Art Basel Hong Kong

Our booth at Art Basel Hong Kong presents a multigenerational array of works that embody the expressive genius of modern and contemporary masters both within the gallery’s program and beyond.

Coinciding with the fair, our Hong Kong gallery will present Nicole Eisenman’s first solo exhibition in Asia, ‘Fallen Angels,’ from 24 March to 30 May. Lee Bul’s travelling museum survey, ‘Lee Bul: From 1998 to Now,’ will be on view at M+ until 9 August. Qiu Xiaofei's first exhibition with the gallery since he was taken on as an artist, ‘The Theater of Wither and Thrive,’ will be held at Hauser & Wirth New York, 22nd Street until 18 April.

Part of a four-canvas series Picasso executed between 11 and 14 January 1965, the painting brilliantly merges humor, metaphor and art historical reference. It captures the inventive energy of Picasso’s final years, which were defined by a continued challenge of convention.

Elegantly poised in an eternal, dynamic balance, ‘Horizontal’ is a hallmark hanging mobile by Alexander Calder. Composed of delicately interlocking wires concluded by white, black, blue, and red discs, the work drifts serenely above ground with exquisite lyricism.

‘Feet on Rug’ reflects Philip Guston’s late turn toward symbolic, introspective imagery. Blending the domestic and surreal, two disembodied feet stand on a fringed rug against a stark red landscape.

Centered on a humanoid figure crowned with an ornate hat, ‘Rapport avec les vertus’ (In Relation to the Virtues) reflects Francis Picabia’s late shift to gestural, textured forms influenced by African, Oceanic and prehistoric art. Traces of earlier works and Nietzschean themes highlight the complexity of his mature practice.

Reflecting on Louise Bourgeois’ late focus on love, dependence and fear of abandonment, two figures embrace tightly in ‘Couple’. Suspended within a glass vitrine, the soft fabric sculpture draws on ideas of trust, support, intimacy and vulnerability.

A striking example of Mark Bradford’s oeuvre, ‘What are you doing in here’ explores the complex histories of class, labor and liberty embedded in urban detritus, while reflecting on the societal frameworks that shape contemporary life.

Using panels, two-way mirrors and LED lights to create an illusion of infinite space, ‘Untitled (“Infinity” wall)’ by Lee Bul explores perception, utopia and the desire for immortality. Fragments reminiscent of bird’s-eye views reflect her interest in architecture and futurism, immersing viewers in a disorienting environment where reality and perception collide.

In Qiu Xiaofei’s artistic language, ‘Garden’ transcends landscape to become a space imbued with memory, history and existential mystery. In this painting, it unfolds as both a reflection of childhood experience and a dreamlike realm rising from historical ruins.

‘Never let your spirit bend’ exemplifies Jeffrey Gibson’s layered, pattern-driven language, integrating handwritten text and cultural symbolism to explore identity, Indigeneity and the legacies of postwar abstraction.

Drawing on her well-known archive, Cindy Sherman’s new series of works revisits character types and poses from across her career, blending familiar and new elements. The series highlights her enduring belief that identity is provisional and performative.

Part of the Blues Paintings series, ‘Blues in F minor’ showcases George Condo’s inimitable painterly lexicon, distinctive style, extensive art-historical and musical knowledge, and mastery of painting and drawing.