- Hauser & Wirth
- 196A Piccadilly
London W1J 9DY
-
- Wing — Lynda Benglis, 1970
-
Cast aluminium
170.2 x 150.5 x 152.4 cm / 67 x 59 1/4 x 60 in
Courtesy Cheim & Read, New York
-
- Alpha 1 — Lynda Benglis, 1973–1974
-
Aluminium wire mesh with cotton bunting, zinc, aluminium, sprayed tin (top coating)
81.3 x 35.6 x 60.5 cm / 32 x 14 x 23 7/8 in
Courtesy Cheim & Read, New York
-
- Come — Lynda Benglis, 1969–1974
-
Cast bronze
35.6 x 81.3 x 121.9 cm / 14 x 32 x 48 in
Courtesy Cheim & Read, New York
-
- Under the Cupola — Alina Szapocznikow, 1970
-
Polyurethane foam, stockings
36 x 73 x 100 cm / 14 1/8 x 28 3/4 x 39 3/8 in
-
- Headless torso — Alina Szapocznikow, 1968
-
Polyester resin, polyurethane foam
46 x 64 x 73 cm / 18 1/8 x 25 1/4 x 28 3/4 in
Courtesy Zacheta National Art Gallery / Medium
-
- Photosculptures (detail) — Alina Szapocznikow, 1971/2007
-
20 gelatin silver prints on baryte paper
30 x 24 cm / 11 3/4 x 9 1/2 in each
-
- Avenza Revisited II — Louise Bourgeois, 1968–1969
-
Bronze, silver nitrate patina
130.8 x 104.1 x 191.7 cm / 51 1/2 x 41 x 75 1/2 in
-
- Dessert V — Alina Szapocznikow, 1970
-
Polyester, colour photography
23 x 16 x 19 cm / 9 x 6 1/4 x 7 1/2 in
Courtesy Ursula Hauser Collection, Switzerland
-
- Lampes Bouche I — Alina Szapocznikow
-
Coloured polyester resin, electrical wiring, metal
41 x 12 x 10 cm / 16 1/8 x 4 3/4 x 3 7/8 in
-
- The Beggar — Louise Bourgeois
-
Bronze, dark patina
20 x 14.6 x 10.7 cm / 7 7/8 x 5 3/4 x 4 1/4 in
-
- Self portrait — Alina Szapocznikow, 1948–1956
-
Pencil on watermarked laid paper
19 x 22.2 cm / 7 1/2 x 8 3/4 in
Courtesy Ursula Hauser Collection, Switzerland
-
- Tumeurs personnifiés — Alina Szapocznikow, 1972
-
Courtesy Zacheta National Art Gallery / Medium






















