Zoe Leonard

Musée d'Art Moderne de Paris, 'Al río / To the River', Paris, France (Traveling Exhibition)

Hauser & Wirth, 'Zoe Leonard. Excerpts from ‘Al río / To the River', New York NY

Mudam Luxembourg, 'Al Río/To the River', Luxembourg City, Luxembourg (Traveling Exhibition)

Capitain Petzel, 'A View from the Levee', Berlin, Germany

Hauser & Wirth, 'Zoe Leonard. Aerials', London, United Kingdom

Museum of Contemporary Art, 'Zoe Leonard: Survey', Los Angeles CA

Hauser & Wirth, 'Zoe Leonard. Analogue', Los Angeles CA

Whitney Museum of American Art, 'Zoe Leonard: Survey', New York NY

Galerie Gisela Capitain, 'Misia, Postwar', Cologne, Germany

High Line Art, 'I want a president', New York NY

Hauser & Wirth, 'In the Wake', New York NY

Museum of Modern Art, 'Analogue', New York NY

Anthony Meier Fine Arts, 'Zoe Leonard', San Francisco CA

Chinati Foundation, '100 North Nevill Street', Marfa TX

Galerie Micheline Szwajcer, 'Sun Photographs', Antwerp, Belgium

Murray Guy, 'Zoe Leonard', New York NY

Galleria Raffaella Cortese, 'Zoe Leonard. Sun photographs', Milan, Italy

Camden Arts Centre, 'Observation Point', London, United Kingdom

Galerie Gisela Capitain, 'Available Light', Cologne, Germany

Museum Moderner Kunst Stiftung, 'Photographs', Wien, Austria

Pinakothek der Moderne, 'Photographs', Munich, Germany

Museo Nacional Centro de Arte Reina Sofía, 'Photographs', Madrid, Spain

Galeria Pepe Cobo, 'Early Photographs', Madrid, Spain

Dia at The Hispanic Society of America, 'Derrotero', New York NY

Dia Beacon, 'You See I Am Here After All', Beacon NY

Villa Arson, 'Analogue', Nice, France

Wexner Center for the Arts, 'Analogue', Columbus OH

Fotomuseum Winterthur, 'Photographs', Winterthur, Switzerland

Galerie Gisela Capitain, 'Project: Zoe Leonard', Cologne, Germany

Paula Cooper Gallery, 'New Work', New York NY

Galerie Giti Nourbakhsch, 'Zoe Leonard', Berlin, Germany

The Agency for Contemporary Art, 'Zoe Leonard', London, United Kingdom

Anthony Meier Fine Arts, 'Zoe Leonard', San Francisco CA

Galerie Gisela Capitain, 'Zoe Leonard', Cologne, Germany

Galleria Raffaella Cortese, 'Zoe Leonard', Milan, Italy

Paula Cooper Gallery, 'Zoe Leonard', New York NY

Micheline Szwajcer Gallery, 'Zoe Leonard', Antwerp, Belgium

Centre for Contemporary Art, Ujazdowski Castle, 'Zoe Leonard', Warsaw, Poland

Gallery Anadiel, 'Zoe Leonard', East Jerusalem, Palestine

Paula Cooper Gallery, 'Recent Photographs', New York NY

Centre National de la Photographie, 'Zoe Leonard', Paris, France

Galerie Gisela Capitain, 'Zoe Leonard', Cologne, Germany

Philadelphia Museum of Art, 'Strange Fruit', Philadelphia PA

Jan Weiner Gallery, 'Zoe Leonard', Kansas City MO

Galerie Jennifer Flay, 'Zoe Leonard', Paris, France

Paula Cooper Gallery, 'Zoe Leonard', New York NY

Galerija Dante, 'Zoe Leonard', Umag, Croatia

Wiener Secession, 'Zoe Leonard', Vienna, Austria

Kunsthalle Basel, 'Zoe Leonard', Basel, Switzerland

Kunsthaus Glarus, 'Zoe Leonard', Glarus, Switzerland

Museum of Contemporary Art, 'Strange Fruit', North Miami FL

Le Case d'Arte, 'Zoe Leonard', Milan, Italy

Presented by Paula Cooper Gallery at the Artist's Studio, 'Photographs and Objects', New York NY

Galerie Jennifer Flay, 'Zoe Leonard', Paris, France

Galerija Dante Marino Cettina, 'Zoe Leonard', Umag, Croatia

The Renaissance Society, The University of Chicago, 'Zoe Leonard', Chicago IL

Paula Cooper Gallery, 'Zoe Leonard' New York NY

Luhring Augustine Hetzler, 'Zoe Leonard', Santa Monica CA

Pacific Film Archives / University Art Museum, University of California, Berkeley, 'Zoe Leonard', Berkeley CA

Trans Avant-Garde Gallery, 'Zoe Leonard', San Francisco CA

Richard Foncke Gallery, 'Zoe Leonard', Ghent, Belgium

Galerie Gisela Capitain, 'Zoe Leonard. Photographie', Cologne, Germany

Greathouse, 'Zoe Leonard', New York NY

Hogarth Gallery, 'Zoe Leonard', Sydney, Australia

Fourth Street Photo Gallery, 'Zoe Leonard', New York NY

Hauser & Wirth, 'RETROaction', New York NY
Museum Brandhorst, 'This Is Me, This Is You. The Eva Felten Photography Collection', Munich, Germany
San Francisco Museum of Modern Art, 'Sea Change: Photographs from the Collection', San Francisco CA

Barbican, 'RE/SISTERS. A Lens on Gender and Ecology', London, UK
Marian Goodman Gallery, 'Downbeat: Denniston Hill at Marian Goodman Gallery', New York NY
H2 – Zentrum für Gegenwartskunst im Glaspalast Augsburg, 'PaintingPhotography', Augsburg, Germany

Los Angeles County Museum of Art, 'Woven Histories: Textiles and Modern Abstraction', Los Angeles CA

Knoll Galéria Budapest, 'Horizons of Autonomy', Budapest, Hungary

McEvoy Foundation for the Arts, 'What are words worth?', San Francisco CA

Palais de Tokyo, 'Exposé·es', Paris, France

H2 – Zentrum für Gegenwartskunst im Glaspalast, 'PaintingPhotography', Augsburg, Germany
McEvoy Foundation for the Arts, 'What are words worth?', San Francisco CA

Zweigstelle Capitain II, 'METAMORFOSI', Rome, Italy

Museo Patio Herreriano, 'Revelación. Obras de la Collección Sandretto Re Rebaudengo', Valladolid, Spain

Centro Andaluz de Arte Contemporaneo, 'Extraño. La Collección Sandretto Re Rebaudengo', Seville, Spain

National Gallery of Art, 'The Double. Identity and Difference in Art Since 1900', Washington DC

Anton Kern Gallery, 'Photographic Pictures', New York NY

Fondation A Stichting, 'Regards de Femmes', Brussels, Belgium

University of Toronto Art Centre, 'Nations by Artists', Toronto, Canada

Hauser & Wirth, 'Seventy Years of The Second Sex - A Conversation between Works and Words', Zurich, Switzerland

Mai 36 Galerie, 'Photography', Zurich, Switzerland

Henie Onstad Art Center, 'Every Moment Counts', Høvikodden, Norway

Berkeley Art Museum & Pacific Film Archive, 'The Artist’s Eye: Tammy Rae Carland, David Huffman, Lava Thomas, John Zurier', Berkeley CA

Atkinson Gallery at Santa Barbara City College, 'What is America?', Santa Barbara CA

Wallraf-Richartz-Museum, 'SUSANNA – Vom Manierismus bis MeToo', Cologne, Germany

McEvoy Foundation for the Arts, 'Image Gardeners', San Francisco CA

Paula Cooper Gallery, 'Stitched', New York NY

MOCO Montpellier Contemporain, 'Bodies at Stake. Artworks from Sandretto Re Rebaudengo Collection', Montpellier, France

Milwaukee Art Museum, 'American Memory: Commemoration, Nostalgia, and Revision', Milwaukee WI

Sprengel Museum, 'True Pictures? Zeitgenössische Fotografie aus Kanada und den USA', Hannover, Germany

Palazzo Re Rebaudengo, 'Before the Cockerel Crows. Works from Sandretto Re Rebaudengo Collection', Guarene, Italy

Staatsgalerie Stuttgart, 'Angespannte Zustände. Sammlungspräsentation Gegenwart', Stuttgart, Germany

Museum of Fine Arts, Boston, 'New Light: Encounters and Connections', Boston MA

Centre Pompidou-Metz, 'Face à Arcimboldo', Metz, France

Weserburg Museum of Modern Art, 'The Way We Are 3.0', Bremen, Germany

Kunstsammlung Nordrhein-Westfalen, 'Everyone Is an Artist. Cosmopolitical Exercises with Joseph Beuys', Düsseldorf, Germany

The Chelsea Music Festival, High Line Nine, 'Frida Love and Pain', New York NY

Julia Stoschek Collection, 'A Fire in my Belly', Berlin, Germany

Office Baroque, 'La Boîte-en-Valise', Online

moCa Cleveland, 'Axis Mundo: Queer Networks in Chicano L.A.', Cleveland OH (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Anthony Meier Fine Arts & Jessica Silverman Gallery at 1969 California St, 'Together In the Round: Tammy Rae Carland, Marsha Cottrell, Zoe Leonard & Davina Semo', San Francisco CA

The Perimeter, 'Feels Like Home', London, UK

The Kitchen, 'Ice and Fire: A Benefit Exhibition in Three Parts', New York NY

FRAC Normandie Rouen / Micro Onde- Centre de l’Art de l’Onde / Centre Photographique de l’Ile-de-France, 'La photographie à l'épreuve de l'abstraction' [Normandie Impressioniste], Rouen / Onde / Pontault-Combault, France

Andalusian Centre of Photography, 'Nature and Environment. MP Collection', Almería, Spain

Hauser & Wirth, 'Artists for New York', New York NY

kurimanzutto, 'TITAN', New York NY

Hayward Gallery, 'Among the Trees', London, United Kingdom

Galerie Gisela Capitain, 'room enough for former teasers', cur. Marcel Hiller, Christof Lötscher, Marco Zeppenfeld, Cologne, Germany

MSUI/MACI (Museum of Contemporary Art of Istria), 'Collection of Contemporary Art MARINO CETTINA', cur. Marina Gržinić, Ketrin Milićević Mijošek, Pula, Croatia Copenhagen Contemporary, 'In Focus. Statements', Copenhagen, Denmark

Staatliche Kunsthalle Baden-Baden, 'Body. Gaze. Power. A Cultural History of the Bath', cur. Hendrik Bündge, Luisa Heese, Camille Faucourt and Florence Hudowicz, Baden-Baden, Germany

Jeu de Paume, 'The Supermarket of Images', Paris, France

Capitain Petzel, 'On the Politics of Delicacy', Berlin, Germany

Gund Gallery at Kenyon College, 'Axis Mundo: Queer Networks in Chicano L.A.', Gambier OH (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Kunsthaus Glarus, 'Just Another Story about Leaving', Glarus, Switzerland

La Chambre, 'La moitié du monde. Collections du centre national des arts plastiques', Strasbourg, France

BIENALSUR, Brazilian Embassy - Palacio Pereda, 'Home, Sweet Home', Buenos Aires, Argentina

Van Abbemuseum, 'Een playlist met: Videos uit de Van Abbemuseum collectie', Eindhoven, Netherlands

Agave Festival Marfa, 'El Rio / The River', Marfa TX

Herbert F. Johnson Museum of Art, Cornell University, 'how the light gets in', Ithaca NY

The Artist's Institute at Hunter College, 'Maneuver', New York NY

Museo del Chopo, 'Elements of Vogue. A Case Study In Radical Performance', Mexico City, Mexico

Arnolfini, 'Still I Rise: Feminisms, Gender, Resistance – Act 3', Bristol, UK

ICA Institute of Contemporary Art, University of Pennsylvania, 'arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified', Philadelphia PA

Kunsthaus Baselland, 'Zeit/Ge/Schichten. Von kollektiven und persönlichen Narrationen', Muttenz, Switzerland

Katherine E. Nash Gallery, University of Minnesota, 'Queer Forms', Minneapolis MN

UNLV Marjorie Barrick Museum of Art, 'Axis Mundo: Queer Networks in Chicano L.A.', Paradise NV (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Lawndale Art Center, 'Axis Mundo: Queer Networks in Chicano L.A.', Houston TX (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Williams College Museum of Art, 'Axis Mundo: Queer Networks in Chicano L.A.', Williamstown MA (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

MOCA Pacific Design Center, 'Axis Mundo: Queer Networks in Chicano L.A.', Los Angeles CA (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

PS120, 'In-visible Realness: 50 Jahre nach Stonewall', Berlin, Germany

Hirshhorn Museum and Sculpture Garden, 'Manifesto: Art x Agency', Washington DC

Migros Museum of Contemporary Art, 'United by AIDS', Zurich, Switzerland

The Phillips Collection, 'The Warmth of Other Suns. Stories of Global Displacement', Washington DC

Hayward Gallery, Southbank Centre, 'Kiss My Genders', London, UK

David Rumsey Map Center of Stanford University, 'Coordinates: Maps and Art Exploring Shared Terrain', Stanford CA

Lismore Castle, 'Palimpsest', Lismore, Ireland Callicoon Fine Arts, 'Overture', New York NY

Centre d'Art Contemporain Genève, 'A Few Things I Cannot Leave Behind', Geneva, Switzerland

De La Warr Pavilion, 'Still I Rise. Feminisms, Gender, Resistance', Bexhill-on-Sea, United Kingdom (traveling exhibition)

Institut Valencià d'Art Modern, '1989. The End of the 20th Century', Valencia, Spain

Van Horn, 'Fuck Your Fear', Dusseldorf

Hunter College Art Galleries, 'Axis Mundo: Queer Networks in Chicano L.A.', New York NY (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Vicki Myhren Gallery, 'Axis Mundo: Queer Networks in Chicano L.A.', Denver CO (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Paris Photo, Grand Palais, 'SHEGO/HEGO/EGO. McEvoy Family Collection', Paris, France

Los Angeles County Museum of Art, 'Outliers and American Vanguard Art', Los Angeles CA

Münchner Stadtmuseum, 'LAND_SCOPE. Photographic Works from Roni Horn to Thomas Ruff', Munich, Germany

Carnegie Museum of Art, 'Carnegie International, 57th Edition, 2018', Pittsburg PA

me Collectors Room Berlin/Olbricht Foundation, 'The Moment is Eternity', Berlin, Germany

Beeler Gallery, Columbus College of Art & Design, 'Season One: arms ache avid aeon', Columbus OH

Kunst Haus Wien, 'Still Life. Obstinacy of Things', Vienna, Austria

High Museum of Art, 'Outliers and American Vanguard Art', Atlanta GA

Deutsches Hygiene-Museum, 'SHINE ON ME Wir und die Sonne', Dresden, Germany

Dallas Museum of Art, 'Soft Focus', Dallas TX

Nottingham Contemporary, 'Still I Rise: Feminisms, Gender, Resistance', Nottingham, United Kingdom (Traveling Exhibition)

Galerie Max Hetzler, 'True Stories. A Show related to an Era – The Eighties', Berlin, Germany

Museum moderner Kunst Stiftung Ludwig, 'Klassentreffen. Werke aus der Sammlung Gaby und Wilhelm Schürmann', Vienna, Austria

Modern Art, 'Fences and Windows', London, United Kingdom

PARKET Space, 'A Time Capsule. Works Made by Women for Parkett. 1984-1987', Zurich, Switzerland

Paula Cooper, 'Zoe Leonard, Kayode Ojo', New York NY

National Gallery of Art, 'Outliers and American Vanguard Art', Washington DC

David Nolan, 'This Synthetic Moment', New York NY

BIENALSUR, 'Arte para pensar la nueva razón del mundo', Buenos Aires, Argentina

S.M.A.K., 'The Photographic I – Other Pictures', Ghent, Belgium

McEvoy Foundation for the Arts, 'la mère la mer', San Francisco CA

CA2M, 'Elements of Vogue. A Case Study on Radical Performance', Madrid, Spain

Dallas Museum of Art, 'Truth. 24 FRAMES PER SECOND', Dallas TX

Trondheim Kunstmuseum, 'If on a Trondheim's night a traveler...', Trondheim, Norway

Contemporary Art Museum St. Louis, 'Urban Planning: Art and the City 1967–2017', St. Louis MO

Kunstnernes Hus,'Subjektiv',Oslo, Norway (Traveling Exhibition)

Malmö Konsthall, 'Subjektiv', Malmö, Sweden (Traveling Exhibition)

Altman Siegel, 'Soil Erosion', San Francisco CA

La Triennale di Milano, 'The Restless Earth', Milan, Italy

LAXART, 'Reconstitution', Los Angeles CA

Katonah Museum of Art, 'Picturing Love: Photography's Pursuit of Intimacy', Katonah NY

Hauser & Wirth, 'Serialities', New York NY

Pace/MacGill Gallery, 'Speech', New York NY

White Columns, 'Looking back / The 11th White Columns Annual', New York NY

The Center, 'Divided States of America', New York NY

ONE National Gay & Lesbian Archives Gallery, 'Axis Mundo: Queer Networks in Chicano L.A.', West Hollywood CA (traveling exhibition; work exhibited by Ray Navarro with Zoe Leonard)

Columbus Museum of Art, 'The Sun Placed in the Abyss,' Columbus OH

ONE National Gay & Lesbian Archives at the USC Libraries, 'Memoirs of a Watermelon Woman,' Los Angeles CA

Palazzo Fortuny, 'QUAND FONDRA LA NEIGE, OU IRA LE BLANC. Contemporary collecting at Palazzo Fortuny, Artworks from Enea Righi Collection' Venice, Italy

Galerie Buchholz, 'Douglas Crimp – Before Pictures New York City 1967-1977,' New York NY

Maccarone Gallery, 'COMING TO POWER: 25 Years of Sexually X-Plicit Art by Women,' New York NY

SFMoMA, 'About Time: Photography in a Moment of Change', San Francisco CA

Museum of Contemporary Art in Krakow, 'Medicine in Art,' Krakow, Poland

The MET Breuer, 'Unfinished: Thoughts Left Visible,' New York NY

Württembergischer Kunstverein, 'A Hole in the Sea,' Stuttgart, Germany

P!, 'O/U,' New York NY

TEOR/éTica, 'Leé Mis Labios / Read My Lips,' San José, Costa Rica

Art Institute of Chicago, 'Nothing Personal: Zoe Leonard, Cindy Sherman, Lorna Simpson', Chicago IL

The Kitchen, 'From Minimalism Into Algorithm', New York NY

The Artist’s Institute, 'Carolee Schneemann', New York NY

MoMA PS1, 'Greater New York', Long Island City NY

Bucerius Kunst Forum, 'Uber Wasser. Malerei und Photographie von William Turner bis Olafur Eliasson', Hamburg, Germany

Museum moderner Kunst Stiftung Ludwig, 'to expose, to show, to demonstrate, to inform, to offer', Vienna, Austria

Galerie Nordenhake, 'Gathered Fates', Berlin, Germany

Bridget Donahue Gallery, 'Dancing Foxes Press Benefit Exhibition', New York NY

Nottingham Contemporary 'Glenn Ligon: Encounters and Collisions', Nottingham, United Kingdom (Traveling Exhibition)

Whitney Museum of American Art, 'America is Hard to See', New York NY

Tate Liverpool, 'Glenn Ligon; Encounters and Collisions', Liverpool, United Kingdom

Punta Della Dogana, 'Slip of the Tongue', Curated by Dahn Vo and Caroline Bourgeois, Venice, Italy

Ludwig Forum, 'Schürmann trifft Ludwig', Aachen, Germany

Fondazione Sandretto Re Rebaudengo, 'Fobofilia. Opera dalla Collezione Sandretto Re Rebaudengo', Turin, Italy

Centro Andaluz de Arte Contemporaneo, 'La Construccion Social del Paisaje / The Social Construction of the Landscape', Seville, Spain

New York Public Library, 'Public Eye: 175 Years of Sharing Photography', New York NY

Participant Inc, 'Greer Lankton, LOVE ME' New York NY

Mu.ZEE Kunstmuseum aan zee, 'The Sea. Salut d'honeur Jan Hoet', Ostend, Germany

Galerie Micheline Szwajcer, 'Petals on the Wind', Brussels, Belgium

Griffin Editions, 'Staring at the Sun', New York NY

Des Moines Art Center, 'From Speaker to Receiver', Des Moines IA Galerie Mai 36, 'Memento', Zurich, Switzerland

Participant Inc., 'Greer Lankton: LOVE ME', New York NY

Deutsches Hygiene-Museum, 'Blicke! Körper! Sensationen! Ein anatomisches Wachskabinet und die Kunst / Roll Up, Roll Up! An Anatomical Waxwork Cabinet Meets Art' Dresden, Germany

Galerie Buchholz, 'Pictures, Before and After. An Exhibition for Douglas Crimp', Berlin, Germany

Mannheimer Kunstverein, 'Art & Activism. Kunst und politischer Aktivismus in New York', Mannheim, Germany

National Gallery of Denmark, 'Abandon the Parents', Copenhagen, Denmark

Museum Folkwang, '(Mis)Understanding Photography', Essen, Germany

Sainte- Anne Prison, 'La disparation des lucioles (The disappearence of the fireflies)', Avignon, France

Murray Guy, 'Matthew Buckingham, Zoe Leonard, Gordon Matta-Clark', New York NY

Contemporary Art Museum, 'Readykeulous by Ridykeulous: This is What Liberation Feels like™', St. Louis MO

Whitney Museum of American Art, 'Whitney Biennial', New York NY

Museum of Art, 'American Scene Photography', Fort Lauderdale FL

Hammer Museum, 'Take It or Leave It: Institution, Image, Ideology', Los Angeles CA

LLS 387 Ruimte voor Actuele Kunst, 'Glory Hole', Antwerp, Belgium

Stephen Kasher Gallery, 'Alchemical', New York NY

Whitechapel Gallery, 'A Love Meal', London, United Kingdom

Ludwiggalerie Schloss Oberhausen, 'Hair! Das Haar in der Kunst von der Antike bis Warhol - von Tilman Riemenschneider bis Cindy Sherman', Oberhausen, Germany

National Museum Krakow, 'Vanity. Fashion/Photography from the F.C. Gundlach', Krakow, Poland

Bergen Museum of Art, 'Love and Death', Bergen, Norway

Wexner Center for the Arts, 'Blues for Smoke', Columbus OH

FRAC Ile-de-France Le Plateau, 'Une préface', Paris, France

Musée d'Orsay, 'Masculin / Masculin, L'Homme nu dans l'art de 1800', Paris, France

Flag Art Foundation, 'Something About a Tree', New York NY

Mathew Gallery, 'Photography Now and Forever', Berlin, Germany

Centre Pompidou Metz, 'Vues d'en haut / Views from Above', Metz, France

MoMA PS1, 'EXPO 1: New York', Long Island City NY

Bergen Art Museum, 'Love and Death', Bergen, Norway

Martin-Gropius-Bau, 'Von Beckmann bis Warhol. Kunst des 20. und 21. Jahrhunderts. Die Sammlung Bayer', Berlin, Germany

Musée d'Art Moderne Grand-Duc Jean, 'L'Image papillon', Luxembourg, Germany

Whitney Museum of American Art, 'Blues for Smoke', New York NY

New Museum, 'NYC 1993: Experimental Jet Set, Trash and No Star', New York NY

University of Pennsylvania, Institute of Contemporary Art, 'White Petals Surround Your Yellow Heart', Philadelphia PA

Bétonsalon, 'Make an effort to remember. Or, failing that, invent.', Paris, France

White Columns, 'Looking Back / The 7th White Columns Annual', New York NY

Whitechapel Gallery, 'Viral Research', London, United Kingdom

Lentos Kunstmuseum Linz, 'Vollmilch. Der Bart als Zeichen', Linz, Austria

The Geffen Contemporary at MOCA, 'Blues for Smoke', Los Angeles CA

François Pinault Foundation, Palazzo Grassi, 'Voice of Images', Venice, Italy

Mai 36 Galerie, 'Printed', Zürich, Switzerland

Museum Ludwig, 'Ein Wunsch bleibt immer übrig. Kasper König zieht Bilanz', Cologne, Germany

Stadtgalerie Schwaz, 'Ändere dich, Situation!', Schwaz, Austria

Hôtel de Région, 'Le Feuillagisme', Rouen, France

Pinakothek der Moderne, 'True Stories. Amerikanische Fotografie aus der Sammlung Moderne Kunst', Munich, Germany

Bleibtreu Galerie, 'Situation 56', Berlin, Germany

Weserburg Museum für Moderne Kunst, 'Circus Wols. Eine Hommage', Bremen, Germany

Swiss Institute, 'Heart to Hand', New York NY

Michael Benevento, 'Out-of-_________', Los Angeles CA

SITE, 'Agitated Histories', Santa Fe NM

Kunsthalle Wien,'Vanity', Vienna, Austria

MuMoK Stiftung Ludwig, 'Museum der Wuensche', Vienna, Austria

Museum of Modern Art, 'To Save and Project. The Ninth MoMA International Festival of Film Preservation', New York NY

Sprengel Museum Hannover, 'PHOTOGRAPHY CALLING! Sammlung Wilhelm und Gabi Schürmann', Hannover, Germany

Marian Goodman Gallery, 'You have been there – departures, bifurcations (a proposition by Marie Muracciole)', New York NY

Museum Ludwig, 'Vor dem Gesetz. Skulpturen der Nachkriegsmoderne und Räume der Gegenwartskunst', Cologne, Germany

De Hallen Haarlem, 'He disappeared into complete silence: re-reading a single artwork by Louise Bourgeois', Haarlem, Netherlands

Kunsthaus Graz, 'Heterotopien und Wissensräume in der Kunst', Graz, Austria

Murray Gallery, 'Vision is elastic. Thought is elastic.', New York NY

Städtische Galerie Iserlohn, 'Fashion Room. Fotografien aus der Sammlung F.C. Gundlach', Iserlohn, Germany

White Columns, 'White Columns. 1970-2011 / 40+ Years of Support for Artists', New York NY

Staatsgalerie Stuttgart, 'Wunschzettel, im Rahmen der Ausstellung: Nur Papier, und doch die ganze Welt', Stuttgart, Denmark

Museo Nacional Centro de Arte Reina Sofía, 'Atlas. How to Carry the World on One's Back', Madrid, Spain (Traveling Exhibition)

ZKM Museum für Neue Kunst, 'Atlas. How to Carry the World on One's Back', Karlsruhe, Germany (Traveling Exhibition)

Solomon R. Guggenheim Museum, 'Haunted: Contemporary photography / video performance', New York NY

Sammlung Falckenberg, 'Atlas. How to Carry the World on One's Back', Hamburg, Germany (Traveling Exhibition)

Miguel Abreu Gallery, 'False/Divide: Representations of Abstraction in a Few Photographic Works', New York NY

Centre d'Art Contemporain Genève, 'Contagious! Reports Against Normality', Geneva, Switzerland

Galleria Raffaella Cortese, 'In Full Bloom', Milan, Italy

Higher Pictures, '50 Artists Photograph the Future', New York NY

Museion, 'Artworks from the Enea Righi Collection', Bolzano, Italy

Whitney Museum of American Art, 'Collecting Biennials', New York NY

Leo Koenig, 'Self-Fulfilling Prophecies', New York NY

Bank Austria Forum, 'Augenschmaus – Vom Essen im Stillleben', Vienna, Austria

Museo Nacional Centro de Arte Reina Sofía, 'Mixed Use: Manhattan', Madrid, Spain

Museum of Contemporary Art, 'MOCA's First 30 Years', Los Angeles CA

Photographers Gallery, 'Deutsche Börse Photography Prize', London, United Kingdom (Traveling Exhibition)

Frankfurter Kunstverein, 'Deutsche Börse Photography Prize', Frankfurt, Germany (Traveling Exhibition)

Barbican Gallery, 'The Surreal House', London, United Kingdom

21st Century Museum of Contemporary Art, '200 Artworks – 25 Years', Kanazawa, Japan (Traveling Exhibition)

Singapore Tyler Print Institute, '200 Artworks – 25 Years', Singapore, China (Traveling Exhibition)

Seoul Arts Center, Hangaram Museum, '200 Artworks – 25 Years', Seoul, Korea (Traveling Exhibition)

Paula Cooper Gallery, 'Photography', New York NY

Museum of Contemporary Art, 'Pivot Points 3', Miami FL

Yvon Lambert, 'Locus Solus', Paris, France

Museum für Angewandte Kunst, 'Fashion Room, Fotografien der Sammlung F.C. Gundlach', Frankfurt, Germany

Museum Abteiberg, 'Das Gespinst', Mönchengladbach, Germany

Cheim & Read, 'The Female Gaze. Women Look At Women', New York NY

Centre Georges Pompidou, 'Elles @ Centrepompidou. Artists in the Collections of the Centre Pompidou', Paris, France

Yvonne Lambert, 'Espèces d'espaces', New York NY

Centro Galego de Arte Contemporánea 'En todas partes', Santiago de Compostela, Spain

Pacific Film Archive / University Art Museum, University of California, Berkeley, 'Galaxy', Berkeley CA

Gallery Bergen, 'Out of the Blue', Paramus NJ (Traveling Exhibition)

Centre PasquArt, Kunsthaus Centre d'art, 'Nouvelles Collections III, Sammlung Jocelyne & Fabrice Petignat', Biel/Bienne, Switzerland

Whitney Museum of American Art, 'Signs of the Time', New York NY

Bronx Museum of the Arts, 'Street Art, Street Life: From the 1950s to Now', New York NY

MARTa Herford Museum, 'Ad Absurdum – Energien des Absurden von der klassischen Ad Absurdum: Energien des Absurden von der klassischen Moderne zur Gegenwart: Energies of the Absurd from Modernism Till Today', Herford, Germany

Capitain Petzel, 'Kunst im Heim', Berlin, Germany

Calouste Gulbenkian Cultural Centre, 'Drawing a Tension – Works from the Deutsche Bank Collection', Lisbon, Portugal

New Museum, 'After Nature', New York NY

Art Centre, 'listen darling ... the world is yours', Cascais, Portugal

Künstlerhaus Stuttgart, 'Soziale Diagramme / Planning Reconsidered', Stuttgart, Germany

Statens Museum for Kunst, 'Reality Check', Copenhagen, Denmark

International Center of Photography, 'Archive Fever: Uses of the Document in Contemporary Art', New York NY

Le Plateau, 'L'Argent', Paris, France

New York Public Library, 'Eminent Domain: Contemporary Photography and the City', New York NY

Statens Museum for Kunst, 'Reality Check', Copenhagen, Denmark

Kunstverein München, 'Oh Girl, It's a Boy', Munich, Germany

Galleria Raffaella Cortese, 'Versus inversus', Milan, Italy

Deutsche Bank Kunst und Sakıp Sabancı Museum, 'Blind Date', Istanbul, Turkey

Documenta XII, Kassel, Germany

Galleria Raffaella Cortese, 'dolls', Milan, Italy

Bilbao Fine Arts Museum, 'KISS KISS BANG BANG. 45 Years of Art and Feminism', Bilbao, Spain

Henry Art Gallery, 'Mouth Open, Teeth Showing: Works from the True Collection' Seattle WA

Kunstverein München, 'Oh Girl, it's a Boy!', Munich, Germany

Künstlerhaus Bethanien, 'Normal Love: precarious sex, precarious work', Berlin, Germany

Witte de With Center for Contemporary Art, 'BODYPOLITCX', Rotterdam, Netherlands

Van Abbemuseum, 'Forms of Resistance. Artists and the desire for social change from 1871 to the present', Eindhoven, Netherlands

Orchard, 'Around the Corner: Zoe Leonard and Peter Wunderlich', New York NY

Haus der Photographie, Deichtorhallen Hamburg, 'The Heartbeat of Fashion. Works from the F. C. Gundlach Collection', Hamburg, Germany

Museum Ludwig, 'Das Achte Feld', Cologne, Germany

Whitney Museum of American Art, 'Full House', New York NY

Villa Merkel und Bahnwärterhaus, 'Fliegende Kühe und andere Kometen - nicht nur komische Dinge in der Kunst', Esslingen, Germany

Tracy Williams Ltd., 'Vija Celmins, Liz Deschenes, Zoe Leonard', New York NY

Abington Art Center, 'Out of the Blue', Jenkintown PA (Traveling Exhibition)

Mildred Lane Kemper Art Museum, Washington University 'Inside Out Loud: Visualizing Women's Health in Contemporary Art', St. Louis MO

Fries Museum, 'Alias & Alibi', Leeuwarden, Netherlands

The Collection Lambert in Avignon, 'Theorema, une Collection Privee en Italie, la Collection d'Enea Righi', Avignon, France

Musée de Carouge, 'Femme(s)', Geneva, Switzerland

'Sharjah International Biennial 7', Sharjah, United Arab Emirates

Galeria Pepe Cobo, 'La Hendidura del Tiempo', Madrid, Spain

Mai 36 Galerie, 'Roe Ethridge, Zoe Leonard, Christopher Williams', Zurich, Switzerland

The Whitney Museum of American Art, 'The New City: Sub/Urbia in Recent Photography', New York NY

Galleria d'arte Sabrina Raffaghello, 'Cromosoma X', Ovada, Italy

Joyce & Co. Galleria, 'Artistico Letteraria', Genoa, Italy

Montserrat College of Art Galleries, 'Infinitely Specific', Beverly MA

SK Stiftung Kultur, 'kurzvordanach', Cologne, Germany

IVAM Institut d'Art Modern, 'Coleccion Sandretto Re Rebaudengo', Valencia, Spain

The Proposition Gallery, 'Open Proposition: Artists for the Bill of Rights', New York NY

Musée d'Evreux, 'Portraits d'arbres, Henri Gadeau de Kerville au regard de la photographie contemporaine', Evreux, France

Galleria Raffaella Cortese, 'Cave Birds', Milan, Italy

Sean Kelly Gallery, 'Marilyn: From Anastasi to Weegee', New York NY

Western Bridge, 'Possessed: The Things We Own and The Things That Own Us', Seattle WA

MACI Museo arte contemporanea, 'L'arte in testa. Storia di un'ossessione da Picasso ai giorni nostri', Isernia, Italy

Museo Cantonale d'Arte, 'Les Enfants Terribles. The Language of Childhood in Art - 1909-2004', Curated by Marco Franciolli, Helmut Friedel, and Giovanni Iovane, Lugano, Switzerland

Swiss Institute Contemporary Art, 'Eric Hattan, Zoe Leonard, Michel Francois', New York NY

The Museum of Fine Arts, 'Recent Acquisitions – Photography', Houston TX

Museum fur Gegenwartskunst, 'Works from the Sammlung Schürmann', Siegen, Germany

Neue Galerie, 'Phantom of Desire', Graz, Austria

Mass MoCA, 'Yankee Remix', North Adams MA

Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 'The Tale of the Thread: Embroidery and Sewing in Contemporary Art', Rovereto, Italy

S.M.A.K., 'Gelijk het leven is', Ghent, Belgium

beaumontpublic, 'Urban Incidence', Luxembourg, France

Sean Kelly Gallery, 'Hot Summer in the City', New York NY

The Italian Foundation of Photography and Palazzo Bricherasio, 'In Nature: 10th International Biennial of Photography', Turin, Italy

Haus der Photographie, International Deichtorhallen Hamburg, 'A Clear Vision. Photographic Works from the F.C. Gundlach Collection', Hamburg, Germany

Fondazione Sandretto Re Rebaudengo, 'Lei. Donne Nelle Collezioni Italiane', Curated by F. Bonami, Turin, Italy

Jan Weiner Gallery, 'RE: ACTION 2002', Kansas City MO

The Museum of Fine Arts, 'Recent Accessions: Photography', Houston TX

American Academy of Arts and Letters, 'American Academy Invitational Exhibition of Painting & Sculpture', New York NY

Palazzo delle Papesse, 'De Gustibus', Curated by Achille Bonito Oliva and Sergio Risaliti, Siena, Italy

Staatliche Kunsthalle Baden-Baden, 'Prophets of Boom – Werke aus der Sammlung Schürmann', Baden-Baden, Germany

Art Gallery of Hamilton, 'Mask & Metamorphosis', Hamilton, Ontario, Canda K21

Kunstsammlung Nordrhein-Westfalen, 'Sie träumt von Ihrem Lieblingsstar. Er spricht mit einer fremden Sprache. Vier Räume aus der Sammlung Schürmann', Düsseldorf, Germany

K21, Kunstsammlung NRW, 'Startkapital', Düsseldorf, Germany

Galerie Georges-Philippe & Nathalie Vallois, 'Cadavre Exquis', Paris, France

Musée des Beaux-Arts de Rouen, 'Le Regard de L'Autre', Rouen, France

Musée d'art Contemporain, 'Photographier – to Photograph, Collection Lambert', Avignon, France

Liljevalchs Konsthall, 'My Marilyn', Stockholm, Sweden

Galerie Praz Delavallade, 'Group Show', Paris, France

Whitney Museum of American Art, 'Visions from America Photographs from the Whitney Museum of American Art, 1940-2001', New York NY

Henry Art Gallery, 'The Photographic Impulse', Seattle WA

Ivan Dougherty Gallery, 'With and Without You. Re-visitations of Art in the Age of AIDS', Sydney, Australia

Kunsthalle Basel, 'Keine Kleinigkeit', Basel, Switzerland

Tate Modern, 'In Focus: Display within the Collection 2002', London, United Kingdom

The Agency, 'Group Show', London, United Kingdom Galleria Raffaella Cortese, 'Disturbance', Milan, Italy

Jan Weiner Gallery, 'Full Frontal, Photographic Portraits', Kansas City MO

Brattleboro Museum & Art Center, 'From Real to Ideal', Brattleboro VT

Generali Foundation, 'Shopping', Vienna, Austria

Museum of Modern Art, 'Parkett Collaborations', New York NY

Project Arts Centre, 'OutArt 2001. Stand Fast Dick and Jane', Dublin, Ireland

Generali Foundation, 'Double Life', Vienna, Austria

Deutsches Hygiene-Museum, 'Sex – Vom Wissen und Wünschen', Curated by Rosemarie Trockel, Dresden, Germany

Kunsthalle Bielefeld, 'Die unheimliche Frau. Weiblichkeit im Surrealismus', Bielefeld, Germany

Site Gallery, 'Magic/Object/Action', Sheffield, United Kingdom

Matthew Marks Gallery, 'Drawings & Photographs', New York NY (Traveling Exhibition)

Alexander and Bonin, 'Drawings & Photographs', New York NY (Traveling Exhibition)

Künstlerhaus Bethanien, 'Cross Female', Berlin, Germany

Galerie Jennifer Flay, 'Brave New World', Paris, France

3rd Gwangju Biennale, 'Man and Space', Gwangju, Korea

Kunstverein München, 'The Wounded Diva', Munich, Germany

Virginia Museum of Art, 'Vanitas: Meditations on Life and Death in Contemporary Art', Richmond VA

Raum Aktueller Kunst Martin Janda, 'Positions to a Political Discourse', Vienna, Austria (Traveling Exhibition)

Nieuw Internationaal Cultureel Centrum, 'Positions to a Political Discourse', Anderlecht, Belgium (Traveling Exhibition)

Fonds régional d'art contemporain de Haute-Normandie, 'Lignes d'horizon: Acquisitions récentes du FRAC Haute-Normandie', Rouen, France

Musée d'Art Moderne de la Ville de Paris, 'Voilà: Le Monde Dans la Tête', Paris, France

Le Printemps de Cahors, 'Sensitive', Cahors, France

Galerie Jennifer Flay, 'Body Beautiful', Paris, France

Harn Museum of Art, 'The Swamp: On the Edge of Eden', Gainesville FL (Traveling Exhibition)

The Cummer Museum of Art & Gardens, 'The Swamp: On the Edge of Eden', Jacksonville FL (Traveling Exhibition)

28 Wooster Street, 'Other Worlds', Curated by Erika Belle, New York NY

Contemporary Museum, 'Snapshot', Baltimore MD

Espai d´Art Contemporani de Castelló, 'No Quarter Given. Images of Violence in Contemporary Art', Castello, Spain

Galerie Praz-Delavallade, 'A Girl Like You', Paris, France

Milano Triennale, 'The Sentiment of the Year 2000', Milan, Italy

Carousel Gallery, 'Persona II', Paris, France

Center for Curatorial Studies, Bard College, 'Calendar 2000', Annandale-on-Hudson NY

Fonds Régional d'Art Contemporain, 'Larmes Blanches', Rouen, France

Fotogallery, 'Sleuth', Cardiff, Wales (Traveling Exhibition)

Oriel Mostyn, 'Sleuth', Llandudno, Wales (Traveling Exhibition)

Barbican Gallery, 'Sleuth', London, United Kingdom (Traveling Exhibition)

The Museum of Modern Art 'The Museum as Muse: Artists Reflect', New York NY (Traveling Exhibition)

The Museum of Contemporary Art, 'The Museum as Muse: Artists Reflect', San Diego CA (Traveling Exhibition)

The Photographic Resource Center, 'Dramatis Personæ', Boston MA

The Israel Museum, 'Skin Deep: Surface and Appearance in Contemporary Art', Jerusalem, Israel

The Center for Curatorial Studies, Bard College, 'in passing', Annandale-on-Hudson NY

Galerie Seitz-von Werder, 'Les Fleurs du Mal', Berlin, Germany

Neuer Aachener Kunstverein, 'Gender Trouble', Aachen, Germany

Boulder Museum of Contemporary Art, 'Sans Titre: Works from the Collection of Peggy Scott & David Teplitzky', Boulder CO

Groninger Museum, 'Crossroad', Groningen, Netherlands

Patricia Faure Gallery, 'Three Generations' Santa Monica CA

Kunstverein Hamburg, 'Fast Forward (Body Check)', Hamburg, Germany

Linda Kirkland Gallery, 'Some Like it Hot', New York NY

Musée Zadkine, 'Jardin d'artistes: De mémoire d'arbre', Paris, France

La Fondation Mamco et Le Musée d'art moderne et contemporain, 'L'Hypothèse du Tableau Vole', Geneva, Switzerland

Thomas Healy Gallery, 'Bathroom', Curated by Wayne Koestenbaum, New York NY

Paula Cooper Gallery, 'Travel and Leisure', New York NY

Austrian Regional Gallery, 'Sculpture - Figure - Woman, Upper', Linz, Austria (Traveling Exhibition)

Kunstsammlungen Chemnitz, 'Sculpture - Figure - Woman, Upper', Chemnitz, Germany

University Art Gallery, Montclair State University, 'The Precious Image: Contemporary Platinum Photography', Montclair NJ

EVA International, 'Exhibition of Visual Art 1998', Limerick, Ireland

Kunstverein Schwerte, 'Museum Van Hedendaagse Kunst Gent zu Gast im Kunstverein Schwerte', Schwerte, Germany

Revolution Gallery, 'Still and Moving: Contemporary Photography and Video', Ferndale MI

Bundesanstalt für Arbeitsschutz und Arbeitsmedizin, 'Miami Short Cuts: Links to the Body', Dortmund, Germany

Koldo Mitxelena Kulturunea Exhibition Gallery, 'The Veiled Face (Transvestism and Identity in Art): The 80's and 90's', Donostia-San Sebastian, Spain

Art Gallery of New South Wales, 'Body', Sydney, Australia

Galerija Dante Marino Cettina, 'The Matrix of Geography', Umag, Croatia

Whitney Museum of American Art, '1997 Biennial Exhibition', New York NY

Annika Sundvik Gallery, 'The Leisure Sector', New York NY

Jennifer Flay Gallery, 'Skin Deep', Paris, France

Nassau County Museum of Art, 'Feminine Image', Roslyn Harbor NY

The Institute of Contemporary Art, 'Gothic', Boston MA

Cleveland Center for Contemporary Art, 'Fashion Moda', Cleveland OH

Centre d'Art Contemporain, 'Veronica's Revenge: Oeuvres Photographiques de la Lambert Art Collection', Geneva, Switzerland (Traveling Exhibition)

Casino Luxembourg and Musée National d'histoire et d'art, 'Veronica's Revenge: Oeuvres Photographiques de la Lambert Art Collection', Luxembourg, France (Traveling Exhibition)

Arken Museum of Modern Art, 'Veronica's Revenge: Oeuvres Photographiques de la Lambert Art Collection', Ishøj, Denmark

Paula Cooper Gallery, 'Group Show', New York NY

A Different Light Bookstore, 'The Wild Good; Lesbian Photography and Writings on Love', New York NY

Independent Curators International, 'Embedded Metaphor',Curated by Nina Felshin, New York NY

Groninger Museum, 'Groninger Museum's Collection and Proposals for Future Acquisitions', Groningen, Netherlands

Claudia Gian Ferrari Arte Contemporanea, 'Nudo and Crudo: Sensitive body, Visible body', Milan, Italy

Groninger Museum, 'Black and Blue: Eight American Photographers', Groningen, Netherlands

Galerie Jennifer Flay, 'Passage à l'acte', Paris, France

Galerie Micheline Szwajcer, 'Vija Celmins, Zoe Leonard, Jorge Pardo, Joe Scanlan', Antwerp, Belgium

Pacific Film Archive / University Art Museum, University of California, Berkeley, 'Points of View: Photography from the Collection', Berkeley CA

Spiral Garden, 'Art at Home: Ideal Standard Life', Tokyo, Japan

Centre d'Art Contemporain, 'L'Evidence', Geneva, Switzerland

Sagacho Exhibit Space, 'Sosie', Tokyo, Japan

Randolph Street Gallery, 'Push Pause', Chicago IL

Pacific Film Archives / University Art Museum, University of California, Berkeley 'In a Different Light', Berkeley CA

Sangamon State University Visual Arts Gallery, 'Zoe Leonard and Mauri Formigoni', Springfield IL

Museum of Contemporary Art, 'Compulsion to Repeat: Repetition and Difference in Works from the Permanent Collection', Los Angeles CA

LAC Svizzera, Museo Pecci, 'L'immagine Riflessa: Una Selezione di Fotografia Contemporanea dalla Collezione', Prato, Italy

Entwistle Gallery, 'Fashion Moda',Curated by Lisa Marie Marks, London, United Kingdom

Centre Georges Pompidou, 'Feminin/Masculin: Le Sexe de L'art', Paris, France

University Gallery Fine Arts Center, University of Massachusetts, Amherst 'Nature Studies II', Amherst MA

Shoshana Wayne Gallery, 'Obliquely', Santa Monica CA

Musée d'Art Moderne de la Ville de Paris, 'Passion Privées: Collections Particulières d'art Moderne et Contemporain en France', Paris, France

Centre Gallery, Miami-Dade Community College, 'The Art of Seduction', Miami FL

Terrain Gallery, 'The Use of Pleasure', San Francisco CA

Paula Cooper Gallery, 'Pictures of the Real World (In Real Time)', Curated by Robert Nickas, New York NY (Traveling Exhibition)

Le Consortium, 'Pictures of the Real World (In Real Time)', Curated by Robert Nickas, Dijon, France (Traveling Exhibition)

Le Capitou, Centre d'Art Contemporain, 'Pictures of the Real World (In Real Time)', Curated by Robert Nickas, Frejus, France (Traveling Exhibition)

Städtische Galerie, 'Pictures of the Real World (In Real Time)', Curated by Robert Nickas, Goppingen, Germany (Traveling Exhibition)

Massimo de Carlo, 'Pictures of the Real World (In Real Time)', Curated by Robert Nickas, Milan, Italy (Traveling Exhibition)

Hara Museum of Contemporary Art, Pictures of the Real World (In Real Time), Tokyo, Japan (Traveling Exhibition)

University of Hawaii at Manoa Art Gallery, 'Sum of the Parts', Honolulu HI

Margo Leavin Gallery, 'In the Field: Landscape in Recent Photography', Los Angeles CA

Herve Mikaeloff, 'Sosie', Paris, France

Offshore Gallery, 'Sea Sights', Curated by Nessia Pope, East Hampton NY

Paula Cooper Gallery, 'Holiday Exhibition', New York NY

Lowinsky Gallery, 'Saints and Survivors in a Time of Plague', New York NY

Whitney Museum of American Art, '1993 Whitney Biennial Exhibition', New York NY (Traveling Exhibition)

National Museum of Contemporary Art, '1993 Whitney Biennial Exhibition', Seoul, Korea

Otis Gallery, Otis School of Art and Design, 'Dissent, Difference & The Body Politic', Los Angeles CA

Münchner Stadtmuseum, 'Art & Aids in New York', Munich, Germany (Traveling Exhibition)

Stadtbibliothek Hannover, 'Art & Aids in New York', Hannover, Germany (Traveling Exhibition)

Exit Art / The First World, '1920: The Subtlety of Subversion, The Continuity of Intervention', New York NY

Montgomery Glasoe Fine Art, 'Rewriting History: The Salon of 1993', Minneapolis MN

David Zwirner Gallery, 'Coming To Power: 25 Years of Sexually Explicit Art by Women', New York NY

Gemeentemuseum Arnhem, Sonsbeek Exhibition, 'The Uncanny', Arnhem, Netherlands

Galerie Monika Sprüth, 'Eau de Cologne: 1983 – 1993', Cologne, Germany

Fawbush, 'Robert Gober, Zoe Leonard', New York NY

Espace Paul Boye,'Nulle Part et Partout', Sète, France

The Lesbian Herstory Archives, 'Imaginaries', New York NY

Whitney Independent Study Program, Whitney Museum of American Art, 'Abject Art: Repulsion and Desire in American Art', New York NY

American Fine Arts - Colin de Land, 'What Happened to the Institutional Critic?', New York NY

The Drawing Center, 'The Return of the Cadavre Exquis', New York NY (Traveling Exhibition)

Corcoran Gallery of Art, 'The Return of the Cadavre Exquis', Washington D.C. (Traveling Exhibition)

The Foundation for Contemporary Art, 'The Return of the Cadavre Exquis', Mexico City, Mexico (Traveling Exhibition)

The Santa Monica Museum, 'The Return of the Cadavre Exquis', Los Angeles CA

Forum for Contemporary Art, 'The Return of the Cadavre Exquis', St. Louis MO

Museum Fridericianum Kassel, Kunstverein Kippenberger, 'The Return of the Cadavre Exquis', Kassel, Germany

Museum van Hedendaagse Kunst, 'Gent de Gast in De Beyerd Breda: De Keuze Van Jan Hoet', Ghent, Belgium

Jack Hanley Gallery, 'Zoe Leonard, Félix González-Torres, Kiki Smith, Robert Gober', San Francisco CA

'Documenta IX', Kassel, Germany

Richard F. Brush Art Gallery, St. Lawrence University, 'From Desire: A Queer Diary', New York NY

Galerie Sophia Ungers, 'Gulliver's Travels', Cologne, Germany

Paula Cooper Gallery, 'Group Exhibition', New York NY

Los Angeles Photography Center, '8th Annual Day of the Dead / Día de los Muertos', Los Angeles CA

Andrea Rosen Gallery, 'Nancy Brooks Brody, Paula Hayes, Zoe Leonard, Jack Pierson', New York NY

AC Project Room, 'Shooter's Hill', New York NY

Paula Cooper Gallery, 'Act Up Benefit Exhibition', New York NY

Luhring Augustine, 'Group Show', New York NY

The Köln Show, 'Group Show', Cologne, Germany

Andrea Rosen Gallery, 'Wendy Jacob and Zoe Leonard', New York NY

Museum van Hedendaagse Kunst, 'Ponton Temse', Ghent, Belgium

Penine Hart Gallery, 'Survey of Gay and Lesbian Artists', New York NY

Paula Allen Gallery, 'Work on Paper', New York NY

Paula Cooper Gallery, 'Auction for Action', New York NY

New Museum, 'Strange Attractors: Signs of Chaos', New York NY

Sally Hawkins Gallery, 'First Amendment Show', New York NY

Heiner Friedrich, Inc, 'War Resisters' League Benefit', New York NY

Lesbian and Gay Community Center, 'The Center Show', New York NY

Simon Watson Project Space, 'Erotophobia', New York NY

Pacific Film Archives / University Art Museum, University of California, Berkeley, 'AIDS Timeline, An Installation by Group Material', Berkeley CA

Artist's Space, 'Selections from the Artists' File', New York NY

ISD, 'Consonance', New York NY

Middendorf Gallery, 'The Hidden Surface', Washington D.C.

Simon Cerigo Gallery, 'Group Show', New York NY

Myth, 'Greathouse', New York NY

New Math Gallery, 'Group Show', New York NY

Civilian Warfare Gallery, 'Getting Off', New York NY

Greathouse, 'Soon to Be A Major Motion Picture', New York NY

New Math Gallery, 'Just Appearances', New York NY

Piezo Electric, 'Twenty Nine Downtown', New York NY

Club 57, 'Group Show', New York NY

Finalist for the Deutsche Börse Photography Prize, London, United Kingdom

Anonymous Was A Woman

Pollock Krasner Foundation Grant, New York NY

Wexner Center for the Arts Residency, Columbus OH

Creative Capital Foundation, New York NY

Creative Capital Foundation, New York NY

Kelly, Karen, Schröder, Barbara (eds.), ‘Zoe Leonard. Available Light’, Brooklyn: Ridinghouse / Dancing Foxes Press, 2014

Lebovici, Elisabeth, Leonard, Zoe, ‘The Politics of Contemplation / From There to Back Again’, New York: Murray Guy, 2012 (exh. cat.)

Vicario, Gilbert (ed.), ‘From Speaker to Receiver’, Des Moines: Des Moines Art Center, 2014 (exh. cat.)

Cooke, Lynne, Kelly, Karen (eds.), ‘Zoe Leonard. You See I Am Here After All’, New York: Dia Art Center, 2010 (exh. cat.)

Staher, Urs (ed.), ‘Zoe Leonard. Photographs’, 2nd ed., Winterthur: Fotomuseum Winterthur, Göttingen: Steidl, 2008 (exh. cat.)

Stahel, Urs (ed.), ‘Zoe Leonard. Fotografien’, 1st ed., Zürich: Steidl Verlag, 2007 (exh. cat.)

Bremner, Ann (ed.), 'Zoe Leonard. Analogue', Columbus: Wexner Center for the Arts, Cambridge: MIT Press, 2007 (exh. cat.)

Engelbach, Barbara (ed.), ‘Zoe Leonard. Mouth Open, Teeth Showing II’, Siegen: Museum für Gegenwartskunst Siegen, 2003 (exh. cat.)

Capellazzo, Amy, 'Life Support Tree Systems. Works by Zoe Leonard', Jerusalem: Gallery Anadiel, 1999 (exh. cat.)

Lebovici, Elisabeth, 'Zoe Leonard', Warsaw: Centre for Contemporary Art Ujazdovski Castle, 1999 (exh. cat.)

Lebovici, Elisabeth, ‘Exposition Zoe Leonard’, Paris: Centre National de Photographie, 1998 (exh. cat.)

Blume, Anna, ‘Zoe Leonard. Secession’, Vienna: Wiener Secession, 1997 (exh. cat.)

Pakesch, Peter, Schuppli, Madeleine, ‘Zoe Leonard’, Basel: Kunsthalle Basel / Schwabe Verlag, 1997, (exh. cat.)

Dunye, Cheryl, Leonard, Zoe, ‘The Fae Richards Photo Archive’, San Francisco: Artpace Books, 1996 (exh. cat.)

La Casa d’Arte, 'Zoe Leonard', Milan: La Casa d’Arte, Gallery 1995 (exh. cat.)

Paula Cooper Gallery, ‘Strange Fruit’, New York: Paula Cooper Gallery, 1995 (exh. cat.)

Hanley, Jack, ‘Zoe Leonard, 1991’, San Francisco: Trans Avant-Garde Gallery, 1991 (exh. cat.)

Koether, Jutta, ‘Information’, Cologne: Galerie Gisela Capitain, 1991 (exh. cat.)

Rinder, Lawrence, ‘Zoe Leonard. Matrix / Berkeley 143’, Berkeley: University Art Museum, 1991 (exh. cat.)

'I want a president', in: 'Got a Girl Crush' (mag.), edited by Meg Watcher, Winnipeg: Prolific Group, issue 8, 15 November 2018, pp. 2-3

'I want a president', in: 'Initiales Revue. SL (Sylvère Lotringer)', edited by François Piron, Lyon: Ècole Nationale Supérieure des Beaux-Arts de Lyon, Paris: Fondation d'entreprise Ricard, vol. 12, November 2018

'El Río / The River. A Collaboration', Zoe Leonard & Dolores Dorantes, Mexico City: Gato Negro Ediciones, 2018

'I want a president', in: Subjektiv 15, edited by Nina Strand, Odder: Narayana Press, 2017

'The Artists' Artists', in: Artforum, New York, December 2017, p. 64

'I want a president' (chapbook), Mexico City: Gato Negro Ediciones, 2017

'I want a president. Transcript of a Rally', with Karen Kelly, Barbara Schröder (et al.), New York: Dancing Foxes Press, 2017, pp. 8-10

'Downtown (for Douglas)', in: Document Journal, Fall/Winter 2016, Issue No. 9, pp. 344-351

'An Iris', in: 'Herstory Inventory. 100 Feminist Drawings by 100 Artists', edited by Barbara Schroeder, Karen Kelly, and Ulrike Müller, Brooklyn: Dancing Foxes Press, 2014, p. 224

‘December 3, frame 3 (2011/12)’, in: ‘Blind Spot. The Twentieth Anniversary Issue’, New York: Blind Spot Inc., no. 47, 2014, front and back cover, ill.

‘Shannon Ebner and Zoe Leonard’ (interview), in: ‘Bomb. The Water Issue’, Zoe Leonard & Shannon Ebner, New York: Bomb Magazine, no. 127, Spring 2014, pp. 54-64, ill.

‘Conversations on Queer Affect and Queer Archives. Analogue’, in: Art Journal, New York, vol. 72, no. 2, Spring 2013, pp. 78-81, ill.

‘Photography, the Archive, and the Question of Feminist Form. A Conversation with Zoe Leonard’, in: ‘Camera Obscura Journal of Literature and Photography’, Zoe Leonard with Huey Copeland, Durham: Duke University Press, no. 2, issue 86, 2013, pp. 176-189

‘Multiverse’, in: ‘Josiah McElheny. Some Pictures of the Infinite’, edited by Lucy Flint, Ostfildern: Hatje Cantz, 2012, pp. 76-103 (exh. cat.)

‘Muscle Memory’, in: ‘Coming After. Queer Time, Arriving Too Late and the Spectre of the Recent Past’, edited by Jon Davies, Toronto: The Power Plant, 2012, pp. 66-71

‘The Politics of Contemplation’, in: ‘La Voce della immagini’, Zoe Leonard & Elisabeth Lebovici, edited by Caroline Bourgeois, Venice: Palazzo Grassi / Electa, 2012 (exh. cat.)

‘Zoe Leonard. Observation Point’, Zoe Leonard & Briony Fer, London: Camden Arts Center (‘Artist Files’), no. 69, 2012 (exh. pamphlet, ed. of 1000)

‘500 Words. Zoe Leonard talks about her show at Camden Art Center’, on: www.artforum.com, New York, April 2012, ill.

‘A Wild Patience’, in: ‘Agnes Martin’, edited by Lynne Cooke and Karen Kelly, New Haven: Yale University Press, New York: Dia Art Foundation, 2011, pp. 78-101

‘Blind Spot’, Zoe Leonard & Moyra Davey (eds.), Annandale-on-Hudson/New York: Blind Spot Inc., Issue 43, 2011

‘East Jerusalem’, in ‘She is the One. Some moments from a feminist year’, with Nairy Baghramian, Kerstin Cmelka + [et al.], Berlin: Texte Zur Kunst, no. 84, December 2011 (ed. of 100 + 20 AP)

‘James Castle. Inside Out’, in: ‘James Castle. Show and Store’, with Lynne Cooke and Briony Fer, Madrid: D.A.P. Museo Nacional Centro de Arte Reina Sofia, 2011, pp. 9-15

'This is where I was' (text), in: 'Zoe Leonard. You See I am Here After All', edited by Lynne Cooke and Karen Kelly, New Haven: Yale University Press, New York: Dia Art Foundation, 2010, pp. 8-21 (exh. cat.)

‘1 Hour Photo & Video (for Parkett)’, New York: Parkett Publishers Artist Editions, No. 84, 2009 (Ed. of 40)

‘Analogue, 1998-2007’, in: ‘Antinomies of Culture. Modernity, Postmodernity, Contemporaneity’, edited by Terry Smith, Okwui Enwezor, and Nancy Condee, Durham: Duke University Press, 2009, pp. 187-203

‘Zoe Leonard. Analogue’, in: ‘Cultural Politics’, with Carrie Moyer & The Speculative Archive (Julia Meltzer and David Thorne), Durham: Duke University Press, vol. 3, no. 2, July 2007, pp. 249-253, ill.

‘Zoe Leonard. Interview at Documenta 12’ [video], edited by Lidia Rossner and Alexander Rossner, Berlin: dmovies.net, 2007

‘Mouth Open, Teeth Showing II’ (essay), in: ‘Zoe Leonard. Mouth Open, Teeth Showing’, edited by Barbara Engelbach, Siegen: Museum für Gegenwartskunst, 2003

‘Transcript of a Lecture by Zoe Leonard’, in: ‘The Generation of Images. Reality’s Desire’, edited by Roberto Pinto, Milan: Postemedia SRL/Commune di Milano, 2003, pp. 99-121

‘Interview with Zoe Leonard’, in: ‘Discourse’, Zoe Leonard with Beth Dungan, Claremont: McKenna College, vol. 24, no. 2, Spring 72, pp. 70-85

‘Notes on Work', in: Arte e Critica, Rome, no. 29, January-March 2002, pp. 29-30

‘Out of Time. Artist Questionnaire’, in: October, edited by Rosalind Krauss, Cambridge: MIT Press, no. 100, Spring 2002, pp. 88-97

'Fundamental Horror', in: ‘Studio Voice. Multi-Media Mix Magazine’, Tokyo, vol. 272, August 1998, pp. 18-19

‘Ladies and Gentlemen’, in: Toronto: Art Metropole (‘The Little Cockroach Press Series’), vol. 10, August 1998 (Ed. of 1000 + 25 APs)

'The 1998 Bearded Lady Calendar. Starring Jennifer Miller', Glarus: Kunsthaus Glarus, 1998

‘The Fae Richards Photo Archive’, Zoe Leonard & Cheryl Dunne, San Francisco: Artspace Books, 1996 (exh. cat.)

‘Watermelon Woman. The Fae Richards Photo Archive’ [insert], in: Parkett, Zoe Leonard & Cheryl Dunne, New York, no. 47, 1996

Asmus, Sigrid (ed.), 'After Art. Rethinking 150 Years of Photography. Selections from the Joseph and Elaine Monsen Collection', Seattle: Henry Art Gallery 1995, p. 63

Blake, Nayland, Rinder, Lawrence [+ et al.], 'In a Different Light. Visual Culture, Sexual Identity, Queer Practice', San Francisco: University Art Museum, 1995 (exh. cat.)

Bursatin, Manlio, Gian Ferrari, Claudia, 'Nudo & Crudo. Sensitive Body, Visible Body', Milan: Claudia Gian Ferrari Arte Contemporanea,1995 (exh. cat.)

De Brugerolle, Marie, 'Féminin/Masculin. Le Sexe de l'Art', Paris: Centre Georges Pompidou, 1995

Delpire, Robert, ‘Fine Art. Photography’, Zurich: Graphis Publishing, 1995, pp. 94-95

Nickas, Robert, ‘Pictures of the Real World (In Real Time)’, Dijon: The Consortium, New York: Paula Cooper Gallery, 1995 (exh. cat.)

Soldaini, Antonella, Colombo, Paolo, 'L'Immagine Riflessa / The Reflected Image. A selection of contemporary photography from the LAC Collection’, Prato: Centro per L'Arte Contemporanea, 1995 (exh. cat.)

‘HIV-antibody Testing and Legal Issues for HIV-Positive People’, in: ‘Women, Aids & Activism’, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 55-68

‘Lesbians in the AIDS Crisis’, in: ‘Women, Aids & Activism’, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 113-118

‘Prostitution and HIV Infection’, in: ‘Women, Aids & Activism’, Zoe Leonard & Polly Thistlewaite, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 177-186

‘Safe Sex is Real Sex’, in: ‘Women, AIDS & Activism’, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 55-68

Pardo, Alona (ed.), 'RE/SISTERS: A Lens on Gender and Ecology', Munich: Barbican Art Gallery and Prestel, 2023, pp. 260-263, ill. (exh. cat.)
Gheysens, Hélène, Liucci-Goutnikov, Nicolas (eds.), 'Amis. 120 Years with the Musée National d'Art Moderne', Paris: Centre Pompidou, 2023, pp. 246-247, ill.
Cooke, Lynne (ed.), 'Woven Histories: Textiles and Modern Abstraction', Washington: National Gallery of Art, 2023, pp. 164, 182, ill. (exh. cat.)

Baker, George, 'Lateness and Longing: On the Afterlife of Photography', Chicago: The University of Chicago Press, 2023, ill.

Lancaster, Lex Morgan, 'Dragging Away. Queer Abstraction in Contemporary Art', Durham/London: Duke University Press, 2022, p. 5, ill.

James Meyer (et al.), 'The Double. Identity and Difference in Art Since 1900', Washington: National Gallery of Art, 2022, pl. 43, ill. (exh. cat.)

Aquin, Stéphane, Reeve, Anne, Guttman, Sandy, 'Hirshhorn Museum and Sculpture Garden. The Collection', New York: DelMonico Books, in association with Hirshhorn Museum and Sculpture Garden, 2022, p. 323, ill.

Hessel, Katy, 'The Story of Art without Men', London: Cornerstone, 2022, pp. 379-380, ill.

Godmilow, Jill, 'Kill the Documentary: A Letter to Filmmakers, Students, and Scholars', New York: Columbia University Press, 2022, p. 53, ill.

Callahan, Sara, 'Art + Archive. Understanding the archival turn in contemporary art', Manchester: Manchester University Press, 2022, pp. 130-131, 208-209, 247-248, ill.

Kanjo, Kathryn, Dawsey, Jill, Graham, Anthony (et al.), 'Museum of Contemporary Art San Diego. Handbook of the Collection', San Diego: Museum of Contemporary Art San Diego, 2021, pp. 234-235, ill.

Areford, David S., 'Locating Sol Lewitt', London: Yale University Press, 2021, p. 52-55, ill.

Kunstsammlung Nordrhein-Westfalen (ed.), 'Everyone Is an Artist. Cosmopolitical Exercises with Joseph Beuys', Düsseldorf: Hatje Cantz, 2021, pp. 62-63, ill. (exh. cat.)

Beal, Justin, 'Sandfuture', Cambridge/London: The MIT Press, 2021, pp. 138-139, ill.

Street, Ben, 'How To Enjoy Art: A Guide for Everyone', New Haven and London: Yale University Press, 2021, pp. 62-64, ill.

Irvin, Sherri, 'Immaterial: Rules in Contemporary Art', Oxford: Oxford University Press, 2022, pp. 61-62, ill.

Eleey, Peter, Respini, Eva (eds.), 'Deana Lawson', Boston: Institute of Contemporary Art/Boston, New York: MoMA PS1, 2021, p. 42, ill. in colour, discussed in text (exh. cat., not exhibited)

Boulvain, Thibault, 'L'art en sida, 1981-1997', Dijon: Les Presses du Réel, 2021, pp. 309, 638, 642, ill.

Lewis, Jacob W., Parry, Kyle (eds.) 'Ubiquity: Photography’s Multitudes', Leuven: Leuven University Press, 2021, pp. 218-219, ill.

Spire, Hattie, 'Summer', London: Tate, 2020, pp. 14-15, ill.

Streitberger, Alexander, Decan, Liesbeth, Roche, Clémentine (et al.), 'Staged Bodies. Mise en scène du corps dans la photographie postmoderniste', Ghent: Snoeck, 2020, pp. 52-55, ill. (exh. cat.)

Gassert, Doris, Kunze, Franziska (et. al.), '25 Years! Shared Histories, Shared Stories/Fast Forward', Leipzig, Germany: Spector Books, 2019

Rugoff, Ralph (et al.), 'Kiss My Genders', London: Hayward Gallery, 2019, pp. 160-161, 231 (exh. cat.)

Cooper, Jeremy, 'The World Exists to Be Put on a Postcard', London: Thames & Hudson, 2019

Leidl, Bettina, Lübbke-Tidow, Maren (eds.), 'Obstinacy of Things. Still Life in Photographic Concepts of the Present', 2nd ed., Leipzig: Spector Books, Vienna: Kunst Haus Wien, 2019

Pakesch, Peter, 'True Stories. A Show Related to an Era. The Eighties', Berlin: Holzwarth Publications, 2019 (exh. cat.)

Frailey, Stephen, 'Looking at Photography', Bologna: Damiani, 2019, pp. 198-199, ill.

Aristizabal, Irene, Cooper, Rosie + [et al.], ‘Still I Rise. Feminisms, Gender, Resistance’, Bexill-on-Sea: De La Warr Pavilion, Nottingham: Nottingham Contemporary, 2018 (exh. cat.)

Beal, Justin, 'Touchpiece', Los Angeles: Hannah Hoffman Gallery, New York: Midgramme, 2018, pp. 1-15 (exh. cat.)

Cooke, Lynne, ‘Outliers and American Vanguard Art’, Washington DC: National Gallery of Art, Chicago: University of Chicago Press, 2018, pp. 298-299 (exh. cat.)

Farocki, Harun, Leidl, Bettina + [et al.], ‘Eigensenn der Dinge. Stilleben in fotografischen Konzepten der Gegenwart’, 1st ed., Leipzig: Spector Books, Vienna: Kunsthaus Wien, 2018 (exh. cat.)

Leber, Christian, ‘Fotofinish. Photography’s Triumph as an Autonomous Art Form’, New York: Snoeck, 2018

Lederman, Russet (ed.), ‘How We See. Photobooks by Women’, New York: 10x10 Photobooks, 2018

Nichols, Catherine (ed.), ‘Shine on Me. Wir und die Sonne’, Dresden: Deutsche Hygiene-Museum, Göttingen: Wallstein Verlag, 2018 (exh. cat.)

Park, Liz, Schaffner, Ingrid (eds.), ‘The Guide. Carnegie International, 57th Edition’, Pittsburgh: Carnegie Museum of Art, 2018, pp. 74-75 (exh. cat.)

Pedrosa, Adriano, Schwarcz, Lilia + [et. al.] (eds.),‘Historias Da Sexualidade', São Paulo: MASP – Museu de arte de São Paulo Assis Chateaubriand, 2017, pp. 37, 264, 266 (exh. cat.)

White, Michelle, 'Mona Hatoum. Terra Infirma', London: Yale University Press, 2018, pp. 84-85 (exh. cat.)

Berger, Daniel S., Neff, John, ‘Militant Eroticism. The ART+Positive Archives’, Berlin: Sternberg Press, 2017 (exh. cat.)

Gallois, Christophe, Staes, Pascale (eds.), ‘Pensive Images. 16 Artists in Dialogue with G. Sebald’, Clausen: Mudame Luxembourg, 2017, pp. 43-46

Gioni, Massimiliano, Brambilla, Micola, ‘The Restless Earth (La Terra Inquieta)’, Milan: Electa, 2017, pp. 54, 184-185

Hering, Michael, Lepik, Andres + [et. al.] (eds.),‘Pinakothek Der Moderne. Art, Prints & Drawings, Design, Architecture’, Berlin: Hatje Cantz, 2017, p. 178

Iverson, Margaret, ‘Photography, trace, and trauma’, Chicago: The University of Chicago Press, 2017

Lebovici, Elisabeth, ‘Ce que le sida m’a fait’, in: ‘Lectures maisons rouges’ [series], Paris: La maison rouge, Zürich: jrp | Ringier, 2017

Maaz, Bernhard (ed.), ‘Pinakothek Der Moderne Munich. Modern Art Collection’, Berlin: Deutscher Kunstverlag, 2017, pp. 279, 293

Motta, Carlos (ed.), ‘The SPIT! Manifesto Reader’, London: Frieze Projects, 2017, p. 28

Pedrosa, Adriano (ed.), ‘Historias de Sexualidade’, São Paulo: MASP –Museu de Arte de São Paulo Assis Chateaubriand, 2017, p. 264 (exh. cat.)

Philips, Lisa (ed.), ‘40 Years New’, London: Phaidon, New York: New Museum, 2017, pp.180, 270-271

Press, Clayton, ‘Next to Nothing, Close to Nowhere. Kathleen Jacobs’, Ewing: Burckhardt Boles, 2017, p. 32

Sholis, Brian, ‘Group Portrait’, in: Subjektiv 15, Oslo: Narayana Press, no. 15, 2017, pp. 8-17, ill.

Smith, Shawn Michelle, Sliwinski, Sharon (eds.), ‘Photography and the Optical Unconscious’, Durham: Duke University Press, 2017

Christ, Hans D., Iris Dressler, ‘Ein Loch in Meer / A Hole in the Sea’, Stuttgart: Württembergischer Kunstverein, 2016 (exh. cat.)

Crimp, Douglas, ‘Before Pictures’, New York: Dancing Foxes Press, Chicago: The University of Chicago Press, 2016

Getsy, David J., ‘Queer, Documents of Contemporary Art’, London: Whitechapel Gallery, Cambridge: MIT Press, 2016, p. 114

Lorenz, Renate, ‘Encounter’, in: ’Quand Fondra la Neige, où ira le Blanc’, Venice: Palazzo Fortuny, 2016 (exh. cat.)

Sawyer, Drew (ed.), ‘The Sun Placed in the Abyss’, Columbus: Columbus Museum of Art, 2016 (exh. cat.)

Urbanelli, Elisa, Blood, Anne Rebecca (eds.), ‘Unfinished. Thoughts Left Visible’, New York: The Metropolitan Museum of Art, 2016

Bajac, Quentin, Gallun, Lucy + [et al.] (eds.), ‘Photography at MoMa.1960–Now’, New York: Museum of Modern Art, 2015

Bourgeois, Caroline, Vo, Danh (eds.), ‘Slip of the Tongue’, Venice: Marsilio Editori, 2015 (exh. cat.)

Delbecq, Marcelline, ‘Oublier, voir’, Paris: Manuella Éditions, 2015, pp. 11, 13 (Ed. of 175)

Farquharson, Alex, Manacorda, Francesco + [et al.], ‘Glenn Ligon. Encounters and Collisions’, London: Nottingham Contemporary and Tate Liverpool, 2015, pp. 104-105 (exh. cat.)

Hart, Katherine, O’Reilly, John, ‘Collecting and Sharing. Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art’, Hannover: Hood Museum of Art, 2015, pp. 73, 85 (exh. cat.)

Hoet, Jan, Bossche, Philip Van den (ed.), ‘Das Meer. The Sea. La Mer. De Zee. A tribute to Jan Hoet’, Ostfildern: Hatje Cantz, 2015, p. 237 (exh. cat.)

Macel, Christine, Sussman, Elizabeth, ‘Collected by Thea Westreich and Ethan Wagner’, New York: The Whitney Museum of American Art, 2015, pp. 56, 302

Michalka, Matthias (ed.), ‘To expose, to demonstrate, to inform, to offer. Artistic practices around 1990’, Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2015

Miller, Dana (ed.), Weiberg, Adam D., ‘Whitney Handbook of the Collection’, New York: The Whitney Museum of American Art, 2015, p. 225

Paolo, Maganoli, ‘Documents of Utopia. The Politics of Experimental Documentary’ New York: Columbia University Press, 2015, pp. 91-91, 95

Berrebi, Sophie, ‘The Shape of Evidence. Contemporary Art and the Document’, Amsterdam: Valiz, 2014, pp. 113-114, 123, cover

Bezzola, Tobia, Ebner, Florian, ‘(Mis)Understanding Photography. Works and Manifestos', Essen: Museum Folkwang/Steidl, 2014, pp.140, 148-151 (exh. cat.)

Brown, Elspeth, Phu, Thy (eds.), ‘Feeling Photography’, Durham: Duke University Press, 2014

Burton, Johanna, Ellegood, Anne, (eds.), 'Take It or Leave It. Institution, Image, Ideology', Los Angeles: The Hammer Museum/DelMonico Books/Prestel, 2014, pp.12, 19, 22, 102-3, 184-85, 203-4, 259-60 (exh. cat.)

Kalb, Peter R., 'Art Since 1980. Charting the Contemporary' London: Pearson, 2014, pp. 245–246

Kelly, Karen, Müller, Ulrike + [et al.](eds.), ‘Herstory Inventory. 100 Feminist Drawings by 100 Artists’, Brooklyn: Dancing Foxes Press, 2014, p. 224

Meyer-Hermann, Eva (ed.), 'Blicke! Körper! Sensationen! / Looks! Bodies! Sensations! An Anatomical Waxwork Cabinet and the Arts', Dresden: Deutsches Hygiene-Museum/ Wallstein, 2014, pp. 23, 60 (exh. cat.)

Stather, Martin (ed.), 'Art and Activism. Sammlungen Hieber/Theising', Mannheim: Mannheim Kunstverein, 2014. pp. 33, 63, 65, 88, 91 (exh. cat.)

Arnaud, Claude, Cogeval, Guy + [et al.], 'Masculin / Masculin. Lʼhomme nu dans lʼart de 1800 à nos jours', Paris: Musée dʼOrsay / Flammarion, 2013, p. 289 (exh. cat.)

Azouley, Isabelle, Monneyron, Fréderick, 'Vanity. Fashion/Photography from the F.C. Grundlach Collection', Vienna: Kunsthalle Wien, 2011, pp. 187, 189-190, 192-193 (exh. cat.)

Cluitmans, Laurie, Zeqo, Arnisa (eds.), 'He Disappeared into Complete Silence. Rereading a Single artwork by Louise Bourgeoise', Haarlem: De Hallen Haarlem, 2011, pp. 91, 103 (exh. cat.)

Imhoff, Aliocha, Quiros, Kantuta (eds.), 'Fais un effort pour te souvenir / Make an effort to remember. Or, Failing that, Invent' Paris: Bétonsalon Centre d’art et de recherche, 2013, p. 11 (exh. booklet)

König, Kasper, 'Vor dem Gesetz/ Before the Law’, Cologne: Museum Ludwig, 2011, pp. 98-101 (exh. cat.)

Lampe, Angela (ed.), 'Vues d’en haut', Metz: Centre Pompidou Metz, 2013, p. 350 (exh. cat.)

Moore, Jenny, 'NYC 1993. Experimental Jet Set, Trash and No Star', New York: New Museum, 2013, p. 99 (exh. cat.)

Peters, Andrea (ed.), 'Von Beckmann bis Warhol / From Beckmann to Warhol’, Köln: Wienand Verlag , 2013, pp. 272-273 (exh. cat.)

Ruby, Rich B., 'Historical Fiction, Modern Desires. The Watermelon Woman', in: 'New Queer Cinema. The Directors Cut', Durham: Duke University Press, 2013, pp. 66-71

Vogt, Christine, (ed.) 'Hair! Hair! Das Haar in der Kunst / Hair in Art. Masterpieces from the Ludwig Collection from antiquity to Warhol, from Tilman Riemenschneider to Cindy Sherman’, Bielefeld: Kerber, Cologne: Museum Ludwig, 2013, p. 91 (exh. cat.)

Borchardt-Hume, Achim (ed.), 'Think Twice. Twenty years of Contemporary Art from Collection Sandretto Re Rebaudengo', London: Whitechapel Art Gallery, 2012, pp. 66-67 (exh. cat.)

Brohm, Anna, Schneider, Valeska (eds.), 'Ein Wunsch bleibt immer übrig / One Wish always remains', Cologne: Museum Ludwig, 2012, pp. 168, 170 (exh. cat.)

Burton, Johanna , Cooke, Lynne + [et al.], ‘Interiors. Perspectives on Art and Culture’ [reader], Annandale-on-Hudson: CSS Readers – Centre for Curatorial Studies Bard University Readers, Berlin: Sternberg Press, vol. 1, 2012, pp. 44-53

Edlinger, Thomas,'Vollmilch / Milk. The Beard as Sign’, Linz: Lentos Kunstmuseum, 2012, pp. 26-27 (exh. booklet)

Förster, Simone, Ingelmann, Inka Graeve + [et al.], 'True Stories. American Photography from the Modern Art Collection’, Munich: Pinakothek der Moderne, 2012, pp. 28-29 (exh. cat)

Forty, Adrian, 'Concrete and Culture. A Material History', London: Reaktion Books Ltd., 2012, p. 42

Gill, Marta (ed.), Rouillé, André, ‘Slow Motion. A Camera Lenta’, in: ‘C International Photo Magazine’ [periodical], London/Madrid: Ivorypress, no. 5, 2012

Jigarjian, Michi, Pratt, Libby (eds.), ‘Writing as Practice. Peripheral Continuity', New York: Secretary Press / Transcripts and Afterthoughts from a Symposium (Bard University), 2012

Lewis, George E., Ligon, Glenn, 'Blues for Smoke', Los Angeles: MOCA – The Museum of Contemporary Art Los Angeles / Prestel, 2012, pp. 43, 155 (exh. cat.)

Lorenz, Renate, ‘Queer Art. A Freak Theory’, in: ‘Queer Studies’ [series], Bielefeld: Deutsche Nationalbibliothek / transcript-Verlag, vol. 2, 2014, pp. 131-135

Metzel, Olaf (ed.), 'Circus Wols. Eine Hommage / A Tribute', Bremen: Neues Museum Weserburg, Köln: Walther König, 2012 (exh. cat.)

Birnbaum, Daniel, Butler, Cornelia + [et al.], 'Defining Contemporary Art. 25 Years in 200 Pivotal Artworks', London: Phaidon, 2011, pp. 206, 232-233

Couanet, Catherine, ‘Sexualités & Photographie’, Paris: L’Harmattan, 2011, pp. 72-85

Cullinan, Nicholas (ed.), 'Tacita Dean. Film', in: ‘Unilever Series’, London: Tate Publishing, no. 12, 2011, p. 95 [exh. cat.]

Huber, Hans Dieter, Pakesch, Peter + [et al.](eds.), 'Vermessung der Welt / Measuring the World. Heterotopias and Knowledge Spaces in Art', Graz: Kunsthus Graz, Köln: Walther König, 2011, pp. 71-73, 154-155 (exh. cat.)

Paneque, Guillermo (ed.), 'Entre chien et loup / Between dog and wolf. Works from the Meana Larrucea Collection', Bilbao: Iberdrola, Madrid:TF Editores, 2011, p. 169 (exh. cat.)

Smith, Terry, 'Contemporary Art. World Currents', London: Pearson Press, 2011, pp. 262-263

Bracewell, Michael, 'Deutsche Börse Photography Prize 2010. Anna Fox, Zoe Leonard, Sophie Ristelhueber, Donovan Wylie', London: The Photographer’s Gallery, 2010 (exh. cat.)

Coan, Jaime Shearn (ed.), ‘Dear Someone’ [ongoing letter-writing archive], New York: Printed Matter, vol. 1, 2010

Cooke, Lynne, Crimp, Douglas+ [et al.], 'Mixed Use, Manhattan. Photography and Related Practices, 1970s to the Present', Madrid: Museo Reina Sofía, 2010, pp. 4, 204-209, 276, 295 (exh. cat.)

Didi-Huberman, Georges, 'Atlas. ¿Cómo llevar el mundo a cuestas? / How to Carry the World on One’s Back?', Madrid: TF Editores/Museo Reina Sofía, 2010, p. 311 (exh. cat.)

Enwezor, Okwui, Condee, Nancy + [et al.], ‘Antinomies of Culture. Modernity, Postmodernity, Contemporaneity’, Durham: Duke University Press, 2009, pp. 192-202, ill. in b/w

Kalmár, Stefan (ed.), ‘Be Nice Share Everything Have Fun’, Köln: Walther König, 2010 (exh. cat.)

Naumann, Francis, Noland, David (eds.), 'The Visible Vagina', New York: David Noland Gallery/Francis Naumann Gallery, 2010 (exh. cat.)

Owens, Iris, ‘After Claude’, New York: New York Review of Books Classics, 2010, cover ill.

Aliaga, Juan Vicente, Lebovici, Elisabeth + [et al.], 'En todas partes / Everywhere. Sexual Diversity Policies in Art', Santiago de Compostela: Centro Galego de Arte Contemporánea, 2009 (exh. cat.)

Belting, Hans, Buddensieg, Andrea (eds.), 'The Global Art World. Audiences, Markets, and Museums', Ostfildern: Hatje Cantz, 2009, pp. 40, 161-162

Cotton, Charlotte, 'The Photograph as Contemporary Art' London: New Edition, 2009, pp. 198-199, 230-31

Danbolt, Mathias, Rowley, Jane + [et al.](eds.), 'Lost and found. Queerying the Archive', Copenhagen: Nikolaj Copenhagen Contemporary Art Center, 2009 (exh. cat.)

Enwezor, Okwui, Condee, Nancy + [et al.], ‘Antinomies of Culture. Modernity, Postmodernity, Contemporaneity’, Durham: Duke University Press, 2009, pp. 192-202

Morineau, Camille (ed.), ‘Elles @ Centre Pompidou’, Paris: Centre Pompidou, 2009, pp. 100-101 (exh. cat.)

Thomas, Elizabeth (ed.), ‘Matrix/Berkeley. A Changing Exhibition of Contemporary Art’, Berkeley: University of California Berkeley Art Museum, 2009, p. 296

Welzel, Mark (ed.), '200 Artworks. 25 Years. Artists’ Editions for Parkett', Z¨ürich/New York: Parkett, 2009, pp. 254 - 255

Baker, George, 'Lateness and Longing’, in: ‘50 Moons of Saturn', Turin / Milan: T2 Torino Triennale, 2008, pp. 47-65

Bock, Jürgen, 'Drawing a Tension. Works from the Deutsche Bank Collection', Lisbon: Calouste Gulbenkian Cultural Centre, 2008, pp. 142-143 (exh. cat.)

Enwezor, Okwui, 'Archive Fever, International Center of Photography', New York NY: Steidl / ICP, 2008

Herford, Marta, 'Ad Absurdum', Bielefeld: Kerber Verlag, 2008 (exh. cat.)

Hermann, Matthias (ed.), ‘AIDS. A Reader, 'AIDS. A Reader’, Toronto: Art Metropole, 2008

Peterson, Anne Ring, Koester, Joachim + [et al.], 'Reality Check', Copenhagen: Statens Museum for Kunst, 2008, pp.106-107 (exh. cat.)

Phillips, Lisa, Gioni, Massimiliano, 'After Nature', New York NY: The New Museum, 2008 (exh. cat.)

Pinson, Stephen C. (ed.), 'Eminent Domain. Contemporary Photography and the City', New York: The New York Public Library, 2008, pp. 48-59 (exh. cat.)

Rugg, Whitney, Yee, Lydia (eds.), ‘Street Art Street Life. From the 1950’s to Now’, New York: The Bronx Museum of the Arts/Aperture Foundation, 2008, pp. 68-69 (exh. cat.)

Stather, Martin (ed.),' Break the Rules!' Theising / Mannheim: Sammlungen Hieber / Mannheimer Kunstverein, 2008, pp. 19, 37-39 (exh. cat.)

Temporary Services, 'Public Phenomena’, 2nd ed., Chicago: Half Letter Press, 2008, pp. 145-146

Baur, Andreas (ed.), 'Fliegende Kühe und andere Kometen / Flying Cows and other Comets. Not just funny Things in Art’, Nuremberg: Galerien der Stadt Esslingen am Neckar / Verlag für Moderne Kunst, 2007, pp. 62-67 (exh. cat.)

Buergel, Roger M., Noack, Ruth (eds.), 'documenta 12', Cologne: Tashcen, 2007 (exh. cat.)

Buergel, Roger M., Noack, Ruth (eds.), ‘Documenta 12 Magazine. Life!’, Koln: Taschen, no. 2, 2007, pp. 38, 43, 46-47, 51-53, ill. in colour

Collins, Judith, ‘Sculpture Today’, New York: Phaidon, 2007

Edlinger, Thomas, Waldvogel, Florian (eds.), 'Body Politicx', Rotterdam: Witte de With Centre for Contemporary Art, 2007 (exh. cat.)

Lorenz, Renate, 'Normal Love', Berlin: Künstlerhaus Bethanien, 2007 (exh. cat.)

Ölcer, Nazan, Sabanci, Sakip + [et al.],'Blind Date. Istanbul', Istanbul: Deutsche Bank Kunst und Sakıp Sabancı Museum, 2007, pp. 70, 210 (exh. cat.)

Friedrich, Julia, König, Kasper, Wagner, Frank (eds.), 'Das Achte Feld / The Eighth Square', Cologne: Ostfildern-Ruit / Museum Ludwig, 2006, pp. 112-113 (exh. cat.)

Episalla, Joy, Lipton, Amy + [et al.], 'Out of the blue', Jenkintown: Abington Art Centre, 2006 (exh. cat.)

Demos, T.J., 'Vitamin Ph (New Perspectives in Photography)’, London: Phaidon Press, 2006

Armstrong, Carol, De Zegher, Catherine, 'Women Artists at the Millennium', Cambridge: MIT Press, 2006

Bright, Susan, 'Art Photography Now', London: Thames and Hudson, 2005, pp. 124 -125

Grosenick, Uta, ‘Art Now. The new directory to 136 International Contemporary Artists’, Berlin: Taschen, 2005, pp. 249-251

Mézil, Eric, Verzotti, Giorgio, ‘Theorema. La Collection d’Enea Righi’, Avignon: Collection Lambert, 2005, pp. 21-25, 85

Richer, Francesca, Rosenzweig, Matthew (eds.), 'First Works. By 362 Artists’ [series], New York NY: D.A.P, 2005, Vol. 1, p. 215

Bousteau, Fabrice, ‘Sexes. Images–pratiques et pensées contemporaines (Pictures-practices and contemporary thoughts’, Paris: Beaux Arts Livres, 2004, p. 90

Clark, Larry (ed.), ‘Printed Matter Photography Portfolio’ [series], New York: Printed Matter Inc., Vol. V, 2004

Cotton, Charlotte, ‘The Photograph as Contemporary Art’, London: Thames & Hudson, 2004, pp. 198-199

Didier, Michel (ed.), ‘Portraits d’arbes. Henri Gadeau de Deville au regard de la photographie contemporaine’, Cherbourg-Octeville: Le Point du Jour / Musée d’Évreux, 2004, pp. 28-29

Foster, Hal, Krauss, Rosalind + [et al.], 'Art Since 1900', London: Thames and Hudson, 2004, pp. 610-611

Mileaf, Jeanine (ed.), ‘Inside Out Loud. Visualizing Women’s Health in Contemporary Art’, St. Louis: Mildred Lane Kemper Art Museum at Washington University, 2004

Buskirk, Martha, 'The Contingent Object of Contemporary Art', Cambridge: The MIT Press, 2003, pp. 143-147, 191, 192

Detheridge, Anna (ed.), ‘Innatura / In Nature. Biennale internazionale di fotografia’ , Turin: Fondazione italiana per la fotografia, 2003, pp. 119, 116-118 (exh. cat.)

Eribon, Didier, 'Dictionnaire des Cultures Gays et Lesbiennes', Paris: Larousse, 2003, no. IX, pp. 285-286

Pasini, Francesca, Verzotti, Giorgio, 'Il Racconto del Filo / The Story of the Thread’, Trento / Milan: Museo d’arte moderna e contemporanea di Trento e Rovereto, 2003, pp. 114-117 (exh. cat.)

Steward Heon, Laura, 'Yankee Remix. Artists take on New England', North Adams: SPNEA – Society for the Preservation of New England Antiquities, 2003, pp. 63-70 (exh. cat.)

Weibel, Peter (ed.), 'Phantom of Desire. Visions of Masochism in Art', Graz: Neue Galerie Graz / Landesmuseum Joanneum, 2003, pp. 300-303 (exh. cat.)

Zdenek, Felix (ed.), 'A Clear Vision. Photographic works from the F.C. Gundlach collection', Hamburg: Deichtorhallen Hamburg, 2003, pp. 80-81 (exh. cat.)

Breitweiser, Sabine, Huyghe, Pierre (eds.), ‘Double Life’, Berlin: Walther Köning, 2002

Bolliger, Thérèse, Caws, Mary Ann + [et al.](eds.), 'Mask and Metamorphosis', Hamilton: Art Gallery of Hamilton, 2002 (exh. cat.)

Fonds régional d'art contemporain, 'Une Collection pour une région 1982-2002', Normandy: Traffic Haute Normandie FRAC, 2002, p. 86

Grosenick, Uta (ed.), ‘Women Artists in the 20th and 21st Century’, Cologne: Tashcen, 2002, pp. 312-317

Grosenick, Uta, Riemschneider, Burkhard (eds), 'Art Now. Artists at the Rise of the New Millennium', Berlin: Taschen, 2002, pp. 264-267

Heynen, Julian, Krystof, Doris (eds.), 'Sie träumt von ihrem Lieblingsstar / She dreams of her favorite star. He speaks in a foreign language. Four rooms from the Schürmann Collection’, Ostfildern-Ruit: K21 Düsseldorf, 2002, pp. 73-82 (exh. cat.)

Marzona, Daniel, 'K21 - Kunstsammlung Nordrhein-Westfalen', Düsseldorf: Kunstsamlung Nordhein-Westfalen, 2002, pp. 70-71, 73-74, 93-94, 72-78 __, 'Keine Kleinigkeit / No Small Thing', Basel: Kunsthalle Basel, 2002 (exh. cat.)

Schumacher, Rainald, Winzen, Matthias (eds.), in: ‘Die Wohltat der Kunst / The Benefit of Art. Post-feminist positions of the nineties from the Goetz Collection’, Baden-Baden: Staatliche Kunsthalle Baden-Baden, Köln: Walther König, 2002, p. 200 (exh. cat.)

Schumacher, Rainald, Winzen, Matthias (eds.), in: ‘Die Wohltat der Kunst / The Benefit of Art. Post-feminist positions of the nineties from the Goetz Collection’, Baden-Baden: Staatliche Kunsthalle Baden-Baden, Köln: Walther König, 2002, p. 200 (exh. cat.)

Scürmann, Wilhelm (ed.), 'Prophets of Boom. Werke aus der Sammlung Schürmann', Baden-Baden: Staatliche Kunsthall, 2002, pp. 44-47 (exh. cat.)

Wolf, Sylvia, Grundberg, Andy, 'Visions from America. Photographs from the Whitney Museum of American Art. 1940-2001', New York: Whitney Museum of American Art, 2002, p. 144 (exh. cat.)

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__, 'Zoe Leonard_945 Madison Avenue', on: www.freshartinternational.com, New York NY, 9 March 2014

Vik Muniz, Barney Kulok, Blind Spot Anniversary Issue, 2014, cover and back page

‘Zoe Leonard’s 100 North Nevill Street’, Chinati Newsletter volume 19, Marfa, 2014, cover, pp. 30-53

Berrebi, Sophie, 'Platinum Blondes and a Bearded Lady', on: blog.fotomuseum.ch, Winterthur CH, 1 March 2013

Copeland, Huey, 'Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard', in: Camera Obscura 28: 2, Durham NC, issue 86, 2013, pp. 176–189

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‘Four Images from Analogue, 1998–2009’, Art Journal 72, no. 2, Summer 2013, pp. 78–81

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__, 'Camera Obscura, Camden Arts Centre', NXNW Magazine, London UK, March 2012

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Choksi, Neha, 'On Starlight and Celestial Darkness: Human Vision and Cosmic Revision, as seen in the recent works of Zoe Leonard and and Katie Paterson', in: X-TRA Contemporary Art Quarterly, Los Angeles CA, vol. 15, no. 2, Winter 2012

Colia, Claudia, 'Observation Point. Mostra di Zoe Leonard a Londra', on: New Cult Frame - Arti Visive, www.onestopart.com, Rome IT, 10 May 2012

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Iversen, Margaret, 'Analogue: On Zoe Leonard and Tacita Dean', in: Critical Inquiry, Chicago IL, volume 38, no. 4, Summer 2012, pp. 796–818

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Kuo, Michelle, 'After the Deluge', in: Artforum, New York NY, December 2012, p. 35 (ill.)

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Sherwin, Skye, 'Zoe Leonard, London', The Guardian Guide, London UK, April 2012

Steward, Sue. 'Zoe Leonard: Observation Point, Camden Arts Centre – review', London Evening Standard, London UK, 5 April 2012

Sumpter, Helen, 'Zoe Leonard: Camden Arts Centre Major Spaces', Time Out, London UK, 3 May 2012

Warner, Michael, 'Queer and Then?', The Chronicle of Higher Education, Washington D.C., 1 January 2012

__, 'Zoe Leonard: Available Light', in: ICON Magazine, London UK, March 2012

__, 'Zoe Leonard – Analogue', in: CPhoto; Slow Motion, Madrid SP, 2012, pp. 54-71

Magagnoli, Paolo, 'Zoe Leonard: Observation Point', in: Camera Austria International, Graz AU, no. 118, 2012, pp. 80-81

__, ‘Zoe Leonard: 'Observation Point', in: Time Out, London UK, 10 May 2012

__, 'Ten Best Visual Arts', in: iSaturday, The Independent UK, London, 21 April 2012

__, 'Camera Obscura. Zoe Leonard im Camden Arts Center [sic]', on: www.untitled-mag.com, London UK, 2 April 2012

Diedrichsen, Diedrich, 'Before the Law: Post-War Sculptures and Spaces of Contemporary Art. Museum Ludwig, Cologne', in: Artforum, New York NY, April 2012, pp. 204-205

Roberts, Catherine, 'Zoe Leonard’s Observation Point transforms Camden Arts Centre into a camera obscura', on: www.culture24.org.uk, London UK, 12 April 2012

__, 'Alles wahr: Amerikanische Fotografie in München', in: Frankfurter Allgemeine Zeitung, Frankfurt DE, no. 66, 17 March 2012, p. 34

Couanet, Catherine, 'Sexualités & Photographie', in: L’Harmattan, Paris FR, 2011, pp. 72-85

Buhr, Elke, 'Seht, wie klein der Mensch doch ist: Gewichtige Installationen in Köln', in: Monopol, Berlin DE, December 2011, p. 125

Imdahl, Georg, Vor diesem Gesetz sind wir alle ungleich. Kasper Ludwig testet Gegenwartskunst auf philosophische Tauglichkeit und Tiefe’, in: Kölner Stadt-Anzeiger, Cologne DE, 16 December 2011, p. 26

__,'Vor dem Gesetz. Skulpturen der Nachkriegszeit und Räume der Gegenwartskunst. Eine gemeinsame Ausstellung des Museum Ludwig und der Siemens Stiftung’, 17 Dezember 2011 – 22 April 2012', in: Stadtzauber Kulturmagazin, Cologne DE, December 2011, p. 17

Danicke, Sandra, 'Haben wir was falsch gemacht? Kasuistisch: Das Museum Ludwig in Köln zeigt die Ausstellung, Vor dem Gesetz', in: Süddeutsche Zeitung, Munich DE, 19 December 2011, p. 12

__, 'Study for “Tree“', in: Ein Magazin für Orte, Berlin DE, no. 8, Spring 2011, p. 2

Levine, Debra, 'Another Kind of Love: A Performance of Prosthetic', in: e-misférica, Performance and Politics in The Americas, www.hemi.nyu.edu, New York NY, issue 2.2, Fall 2011

Cooke, Lynne, 'La camera obscura du XXIe siècle (Le meilleur du 2001: arts plastiques)', in: Beaux Arts Magazine, Paris FR, December 2011, p. 65

Hill, Wes, 'Zoe Leonard. Galerie Gisela Capitain Cologne', in: Frieze, London UK, issue 143, November-December 2011, p. 147

Troeller, Jordan, 'Against Abstraction: Zoe Leonard's Analogue', in: Art Journal, New York NY, vol. 69, no.4, 2011, pp. 208-123

Berg, Marc Joseph, 'You See I Am Here After All', in: Bomb Magazine, Brooklyn NY, no. 115, Spring 2011, p. 20

McDonough, Tom, ‘The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag Picker', in: Afterall, London UK, Autumn 2010, pp. 18-29

Troeller, Jordan, 'Against Abstraction: Zoe Leonard’s Analogue', in: Art Journal, New York NY, vol. 69, no 4, 2010

Berrebi, Sophie, 'Goats, Lamb, Veal, Breast: Strategies of Organisation in Zoe Leonard’s Analogue', in: Afterall, London UK, Autumn 2010, pp. 30-37

Nathan, Emily, 'Bridging the Gap', in: www.artslant.com, New York NY, 7 November 2010

Huther, Christian, 'Den Bildern ist nicht mehr zu trauen', in: Frankfurter Neue Presse, www.fnp.de, Frankfurt DE, 15 July 2010

__, 'Deutsche Börse Photography Prize 2010' on: www.prophoto-online.de, Frankfurt DE, June 2010

Smith, Roberta, 'Self-Fulfilling Prophecies', in: Art in Review, The New York Times, New York NY, 16 April 2010

O’Hagen, Sean, 'Deutsche Börse Prize 2010', on: www.guardian.co.uk, London UK, 14 February 2010

Searle, Adrian, 'Whiskers and War Zones at the Deutsche Börse', on: www.guardian.co.uk, London UK, 9 February 2010

Beyfus, Drusilla, 'Zoe Leonard: Deutsche Börse Photography Prize 2010', on: www.telegraph.co.uk, London UK, 11 February 2010

__, 'Zoe Leonard. Analogue', in: Springerin, Wein AU, vol. 16, no. 1, Winter 2010, 1, pp. 25-29, cover

Genocchio, Benjamin, 'Letting Postcards Tell Niagara Falls’ Story', in: The New York Times, New York NY, 24 January 2010

Cox, Samantha, 'NY artist on photography and politics', on: www.austriantimes.at, Vienna AU, 11 January 2010

Lebovici, Elisabeth, 'This is not my body', in: Radical Philosophy, no. 156, Jul/Aug 2009, pp. 35-42

Troeller, Jordan,' Zoe Leonard’s Object-Based Photography', in: Prefix Photo, Toronto CA, vol. 10, no. 2, 2009, pp. 34-49

__, 'Zoe Leonard in Wien', on: www.kunstmarkt.com, Berlin DE, 15 December 2009

__, 'Was vom Alltag übrig bleibt', on: www.derstandard.at, Vienna AU, 14 December 2009

__, 'Fotografien von Zoe Leonard in Wien', on: www.volksfreund.de/ostsee-Zeitung.de, Berlin DE, 8 December 2009

__, 'Fotos gegen den Mainstream im MUMOK', on: www.orf.at, Wien AU, 4 December 2009

__, 'Frau mit Bart: Zur Schau gestellte Schaustellung', on: www.diepresse.com, Vienna AU, 4 December 2009

__, 'Einfach nur Anschauen geht nicht!', in: www.kurier.at, Vienna AU, 4 December 2009

Borchhardt-Birbaumer, Brigitte, 'Leiser Wandel des Blickfelds', in: Wiener Zeitung, Vienna AU, 4 December 2009

__,'Umfassende Einzelschau zu Zoe Leonard im MUMOK', on: www.derstandard.at, Wien AU, 4 December 2009

__, MUMOK widmet Zoe Leonard große Schau, www.orf.at, Wien AU, 3 December 2009

__, MUMOK widmet US-Fotografin Leonard Einzelschau, on: www.kleinezeitung.at, Graz AU, 3 December 2009

Ehgartner, Claudia, 'Von der Schönheit zertretener Bubblegums', in: Schau. Kunstmagazin. Zeitschrift für Jugendliche, Wien AU, no. 3, 2009, pp. 6-9

__, 'Zoe Leonard. Photography/Analogue. 4 December 2009 – 7 March 2010', on: www.artnews.org New York NY, December 2009

__, 'Photography's biggest award: Images form the sharp end', in: The Independent, London UK, 2 December 2009

Becker, Ilka, 'Bis die Augen brennen. Kunst, fotografische Blickregimes und gendered smoking', in: Querformat, Berlin DE, no. 2, 2009, pp. 25-31

Hoog, Eckhard, Museum Abteiberg zeigt 80 Werke des Aachener Sammlers Schürmann, on: www.aachener-nachrichten.de, Aachen DE,12 October 2009

Liebs, Holger, 'Traurig schön. Die Fotografien von Zoe Leonard in München', in: Süddeutsche Zeitung, Munich DE, 12 May 2009, p. 13

Godfrey, Mark, 'Analogie ist eine Stratege. Über Zoe Leonard in der Dia Art Foundation, New York / Analogy as Strategy. On Zoe Leonard at Dia Art Foundation, New York', in: Texte zur Kunst, Berlin DE, March 2009, pp. 173-178, 213-219

Cotter, Holland, 'Change and Permanence, Captured by Cameras', in: The New York Times, New York NY, 6 March 2009

Lebovici, Elisabeth, ‘The Paperwork of the Poor’, in: Parkett, New York, no. 84, 2008, pp. 76-85, ill.

Burton, Johanna, ‘Zoe Leonard. In Your Eyes’, in: Parkett, New York, no. 84, 2008, pp. 58-75, ill.

Cooke, Lynne, ‘Different Subjects, Same Terrain’, in: Parkett, New York, no. 84, 2008, pp. 86-100, ill.

Wei, Lilly, 'After Nature', on: www.artnews.com, New York NY, October 2008

Budick, Ariella, 'After Nature, New Museum, New York', in: Financial Times, New York NY, 3 September 2008

Saltz, Jerry, 'Let’s Get Serious For a Moment', in: New York Magazine, New York NY, 15 September 2008

__, 'Sometimes the Darkest Visions Boast the Blackest Humor', in: The New York Times, New York NY, 19 July 2008

Halkes, Petra, 'Objects and Merchandise', in: Ciel Variable, Montreal CA, no. 79, Summer 2008, pp. 9-15

Schjeldahl, Peter, 'Feeling Blue', in: The New Yorker, New York NY, 4 August 2008

Birnir, Adda, 'Death! Fire! Mayhem! Art!', in: The Village Voice, New York NY, 13-19 August 2008

Lacayo, Richard, 'After Nature', Time, on: www.time-blog.com, New York NY, 20 July 2008

Becker, Jochen, 'Wir haben genug. Zoe Leonard: Fotografien', Camera Austria, Graz AU, no. 101, 2008, pp. 41-42

Sorkin, Jenni, 'Finding the Right Darkness', Frieze, London UK, no. 113, March 2008, pp. 136–141

Godfrey, Mark, 'Mirror Displacements', in: Artforum, New York NY, March 2008, pp. 292–301

Verna, Sacha,' Im Archiv treffen sich Realität und Fiktion', on: www.tagesanzeiger.ch, Zurich CH, February 2008

Langhart, Dieter, 'Aufsichten und Ansichten', in: Regioartline Kunstmagazin, Zurich CH, February 2008

Krebs, Edith, 'Spiegelung des Selbst. Zu Zoe Leonards fotografischem Werk', in: Kunst-Bulletin, Geneva CH, no. 1/2, 2008, pp. 40-46

Tatjana Trouvé, 'Zoe Leonard, Laurence Denimal und Claire Fontaine in der Villa Arson Nizza', in: Kunst-Bulletin, Geneva CH, no. 1/2, 2008, pp. 70-71

Basting, Barbara, 'Sanfte Subversion und ein fotografischer Kompaktkurs in Soziologie', on: tagesanzeiger.ch, Zurich CH, January 2008

Geimer, Peter, 'Boulevards wie glühende Lavaströme, Der Rahmen, durch den wir die Welt sehen: Winterthur stellt das fotografische Werk von Zoe Leonard aus', in: Frankfurter Allgemeine Zeitung online, www.faz.net, Zurich CH, January 2008

Cotter, Holland, 'Well, It Looks Like Truth', in: The New York Times, New York NY, 8 January 2008

Basting, Barbara, 'Sanfte Subversion und ein fotografischer Kompaktkurs in Soziologie', in: Tages-Anzeiger, Zurich CH, 5 January 2008

Cremer-Schacht, Dorothea, 'Der distanzierte Blick', in: Südkurier, Constance DE, 17 January 2008

Mack, Joshua, Zoe Leonard, 'Derrotero', Time Out New York, New York NY, 20-26 November 2008, p. 79

Niederhauser, Brigitta, 'Die Narben der Vergänglichkeit', in: Der Bund, Bern CH, 31 December 2007

Steiner, Urs,' Zerfall überall. Zoe Leonard im Fotomuseum in Winterthur', on: Neue Zürcher Zeitung, www.nzz.ch, Zurich CH, 6 December 2007

Erdmann Ziegler, Ulf, 'Preview', in: Monopol, Berlin DE, December 2007

Zeugin, Pia, 'Die Nachtseite der Normalität', in: Luzerner Nachrichten / Limmattaler Tagblatt / Zofinger Tagblatt / Aargauer Zeitun, Lucerne CH, 3 December 2007

Bagattini, Renato, 'Distanzierte Blicke, kühle Bilder', in: Zürichsee-Zeitung / Der Sihtaler / Linth Zeitung, Zurich CH, 3 December 2007

Bagattini, Renato, 'Der stille Kampf der Gartenzäune', in: Schaffhauser Nachrichten, Schaffhausen DE, 6 December 2007

Cooke, Lynne, 'Best of 2007', in: Artforum, New York NY, December 2007, pp. 310-311

Léith, Mac Giolla, 'An Overview', in: Frieze, London UK, no. 109, September 2007, pp. 124-127

__, 'String Theory. Documenta 12 is a weird thing', in: Artforum, New York NY, September 2007, pp. 407-413

Bryan-Wilson, Julia, 'Zoe Leonard. Fotomuseum Winterthur', in: Artforum, New York NY, September 2007, p. 209

Pirner, Gerald, 'Gestohlene Berührung oder das Über-Setzen der Form', on: Kultura-Extra, www.kultura-extra.de, Berlin DE, 27 August 2007

Hieber, Lutz, 'Verpasste Chancen', on: www.taz.de, Berlin DE, 27 August 2007

__, 'Zoe Leonard', on: www.documenta12blog.com, Kassel DE, 24 August 2007

Merkel, Klaus, 'Alle die mit uns auf Kaperfahrt gehen, müssen Schwestern mit Bärten sein', on: Artline Kunstportal, www.regioartline.org, Friburg im Breisgau DE, 10 August 2007

Lorch, Katrin, 'Formvollendeter Allgemeinzustand der Welt – die 12. Documenta', in: Kunst-Bulletin, Winterthur CH, no. 7/8, 2007, pp. 24-33

Thiele, Carmen, 'Unbeschreiblich weiblich', on: Deutschlandradio, www.dradio.de, Cologne DE, 27 July 2007

Meixner, Christiane, 'Böse Buben', on: Der Tagesspiegel, www.tagesspiegel.de, Berlin DE, 23 July 2007

Wiegand, Thomas, 'Fotografie auf der Documenta' 12, on: Kasseler Fotoforum, www.kasselerfotoforum.de, Kassel DE, 19 July 2007

__, 'Die Wanderung der Formen', in: Kölner Stadt-Anzeiger, Cologne DE, 2 July 2007

Berg, Stephan, 'Ein uneingelöstes Versprechen', in: Kölner Stadt-Anzeiger, Cologne DE, 29 June 2007

Cotter, Holland, 'Asking Serious Questions in a Very Quiet Voice', in: The New York Times, New York NY, 22 June 2007

Lequeux, Emmanuelle, 'Décevante Documenta Kassel', in: Le Monde, Paris FR, 30 June 2007

__, '100 days of ineptitude', in: The Guardian, London UK, 19 June 2007

__, '1001 Chinesen und ein Kunstliebhaber', in: Kieler Nachrichten, Kiel DE, 16 June 2007

Fliegende Kühe und andere Kometen in Esslingen, on: kunstmarkt.com, Berlin DE, 8 August 2006

Hilal Szegin, Wenn Buben Damen werden, in: Die Zeit, Hamburg DE, 31 August 2006

Bousteau, Fabrice, 'Sexes: images – pratiques et pensées contemporaines', in: Beaux Arts Magazine, Paris FR, no. 237, February 2004, pp. 90

__, 'Greater Significance?', in: Boston Globe, Boston MA, 25 January 2004

Hall, Emily, '“Possessed“. Western Bridge', in: Artforum, New York NY, September 2004, pp. 274-275

Leonard, Zoe, 'Periphere Sicht der Dinge', in: Kunstforum, Wien AU, no. 168, January-February 2004, pp. 134-139

McQuaid, Cate, 'To be specific, these artists are inspired by details', in: The Boston Globe, Boston MA, 30 January 2004, pp, D17, D20

Solomon-Godeau, Abigail, 'On Ghost Writing: The Fae Richards Archive', in: artUS, Los Angeles CA, January-February 2004, pp. 26-33

Blair, Sara, 'Jewish America Through the Lens', in: Michigan Quarterly Review, Ann Arbor MI, 42:1, Winter 2003, pp. 95-132

D’Souza, Aruna,' Zoe Leonard at Paula Cooper Gallery', in: Time Out New York, New York NY, 2003

Glueck, Grace, 'Making History a Part of Today With Some Artifacts and Whimsy', in: The New York Times, New York NY, 15 August 2003, p. E31

Hattan, Eric, 'Zoe Leonard at Swiss Institute', in: The New Yorker, New York NY, 17-24 February 2003, p. 42

Halkin, Talya, 'Zoe Leonard at PCG', in: The New York Sun, New York NY, 27 March 2003, p. 16

Lloyd, Ann Wilson, 'Preserving Yankee History With International Ingenuity', in: The New York Times, New York NY, 3 August 2003

Oppenheimer, Daniel, 'The Way We Never Were: New England Revisited at MASS MoCA’s Yankee Remix', in: Valley Advocate, Northampton MA, 7 August 2003

Schwabsky, Barry, 'Gallery Walk: London', in: Art on Air, New York NY, January-February 2003, pp. 84-85

Sholis, Brian, 'Zoe Leonard at Paula Cooper Gallery', in: Flash Art, New York NY, July-September 2003, p. 67

Something Old, 'Something New', in: Museums Boston, Boston MA, Spring-Summer 2003

Stange, Raimar, 'Draußen in der Tür. Fotos und Objekte von Zoe Leonard in der Galerie Nourbakhsch', in: Der Tagesspiegel, Berlin DE, 12 April 2003

Temin, Christine, 'Past becomes present in sophisticated ‘Yankee Remix’', in: Boston Sunday Globe, Boston MA, 3 August 2003

Temin, Christine, 'Red, white, and pink cellophane', in: Boston Sunday Globe, Boston MA, 18 May 2003

Turino, Kenneth, 'Artists Mix It Up', in: Historic New England, Boston MA, Summer 2003

Valdez, Sarah, 'Zoe Leonard at Paula Cooper Gallery', in: Paper Magazine, New York NY, May 2003, PM section, p. 12

Vogel, Carol, 'An Art Collection Grows on a Maryland Farm', in: The New York Times, New York NY, 18 August 2003, pp. E1, E6

Valdez, Sarah, Naked Truths, in: ARTnews, New York NY, March 2003, pp. 98-101

Dungan, Beth, 'An Interview with Zoe Leonard', in: Discourse. Journal for Theoretical Studies in Media and Culture, Detroit MI, vol. 24, no. 2, Spring 2002, pp. 70-85

Azoury, Philie, 'Elvis et Marilyn, saints et martyrs', in: Cahiers du Cinéma, Paris FR, July-August 2002, pp. 22-23

Fulco, Elisa,' Zoe Leonard – Raffaella Cortese', in: Flash Art Italia, Milan IT, February-March 2002, p. 120

Hackman, Kate, 'For Every Action', in: The Kansas City Star, Kansas City MO, 18 January 2002, p. 23

Hochfield, Sylvia, 'Sticks and Stones and Lemon Cough Drops', in: ARTnews, New York NY, September 2002, pp. 116-122

Nilsson, Bo, 'The Growing Cult of Marilyn', in: Kultur Forvaltningen, Stockholm SE, 2002

Satorius, Katherine, 'Women’s Work', in: SOMA, San Francisco CA, May-June 2002, pp. 48-50

Macel, Christine, 'Zoe Leonard rencontre Stephen Shore', in: Beaux Arts magazine, Paris FR, 2002, pp. 14-17

Macel, Christine, 'Zoe Leonard: une photographie-objet', in: Beaux Arts magazine, Paris FR, 2002, pp. 52-53

Bonetti, David, 'Time passes in Leonard’s Art', in: San Francisco Chronicle, San Francisco CA, 1 May 2001, p. G7

Cullen, Michael, 'Paintings for E', in: The Sunday Times (Ireland), Dublin IE,15 July 2001

Di Blasi, Debra, 'Breaking the Surface', in: PitchWeekly, Kansas City MO, 29 March 2001

Gomez, Edward, 'Where Great Dreams Often Sink Out Of Sight', in: The New York Times, New York NY, 8 April 2001

Selby, Holly, 'Musing on the Fruits of the Artist’s Labor', in: Baltimore Sun, Baltimore MD, 22 August 2001, p. 3E

Stein, Judith E., 'Army of the Dolls', in: Art in America, New York NY, February 2001, pp. 100-103

__, 'Taking Art to the Edges of Life and Death', in: The Irish Times, Dublin IE, 7 September 2001

Withers, Rachel, One for Two (Double Life), in: Artforum, New York NY, May 2001, p. 77

Yablonsky, Linda, 'Zoe Leonard. Mouth open, teeth showing', in: Time Out New York, New York NY, 16-23 November 2000, p. 82

__, 'Zoe Leonard', in: Extrart, San Benedetto del Tronto IT, September 2001

Buskirk, Martha, 'Planning for Impermanence', in: Art in America, New York NY, April 2000, pp. 112 -119, 167

Cash, Stehanie, Ebony, David, 'Artworld: Creative Capital Gives First Grants', in: Art in America, New York NY, March 2000, p. 160

Delaney, Anngel, 'For artists sake: New book on lesbian art fills a void', in: New York Blade News, New York NY, 29 September 2000, p. 18

Everett, Deborah, 'Zoe Leonard - Photography and Sculpture', in: NY Arts Magazine, New York NY, November 2000, p. 64

Hoffmann, Frank, 'Report from Kwangju: Monoculture and its discontents', in: Art in America, New York NY, November 2000, pp. 71-79

Lebovici, Elizabeth, 'Zoe Leonard: les taches du quotidien', in: Libération, Paris FR, 16 June 2000, p. IV

Marinas, José-Miguel, 'The Foundation of the Mirror', in: Exit, London UK, November 2000, pp. 126-149

__, 'Sex + Porno', in: frame, Amsterdam NL, September-October 2000, pp. 50-65

Youssi, Yasmine, 'Rendez-Vous: Zoe Leonard', in: Paris Photography, Paris FR, September-October 2000, pp. 90-97

Debord, Matthew, 'A Thousand Words: Zoe Leonard Talks About Her Recent Work', in: Artforum, New York NY, January 1999, pp. 100-101

Duehr, Gary, 'Lying In Front of the Lens', in: The TAB, Cambridge UK, 16-22 March 1999

__, 'Fantasy Photographs', The Improper Bostonian Magazine, Boston MA, 24 February - 9 March 1999, p. 50

Fulcher, Dawn, 'Sleuth', in: Contemporary Visual Arts, London UK, issue 25, 1999, pp. 78-79

Giuliano, Charles, 'Sidewalks Choice: Dramatis Personae', in: Boston Sidewalk, Boston MA, 8 April 1999

Glanz, Alexandra, 'Das gesammelte Unbehagen', in: Hannoversche Allgemeine Zeitung, Hannover DE, 26 May 1999

Jones, Jonathan, 'Crime Seen', in: The Guardian, London UK, 29 June 1999, pp. 12-13

Millis, Christopher, 'When Photos Do The Talking', in: The Boston Phoenix, Boston MA, March 1999

McGrath, John E., 'Sleuth: Chapter Arts Centre and Fotogallery Cardiff', in: Portfolio, Edinburgh UK, no. 30, 1999, p. 64

__, 'Photographic Resource Gallery', in: Stuff Magazine, London UK, March 1999, p. 63

Schmerler, Sarah,' Zoe Leonard', in: Art News, New York NY, April 1999, p. 118

Silver, Joanne, 'Fantasy Dominates in RC Photo Exhibit', in: Boston Herald, Boston MA, 12 March 1999

Taylor, John Russell, 'The Big Show: Sleuth', in: The Times, London UK, 20-26 November 1999, p. 42

__, 'The Faye Richards Photo Archive', in: Art New England, Boston MA, April-May 1999

__, 'Through A Lens. Darkly', Museums Boston, Boston MA, Winter 1999, pp. 52-53

Tietenberg, Annette, Überraschung in der Mittagspause, in: Frankfurter Allgemeine Zeitung, Frankfurt DE, 21 June 1999

__, om Unbehagen der Geschlechter im Kunstverein, in: AZ, Phoenix AZ, no. 121, 28 May 1999

Wilson, Michael, 'Sleuth', in: Art Monthly, London UK, no. 234, 1999, pp. 33-35

Armitage, Diane, 'SoHo/Chelsea Selections', in: THE magazine, Seattle WA, January 1998, pp. 24-25

__, 'Basel und Glarus. Zoe Leonard', in: Die Wochenzeitung, Zurich CH, no. 18, 2 May 1998, p. 25

Brollo, Boris, 'Zoe Leonard', in: Juliet, Trieste IT, no. 86, February-March 1998, p. 56

Ridding, Alan, 'Bugs, Transformation and Subterfuge in a Reinvented Eden', in: The New York Times, New York NY, 1 September 1998

Cachon, Sophie, 'Eclats: La photo de la semaine', in: Telerama, Paris FR, 16 September 1998

De Haro, Sarah,' Questions de genre', in: Ex Aequo, Paris FR, September 1998, p. 49

__, 'Gemischte Früchte: Aufsehen. Kunsthalle Basel und Kunsthaus Glarus zeigen die Amerikanerin Zoe Leonard', in: Aargauer Zeitung, Aarau DE, 16 May 1998

Jouanna, Evelyne, 'Reviews: Zoe Leonard', in: Flash Art, New York NY, March-April 1998, pp. 119-120

Kagan, Dick, 'Go West', in: Art and Antiques, Wilmington NC, vol. 21, no. 1, January 1998, pp. 33-37

Kirsch, Elisabeth, 'Beauty, Culture, Shoes, Pictures, and Politics', in: Kansas City Star, Kansas City MO, 20 March 1998

Kravagna, Christian, 'Zoe Leonard: Secession', in: Artforum, New York NY, January 1998

__, 'Le drôle de zoo de Zoe', in: Libération, Paris FR, 7 October 1998

MacAdam, Barbara, 'Zoe Leonard', in: ARTnews, New York NY, vol. 97, no. 3, March 1998, p. 167

Orth, Roberto. 'Zoe sammelt Spuren von Mikrodramen', in: Cosmopolitan, Munich DE, May 1998, p. 28

__, 'Some Strange Doings at the Museum of Art', in: Philadelphia Inquirer, Philadelphia PA, 28 March 1998

Troester, Christian, 'Wenn Mäuse an der Kunst nagen', in: Die Woche, Berlin DE, 13 February 1998, p. 34

Turner, Grady T., 'Zoe Leonard at Paula Cooper', in: Art in America, New York NY, vol. 86, no. 6, June 1998

Unnuetzer, Petra, 'Zoe Leonard at Galerie Gisela Capitain', in: KUNSTFORUM International, Cologne DE, no. 141, July-September 1998, p. 371

__, 'Zoe Leonard', in: Nikon Flash, Melville NY, September 1998

__, 'Zoe Leonard', in: Le Carnet des Arts Plastiques, Aix-les-Bains FR, Fall 1998

__, 'Zoe Leonard', in: Arts Croisés, Brussels BE, October-November 1998

__, 'Zoe Leonard', in: De Witte Roaf, Maastricht NL, September-October 1998

Graw, Isabelle, 'These are the things that move me / Über die Funktion des Biographischen im Werk von Zoe Leonard', in: Texte zur Kunst, Berlin DE, no. 28, November 1997, pp. 65-73

Fischer, Judith, 'Interview Subjektivierung. Subtext zu Zoe Leonard', Berlin DE, in: Springer, no. 3, October 1997

__, Schönheit und Weiblichkeit, in: Die Presse, Vienna AU, 25 July 1997

Algus, Mitchell, Griffin, Robert, Servetar, Stuart Silas, Susan, Sillman, Amy, 'Mob Rule at the Whitney Biennial', in: New York Arts Magazine, New York NY, issue 10, May 1997, pp. 4-8

Altorfer, Sabine, 'Unentschieden zwischen den Geschlechtern', in: Aargauer Zeitung, Aarau CH, 22 May 1997

Bankowsky, Jack, 'Whitney Watch', in: Artforum, New York NY, March 1997

Becker, Jochen, 'Zu zornig für Schönheit', in: Taz, Berlin DE, 12 September 1997

Beil, Ralf, 'Braut mit gebrochenen Fingern. Zoe Leonard in Basel und Glarus', in: Neue Zürcher Zeitung, Zurich CH, 24 May 1997

Bonami, Francesco, 'An Artist Today: The 1997

Whitney Biennial', in: FlashArt, New York NY, vol. 30, no. 193, March-April 1997

Cotter, Holland, 'Zoe Leonard', in: The New York Times, New York NY, Art Guide, 19 September 1997, p. E38

Dilday, Kenya, 'The Watermelon Woman', in: Time Out New York, New York NY, 6-13 March 1997, p. 67

Zoe Leonard, 'Kunsthalle Basel and Kunsthaus Glarus', in: Artforum, New York NY, May 1997, p. 70

Halle, Howard, Yablonsky, Linda, Saltz, Jerry, 'Showtime At The Whitney', in: Time Out New York, New York NY, 3-10 April 1997, pp. 39-40

Imhof, Dora, 'Vergänglichkeit, Verfall und Reduktion', in: Basel Landschaftliche Zeitung, Basel CH, 5 June 1997

Jackson, Phyllis J., 'Irreverent Seductions. B(l)ack at the Whitney', in: The International Review of African American Art, Hampton VA, vol. 14, no. 2, 1997, pp. 50-55

Kimmelman, Michael, 'Narratives Snagged on the Cutting Edge', in: The New York Times, New York NY, 21 March 1997, pp. 1, 26

Lipson, Karin, 'Battle of the Sexes', in: Newsday, Melville NY, 7 March 1997, p. 5

Lueken, Verena, 'Ausverkauf im Spielzeugladen', in: Frankfurter Allgemeine Zeitung, Frankfurt DE, 11 April 1997

MacLeod, Chris, 'Gender is Incidental', in: Manhattan Week, New York NY, 10-16 October 1997, p. 28

Mathieu, Nicole-Claude, 'Le Sexe Social', in: Hors-Series Sciences et Avenir, Marseille FR, April 1997, pp. 52-56

Melchart, Erwin, 'Ausstellung in der Secession: Zoe Leonard - Das Kunst- Blümchen', in: Neue Kronenzeitung, Vienna AU, 24 July 1997

Metzger, Rainer, 'Bonsai für die Postmoderne', in: Der Standard, Vienna AU, July 1997

Nackter Baum, nackte Winde, in: Neue Zeit Graz, Graz AU, 25 July 1997

__, 'Nackte Wände: Zoe Leonard in der Secession', in: Vorarlberger Nachrichten, Bregenz AU, 24 July 1997

Neumaier, Otto, 'Zoe Leonard', in: Noema, Ramsey NJ, no. 45, September-October 1997

Nunns, Stephan, 'The Reverend and the Representative', in: American Theatre, New York NY, May-June 1997, pp. 44-45

Pesch, Martin, 'Short Cuts - Anschlüsse an den Körper', in: Frieze, London UK, issue 37, November-December 1997

Schmerler, Sarah, 'Zoe Leonard', in: Time Out New York, New York NY, issue 106, 2-9 October 1997, p. 47

Stockhammer, Eva, 'Alaskan Fires Offer a picture for Life. Zoe Leonard’s Survival Experiences present an Insight Into Nature', in: Austria Today, Canterbury UK, 16 September 1997

Temin, Christine, 'At ICA, art that goes bum in the night', in: The Boston Globe, Boston MA, 25 April 1997

Turner, Elisa, 'Fruit Skins Gain Brand Appeal', in: The Herald, Glasgow UK, Wednesday, 12 March 1997, p. 5D

Vachtova, Ludmila, 'Der Hermaphrodit triumphiert als Femininum', in: Die Weltwoche, Zurich CH, no. 19, 7 May 1997, p. 69

Von Däniken, Hans-Peter, 'Auf den Spuren von Frauen mit Bärten', in: Tages-Anzeiger, Zurich CH, 11 May 1997, p. 59

Wailand, Markus, 'Baum der Erkenntnis;, in: Falter, Stadtzeitung Wien AU, 30 July 1997

Wallace, Michele, 'Sex in the Watermelon', in: The Village Voice, New York NY, 4 March 1997, p. 74

Yablonsky, Linda, 'Can She Get A Witness? Zoe Leonard Returns to the Art World', in: Out, New York NY, April 1997, p. 58

__, 'Zoe Leonard', in: The New Yorker, New York NY, 13 October 1997

Zwez, Annelise, 'Leben lässt sich nicht zusammennähen', in: Aargauer Zeitung, Zurich CH, 22 May 1997, p. 7

Kravagna, Christian, ‘Das Wahre, das Schöne, das Normale – Fotografie nach ihrer Kritik’, in: Springerin, Vienna AU, June-July 1996, pp. 29-30

__, ‘Insert: Zoe Leonard and Cheryl Dunye: Watermelon Woman’, in: Parkett, New York NY / Zurich CH, no. 47, 1996, pp. 153-177

Atkins, Robert, ‘Very Queer Indeed’, in: The Village Voice, New York NY, January 1995, p. 69

Bakargiev, Carolyn, ‘Dietro lo Specchio Concettuale’, in: Arte, Milan IT, no. 106, 23 April 1995

Blanchard, Tamsin, ‘Fashion Folk and Artists Despise Each Other, Right? Wrong. One Gallery is ‘Trying to Prove It’’, in: The Independent, London UK, 27 June 1995

Bonetti, David, San Francisco Show and Tell, in: Out, New York NY, April 1995, p. 52

Braunstein, Chloé, ‘Zoe Leonard – Reviews’, in: Material, Los Angeles CA, no. 26, 1995, pp.14-15

Cotter, Holland, ‘Zoe Leonard’, in: The New York Times, New York NY, 5 May 1995, p. 30

Duncan, Michael, ‘Queering the Discourse’, in: Art in America, New York NY, July 1995, pp. 27-31

‘Eye to Eye: A Candid Discussion Between Nan Goldin and Zoe Leonard’, in: Manhattan File, Brooklyn NY, April 1995, pp. 60-63

Friis-Hansen, Dana, ‘Pictures of the Real World’, in: Art + Text, London UK, no. 52, September 1995, p. 87

Hirsch, Faye, ‘Reviews - Zoe Leonard’, in: Artforum, New York NY, September 1995, p. 90

Holbert, Tom, ‘Kampf um den Körper’, in: Vogue Germany, Munich DE, April 1995, pp. 200-205, 216

Katz, Vincent, ‘A Conversation with Zoe Leonard’, in: Arti International, Zurich CH, vol. 52, May-July 1995, pp. 118-145

Killian, Kevin, Nayland, Blake, Rinder, Lawrence, ‘Preview. ‘The Secret Histories’, in: Artforum, New York NY, February 1995, pp. 23-24,104

Kotz, Liz, ‘Questions of Feminism: 25 Responses’, in: October, Cambridge MA, no. 71, Winter 1995, pp. 26-27

Leonard, Zoe, ‘So Thank You in Advance Again, x-x-x fruit’, in: Premier Issue, Hong Kong CN, Summer 1995, pp. 108-109

Princenthal, Nancy, ‘Review of Exhibitions - Zoe Leonard at 131 Essex Street’, in: Art in America, New York NY, vol. 83, no. 9, September 1995, p.105

Riding, Alan, ‘French Survey Sex in 20th-Century Art’, in: The New York Times, New York NY, 7 November 1995, pp. C13, C17

Solnit, Rebecca, ‘Berkeley Fax: In A Different Light, University Art Museum’, 11 January - 9 April, in: Art Issues, Los Angeles CA, no. 37, March-April 1995

Kotz, Liz, 'Beyond the Pleasure Principle', in: Lusitania #6, Vulvamorphia, New York, 1994, pp. 125-136

Kotz, Liz, 'The Vivisector', in: World Art, November 1994, pp. 40-44

Cotter, Holland, ‘Art after Stonewall: 12 Artists Interviewed’, in: Art in America, New York NY, June 1994, pp. 56-65

Cottingham, Laura, ‘Post – 1968’, in: Flash Art, Milan IT, January-February 1994, pp. 31-34

Gan, Stehen, Kaliardos, James and Dean, Cecilia, ‘Desire’, in: Visionaire, New York NY vol. 12, Fall 1994

Guha, Tania, Fashion Modus, ‘Art Preview’, in: Time Out London, London UK, 1994

Leonard, Zoe, ‘Race Car’, in: Whitewalls: A Journal of Language and Art, New York NY, Fall-Winter 1994, p. 30

Marks, Lisa Marie, ‘Pret A Porter’, in: Creative Camera (London), London UK, issue 336, 1994

Smith, Roberta, ‘Even Where the Show Itself is an Art Form. Group Shows Exist of Every Kind’, in: The New York Times, New York NY, 25 February 1994, p. C22

Cottingham, Laura, ‘Zoe Leonard (interview)’, in: Journal of Contemporary Art, New York NY, vol. 6, no. 1, Summer 1993, pp. 64-77

Kandel, Susan, ‘Bad Girls Don't Cry’, in: Art & Text, London UK, September 1993, pp. 26-29

Martin, Richard, ‘Aproximating the Body’, in: New Art Examiner, Chicago IL, September 1993, pp. 16-18

Schjeldhal, Peter, ‘Missing: The pleasure principle’, in: The Village Voice, New York NY, 13 March 1993, pp. 34-38

Van der Haak, Bregtje and Steelse Blikken, ‘Een interview met Zoe Leonard’, in: Metropolis M, New York NY, April 1993, pp. 40-43

‘186 Names for the Museum of a Hundred Days (Documenta IX)’, in: The Art Newspaper, New York NY, no. 17, April 1992, p. 12

Adcock, Craig, ‘Documenta IX, in: Tema Celeste’, Syracuse NY, Winter 1992, pp. 84-85

Ammann, Jean-Christohe, ‘Die documenta-Arbeit von Zoe Leonard’, in: Luzerner Zeitung, Lucerne DE, no. 215, 16 September 1992

Ayres, Anne, Kassel FAX, in: Art Issues, Los Angeles CA, no. 24, September-October 1992, pp. 34-35

__, ‘Art Exhibitions/Photograhy’, in: New York Magazine, New York NY, 1 June 1992, p. 80

Bleckner, Ross, ‘Emerging Artists’, in: Out, New York NY, Fall 1992, pp. 41-49

Chris, Cynthia, ‘Regarding Gender’, in: Afterimage, Rochester NY, vol. 20, no. 5, December 1992, pp. 16-17

Cottingham, Laura, ‘Art Attack/Documenta IX’, in: QW, New York NY, 12 July 1992, pp. 40-41

Dector, Joshua, ‘New York in Review’, in: Arts Magazine, New York NY, March 1992, pp. 85-86

Dik, Iris, ‘Towards an Androgynous Art? On Sex, Power and Sensuality at Documenta IX’, in: ruimte, Berlin DE, vol. 9, no. 2, 1992

Hagen, Charles, ‘Art in Review. Zoe Leonard’, in: The New York Times, New York NY, 15 May 1992, p. C28

Hirsh, David, Galleries. ‘The Curious Eye’, in: New York Native, New York NY, 1 June 1992, p. 47

Hirsch, Faye, ‘A Spy in the Museum’, in: QW, Out of New York, New York NY, no. 30, 24 May 1992, pp. 38-41

Knight, Christopher, ‘Look for the American Label’, in: Los Angeles Times, Los Angeles CA, 12 July 1992, p. 84

Liebmann, Lisa, ‘Documenting Documenta’, in: Interview, New York NY, June 1992, pp. 44-50

Lux, Ulla, ‘One Hundred Days of Documenta IX’, in: ARTI, Florence IT, November-December 1992, pp. 72-79

Nesbitt, Lois, ‘Shock of the Nasty: Art's Bad Girls’, in: Elle, New York NY, December 1992, pp. 78-80

‘Preserved Head of a Bearded Woman. Musée Orfila’, in: The Paris Review, Paris FR, vol. 34, no. 125, Winter 1992, pp. 128-133

Schjeldahl, Peter, ‘The Documenta of the Dog’, in: Art in America, New York NY, September 1992, 77, pp. 87-97

Seward, Keith, ‘Zoe Leonard. Paula Cooer Gallery’, in: Artforum, New York NY, October 1992, p. 106

Silver, Lisa, ‘Mortal Thoughts: Zoe Leonard Gets Inside’, in: Paper Magazine, New York NY, May 1992, p. 27

Smith, Roberta, ‘A Small Show Within an Enormous One’, in: The New York Times, New York NY, 22 June 1992, pp. C13, C15.

Smith, Roberta, ‘Women Artists Engage the Enemy', The New York Times, New York NY, 16 August 1992

The Question of Gender in Art: Zoe Leonard, in: Tema Celeste, Syracuse NY, Autumn 1992, p. 70

Agar, Evelyn, ‘Outrageous Desires. Gay and Lesbian Artists Stage Exhibition at Mason Gross’, in: The Home News, Somerville NJ, 31 October, pp. D1-D2 Eelbode, Erik, Wolken, ‘watervallen en de dood: Zoe Leonard in Richard Foncke Gallery’, in: Gazet van Antwerpen, Antwerp BE, 31 May 1991 Leonard, Zoe, Graw, Isabelle, ‘Ein Interview with Zoe Leonard’, in: Texte zur Kunst, Berlin DE, Fall 1991, pp. 44-51 Graw, Isabelle, ‘Women, Aids & Activism’, in: Texte zur Kunst, Berlin DE, Summer 1991 Hirsh, David, ‘Intelligent Evolution’, in: Bay Area Reporter, New York NY, 13 April 1991, 33, p. 43 Hirsh, David, ‘Serious Exposure’, in: New York Native, New York NY, 18 November 1991, p. 32 Hirsh, David, ‘Group Consciousness’, in: New York Native, New York NY, 25 November 1991, pp. 32-33 Kuijken, Ilse, ‘Leonard lijst het kijken in’, in: De Standaard, Brussels BE, 11 June 1991, p. 7 Lambrecht, Luk, ‘Zeven dagen Kunst: Gent’, in: Weekend Knack, Brussels BE, no. 23, 5-11 June 1991, p. 16 Lambrecht, Luk, ‘Zoe Leonard: Galerie Richard Foncke’, Ghent BE, in: Forum International, September-October 1991, p. 84 Roberts, James W., ‘Exhibit Features Gay, Lesbian Art’, in: The Daily Targum, New Brunswick NJ, 4 November 1991, p. 3

Bornstein, Kate, ‘If I Said You Had a Beautiful Body... Would You Make It Illegal?’, in: Bay Area Reporter, San Francisco CA, June 1990

Hirsh, David, ‘Art as Trophy’, in: New York Native, New York NY, 18 June 1990, pp. 29-30

Hoet, Jan, ‘Zu viel wird geredet, zu wenig gesagt, zu viel wird gesagt, zu wenig getan’, in: Kunstforum, Cologne DE, vol. 110, November-December 1990, p. 206

Koether, Jutta, ‘Zoe Leonard’, in: Flash Art, Milan IT, Summer 1990, p. 154

Ponton Temse, ‘Citywide Exhibition’, in: Flash Art, Milan IT, November-December 1990, p. 171

Schwabsky, Barry, ‘Wendy Jacob / Zoe Leonard’, in: Arts Magazine, New York NY, October 1990, p. 95

Tripi, Laura, ‘The Strange Attraction of Chaos’, in: New Art International, Bergamo IT, 1990, pp. 55-61

Hirsh, David, ‘The Center Show’, in: New York Native, New York NY, 26 June 1989, p. 28

Hirsh, David, ‘Signs of Chaos’, in: New York Native, New York NY, 2 October 1989, p. 40

Hirsh, David, ‘Gay Art Now’, in: My Comrade, New York NY, December 1989

Hirsh, David, ‘East Side Story’, in: New York Native, New York NY, 19 December 1989, p. 36

Hirsh, David, ‘For Freedom of Self-Discovery’, in: New York Native, New York NY, 9 October 1989, p. 38

Hirsh, David, ‘Art Censorship and Sex’, in: New York Native, New York NY, 23 October 1989, p. 21

Nalley, Jon, ‘Battling Bigotry’, in: OutWeek, New York NY, 8 October 1989, p. 61

Raven, Arlene, ‘Fo(u)r Freedoms’, in: The Village Voice, New York NY, 10 October 1989, pp. 104