, France

Thyssen-Bornemisza Art Contemporary, 'Other than Yourself. An Investigation Between Inner and Outer Space', Vienna, Austria

Barbican Art Gallery, 'Martian Museum of Terrestrial Art', London, UK

J. Paul Getty Museum, 'California Video', Los Angeles CA

frei_raum Q21, MuseumsQuartier, 'The Sound of Art – TONSPUR expanded', Vienna, Austria

Sebastian Guinness Gallery, 'The Art of Chess', Dublin, Ireland

MoMA Museum of Modern Art, 'Multiplex. Directions in Art, 1970 to Now', New York NY

EFA Gallery, 'Performance on Demand', New York NY

Bloomberg SPACE, 'No, Future', London, UK

Gagosian Gallery, 'Fit to Print – Printed Media in recent Collage', New York NY

Getty Center, 'Evidence of Movement', Los Angeles CA

Museum on the Seam, 'Bare Life', Jerusalem, Israel

MuHKA Museum van Hedendaagse Kunst, 'Who's got the big picture?', Antwerp, Belgium

Orange County Museum of Art, 'Art since the 1960's. California Experiments', Newport Beach CA

David Zwirner, 'A Point in Space is a Place for an Argument', New York NY

Vanhaerents Art Collection, 'Disorder in the House', Brussels, Belgium

Essl Museum Kunst der Gegenwart, 'Foto.Kunst', Klosterneuburg, Austria

Christchurch Art Gallery, 'Reboot – The Jim Barr and Mary Barr Collection', Christchurch, New Zealand

Hamburger Bahnhof – Museum für Gegenwart, 'There is never a stop and never a finish. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. In memoriam Jason Rhoades', Berlin, Germany

Barbican Center, 'Panic Attack! Art in the Punk Years', London, UK

Kunsthalle Wien / mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Dream & Trauma – Works from the Dakis Joannou Collection, Athens', Vienna, Austria

National Gallery of Victoria, 'Guggenheim Collection. 1940s to Now. New York – Venice – Bilbao – Berlin', Melbourne, Australia

Essl Museum Kunst der Gegenwart, 'Passion for Art', Klosterneuburg, Austria

Deste Foundation, 'The Fractured Figure', Athens, Greece

MoMA Museum of Modern Art, 'Live / Work. Performance into Drawing', New York NY

De Hallen Haarlem, 'Nothing Else Matters', Haarlem, Netherlands

DA2 Domus Artium 2002, 'IDYLLE', Salamanca, Spain

Kunsthalle Mannheim, '100 Jahre Kunsthalle Mannheim', Mannheim, Germany

Triennale Kleinplastik, '10. Triennale Kleinplastik. Bodycheck', Fellbach, Germany

Museum Kunstpalast, 'Die Kunst zu Sammeln', Dusseldorf, Germany

Perry Rubenstein Gallery, 'Omission', New York NY

European Media Art Festival, 'Final Cut – Medienkunst und Kino', Osnabrück, Germany

MACRO Museo d'Arte Contemporanea Roma, 'Into Me / Out of Me', Rome, Italy (Travelling Exhibition)

Kunstverein Braunschweig, 'Kunst aus Los Angeles der 60er bis 90er Jahre', Braunschweig, Germany

SCOPE, 'SCOPE New York 2006', New York NY

Kunsthalle Mannheim, 'Full House', Mannheim, Germany

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Wiener Aktionismus', Vienna, Austria

MoMA Museum of Modern Art, 'Transforming Chronologies 2', New York NY

San Francisco Art Institute, 'Work Zones', San Francisco CA

Museum Folkwang, 'Speaking with Hands', Essen, Germany

Guggenheim Museum, 'Speaking with Hands', New York NY

INHOTIM Instituto de Arte Contemporânea, 'Open House', Minas Gerais, Brazil

Leopold Hoesch Museum, 'Sammlung Dahlmann', Dueren, Germany

ZKM Zentrum für Kunst und Medientechnologie, 'FASTER! BIGGER! BETTER!', Karlsruhe, Germany

RS&A Ltd, 'With the Artists. New Paintings by Jake, Paul, George and Dinos', London, UK

Galerie Patrick Seguin, 'Galerie Patrick Seguin invites Hauser & Wirth', Paris, France

Palazzo Grassi, François Pinault Foundation, 'Where are we going? – François Pinault collection. A post pop selection', Venice, Italy

Hessel Museum of Art, Bard College, 'Wrestle', New York NY

Exit Art, 'Renegades. 25 Years of Performance Art at Exit Art', New York NY

Collection Lambert en Avignon, 'Figures de l'acteur – Le paradoxe du comédien', Avignon, France

Zwirner & Wirth, 'Yes Bruce Nauman', New York NY

Museo d'Arte Contemporanea Donnaregina, 'People. From the Collection of Ernesto Esposito', Naples, Italy

Samuel P. Harn Museum of Art, 'Highlights from the Photography Collection – Contemporary Complexities', Gainesville FL

Ruskin School at Oxford, 'Another Fine Mess. Video Works from 1967-2005', cur. Terry Smith, Oxford, UK

Sammlung Falckenberg / Phoenix Kulturstiftung, 'Idylle. Traum und Trugschluss', Hamburg, Germany

Perry Rubenstein Gallery, 'On second thought', New York NY

Whitney Museum of American Art, 'Full House. Views of the Whitney's Collection at 75', New York NY

Anton Kern Gallery, 'Implosion. 10 Year Anniversary', New York NY

Naturalis, 'Conversations', Leiden, Netherlands

Rubell Family Collection, 'Red Eye. Los Angeles Artists from the Rubell Family Collection', Miami FL

MoMA PS1, 'Into Me / Out of Me', cur. Klaus Biesenbach, New York NY (Travelling Exhibition)

Cheekwood Museum of Art, '100 Artists See God', Nashville TN

KW Institute for Contemporary Art, 'Into Me / Out of Me', Berlin, Germany (Travelling Exhibition)

ICA Institute of Contemporary Arts, 'Surprise Surprise', cur. Jens Hoffmann and Rob Bowman, London, UK

Dublin City Gallery The Hugh Lane, 'Studio', cur. Jens Hoffmann and Christina Kennedy, Dublin, Ireland

Fonds Régional, 'Action', Marseille, France

Fruitmarket Gallery, 'Dada's Boys', Edinburgh, UK

Louisiana Museum of Modern Art, 'Sip My Ocean', Humlebaek, Denmark

Villa Manin Centre for Contemporary Art, 'Infinite Painting', cur. Francesco Bonami, Codroipo, Italy

Berlin Biennial, '4th Berlin Biennial. Of Mice and Men', cur. Ali Subotnick, Massimiliano Gioni and Maurizio Cattelan, Berlin, Germany

Centre Pompidou, 'Los Angeles – Paris', cur. Catherine Grenier, Paris, France UCLArts, 'Sixteen Tons', cur. Michael Darling, Los Angeles CA

Museum für Gegenwartskunst, 'Faites vos jeux. Art and game since Dada / Kunst und Spiel seit Dada', Siegen, Germany (Travelling Exhibition)

Albright College Freedman Art Gallery, '100 Artists See God', Reading PA (Travelling Exhibition)

Museo Nacional Centro de Arte Reina Sofía, 'Domestic Violence', Madrid, Spain

Art Athina, 'Art Athina 2005', Athens, Greece

MuHKA Museum van Hedendaagse Kunst, 'de Zomer van Middelburg', Antwerp, Belgium

Contemporary Art Center of Virginia, '100 Artists See God', Virginia Beach VA (Travelling Exhibition)

Quarter, 'The Gesture', Florence, Italy

CAPC musée d'art Contemporain de Bordeaux, 'Collection Automne/Hiver', Bordeaux, France

Musée Cantonal des Beaux-Arts, 'Private View 1980-2000', Lausanne, Switzerland

Centre Pompidou, 'Big Bang', Paris, France

Kunstsammlung im Ständehaus, 'Sammlung 2005 – Neupräsentation', Dusseldorf, Germany

Macedonian Museum of Contemporary Art, 'The Gesture', Thessaloniki, Greece

Kölnischer Kunstverein, 'KunstFilm Biennale', Cologne, Germany

ACC Weimar, 'Polymorph Pervers', Weimar, Germany

NRW-Forum, 'Video II. Allegorie', Dusseldorf, Germany

Castello di Rivoli, 'From the Electronic Eye', Turin, Italy

Casino Luxembourg, 'L’humanité mise à nu...', Luxembourg, Luxembourg N.O. Gallery, 'Multiplo 2', Milan, Italy

Kunsthalle Baden-Baden, 'MULTIPLE RÄUME (3). FILM', Baden-Baden, Germany

Helsinki City Art Museum, 'Falckenberg Collection', Helsinki, Finland

Luhring Augustine, 'The Art of Chess', New York NY

MOCA Museum of Contemporary Art, 'The Blake Byrne Collection', Los Angeles CA

Andrea Rosen Gallery, 'Looking at Words', New York NY

BA-CA Kunstforum, 'Superstars', Vienna, Austria

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'After the Act', Vienna, Austria

Essl Museum Kunst der Gegenwart, 'Figur / Skulptur', Klosterneuburg, Austria

ZKM Zentrum für Kunst und Medientechnologie, 'Lichtkunst aus Kunstlicht', Karlsruhe, Germany

Coleccion Gary Nader, 'Important Modern and Contemporary Art', Miami FL

Akademie der Künste, 'Faites vos jeux! Art and game since Dada / Kunst und Spiel seit Dada', Berlin, Germany (Travelling Exhibition)

Kunstmuseum Liechtenstein, 'Faites vos jeux. Art and game since Dada / Kunst und Spiel seit Dada', Vaduz, Liechtenstein (Travelling Exhibition)

Contemporary Arts Center, 'Multiple Strategies', Cincinnati OH

Guggenheim Bilbao, 'Speaking with Hands', Bilbao, Spain

Walker Art Center, 'Mythologies', Minneapolis MN

MoMA Museum of Modern Art, 'Drawings from the Modern, 1975-2005', New York NY

Natural History Museum of LA County, 'Conversations', Los Angeles CA

LACE Los Angeles Contemporary Exhibitions, 'A Walk to Remember', Los Angeles CA

Whitechapel Art Gallery, 'Faces in the Crowd', London, UK (Travelling Exhibition)

Castello di Rivoli, 'Faces in the Crowd', Turin, Italy (Travelling Exhibition)

Fondazione Sandretto Re Rebaudengo, 'Bidibidobidiboo. La Collezione Sandretto Re Rebaudengo per i dieci anni della Fondazione', Turin, Italy

Museum der Moderne, 'Les grands spectacles. 120 Jahre Kunst und Massenkultur', cur. Margrit Brehm and Roberto Ohrt, Salzburg, Austria

Kunsthalle Emden, 'Die obere Hälfte. Die Büste von August Rodin bis heute', Emden, Germany (Travelling Exhibition)

Städtische Museen Heilbronn, 'Die obere Hälfte. Die Büste von August Rodin bis heute', Heilbronn, Germany (Travelling Exhibition)

Museum Liner, 'Die obere Hälfte. Die Büste von August Rodin bis heute', Linder, Switzerland (Travelling Exhibition)

HVCCA The Hudson Valley Center for Contemporary Art, 'Figure It Out. New Directions in Figurative Sculpture', Peekskill NY

Tajan, 'New York – Paris, 1945-2005', Paris, France

Kunsthalle Wien, 'Superstars. The Principle of Renown', Vienna, Austria

Thyssen-Bornemisza Art Contemporary, 'Puppets & Heavenly Creatures', Vienna, Austria

Stiftung Wilhelm Lehmbruck Museum, 'Spielräume', Duisburg, Germany

MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo, 'Miradas y Conceptos en la Colección Helga de Alvear', Badajoz, Spain

Centre Pompidou, 'Dionysiac', Paris, France

Zwirner & Wirth, 'Girls on film', New York NY

Galerie Mezzanin, 'Homage to the Square', Vienna, Austria

Kunsthalle Bielefeld, 'Das Grosse Fressen. Von Pop bis heute', Bielefeld, Germany

Centre Pompidou, 'Video and After', Paris, France

Van Abbemuseum, 'One on One', Eindhoven, Netherlands

MALBA Fundacion Constantini, 'Uses of the image. Film, Photography and Video in the Jumex Collection', Buenos Aires, Argentina

Reykjavik Arts Festival, 'Reykjavik Arts Festival 2004', Reykjavik, Iceland

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Mike Kelley – Das Unheimliche', Vienna, Austria

Malba, '___', Buenos Aires, Argentina

MOT London, 'I am the Wrath of God', London, UK

Kunsthaus Graz, 'Bewegliche Teile / Steirischer Herbst 2004', Graz, Austria

Essl Museum Kunst der Gegenwart, 'Visions of America', Klosterneuburg, Austria Museum der Moderne, 'Vision einer Sammlung', Salzburg, Austria

Museum der Moderne, 'Einleuchten', Salzburg, Austria

Tang Teaching Museum and Art Gallery, 'About Painting', Saratoga Springs NY

SASSAS Benefit, 'Blast', Beverly Hills CA

Deichtorhallen, '15 Jahre Deichtorhallen', Hamburg, Germany

Apexart, 'DRAFTING DECEIT / Marta Kuzma', New York NY

International Center of Photography, 'White', New York NY

Whitechapel Gallery, 'Faces in the Crowd', London, UK

ICA Institute of Contemporary Arts, '100 Artists See God', London, UK

Galeries Nationales du Grand Palais, 'The Great Parade', Paris, France (Travelling Exhibition)

National Gallery of Canada, 'The Great Parade', Ottawa, Canada (Travelling Exhibition)

Kling & Bang Gallery, 'Sheep Plug', Reykjavik, Iceland

ICA Institute for Contemporary Art, University of Philadelphia, 'The Big Nothing', Philadelphia PA

Jönköpings Läns Museum, 'Spiritus', Jönköping, Sweden (Travelling Exhibition)

Bomuldsfabriken Kunsthall, 'Spiritus', Arendal, Norway (Travelling Exhibition)

Galerie Georges-Phillipe & Nathalie Vallois, 'Is There a Curator to Save the Show?', Paris, France

Sundsvalls Museum, 'Spiritus', Sundsvall, Sweden (Travelling Exhibition)

Länsmuseet Gävleborg, 'Spiritus', Gävle, Sweden (Travelling Exhibition)

Göteborgs Konstmuseum, 'Spiritus', Göteborg, Sweden (Travelling Exhibition)

Haus der Kunst, 'Schatzhäuser Deutschlands', Munich, Germany

Hamburger Bahnhof – Museum für Gegenwart, 'Friedrich Christian Flick Collection im Hamburger Bahnhof', Berlin, Germany

ICA Institute of Contemporary Art, 'Klütterkammer. An Exhibition by John Bock', London, UK

SITE Santa Fe, 'The Fifth International Biennial 2004. Disparities and Deformations. Our Grotesque', Santa Fe NM

Hallormsstadur Forest, 'Fantasy Island', Hallormsstadur, Iceland

DESTE Foundation, 'Monument to Now', Athens, Greece

Cheim & Read, 'I am the Walrus', New York NY

Whitney Museum of American Art, 'Evidence of Impact. Art and Photography 1963-1978', New York NY

Kunsthalle Mannheim, 'Die Neue Kunsthalle III', Mannheim, Germany

Maison Rouge, Fondation Antoine de Galbert, 'L’Intime', Paris, France

ICA Institute of Contemporary Art, 'Artist's Favourite', London, UK

Museum of Contemporary Art, 'Point of View. An Anthology of the Moving Image', New York NY (Travelling Exhibition)

Le Musée d'Art Moderne de la Ville de Paris, 'Point of View. An Anthology of the Moving Image', Paris, France (Travelling Exhibition)

UCLA at the Hammer Museum, 'Point of View. An Anthology of the Moving Image', Los Angeles CA (Travelling Exhibition)

MACBA Museu d'Art Contemporani de Barcelona, 'L'action restreinte', Barcelona, Spain

Hauser & Wirth, 'In Search of the Perfect Lover', London, UK

Palais de Tokyo, 'Playlist', Paris, France

Galerie Loyal, 'MegaAmerica', Kassel, Germany

Whitney Museum of American Art, 'Whitney Biennial 2004', New York NY

Naples Museum of Art, '100 Artists See God', Naples FL (Travelling Exhibition)

The Jewish Museum San Francisco, '100 Artists See God', San Francisco CA (Travelling Exhibition)

Laguna Art Museum, '100 Artists See God', Laguna Beach CA (Travelling Exhibition)

Magazin 4, 'Planet B – The Aesthetic of B Movies in Art', Bregenz, Austria

Memorial Art Gallery, University of Rochester, '100 Artists See God', Rochester NY (Travelling Exhibition)

Louisiana Museum of Modern Art, 'I Hate You – The Falckenberg Collection', Humlebaek, Denmark

Douglas Hyde Gallery, 'Spiritus', Dublin, Ireland (Travelling Exhibition)

Palau de la Virreina, 'bankett / banquete', Barcelona, Spain (Travelling Exhibition)

MediaLab, 'bankett / banquete', Madrid, Spain (Travelling Exhibition)

Helsinki City Art Museum, 'Stunt – Videos', Helsinki, Finland

Tate Modern, 'Live Culture', London, UK

MIT List Visual Arts Center, 'Influence, Anxiety and Gratitude', Cambridge MA

ORANGE, 'Orange – Contemporary Art Event of Saint-Hyacinthe', Quebec, Canada

MMK Museum Moderner Kunst, 'Das lebendige Museum', Frankfurt, Germany

FRAC Fonds Régional d'Art Contemporain, 'Les 20 ans des FRAC', Paris, France

ICA Institute of Contemporary Art, 'Video Acts – Kramlich Collections', London, UK

Gesellschaft der Freunde der Neuen Galerie, 'MARS-Art and War', Graz, Austria

Magasin 3 Stockholm Konsthall, 'Spiritus', Stockholm, Sweden (Travelling Exhibition)

Espai d'Art Contemporani, 'Micropolitics. Art and Everyday Life', Valencia, Spain

Gilbert Collection / Somerset House, 'The Art of Chess', London, UK

Haus der Kunst, 'Partners', Munich, Germany

Ferrotel, 'Fuori Uso. Contemporary Art Exhibition', Pescara, Italy

The Geffen Contemporary at MOCA, 'Sitings. Installation Art 1969-2002', Los Angeles CA

Essl Museum Kunst der Gegenwart, 'Neuankäufe 2003', Klosterneuburg, Austria

MUHKA Museum van Hedendaagse Kunst, 'De Collectie', Antwerp, Belgium

Museum Dhondt-Dhaenens, '(In Search of) The Perfect Lover. Werke auf Papier aus der Sammlung Hauser & Wirth', Deurle, Belgium (Travelling Exhibition)

Kunsthalle Baden-Baden, '(In Search of) The Perfect Lover. Werke auf Papier aus der Sammlung Hauser und Wirth', Baden-Baden, Germany (Travelling Exhibition)

Biennale de Lyon, '7ème Biennale de Lyon. C'est arrivé demain', Lyon, France

ZKM Zentrum für Kunst und Medientechnologie, 'Banquet. Metabolism and Communication', Karlsruhe, Germany

Whitney Museum of American Art, 'A Whitney for the Whitney at Philip Morris', New York NY

LACE Los Angeles Contemporary Exhibitions, 'High Performance. The First Five Years', Los Angeles CA

ICA Institute of Contemporary Art, 'Video Acts. Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', London, UK (Travelling Exhibition)

Frahm Ltd., 'Into Your Face', London, UK

Neue Galerie Graz, 'Phantom der Lust. Visionen des Masochismus in der Kunst', Graz, Austria

Centre d'Art Passerelle, 'Trans_positions', Brest, France

Neues Museum Weserburg, 'Kunst nach Kunst', Bremen, Germany

Virginia Museum of Fine Arts, 'Outer and Inner Space [Part 2 of 3]', Richmond VA

Galerie Georges-Philippe & Nathalie Vallois, 'Cadavre exquis', Paris, France

Arnolfini Gallery, 'Apparition – The Action of Appearing', Bristol, UK

MoMA PS1, 'Video Acts. Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', New York NY (Travelling Exhibition)

CAPC Musée d'art contemporain de Bordeaux Entrepôt, 'Les Années 70. L'art en cause', Bordeaux, France

The Project, 'A Shot That Will Show That A Show Is Not Only A Show', Los Angeles CA

Whitney Museum of American Art, 'Assortments – Part of De Kooning to Today. Highlights from the Permanent Collection', New York NY

Luhring Augustine, 'Continuous Play', New York NY

Schirn-Kunsthalle, 'Shopping. 100 Jahre Kunst und Konsum', Frankfurt, Germany (Travelling Exhibition)

Fürstenberg Sammlungen, 'Ahead of the 21st Century – The Pisces Collection', Donaueschingen, Germany

The Brooklyn Museum of Art, 'My Reality. Contemporary Art and the Culture of Japanese Animation', New York NY (Travelling Exhibition)

Contemporary Arts Center, 'My Reality. Contemporary Art and the Culture of Japanese Animation', Cincinnati OH (Travelling Exhibition)

Tampa Museum of Art, 'My Reality. Contemporary Art and the Culture of Japanese Animation', Tampa FL (Travelling Exhibition)

Chicago Cultural Center, 'My Reality. Contemporary Art and the Culture of Japanese Animation', Chicago IL (Travelling Exhibition)

Norton Museum of Art, 'My Reality. Contemporary Art and the Culture of Japanese Animation', Palm Beach FL (Travelling Exhibition)

Museum of Glass, 'My Reality. Contemporary Art and the Culture of Japanese Animation', Tacoma WA (Travelling Exhibition)

Direzione regionale per i beni culturali e paesaggistici del Friuli Venezia Giulia, 'Pulcherrimae Strade', Trieste, Italy

Huntsville Museum of Art, 'My Reality. Contemporary Art and the Culture of Japanese Animation', Huntsville AL (Travelling Exhibition)

Tate Liverpool, 'Shopping. 100 Jahre Kunst und Konsum', Liverpool, UK (Travelling Exhibition)

Centro de Arte de Salamanca, 'Comer o no Comer. To Eat or Not to Eat, Or, the Relations Between Art and Questions of Eating', Salamanca, Spain

Kunstraum Innsbruck, 'Plus Ultra', Innsbruck, Austria Essor Gallery Limited, 'Mapping the Process', London, UK

Sammlung Hauser & Wirth, 'House of Fiction. Sammlung (3)', St. Gallen, Switzerland

EACC Espai d'Art Contemporani de Castello, 'Heroes Caidos – Masculinidad y representación', Madrid, Spain

Walker Art Center, 'Walk Around Time. Selection from the Permanent Collection', Minneapolis MN

MoMA Museum of Modern Art, 'The First Decade. Video from the EAI Archives', New York NY

Staatliche Kunsthalle Baden-Baden, 'Das Tier in mir – Die Mensch-Tier-Verwandtschaft in der zeitgenössischen Kunst. Teil III in der Trilogie', Baden-Baden, Germany

Hauser & Wirth, 'Ten Years Galerie Hauser & Wirth', Zurich, Switzerland

CAN Centre d'Art Neuchâtel, 'Sans consentement', Neuchâtel, Switzerland

Astrup Fearnley Museum of Modern Art, 'Passenger. The Viewer as Participant', Oslo, Norway

Steiermärkisches Landesmuseum Joanneum, 'Abbild – Recent Portraiture and Depiction', Vienna, Austria

Cal State Fullerton Grand Central Art Center, 'Drawing Towards an End', Fullerton CA

Spala Gallery, 'Exhibition for the Prague Steamroller 2000 Festival', Prague, Czech

Republic Galerie Krinzinger, 'Ausgesucht von Eva Schlegel und Erwin Wurm', Vienna, Austria

Praz Delavallade, 'Heads or Tails', Paris, France

Nikolaj Kunsthal – Copenhagen Contemporary Art Center, 'Masculinities', Copenhagen, Denmark

Le Printemps de Septembre, 'Le Printemps de Septembre 2001', Toulouse, France

Logan Galleries, CCAC San Francisco Campus, 'The Artist's World', San Francisco CA

Virginia Museum of Fine Arts, 'Outer and Inner Space [Part 1 of 3]', Richmond VA

Castello di Rivoli, 'Chairs in Contemporary Art', Udine, Italy

Harvard University Art Museum, Harvard University, 'Extreme Connoisseurship', Cambridge MA

Galería OMR, 'Turas Amuebladas', Mexico City, Mexico

Chac Mool Gallery, 'Group Show', West Hollywood CA

CUNY City University of New York's Graduate Center Art Gallery, 'Play's The Thing. Critical and Transgressive Practices in Contemporary Art', New York NY

La Biennale di Venezia, 'En el cielo, Sky writing' [organized by TRANS], Venice, Italy

Stazione Leopolda, 'Uniform & Disorder', Florence, Italy

Des Moines Art Center, 'My Reality, Contemporary Art and the Culture of Japanese Animation', Des Moines IA

Jumex Centro de Distribución, 'La Colección Jumex', Mexico City, Mexico

Cotthem Gallery, 'Talking Heads', Barcelona, Spain

Walker Art Center, 'Painting at the Edge of the World', Minneapolis MN

Galería Estrany – De La Mota, 'Begijnhof III', Barcelona, Spain

Kestner Gesellschaft, 'Ziviler Ungehorsam. Die Sammlung Falckenberg', Hanover, Germany

Miami Art Museum, 'Let's Entertain. Life's Guilty Pleasures', Miami FL (Travelling Exhibition)

Museo Rufino Tamayo, 'Let's Entertain. Life's Guilty Pleasures', Oaxaca, Mexico (Travelling Exhibition)

Kunstmuseum Wolfsburg, 'Let's Entertain. Life's Guilty Pleasures', Wolfsburg, Germany (Travelling Exhibition)

Centre Pompidou, 'Let's Entertain. Life's Guilty Pleasures', Paris, France (Travelling Exhibition)

Portland Art Museum, 'Life's Guilty Pleasures', Portland OR (Travelling Exhibition)

Walker Art Center, 'Let's Entertain. Life's Guilty Pleasures', Minneapolis MN (Travelling Exhibition)

MoMA Museum of Modern Art, 'Open Ends', New York NY

Barbara Gladstone Gallery, 'Drawings', New York NY

Musée d'art contemporain / FRAC Fonds Régional d'Art Contemporain Nord-Pas de Calais, 'Le jeu des 7 familles', Geneva, Switzerland

Galería Soledad Lorenzo, 'Dialogues con la fotografía', Madrid, Spain

Lisson Gallery, 'Video Work', London, UK Expo 2000, 'In-Between', Hanover, Germany

CAPC Musée d'art contemporain de Bordeaux Entrepôt, 'Presumed Innocent – Contemporary Art and Childhood', Bordeaux, France

Side Street Project, 'Downtown Opening', Los Angeles CA

Secession, 'Projekt Fassade', Vienna, Austria

Miller Durazo Contemporary Artists Projects, 'Funsize', Los Angeles CA

Umetnostna Galerija Maribor, 'American Dreams', Maribor, Slovenia

Monika Sprüth, 'LA', Cologne, Germany

Hayward Gallery / Brighton Museum, 'Carnivalesque', London, UK (Travelling Exhibition)

Castle Museum & Art Gallery, 'Carnivalesque', Nottingham, UK (Travelling Exhibition)

City Art Center, 'Carnivalesque', Edinburgh, UK (Travelling Exhibition)

Bluecoat Chambers, 'The other side of zero. Video Positive 2000', Liverpool, UK

MoMA PS1, 'Around 1984. A Look at Art in the Eighties', New York NY

Sammlung Hauser & Wirth / Lokremise St. Gallen, 'Sammlung (1) – The Oldest Possible Memory', cur. Eva Meyer-Hermann, St. Gallen, Switzerland

Sydney Biennial, 'The 12th Sydney Biennial', Sydney, Australia

Ikon Gallery, 'Lost', Birmingham, UK Anthony Wilkinson Gallery, 'I Am Making Art', London, UK

Tate Gallery, 'Performing Bodies', London, UK

Grimaldi Forum, 'Air Air', Monaco Kunstmuseum Liechtenstein, 'Positionen der 80er Jahre', Vaduz, Liechtenstein

George's, 'The Fashion Show', Los Angeles CA

Galerie im Taxispalais, 'Applebroog / Brunner / McCarthy', Innsbruck, Austria

Kunsthalle Nürnberg, 'Vergiss den Ball und spiel' weiter. Das Kind in der zeitgenössischen Kunst', Nuremberg, Germany

FRAC Fonds Régional d'Art Contemporain Nord-Pas de Calais / Collection de Michel Poitevin, 'Une histoire parmi d'autres', Dunkerque, France

LACMA Los Angeles County Museum of Art, 'Recent Acquisitions', Los Angeles CA

Galerie für zeitgenössische Kunst Leipzig, 'Moving Images. Film – Reflexion in der Kunst' [collaboration with Siemens Kulturprogramm], Leipzig, Germany

Kunstsammlung Nordrhein-Westfalen, 'Puppen Körper Automaten-Phantasmen der Moderne', Dusseldorf, Germany

Castello di Rivoli, 'Subjectivity and Narration', Turin, Italy

Porin Taidemuseo, 'Ruralia. Art of the Countryside', Pori, Finland

Spazio Erasmus Brera, 'Atto I opere scelte', Milan, Italy

Kunstamt Kreuzberg Bethanien, 'Pink for Boys, Light Blue for Girls', Berlin, Germany

Art & Public, 'Sweet & Sour', Geneva, Switzerland

Contemporary Arts Council, 'Stuff', Chicago IL Galerie Kampl im Kunstforum, 'Trailer', Munich, Germany

Massimo Lauro Gallery, 'Life is Elsewhere', Milan, Italy

Karen McCready Fine Art, 'Parallel Lines. Mix and Match', New York NY

The Armory Center for the Arts, 'Radical Past. Contemporary Art & Music in Pasadena 1960-1974', Pasadena CA

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Richtung Museumsquartier – Die neue Sammlung (2)', Vienna, Austria

Museum der Bildenden Künste, 'My Name – Sammlung Falckenberg', Leipzig, Germany

Juice, 'Let's Play Risk', London, UK

Anderson Gallery, Virginia Commonwealth University, 'Presumed Innocence', Virginia VA

Grazer Kunstverein, 'Mise en Scène', Graz, Austria

The Power Plant, 'American Playhouse', Toronto, Canada

Baylor Art Museum, University of Virginia, 'Making it Real', Charlottesville VA

Portikus, 'Damenwahl', Frankfurt, Germany

Patrick Painter Inc., 'New Works. Roy Arden, Glenn Brown, Roni Horn, Mike Kelley, Mark Lewis, Paul McCarthy, Jorge Pardo, Diana Thater', Santa Monica CA

Museum of Contemporary Art, 'Double Trouble', San Diego CA

MAK Museum für angewandte Kunst, 'Out of Actions. Between Performance and the Object, 1949-1979', Vienna, Austria

The Aldrich Museum of Contemporary Art, 'Pop Surrealism', Ridgefield CT

Kunsthalle Wien am Karlsplatz, 'Crossings', Vienna, Austria

Luhring Augustine Gallery, 'Antoni, Förg, McCarthy, Miyajima, Morimura, Oehlen, Rae, Rist, Tunga, Whiteread, Wolfe, Wool', New York NY

Fondazione Sandretto Re Rebaudengo, 'LA Times', Turin, Italy

FRAC Fonds Régional d'Art Contemporain Nord-Pas de Calais, 'Acquisitions Récentes', Dunkerque, France

L'École d'Art de Grenoble, 'REMAKE – art / cinema / appropriation, Austriatitudes', Grenoble, France

Holderbank Management und Beratung AG, 'Kunstausstellung Holderbank', Holderbank, Switzerland Portland Museum of Art, 'Making It Real', Portland OR

Museum of Contemporary Art, 'Out of Actions. Between Performance and the Object, 1949-1979', Los Angeles CA SITE, 'Performance Anxiety', Santa Fe NM

Patrick Painter Inc., 'Figurative Sculpture', Santa Monica CA

The Cortical Foundation, 'Beyond the Pink Performance Festival', Los Angeles CA

Galerie Krinzinger, 'L.A. on Paper 1 Re-lax', Vienna, Austria

Entwistle, 'Works on Paper by American Artists', London, UK

Thomas Healy Gallery, 'Bathroom', New York NY

Castello di Rivoli, 'Sunshine & Noir', Turin, Italy (Travelling Exhibition)

UCLA at the Armand Hammer Museum, 'Sunshine & Noir', Los Angeles CA (Travelling Exhibition)

Kunstmuseum Wolfsburg, 'Sunshine & Noir', Wolfsburg, Germany (Travelling Exhibition)

Louisiana Museum of Modern Art, 'Sunshine & Noir', Humlebaek, Denmark (Travelling Exhibition)

Kunstraum Innsbruck, 'Von Kopf bis Fuss. Fragmente des Körpers', Innsbruck, Austria

Kunsthalle Wien, 'Alpenblick', Vienna, Austria

Galleri Nicolai Wallner, 'Art Calls', cur. Jacob Fabricius, Copenhagen, Denmark

Centre National d'Art Contemporain de Grenoble, 'Dramatically Different', Grenoble, France

Reykjavik Municipal Art Museum, 'Making it Real', Reykjavik, Iceland

Contemporary Arts Museum, 'Tableaux', Houston TX

PERFORMATRIX, 'Performatrix – 4. Performance Konferenz', Hamburg, Germany

Kunsthaus Bregenz, 'KünstlerInnen. 50 Positionen', Bregenz, Austria Museum of Contemporary Art, 'Performance Anxiety', San Diego CA

The New Art Gallery of New South Wales, 'Body', Sydney, Australia

Christopher Grimes Gallery, 'Paul McCarthy & Benjamin Weissman', Santa Monica CA

Gwangju Biennale, '2nd Gwangju Biennale', Gwangju, South Korea

Armand Hammer Museum of Art and Cultural Center, 'Scene of the Crime', Los Angeles CA

Biennale d'art contemporain de Lyon, 'Biennale d'art contemporain 1997', Lyon, France

Performa, 'Performa 97', Berlin, Germany

Henry Art Gallery, 'Deep Storage', Seattle WA (Travelling Exhibition)

P.S.1 Contemporary Art Center, 'Deep Storage', New York NY (Travelling Exhibition)

Kunstmuseum Düsseldorf, 'Deep Storage', Dusseldorf, Germany (Travelling Exhibition)

Haus der Kunst, 'Deep Storage', Munich, Germany (Travelling Exhibition)

Nationalgalerie SMKP, 'Deep Storage', Berlin, Germany (Travelling Exhibition)

Galerie Tanya Rumpff, 'Meg Cranston, Paul McCarthy, Barry McGee, Raymond Pettibon, Jason Rhoades', Haarlem, Netherlands

Ydessa Hendeles Art Foundation, 'Observations & Observances', Toronto, Canada

Museum of Contemporary Art, 'Tableaux', Miami FL (Travelling Exhibition)

Museum of Contemporary Art, 'Performance Anxiety', Chicago IL

Guggenheim Museum SoHo, 'Rooms with a View. Environments for Video', New York NY

Soledad Lorenzo Gallery, 'Cruising LA', Madrid, Spain

Whitney Museum of American Art, '1997 Biennial Exhibition', New York NY

Transmission Gallery, 'Joy Joy', Glasgow, UK

The Tannery, 'Natural Habitat', London, UK

The Aldrich Museum of Contemporary Art, 'Making It Real', Ridgefield CT

Southampton City Art Gallery, 'Popoccultural', Southampton, UK

Ecole nationale supérieure des Beaux Arts, 'Connexions Implicites', Paris, France

Art & Idea, 'Video (desnudo)', Mexico City, Mexico

Jay Gorney Modern Art, 'Paul McCarthy, Paul Noble, Allen Ruppersberg', New York NY

Museum of Contemporary Art, 'Helter Skelter', Los Angeles CA

Romper Room, 'Thread Waxing Space', New York NY

Center for Curatorial Studies Museum, Bard College, 'a / drift', Annandale-on-Hudson NY

Landesgalerie Linz, 'Objekt. Video Oö', Linz, Austria

Rooseum Center for Contemporary Art, 'Painting. The Extended Field', Malmo, Sweden

Statens Museum for Kunst, 'American Film & Video. Whitney Biennial / Electronic Undercurrents', Copenhagen, Denmark

Baron/Boisanté Gallery, 'Shit', New York NY

MAC Galeries contemporaines des Musées de Marseille, 'The Art Embodied – L'art au corps', Marseille, France

Galerie Arndt & Partner, 'The Aggression of Beauty', Berlin, Germany

Robert Prime Gallery, 'How will we behave', London, UK

Le Conseil Municipal de la ville de Nice, 'Chimeriques Polymers', Nice, France

Luhring Augustine Gallery, 'Exposure', New York NY

Ydessa Hendeles Art Foundation, 'Portraits', Toronto, Canada

Shoshana Wayne Gallery, 'Paranoid Machine', Santa Monica CA

Auckland Art Gallery, 'Transformers', Auckland, New Zealand

MAK Center for Art and Architecture, 'The Garage Project', Los Angeles CA

CAN Centre d'Art Neuchâtel, 'Non! Pas comme ça!', Neuchâtel, Switzerland

Museum of Contemporary Art, 'Reel Work, Artists’ Film and Video of the 1970', Miami FL

Studio Guenzani, 'Controfigura', Milan, Italy

Sprengel Museum Hannover, 'Sex & Crime', Hanover, Germany

San Francisco Art Institute, 'Low Cool', San Francisco CA

FRAC Poitou-Charentes, 'Variations, op. 96', Angoulême, France Trans Hudson Gallery, '(nude)', San Francisco CA

La Fondation pour l'Architecture, 'Les plaisirs et les ombres', Brussels, Belgium

Bloom Gallery, 'Felix Gonzalez-Torres, Douglas Gordon, Dan Graham, Michael Joo, Mike Kelley, Paul McCarthy, Juan Munoz, Daniel Oates – Presented by Patrick Painter Editions', Amsterdam, Netherlands

Atheneum Campus Universitaire, 'Vito Acconci Video Performances', Dijon, France

Porin Taidemuseo, 'Image of Self as Another', Pori, Finland

Galerie Andreas Binder, 'Comic and Sex in American Art', Munich, Germany

Dakis Joannou Collection, 'Everything That's Interesting Is New', Athens, Greece

David Zwirner Gallery, 'Sampler 2. More Videos from Southern California', New York NY

Cinematheque, 'Video Screening Painter and Heidi', San Francisco CA

David Zwirner Gallery, 'Marcel Broodthaers-Correspondence', New York NY

Postmasters Gallery, 'Raw', New York NY

Soros Center for Contemporary Arts, 'Stereo-Tip', Ljubljana, Slovenia

Centre Pompidou, 'Fémininmasculin. Le sexe de l'art', Paris, France

Arteleku, 'Collisions', San Sebastian, Spain

Institute of Contemporary Art, 'Familiar Places', Boston MA

FRAC Fonds Régional d'Art Contemporain Auvergne / Château de la Louvière, 'Autres victoires', Montluçon, France

Weingart Galleries Occidental College, 'New Visions for Historic Neighborhoods', Los Angeles CA

The American Center, 'Video News', Paris, France

Track 16 Gallery, 'LA International', Santa Monica CA

Associazione Culturale Arte Nova, 'Fuori USO ‘95', Pescara, Italy

FRAC Fonds Régional d'Art Contemporain Auvergne, 'Histoire de l'infamie', Montluçon, France

Hauser & Wirth, 'Marcel Broodthaers-Correspondence', Zurich, Switzerland

Galleria d'Arte Moderna e Contemporanea, 'Le Mille e una Volta', San Marino, Italy

La Biennale di Venezia, 'Identità e Alterità', Venice, Italy

Collection Fin XXe, FRAC Fonds Régional d'Art Contemporain, 'Five separate locations', Poitou-Charentes, France

Museo d'Arte Contemporanea, 'The Reflected Image', Prato, Italy

Whitney Museum of American Art, 'Whitney Biennial Exhibition', New York NY

David Zwirner Gallery, 'Bruce Nauman, Mike Kelley, Franz West and Paul McCarthy', New York NY

Bergamot Station Arts Center, 'Murder', Santa Monica CA

Exit Art, 'Endurance', New York NY

Museo Nacional Centro de Arte Reina Sofía, 'Cocido y Crudo', Madrid, Spain

Associazione Culturale Arte Nova, 'Opera Prima, Fuori USO ‘94', Pescara, Italy

Centre Pompidou, 'Hors limites. L'art et la vie 1952-1994', Paris, France

Center for Curatorial Studies / ICI Independent Curators International, 'Bard College Transformers. The Art of Multiphrenia', cur. Ralph Rugoff, Annandale-on-Hudson NY

Gallery 2, The School of the Art Institute Chicago, 'Investigations into the Physical and Metaphorical Hole', Chicago IL

Kunstraum Wien, 'Oh Boy, It's a Girl', Vienna, Austria (Travelling Exhibition) Kunstverein München, 'Oh Boy, It's a Girl', Munich, Germany (Travelling Exhibition)

Santa Monica Museum of Art, 'Altered Egos', cur. Karen Moss, Santa Monica CA

World Wide Video Festival, '12th World Wide Video Festival', The Hague, Netherlands

Gimpel Fils Ltd., 'Dan Graham, Rodney Graham, Mike Kelley, Paul McCarthy, Daniel Oates, Richard Prince, Meyer Vaisman, Jeff Wall', London, UK De Vishal, 'Kus Me Kus Me Zeeman', Haarlem, Netherlands

Galerie Asbaek, 'Daniel Oates, Lincoln Tobier, Larry Johnson, Jeff Wall, Dan Graham, Richard Prince, Meyer Vaisman, Rodney Graham, Paul McCarthy', Copenhagen, Denmark

Kunstforeningen, '(cut) – Los Angeles – 90'ernes kunstscene', Copenhagen, Denmark

Inter Art Center, 'Gifts', New York NY

John Good Gallery, 'Dirty, Sadie Benning, Keith Boadwee, Cary S. Leibowitz/Candy Ass, Jeanne Dunning, John LeKay, Rachel Harrison, Paul McCarthy, Tyler Stallings', New York NY

Film Forum, 'Scratching the Belly', Los Angeles CA

Santa Barbara Contemporary Arts Forum, 'pen & ink', Santa Barbara CA

Galleri K, 'Ross Bleckner, Günther Förg, Georg Herold, Martin Kippenberger, Jeff Koons, Paul McCarthy, Ta Miyajima, Albert Oehlen, Philip Taaffe, Christopher Wool', Oslo, Norway

Torch Gallery, 'Paul McCarthy – Mike Kelley – Charlemagne Palestine – Dirk Larsen', Amsterdam, Netherlands

Arti et Amicitiae, 'Babies and Bambis', Amsterdam, Netherlands

Cleveland Center for Contemporary Art, 'Outside the Frame of the Object', Cleveland OH

Austrian Cultural Institute, 'Altered, Two-person show, Rudolf Schwarzkogler and Paul McCarthy', New York NY

Luhring Augustine, 'Group Show. Barry X Ball, Gregory Crewdson, Günther Förg, Paul McCarthy, Tatsuo Miyajima, Yasumasa Morimura, Rachel Whiteread', New York NY

ICI Independent Curators International, 'Transformers', New York NY (Travelling Exhibition)

Sphere Max, 'Self Winding', cur. Jeffrey Deitch, Tokyo, Japan (Travelling Exhibition)

Namba City Hall, 'Self Winding', cur. Jeffrey Deitch, Osaka, Japan (Travelling Exhibition)

Kim Light Gallery, 'Everyday Life', Los Angeles CA

Cincinnati Contemporary Art Center, 'Figure as Fiction', Cincinnati OH

MoMA Museum of Modern Art, 'Identity and Home', New York NY

David Zwirner Gallery, 'Sampler – Southern California Video Tape Collection, 1970-1993', New York NY (Travelling Exhibition)

Rosamund Felsen Gallery, 'Down the stairs diagonally', Los Angeles CA

Studio Guenzani, 'Sampler – Southern California Video Tape Collection, 1970-1993', Milan, Italy (Travelling Exhibition)

Guggenheim Museum SoHo, 'Drawing the Line Against AIDS', New York NY

Kunsthalle Wien, 'The Language of Art', Vienna, Austria

Mondrian Hotel, 'Trancesex, A State of Mystical Absorption', Los Angeles CA

Verein Kunst-Werk, 'Utopian Art – Artificial Utopia', Zurndorf, Austria Johnen & Schöttle, 'Patrick Painter Editions', Cologne, Germany

La Biennale di Venezia, 'Aperto', Venice, Italy

Gemeentemuseum / Sonsbeek '93, 'The Uncanny', cur. Mike Kelley, Arnhem, Netherlands

Christopher Grimes Gallery, 'Mr. Sterling's Neighborhood', Los Angeles CA

Kramer Art Museum, 'The Eidetic Image. Contemporary Works on Paper', Champaign IL

The Everson Museum of Art, 'The Eidetic Image. Contemporary Works on Paper', Syracuse NY

The Newport Harbor Art Museum, 'The Eidetic Image. Contemporary Works on Paper', Newport CA

Turner/Krull Galleries, 'Action Performance and the Photograph', Los Angeles CA

Art Gallery, Visual Art Center, California State University, 'The Elegant, the Irreverent and the Obsessive. Drawings in Southern California', Fullerton CA

Karsten Schubert, 'Into the Lapse', London, UK (Travelling Exhibition)

Friesenwall 120, 'Into the Lapse', Cologne, Germany (Travelling Exhibition)

Dogenhaus Galerie, 'Into the Lapse', Leipzig, Germany (Travelling Exhibition)

Bruno Brunnet Fine Arts, 'Into the Lapse', Berlin, Germany (Travelling Exhibition)

The Royal Danish Academy of Art, 'Into the Lapse', Copenhagen, Denmark (Travelling Exhibition)

'The United Film Project', cur. Jason Simon, Firminy, France Thread Waxing Space, 'I am the Enunciator', New York NY

Centro Video Arte – Palazzo Dei Diamanti, 'Poliset', Ferrara, Italy

Spazio Opos, 'Privacy', Milan, Italy

Deichtorhallen, 'Post Human', Hamburg, Germany (Travelling Exhibition)

Israel Museum, 'Post Human', Jerusalem, Israel (Travelling Exhibition)

Société des Expositions / Palais des Beaux-Arts, 'Into the Lapse', Brussels, Belgium (Travelling Exhibition)

1301, 'Into the Lapse', Santa Monica CA (Travelling Exhibition)

FAR Bazaar, 'Into the Lapse', Los Angeles CA (Travelling Exhibition)

Capricorna Gallery, 'CHARTAE', Venice, Italy

Akademie der Kunst, 'Spielhölle', Frankfurt, Germany

Galerie Krinzinger, 'LAX', Vienna, Austria

Castello di Rivara, 'Viaggio a Los Angeles', Turin, Italy

Galerie Max Hetzler, Cologne, Germany

Daniel Buchholz, 'Greatest Hits', Cologne, Germany

Musée d'art contemporain, Fondation Asher Edelman, 'Post Human', Lausanne, Switzerland (Travelling Exhibition)

Castello di Rivoli, 'Post Human', Turin, Italy (Travelling Exhibition)

Deste Foundation, 'Post Human', Athens, Greece (Travelling Exhibition)

Anthony d'Offay Gallery, 'Strange Developments', cur. Jeffrey Deitch, London, UK

Rosamund Felsen Gallery, 'Rosamund Felsen Clinic and Recovery Center', cur. Ralph Rugoff, Los Angeles CA

Esther Schipper Gallery, '(Mami)', Cologne, Germany

Studio Guenzani, 'Paul McCarthy, Lari Pittman, Jeffrey Vallance at Studio Guenzani', Milan, Italy

Muu Media Festival, 'Excess. Power, Pain and Pleasure', Helsinki, Finland

Jack Hanley Gallery, 'Richard Prince, Paul McCarthy and Daniel Oates', San Francisco CA

Rosamund Felsen Gallery, 'Roy Dowell, Paul McCarthy, Renee Petropoulos', Los Angeles CA

Museum of Contemporary Art, 'Helter Skelter', Los Angeles CA

Rosamund Felsen Gallery, 'Quick Coagulation Forms the August Corpse', Los Angeles CA

Ars Electronica, 'Out of Control, Video Violence', Linz, Austria

Simon Watson, 'The Family Romance' [a videotape program], New York NY (Travelling Exhibition)

Simon Watson, 'The Body' [a videotape program], New York NY

The Renaissance Society at the University of Chicago, 'The Body' [a videotape program], Chicago IL (Travelling Exhibition)

Peter Pakesch Gallery, 'The Body' [a videotape program], Vienna, Austria (Travelling Exhibition)

Roy Boyd Gallery, 'Ha-Ha', Santa Monica CA

Parker Zanic Gallery, 'Ovarian Warriors vs. Knights of Crissum', Los Angeles CA

Rosamund Felsen Gallery, 'Presenting Rearwards', Los Angeles CA

Grazer Kunstverein, 'Body and Body', Graz, Austria

Rosamund Felsen Gallery, 'Past and Present – Selected Works by Gallery Artists', Los Angeles CA

Long Beach Museum of Art, 'New California Video – A Survey of Open Channels 1985-1990', Long Beach CA

American Film Institute, 'Video Festival and Area-wide Screenings', Los Angeles CA

Rosamund Felsen Gallery, 'New Works on Paper', Los Angeles CA

Los Angeles Contemporary Exhibitions, 'Tactical Positions' [Video Tapes], Los Angeles CA

Long Beach Museum of Art, 'Open Channels Video', Long Beach CA

Los Angeles Institute of Contemporary Art, 'B & W Drawings', Los Angeles CA

Anti Club, 'Assault Video', Los Angeles CA Orwell Memorial Gallery, 'Crap', Los Angeles CA

Edge Gallery, 'Contemporary Eccentrics', Fullerton CA

Long Beach Museum of Art, '1974-1984 Video. A Retrospective', Long Beach CA

Hallwalls, 'Video by Performance Artists – Terry Allen, Tony Labat, Paul McCarthy', Buffalo NY

Gallery 8336, '14 Artists Out of Line', Los Angeles CA

American Center, 'Video Tapes America', Paris, France

Museum of Contemporary Art, 'California Performance Now and Then', Chicago IL

Washington Project for the Arts, 'Lately in LA', Washington DC

Künstlerhaus Bethanien, 'Video, Aufzeichnungen von Performances', Berlin, Germany

Teatro L’Affratellamento, 'Per/for/mance – American Art Performance Festival', Florence, Italy (Travelling Exhibition)

Teatro Circo Spazio Zero, 'Per/for/mance – American Art Performance Festival', Rome, Italy (Travelling Exhibition)

Sixto Notes, 'Audio Works', Milan, Italy The Public Eye, 'Video 80', San Francisco CA

Nan Hoover Atelier / DeApple Gallery, 'Video Tapes From Los Angeles', Amsterdam, Netherlands

University Art Museum, 'Commissioned Video', Berkeley CA

Long Beach Museum of Art, 'Second Southern California Video, Part II', Long Beach CA

M. L. d'Arc Gallery, 'Outside Video Tapes', New York NY

Long Beach Museum, 'Southern California Video Anthology', Long Beach CA

Newspace Gallery, Los Angeles CA

Libra Gallery, 'Conceptual Art', Pomona CA

University of Southern California, 'Festival of the Arts', Los Angeles CA

Rugoff, Ralph, Stiles, Kristine, Gioni, Massimiliano, Storr, Robert, 'Paul McCarthy', London: Phaidon, 2016

Grau, Donatien (ed.), 'Pierre Guyotat. La matière de nos oeuvres', Arles: Actes Sud/Association Azzedine Alaïa, 2016, ill.

Baker, Simon, Moran, Fiontán (eds.), 'Performing for the Camera', London: Tate Publishing, 2016, ill.

Schimmel, Paul, Schultz-Hoffmann, Carla, 'Inbetween. Baselitz – McCarthy', Athens: George Economou Collection/Canal Station Inc., 2015, ill. (exh. cat.)

Jaeger, Joachim (ed.), 'The Box. Paul McCarthy', Ostfildern: Hatje Cantz, 2014, ill. (exh. cat.)

von Olfers, Sophie, Pirotte, Philippe, Schöneich, Fabian (eds.), 'Mike Bouchet & Paul McCarthy. Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model', Mousse Publishing, 2014, ill. (exh. cat.)

Gioni, Massimiliano, Weissman, Benjamin, af Petersen, Magnus, 'Paul McCarthy. nine dwarves', Seoul: Kukje Gallery, 2012, ill. (exh. cat.)

Klocker, Hubert (ed.), 'Paul McCarthy & Damon McCarthy. Caribbean Pirates. 13 video projections', Cologne: Walther König, 2012, ill.

McCarthy, Paul, Watson, Sarah (eds.), 'Hummel', New York/Los Angeles: L&M Arts/Hauser & Wirth, 2010, ill. (exh. cat.)

McCarthy, Paul, Watson, Sarah (eds.), 'Three Sculptures', New York/Los Angeles: L&M Arts, 2010, ill. (exh. cat.)

van Adrichem, Jan, 'Air Pressure. Paul McCarthy', Utrecht: Municipality of Utrecht, Department of Cultural Affairs, 2009, ill. (exh. cat.)

Iles, Chrissie, 'Paul McCarthy. Central symmetrical rotation movement', New York: Whitney Museum of American Art, 2008, ill. (exh. cat.)

Lipsyte, Sam, 'Paul McCarthy. Between Beauty and the Beast: Sculptures, Drawings and Photographs', New York: Foundation 20 21, 2006, ill. (exh cat.)

af Petersens, Magnus, McCarthy, Paul (eds.), 'Paul McCarthy Head Shop/Shop Head. Works 1966-2006', Göttingen: Steidl, Stockholm: Moderna Museet, 2006, ill. (exh. cat)

Rosenthal, Stephanie (ed.), 'LaLa Land Parody Paradise', Munich: Haus der Kunst, Ostfildern: Hatje Cantz, 2005, ill. (exh. cat.)

Meyer-Hermann, Eva (ed.), 'Paul McCarthy. Brain Box Dream Box', Málaga: Centro de Arte Contemporáneo de Málaga, 2004, ill. (exh. cat.)

Meyer-Hermann, Eva (ed.), 'Paul McCarthy. Brain Box Dream Box', Dusseldorf: Van Abbemuseum Eindhoven, Richter, 2004, ill. (exh. cat.)

Rugoff, Ralph, Stoff, Robert,‘McCarthy, Paul. Piccadilly Circus. Bunker Basement', Zurich: Scalo Verlag, 2004

Dziewior, Yilmaz, Groos, Ulrike, Schröder, Johann Lothar 'Paul McCarthy, Videos 1970-1997', Cologne: Verlag der Buchhandlung Walther König, 2003, ill. (exh. cat.)

Tate Modern (ed.), 'Paul McCarthy at Tate Modern. Block Head and Daddies Big Head', London: Tate Publishing, 2003, ill. (exh. cat.)

Engelbach, Barbara, Museum für Gegenwartskunst Siegen (eds.), 'McCarthy, Paul, Hammer, Oranges, Apple', Frankfurt a. M.: Revolver Verlag, 2003

Butler Gallery (ed.), 'Paul McCarthy. Video Tapes', Kilkenny: Butler Gallery, 2002, ill. (exh. cat.)

Villa Arson (ed.), 'Paul McCarthy. Pinocchio', Nice: Villa Arson, 2002, ill. (exh. cat.)

Meyer-Hermann, Eva (ed.), 'Paul McCarthy "Dimensions of the Mind". The Denial and the Desire in the Spectacle', Cologne: Oktagon, St. Gallen: Sammlung Hauser und Wirth, 2000, ill. (exh. cat.)

Phillips, Lisa, Cameron, Dan, Jones, Amelia (et al.), 'Paul McCarthy', New York: New Museum of Contemporary Art, Ostfildern: Hatje Cantz, 2000, ill. (exh. cat.)

The Power Plant Contemporary Art Gallery (ed.), 'Mike Kelley and Paul McCarthy Collaborative Works', Toronto: The Power Plant Contemporary Art Gallery, 2000, ill. (exh. cat.)

Würtinger, Werner, ‘Sod & Sodie Sock. Mike Kelley/Paul McCarthy’, Vienna: Secession, 1999, ill. (exh. cat.)

Edizioni Charta, 'PROPO. Paul McCarthy', Milan: Edizioni Charta, 1999, ill.

Rugoff, Ralph, Stiles, Kristine, Di Pietrantonio, Giacinto, 'Paul McCarthy', London: Phaidon, 1996, ill.

Studio Guenzani, 'PROPO: Paul McCarthy', Milan: Studio Guenzani, 1994, ill.

Tran, Dylan, 'Interview with Paul McCarthy', Primer, 1992 ___‘Paul McCarthy / Mike Kelley: Heidi. Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone’, Vienna: Galerie Krinzinger, 1992, ill. (exh. cat.)

McCarthy, Paul, Damon, McCarthy, ‘Aftermath’, Los Angeles: Hesse Press, 2019, ill.

McCarthy, Paul, Damon, McCarthy, Welchman, John C., ‘Caribbean Pirates’ [Vol. 1], Zurich: Hauser & Wirth Publishers, 2019, ill.

McCarthy, Paul, Damon, McCarthy, Welchman, John C., ‘Caribbean Pirates. Catching Mayhem By It’s Tail’ [Vol. 2], Zurich: Hauser & Wirth Publishers, 2019, ill.

McCarthy, Paul, Grau, Donatien, Lago, Eduardo, 'WS, CSSC - White Snow, Coach Stage Stage Coach. Drawing Painting Performance', Barcelona: Fundacio Gaspar, Ediciones Poligrafa, 2017, ill.

McCarthy, Paul, 'The Paul McCarthy Purple Book. A special edition for Purple Fashion # 28. Fall/ Winter 2017', Paris: Purple Institute, 2017, ill. (exh. cat.)

McCarthy, Paul, 'Chocolate Factory Paris', Ostfildern: Hatje Cantz, 2015, ill. (exh. cat.)

Beur, Andreas, 'Better Than de Kooning', Cologne: Snoeck, 2015 (exh. cat.)

McCarthy, Paul, 'Chocolate Factory Paris. Pretext', Ostfildern: Hatje Cantz, 2014, ill. (exh. cat.)

Grau, Donatien, McCarthy, Paul, McCarthy, Damon, 'Rebel Dabble Babble', Zurich: JRP Ringier, 2013, ill.

Hoffmann, Jens, McCarthy, Paul, Berg, Stacen, 'Paul McCarthy’s Low Life Slow Life [aka: Tide Box Tide Book]', Ostfildern: Hatje Cantz, San Francisco: CCA Wattis Institute for Contemporary Arts, 2010

McCarthy, Paul (ed.), 'The Figure Figuration Statue Figurine Mass Production Totemism', Berlin: Pictoplasma Publishing, 2009, pp. 192-195

McCarthy, Paul, Weissman, Benjamin, 'Paul McCarthy & Benjamin Weissman Quilting Sessions 1997-2008', Milan: Silvana Editoriale, 2008, ill. (exh. cat.)

McCarthy, Paul, 'Tokyo Santa', Cologne: Verlag der Buchhandlung Walther König, 2004, ill.

McCarthy, Paul, Rhoades, Jason, ‘Shit Plug’, Cologne: Walther König, 2003, ill.

McCarthy, Paul, ‘Trans Gum’ [cover for TRANS>8 magazine], 2000

McCarthy, Paul, 'Yaa-Hoo', Cologne: Verlag der Buchhandlung Walther König, 1998, ill.

Will, Emilia, ‘The Dog’, London: Tate, 2021, pp. 34-35, ill.

de Bellis, Vincenzo, Galansino, Arturo (eds.), ‘American Art. 1961–2001’, Venice: Marsilio Editiori, 2021, pp. 158-161, ill. (exh. cat.)

Louisiana Museum of Modern Art (ed.), ‘Mother!’, Humlebaek: Louisiana Museum of Modern Art, 2021, ill. (exh. cat.)

Marshall, Patricia, Hammonds, Kit, Fernández, María Emilia, ‘On the razor’s edge’, Mexico City: Fundación Jumex Arte Contemporáneo, 2020, pp. 20-21, 130-131, ill. (exh. cat.)

Ecles, Tom, Zion, Amy (eds.), ’Closer to Life. Drawings and Works on Paper in the Marieluise Hessel Collection’, Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2020, pp. 196-197, ill. (exh. cat.)

Brocvielle, Vincent, ‘Why is it Famous? The Incredible Journey of the Centre Pompidou's Masterpieces’, Paris: Réunion des musées nationaux/Éditions du Centre Pompidou, 2020, pp. 12, 136-137, ill.

Weber, Sylvia (ed.), 'Lust auf mehr. Neues aus der Sammlung Würth zur Kunst nach 1960', Künzelsau: Swiridoff Verlag, 2019, pp. 8, 9, 19, 69, 94, ill. (exh. cat.)

Wood, Jon, Kelly, Julia (eds.), 'Contemporary Sculpture. Artists’ Writings and Interviews', Berlin: Hatje Cantz, 2019, pp. 230-251 [German edition: Berlin: Hatje Cantz, 2019]

Nationalgalerie. Staatliche Museen zu Berlin, ‘Die Ausstellungen. Neue Nationalgalerie 1968-2015’, Berlin: Druckerei H. Heenemann, 2018, ill.

Kittelmann, Udo, ‘Hello World. Revision einer Sammlung’, Berlin: Hirmer Verlag, 2018, pp.18, 88, ill. (exh. cat.)

Hashimoto, Azusa, Uematsu, Yuka, Hayashi, Sumi, ‘Travelers: Stepping into the Unknown’, Osaka: The National Museum of Art, 2018, pp. 124-125, ill. (exh. cat.)

Grau, Donatien, ‘Plato in L.A. - Contemporary Artist's Visions’, Los Angeles LA: Getty Publications, 2014, pp. 56-63, ill. (exh. cat.)

Schmid, Rebecca, ‘Virtual Reality Asses Itself as an Art Form in Real Life’, on: nytimes.com, New York / NY, 1 May 2018.

Pes, Javier, 'Can Michael Jackson Turn the Tide for London's National Portrait Gallery? Hopes Are Pinned on a Blockbuster', on: news.artnet.com, New York / NY, 24 April 2018.

Syson, Luke, Wagstaff, Sheena, Bowyer, Emerson (et al.), ‘Like Life. Sculpture, Color, and the Body’, New York: The Metropolitan Museum of Art with Yale University Press, 2018, pp. 256, 263, ill. (exh. cat.)

Adler, Sabine, 'BODYSCAN. Anatomie in Kunst + Wissenschaft’, Munich: ERES-Stiftung, 2018, pp. 54, 61, ill. (exh. cat.)

Grau, Donatien, ‘Plato in L.A. Contemporary Artists’ Visions’, Los Angeles: J. Paul Getty Museum, 2018, pp. 56-63, ill. (exh. cat.)

Pietropaolo, Francesca (ed.), Storr, Robert, ‘Interviews on Art’, London: HENI Publishing, 2017, pp. 462-471, ill.

Desmarais, Mary-Dailey, Smith, Thomas Brent (eds.), ‘Once Upon A Time...The Western. A New Frontier in Art and Film’, Milan: 5 Continents Editions, Montreal: Montreal Museum of Fine Arts, Denver: Denver Art Museum, 2017, p. 253, ill. (exh. cat.)

Gartenfeld, Alex, Moreno, Gean, Seidel, Stephanie, ‘The Everywhere Studio’, Munich: Prestel Verlag, 2017, pp. 68-81, ill. (exh. cat.)

Stenke, Verena, Pagnes, Andrea, 'Venice International Performance Art Week 2016', Venice: VestAndPage, 2017, p. 209, ill.

Meredith, Eric (Ed.), 'Hyper Real', Canberra: NGA Publishing, 2017 Letze, Otto, 'GYS! Er den levende?', Ishøj: ARKEN Museum for Moderne Kunst, 2017, pp. 76 – 79, ill.

Foerschner, Anja, ‘Food Decay and Disgust. Paul McCarthy’s Bossy Burger as Contemporary Still Life’, in: Bottinelli, Silvia, d’Ayala Valva, Margherita (eds.), ‘The Taste of Art. Food, Cooking, and Counterculture in Contemporary Practices’, Fayetteville: The University of Arkansas Press, 2017, pp. 93-105

Siegel, Katy, Wool, Christopher (eds.), 'Painting Paintings (David Reed) 1975', New York: Gagosian/Rizzoli, 2017, p. 72, ill.

Letze, Otto (ed.), 'Escultura hiperrealista 1973–2016', Bilbao: Museo de Bellas Artes de Bilbao, 2016, pp. 44-47, ill.

Meyer-Büser, Susanne (ed.), ‘Kunst Sammlung Nordrhein Westfalen’, Munich/London/New York: Prestel, 2016, p. 109, ill.

Lorente, Raquel (ed.), 'Art Strikes Back', Barcelona: Ediciones Polígrafa, 2015, pp. 60-61, ill.

Malbert, Robert, 'Drawing People. The Human Figure in Contemporary Art', London: Thames & Hudson, 2015, pp. 2-3, 58-61, ill. (exh. cat.)

Fischer, Peter, Bremer, Maria, Büschi-Küng, Simone (et al.), ‘About Trees', Cologne: Snoeck Verlagsgesellschaft, 2015, pp. 106-109, ill.

Fortenbury, Diane, Morrill, Rebecca (eds.), 'Body of Art', London: Phaidon Press Limited, 2015, p. 370, ill.

Ottinger, Didier, Bouvard, Emilie, Widmaier-Picasso, Diana, 'Picasso. Mania', Paris: ADAGP, 2015, p. 29, ill. (exh. cat.)

Nakas, Kassandra, Ullrich, Jessica (eds.), 'Scenes of the Obscene. The Non-Representable in Art and Visual Culture, Middle Ages to Today', Weimar: Verlag und Datenbank für Geisteswissenschaften. 2014, p. 149, ill.

Ogien, Ruwen, 'Philosopher ou faire l'amour', Paris: Bernard Grasset, 2014, cover, ill.

Bethenod, Martin (ed.), 'Art Lovers – Histoires d'art dans la collection Pinault/Stories of Art in the Pinault Collection', Paris: Lienart, 2014, pp. 53, 120-121, ill. (exh. cat.)

Feldman, Anita, 'Body & Void. Echoes of Moore in Contemporary Art', Perry Green: The Henry Moore Foundation, 2014, pp. 34-35, ill. (exh. cat.)

Burton, Johanna, Ellegood, Anne, 'Take It or Leave It. Institution, Image, Ideology', Los Angeles: Hammer Museum/DelMonico Books, 2014, pp. 27, 36, 205-206, 234, ill.

Levine, Cary, 'Pay for your Pleasures. Mike Kelley, Paul McCarthy, Raymond Pettibon', Chicago: University of Chicago Press, 2013

Curiger, Bice, 'L'arte come manifesto del precariamente vitale', in: Riedweg, Christoph (ed.), 'Discorsi d' attualità. Dal "postmoderno" ai nuovi orizzonti della cultura', Rome: Carocci, 2013 pp. 37, 40, ill.

Grovier, Kelly, '100 Works of Art That Will Define Our Age', London: Thames & Hudson, 2013, p. 179 Francés, Fernando, 'Las huellas del camino. CAC Málaga, una década', Málaga: CAC Málaga, 2013 (exh.cat.)

Nachtigäller, Roland, Leismann, Burkhard (eds.), 'Ruhestörung. Streifzüge durch die Welten der Collage', Bönen: Verlag Kettler, 2013, p. 60 Aillagon, Jean-Jaques, 'L'art à l'épreuve du monde', Tourcoing: Éditions Invenit, 2013, p. 123, ill.

Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013 Moszynska, Anna, 'Sculpture Now', London: Thames & Hudson, 2013, p.36, ill.

Finger, Brad, 'Modern Art. The groundbreaking moments', Munich: Prestel Verlag, 2012, p. 141, ill.

Blühm, Andreas, Krischel, Roland (eds.), 'Der Mensch in Malerei und Fotografie. C'EST LA VIE – DAS GANZE LEBEN', Munich: Hirmer Verlag, 2012, pp. 111,151, ill. (exh. cat.)

Gielen, Denis, 'S.F. Art Science & Fiction', Hornu: MAC's, 2012, p. 230, ill. (exh. cat.)

András, Edit, von Braun, Christina, Diehl, Paula (et al.), 'Der Nackte Mann – the naked man', Nuremberg: Verlag für Moderne Kunst Nürnberg, p. 40, ill. (exh. cat.)

Cozen, Ina, Schmengler, Dagmar Schmengler, 'Mythos Atelier - Von Spitzweg bis Picasso, von Giacometti bis Nauman', Munich: Hirmer Verlag, 2012, pp. 245/249, ill. (exh. cat.)

Hodge, Susie, 'Why your five year old could not have done that', London: Thames & Hudson, 2012, pp. 122-123, ill.

Bleyen, Mieke (ed.), 'Minor Photography - Connecting Deleuze and Guattari to Photography Theory', Leuven: Leuven University Press, 2012, pp. 68, 81, cover, ill.

Curiger, Bice, Graedel Matthäi, Carlotta Lentzsch, Franziska, 'Riotous Baroque', Zurich: Kunsthaus Zürich, 2012, pp. 36, 116-121, ill.

Museum Ritter, 'Kunst mit Schokolade', Heidelberg: Verlag Das Wunderhorn, 2012, p. 75, ill.

Frohnhoff, Julia, Thill, Angelika, Abbey, Chris (eds.), ' Atelier + Küche = Labore der Sinne', Ostfildern: Hatje Cantz, 2012, pp. 116-117, ill.

Molesworth, Helen, 'This Will Have Been: Art, Love & Politics in the 1980s', Chicago: Museum of Contemporary Art Chicago, 2012, pp. 249, 283-286, ill. (exh. cat.)

Elgiz, Sevda, Elgiz, Can, 'Elgiz 10: Elgiz Collection, Istanbul', Istanbul: Roje4L/Elgiz Museum of Contemporary Art Publication, 2011, pp. 97, 163, ill. (exh. cat.)

Hoffmann, Jens (ed.), 'The Studio', Cambridge/London: The MIT Press/Whitechapel Gallery, 2012, pp. 56-58

Roselione-Valadez, Juan (ed.), 'American Exuberance', Miami: Rubell Family Collection, 2011, pp. 118-119, ill. (exh. cat.)

Werner, Anna-Lena, 'Architecture as Frame for Trauma Video installations by Paul McCarthy’ in: Wallis, Mick, Duggan, Patrick (eds.) ‘Performance Research: On Trauma’, vol. 16, no. 1, London: Routledge, 2011, pp. 153-163

Robertson, Jean, McDaniel, Craig, ‘Themes of Contemporary Art: Visual Art after 1980’, China: Phoenix Fine Arts Publishing Ltd., 2011, pp. 54, 73, 76, 256, ill.

Schimmel, Paul, Mark, Lisa Gabrielle (eds.), 'Under the Big Black Sun. California Art 1974-1981', Los Angeles: The Museum of Contemporary Art, Munich/London/New York: DelMonico/Prestel, 2011, pp. 69-70, 208-210, ill. (exh. cat.)

Porter, Gwynneth (ed.), 'PX: Thoughts on Painting', Aotearoa: Clouds, 2011, pp. 24-25, ill. (exh. cat.)

Cluitmans, Laurie, Zeqo, Arnisa, 'He Disappeared into Complete Silence: Rereading a Single Artwork by Louise Bourgeois', Haarlem: De Hallen, 2011, pp. 56-58, ill. (exh. cat.)

Klanten, Robert, Schulze, Floyd, 'Erratic - Visual Impact in Current Design', Berlin: Gestalten Verlag, 2011, pp. 40-41, ill.

Holzwarth, Hans Werner, 'Moderne Kunst 1870-2000 – Vom Impressionismus bis heute', Cologne: Taschen, 2011, pp. 620-621, ill.

Wilson, Michael, 'Contemporary Art in North America', London: Black Dog Publishing Limited, 2011, pp. 44-47, ill.

Spector, Nancy, Critchley, Simon, Webster, Jamieson (et. al.), 'The Luminous Interval. The D. Daskalopoulos collection ', New York: Guggenheim Museum Publications, 2011, pp. 140-143, ill. (exh. cat.)

Essl, Agnes und Karlheinz, 'Festival der Tiere', Klosterneuburg: Essl Museum, 2011, pp. 50-51, 193, ill.

Luckov, Dirk (ed.), 'Zwei Sammler. Thomas Olbricht und Harald Falckenberg', Hamburg: Snoeck Verlagsgesellschaft, 2011, p. 26, ill.

Henkel, Katharina, Jaspers, Kristina, Mämu, Peter (eds.), 'Zwischen Film und Kunst. Storyboards von Hitchcock bis Spielberg', Emden: Kunsthalle Emden, 2011, pp. 56-60, ill.

Demand, Thomas + [et al.], 'Nationalgalerie. How German is it?', Berlin: Suhrkamp Verlag, 2011, p. 367, ill.

Finger, Brad, Weidemann, Christiane, '50 Contemporary Artists You Should Know', Munich: Prestel, 2011, pp. 28-29, ill.

Finger, Brad, Weidemann, Christiane, '50 zeitgenössische Künstler die man kennen sollte' [German ed.], Munich: Prestel, 2011, pp. 28-29, ill.

Alonzo, Pedro, Bieber, Alain, Krohn, Silke, 'Art & Agenda', Berlin: Gestalten, 2011, pp. 244-247, ill.

de Alvear, Helga, Falckenberg, Harald (eds.), 'Collections in Dialog Helga de Alvear and Harald Falckenberg', Karlsruhe: Engelhardt und Bauer, 2010, pp. 91, 100, ill. (exh. cat.)

Bradley, Fiona, 'Childish Things', Edinburgh: The Fruitmarket Gallery, 2010, p. 55, p. 57, p. 79, ill.

Canning, Susan, 'Hareng Saur: Ensor and Contemporary Art', Ghent: S.M.A.K, 2010, pp. 81, 178, 148, ill.

Costantini, Marco (ed.), 'Face au mur. Papiers peints contemporains', Lausanne: Mudac - Musée de design et d'arts appliqués contemporains, 2010, no. 40-42, ill. (exh. cat.)

Rosenthal, Stephanie (ed.), 'Move: Choreographing You', London: Southbank Centre, 2010, pp. 137, 141, ill. ___, '

Les Cacahiers de l’Articho', Saint-Denis: En Marge, 2010, p. 8, 10, ill.

Katzman, Avi (ed.), 'The Right to Protest', Jerusalem: Museum on the Seam, 2010, n.p., ill. (exh. cat.)

Cavallucci, Fabio (ed.), 'POSTMONUMENT. XIV Biennale Internazionale di Scultura di Carrara', Milano: Silvana Editoriale, 2010, pp. 120-121, ill. (exh. cat.)

Rouart, Julie (ed.), 'Human', Nice: Mamac, 2010, pp. 89-91, ill.

Davidts, Wouter, Paice, Kim (eds.), 'The Fall of the Studio. Artists at Work', Amsterdam: Valiz, pp. 141-162 Goldberg, RoseLee (ed.), 'Everywhere and All at Once: An Anthology of Writings on Performa 07', Zurich: JRP Ringier, 2009, pp. 238-261, ill.

Ardenne, Paul, 'Art, Le Présent: La création plasticienne au tournant du XXI. siècle', Paris: Edition du Regard, 2009, p. 205, ill.

Sollins, Marybeth (ed.), 'art:21, art in the twenty-first century', New York: Art21, 2009, pp. 176-189, ill.

O’Reilly, Sally, 'The Body in Contemporary Art', London: Thames & Hudson, 2009, p. 86, ill.

Marcadé, Bernard, '53 œuvres qui M'Ébranlèrent le monde', Paris: Beaux Arts Èditions, 2009, p. 116, ill.

Evers, Elodie, Helzhey, Magdalena (eds.), 'Eating the Universe – Vom Essen in der Kunst', Cologne: DuMont, 2009, pp. 172-177, ill.

Bronfen, Elisabeth, 'Crossmappings, Essays zur visuellen Kultur', Zurich: Scheidegger & Spiess, 2009, pp. 191-208, ill.

Bonham-Carter, Charlotte, Hodge, David, 'The Contemporary Art Book', London: Goodman, 2009, p. 149, ill.

Holzwarth, Hans Werner, '100 Contemporary Artists / Volume 2 (L-Z) ', Cologne: Taschen, 2009, p. 366, ill.

Uchill, Rebecca (ed.), 'On Procession. Art on Parade', Indianapolis: Indianapolis Museum of Modern Art, 2008, pp. 64-71, ill. (exh. cat.)

Welzel, Mark (ed.), '200 Artworks 25 Years Artists’ Editions for Parkett', Zurich: Parkett Publishers, 2009 Abenstein, Edelgard, 'Berlin: Kunst und Architektur', Berlin: h.f.ullmann, 2009, p. 266, ill.

Welchman, John C. (ed.), 'The Aesthetics of Risk', Zurich: JRP Ringier, 2009, pp. 314-346, ill.

Roberts, John (ed.), 'Art, Praxis, and the community to come', London, 2009, p. 444, ill.

Pirano, Michelle, 'Target Practice: Painting Under Attack 1949-78', Seattle: Seattle Art Museum, 2009, pp. 50-51, ill.

Robertson, Jean, McDaniel, Craig, 'Themes of Contemporary Art: Visual Art after 1980', New York: Oxford University Press, 2009, pp. 54, 73-74, 76, 256, ill.

Besson, Christan, Fabvre, Bernard, Gaignebet, Claude, 'La dégelée Rabelais', Montpellier: Méditerrane Éditions, 2009, p. 129, ill. (exh. cat.)

Baragiola, Francesco (ed.), 'Un Certain État du Monde? ', Milan: Skira, 2009, p. 36, ill.

Eccher, Danilo (ed.), 'The Theatre of Performance', Turin: Umberto Allemandi & C., 2009, p. 160, ill.

Gingeras, Alison M., Bonami, Francesco (eds.), 'Mapping the studio: Artists from the Francois Pinault Collection', Milan: Electa, 2009, pp. 198-203, ill.

Guzman, Daniel, 'My Generation, un proyecto de Daniel Guzmán', Mexico City: Kurimanzutto, 2009, ill.

__, 'N'importe Quoi', Lyon: Musée d'art contemporain de Lyon, 2009 (exh. cat.)

Rugoff, Ralph, Rosenthal, Stephanie, Kataoka, Mami (et al.), 'Walking in my mind', London: Hayward Publishing, 2009, p. 12, ill.

Smith, Josh (ed.), 'A Guest + A Host = A Ghost', Athens: Deste Foundation, 2009

Denicke, Lars, Thaler, Peter, Scherer, Bernd M., 'Prepare for Pictopia', Berlin: Pictoplasma Publishing, 2009

Von Habsburg, Francesca, 'The collection book', Cologne: Verlag Walter König, 2009

Lange-Berndt, Petra, 'Animal Art, Präparierte Tiere in der Kunst 1850 - 2000', Munich: Verlag Silke Schreiber, 2009, p. 52, ill.

Careri, Giovanni, Vert, Xavier, 'Louis Marin: Le pouvoir dans ses représentations', Paris: Institut national d'histoire de l'art, 2008, p. 62, ill, (exh. cat).

Welchman, John C., 'The Aesthetics of Risk', Zurich: JRP Ringier, 2008

Linders, Dees, van Haarst, Sannetje, van der Stoep, Femke, 'Free Santa', Rotterdam: De Internationale Beelden Collectie (IBC), 2008, ill.

Holzwarth, Hans Werner (ed.), 'Art Now Vol 3', Cologne: Taschen, 2008, pp. 305-307, ill.

Cros, Caroline, 'Qu'est-ce que la sculpture aujourd'hui?', Boulogne: Beaux Arts éditions, 2008, pp. 130-131, ill.

Driessen, Chris, Van Mierlo, Heidi (eds.), 'Wanderlust. Excursions in contemporary sculpture', Tilburg: Fundament Foundation, 2008, pp. 178-179, ill. (exh. cat.)

Pommereau, Claude (ed.), 'Qu'est-ce que l'art vidéo aujourd'hui?', Boulogne: Beaux Arts éditions / TTM, 2008, pp. 144-145, ill.

Zentrum Paul Klee (ed.), 'Lost Paradise – der Blick des Engels', Berne: Zentrum Paul Klee, 2008, pp. 102-103, ill. (exh. cat.)

Af Petersens, Magnus (ed.), 'Eclipse. Art in a Dark Age', Goettingen: Steidl, Stockholm: Moderna Museet, 2008, pp. 115-128, ill. (exh. cat.)

Pillips, Glenn (ed.), 'California Video: Artists and Histories', Los Angeles: The J. Paul Getty Museum, 2008, pp. 170-173, ill. (exh. cat.)

Lurie, Aya, Goren, Nili (eds.), 'Depletion. Works from the Doron Sebbag Art Collection', Tel Aviv: Tel Aviv Museum of Art, 2008, p. 92, ill.

Kent, Rachel, Hanor, Stephanie, 'Southern Exposure. Works from the Collection of the Museum of Contemporary Art San Diego', Sydney: Museum of Contemporary Art, 2008, ill.

von Heydebreck, Amélie, 'Stations. 100 Meisterwerke zeitgenössischer Kunst', Cologne: DuMont, 2008, pp. 172-173, ill.

Barbican Art Gallery (ed.), 'Martian Encyclopaedia of Terrestrial Life. Volume VIII', London: Barbican Center/Merrell, 2009, p. 103, ill.

Gnemmi, Edoardo, Ratti, Iolanda, 'Electronic Lounge. La donazione Halevim al museo del Novecento', Milan: Carlo Cambi, 2008 (exh. cat.)

Bernardelli Francesco, 'Arte Contemporanea. Cinque. Anni Novanta', Milan: Mondadori Electa, 2008, pp. 108-109, ill.

Barret, Terry, 'Why is that Art? Aesthetics and Citicism of Contemporary Art', Oxford: University Press, 2007, pp. 186-197, ill.

Linsenmaier-Wolf, Christa (ed.), 'Bodycheck', Cologne: Snoeck, 2007, pp. 184-189, ill.

Sanders, Mark (ed.), 'Meet the Artists! ', London: RS&A, New York: Deitch Projects, 2007 Biesenbach, Klaus (ed.), 'Into Me/Out of Me', Ostfildern: Hatje Cantz, 2007, pp. 316-323, ill.

Schütz, Heinz (ed.), '1a Orte – Kunstprojekt Theresienhöhe', Munich: Landeshauptstadt Munich, 2007, pp. 126-129, ill.

Coetzee, Mark (ed.), 'Red Eye. L.A. Artists from the Rubell Family Collection', New York: Rubell Family Collection, 2007, pp. 36-46, 62-65, 69, 71, 176, 177, ill.

Essl, Karlheinz, 'Foto.Kunst', Vienna: Sammlung Essl, 2007, pp. 206, 207, ill.

Sterckx, Pierre, '50 géants de l’art américain', Paris: Beaux Arts, 2007, pp. 126-129, ill.

Denaro, Dolores (ed.), 'Aspekte des Surrealen in der zeitgenössischen Kunst', Biel: Verlag für Moderne Kunst Nuremberg, 2007, pp. 126-127, ill.

Franke Melanie, Knapstein, Gabriele, 'there is never a stop and never a finish. In memoriam Jason Rhoades', Cologne: DuMont, 2007, ill. (exh. cat.)

Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin: claassen/Ullstein, 2007, pp. 74-82.

Nittve, Lars, 'Art Guide. Moderna Museet', Stockholm: The Moderna Museet, 2007, pp. 76, 77, ill.

Bloomberg SPACE, 'No, Future', London: Bloomberg SPACE, 2007, p. 10, ill. (exh. cat.)

Lewis, Angharad, '2006 – A Year in Exhibitions', Grafik, London, 1 December 2006, pp. 80-83, ill.

Hultkrans, Andrew, Schambelan, Elizabeth (eds.), 'Where are we going?' Palazzo Grassi, Milan: Skira, 2006, pp. 238-239, ill. (exh. cat)

Mezil, Eric (ed.), 'Figures de l’acteur. Le Paradoxe du Comedian', Collection Lambert en Avignon, Paris: Gallimard, 2006, p. 218, ill. (exh. cat.)

Hopkins, David, 'Dada’s Boy’s', Edinburgh: Fruitmarket Gallery, 2006, pp. 77-84, ill. (exh. cat)

Nemitz, Barbara, 'Pink: The Exposed Color in Contemporary Art and Culture', Ostfildern: Hatje Cantz, 2006, pp. 216-219, ill.

___, 'Telle est la Télé'. L’ art contemporain et la télévision', Paris: Cercle d’ Art, 2006

Cattelan, Maurizio, Subotnick, Ali, Gioni, Massimiliano (eds.), 'Of Mice and Men. 4th Berlin Biennial', Berlin/Ostfildern: KW Berlin/Hatje Cantz, 2006, pp. 174-175 ill. (exh. cat.)

Bonami, Francesco, Canarutto, Sarah, 'Infinite Painting', Villa Manin Centro d’ Arte Contemporanea, Codroipo, 2006, pp.114-177, ill. (exh. cat.)

Hol, Michael Juul, Kold, Anders (eds.), 'Sip My Ocean', Humlebæk: Louisiana Museum of Art, 2006, pp. 94-99, ill. (exh. cat.)

Grenier, Catherine (ed.), 'Los Angeles – 1955-1985', Paris: Editions du Centre Pompidou, 2006, pp. 217, 239, 262, 279, 278, 331, ill. (exh. cat)

Essl, Karlheinz, Fleck, Robert, Hoffer, Andreas (et al.), 'Figur Skulptur', Klosterneuburg: Sammlung Essl, 2005, ill. (exh. cat.)

Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), 'Faites vos jeux: Kunst und Spiel seit Dada', Ostfildern: Hatje Cantz, pp. 126–127, ill. (exh. cat.)

Macel, Christine (ed.), 'Dionysiac', Paris: Centre Pompidou, 2005, ill. (exh. cat.)

Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester (et al.), 'Faces in the Crowd: Picturing Modern Life from Manet to Today', Milan: Skira, 2005, p. 237, ill. (exh. cat.)

Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW, Vol. 2', Cologne: Taschen, 2005, pp. 276–279, ill.

Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern: Hatje Cantz, 2005, p. 66, pp. 244, 253, ill.

Kraus, Chris, Tumlir, Jan, McFadden, Jane (eds.), 'LA Artland', London: Black Dog, 2005, pp. 204–205, ill.

Nobus, Dany, Quinn Malcolm (eds.) ‘Knowing Nothing, Staying Stupid. Elements for a Psychoanalytic Epistemolog’, London/New York: Routledge, 2005, ill. (cover)

Stiles, Kristine, 'Paul McCarthy: Kristine Stiles in Conversation' [interview], in: 'Press PLAY: Contemporary Artists in Conversation', London: Phaidon, 2005, pp. 449–461, ill.

Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra: Jenseits der Moderne?/Beyond Modernity?', Frankfurt am Main: Revolver, 2005, pp. 83–87, ill.

Blume, Eugen (ed.), 'Friedrich Christian Flick Collection im Hamburger Bahnhof', Berlin: Staatliche Museen zu Berlin, 2005, pp. 242-263, ill.

Juul Holm, Michael, Kold, Anders, Colstrup, Tine (eds.), 'I hate you. The Falckenberg Collection meets Louisiana', Humlebaek: Louisiana Museum of Modern Art, 2004, pp. 62-66, ill. (exh. cat.)

La maison rouge – Fondation Antoine de Galbert (ed.), 'Central Station: La collection Harald Falckenberg', Paris: La maison rouge, 2004, pp. 62–63, ill.

Karabelnik, Marianne (ed.), 'Stripped Bare: The Body Revealed in Contemporary Art', New York: Merrell, 2004, pp. 244–249, ill.

Kellein, Thomas, Lampe, Angela (eds.), 'Das grosse Fressen: Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, 2004, pp. 82–87, ill. (exh. cat.)

Waters, John, Hainley, Bruce (eds.), 'A Sex Book', London: Thames & Hudson, 2004 Clair, Jean (ed.), 'The Great Parade', London/New Haven: Yale University Press, Ottawa: National Gallery of Canada, 2004, pp. 40, 164–165, ill. (exh. cat.)

Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (eds.), 'cremers.haufen', Bielefeld: Kerber, 2004, pp. 208, 233, ill. (exh. cat.)

Biesenbach, Klaus, London, Barbara (eds.), 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.)

Aliaga, Juan Vicente, de Corral, Maria, Cortés, José Miguel G. (eds.), 'Micropolitics: Art and Everyday Life', Castello: Espai d’art Contemporanei de Castello, 2003, (exh. cat.)

Neuman, David, Widbom, Mats (eds.), 'Spiritus', Stockholm: Magasin 3 Stockholm Konsthall, 2003, (exh. cat.)

Raspail, Thierry (ed.), 'Avant', Dijon: Les Presses du Réel/Fage, 2003, pp. 100–105, 188–199, ill. (exh. cat.)

Unterdörfer, Michaela, Winzen, Matthias (eds.), '(In the Search of) The Perfect Love', Ostfildern: Hatje Cantz, 2003, pp. 96–125, ill. (exh. cat.)

Dercon, Chris, Weski, Thomas (eds.),'Partners', Cologne: Walther König, 2003

Jouannais, Jean-Yves, 'L’Idiotie: Art, vie, politique – méthode', Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270

Rush, Michael (ed.), 'Video Art', London: Thames & Hudson, 2003

CAN (ed.), 'Sans consentement', Paris: Crash, 2002, pp. 84–85, ill. (exh. cat.)

De Pury & Luxembourg (ed.), 'Ahead of the 21st Century: The Pisces Collection', Ostfildern: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.)

Neues Museum Weserburg (ed.), 'Kunst nach Kunst', Bremen: Neues Museum Weserburg, 2002, pp. 148–152, ill. (exh. cat.)

Schirn-Kunsthalle Frankfurt, Hollein, Max, Grunenberg, Christoph (eds.), 'Shopping: 100 Jahre Kunst und Konsum', Ostfildern: Hatje Cantz, 2002, p. 244, ill. (exh. cat.)

Unterdörfer, Michaela (ed.), 'The House of Fiction: Sammlung Hauser und Wirth/3', Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.)

Archer Michael, 'Art Since 1960: New Edition', London: Thames & Hudson, 2002

Beil, Ralf, 'Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades', Cologne: DuMont, 2002

Fundacion la Caixa, 'Catalogue Raisonné – Collection of Fundacion la Caixa' [2 Volumes], Barcelona: Grafiques Iberia, 2002

Luc, Virginie, 'ART à MORT', Paris: Leo Scheer, October 2002

Morris, Simon, 'Sinning: De-centering the Self' [no publisher-art piece, book dedicated to Paul McCarthy], November 2002

Association le printemps de septembre (ed.), 'Printemps de septembre: Théâtres du Fantastique', Arles/Paris: Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.)

Des Moines Art Center (ed.), 'My Reality: Contemporary Art and the Culture of Japanese Animation', Des Moines: Des Moines Art Center, 2001, ill. (exh. cat.)

Haenlein, Carl, Ahrens, Carsten (eds.), 'Ziviler Ungehorsam: Sammlung Falckenberg', Hannover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh. cat.)

Secession (ed.), 'Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis', Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.)

Parfait, Françoise, 'Vidéo: Un art contemporain', Paris: Édition du Regard, 2001

Pellegrin, Julie, 'L’Objet humain: Simulation et manipulation dans l'oeuvre de Paul McCarthy', in: Centre Choréographique National de Grenoble (ed.), 'Corps/objet: Sur le rapport du corps artificiel', Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill.

Wege, Astrid, 'Art Now', Cologne: Taschen, 2001, pp. 106–107, ill.

___, 'A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995', New York: Harry N. Abrams, 2001

Capc – Musée d’art contemporain de Bordeaux (ed.), 'Présumés innocents: L'art contemporain et l'enfance', Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.)

Dickhoff, Wilfried, König, Kasper (eds.), 'In Between: Das Kunstprojekt der EXPO 2000', Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.)

IKON Gallery (ed.), 'Lost', Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.)

Kunstmuseum Liechtenstein (ed.), 'Kunstmuseum Liechtenstein', Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.)

Walker Art Center (ed.), 'Let's Entertain: Life's Guilty Pleasures', Minneapolis: Walker Art Center, 2000, ill. (exh. cat.)

Barth, Miles, Merritt, Raymond (ed.), 'A Thousand Houndes', Cologne: Taschen, 2000

Bauman, Gillick, Grosz, Groys, Kay, Rushkoff (et al.), 'Fresh Cream: Contemporary Art in Culture', London: Phaidon, 2000, p. 394

Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (eds.), 'Uniform Order and Disorder', Milan: Charta/Pitti Immagine, 2000, pp. 244–245, ill.

Buck, Louisa, 'Moving Targets 2: A User’s Guide to British Art Now', London: Tate Publishing, 2000

Fineberg, Jonathan, 'Art Since 1940: Strategies of Being', New York: Harry N. Abrams, Inc., 2000

Franzen, Brigitte, 'Die Vierte Natur: Garten in der zeitgenössischen Kunst', Cologne: Walther König, 2000

Guasch, Anna Maria, 'El arte último del siglo XX: Del posminimalismo al lo multicultural', Madrid: Alianza Forma, 2000, cover, ill.

Montano, Linda M., 'Performance Artists Talking in the Eighties', Barkeley: University of California Press, 2000

Sanders, Mark, 'Star Culture', London: Phaidon Press Limited, 2000

Warr, Tracey, Jones, Amelia (eds.), 'The Artist’s Body', London: Phaidon Press Limited, ill.

___, 'Dazed/Confused', London: Booth-Clibborn, 2000

Belolli, Jay, Jacobson, Karen (ed.), 'Radical Past: Contemporary Art & Music in Pasadena, 1960-1974', Pasadena: Typecraft Inc., 1999, p. 72, ill. (exh. cat.)

Luckow, Dirk, Winkelmann, Jan, 'Moving Images: Film – Reflexion in der Kunst’, Leipzig: Galerie für zeitgenössische Kunst Leipzig, 1999, pp. 68–71, ill. (exh. cat.)

La Biennale di Venezia, '48 Esposizione Internazionale d’Arte, dapertutto', Venice, 1999, pp. 54–61, (exh. cat.)

Liebau, Eckart, Unterdörfer, Michaela, Winzen, Matthias, 'Vergiss den Ball und spiel weiter: Das Bild des Kindes in zeitgenössischer Kunst und Wissenschaft', Cologne: Oktagon, 1999, pp. 24–27, ill. (exh. cat.)

Sammlung Hauser & Wirth (ed.), 'Dimensions Of The Mind: The Denial and the Desire in the Spectacle', St. Gallen: Sammlung Hauser und Wirth, 1999 (exh. brochure)

Baum, Judith, 'This Other Being: Worüber Männer untereinander nicht reden', Vienna: Triton, 1999, pp. 50, 66, ill.

Riemschneider, Burkhard, Grosenick, Uta, 'Art at the Turn of the Millennium', Cologne: Taschen, 1999, pp. 334–337, ill.

Rush, Michael, 'New Media in Late 20th-Century Art', London: Thames & Hudson, 1999, p. 56 ___, 'The 20th Century Artbook', London: Phaidon, 1999

Tober, Jay, 'The American Art Book', London: Phaidon, 1999

Perez, Pilar (ed.), 'Double Trouble: The Patchett Collection', San Diego: The Museum of Contemporary Art, 1998, (exh. cat.)

Schimmel, Paul, Stiles, Kristine, Brett, Guy (et al.), 'Out of Actions: Performance and the Object', New York: Thames and Hudson, 1998, (exh. cat.)

Collings, Matthew, 'It Hurts: New York Art from Warhol to Now', New York: 21 Publishing, 1998

Goldberg, Rosalee, 'Performance: Live Art Since 1960', New York: Harry N. Abrams, 1998

Janus, Elizabeth, Lambert, Marion (ed.), 'Veronica's Revenge: Contemporary Perspectives on Photography; LAC Switzerland', Zurich/Berlin/New York: Scalo, 1998

Steihaug, Jon-Ove, 'Abject/Informe/Trauma: Discourses on the Body in American Art of the Nineties', Oslo: FOR ART, 1998

Rugoff, Ralph, Vidler, Anthony, Wollen, Peter, 'Scene of the Crime', Los Angeles: Armand Hammer Museum of Art and Cultural Center, 1997, (exh. cat)

Van Tuyl, Gijs, Nittve, Lars, Hackman, William R. (et al.), 'Sunshine & Noir: Art in L.A. 1960–1997', Louisiana: Louisiana Museum of Modern Art, 1997, (exh. cat.)

Kunsthaus Bregenz, Köb, Edelbert (eds.), 'KünstlerInnen: 50 Gespräche', Cologne: Verlag der Buchhandlung Walther König, 1997, pp. 162–164, ill. (exh. cat.)

__, '4e Biennale d‘art contemporain de Lyon', Lyon, 1997, (exh. cat.)

Clearwater, Bonni, 'Defining the nineties: concensus making in New York, Miami & Los Angeles', Miami: Museum of Contemporary Art, 1996, (exh. cat.)

Romano, Gianni, 'Postmedia', Milan, 1994

Stooss, Toni (ed.), 'Das Künstler-Ich als Comic-Held', Vienna: Kunsthalle, 1993

Morgan, Robert, 'Performance and Spectacle in the Post-Industrial Age', Toronto: Rampike, vol. 6, no. 2, 1992

Gerbel, Karl, 'Out of Control: Ars Electronica 91', Linz: Veritas, 1991, (exh. cat.)

Beyond Baroque Festival (ed.), 'Four Artists: Roland Brener, Paul McCarthy, Tim Quinn, Nancy Rubins', Venice Beach, 1989

Fitzgerald, 'f-stop, Doc-u-men-tia', San Francisco: Last Gasp, 1987

Plunkett, Daniel, 'Five Years of Performance in Lyon 1979–84', Paris: N.D. 3, 1984 Hertz, Richard (ed.), 'Theories of Contemporary Art', New York: Prentice Hall, 1984, ill.

Los Angeles Performance Festival (ed.), 'High Performance Catalog: Work for Public Spirit Live Art', Los Angeles: Performance Festival, 1980

___, 'Performance Anthology: Source Book for a Decade of California Performance', San Francisco: Contemporary Artist Press, 1980

Batcock, Gregory, 'New Artists Video', 1978

___, '5 Times Artists Subverted the Christmas Tree', on: somethingcurated.com, 15 December 2023, ill. 

___, 'The Artists’ Artists', on: artforum.com, 1 December 2023, ill. 

Koerner von Gustorf, Oliver, 'DIe Exzesse des Künstlers Paul McCarthy. Leck Mich!', on: monopol.de, 30 October 2023, ill. 

Moreno, Camille, 'Paul McCarthy, Them as Was Is', on: fadmagazine.com, 16 September 2023, ill. 

Ettwig, Alicia, 'Zwischen Chaos und Klarheit', on: weltkunst.de, 20 October 2023, ill. 

Koerner von Gustorf, Oliver, 'Leck Mich', in: Monopol, Berlin, pp. 54-70, October 2023, ill. 

Gavin, Francesca, 'Bad Santa. The Neverending Mischief of Paul McCarthy' [interview], in: Twin Magazine, London, October 2023, ill. 

___, 'Power Images. Judith Bernstein and Paul McCarthy in Conversation', in: Autre, Los Angeles, Fall / Winter 2023, pp. 74-91, ill. 

___, 'This Week in Culture: September 11 – 17', on: culturedmag.com, 11 September 2023, ill. 

Beheydt, Tamara, '"Paul McCarthy" bij Xavier Hufkens in Brussel: "Ik bied niet de illusie dat alles goed komt"', on: tijd.be, 2 June 2023, ill. 

Kozak, Liam, 'Paul McCarthy. CSSC, the Dogs the Attack', on: flaunt.com, June 2023, ill. 

___, 'Dirt is Quiet, Don’t Make Noise: Lilith Stangenberg', on: officemagazine.net, 30 April 2023, ill. 

Sarkissians, Arlette, 'I Presagi di Albert Oehlen e Paul McCarthy a New York', on: arte.it, 9 March 2023, ill. 

Lee, Sophie, 'This Week In Culture: November 21 - November 27, 2022', on: culturedmag.com, 21 November 2022, ill.

Grau, Donatien, 'Paul McCarthy: A&E', on: brooklynrail.org, October 2022, ill.

Hilpold, Stephan, 'Künstler Paul McCarthy und seine Volkstheaterferkelei', on: derstandard.at, 4 September 2022, ill.

___, 'The Night Vater: Begierde, Macht und Machtspiele', on: krone.at, 2 September 2022, ill.

___, 'Theaterherbst startet ohne CoV-Regel', on: wien.orf.at, 2 September 2022, ill.

___, 'Volkstheater zeigt Performance über Begierde und Macht', on: vol.at, 1 September 2022, ill.

Kümmel, Peter, 'Man starrt, in widerwilliger Neugier', in: Die Zeit, no. 36/2022, 1 September 2022, ill.

Briegleb, Till, 'Bis es wehtut', on: sueddeutsche.de, 29 August 2022, ill.

Steinhaus, Pia, 'Kotzen, küssen, killen. Brutal, ekelig und irgendwie interessant: "A&E" im Schauspielhaus', in: MOPO Hamburger Morgenpost, Hamburg, 26 August 2022, ill.

Grund, Stefan, 'Vergewaltigung der Sinne im Schauspielhaus. Porno-Exzesse mit Adolf Hitler zum Saisonauftakt', in: Die Welt, Berlin, 26 August 2022

Schiller, Maike, 'Schlapp, schlapp, schlapp. Zum Saisonstart spritzen am Schauspielhaus die Körperflüssigkeiten. Das Ekelpaket ermüdet schnell', in: Hamburger Abendblatt, Hamburg, 26 August 2022, ill.

___, 'Schauspielhaus zeigt Darbietung mit Adolf Hitler und Eva Braun', on: t-online.de, 26 August 2022, ill.

Weise, Katja, 'Stück um Anziehung und Abstossung am Schauspielhaus Hamburg', on: ndr.de, 23 August 2022, ill.

Sievert, Volker, 'Deutsches Schauspielhaus Hamburg: "A&E / Adolf & Eva / Adam & Eve / Hamburg"', on: kulturnews.de, 23 August 2022, ill.

Stiekele, Annette, '"Die Tendenz zum Bösen sitzt in jedem von uns"', on: abenblatt.de, 17 August 2022, ill.

Bisiaux, Juliette, 'Une bouteille de ketchup géante aux jardins du Casino', in: Nice-Matin, Nice, 12 August 2022, ill.

Briand, Théo, 'Une bouteille de ketchup dans les jardins du Casino mais pourquoi faire ?', on: monaco-tribune.com, 3 August 2022, ill.

Chatalet, Eve, 'Hauser & Wirth Monaco. Paul McCarthy : Le Marmite des Pirates', in: COTE La Revue d’Azur, Côte d’Azur, August 2022, p. 49, ill.

Sokolsky, Luc, 'Paul McCarthy. A&E Drawings at Hauser & Wirth' [review], on: contentmode.com, 22 July 2022, ill.

Tanti, Cassandra, 'Paul McCarthy’s Pirates Stew Pot in Monaco', on: monacolife.com, 16 July 2022, ill.

Creahan, D., 'Los Angeles – Paul Mccarthy: "A&E Drawings A&E Drawing Session 2021" At Hauser & Wirth Through July 17th, 2022' [review], on: artobserved.com, 15 July 2022, ill.

Tolch, Keith, 'Notes on June 2022 and Paul McCarthy' [review], on: adfwebmagazine.jp, 9 July 2022, ill.

Gessler, Joel, Dell, April, 'Membranes', in: Studio Magazine, Zurich, no. 4, Spring / Summer 20222, ill.

___, 'Paul McCarthy & Lilith Stangenberg', on: les-nouveaux-riches.com, 27 June 2022, ill.

___, 'Exhibition at Hauser & Wirth Monaco marks the twentieth anniversary of Paul McCarthy's Pirate Project', on: artdaily.com, 27 June 2022, ill.

Neuendorf, Isabel, 'Theatervergnügen: 11 Theaterstücke, die ihr diesen Sommer nicht verpassen dürft', on: hamburg.mitvergnuegen.com, June 2022, ill.

Kalifa, Georges-Olivier, 'Le Transgressif Paul McCarthy à la galerie Hauser & Wirth', on: lagazettedemonaco.com, 26 May 2022, ill.

___, '"Pirates Stew Pot," An Exhibition by Paul McCarthy at Hauser & Wirth, Monaco', on: purple.fr, 26 May 2022, ill.

Tittel, Cornelius, 'Just the Two of Us' [interview], in: Blau International, Berlin, no. 6, Summer 2022, pp. 136-155, ill.

Chaizemartin, Julie, '5 solo shows incontournables', on: lequotidiendelart.com, 27 April 2022, ill.

Appert, Caroline, 'Por qué todo el mundo habla de Paul McCarthy, el artista más irreverente del siglo XXI', on: revistaad.es, 25 April 2022, ill.

Tittel, Cornelius, '"Bin ich Adolf Hitler, oder was bin ich?"' [interview], in: Die Welt, Berlin, 18 March 2022, pp. 14-15, ill.

Tittel, Cornelius, 'Paul McCarthy und Lilith Stangenberg. "Die Schichten werden wirklich kompliziert. Bin ich Adolf Hitler, oder was bin ich?"' [interview], on: welt.de, 18 March 2022, ill.

___, 'Menschen, die im Schatten flüstern', on: perlentaucher.de, 18 March 2022, ill.

Kent, Sarah, 'A Century of the Artist’s Studio, Whitechapel Gallery review – a voyeur’s delight', on: theartsdesk.com, 2 March 2022, ill.

Cumming, Laura, 'A Century of the Artist’s Studio: 1920-2020 review – congealing palettes, fading light and magic', on: theguardian.com, 20 February 2022, ill.

Struys, Jeroen, 'De Radar van Rinus', on: standaard.be, 12 February 2022, ill.

Bennett, Catherine, 'Mission impossible – the museum for artworks that don’t exist', on: apollo-magazine.com, 12 January 2022, ill.

Jhala, Kabir, 'Blood, shit and Nazis: why, at 76, Paul McCarthy is still pissing people off and and getting pissed on', on: theartnewspaper.com, 20 December 2021, ill.

Bulie, Kåre, 'I det amerikanske' [review], in: Klassekampen, Oslo, 8 December 2021, pp. 32-33, ill.

Hauglid, Espin, 'Kjør en president opp i hølet' [review], in: Morgenbladet, Oslo, no. 46, 26 November – 2 December 2021, pp. 30-31, ill.

___, 'KODE Bergen Art Museum presents "Paul McCarthy: Dead End Hole"', on: artdaily.com, 30 November 2021, ill.

van Nieuwenhuize, Pam, 'Wat?! Kabouter Buttplug heeft een broer (en hij staat hier)', on: indebuurt.nl, 27 November 2021, ill.

Schwarz, Gabrielle, 'Performance anxiety – Paul McCarthy makes his audience incredibly uneasy' [review], on: apollo-magazine.com, 26 November 2021, ill.

Brown, Kate, 'Artist Paul McCarthy Has Spent His Entire Career Shocking Audiences. His Latest Provocation: Dressing Up as Hitler' [review], on: news.artnet.com, 25 November 2021, ill.

Meyer, Siri, 'Reisen til Dead End Hole' [review], on: kusntavisen.no, 23 November 2021, ill.

Lerø, Bjarte, 'Kunstutstilling får 18 års aldersgrense' [preview], on: kulturplot.no, 5 November 2021, ill.

Da Silva, Camille, 'Exposition Pinault: un lapin blanc et un ours noir pour une œuvre', on: ouest-france.fr, 15 August 2021, ill.

Westall, Mark, 'In Focus: LA Artists', on: fadmagazine.com, 30 June 2021, ill.

Thomas, Chris, 'Paul McCarthy Talks the Christmas Tree That Humiliated Paris' [Interview], on: highsnobiety.com, 22 June 2021, ill.

___, 'Paul McCarthy. Painted Pirate Heads', on: artforum.com, 6 June 2021, ill.

Monsell, Julia, Gordienko, Alexandra, McMenamy, Julia, [Paul McCarthy is interviewed by Marfa Journal Editors], in: Marfa Journal, London, no. 15, May 2021, pp. 240-284, ill.

Gioni, Massimiliano, 'Paul McCarthy' [interview], in: Kaleidoscope, Milan, no. 38, pp. 354-371, Spring/Summer 2021, ill.

___, 'Mike Kelley', in: Blau International, Berlin, no. 3, Spring 2021, pp. 118-143, ill.

___, Paul McCarthy A&E Sessions – Drawing and Painting with Lilith Stangenberg at Hauser & Wirth, NYC', on: artefuse.com, 19 April 2021, ill.

Allan, Emily, 'Artist Paul McCarthy’s Prophetic Visions', on: lofficielusa.com, 5 April 2021, ill.

Cameron, Dan, 'Paul McCarthy with Dan Cameron' [Interview], on: brookylnrail.org, April 2021, ill.

Rhodes, David, 'Paul McCarthy: A&E Sessions – Drawing & Painting', on: brooklynrail.org, 9 March 2021, ill.

Miller, M.H., 'An Artist Exposing Fascism Through Provocation', on: nytimes.com, 17 February 2021, ill.

___, ‘Paul McCarthy A&E, Arts & Entertainment Drawing Session, Santa Anita, 2020’, in: Purple Magazine, no. 34, ill.

London, Barbara, Sherwin, Skye, Basciano, Oliver, ‘From Warhol to Steve McQueen: a history of video art in 30 works’, on: theguardian.com, 17 October 2020, ill.

Miranda, Carolina A., ‘What artist Paul McCarthy has drawn and learned from Instagram in the pandemic’, on: latimes.com, 3 June 2020, ill.

Tumlir, Jan, ‘Paul McCarthy. Hammer Museum’, in: Artforum, New York, vol. 58, no. 8, April 2020, p. 179, ill.

Knight, Christopher, ‘Crawling inside artist's head space’, in: Los Angeles Times, Los Angeles, 18 February 2020, pp. E1, E3, ill.

Knight, Christopher, ‘Hammer Museum’s ‘Paul McCarthy: Head Space’ draws a revelatory picture of L.A. artist’ [review], on: latimes.com, 18 February 2020, ill.

Griffin, Jonathan, ‘Paul McCarthy's Hammer Museum retrospective reveals lines of continuity’, on: theartnewspaper.com, 7 February 2020

Zingsheim, Georg, ‘Ausstellung in Haus Mödrath "Dream Baby Dream" ist keine Welt zum Träumen’, on: rheinische-anzeigenblaetter.de, 2 February 2020

___, ‘NV. Night Vater’, in: Frieze, London, no. 208, January/February 2020, pp. 114-121, ill.

Goldstein, Caroline. ‘I’m not trying to Satisfy an Audience: Watch Paul McCarthy Transform Historical Depictions of Purity Into Objects of Revulsion’, on: news.artnet.com, 30 January 2020

Takac, Balasz, ‘See Paul McCarthy's Rarely Explored Drawings at Hammer Museum’, on: widewalls.ch, 23 January 2020, ill.

___, ‘Hammer Museum to Present Paul McCarthy: Head Space, Drawings 1963-2019, FEB 2–MAY 10, 2020’, on: artnowla.com, 11 January 2020

Kissick, Dean, ‘The Art We Deserve’, in: Spike Magazine, Berlin, no. 60, Summer 2019, pp. 47-53, ill.

Tittel, Cornelius, ‘Im Albtraum-Saloon’, in: Die Welt, Berlin, 19 January 2019, p. 29, ill.

Brown, Kate, ‘The Transformation of the Historic Gropius Bau Embodies Everything That’s Wonderful About Berlin’, on: news.artnet.com, 14 February 2019, ill.

Madani, Tala, ‘Paul McCarthy and Tala Madani’ [Interview], in: Ursula, Zurich, no. 5, Winter 2019, pp. 34-47, ill.

__, 'Paul McCarthy on the art of Bruce Nauman', on: artforum.com, New York/NY, October 2018.

Levine, Debra, 'The valleys are alive with the sound of gibberish, courtesy of artist Paul McCarthy', on: www.artsmeme.com, Los Angeles/CA, 14 August 2018, ill.

Kinsella, Eileen, 'Inching Onto Auction-House Turf, Hauser & Wirth Hires Christie’s Veteran to Ramp Up Secondary Market Sales', on: www.news.artnet.com, New York/NY, 12 July 2018.

Ning, Ding, 'Paul McCarthy reveals the inner desires of the body', on: www.sohu.com, Beijing/CN, 9 July 2018, ill.

Alexander, Zoltan, 'Masterpiece 2018 An Eclectic Set-Up – Zoltan Alexander', on: www.artlyst.com, London/UK, 7 July 2018.

B.F., 'Billie Jean is not my Louvre. The King of Pop, the artist’s muse', on: www.economist.com, New York/NY, 4 July 2018.

__, 'Politics, patriotism, sex and balloon dogs', on: uk.phaidon.com, London/UK, 3 July 2018, ill.

Freeman, Nate, ‘With Fresh Funding from Art Basel Parent MCH, Masterpiece London Aims to Expand Internationally, on: www.artsy.net, New York/NY, 1 July 2018.

Gompertz, Will, ‘Will Gompertz reviews Michael Jackson: On The Wall at London’s National Portrait Gallery’, on: www.bbc.com, London/UK, 30 June 2018.

Hunter-Tilney, Ludovic, ‘Michael Jackson at the National Portrait Gallery – all thriller, no filler’, in: The Financial Times, London/UK, 28 June 2018.

Cha, TF, and Yeung, Michael, 'What to see at Masterpiece London 2018', on: www.wallpaper.com, London/UK, 27 June 2018, ill.

Kielland, Roise Ingrid, 'Var tids nisse', in: D2, Oslo/NO, 23 June 2018, p. 52-54, ill.

__, 'What Masterpiece – the 'cross-collecting fair' – tells us about the market', on: www.christies.com, London/UK, 21 June 2018, ill.

Pollack, Barbara, 'Beijing Is Not a Static Place', on: www.artnews.com, New York/NY, 21 June 2018, ill.

Wurmitzer, Michael, 'Kunst mit Ketchup', in: Der Standard, Vienna/AT, 12 June 2018, p. 23, ill.

Wurmitzer, Michael, 'US-Künstler Paul McCarthy bei den Festwochen: Kunst mit Dildo und Ketchup', on: derstandard.at, Vienna/AT, 12 June 2018, ill.

Siegal, Nina, 'New Momentum for Masterpiece', in: Blouin Art + Auction, London/UK, June 2018, pp. 64 – 75. Brady, Anna, 'Masterpiece grows in London, but new fairs not confirmed', in: The Art Newspaper, London/UK, 25 June 2018, p. 61.

__, 'Confusion as Norway Greets 'Santa' With Sex Toy', on: www.sputniknews.com, Moscow/RU, 31 May 2018, ill.

Pekler, Michael, 'Hollywood und Disney sind unsere Leichen im Keller', in: ray Filmmagazin, Vienna/AT, May 2018, pp. 30-32, ill.

__, 'The Skateroom and Roger Ballen Team Up for New Skateboard Collaboration', on: www.opumo.com, London/UK, 4 May 2018, ill.

Lehrer, Adam, 'Hyperreal Meets the Slightly Unreal at Met Breuer "Life Like" Exhibition', on: www.forbes.com, New York/NY, 3 May 2018.

Yablonsky, Linda, 'Artists bring a breath of the contemporary to the Getty Villa', on: www.theartnewspaper.com, London/UK, 22 April 2018, ill.

Li, Bowen, 'Local to Global: Gallery Weekend Beijing 2018', on: ocula.com, 13 April 2018.

Coxhead, Gabriel, 'The Land We Live In – The Land We Left Behind at Hauser & Wirth', on: www.artreview.com, London/UK, March 2018, ill.

___, ___, on: mp.weixin.qq.com, China, 28 March 2018, ill.

Slenske, Michael, 'The rise and fall and rise of Patrick Painter', on: www.latimes.com, Los Angeles/CA, 27 March 2018

Dafoe, Taylor, 'Is That a Dead Body? 8 Breathtakingly Odd Works in the Met Breuer's Unconventional Survey of Figurative Sculpture', on: www.news.artnet.com, New York/NY, 19 March 2018, ill.

Taylor, Andrew, Elliot, Bridget, 'Rochfort Gallery: new Sydney emporium showcases fine art and beautiful things', on: www.afr.com, Sydney/AU, 19 February 2018, ill.

Pestana, Steven, 'The Everywhere Studio', on: www.brooklynrail.org, New York NY, 7 February 2018, ill.

Simpson, Veronica, 'The Land We Live In – The Land We Left Behind', on: www.studiointernational.com, New York NY, 7 February 2018, ill.

Klingenfuss, Jessica, 'Hauser & Wirth Somerset's latest show celebrates rural life', on: www.wallpaper.com, London/UK, 30 January 2018, ill.

Hudson, Mark, 'Country matters', in: The Daily Telegraph, London, 27 January 2017, ill.

Duong, Amy, 'The Skateroom & Paul McCarthy Created Skateboards for a Cause', on: www.trendhunter.com, Toronto/CA, 22 January 2018, ill.

Frazer, Julius, 'The Skateroom with Paul McCarthy', on: www.officemagazine.net, New York/NY, 19 January 2018, ill.

Gosling, Emily, 'Sex, Bongs and Rubbish Bins: The Upset Bucket examines “personal identity and the human condition”', on: www.creativeboom.com, Manchester/UK, 18 January 2018, ill.

Wastall, Mark, 'American artist Paul McCarthy creates TRUMP skate decks via The Skateroom available @HauserWirth', on: www.fadmagazine.com, London/UK, 16 January 2018, ill.

Waldrip, Klon, 'The Hills Are Alive: Paul McCarthy and Mike Kelley's Horrifying and Scatological Heidi', on: diaboliquemagazine.com, Brighton/MA, 13 December 2017, ill.

Kupper, Oliver Maxwell, ' Durslade Farm ', in: Autre, Los Angeles/CA, Winter 2017, pp. 132-151, ill.

Shaw, Anny, 'The future may be virtual, but who is running the show?', in: The Art Newspaper, London/UK, December 2017, ill.

Grishin, Sasha, 'Hyper Real at the National Gallery of Australia: the review is in', on: canberratimes.com.au, Canberra/AU, 23 October 2017, ill.

Moon, So-Young, 'Paul McCarthy explores the core of art: The influential artist's latest solo show finds beauty in the process of creating sculptures', on: https://mengnews.joins.com/, Seoul/KR, 20 October 2017, ill.

Hardy, Karen, 'Hyper Real at the National Gallery: be prepared to be confronted and amazed', on: brisbanetimes.com.au, Brisbane/AU, 19 October 2017, ill.

Chrisafis, Angelique, 'Too lewd for Louvre but just perfect for Pompidou', in: The Guardian, London/UK, 19 Oktober 2017, ill.

Chrisafis, Angelique, 'Too rude for Paris? 'Copulating' sculpture causes stir in French capital', on: theguardian.com, London/UK, 18 Oktober 2017, ill.

___, 'Video – Paul McCarthy', on: https://digitalmajority.com, 1st October 2017, ill.

Jansen, Charlotte, 'Paul McCarthy puts Snow White (and himself) under the knife in Seoul', on: https://www.wallpaper.com, 2nd October 2017, ill.

___, 'Paul McCarthy Exhibition at Hauser & Wirth, Los Angeles', on: https://enjp.blouinartinfo.com, 13 September 2017, ill.

Black, Ezrha Jean, 'Paul McCarthy. Hauser & Wirth LA', on: https://artillerymag.com/paul-mccarthy/, 5 September 2017, ill.

Meghiddo, Rick, 'Tangoing with Paul & Amigos', on: https://www.culturalweekly.com/tangoing-with-paul-amigos/, 30 August 2017, ill.

Davis, Genie, 'Paul McCarthy's', in: Art Scene, September 2017, ill.

Pagel, David, 'Paul McCarthy at Hauser & Wirth: A horrow show on a grand, exquisite scale', in: Los Angeles Times, p. 7-8, or on: https://www.latimes.com/entertainment/arts/la-et-cm-paul-mccarthy-review-20170807-htmlstory.html, Los Angeles, August 14, 2017, ill.

Slayton, Nicholas, 'Snow White and the Nine Giant Sculptures. Paul McCarthy Puts a Dark Spin on the Fairy Tale For New Arts District Exhibition', on: https://www.ladowntownnews.com/arts\_and\_entertainment/snow-white-and-the-nine-giant-sculptures/article\_5b991016-659b-11e7-a0ca-fb57aca1c5a6.html, Los Angeles, 11 July 2017, ill.

Gleason, Mat, ' Hauser, Wirth & Inventory - The Unbearable Lightness of Schimmel’s Absence', on: HYPERLINK "https://www.huffingtonpost.com" www.huffingtonpost.com, Los Angeles, 30 June 2017, ill.

Hess, Ewa, 'Zwei Amis in Venedig', on: HYPERLINK "https://www.blog.tagesanzeiger.ch" www.blog.tagesanzeiger.ch, 24 May 2017, ill.

Gerlis, Melanie, 'Virtual reality looms in Venice', on: www.ft.com, London, 21 April 2017

Schneider, Tim, ' The Gray Market: Why You Can’t Trade Art Like Stocks (and Other Insights), on: www.artnet.com, New York, 15 May 2017, ill.

Creahan, D., 'New York. Paul McCarthy 'Raw Spinoffs Continuations' at Hauser & Wirth through February 4th, 2016', on: www.artobserved.com, New York, 28 December 2016, ill.

Foerschner, Anja, 'Ent-Grenzung und Groteske: Ekel in den performativen Installationen Paul McCarthys', in: kunsttexte.de, no. 4/2016.

Pobric, Pac, 'Paul McCarthy: Raw Spinoffs Continuations', on: www.villagevoice.com, New York, 14 December 2016, ill.

Mac Adam, Alfred, 'Absent Snow White: Paul McCarthy's brilliant show in New York mixes politics with the detritus of childhood memories', on: www.artnews.com, New York, 29 November 2016, ill.

Corboy, Peter, 'hauser & wirth presents a carnivalesque cast of characters by paul mccarthy', on: www.designboom.com, Milan, 27 November 2016, ill.

___, 'Take a look at Paul McCarthy's tortured dwarves', on: www.phaidon.com, London, 22 November 2016, ill.

Mason, Isabella, 'Paul McCarthy's Raw Spinoffs Continuations' at Hauser & Wirth, New York', on: www.blouinartinfo.com, New York, 16 November 2016, ill.

Gaitér, Derrick, 'Paul McCarthy and the Art of Vulgarity', on: www.documentjournal.com, New York, 14. November 2016, ill.

Lempesis, Dimitris, 'Art-Preview: Paul McCarthy-Raw Spinoffs Continuations', on: www.dreamideamachine.com, November 2016, ill.

Schwager-Jebbink, Juliana, 'Der visionäre Provokateur', in: Handelzeitung, Zürich, 20. October 2016, p. 15, ill.

Jasper, Adam, 'Views. Paul McCarthy', in: Spike Art Quarterly, Berlin, Autumn 2016, p. 202

___, 'Massacre de Blanche-Neige à la tronconneuse. McCarthy vs Hollywood', in: Bruzz, Brussel, 09. September 2016, p. 19, ill.

Theys, Hans, 'Paul McCarthy bij Xavier Hufkens Brussels. Alles over Sneeuwwitje', in: Hart, Brussel, 06. October 2016, p. 19, ill.

___, 'Help, Sneewwitje is onthoofd!', in: De Morgen, Brussel, 17 September 2016, p. 83, ill.

Sterverlynck, Sam, 'Sneeuwwitje onthoofd', in: De Standaard, Brussel, 09 September 2016, p. 6, ill.

___, 'Paul McCarthy in de galerie Xavier Hufkens in Brussels', in: Knack, Brussel, 28. September 2016, p. 99, ill.

Spencer, Samuel, 'Paul McCarthy's Macabre Modern Myths Make Their Way to Brussels', on: www.blouinartinfo.com, New York, 15 September 2016, ill.

Szczesniak, Paulina, 'Disneys Niedlichkeiten im Mixer der Kunst – eine witzige Sauerei', in Tages Anzeiger, Zürich, 24 September 2016, p.

Hess, Ewa, 'Das entzauberte Schneewittchen', in: Sonntagszeitung, Basel, 4 September 2016, p. 65, ill.

Nagel, Andrea, 'Skate for good: Afghan tricks come to Joburg', on: www.timeslive.co.za, Johannesburg, 6 July 2016, ill.

Russell, Anna, 'Crowds, Caution at Art Basel', on: www.wsj.com, New York, 16 June 2016

Grainger-Shuba, Samantha, 'Acclaimed Artist Paul McCarthy enthralls crowd at Whitman College', on: www.whitman.edu, Walla Walla, 3 March 2016, ill.

___, 'Paul McCarthy Drawings', in: Art Review, London, January 2016, pp. 156, ill.

___, 'Full Exposure: Paul and Damon McCarthy's Pirate Party on view at the Nasher Museum', on: www.artdaily.com, Mexico City, 22 Decmber 2015, ill.

Elderton, Louisa, 'Paul McCarthy Schinkel Pavillon / Berlin', on: www.flashartonline.com, London, 24 November 2015, ill.

Serratore, Nicole, 'Looking for Paul', on: www.exeuntmagazine.com, New York, 17 November 2015, ill.

Sokolowski, Andre, 'Rebel Dabble Babble Berlin in der Volksbuehne', on: www.freitag.de, Berlin, 25 September 2015, ill.

van Kampen, Bamboo & Groeneveld, Arthur, 'Paul McCarthy at the Schinkel Pavillion on the occassion of Berlin Art Week, Berlin', on: www.purple.fr, Paris, 20 September 2015, ill.

Pofalla, Boris, 'Wilder alter Mann', in: Frankfurter Allgemeine Sonntagszeitung, 15 September 2015, p. 41, ill.

Di Blasi, Luca, 'Sprachlos: Paul McCarthy und die Zukunft des Theaters', in: InformationsdienstKunst, Berlin, 14 September 2015, pp. 5-7
Rebhandl, Bert, 'Rebel with a cause', in: Tip Berlin, Berlin, 10 September, ill.

Rappolt, Mark, 'Paul McCarthy', in: Art Review, London, September 2015, p. 124-131, ill.

Slaski, Jacek, 'Exzess! Blut! Nackte!', Tip Berlin, Berlin, August 2015, ill.

___, 'Zwischen Wien und Westcoast', in: Spielplan, Braunschweig, September 2015, ill.

Liebs, Holger, 'Rebell mit Grund', in: Monopol, September 2015, pp. 10, 68-75, ill.

Sumpter, Helen, 'Geta Bràtescu', in: Art Review, London, Summer 2015, pp. 84-97, ill.

Coomer, Martin, 'The Human Factor at the Hayward Gallery', on: www.timeout.com, London, 12 June 2014, ill.

Pilger, Zoe, 'The Body Politic', in: The Independent, London, 16 June 2014, p. 40, ill.

Amy, Michaël, 'Rotten to the Core. Paul McCarthy', in: Sculpture, Washington, May 2014, pp. 46-51, ill.

Genocchio, Benjamin, 'Guggenheim Bilbao Censors "Offensive" Paul McCarthy and Mike Bouchet Public Artwork', on: www.news.artnet.com, 10. April 2014, ill.

Hohmann, Silke, 'Kicks durch Kulturkritik: Bocuhet und McCarthy möbeln Frankfurt auf', in: Monopol, Berlin, April 2014, p. 117, ill.

Gritz, Anna, 'Paul McCarthy: Black and White Tapes. Everyone Agrees: Meetings and Failures in Meetings', in: Art Monthly, London, March 2014, pp. 32-33

___, The Museum as Marketing Temple. Mike Bouchet & Paul McCarthy at the Portikus, Frankfurt, on: www.db-artmag.de, February 2014

Delaney, Joseph, 'Paul McCarthy's Black and White Tapes at SPACE', on: www.sangbleu.com, 26 January 2014

Federman, Rachel, 'An Idealistic Utopian Thought: Paul McCarthy and the Spaces of Transmission', in: 'Oxford Art Journal', Oxford: Oxford University Press, Vol. 37, no. 1, 2014, pp. 1-26, ill.

Van Veelen, Ijsbrand, 'Opgestoken Vinger Tegen de Burgerlijkheid', in: Kunstbleed, Rotterdam, 2013/2014, pp. 56-61, ill.

___, 'Paul McCarthy's New "Snow White" Installation to Take Over Park Avenue Armory, 6/19-8/4', on: www.broadwayworld.com, New York, 22 May 2013

___, 'Artist of the Year Nominees. Paul McCarthy', in: Art in America, New York, December 2013, p. 104

Thon, Ute, 'Durchgeknalltes Hollywood', in Art. Das Kunstmagazin, Hamburg, December 2013, p. 141

Joseph-Lowery, Frédérique, Stuckey, Charles, 'The Naked Truth', in: Art in America, New York, November 2013, pp. 112-121, ill.

___, 'Paul McCarthy & Damon McCarthy', in: JR, Winter 2013, Issue 5, pp. 1–3, ill.

Creahan, D., 'London: Frieze Art Fair in Regent's Park, October 17th-20th, 2013', in: Art Observed, New York, 15 October 2013, online, ill.

___, 'Top Threes at Frieze', in: Artsy, New York, 15 October, online, ill.

Heartney, Eleanor, 'Paul McCarthy et Damon McCarthy', in: Art Press, Paris, October 2013, pp. 12-13, ill.

Earnest, Jarrett, 'Crushes on Art', on: www.brooklynrail.org, New York, 3 October 2013, ill.

Smith, William S., 'Paul McCarthy', on: www.artinamericamagazine.com, New York, 2 October 2013, ill.

Foerschner, Anja, ‘The Fairest in the Land: the Deconstruction of Beauty in Paul McCarthy’s WS’, in: Afterimage – The Journal for Media Arts and Cultural Criticism, vol. 41.3, November/December 2013, pp. 14-18.

Fox, Dan, 'Paul McCarthy. Park Venue Armory / Hauser & Wirth, New York', in: Frieze, London, October 2013, pp. 261-262, ill.

Berman, Aniko, 'Paul McCarthy', in: Art Review, Milan, October 2013, p. 109

___, 'Kate By Paul. White Snow Kids Party.' in: Document, September 2013, New York, pp. 194-201, ill.

Wei, Lilly, 'Paul McCarthy', in: Art News, New York, October 2013, p. 102, ill.

C., Melanie, 'The Weight of Waste', in: Vulture, New York, September 2013, pp. 118-123, ill.

Reichert, Kolja, 'Was treiben drei Schneewittchen mit neun Zwergen?' on: www.welt.de, Berlin, 28 August 2013, ill.

Grau, Donatien, Liebs, Holger, 'Disneys Albtraum', in: Monopol, Berlin, August 2013, pp. 36-47, ill.

Piepenburg, Erik, 'Art That Turns Both Heads and Stomachs' on: www.nytimes.com, New York, 13 July 2013, ill.

Davis, Ben, 'Paul McCarthy's Freaky Deaky '50s Nostalgia Trip' on: www.blouinartinfo.com, New York, 8 July 2013, ill.

Trainor, Natalie, 'Paul McCarthy's WS: A Day of Disgust and Intrigue', on: www.art-nerd.com, New York, 1 July 2013, ill.

Cotter, Holland, 'The American Fairy Tale, Fun House Style', on: www.nytimes.com, New York, 27 June 2013, ill.

___, 'Grumpy about dopey', on: www.nydailynews.com, New York, 24 June 2013, ill.

___, 'Hello, Babylon! The Art World is cheating on New York with Los Angeles', in: Gallerist NY, New York, 18 June 2013, ill.

Drohojowska-Philp, Hunter, 'An exclusive preview of 'White Snow' by Paul McCarthy', on: www.wallpaper.com, London, 13 June 2013, ill.

___, 'Art Basel opens for 2013', on: www.euronews.com, London, 13 June 2013, ill.

Del Signore, John, 'Photos: Snow White Gets Dirty Inside Paul McCarthys Massive Park Avenue Armory', on: ww.gothamist.com, New York, 18 June 2013, ill.

Hoffman, Barbara, 'Snow fright!X-rated sex and booze-fueled version of Disney classic hits NY in artist's latest shock exhibit', on: www.nypost.com, New York, 19 June 2013, ill.

Lipsky, Seth, 'Debauchery' you pay for', on: www.nypost.com, New York, 19 June 2013, ill.

___, 'Paul McCarthy's New 'Snow White' Installation Takes Over Park Avenue Armory, Now thru 8/4', on: www.broadwayworld.com, New York, 19 June 2013, ill.

___, 'Paul McCarthy's WS: On Set', on: www.wmagazine.com, 18 June 2013, ill.

Singer, Reid, 'A Beginner's Guide to Paul McCarthy, 2013's most talked- bout artist', on: www.flavorwire.com, New York, 21 June 2013, ill.

Nicolini, Kim, 'The Art of the Soulless Ripoff', on: www.counterpunch.org, New York, 21- 23 June 2013

___, 'Paul McCarthy overtakes Park Avenue Armory's immense Drill Hall with his largest installation to date', on: www.artdaily.org, Switzerland, 25 June 2013, ill.

___, 'Must see art: Paul McCarthy and Damon McCarthy: "Rebel Abble Babble"', on: www.according2g.com, New York, 21 June 2013, ill.

Feitelberg, Rosemary, 'Paul McCarthy's WS Installation Bows', on: www.wwd.com, New York, 21 June 2013, ill.

Schickner, Lindsey, 'Reqiured Viewing- Paul And Damon McCarthy's Rebel Dabble Babble', on: www.documentjournal.com, New York, June 2013, ill.

Massara, Kathleen, 'Paul an Damon McCarthy: 'Rebel Dabble Babble' Leaves Me Cold', on: www.huffingtonpost.com, New York, 21 June 2013, ill.

Russell, Anna, 'The Other 'Disney Store'', on: www.online.wsj.com, New York, 20 June 2013, ill.

___, 'New York- Paul McCarthy: "WS" at the Park Avenue Armory Through August 4th, 2013', on: www.artobserved.com, New York, 22 June 2013, ill.

Budick, Arielle, 'Paul McCarthy: WS, Park Avenue Armory, New York- review', on: www.ft.com, New York, 23 June 2013, ill.

___, 'Selections from the Filmographies of the Stars of Paul McCarthy's New Installation (NSFW)', on: www.blogs.artinfo.com, New York, 19 June 2013, ill.

Guiducci, Mark, 'Paul McCarthy's Princess: Elyse Poppers Stars in the Artist's New Show at the Park Avenue', on: www.vogue.com, New York, 19 June 2013, ill.

Saltz, Jerry, 'Jerry Saltz on the Armory's (Very, Very Dirty) Paul McCarthy Show', on: www.vulture.com, New York, 19 June 2013, ill.

___, 'Paul McCarthy's adults- only fairytale opens today', on: www.uk.phaidon.com, London, June 2013, ill.

Shiffman, Allyson, 'When Paul McCarthy met Snow White', on: www.interviewmagazine.com, New York, June 2013, ill.

Massara, Kathleen, 'Paul McCarthy 'WS' at the armory is a disturbing take on 'snow white (photos)', on: www.huffingtonpost.com, New York, 19 June 2013, ill.

Russeth, Andrew, 'Morning Links: Obsession Edition', on: www.galleristny, New York, 19 June 2013, ill.

Lescaze, Zoe, 'Naked Ambition: Paul McCarthy takes the park Avenue Armory', on: www.galleristny.com, New York, 19 June 2013, ill.

___, 'Armory Gives Conflicting Information on Funding of Snow White Show', on: www.futureofcapitalism.com, New York, 20 June 2013, ill.

Prince, Richard, 'Richard Prince Blog Watch: Reviews of David Zwirner and Hauser&Wirth's New Chelsea Digs', on: www.blogs.artinfo.com, New York, 20 June 2013, ill.

Kennedy, Randy, 'Here's Snow White. Don't Bring the the Kids.' On: www.nytimes.com, New York, 19 June 2013, ill.

___, 'Paul McCarthy's X-rated Exhibition', on: www.online.wsj.com, New York, 20 June 2013, ill.

Murg, Stephanie, 'Paul McCarthy's Grim Fairy Tale Debuts at Park Avenue Armory', on: www.mediabistro.com, New York, 20 June 2013, ill.

Ray, Justin, 'Everything You need to know about Paul McCarthy's new exhibition at Park Avenue Armory', on: www.complex.com, New York, 20 June 2013, ill.

Esplund, Lance, 'McCarthy's X-Rated Snow White, Lewd Dwarfs; Ken Price', on: www.businessweek.com, New York, 20 June 2013, ill.

___, 'Paul and Damon McCarthy at Hauser&Wirth New York', on: www.artmediaagency.com, New York, 20 June 2013, ill.

Shen Goodman, Matthew, 'McCarthyLand: Soiled Snow and Silly String at the Armory', on: www.artinamericamagazine.com, New York, 20 June 2013, ill.

Drohojowska-Philip, Hunter, 'Twist in the Tale', in: Wallpaper, London, June 2013, ill.

Earnest, Jarrett, 'The Liquid ist the Flux', in: The Brooklyn Rail, New York, June 2013, pp. 13-15, ill.

Griffin, Jonathan, 'Rebel. Dabble. Babble. A project by Paul McCarthy and Damon McCarthy', in: Modern Painters, New York, June 2013, pp. 70-83, ill.

Lescaze, Zoe, 'Paul's Uncanny Valley', on: www.galleristny.com, New York, 14 May 2013

___, 'Frieze New York' , on: www.Facebook/friezenewyork.com, New York, 10 May 2013, ill.

Kennedy, Randy, 'The Demented Imageneer', on: www.nytimes.com, New York, 10 May 2013, ill.

Wilkinson, Isabel, 'The Best Things to see at Frieze Art Fair NY 2013', on: www.thedailybeast.com, New York, 9 May 2013, ill.

___, 'Five Objects to Warm Up a Trip to Frieze', on: www.online.wsj.com, New York, 9 May 2013, ill.

Kazakina, Katya, 'Frieze Fair Has John Thain, Speyer Pondering $ 35,000 Pea', on: www.bloomberg.com, New York, 10 May 2013, ill.

___, 'Paul McCarthy honoured at Hauser&Wirth', on: www.artmediagency.com, New York, 2 May 2013

___, 'Paul McCarthy: Life Cast', on: www.timeout.com, New York, 3 May 2013

___, 'McCarthyism', in: Art+Auction, New York, May 2013, p. 70, ill.

___, 'Time Out says', on: www.timeout.com, New York, 29 April 2013

___, 'Paul McCarthy's Pile of Poo and Other Unique Inflatable Sculptures', on: www.fadwebsite.com, London, 28 Apri 2013, ill.

Dawidowicz, Julia, 'Paul McCarthy drops a giant inflatable poop on Hong Kong', on: www.animalnewyork, New York, 29 April 2013, ill.

___, 'Inflatable Poop Installation By Artist Paul McCarthy Makes A Mess In Hong Kong', on: www.huffingtonpost.com, 29 April 2013, ill.

Gerlis, Melanie, 'Hauser & Wirth makes a big birthday look', in: The Art Newspaper, TAN 2, London, May 2013, p. 4, 1/1, ill.

___, 'Sudden downpour takes the wind out of poop art', on: www.scmp.com, Hong Kong, 27 April 2013, ill.

___, 'Inflation' Hits Hong Kong', on: www.online.wsj.com, New York, April 2013, ill.

___, 'Paul McCarthy Balloon Pops in China', on: www.galleristny.com, New York, 26 April 2013, ill.

___, 'Bouncy- castle style Stonehenge on display in inernational inlfatable exhibition', on: www.theindependent.com.uk, London, 26 April 2013, ill.

___, 'Paul McCarthy's Poop Balloon Popped, Maya Lin Makes Sandy Memorial, and More', on: www.blouinartinfo.com, New York, 29 April 2013, ill.

___, 'Check out Paul McCarthy's Pile of Feces and Other Unique Inflatable Sculptures. Video', on: www.m.hypebeast.com, 25 April 2013, ill.

Hromas, Jessica, 'Inflatable Sculpture Exhibition 'Inflation!' Arrives In West Kowloon', on: www.google.com, Hong Kong, 24 April 2013, ill.

Duray, Dan, ' Here Are the Frieze New York Sculpture Park Artists',on: www.galleristny.com, 12 April 2013, New York, ill.

___, 'Art meets Disco', in: Blueprint, London, May 2013, p. 68, 6/6, ill.

Lopez, Xavier jr., ' Dreamspace Disneyland – Paul McCarthy, Robert Rauschenberg, Mikhail Bakhtin, Me and Mr. Toad's wild Ride!', on: www.blog.seattlepi.com, 3 April 2013, Seattle, ill.

Reichert, Kolja, 'Der total verrückte Arbeitsplatz', in: www.tagesspiegel.de, 10 July 2012, ill.

Zobel, Stefanie, 'Backstage: Kunst. 'The Box': Paul McCarthys Atelier und der Blick in die Seele des Künstlers', in: nicolai, n°3 October-December 2012, p. 31, ill.

Gavin, Francesca, 'King of Carnival', in: Twin, London, 7 November 2012, pp. 136-145, ill.

Glauner, Max, 'PAUL McCARTHY', in: Frieze, London, Winter 2012, pp. 115-116, ill.

___, 'Paul McCarthy's The Box in The Neue Nationalgalerie', on: HYPERLINK "https://www.theremainsoftheweb.com" www.theremainsoftheweb.com, New York, 20 October 2012, ill.

Griffin, Jonathan, 'Paul McCarthy and Damon mccarthy's "Rebel Dabble Babble"', in: Jonathan Griffin Art Agenda, 31 May 2012, ill.

Wrinkle, Aaron, 'Portrait of an American Family, or This American life: Aaron Wrinkle on Paul and Damon McCarthy's Rebel Dabble Babble', in: Notes on Looking, 18 May 2012, ill.

Tylevich, Katya, 'Rebel Without a cause', on: www.domusweb.it, 15 June 2012, ill.

Pagel, David, 'Review: Mccarthy family's "Rebel Dabble Babble" blurs fact, fiction', on: www.latimes.com, 17 May 2012, ill.

___, 'Paul McCarthy: "The Box"', in: Monopol, Berlin, p. 118, ill.

McGarry, Kevin, 'Out There. Art in Plein Air', on: https://tmagazine.blogs.nytimes.com, New York, 24 July 2012, ill.

Min-young, Park, 'Paul McCarthy', in: ARTnews, New York, Summer 2012, p. 135, ill

Elsing, Sarah, 'Wo die wilden Keime wohnen: In Berlin baut Paul McCarthy sein Studio nach', in: Monopol, Berlin, July 2012, pp. 117, 119, ill.

Tully, Judd, 'Despite Gripes About Thwarted VIPs, Art Bassel's Languorous Two-Day Preview Nets Serious Sales', on: www.Artinfo.com, New York, 13 June 2012.

Spagnesi, Licia, 'La Basilea d'Oriente'. in: Arte Magazine, Milan, May 2012, p. 102 – 106, ill.

Pagel, David, 'Review: McCarthy family's 'Rebel Dabble Babble' blurs fact, fiction', on: www.latimes.com, Los Angeles, 17 May 2012, ill.

Schneier, Matthew, 'James Franco: Rebel's Rebel', on: www.style.com, New York, 8 May 2012, ill.

Mason, Shanon Beth, 'Art Hong Kong 11', in: Sculpture Magazine, Hamilton, April 2012, p. 79, ill.

___, 'Schock Horror!', on: HYPERLINK "https://www.blance-magazine.com" www.blance-magazine.com, Paris, May 2012.

Callender, Neil, 'Shock Horror!', on: www.blanche-magazine.com, Paris, May 2012

___, 'Image of the People, Mike Kelley (1954-2012)', in: Artforum, New York, May 2012, pp.241, 250, ill.

McCarthy, Paul, 'BLAH, BLAH, BLACK', in: Artforum, New York, May 2012, pp. 241, 250, ill.

Robecchi, Michele, "Paul McCarthy" 'Hauser & Wirth. London', in: Flash Art, London, April 2012, p. 93, ill.

Woodward, B. Richard, 'When Bas Is Good', in: Art News, New York, April 2012, pp. 68 - 75, ill.

Hogan, Ruth, ’Paul McCarthy: The King, The Island, The Train, The House, The Ship; Hauser Wirth London, Savile row, Piccadilly and St. James's Square, 16 November, 2011 – 14 January, 2012’, on: papervisualart.com, London, 1 March 2012, ill.

Kaiser, Philipp, 'Ein Loch in den Kopf bohren', in: Du, Nr. 825, Zurich, April 2012, pp. 54-62, ill.

Gosling, Emily, 'Pig Island', in: Design Week, London, 11 November 2011, ill.

Knowles, Beverley, 'In Your Face Grotesquerie: Paul McCarthy in New York & London, ill.

Rubenstein, Bradley, 'Paul McCarthy: The Dwarves, The Forests, Hauser and Wirth', on: Culture Catch, 8 December 2011, ill.

___, 'AO on Site- New York: Paul McCarthy 'The Dwarves, the Forests' at Hauser & Wirth through December 17, 2011, in: Artobserved, New York, 7 December 2011, ill.

Johnson, Ken, 'Paul McCarthy: 'The Dwarves, the Forests'', in: The New York Times, New York, 8 December 2011, p. 32

Ward, Ossian, 'Porky's revenge', in: Time Out, London, 8 December 2011, p. 48, ill.

Halperin, Julia, Goldstein, Andrew M., 'Diddy and Eli Broad Buy Sophisticated Fare at a Workmanlike Art Basel Miami Beach VIP Vernissage', in: Artinfo, New York, 20 November 2011, ill.

Cashdan, Marina, 'Paul McCarthy's Quasi-Religious, Action-Packed Gallery Takeover', in: Huffington Post, New York, 25 November 2011, ill.

Bodin, Claudia, 'Geköpft im Märchenwald', in: Art, Hamburg, 28 November 2011,ill.

Kent, Sarah, 'Paul McCarthy: The King, The Island, The Train, The House, The Ship, Hauser & Wirth', in: The Art Desk, London, 18 November 2011, ill.

Mellors, Coco, 'Paul McCarthy at Hauser & Wirth NYC', in: Art Wednesday, London, 19 November 2011, ill.

___, 'Paul McCarthy presents george Bush and the Seven Dwarves', in: Phaidon, London, 15 November 2011, ill.

Keane, Thomas, 'Hail King Paul McCarthy', in: Art Lyst, London, 16 November 2011, ill.

Martin, Alison, 'paul McCarthy's take on Snow White tale at NYC gallery', in: examiner, Denver CO, 14 November 2011, ill.

Nelkin, Chloe, 'Tuesday ist he new thursday – Paul McCarthy at hauser & Wirth and more...', in: Chloe nelkin Blog, London, 15 november 2011, ill.

___, 'Art – Paul McCarthy. Hauser & Wirth', in: Trebuchet Magazine, London, 16 November 2011, ill. ___, 'Paul McCarthy Hits London', in: Wonderland, london, 16 November 2011, ill.

Kymball, Whitney, 'November Gallery Preview', in: Artfagcity, New York, 4 November 2011, ill.

Ryan, Amanda, 'Five Artists from Another Planet', in: Art Log, New York, 3 November 2011, ill.

Tariq, Syma, 'American Nightmares', on: www.glassmagazine.co.uk, London, 4 November 2011, ill.

Seno, Alexandra A., 'Hong Kong Art Fair', in: Departures, New York, Autumn/Winter 2011, ill.

___, 'Paul McCarthy', in: Artforum, October 2011, New York, pp. 244 - 245 Berardini, Andrew, 'Way out west', in: The Art Newspaper', october 2011, London, England, pp. 43 – 45, ill.

Griffin, Jonathan, 'Paul McCarthy Loses His Shit', in: Wonderland, London, September October 2011, pp. 184-187, ill.

___, '___', in: Kilimanjaro, London, Issue 12, April 2011, pp. 14 – 16, ill.

Allen, Jennifer, 'air force’, in: sleek, Berlin, Winter 2010/11, pp. 192-193, ill.

McCarthy, Paul, 'Recreated Reaction Recreate', in: Parkett, Zurich, no. 88, 2011, pp. 141, ill.

Cary Levine, in: ‘You Are What (and How) You Eat: Paul McCarthy’s Food-Flinging Frenzies’, in: Invisible Culture, Issue 14, Rochester, Spring 2010 Taft, Catherine, 'Paul McCarthy', in: Artforum, New York, December 2010, p.265, ill.

Kaufman, Jason Edward, 'Paul McCarthy', in: Modern Painters, New York, December 2010 / January 2011, p. 71, ill.

Campagnola, Sonia, 'Paul McCarthy', in: FlashArt, Milan November – December 2010, p. 100, ill.

Drohojowska-Philp, Hunter, 'Paul McCarthy', in: ARTnews, New York, December 2010, p. 115, ill.

Fumai, Rosanna, 'Paul McCarthy', in: Juliet, Trieste, October - November 2010, P. 56-57, ill.

Tufnell, Rob, 'Brilliance in a box', in: Apollo, London, October 2010, p. 96, ill.

Fessler, Anne Katrin, 'Piratenpfeffer für die Wiener Aktionisten', in: Der Standard, Vienna, 28 October 2010, ill.

Kaufman, Jason Edward, 'Paul McCarthy: Three Sculptures', in: Artinfo, New York, 7 October 2010, ill.

Mizota, Sharon, 'Art review: Paul McCarthy at L&M Arts', in: Los Angeles Times, Los Angeles, 7 October 2010, ill.

Corti, David Streiff, 'Wo die schweren Skulpturen wohnen', in: NZZ – Die schönen Seiten, Zurich, 2 October 2010, ill.

Schoch, Ursula Badrutt, 'Das Boot ist voll', in: Wiler Zeitung, Wil, 13 August 2010, p.9, ill.

Parmesani, Loredana, 'Pig Island and the Shock of the West', in: Domus, Milan July – August 2010, pp. 87 – 95, ill.

___ 'Rum, Sodomy and the Lush', in: Flash Art International, July – September 2010, pp. 84 – 87, ill.

Bodin, Claudia, 'Paul McCarthy. Porträt. Schneewittchen Alptraum endet nie', in: art. Das Kunstmagazin. Online, Hamburg, 13 July, ill.

Ellegood, Anne, 'The Isle of Porcine Romance', in: Mousse, Milan Summer Issue 2010, no. 24, pp. 42-53, ill.

Hinrichsen, Jens, cMcCarthy wirbelt im Schleudergang durch seine eigene Kunstgeschichte', in: Monopol, Berlin, June 2010, ill.

___, 'News Brief. Italy. Behaving Like Pigs', in: World Sculpture News, Hong Kong, June 2010, pp.16-18, ill.

Casadio, Mariuccia, 'Into Paul McCarthy's Land', in: Vogue Italia, Milan, June 2010, pp. 92-97, ill.

Diez, Renato, 'Paul McCarthy', in: Arte, June 2010, pp. 80-84, ill.

Bruno, Franco, 'Caos Calmo. Il Mondo va in Frantumi', in: Circle, June 2010, pp. 1, 10, 25-29, ill.

___, 'Pretty much everything', in: Muse, June 2010, p.39, ill.

___, 'Paul McCarthy', on: stylemag.net, Berlin, 28 May 2010, ill.

Moliterni, Rocco, 'Paul McCarthy. Scorre ketchup nelle vene d'America', in: La Stampa, Milan, 24 May 2010, pp. 32-33, ill.

Vettese, Angela, 'L'isola die famosi porci', in: Il Sole 24 Ore, Milan, 24 June 2010, p. 37, ill.

Taft, Catherine, 'Paul McCarthy: Pig Island', in: Artforum, New York, May 2010, p. 144 Perra, Daniele, 'Il luna park senza tabù in anteprima a Milano', in: GQ, Milan, May 2010, p. 211, ill.

Masoero, Ada, 'Think pig', in: Il giornale dell’arte, Torino, May 2010, no. 298, p. 34, ill.

Bonami, Francesco, 'Natura Maiala', in: Rolling Stone, Milan, May 2010, no. 79, pp. 64-67, ill. Bonami, Francesco, 'Porci con le ali dell’arte', in: Panorama, Milan, 20 May 2010, pp. 237-39, ill.

Bonazzoli, Francesca, 'Scandalo a palazzo', in: Corriere della sera, Milan, 18 May 2010, pp. 15-17, ill.

Di Marzio, Mimmo, 'Trussardi "invade" palazzo Citterio', in: il Giornale Milano, Milan, 18 May 2010, pp. 54-55, ill.

Cirillo, Anna, 'Brera cose mai viste', in: la Repubblica, Milan, 18 May 2010, pp. 16-17, ill.

Casavecchia, Barbara, 'Da Bush a Angelina tutti sull’Isola dei Porci', in: la Repubblica, Milan, 18 May 2010, p. 17, ill.

Bonami, Francesco, 'Porci con le ali dell' arte', in: Panorama, Milan 20 May 2010, pp. 237-239, ill.

Amadasi, Giovanna, 'Paul McCarthy e la Sua Versione del Sogno Americano', in: La Republica, Milan 8 May 2010, pp. 76-83, ill.

Rian, Jeff, 'Paul McCarthy', in: Fashion Purple Magazine, Paris, Spring Summer 2010, issue 13, pp. 366-373, ill.

___, 'Paul McCarthy', in: Contemporary Artist Files, Tokyo, vol. 62, no. 933, February 2010, p. 150, ill.

Double, Steve, 'The fine art of philantrophy', in: Financial Times Smart Arts, London, 20 February 2010, pp. 10-12, ill.

Levin, Kim, 'Paul McCarthy', in: ARTnews, New York, February 2010, pp. 104-105, ill.

Rappolt, Mark, 'Feature: Paul McCarthy', in: Art Review, London, Jan – Feb 2010, pp. 60 – 64, ill.

Washida, Kiyokazu, Hosono, Haruomi, Fujihata, Masaki, et al., 'Paul McCarthy and Mike Kelley', in: 'Yebisu International Festival for Art & Alternative Visions 2010 – Searching Songs', Tokyo: Tokyo Metropolitan Museum of Photography, 2010, p. 56, ill.

H.S., 'Collection: MoCA’s First Thirty Years', in: The Art Network, London, November 2009, p. 84, ill.

Verna, Sascha, 'New York steht auf Schweizer Kunst', in: Tagesanzeiger, 24 November 2009, p. 33.

Lowenstein, Kate, 'Paul McCarthy „White Snow“', in: Time Out New York, New York, 26 November-2 December 2009, p. 47, ill.

Kino, Carol, 'Fairy Tales, But Strictly, Adults-Only', in: The New York Times, New York, 22 November 2009, p. 24, ill.

Bodin, Claudia, 'Paul McCarthy/Mike Kelley: Die Bösen Märchenonkel', in: ART das Kunstmagazin, Hamburg, 16 November 2009, ill.

212DressingRoom/Blog, 'Art in View: Paul McCarthy', on: 212dressingroom.com, 6 November 2009

Ramchandani, Ariel, 'Paul McCarthy`s Cartoon Pornography' in: The Economist, New York, 8 November 2009, ill.

___, 'Paul McCarthy White Snow', on: artslant.com, New York, 5 November 2009, ill.

Squibb, Stephen, 'Paul McCarthy at Hauser & Wirth', on: Idiom online, New York, 5 November 2009, ill.

___, 'Go see this now: Paul McCarthy`s Shit Pie (White Snow)', on: askyfilledwithshootingstars.com, New York, 4 November 2009, ill.

Werner, Florian, 'Die schnöde Masse hat Substanz', in: Monopol, Hamburg, November 2009, pp. 74-76, ill.

___, 'McCarthyism', in: Modern Painters, New York, November 2009, pp. 59-67, ill.

___, 'Paul McCarthy: Snow White', in: Bon, Stockholm, Autumn / Winter 2009-2010, pp. 128-135, ill.

Rosenmeyer, Aoife, 'Paul McCarthy: Hauser & Wirth', in: Modern Painters, New York, September 2009, ill.


Muchnic, Suzanne, 'Culture Monster', in: Los Angeles Times, Los Angeles, 5 September 2009, ill.

Gohlke, Gerrit, 'Der diskrete Scharm der Schweinehaltung', on: HYPERLINK "https://www.artnet.de" artnet.de, 23 July 2009, ill.

Schweighöfer, Kerstin, 'Utrecht, Quietschbunt und irritierend', in: Art, Hamburg, 8 July 2009, ill.

Renner, Sascha, 'Sex mit Sauce', in: Kunst 31, Zurich, 11-17 June 2009, ill.

SUG, 'Paul McCarthy', in: art on parade, Indianapolis Museum of Art, 2009, pp. 64-71, ill.

Allsop, Laura, 'Inspired: Paul McCarthy', in: Art Review, February 2009, p. 22, ill.

von Faber-Castell, Christian, 'Blühende Landschaft', in: Weltkunst, Zurich, Dezember 2009, pp. 12-19, ill.

Robecchi, Michele, 'Paul McCarthy, Bossy Paul', in: Mousse, Milan, 2012, ill.

Vert, Xavier, 'Donner à voir, Prêter à rire: Momus er priape', in: Tourcoing: Parade 8, 2008, pp. 59, ill.

___, 'Porno Mountains', in: Work. Art in progress, Trento, no. 24,Winter 2008, pp. 12-14, ill.

Piersanti, Francesca, 'Interview with Pierangelo Schiera by Francesca Piersanti', in: Work. Art in progress, Trento, no. 24, Winter 2008, pp. 38-45, ill.

Meyer, Richard, 'Artists sometimes have feelings', in art journal, New York, vol. 67, no. 4, Winter 2008, pp. 41-47, ill.

Erdmann Ziegler, Ulf, 'Jenseits der Tabus', in: Monopol, Berlin, December 2008, pp.62-64, ill.

'Santa`s little helper', 'Dough Harvey unwraps Paul McCarthy's latest yuletide-themed work' in: Modern Painters, December 2008/January 2009, London, ill.

'The Power 100', 62: Paul McCarthy, in: Art Review, London, November 2008, p.140 ill.

Christina Natalicchio (ed.), 'Porno Mountains', in: Work, Art in Progress, Trento, Winter 2008, p.12 ill.

Carlson, Ben, 'Paul McCarthy', in: Modern Painters, New York, November 2008, p. 95, ill.

___, 'Paul McCarthy and Benjamin Weissman', in: The Art Newspaper, no. 195, October 2008, p.79, ill.

bgga, 'Künstler Paul McCarthy: Wahrnehmung durch Disneyland konditioniert', on: FAZ.NET, 9 September 2008, ill.

Everitt Howe, David, 'Paul McCarthy: Central symmetrical Rotation movement: Three installations, two films', in: Art Rewiev, issue 26, October 2008

Levin, Kim, 'Paul McCarthy', in: ARTnews, New York, September 2008, ill.

___, ' Annual Guide to Museums: Paul McCarthy', in: Art in America, New York, August 2008, ill.

Weissman, Benjamin, 'The Rocky Mountain People Show. Mountain', in: Work. Art in progress, Trento, Summer 2008, pp. 26-28, ill.

Robecchi, Michele, 'The Rocky Mountain People Show. Paul McCarthy & Benjamin Weissman. Come and get it', in: Work. Art in progress, Trento, Summer 2008, pp. 52-55, ill.

O’Brien, Glenn, 'Paul McCarthy. The Peter Paul Chocolate Company', in: Purple Fashion Magazine, Paris, Spring-Summer 2008, pp. 60-61, ill.

Parker-Starbuck, J., 'Intervention 5: Pig #4, Paul McCarthy, "Mechanical pig"', Whitechapel Gallery, ill. London, in: Woman &Performance: a journal of feminist theory, Oxfordshire, July 2008, pp. 146-151, ill.

Stern, Steven, 'Back to the future', in: Time Out New York, New York, June-July 2008, ill.

___, 'The Rocky Mountain People Show', in: Work. Art in Progress, Trento, Summer 2008, pp. 20-21, ill.

Mack, Gerhard, 'Vor den Pforten des Paradieses', in: NZZ am Sonntag, Zurich, 29 June 2008, p. 59, ill.

Johnson, Ken, 'A Trip Through the Revolving Doors of Perception', on: nytimes.com, New York, 27 June 2008, ill.

___, 'Paul McCarthy. Bunkhouse', in: Art + Auction, New York, June 2008, p.170, ill.

Hromack, Sarah, 'Paul McCarthy’s Low Life Slow Life: Part 1', in: Flash Art, Milan, May-June 2008, p. 88, ill.

Kushner, Rachel, 'Paul McCarthy. Whitney Museum of American Art', in: Artforum, New York, vol. XLVI, no. 9, May 2008, p. 158, ill.

Herbert, Martin, 'Paul McCarhy', Artforum, New York, vol. XLVI, no. 9. May 2008, pp. 372-373; 406, ill.

Schröer, Carl Friedrich, 'Von Eisbergen und Tropenhäusern', in: Kunstzeitung, Regensburg, no. 141, May 2008, p. 29, ill.

de Brujin, Nieck, 'Bossy Burger. Paul McCarthy', in: Metropolis M, Amsterdam, vol. 29, no. 2, April-May 2008, pp. 16-17, ill.

McCormick, Carlo, 'Paul McCarthy’s abject object of desire', in: Whitewall, New York, Spring 2008, pp. 126-132, ill.

Gritz, Anna, 'Paul McCarthy’s Low Life Slow Life: Part 1', in: Frieze, London, 8 April 2008, ill.

Tovborg, Alexander, 'Interview: Paul McCarthy', on: kopenhagen.dk, Kopenhagen, April 2008, ill.

McCarthy, 'Larry Clark. The Tulsa Kid', in: Flash Art, Milan, March-April 2008, pp. 106-110,

ill. Demir, Anaïd, 'trash fictions', in: bc, Paris, Winter 2008, pp. 52-53, 122, ill.

Larkin, Graham, 'Things Fall Apart', in: Artforum, New York, April 2008, pp. 153-154, ill.

Thornton, Sarah, 'Paul Mc Cathy', in: Artforum, New York, April 2008, pp. 320-321, ill.

Zeitz, Lisa, 'Armory Show. Alle Nervosität ist verflogen', on: faz.net, 29 March 2008, ill.

___, 'A meeting on a Swiss mountain top', in: Le Journal, Paris, February 2008, p. 15, ill.

Grant, Simon, 'Art Now: London. You’ve got to laugh', in: Apollo Magazine, London, 1 February 2008, p.80-83

Alisop, Laura, 'Inspired: Paul McCarthy', in: Art Review, London, 1 February 2008, p. 24, ill.

___, 'Fruit and Nutcase', in: Jackdaw, London, 1 February 2008, p. 22, ill.

Sterckx, Pierre, 'Paul McCarthy hisse le pavillon noir', in: Beaux Arts, Paris, January 2008, pp. 53-59, ill.

Beshty, Walead, 'On American Ingenuity (And the Failure of the Readymade) ', in: Afterall, London, no. 17, Spring 2008, pp. 20-34, ill.

Connor, Steven, 'Steven Connor on air', in: Tate etc., London, issue 12, Spring 2008, pp. 82-91, ill.

Connor, Steven, 'Next-to-Nothing', in: Tate etc., London, 1 January 2008, pp. 84-88, ill.

Cunnigham, Simon, 'Next Generation 2008', in: Wallpaper, London, 1 January 2008, pp. 86, 87, 94, ill.

De Wavrin, Isabelle, 'Le cadeau hot. McCarthy et la chocolaterie', in: Beaux Arts, Paris, January 2008, p. 113, ill.

Welchman, John C., 'San Francisco. Paul McCarthy’s Low Life Slow Life', in: Artforum, New York, no. 5, January 2008, p. 139

Kantor, Jordan, 'Los Angeles. California Video', in: Artforum, New York, no. 5, January 2008, p. 135

Natalicchio, Cristina, 'The Entertainment was here! Rewind: The Rocky Mountain People Show', in: Work: Art in Progress, Winter 2008

Mangion, Eric, 'La "finition fétichisante" de la performance', in: Art Press, no. 7, November-January 2008, pp. 61-68, ill.

___, 'Schweinekram', in: Monopol, Berlin, no. 12, 2007, ill.

Robinson, Walter, 'Art capital', on: artnet.com, 2007, ill.

Cotter, Holland, 'Paul McCarthy’s Chocolate Factory', on: newsgrist.com, 13 December 2007, ill.

Halperin, Julia, 'When Is a Chocolate Factory Art? ', on: columbiaspectator.com, 5 December 2007

Yablonsky, Linda 'McCarthy’s Lewd Little Santas, Gromley’s Fog, Baselitz’s Angst', on: Bloomberg.com, 4 December 2007, ill.

Smith, Roberta, 'Paul McCarthy's Chocolate Factory', on: nytimes.com, New York, 7 December 2007

Cotter, Holland, 'Paul McCarthy's Chocolate Factory', in: The New York Times, New York, 7 December 2007, ill.

Hasewend, Reinhard (ed.), 'Hide and Seek', in: Sleek, Berlin, 1 December 2007, ill.

Dickson, Isobel, in: 'Santa, you’re in deep sh*t! ', in. Daily Sport, London, 29 November 2007, p. 35, ill.

Falconer, Morgan, 'Santa as a sex toy? I should cacao', in: The Times, London, 28 November 2007, pp. 12-13, ill.

French, Georgina, 'A bad childhood that fuelled 70 years of art', in: Catholic Herald, London, 23 November 2007, p. 12.

Kennedy, Maev, 'People', The Guardian, London, 9 November 2007, p. 8, ill.

Hayon, Jaime, 'From classical to whimsical', in: Wall Street Journal, London, 9 November 2007, p. 6, ill.

___, 'Sculptural Installation to Mass Produce Chocolate Figurines. Paul McCarthy’s Chocolate Factory', on: prleap.com, November 2007

Mostoufi, Fareed, 'Out There', in: Time Out New York, New York, 8-14 November 2007, p. 6, ill.

Wullschläger, Jackie, 'The last picture show', in: Financial Times, London, 3 November 2007, pp. 32-33, ill.

Pollack, Barbara, 'New York Reviews: Paul McCarthy', in: Art News, New York, 1 November 2007, p. 196

___, 'It began innocently enough', in: Wmagazine, London, 1 November 2007, pp. 252-255, ill.

Christov-Bakargiev, Carolyn, '___', in: Art News, New York, 1 November 2007, p. 204, ill.

Nishizawa, Ryue, 'Bearable lightness', in: Men's Vogue, New York, 1 November 2007, pp.114-116

___, 'State of the Art', in: Wmagazine, London, 1 November 2007, p. 92

___, 'Paul McCarthy', in: Art News, New York, 1 November 2007, p. 197, ill.

Eccles, Tom, 'Paul McCarthy', in: Art News, New York, 1 November 2007, p. 205

Landau, Suzanne, '___', in: Art News, New York, 1 November 2007, p. 208

Hennessy, Daniel, 'Paul and the Chocolate Factory', on: HYPERLINK "https://www.wmagazine.com" wmagazine.com, New York, November 2007, p.202, ill.

Kern, Ingolf, 'Zbigniew Libera', in: Monopol, Berlin, no. 11, 2007, p. 31

Hasewend, Reinhard/Heimburger, Kathrin/von Taube, Annika, 'Paul McCarthy', in: Sleek, Berlin/New York, no. 17, Winter 2007/2008, p. 70, ill.

Taylor, Kate, 'Paul and the Chocolate Factory', in: W Magazine, New York, November 2007, p. 202, ill.

___, '88 Paul McCarthy', in: Art Review, Zurich, 1 November 2007, p. 166, ill.

Lorent, Claude, 'Pirates à l’assaut du Smak', in: La Libre Belgique, Brussels, 8 November 2007, p. 20, ill.

Probst, Ursula Maria, 'Traum & Trauma', in: Kunstforum, Ruppichteroth, vol. 188, October – November 2007, pp. 449-451

Hoffmann, Jens, 'McCarthy turns curator', in: Art World, London, issue 1, October/November 2007, p. 18, ill.

___, 'Crilli Jams with Oxfam', in: County Down Spectator, Bangor, 25 October 2007, p. 8

De Brugerolle, Marie, 'Play on', in: Tate etc. (Main), London, 1 October 2007, pp. 68-71

Marinos, Christopher, 'Dakis Joannou', in: Flash Art, Milan, no. 256, October 2007, pp. 100-101, ill.

Hel, 'Traum, Begierde, Spiel', in: Berner Kulturagenda, Bern, September 2007, p. 18 ___, '10.

Triennale Kleinplastik 2007', on: 3sat.de/kulturzeit, Mainz, 20 September 2007

Apollonio, Livia, 'Sculture gonfiate', in: ArteiN, 1 September 2007, pp. 115-116, ill.

Suetens, K., 'Trash Sex', in: Gus, 1 September 2007, pp. 80-83, ill.

___, 'Paul McCarthy Air Born', in: Le Petit Journal, Paris, July-August 2007, p. 3

___, '___', in: Süddeutsche Zeitung, Munich, no. 173, 2007. Dörfert, Petra, 'Befremdliche Objektwelt', in: Kunstzeitung, Regensburg, no. 133, 2007, p. 19, ill.

___, 'Bodycheck – Triennale der Kleinplastik', in: Stern, Hamburg, no. 22, 2007, p. 174.

Bologna, Vivian, 'Quand la réalité devient insaisissable', in: Le Journal, Biel, August 2007, p. 12

Zwez, Annelise, 'Eintauchen in surreale Bildwelten', in: Bieler Tagblatt, Biel, August 2007, pp. 7, 8

Von Arx, Katia, 'Dunkle Träume, vage Bezüge', in: Der Bund, Berne, August 2007, p. 41, ill.

Kobel, Stefan, 'Fellbach macht eine gute Figur', in: Handelsblatt, Düsseldorf, 24 August 2008, p. 2, ill.

___, 'Dunkle Träume, vage Bezüge', on: espace.ch, August 2007

Wagner, Thomas, 'Achtung, Provinz!', in: FAZ, Frankfurt am Main, 4 August 2007

Christofori, Ralf, 'Immer auf die Grossen', on: HYPERLINK "https://www.tagesspiegel.de" tagesspiegel.de, Berlin, 5 August 2007

___, 'Suche nach der Ästehtik des Surrealen', on: espace.ch, August 2007, ill.

Wendorf, Alexandra, 'Bodycheck – Ein neuer Blick auf die Skulptur abseits der Grand Tour überzeugt die 10.

Triennale Kleinplastik in Fellbach', in: Junge_Kunst, Frechen, no. 72, 2007, pp. 9-14, ill.

Feeser, Sigrid, 'Bodycheck. 10. Triennale Kleinplastik Fellbach. Alte Kelter Fellbach, 23.6. – 23.9.2007', in: Kunstforum, Ruppichteroth, no. 188, 2007, pp. 432-434.

___, 'Paul und Damon McCarthy – Wenn der Vater mit dem Sohne', in: Schweizer Illustrierte, Zurich, July 2007, p. 85, ill.

Hoffmann, Annette, 'Die Kleinplastik ist tot, es lebe die Skulptur', on: HYPERLINK "https://www.regioartline.org" regioartline.org, Basel/Freiburg/Strassburg, 27 July 2007

___, 'Kleinvieh macht auch Mist', in: Monopol, Berlin, no. 7, 2007, p. 16.

G.G., 'L’envers de Disneyland', in: Le Vif/L’Expres, Brussels, 20 July 2007, pp. 45-46, ill.

Fronz, Hans-Dieter, 'Einlass für Dinos und Mäuse', in: Badische Zeitung, Freiburg, 13 July 2007, p. 11

___, 'Gigantesque!', in: Plus Magazine, Brussels, 1 July 2007, p. 115, ill.

Cd, 'Choquant Paul McCarthy?', in: Arts Antiques Auctions, Brussels, 1 July 2007, p. 8, ill.

Hagelsteen, Charles, 'Freak out', in: Mixte, Paris, no. 47, June 2007, pp. 60, 61, ill.

Kreis, Elfi, 'Den Kinderschuhen entwachsen', in: Kunstzeitung, Regensburg, no. 130, June, 2007, p. 27

Karcher, Eva, 'Wer hat die schönsten Schäfchen', in: Süddeutsche Zeitung, Munich, 15 June 2007, p.14, ill.

Harris, Gareth, 'The circus moves on', on: timesonline.co.uk, 13 June 2007, ill.

Lorent, Claude, 'Gonflé ce Paul McCarthy! ', in: La Libre Belgique, Brussels, 8 June 2007, p. 25, ill.

A.DM, 'Paul McCarthy au musée du Middelheim', in: Les Cahiers de la Semain, Brussels, 10 May 2007, p. 15, ill.

Lavrador, Judicael, 'Rencontres du troisième type', in: Beaux Arts, Paris, no. 275, May 2007, pp. 86-95, ill.

Bodin, Claudia, 'Satter Gewinn', in: Art, Hamburg, no. 5, May 2007, p. 119, ill.

Lagger, Helen, 'Wenn Piraten eine Party feiern', in: Berner Zeitung, Berne, 2007 p. 11, ill.

___, 'Paul und Damon McCarthy bei Hauser & Wirth', on: HYPERLINK "https://www.nzz.ch" nzz.ch, Zurich, 2007

___, 'Kunst als Luxuskläranlage', on: HYPERLINK "https://www.zueritipp.ch" zueritipp.ch, Zurich, 2007 dpa, 'Kunstmesse für Skulptur', in: Stader Tageblatt, Staden, 14 April 2007

Hinrichsen, Jens, 'Sanft gelandet', in: Der Tagesspiegel, Berlin, 14 April 2007

Dpa, 'Frankfurt eröffnet Messe-Zeit', in: Cologneische Rundschau, Cologne, 13 April 2007

Ackermann, Klaus, 'Kein Zurckerschlecken im Gemischtwarenladen', in: Offenbach-Post, Offenbach, 13 April 2007

dpa, 'Silberner Kinderwagen voller Federn', in: Giessener Anzeiger, Giessen, 13 April 2007

Davidts, Wouter, 'The Studio', in: Artforum, New York, vol. XLV, no. 10, April 2007, p. 291.

Helen Lagger, 'Wenn Piraten eine Party feiern', in: Berner Zeitung. Berne, 14 April 2007,

p.11, ill. Bö, 'Schwebende Skulptur eröffnet Messe', in: Frankfurter Neue Presse, Frankfurt, 5 April 2007

Adam, Georgina, 'The changing landscape of the art market', in: The Art Newspaper, London, no. 179, April 2007, p. 40, ill.

___, 'Paul McCarthy/Damon McCarthy', in: Bilanz, Zurich, no. 8, 27 April-10 May 2007, p. 102, ill.

Herbstreit, Mareike, Funken, Peter, 'Kunst aus Los Angeles der 60er bis 90er Jahre', in: Kunstforum, Ruppichteroth, vol. 184, March-April 2007, pp. 312-314, ill.

Kröner, Magdalena, 'Blood, Sweat and Tears', in: Sleek, Berlin, Spring 2007, pp. 74-85, ill.

Hirsch, Annabelle, Link Alexandra, Work, Jeffrey, 'States of Matter: Sculptural sublimations in a state of flux', in: Sleek, Berlin, Spring 2007, pp. 86, 97-98, ill.

Rosenau, Mirja, 'Wir haben alles, was man braucht im Leben', in: Frankfurter Rundschau, Frankfurt, 20 March 2007

Studer, Margaret, 'A busy calendar for new art in '07', Wall Street Journal, New York, 16 February 2007, p. 3, ill.

___, 'Paul McCarthy', in: Tema Celeste, Milan, no. 119, January-February 2007, p. 22-23, ill.

Comer, Stuart, '___', in: Frieze, January-February 2007, p. 127

Arrhenius, Sara, '___', in: Frieze, January-February 2007, p. 127

Schwendener, Martha, 'Paul McCarthy', in: The New York Times, New York, 24 November 2006

Karimzadeh, Marc, 'Hey, Big Splendor', in: W Magazine, Warwick, 1 December 2006, p. 212, ill.

___, 'Dead Funny', in: Art Monthly, London, 1 December 2006, pp. 9-11, ill.

Bock, John, 'Galleries-Chelsea', in: New Yorker, New York, 27 November 2006, p. 49

Arndtzén, Mårten, 'McCarthy på Moderna', in: Kulturnytt, Stockholm, 22 Juni 2006, ill.

Zetterström, Jelena, 'Jelena Zetterström ser Paul McCarthy', in: Sydsvenskan, Stockholm, 30 Juni 2006

Hebert, Niles, 'McCarthy utforskar Amerikas mardrömmar', in: Arbetarbladet, Stockholm, 8 September 2006, ill.

Svenle, Elna, 'Vä lfunna vidrigheter på Moderna', in: Kristianstadsbladet, Stockholm, 15 Juli 2006, ill.

Paulrud, Anders, 'Hemskt mycket hemskt?', in: Affonbladet, Stockholm, 17 Juni 2006, ill.

Poellinger, Clemens, 'Paul McCarthy skapade konstens ketchupeffekt', in: SvD, Stockholm, 13 Juni 2006, ill.

Forsberg, Nils, 'Ketchup-effekten', in: Expressen Kultur, Stockholm, 26 Juni 2006, ill.

Karlstam, Cristina, 'Humanisten McCarthy överraskar', in: UNT, Stockholm, 18 Juni 2006, ill.

___, 'Moderna Museet, Stockholm: Paul McCarthy', in: Konsten, Stockholm, 07 March 2006, ill.

Nilsson, Håkan, 'Äckligt bra på Moderna', in: Dagens Nyheter, Stockholm , 17 Juni 2006, ill.

Adams, Brooks, 'The School of L.A. ', in: Art in America, New York, no. 10, November 2006, pp.160 –167, 225, ill.

Charlesworth, J.J., 'The Game of Power, ArtReview`s guide to the Power 100`s various players, Paul McCarthy', in: ArtRewiew, London, issue 05, 1 November 2006, p.121, ill.

Hubbard, Sue, 'Visual arts: Frieze Art Fair', in: The Independent, London, 17 October 2006, p. 20

Campbell, Philip, 'Conceits and provocations', in: Nature, London, 16 November 2006, pp. 31-32, ill.

Schmitz, Edgar, 'Surprise Surprise', in: Kunstforum International, Ruppichteroth, vol. 182, October-November 2006, pp.392-393

Azimi, Roxana, 'A la FIAC, des cotes discrètes', in: Le Monde, Paris, 23 October 2006, p. 21

Haden-Guest, Anthony, 'When the circus comes to town', in: The Financial Times, London, 21 October 2006, p. 14

Clewing, Ulrich, 'Schmeichler und Skandale', in: Der Tagesspiegel, Berlin, 14 October 2006, p. 24

Linda Norden, Richard Jackson, Paul McCarthy, Daniel Birnbaum, 'Constructed Reality', in: Artforum, New York, vol. XLV, no.2, October 2006, pp. 61, 62, 65, 66, 286, 288, ill.

Stasinski, Robert, 'Paul McCarthy', in: Flash Art, Milan vol. XXXIX, no. 250, October 2006, p.111, ill.

Kalina, Richard, 'Report from Berlin, Street Life', in: Art in America, New York, no. 9, October 2006, pp. 58-63, 96, ill.

Coomer, Martin, ' Uncertain States of America', in: Big Issue, London, 2 October 2006, pp. 30-31

Ohrt, Robert/Würthle, Michel, 'Die Leute wollen es zwar nicht hören, aber Kunst ist masslos', in: Spike, Vienna, Autumn 2006, pp. 24-28

Göricke, Jutta, 'Wie sie sehen, sehen sie schwarz', in: Süddeutsche Zeitung, Munich, 16 September 2006, p. 17

Buck, Louisa, 'The not so fab four', in: Art Newspaper, London, 1 September 2006, p. 28, ill.

Steeds, Lucy, 'Surprise, Surprise', in: Art Monthly, London, 1 September 2006, pp. 31-32, ill.

Manchester, Elizabeth, ‘Paul McCarthy: LaLa Land Parody Paradise’, Contemporary, London, issue 82, 2006, pp. 67-68, ill.

McCarthy, Paul, 'Final Scores', in: Artforum, New York, vol. XLIV, no. 10, Summer 2006, p. 325

___, 'Neuerscheinung 3: Paul McCarthy', in: Informationsdienst Kunst, Regensburg, no. 356, 20 July 2006, p. 11

Spiegler, Marc, 'American Renaissance', in: The Art Newspaper, London, 1 July 2006, p. 28, ill.

Fanelli, Franco; Harris, Gareth, 'Pinault, Saatchi... Viglietta? ', in: The Art Newspaper, London, 1 July 2006, p. 17

Plagens, Peter, 'East of the Louvre', in: Newsweek, New York, 19 June 2006, pp. 62-66, ill.

___, 'LA confidental', in: New Statesman, London, 13 June 2006, pp. 48-49

Poellinger, Clemens, 'Paul McCarthy skapade konstens ketchupeffekt', in: Svenska Dagbladet, 13 June 2006, pp. 4-5, ill (cover)

Thomas, Kelly Devine, 'Phillips`s Head Sale Driver', in: Art News, New York, 1 June 2006, pp. 121-122

Paynter, November, ‘Reykjavik‘, in: Art Review, London, 1 June 2006, pp. 54-58, ill.

___, 'Dada’s Boys', in: The Guide, London, 27 May-2 June, 2006, p. 37

McCormack, Christopher, ‘Venice: Palacio Grassi’, Contemporary, London, issue 81, 2006, pp. 26-27, ill.

___, 'Ketchup in the cold', on: art-of-the-day.com, 15 June, 2006

___, 'Paul McCarthy at Moderna Musset', on: flashartonline.com, 19 June 2006, ill.

Siebers, Tobin, 'Disabilitiy Aesthetics', in: Journal for Cultural and Religious, Denver, vol. 7 no. 2, Spring/Summer 2006, pp. 63-73, ill.

Smith, Roberta, 'Dark, unpretty mood pervades Berlin show', in: International Herald Tribune, London, 10 May 2006, p. 24

Fineman, Mia, ‘Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?’, , on: nytimes.com, New York, 7 May 2006, ill.

Riding, Alan, ‘The Debut of Pinault's Coveted Art Collection, Originally Bound for Paris’, The New York Times, on: nytimes.com, New York, 1 May 2006

Kushner, Rachel, ’Paul McCarthy. Moderna Museet’, in: Artforum International, New York, May 2006, p. 162, ill.

Farquharson, Alex, 'Los Angeles 1955-1985', in: Art Monthly, London, no. 296, May 2006, pp. 31-33

Heiser, Jorg, ‘4th Berlin Biennial’, Frieze, London, May 2006, pp.165-166, ill.

Conrad, Peter, 'It’s that sinking feeling…', in: The Observer, London, 30 April 2006, pp. 16-17

Falconer, Morgan, 'Eyes peeled for the Surreal deal', in: The Times, London, 29 April 2006, p. 32 - 35

___, 'California Dreaming', in: The Guardian, London, 18 April 2006, p. 16 -18

Hammonds, Kit, ‘Paul McCarthy – Whitechapel’, Tema Celeste, Milan, March-April 2006, p.84, ill.

Robecchi, Michele (ed.), ‘Special Issue on Collections’, Contemporary 21, London, issue 80, 2006 pp. 36-39, 52-55, 65-67, 68- 70, 73-75, 84-86, 112-115, ill.

Larson, Kay, 'Beautiful Mutants', in: ARTnews, New York, February 2006, pp. 106-109, ill.

Rajesh Punj, 'Paul McCarthy: Whitechapel Gallery', Flashart, Milan, January/February 2006, p. 105

___, 'Pirate ship anchored', in: East London Advertiser, London, 12 January 2006, p. 23

Lewis, Ben, 'Private View', in: Prospect, London, January 2006, p. 61

___, 'Der umstrittene „Santaclaus“', in: Art, Hamburg, December 2005, p. 123, ill.

___, 'Paul McCarthy wilde te kaap`ren varen... ', in: Gonzo, Belgium, December- January 05-06, pp. 50-51, ill.

Dezeuse, Anna, ' Paul McCarthy, Whitechapel Art Gallery', in: Art Monthly, London, December 2005, p. 36, ill.

Seidl, Walter, 'Puppets and Heavenly Creatures', in: Contemporary, London, no. 75, 2005, pp. 30-33, ill.

Dattenberger, Simone, ‘Gipfel-Glück. Münchner Kunst-ABC für 2005’, in: Münchner Merkur, Munich, 31 December 2005, p. 34, ill.

___, ‘Five Best Exhibitions’, in: The Independent, London, 26 December 2005, p. 39

Turner, Christopher, ‘The greatest little gallery on earth‘, in: The Guardian, London, 21 December 2005, pp. 22-23

Gingeras, Alison M., ‘Paul McCarthy (Best of 2005: 11 Critics and Curators Look at the Year in Art)’, Artforum, New York, December 2005, pp. 240–241, 244–245, ill.

Bankowsky, Jack, ‘Paul McCarthy (Best of 2005: 11 Critics and Curators Look at the Year in Art)’, Artforum, New York, December 2005, pp. 240–241, 262–263, ill.

MacGilp, Ali, 'Paul McCarthy', in: Exit Express, Madrid, December 2005, pp. 25-26, ill.

___, ‘Paul McCarthy: LaLa Land and Parody Paradise’, in: The Guardian, London, 28 November 2005, pp. 14

J. B. – H., ‘Les choix personnels d’un marchand astucieux’, in: Les Echos, Paris, 25 November 2005, p. 5

Pomba, Susanna, 'O Artista Pirata', in: Publico, Lissabon, 19 November 2005, p. 20, ill.

Wullschlager, Jackie, 'A monstruous lightness of being', in: Financial Times, London, 9 November 2005, p. unknown, ill.

Güner, Fisun, 'Art Review, Paul McCarthy: LaLa Land Parody Paradise', in Metro, London, 7 November 2005, p. unknown, ill.

Glover Michael, 'Original pirate materials', in: The Independent, London, 4 November 2005, p. 56, ill.

Smith, Charlotte, 'Hitting the pig time...', in: Hackney Gazette, London, 4 November 2006, p. 26

Coomer, Martin, ‘Pirate Adventure’, Time Out, London, 2 November 2005, p. 39, ill.

Lack, Jessica, ‘Inside’, i-D, London, vol. II/X, no. 260, November 2005, p. 42, ill.

Cattelan, Robert, ‘Paul McCarthy ‚LaLa Land Parody Paradise’’, in: Flux Magazine, London, 1 November 2005, p. 109

___, ‘’Take two. World and Views: Contemporary Art from the Collection’’, in: Art News, New York, 1 November 2005, pp. 178-179

McManus, Maureen, 'Pirates, Pigs and Penises', in: Cen Magazine, London, November 2005, pp. 37-38, ill.

___, 'McCarthy suffers for his art', in: The Art Newspaper, London, November 2005, p. 43, ill.

Hackworth, Nick, ' Ferociously filthy', in: London Evening Standard, London, 31 October 2005, p. unknown, ill.

___, ‘Paul McCarthy’, Sunday Telegraph, London, 30 October 2005, p. 18

Wullschlager, Jackie, ‘Meet Art’s Most Powerful Man’, Financial Times, London, 29 October 2005, pp. 1–2, ill.

Amg, 'Ekelpaket', in: Süddeutsche Zeitung, Munich, 27 October 2006, p. 1

Searle, Adrian, ‘Shiver Me Timbers’, The Guardian, London, 25 October 2005, pp. 18–20, ill.

Eady, Piers, 'Artist with Attitude', in: East End Life, London, 23 October 2005, p.17, ill.

Wullschlager, Jackie, ‘Art’, Financial Times, London, 22 October 2005, p. 39 Lack, Jessica, ‘Paul McCarthy’, in: The Guide, London, 22-28 October 2005, p. 36, ill.

___, Gossip: Pirates Captured in Whitechapel’, in: The Art Newspaper, London, 21 October 2005, p. 2, ill.

Duncan, Alistair, ‘LaLa Land Parody Paradise’, in: ES Magazine, London, 21 October 2005, p. 7, ill.

Searle, Adrian, ‘Holidays in hell’, The Guardian, London, 11 October 2005, pp. 18–20, ill.

von Hase, Bettina, ‘beyond the fringe’, Art + Auction, New York, October 2005, pp. 102–106, ill.

___, ‘A Pirate for a Prince’, Flash Art, Milan vol. XXXVIII, no. 244, October 2005, p. 50, ill.

Lack, Jessica, ‘Combining dumb humour and human savagery, Paul McCarthy’s world is a riotous mix of political satire and sticky human goo’, in: i-D, London, vol. II/IX, no. 259, October 2005, pp. 196-199, ill.

Sibson, Gareth, 'The Whitechapel Gallery', in: Urban Life, London, October 2005, p. unknown, ill.

Schütz, Heinz, 'Paul McCarthy ‚LaLa Land Parodie Paradies’’, in: Kunstforum International, Ruppichteroth, vol. 177, September-October 2005, pp. 416-418, ill.

Arendt, Paui, 'Orgies and battles` promised at Paul McCarthy`s pirate theme park', in: The Guardian, London, 27 September 2005, p. unknown, ill.

Harrison, Rachel, ‘California über Alles’, Artforum, vol. XLIV, no. 1, September 2005, pp. 69–70, ill.

Falconer, Morgan, 'Paul McCarthy, Munich and London', in: The Burlington Magazine, London, September 2005, p. 635, ill.

___, 'The Filth and the Gory', in i-D, London, September 2005, pp. Unknown, ill.

Filipovic, Elena, ‘Dionysac: Art in Flux’, Frieze, London, no. 93, September 2005, p. 140, ill.

Hafner, Hans-Jürgen, ‘Paul McCarthy, ‘LaLa Land: Paraody Paradise’’, Spike, Vienna, Autumn 2005, no. 5, p. 121, ill.

Sachs, Brita, ‘Mit Meerblick: Kunst am Bau’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 28 August 2005, p. 55, ill.

Bartels, Daghild, 'Spürnase für die kommenden Trends in der Kunst', in: Handelsblatt, Düsseldorf, 12 August 2005, p. 35

Bronfen, Elisabeth, ‘LaLa Land – Parodie Paradies’, Kunst 21, Bischofszell, 11 August 2005, p. 38, ill.

Hauschild, Joachim, ‘Neues vom Hexer’, in: Art, Hamburg, August, p. 92.

Azimi, Roxana, 'Californie: des affreuy jojos aux radicaux', in: L’oeil, no. 571, Paris, July-August 2005, pp. 108-111, ill.

Weissmann, Benjamin, ‘The Autobiography of Paul McCarthy’, Modern Painters, London, July-August 2005, pp. 58–63, ill. (cover)

Heise, Rüdiger, 'Flower Power', Applaus, Munich, July-August 2005, p. 55, ill.

Pa, 'Obzöne Fratzen aus Gips und Stein', in. Frankfurter Neue Presse, Frankfurt, 27 July 2005, p. 1, ill.

Restorff, Jörg, 'Kakophonie der Bilder', in: Kunstzeitung, Regensburg, 21 July 2005, ill.

Erfle, Anne, 'Disneyland, abgebrannt', NZZ am Sonntag, Zurich, 17 July 2005, p. 50, ill.

Czöppan, Gabi, 'Disneyland pervers', in: Focus, Munich, 21 July 2005, ill.

Seeberger, Christoph, 'Aufblasbare Provokation: Werkschau Paul McCarthy im 'Haus der Kunst'', in: Nordbayerischer Kurier, Coburg, 11 July 2005, p.12, ill.

Falconer, Morgan, 'Feeding frenzy', ArtReview, vol. LVI, July 2005, p. 39, ill.

Gingeras, Alison, 'Mad Cowboy', on: artforum.com, 28 May 2005, ill.

Walde, Gabriela, 'LaLa Land ist abgebrannt', in: Welt kompakt, Berlin, 24 June 2005, pp. 26, ill.

Weber, Mirko, 'Treck ins LaLaLand', in: Die Zeit, Hamburg, 23 June 2005, p. 47

___, 'Spotlight', in: Sonntagszeitung, Zurich, 19 June 2005, p. 51

Mack, Gerhard, 'Art Basel: Die Malerei liegt gross im Trend', in: NZZ am Sonntag, Zurich, 19 June 2005, p. 69

Liebs, Holger, 'Nie mächtiger, nie besser', in: Süddeutsche Zeitung, Munich, 17 June 2005, p. 13

___, 'Spucke auf der Linse', in: Süddeutsche Zeitung Extra, Munich, 16 June 2005, p. 5

Weber, Mirko, 'Die Hölle in der Hülle', in: Der Tagesspiegel, Berlin, 15 June 2005, p. 23, ill.

Krieger, Hnas, 'Wollüstig räkelt sich das Plastik-Schwein', in: Nuremberger Nachrichten, Nuremberg, 14 June 2005, p. 26, ill.

___, 'Parade der Prärie', in: Süddeutsche Zeitung, Munich, 13 June 2005, p. 41

Fehr, Katrin, 'Ein perverser Höllentrip durch das Paradies', in: Donaukurier, Ingolstadt, 13 June 2005, p. 10, ill.

___, 'Erwischt! Ein US-Boy beim Schuhplatteln', in: Abendzeitung, Munich, 13 June 2005, p. 8, ill.

___, 'Paul McCarthy im Haus der Kunst', in: Straubiger Tagblatt, Straubingen, 13 June 2005, ill.

Tröstler Christian, 'Blut- und Blumenträume', in: Welt am Sonntag, Berlin, 5 June 2005, p. 68, ill.

Pko, 'Das Haus der Kunst als Blumentopf für deutsche Geranien', In: Südwest Presse, Ulm, 4 June 2005, p. 20, ill.

___, 'In weiter Ferne so nah', in: In Munich, Munich, 2 June 2005, p. 38, ill.

___, 'Paul McCarthy', in: Art Investor, Munich, no. 2, June 2005, pp. 46-58, ill.

___, 'Violent Gems', in: Wallpaper, London, June 2005, p. 174, ill.

Jensen, Lars, 'Freibeuter der Phantasie', in: Architectural Digest, Munich, June 2005, pp. 56-60, ill.

Relya, Lane, 'A Few Words for DEAD H: Ein paar Worte für das tote H', in: Parkett, Zurich, no. 73, 2005, pp. 102–111, ill.

Sigler, Jeremy; McCarthy, Paul, 'A Dialogue with Language Itself', in: Parkett, Zurich, no. 73, 2005, pp. 112–146, ill.

Burton, Johanna, 'Paul McCarthy: Haus der Kunst', Artforum, New York, vol. XLIII, no. 9, May 2005, p. 143, ill.

Bishop, Claire, 'But Is It Installation Art? ', Tate etc., London, issue 3, Spring 2005, pp. 26–35, ill.

Funge, Benjamin, 'Off the Map', ArtReview, London, March 2005

Lindinger, Gabriele, Schmid, Karlheinz , Wirth, Iwan (ed.), 'Kunstjahr 2004: Die Zeitschrift, die Bilanz zieht', Regensburg: Lindinger + Schmid, 2004, pp. 122–123, p. 259, ill.

Herbert, Martin, 'On the Ground', Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 73–76

Martin, Partricia, 'Coleccion Jumex: A learning experience', Arco Contemporary Art, Madrid, no. 34, Winter 2004, pp. 44–49

Siviero, Viviana, 'Tokyo Santa', Espoarte, Albissola Marina, no. 32, December 2004–January 2005, p. 16, ill.

Rimanelli, David, 'Disparities and Deformations: Our Grotesque', Artforum, New York, vol. XLIII, no. 3, November 2004, pp. 215–216, ill.

Schmid, Karlheinz, 'Auf Nummer Sicher', Kunstzeitung, Ruppichteroth, no. 99, November 2004, p. 13, ill.

Singerman, Howard, 'Helter Skelter', Artforum, New York, vol. XVIII, no. 10, October 2004, pp. 125–126, p. 284, p. 286, ill.

Poschardt, Ulf, 'Die Ideal-Lösung', Die Welt am Sonntag, Berlin, 26 September 2004, p. 67

Cuenca, Havier, 'La provocacion de McCarthy llega al CAC', in: Diario Malaga, Malaga, 25 September 2004, p. 30, ill.

Baier, Uta, Walde, Gabriela, 'Aggressiv, zerrissen, betäubend', Die Welt, Berlin, 22 September 2004, p. 27

DW, 'Schröder eröffnet die Flick Collection: Wir wollen die Kunst feiern', Die Welt, Berlin, 22 September 2004, p. 22 (cover)

Edp, 'Umstrittene Ausstellung eröffnet', Cologneer Stadt-Anzeiger, Cologne, 22 September 2004, (cover)

Fronz, Hans-Dieter, 'Die 35. Art Basel', in: Kunstforum International, Ruppichterroth, No. 171, July-August 2004, pp. 405-409, ill.

Heartney, Eleanor, 'The Well-Tempered Biennial', Art in America, New York, no. 6, June–July 2004, pp. 71–77, ill.

Bonvincini, Gyonata, Manacorda, Francesco, 'London Calling', Flash Art, Milan, vol. 17, no. 246, June–July 2004, pp. 116–120, ill.

Ward, Ossian, 'Artists have their say', in: Evening Standard, Lonson, 1 June 2004, p. 47, ill.

Kastner, Jeffrey. 'Deviation Standard', Artforum, New York, vol. XLII, no. 9, May 2004, pp. 73–75 Tuymans, Luc, 'Replay', Flash Art, Milan, vol. XXXVII, no. 235, March–April 2004, p. 120, ill.

Smith, Roberta, 'Emerging Talent, and Plenty of It', on: www.thenewyorktimes.com, New York, 12 March 2004

Kimmelman, Michael, 'Art Review: Touching All Bases at the Biennial', on: www.thenewyorktimes.com, New York, 12 March 2004

Saltz, Jerry, 'OK Corral', artnet.com (Magazine Features), March 2004, ill.

Feaver, William, 'Paul McCarthy: Hauser & Wirth, London', ARTnews, New York, vol. 103, no. 2, February 2004, p. 123, ill.

Kushner, Rachel, '1000 Words: Paul McCarthy Talks About Piccadilly Circus', Artforum, New York, vol. XLIII, no. 5, January 2004, p. 122, ill.

Karcher, Eva, 'Paul McCarthy Invites You to an Infernal Tea Party', Sleek, Hamburg, issue 4, 2004 pp. 134–139, ill.

Searle, Adrian, ‘Paul McCarthy en remet une couche’, Courrier International, Paris Cedex, Paris, no. 686–687, vol. XXI, 24 December 2003–7January 2004, ill.

Burnichon, Marie-Cécile, ‘Special Ketchup Forces’, O2, Winter 2003–2004, p. 32, ill.

Lack, Jessica, ‘Alive and Kicking’, RA Magazine, London, Winter 2003

Bokern, Anneke, ‘Vertreibung aus dem Subventionsparadies: Dankt der holländische Liberalismus ab?’, Kunstjahr 2003, Regensburg, no. 3, Winter 2003, pp. 143–144, ill.

Herbert, Martin, ‘Biennale d’art contemporain de Lyon’, Artforum, New York, vol. XLII, no. 4, December 2003, p. 139, ill.

Allen, Jenifer, ‘Paul McCarthy’, Artforum, New York, December 2003

Troncy, Eric, ‘Eine Zukunft, die man gerne noch etwas hinauszögern möchte’, Parkett, Zurich, no. 69, December 2003, pp. 189–193, ill.

Dalwood, Dexter, ‘How to Sound Clever About Paul McCarthy’, Arena, London, December 2003, p. 39

Darrieussecq, Marie, ‘Mon nez et moi’, Beaux Arts Magazine, Paris, no. 235, December 2003, p. 90, ill.

Rosenblum, Robert, ‘Paul McCarthy’, Artforum, New York, vol. XLII, no. 4, December 2003, p. 120–121, ill.

Buck, Louisa, ‘George Bush Bares All in Piccadilly’, The Art Newspaper, New York, no. 142, December 2003, p. 31, ill.

___, ‘Tea forTwo mit Bush’, in: Art, Hamburg, December, p. 10, ill.

Brugerolle de, Marie, ‘It Happened Tomorrow: Lyon Biennale’, Flash Art, Milan, vol. XXXVI, no. 233, November–December 2003, pp. 41, 50, ill.

Stech, Fabian, ‘Lyon reloaded’, Kunstforum International, Ruppichteroth, no. 167, November/December 2003, pp. 358–363, ill.

Poli, Francesco, ‘Biennale di lione’, Tema Celeste, Milan, no. 100, November-December 2003, p. 115, ill.

Ackermans, Heinz, Basualdo, Carlos, et al., ‘Which Artist(s?) from the Past Decades Still Assert a Great Influence on the Art of today’, Tema Celeste, Milan, no. 100, November/December 2003, pp. 58–69

Byren, Soldo, ‘Pandora’, The Independant, London, 18 November 2003, p. 16

Searle, Adrian, ‘Not Suitable for Children: Or Adults’, The Guardian (G2), London, no. 48879, 4 November 2003, pp. 12–13, ill.

V.D., ‘Paul McCarthy, scandale à Picadilly’, Le Figaro, Paris, 24 October 2003, p. 25, ill.

Hackworth, Nick, ‘Grotesque Piccadilly Circus Heralds London’s Art Boom’, Evening Standard, London, 16 October 2003, ill.

P.T., ‘La vie militaire passeé à la tronçonneuse’, Lyoncapital, Lyon, no. 445, 1-7 October 2003, ill.

Darling, Michael, ‘SITINGS: Installation Art 1969–2002’, MOCA The Contemporary, Los Angeles, September-November 2003, pp. 8–9, ill.

Moss, Stephen, ‘That’s Not a Pawn, Is It?’, The Guardian, London, 26 September 2003, p. 4.

Dagen, Philippe, ‘La Violence à l’œuvre’, Le Monde, Paris, 21 September 2003

Ardenne, Paul, ‘C’est arrivé Demain: Interview’, Art Press-Special Edition, Paris, September 2003.

Buck, Louisa, ‘London Diary: Hauser & Wirth Open New Gallery in Piccadilly’, The Art Newspaper, New York, no. 139, September 2003

___, Modern Painters, London, vol. 6, no. 2, Summer 2003, p. 129, ill.

Hartson, William, ‘Movers and Shapers’, Sunday Express, London, 29 June 2003.

Cripps, Charlotte, ‘From Chess Piece to Masterpiece’, The Independent, London, 26 June 2003, p. 14.

Farndale, Nigel, ‘Grand Master Pieces’, The Sunday Telegraph Magazine, London, 8 June pp. 32–33.

Hübel, Michael, ‘(In Search of) The Perfect Lover’, Kunstforum International, Ruppichteroth, no. 165, June-July 2003, pp. 329–331, ill.

Weissman, Benjamin, ‘Paul McCarthy’, in: Bomb, New York, Summer 2003, p. 32–37, ill.

___, 'May. Critic’s choice', in: Time Out London, London, 30 April–7 May, 2003, p. 8

Januszczak, Waldemar, ‘Art: Giant, Inflatable… and Temporary…’, The Sunday Times, London, 25 May 2003

Gayford, Martin, ‘What’s Black and Pink and Blows Up’, The Sunday Telegraph, London, 25 May 2003

Dowling, Tim, ‘Pop Art’, The Guardian, London, 21 May 2003

Hackworth, Nick, ‘Over-Inflated but Endearingly Daft’, Evening Standard, The Arts, London, 21 May 2003

Jones, Jonathan, ‘A Big Let-Down: The Experts View’, The Guardian, London, 21 May 2003

Güner, Fisun, 'Daddy nose best', in: Metrolife, London, 21 May 2003, ill.

Aspden, Peter, ‘Paul McCarthy’, The Financial Times, London, 20 May 2003.

Freeman, Alison, ‘Inflatable Art Raises Smiles’, BBC News Online, London, 19 May 2003

___, 'Pinocchio looms large by Tate Modern', in: Yorkshire Post, London, 19 May 2003, ill.

Van Gelder, Lawrence, ‘Arts Briefing; London: Solid and Airy Sculpture’, The New York Times, New York, 19 May 2003

___, 'Chip off the old block. Pinocchio grows up', in: The Guardian, London, 19 May 2003, 1, ill.

___, 'Sculpture. Paul McCarthy discusses his inflatable monoliths', in: Tate, arts and culture, London, 2003, pp. 3, 11-13, ill.

Dipesh, Gadher, ‘Blockhead Leads March of the Artistic Giants’, The Sunday Times, London, 18 May 2003, p. 9, ill.

___, '___', in: The Independent on Sunday, 18 May 2003, p. 41, ill.

Hemmings, Sarah, ‘Art: Paul McCarthy, Tate Modern, London SE1’, Express, 16 May 2003

Barber, Lynn, ‘Power and the Glory’, The Observer Magazine, London, 11 May 2003, pp. 37–41, ill.

___, 'Paul McCarthy. London', in: Guardian Guide, London, 17-23 May 2003, ill.

Allen, Jennifer, ‘In Rotterdam McCarthy’s Santa Claus May Lose Ist Prime Location’, Artforum, New York, vol. XLI, no. 7, April 2003, p. 27

Frank, Peter, ‘Art Pick of the Week-High Performance: The First Five Years’, LA Weekly, Los Angeles, 20-27 March 2003, p. 132.

Restorff, Jörg, ‘Ausstellungen im März’, Kunstzeitung, Regensburg, no. 79, March 2003, ill.

Welchman, John C. ‘Haus, Hinterhof, Atelier, Kulisse: Paul McCarthys Arbeitsräume’, Texte zur Kunst, Berlin, vol. 13, no. 49, March 2003, pp. 105–111, ill.

Kontova, Helena, ‘The Wrong Gallery’, Flash Art, Milan, January/February 2003, p. 45

Berwick, Carly, ‘A Right Kind of Wrong’, ARTnews, New York, vol. 102, no. 1, January 2003, p. 25

Avgikos, Jan, ‘Paul McCarthy: Luhring Augustine Gallery’, Artforum, New York, vol. XLI, no. 5, January 2003, pp. 137–138, ill.

Schmid, Karlheinz, ‘Alle guten Dinge sind drei: Die Kolumne von Karlheinz Schmid’, in: Informationsdienst Kunst, Regensburg, 5 December 2002, pp. 12-13.

Schindler, Anna, ‘Shit Plug’, artforum.com/CRITICS’ PICKS, New York, Winter 2002

Nolan, Isabel, ‘Kilkenny: Paul McCarthy at Butler’, Circa, Dublin, no. 102, Winter 2002, ill.

Sanders, Mark, ‘Paul McCarthy’, Another Magazine, London, no. 3, Autumn/Winter 2002, pp. 402–415, ill.

Smith, Roberta, ‘Paul McCarthy: Clean Thoughts’, The New York Times, New York, 25 October 2002

Dunne, Aidan, ‘Shocking Art’, CIRCA 101, Dublin, Autumn 2002, p. 5

___, 'Paul Mc Carthy ‘Santa Chocolate Shop’ ', on: muenster.org, 18 August 2002.

Dunne, Aidan, ‘Heavy on the Nihilism’, Weekend, The Irish Times, Dublin, 17 August 2002, ill.

Ossian, Ward, ‘Think About It’, Art Review, London, vol. LIII, July-August 2002

Mcgee, Mike, ‘Paul McCarthy’, Tema Celeste, Milan, vol. XIV, no. 90 March-April 2002

Danto, Arthur C., Rinder, Lawrence, et al., ‘New York, November 8, 2001: a conversation’, Tema Celeste, Milan, vol. XIX, no. 89, January–February 2002, pp. 37, 39, ill.

Kyander, Pontus, ‘Flytande manlighet’, Sydsvenska Dagbladet, Malmö, 21 December 2001

McEwen, John, ‘Art of an Artful Dodger’, The Sunday Telegraph, London, 2 December 2001

Clark, Robert, ‘In Your Face’, Art Review, London, December–January 2001/2002, ill.

Meyer, James, ‘Best of 2001’, Artforum, New York, vol. XL, no. 4, December 2001, pp. 106–107, ill.

Lubbock, Tom, ‘The Medium Is the Mess’, The Independent, London, 27 November 2001, ill.

Searle, Adrian, ‘Mucky Devil’, The Guardian, Saturday Review, London, 10 November 2001, ill.

Vahland, Kia, ‘Kunst mit Ketchup und Mayonnaise’, in: Art, Hamburg, November 2001, p. 112, ill.

Grant, Simon, ‘Action Man’, Tate: The Tate Magazine, London/Liverpool, Winter 2001, pp. 6–7, ill.

Cumming, Laura, ‘An Unnatural Relish for Ketchup’, The Observer, London, 21 October 2001, ill.

Rc., ‘Paul McCarthy Liverpool’, The Guardian: The Guide, London, 20-26 October 2001, ill.

Chapman, Peter, ‘Paul McCarthy’, The Independent, London, 13-19 October 2001, ill.

Cowan, Amber, ‘Nationwide Choice: Paul McCarthy’, The Times, London, 13-19 October 2001, ill.

Ow., ‘Buttocks, Breasts and Beckham’, Art Review, London, October 2001.

Jp, ‘Paul McCarthy, Tate Liverpool’, Pure, vol. 1, 2001, p. 134, ill.

Lutyens, Dominic, ‘Tableaux of Disharmony’, Blueprint, October 2001, ill.

Weissman, Benjamin, ‘Notes Toward an Autobiography of Paul McCarthy’, X-Tra, Los Angeles CA, vol. 4, no. 2, 2001

Lebovici, Elisabeth, ‘Le Crado est son credo’, Libération, Paris, 18-19 September 2001, pp. 22–23, ill.

M. N., ‘Paul McCarthy: Peindre au Ketchup’, Le Figaro, Paris, 3 August 2001

Ha. B., ‘Paul McCarthy, l’affreux jojo de la création’, Le Monde, Paris, 7 July 2001, ill.

Tosi, Marco Ligas, ‘Don DeLillo’, Tema Celeste, Milan, vol. XVIII, no. 86, Summer 2001, pp. 104–105, ill.

Briggs, Patricia, ‘Painting at the Edge of the World’, Artforum, New York, vol. XXXIX, no. 10, Summer 2001, pp. 187–188

Kolczynska, Paulina, ‘The First Quarter: ‘The Armory’ Perspective’, Tema Celeste, Milan, vol. XVIII, no. 85, May–June 2001, pp. 26–17, ill.

Gang, Jane, ‘Paul McCarthy’, Everything Magazine, London, no. 3–4, 2001, pp. 11–15, ill.

Heartney, Eleanor, ‘Chronology Dethroned’, Art in America, New York, ,vol. 89, no. 5, May 2001 pp. 55–63.

Gm, 'Lockere Dialoge', in: Cash, Zurich, 19 May 2001, p. 93

Pollack, Barbara, ‘Paul McCarthy’, ARTnews, New York, vol. 100, no. 5, May 2001, p. 189, ill.

Klein, Jenny, ‘Paul McCarthy Rites of Masculinity’, PAJ (A Journal of Performance & Art) 1976–2001 – Celebrating 25 Years, New York, no. 68, May 2001, p. 10–17

Brenken, Anna, 'Das Ekelpaket', in: in: Art, Hamburg, May, p.136, ill.

Hainley, Bruce, ‘Paul McCarthy’, Frieze, London, no. 58, April 2001, pp. 90–91, ill.

Troncy, Éric, ‘Paul McCarthy: Disney à la sauce piquante’, Beaux Arts, Paris, no. 203, April 2001, pp. 50–55, ill.

D'Arcy, David, ‘Nothing New Under the Bum’, The Art Newspaper, London, April 2001, p. 20

Meyers, Todd, ‘Paul McCarthy: Dimensions of the Mind’, Parachute, Montréal, no. 103, 2001

Hainley, Bruce, ‘Paul McCarthy: MoCA Los Angeles’, Frieze, London, no. 58, April 2001, pp. 90–91, ill.

Poli, Francesco, ‘Let’s Entertain – From Warhol to Kelley: Art Between the Exaltation of Consumerism and the Star System’, Tema Celeste, Milan, no. 84, March–April 2001, pp. 54–59, ill.

Williams, Alena, ‘Paul McCarthy: MoCA at the Geffen Contemporary’, Tema Celeste, Milan, no. 84, March–April 2001, p. 98.

Turner, Grady T., ‘Paul McCarthy: Inside and Outside’ (interview), Flash Art, Milan, vol. XXXIV, no. 217, March–April 2001, pp. 86–91, ill.

Saltz, Jerry, ‘Back Door Man: Surviving the McCarthy Invasion’s Rabelaisian Excess’, The Village Voice, New York, 20 March 2001.

Naves, Mario, ‘Shit Hits the Fan at the McCarthy Show’, The New York Observer, 19 March 2001.

Stevens, Mark, ‘Glop Art’, New York Magazine, New York, 12 March 2001.

Yablonsky, Linda, ‘Gross Point-Blank’, Time Out New York, New York, 8-15 March 2001.

Plagens, Peter, ‘Another Kind of McCarthy Era’, Newsweek, New York, 5 March 2001, p. 60, ill.

Newhall, Edith, ‘Drilling for Crude’, New York Magazine, New York, 26 February 2001

Kimmelman, Michael, ‘Thwack! It Sticks in the Brain’, The New York Times, New York, 23 February 2001, pp. E31, E34, ill.

Haydt, Elizabeth, ‘If You Wow Them, They Will Come’, The New York Times, New York, 18 February 2001

Rush, Michael, ‘Paul McCarthy an Artist with a Cattle-Prod Style’, The New York Times, New York, 18 February 2001

Bourriaud, Nicolas, ‘Au pilori’, in: Beaux Arts, Paris, no. 201, February 2001, p. 43, ill.

Hecht, Axel, ‘Das Museum als Luna-Park’, in: Art, Hamburg, no, 2, February 2001, p. 90

Muchnic, Suzanne, 'Paul McCarthy. Museum of Contemporary Art. Los Angeles', in: ARTnews, New York, February 2001, p. 160, ill.

Siemens, Christine, 'Paul McCarthy at Museum of Contemporary Art', in: Art Issues, New York, January – February 2001, p. 46, ill.

___, ‘Ketchup, Sex and Disneyworld’, in: Frame, Vienna, no. 5, January-February 2001, p. 121, ill.

Vogel, Carol, ‘A Studio in an Atrium’, in: The New York Times, New York, 19 January 2001.

Kramer, Christine, ‘Der Pavillon im Kloster und andere Recycling-Ideen’, in: Art, Hamburg, no. 1, January 2001, p. 104, ill.

Hettig, Frank-Alexander, ‘Paul McCarthy’, in: Kunstforum, Ruppichteroth, no. 153, January-March 2001, pp. 423-425, ill.

Sausset, Damien, ‘Paul McCarthy, l'enfant terrible’, L'Œil, Paris, no. 522, December–January 2001, p. 100, ill.

Vogel, Carol, ‘Inside Art: A Windfall For the Modern: A Studio in an Atrium’, The New York Times, New York, 19 January 2001

Young, Paul, 'Man in the box', in: Angeleno, Los Angeles, November – December 2000, pp. 288, 289, ill.

McCarthy, Paul, ‘Tokyo Santa, 1996’, Trans>arts.cultures.media, New York/São Paulo, no. 8, 2000, ill.

Harvey, Doug, ‘Ten Shows That Rocked My World: Paul McCarthy at MOCA’, LA Weekly, Los Angeles, 29 December 2000–4 January 2001

Rugoff, Ralph, ‘Bad Boy Rides the Theme Park’, The Financial Times, London, December 16, 2000

Rugoff, Ralph, ‘Best of 2000: Paul McCarthy (Hannover Expo 2000)’, Artforum, New York, vol. XXXIX, no. 4, December 2000, pp. 122–123, ill.

Feinstein, Roni, ‘Report from Sydney, the Biennale of Reconcilition’, Art in America, New York, no. 12, December 2000, pp. 38–45.

Volk, Gregory, ‘Exposition Art’, in: Art in America, New York, vol. 88, no. 12, December 2000, pp. 46-49, ill.

Mendelssohn, Joanna, ‘The 12th Sidney Biennial’, Tema celeste, Milan, vol. XVII, no. 82, October–December 2000, p. 104, ill.

Rosenberg, Jeremy, 'Los Angeles – Paul McCarthy', in: Art & Auction, New York, 1 November 2000, ill.

Drohojowska-Philip, Hunter, 'It’s not shocking to him', in: Los Angeles Times, Los Angeles, 5 November 2000, pp. 10, 86, ill.

Knight, Christopher, ‘Compellingly Sold by the Gross’, Los Angeles Times, Los Angeles, 14 November 2000, pp. F5–F7

Harvey, Dlug, ‘The McCarthy Era’, LA Weekly, Los Angeles, 24-30 November 2000 (online)

Holert, Tom, ‘Schooled for Scandal’, Artforum, New York, vol. XXIX, no. 3, November 2000, pp. 134–141, ill.

Hill, Peter, ‘Biennale of Sydney 2000’, ARTnews, New York, vol. 99, no. 10, November 2000, p. 216 Verwoert, Jan, ‘In Between: World Fair Expo, Hannover’, Frieze, London, no. 55, November–December 2000, pp. 122–123, ill.

___, '6th International Triennal the Ecology and the Art: ‘American Dreams’', in: Kunstforum International, Ruppichteroth, no. 152, October-December 2000, p. 477, ill.

Lacagnina, Salvatore, 'In Between at the Expo of Hanover. Interview with Wilfried Dickhof', in: Tema Celeste, Milan, vol. XVII, no. 82, October-December 2000, p. 112, ill.

___, ‘Paul McCarthy’, Frame (‘Sex & Porno’), Vienna, no. 4, September–October 2000, p. 64, ill.

Hoffmann, Jens, ‘In Between (The Hannover Expo)’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, p. 39, ill.

Hoffmann, Jens, ‘Aperto Performance’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, pp. 49–51

Ritter, Peter, ‘Let’s Entertain: Sex, Celebrity and Television’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, pp. 98–99, ill.

Turner, Grady T., ‘The Biennale of Sydney 2000’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, p. 39, p. 45

Cameron, Dan, ‘Paul McCarthy’, The Contemporary, The Museum of Contemporary Art, Los Angeles, September-November 2000, pp. 8–9, ill.

Birnbaum, Daniel, ‘Paul McCarthy, Museum of Contemporary Art’, Artforum, New York, vol. XXXIX, no. 1, September 2000, p. 51, ill.

Mendelsohn, Joanna, ‘12th Biennale of Sydney 2000’, Artlink, vol. 20, 3 September 2000

Wulffen, Thomas, ‘Expo 2000, Le Monde de Demain?’, Beaux Arts Magazine, Paris, no. 195, August 2000, p. 22

Bouruet-Aubertot, Véronique, ‘Exposition’, in: Beaux Arts, Paris, no. 195, August 2000, pp. 90-97, ill.

Wulffen, Thomas, ‘In Between: Kunst auf der Expo 2000’, Kunstforum International, Ruppichteroth, no. 151, July-August, 2000, pp. 470-471

Gingeras, Allison M., ‘Paul McCarthy’, Beaux Arts Magazine (Special Edition: Art 31 Basel, Art Unlimited 2000), Paris, 2000, ill.

James, Bruce, ‘Review: Paul McCarthy’, Radio National, Australia, 9 June 2000

___, ‘Gemüsefasching mit Substanz’, in: NZZ, Zurich, no. 124, 29 May 2000, p. 29, ill.

Kdo, 'Momente der Erinnerung', in: Neue Zürcher Zeitung, Zurich, 26 May 2000, p. 66

McEwen, John, ‘Mooning Bottoms Answer a Profound Human Need’, Sunday Telegraph, London, 21 May 2000

Darwent, Charles, ‘A World Turned Upside Down’, The Independent on Sunday, London, 21 May 2000

Jones, Johnathan, ‘Scary Masks and Sausages’, The Guardian, London, 13 May 2000

Tumlir, Jan, ‘The Fashion Show’, Artext, Los Angeles, no. 69, May–July 2000

Farquharson, Alex, ‘Lost: Ikon Gallery Birmingham, February 16 to April 2’, Art Monthly, London, no. 235, April 2000

Milroy, Sarah, ‘That’s Not Funny, That’s Sick – or Is It?’, National Post, Toronto, 8 April 2000

Gopnik, Blake, ‘One Bright Idea Amid the Dross’, The Globe and Mail, Toronto, 5 April 2000

Hume, Christopher, ‘Testing the Limits of Taste’, The Toronto Star, Toronto, 23 March 2000

Hainley, Bruce, ‘Paul McCarthy, Blum & Poe’, Artforum, New York, vol. XXXVII, no. 6, March 2000

Jordan, Patricia, ‘The Art of Teaching Art at UCLA’, Graduate Quarterly, Los Angeles, 28 January 2000

KS, ‘Mike Kelley and Paul McCarthy: Collaborative Works. Power Plant’, in: Artforum, New York, vol. XXXVIII, no. 5, January 2000, p. 36, ill.

Cameron, Dan, ‘Best of ‘90s’, Artforum, New York, vol. XXXVIII, no. 4, December 1999,pp. 132–133, ill.

Cooper, Dennis, ‘Sensitized’, Spin, New York, vol. 15, no. 12, December 1999

McCormick, Carlo, ‘Visionary Violence: The Indelible Legacy of Paul McCarthy’, Juxtapoz, San Francisco, no. 23, November-December 1999

Baker, Daan, Visser, Catherine, ‘Dreaming of a Catalogue House’, Archis, Amsterdam, October 1999, p. 25

Politi, Giancarlo, 'The Venice Biennale', in: Flash Art, Milan, vol. XXXII, no. 208, October 1999, pp. 76–80, ill.

Knuspit, Donald, ‘In the Anal Universe: The Para-Art of Mike Kelly and Paul McCarthy, New Art Examiner, Chicago, October 1999

Puvogel, Renate, ‘Paul McCarthy – Dimensions of the Minds: The Denial and the Desire in the Spectacle’, Kunstforum International, Ruppiteroth, no. 147, September–November 1999, pp. 443–445, ill.

Gellatly, Andrew, Heiser, Jörg, ‘Just Add Water’, Frieze, London, no. 48, September–October 1999, pp. 66–71

McCarthy, Paul, ‘Texte zur Kunst – Edition Heft Nr. 35’, Texte zur Kunst, Berlin, no. 35, September 1999, pp. 236–237, ill.

___, 'Dimensionen der Zeit', in: St. Galler Tagblatt, St. Gall, 1 September 1999, p. 49

Wagner, Anselm, 'Venezianischer Kunstsupermarkt', in: Noema Art Journal, Berheim, no. 52, August-October 1999, pp. 89-99

Tietenberg, Annette, 'Von Liebe, Kunst und anderen Geschäften', in: Frankfurter Allgemeine, Frankfurt, 21 August 1999, p. 45, ill.

Mebold, Adrien, 'Orgien der Trostlosigkeit', in: 'Orgien der Trostlosigkeit', in: Der Landote, Winterthur, 14 August 1999, p. 30

Bartels, Daghild, 'Kunst im alten Lokschuppen', in: Handelsblatt, Dusseldorf, 13 August 1999, p. 2

___, 'Das Schoggi-Tabu', in: St. Galler Tagblatt, St. Ga ll, 10 August 1999, p. 41

Blase, Christoph, 'Neue Frsiche', in: kunst-Bulletin, Zurich, no. 7/8, July-August 1999, pp. 8-15

Mack, Gerhard, 'Schmutzfink und Star', in: Cash, Zurich, no. 26, 2 July 1999, p. 57, ill.

Oberholzer, Niklaus, '‘Maschinerue eines Vergnügungsparks’?', in: Neue Schwyzer Zeitung, Schwyz, 28 June 1999, p. 9

Key, 'Hauser und Wirth expandieren', in: Der Zürcher Oberländer, Wetzikon, 18 June 1999, p. 23, ill.

Lichtensteiger, Olivia, 'Lebendige Sammlung', in: St. Galler Nachrichten, St. Gall, 17 June 1999, p. 11, ill.

Gerster, Ulrich, 'Schönes neues Museum', in: Neue Zürcher Zeitung, Zurich, 16 June 1999, p. 65, ill.

Maurer, Simon, 'Ein Fondue azs Schokolade und Ketchup', in: Tages Anzeiger, Zurich, 15 June 1999, p. 67, ill.

Mack, Gerhard, 'Das grosse Verlangen', in: Ostschweizer Tagblatt, Rorschach, 15 June 1999, p. 18, ill.

Hug, Ralph, 'Man wähnt sich in New York', in: Werdenberger und Obertoggenburger, Buchs, 14 June 1999, p. 8, ill.

Rietmann, Melanie, '‘Ein grosses Geschenk’ ', in: Appenzelelr Zeitung, Herisau, 14 June 1999, p. 51

Hug, Ralph, 'Grosse Kunst in St. Galler Lokremise', in: Der Gasterländer Seepresse, Uznach, 14 June 1999, p. 8

Wagner, Thomas, 'Die Zukunft im Schlaf gewinnen', in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 133, 12 June 1999, p. 41

Zimmermann, Christine, 'Kippen, Drehen, Aufklappen', in: Ostschweizer Tagbaltt, Rorschach, 9 June 1999, p. 20, ill.

Storr, Robert, ‘Prince of Tides: Robert Storr Talks with Harald Szeemann’, Artforum, New York, vol. XXXVII, no. 9, May 1999, pp. 160–165, p. 194, ill.

Hainley, Bruce, ‘Review: Paul McCarthy, Blum & Poe’, Artforum, New York, vol. XXXVII, no. 6, March 1999, pp. 135–136

McCarthy, Paul, ‘Erotic Mammett’ (Focus on Gus van Sant), Afterall, Central Saint Martins College of Art & Design, London, no. 1, 1999, pp. 69–75, ill.

Subotnick, Ali, ‘Bucking for Trouble’, ARTnews, New York, vol. 98, no. 3, March 1999, p. 31

Cotter, Holland, ‘Propposition’, The New York Times, New York, 12 February 1999, p. E40

___, ‘Paul McCarthy – Mike Kelley Videos 1970-1998’, on: kunstbunker-tumulka.de, February 1999, ill.

Nesweda, Peter, 'Paul McCarthy – ‘Painter’ ', in: Kunstforum International, Ruppichteroth, no. 143, January-February 1999, p. 409, ill.

Huck, Brigitte, 'Wien: Herbstlicher Ausstellungsrundgang', in: Eikon, Vienna, no. 26/27, 1998/1999, pp. 111-114

Hayt, Elizabeth, ‘In an Era of Humanoid Art: A Forerunner Finds a Place’, The New York Times, New York, 13 December 1998, pp. AR35,

39 Kuni, Verena, ‘Lady’s Choice: Monika Baer and Paul McCarthy’, Frieze, London, no. 43, November–December 1998, pp. 85–86

Joselit, David, ‘Between Objects and Actions’, Art in America, New York, no. 11, November 1998

McCarthy, Paul, ‘Turning Points’, Artforum, New York, vol. XXXVII, no. 2, October 1998, p. 94, ill.

___, 'Damenwahl im Portikus', in: Kunst-Bulletin, Zurich, no. 10, October 1998, pp. 38-39

Ise, Claudine, ‘UCLA/ART: A Portfolio of Unusually Fine Artists’, UCLA Magazine, Los Angeles, Fall 1998

Hainley, Bruce, ‘Out of Actions: Between Performance and the Object, 1949–1979’, Artforum, New York, vol. XXXVII, no. 1, September 1998, pp. 145–146

Cohen, Michael, ‘Chameleon-Like Ability’, Flash Art, Milan, vol. XXXI, no. 200, Summer 1998, p. 94

Kimmelman, Michael, ‘In Connecticut, Where Caravaggio First Landed’, The New York Times, New York, 17 June 1998, p. E35

Mistrangelo, Angelo, ‘Sunshine & Noir: Il giorno e la notte di Los Angeles’, La Stampa, Rome/Milan/Torino, 19 May 1998

Smith, Roberta, ‘Work on the Wild Side, Raw, Rank and Morbid’, The New York Times, New York, 15 May 1998, p. 34

Bonetti, David, ‘Acting Out’, San Francisco Examiner, San Francisco, 3 May 1998

Smith, Roberta, ‘When Art Became a Stage and Artists Actors’, The New York Times, New York, 5 April 1998, pp. 40-41

Birnbaum, Daniel, ‘The Good, the Bad and the Ugly’, Frieze, London, March–April 1998, 74-75

Harvey, Doug, ‘Reconstructing the Ephemeral’, LA Weekly, Los Angeles, 20-26 February 1998

Knight, Christopher, ‘Actions’ Speaks Loudly’, Los Angeles Times, Los Angeles,10 February 1998

Isé, Claudine, ‘Tough to Swallow: Paul McCarthy’, Los Angeles Times, Los Angeles, 6 February 1998

Fouser, Robert, ‘Paul McCarthy’, Art/Text Magazine, February–April 1998, pp. 89–90

Perreau, David, 'Dramatically Different. Une exposition moins ordinaire', in: Omnibus, Paris, no. 23, January 1998, p. 18

Ziegler, Erdmann, ‘Wuchernde Mimikry’, Die Zeit, Hamburg, 15 January 1998

Knight, Christopher, ‘Art Window to the World’, Los Angeles Times, Los Angeles, 6 January 1998

Schwerfel, Heinz-Peter, 'Der Clown spiegelt meine Verfassung wider', in: Art, Hamburg, no. 12, December 1997, pp. 54-57, ill.

Cotter, Holland, ‘Ideas from the Air, Wrapped in Paper’, The New York Times, New York, 19 December 1997, p. 39

Schröder, Johannes Lothar, ‘Sunshine & Noir: Art in LA’, Kunstforum International, Ruppichteroth, no. 139, December 1997–March 1997, pp. 409–411

Morgan, Margaret, ‘Drives, Paul McCarthy & Sam Durant’, Like Art Magazine, Melbourne, no. 3, Winter 1997

Nilsson, Håkan, ‘Sunshine & Noir ‘, Flash Art, Milan, vol. XXX, November–December 1997, no. 197, p. 74

Kozloff, Max, ‘Sunshine & Noir: Art in L.A. 1960–1997’, Artforum, New York, vol. XXXVI, no. 3, November 1997, pp. 110–111

Meer, Malik, ‘Family Values’, The Face, London, October 1997 Kristine McKenna, ‘Creation of ‘Snowmen’ – A Meeting of Two Minds’, The Los Angeles Times, Los Angeles,18 September 1997

MVDW, 'Alpenblick: Contemporary Art and the Alpine', in: Artforum, New York, vol. XXXVI, no. 1, September 1997, p. 68, ill.

Huici, Fernando, ‘Delicias de Microondas’, El Pais, Madrid, 12 July 1997

Parreno, José María, ‘Los Angeles CA, Punto de Encuentro’, ABC, Madrid, 4 July 1997

Mora, M., ‘El arte crudo de seis ‘chicos malosa’ de Los Angrles se muestra en Madrid’, El Pais, Madrid, July 1997

Walsh, Maria, ‘Natural Habitat’, Art Monthly, London, June 1997

Knight, Christopher, ‘Sunshine & Noir, The Case for L. Art’, Los Angeles Times, Calendar, Los Angeles,18 May 1997

Larsen, Lars Bang, ‘Mister Burger King’, Politiken, Kultur, Copenhagen, 15 May 1997

Rimanelli, David, ‘Levi’s, Lipstick, and Elves, Oh My!’, Elle, April 1997

Knight, Christopher, ‘Show Time at Biennial: Send in the Big Crowds’, Los Angeles Times, Los Angeles, 21 March 1997

Schorr, Collier, ‘Paul McCarthy’, Frieze, London, March–April 1997, pp. 78–79

Kaufman, Jason Edward, ‘Made by Hand, Telling Stories and Talking to the Public’, Art Newspaper, New York, March 1997

Cameron, Dan, ‘Two Years Before the Mast’, Whitney, New York, Spring 1997

Birnbaum, Daniel, ‘Painting – The Extended Field’, Artforum, New York, vol. XXXV, no. February 1997, 6, p. 84

Wright, Anthony, ‘Independent Video Show Goes Out on a Limb’, Mexico City Times, Mexico City, 31 January 1997

Vogel, Carol, ‘Inside Art’, The New York Times, New York, 3 January 1997

Lind, Maria, ‘Hysterical Men’, Index, New York, January 1997

Plagens, Peter, ‘McCarthy’s Last Stand’, Artforum, New York, vol. XXXV, no. 4, December 1996, p. 85, ill.

Frankel, David, ‘Western Affront’ (part of Best & Worst/96), Artforum, New York, vol. XXXV, no. 4, December 1996, p. 97, ill.

Burrows, David, ‘Popoccultural’, Art Monthly, London, 30 October–27 November 1996

Jansson, Peder, ‘The Lowest Form’, Siksi Index: The Nordic Art Review X1, Stockholm, no. 4, Winter 1996

Hollander, Kurt, ‘Paul McCarthy’, Poliester, Mexico City, Winter 1996

Wachholz, Helga, ‘Belebung und Erneuerung der Malerei?’, Handelsblatt, Düsseldorf, 23 November 1996

Corlin, Elisabet, ‘The Extended Field’, När & Var, 15 November 1996–1 February 1997

Levin, Kim, ‘SHIT’, The Village Voice, New York, 1 October 1996

Schjeldahl, Peter, ‘McCarthyland’, The Village Voice, New York, 24 September 1996

Smith, Roberta, ‘A Much Wilder West Than It Ever Was’, The New York Times, New York, 20 September 1996

Schwabsky, Barry, ‘The Past Faces Off Against the Present’, The New York Times, New York, 30 June 1996

Robinson, Simon, ‘Art That’s Quicker Than the Eye’, Time Magazine, New York, 6 June 1996

Petersen, Anne Ring, ‘Incest, Violence and Video’, Berlingske Tidende, Copenhagen, 6 March 1996

Pagel, David, ‘McCarthy’s Influential, Early Photos’, Los Angeles Times, Los Angeles, 4 January 1996

Greene, David A., ‘Critic’s Choice’, Los Angeles Reader, Los Angeles, 22 December 1995

Karmel, Pepe, ‘Anything Goes – As Long As It’s Not Boring’, ARTnews, New York, September 1995

McQuaid, Cate, ‘Home Alone – Currents Should Remember There’s No Place Like It’, The Boston Phoenix, Boston, 11 August 1995

Temin, Christine, ‘Familiar Places at ICA: All Over the Map’, The Boston Globe, Living Arts, Boston, 28 July 1995

___, ‘‘Painter’, Museum of Modern Art’, The Village Voice, New York, 15 July 1995

Smith, Roberta, ‘Sex, Condiments and Esthetics’, The New York Times, New York, 7 July 1995

Delwyn, Marc, 'Report from Los Angeles. New Age Subversives? ', in: Flash Art, Milan, June 1995, p. 96-99

Jouannais, Jean-Yves, ‘History of Infamy’, Art Press, Paris, June 1995

Brea, José Luis, 'Cocido y crudo', in: Flash Art, Milan, vol XVIII, no. 182, May-June 1995, p. 107

___, ‘Paul McCarthy’, The New Yorker, New York, 27 March 1995

___, ‘Pinocchio Pipenose Householddilemma', The New Yorker, New York, 25 March 1995

Conrads, Martin, ‘Paul McCarthy/Olav Westphalen: Künstlerhaus Bethanien’, Metropol-Gesellschaft, Berlin, February 1995

Werneburg, Brigitte, ‘Paul McCarthy, Künstlerhaus Bethanien’, Die Tageszeitung, Berlin, 18-19 February 1995

Schroder, Johannes Lothar, ‘Paul McCarthy: Alpträume – Alpräume’, Kunstforum International, Ruppichteroth, no. 129, January–April 1995, pp. 190-203, ill.

Koniger, Märibel, ‘Hors limites’, Kunstforum International, Ruppichteroth, no. 129 January–April 1995

Troncy, Eric, ‘Paul McCarthy, Air de Paris’, Flash Art, Milan, vol. XXVIII, no. 180, January–February 1995

Hoggman, Justin, ___, Kunstforum International, Ruppichteroth, December 1994

Cornand, Brigitte, ‘Expos (Arts) Centre Pompidou, Hors Limites L’Art Et La Vie 1952–1994’, Nova Magazine, Paris, no. 1, December 1994

Borka, Max, ‘Uit de Kunst, Tegen de Stroom, On Line: Internationale galeries presenteren jonge kunstenaars’, Knack, Brussels, 7 December 1994

___, ‘News, Angouleme & Chauvigny (France) Carsten Höller & Paul McCarthy’, Flash Art, Milan, vol. XXVII, no. 179 November-December 1994

___, ‘Rumeurs… La censure artistique en France?’, Beaux Arts Magazine, Paris, no. 129, December 1994

Troncy, Eric, ‘Het Pinokkio Effect, Recent werk van Paul McCarthy’, Metropolis M, Utrecht, no. 6, December 1994

___, ‘RUSH RUSH, Artists’, Art Press, Paris, no. 197, December 1994

P. L., ‘Angouleme les secousses de McCarthy: Le Frac Poitou-Charentes frappe par la censure’, Journal Des Arts, Paris, November 1994

Rugoff, Ralph, ‘Deviations on a Theme: Paul McCarthy’, Artforum, New York, vol. XXXII, no. 12, October 1994

___, ‘15 Meter langer Penis’, Die Tageszeitung, Berlin, 7 October 1994

Lebovici, Elisabeth, ‘Jugée obscene, l’expo McCarthy d'angouleme ferme’, Libération, Paris, 7 October 1994

Dandurand, Denis, ‘Construction Déconstruction du Mythe Americain’, Technikart, Levallois Perret Cedex, no. 15, October-November 1994

___, ‘L’expo censurée’, Sud-Ouest, Paris, 9 October 1994

Attail, Danielle, ‘La Biac falt du camping’, Le Journal de Dimanche, 9 October 1994

Chaloin, Francoise, ‘Paul McCarthy, Colonial Tea Cup’, Documents, Paris, no. 6, October 1994, Bonnefous, Florence, Merino, Edouard, ‘Paul McCarthy, Pinocchio Pipenose Householddilemma’, Documents, Paris, no. 6, October 1994

Troncy, Eric, ‘Interactivité’, Documents, Paris, no. 6, October 1994

Rénalde, Patricia, ‘Le scandale de l'art’, Exit le Journal, 15 October 1994 Interview, Viau, René, ‘Innocence, suite et fin’, Blocnotes, no. 7, October 1994

Zellen, Jody, ___, Art/Text, October, 1994

Decter, Joshua, ‘Stupidity as Destiny: American Idiot Culture’, Flash Art, Milan, October 1994, vol. XXVII, no. 178, pp. 72–76, ill.

___, ‘Paul McCarthy, Figure Sculptures (Portfolio)’, Grand Street, New York, no. 50, Fall 1994,

___, ‘Buffalo Bill’, Amok koma, vol. 1, no., 5 September 1994

___, ‘L’électrochoc McCarthy au FRAC’, Sud-Ouest, Saint Germain de Paris, 28 September 1994

Cenni, Rene, ‘Paul McCarthy à Air de Paris’, Nice Matin, Nice, 25 September 1994

___, ‘Altered’, Artforum, New York, vol. XXXII, no. 1, September 1994

___, ‘Männerphantasien und Frauenrealität’, Mittelbayerische Zeitung, Regensburg, 5 August 1994

___, ‘Art’, The Village Voice, New York, 18 July 1994

___, ‘The Short List, Art. Paul McCarthy’, The Village Voice, New York, 18 July 1994

Huser, France, ‘La Semaine Expositions – Les artistes de l’extreme’, Le Nouvel Observateur, Paris, no. 1569, 12 July 1994

___, ‘Foreign Artist: Paul McCarthy’, BT Magazine, Japan, July 1994

Slonim, Jeffrey, ‘Six Takes: Jeffrey Slonim on the Most Moving Pictures’, Artforum, New York, vol. XXXII, no. 10, Summer 1994, pp. 9–10

Rugoff, Ralph, ‘The Garden of Uncanny Delight’, LA Weekly, Los Angeles, 13-19 May 1994

Kandel, Susan, ‘Paul McCarthy’s Precious Bodily Fluids’, Los Angeles Times, Los Angeles, 12 May 1994

Saltz, Jerry, ‘L.A. Rising’, Art & Auction, New York, April 1994

Greenstein, M. A., ‘Valorous Video: Film Forum’s Scratching the Belly of the Beast’, Artweek, San José, April 1994

Melrod, George, ‘Boys Will Be Boys’, Mirabella, April 1994

___, ‘Speelgoed’, NRC/Handelsblad, Rotterdam, 11 February 1994

Troncy, Eric, ‘Paul McCarthy, The Los Angeles Cannibal’, Art Press, Paris, January 1994

Tager, Alisa, ‘Action/Performance and the Photograph’, and ‘Go Down Stairs Diagonally’, Art Issues, Los Angeles, January–February 1994

Pagel, David, ‘Every Day Art’(review Kim Light Gallery), Los Angeles Times, Los Angeles, 30 December 1993

Jones, Amelia, '‘Action/Performance and the Photograph’ Jan Turner and Turner/Krull Galleries', in: Artforum, New York, vol. XXXII, no. 3, November 1993, p. 113

Christoph, Horst, ‘Ketchup statt Blut, Performancekünstler Paul McCarthy provoziert mit Hollywood-Horror und Disney-Design’, Profil, Vienna, 18 October 1993, p. 105, ill.

Avgikos, Jan, ‘Paul McCarthy/Mike Kelly/Heidi’, Artforum, New York, vol. XXXII, no. 1, September 1993

Vetrocq, Marcia E., ‘Identity Crisis’, Art in America, New York, September 1993

Lingner, Michael, 'Post Human', in: Kunstforum International, Ruppichteroth, no. 123, Summer 1993, pp. 328-330, ill.

___, '‘Action/Performance and the Photograph’ ', in: L.A. Weekly, Los Angeles, 12 August 1993

Hope Urban, ‘Mythical Images: What is the Role of the Photograph in an Artist's Work?’, Los Angeles Reader, Los Angeles, 6 August 1993

Pagel, David, ‘Go Down Stairs Diagonally Offers an Off-Balance View’, Los Angeles Times, Art Review, Los Angeles, 18 August 1993, pp. F2–F3

Pagel, David, ‘Turning an Eye Toward Photographic Transformations’, Los Angeles Times, Art Review, Los Angeles, 22 July 1993

Zellen, Jody, ‘Action/Performance and the Photograph’, Art Scene, July/August 1993

Kazajian, Dodie, Storr, Robert, ‘What's Up With Art?’, 1993

Schjeldahl, Peter, ‘Awash in the Venice Biennale’, Los Angeles Times, Los Angeles CA, 20 June 1993

Selwyn, Marc, ‘There’s a Big Difference Between Ketchup and Blood’, Flash Art, Milan, vol. XXVI, no. 170, May-June 1993, pp. 63–64, ill. and cover

Cohen, Michael, ‘Leap into the Void’, Flash Art, Milan, vol. XXVI, no. 170, May-June 1993, pp. 60–61, ill.

Duncan, Michael, ‘Daddy’s Little Helper’, Frieze, London, no. 10, May 1993, pp. 22–26, ill.

Johnson, Ken, ___ (review), Art in America, New York, no. 5, May 1993

Duncan, Michael, ‘L.A.: The Dark Side’, Art in America, New York, no. 3, March 1993, Smith, Roberta, ‘Paul McCarthy’, The New York Times, New York, 12 February 1993

Levin, Kim, ‘Sewing & Cooking’, The Village Voice, New York, 9 February 1993

Levin, Kim, ‘Paul McCarthy’, The Village Voice, New York, 27 January 1993

___, ___ (review), Der Standard, Vienna, 5 November 1992, p. 9

Krumpl, Doris, ‘Bildsymbole einer kalifornischen Apokalypse’, Der Standard, Vienna, 5 November 1992

Trenkler, Thomas, ‘Ganz schön lax’, Die Wirtschafts Woche, Düsseldorf, 5 November 1992, pp. 78–79

Martin, Timothy, ‘Gespräch mit Paul McCarthy’, on: mip.at, Museum in Progress, Vienna, November 1992

Bonami, Francesco, ___, Flash Art, Milan, vol. XXV, October 1992, p. 126

Rigby, David, ‘We Can See Your Botty-Celli’, News of the World, London, 20 September 1992

___, ___, The New Yorker, New York, 6 July 1992

Pagel, David, ‘Helter Skelter at Museum of Contemporary Art’, Art Issues, Los Angeles, June 1992

Coltter, Holland, ___, The New York Times, New York, 1992, p. O22

Rugoff, Ralph, ‘Helter Skelter: L.A. Art in the 90's’, Balcon, 1992

___, "Helter Skelter" (review), The New Yorker, New York, 27 April 1992

Drohojowska, Hunter, ‘L. A. Raw’, in ARTnews, New York, April 1992

Gardner, Colin, ‘Helter Skelter: MOCA Temporary Contemporary’, Artforum, New York, vol. XXX, no. 8, April 1992

Relyea, Lane, ‘Paul McCarthy at Rosamund Felsen Gallery’, Artforum, New York, vol. XXX, April 1992

Hawkins, Richard, ‘Paul McCarthy at Rosamund Felsen’, Art Issues, Los Angeles, no. 22, March/April 1992

Fehlan, Fred, ‘Paul McCarthy at Rosamund Felsen’, Flash Art, Milan, 1993, vol. XXV, no. 163, March-April, pp. 116–117, ill.

Weintraub, Bernard, ‘Art and the Underside of Los Angeles’, The New York Times, New York, March 1992

Plagens, Peter, ‘Welcome to Manson High’, Newsweek, New York, 2 March 1992 Rugoff, Ralph, ‘MOCA Gets Nasty, Helter Skelter and the Art of Our Times’, LA Weekly, Los Angeles, 31 January–6 February 1992

Knight, Christopher, ‘An Art of Darkness at MOCA’, Los Angeles Times, Los Angeles, January 1992

Muchnic, Suzanne, ‘Helter Skelter Art in the City of Angels and Demons’, Los Angeles Times, Calendar, Los Angeles, 26 January 1992

Rugoff, Ralph, ‘Paul McCarthy Cuisine Art Taboos of the Kitchen and Elsewhere’, LA Weekly, Los Angeles, 13-19 December 1991

Curtis, Cathy, ‘Ovarian Warriors vs. Knights of Crissum’, Los Angeles Times, Los Angeles, 11 January 1991

Raczka, Robert, ‘Where the Dogs Are?’, Afterimage, Rochester, October 1988, p. 17

Gold, Jonathan, ‘Pick of the Week’, LA Weekly, Los Angeles, 17 July 1998

Lischka, Gerhard Johann, ‘Performance and Performance Art’, Kunstforum International, Ruppichteroth, no. 96, August–October 1988, pp. 64–176

Muchnic, Suzanne, ___, Los Angeles Times, Los Angeles, 26 June 1987

___, ‘NEA 1985 Visual Arts Fellowships’, Afterimage, Rochester, January 1986

___, ‘Performance of War’, Punk on Wave, 1986

Knight, Christopher, ‘‘B/W’ Is A Superb Exhibition of Drawings’ (review LAICA), The Los Angeles Times, Los Angeles, 7 July 1985

___, ___, Collage, Summer 1985

___, (review of High Performance, The Record), Domus, May 1985

Klionskunst, A., ‘The Wild Bunch’, Express, Vienna, no. 80, April 1985

Burnham, Linda, ‘Paul McCarthy: The Evolution of a Performance Artist’, High Performance, Los Angeles, 1985, no. 29

Relyea, Lane, ‘Pick of the Week’, LA Weekly, Los Angeles, 4 April 1985

___, ‘Paul McCarthy in Nottingham, England’, High Performance Magazine, Saxapahaw NC, no. 27 December-January 1984

Suzuki, Dean, ___ High Performance Magazine, Los Angeles, no. 23, March-April 1984

Griffith, Steve, ‘Performance: Art Which Talks Back and Changes Itself’, Prodigal Sun, December 1983

Schroder, Hannes, ‘Piece for Under Marionette O. O. Inside’, High Performance Magazine, Los Angeles, November 1983

McEvilley, Thomas, ‘Art in the Dark’, Artforum, New York, vol. XXI, no. 10, Summer 1983

___, ‘Paul McCarthy: Gold Coast Performance Series, San Francisco Art Institute, ‘Death Ship’’, Art Com, Lockburn OH, no. 21, 1983

Potts, Joe, ‘‘P)M) – M)P)’, Paul McCarthy, Mark Pauline’, E.O.S. Yaso Art Front, Japan, 1983

Burnham Linda, ‘Live Sex Act: A Human Sexual Response to the Performances of Barbara Smith and Paul McCarthy’, The Flue, vol. 2, no. 3, 1982

Fritz, Steve, ‘Cal Acts L.A’, LIVE Magazine, 6/7 published by Performing Arts Journal, Inc., 1982

___, ‘Point Out, Paul McCarthy Points out Seven Artists’, High Performance, Los Angeles, vol. 4, no. 13, no. 1, Spring 1981

Buchanan, Nancy, ‘Paul McCarthy, Monkey Man, Los Angeles Performance Festival’, Live, 1980

___, ‘Settimana della Performance; American Artists in Italy’, High Performance Magazine, Los Angeles, no. 10, 1980

___, ___, Video 80: Public Eye Publication, McLean County IL, Fall 1980, vol. 1, no. 1 K

ontova, Helena, ___ (review American Performance Art Week, Florence, Italy), Flash Art, Milan, vol. XIII, no. 10, Summer 1980

Lewis, Louise, ‘Video in Southern California’, Journal, Southern California Art Magazine (LAICA), Los Angeles, March 1980

Garrone, Nicola, ‘Performances: Chris Burden e McCarthy’, La Repubblica, Rome, March 1980

Burnham, Linda, ‘Performance Art in Southern California; An Overview’, High Performance Magazine, Los Angeles, September 1979

Smith, Barbara, ‘Performance Paul McCarthy’, Journal, Southern California Art Magazine, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles, January-February 1979

___, ‘Artists’ Chronicle’, High Performance Magazine, Los Angeles CA, Winter 1978

Roth, Moira, ‘Toward a History of California Performance: Part Two’, Arts Magazine, New York, June 1978

Newton, Richard, ‘Performance Interruptus: Interview with Paul McCarthy’, High Performance Magazine, Los Angeles, June 1978

Cavaliere, Barbara, ‘Paul McCarthy Doctor Performance at Anna Canepa’, Arts Magazine, New York, 1978

Ross, David, ‘A Provisional Overview of Artists’ Television’, Studio International, New York, May/June 1976

Kent, Tom, ‘Commissioned Video Works’, Artweek, San José, 20 March 1976

Grobel, Larry, ‘California Performance: Chris Burden, Barbara Smith, Paul McCarthy, and Suzanne Lacy’, California Magazine, Los Angeles, November 1975

Polanco, Cherie, ‘Wigged Artist ‘Hot Dogs’ It with Mustard’, University Times, Los Angeles, 7 November 1974