Charles Gaines

Lives and works in Los Angeles CA

Hauser & Wirth, 'Charles Gaines. Numbers and Trees: The Arizona Watercolors', Southampton NY

Hauser & Wirth, 'Charles Gaines. Southern Trees', New York NY

Galerie Max Hetzler, 'Charles Gaines. Gridwork: Palm Canyon Watercolors', Paris, France

San Francisco Museum of Modern Art, 'New Work: Charles Gaines', San Francisco CA

Dia Beacon, 'Charles Gaines', Beacon NY

Hauser & Wirth, 'Charles Gaines: Multiples of Nature, Trees and Faces', London, UK

Hauser & Wirth, 'Drawings', St. Moritz, Switzerland

Hauser & Wirth, 'Palm Trees and Other Works', Los Angeles CA

Galerie Max Hetzler, ‘Charles Gaines’, Berlin, Germany

Paula Cooper Gallery, ‘Charles Gaines’, New York NY

Institute of Contemporary Art, ‘Numbers and Trees: Central Park Series IV’, Miami FL

Galerie Max Hetzler, ‘Grids: Numbers and Trees III, and Palm Trees II’, Paris, France

Susanne Vielmetter Los Angeles Projects, ‘Numbers and Trees: Central Park Series II’, Culver City CA

Paula Cooper Gallery, ‘Numbers and Trees: Central Park Series I’, New York NY

Art + Practice, ‘Librettos: Manuel de Falla / Stokely Carmichael’, Los Angeles CA

Hammer Museum, ‘Gridwork 1974–1989’, Los Angeles CA (Travelling Exhibition)

The Studio Museum In Harlem, ‘Charles Gaines: Gridwork 1974–1989’, New York NY (Travelling Exhibition)

Paula Cooper Gallery, ‘Notes on Social Justice’, New York NY

Pomona College Museum of Art and Pitzer Art Galleries, ‘In The Shadow of Numbers: Charles Gaines Selected Works from 1975–2012’, Claremont CA (Travelling Exhibition)

Susanne Vielmetter Los Angeles Projects, ‘New Works: Skybox/String Theory’, Culver City CA

Kent Gallery, ‘Manifestos’, New York NY

Susanne Vielmetter Berlin Projects, Berlin, Germany

LA><ART, 'Greenhouse', Los Angeles CA 

Brigitte March Galerie, 'Charles Gaines. A Selection of Works', Stuttgart, Germany 

Susanne Vielmetter Los Angeles Projects, ‘Drawings from the Explosion and the Randomized Text Series’, Culver City CA

REDCAT Roy and Edna Disney / CalArts Theater, ‘Snake River. Charles Gaines and Edgar Arceneaux’, Los Angeles CA (Travelling Exhibition)

Lentos Kunstmuseum Linz, ‘Snake River. Charles Gaines and Edgar Arceneaux’, cur. Clara Kim, Stella Rollig, Linz, Austria (Travelling Exhibition)

Kapinos Gallery, ‘Charles Gaines. Explosions’, Berlin, Germany

Steven Wolf Gallery, San Francisco CA

Triple Candie, ‘Charles Gaines: Selected Work, 1991–2004’, New York NY

Phoebe Conley Art Gallery, ‘Lurid Stories: Charles Gaines Projects 1995–2001’, Fresno CA (Travelling Exhibition)

Luckman Fine Art Gallery, California State University, ‘Lurid Stories: Charles Gaines Projects from 1995–2001’, Los Angeles CA (Travelling Exhibition)

Adaline Kent Award Exhibition, Walter/McBean Gallery, San Francisco Art Institute, ‘Lurid Stories: Charles Gaines Projects from 1995–2001’, San Francisco CA (Travelling Exhibition)

Museum of Contemporary Art San Diego, ‘Airplanecrashclock’, La Jolla CA

John Weber Gallery, New York NY

Richard Heller Gallery, Santa Monica CA

IRADAC – The Institute for Research on the African Diaspora in the Americas and the Caribbean, City University of New York, ‘Charles Gaines / Kara Walker’, New York NY

Brigitte March Galerie, Stuttgart, Germany

Richard Heller Gallery, Santa Monica CA

John Weber Gallery, ‘NIGHT/CRIMES’, New York NY

Phoebe Conley Art Gallery, California State University, Fresno CA

Armory Center for the Arts, ‘Castles’, Pasadena CA (Travelling Exhibition)

Full Moon Gallery, ‘Castles’, Los Angeles CA (Travelling Exhibition)

Santa Monica Museum of Art, Santa Monica CA

Fresno Art Museum, Fresno CA

Gallery Lavignes-Bastille, ‘Charles Gaines: A Survey Exhibition, 1979–1991’, Paris, France (Travelling Exhibition)

John Weber Gallery, ‘Charles Gaines: A Survey Exhibition, 1979–1991’, New York NY (Travelling Exhibition)

Leo Castelli Gallery, ‘Charles Gaines: A Survey Exhibition, 1979–1991’, New York NY (Travelling Exhibition)

Dorothy Goldeen Gallery, ‘Charles Gaines: A Survey Exhibition, 1979–1991’, Santa Monica CA (Travelling Exhibition)

Dorothy Goldeen Gallery, Santa Monica CA

John Weber Gallery, New York NY

Dorothy Goldeen Gallery, ‘Fresh Visions’, Santa Monica CA

Gallery Lavignes-Bastille, Paris, France

Brigitte March Galerie, Stuttgart, Germany

John Weber Gallery, New York NY

Leo Castelli Gallery, New York NY

Leo Castelli Gallery, New York NY

Los Angeles Institute of Contemporary Art, ‘Artist of the Month Exhibition’, Los Angeles CA

Leo Castelli Gallery, New York NY John Weber Gallery, New York NY

John Weber Gallery, New York NY

Leo Castelli Gallery, New York NY

Margo Leavin Gallery, Los Angeles CA

Daniel Weinberg Gallery, San Francisco CA

Thomas Segal Gallery, Boston MA

Young Hoffman Gallery, Chicago IL Fresno Art Center, Fresno CA

Daniel Weinberg Gallery, San Francisco CA

University of Southern California, Los Angeles CA

Cinque Gallery, New York NY

University of Southern California, Los Angeles CA

Louisville School of Art, Anchorage KY

State University of New York, College at Oswego, New York NY

The Opening Gallery, 'WET CONCEPTUALISM', New York NY

American Academy of Arts and Letters, 'New Members', New York NY

Southampton Arts Center, 'A Celebration of Trees', Southampton NY

Regen Projects, 'Stars Don't Stand Still in the Sky. A Tribute to Lawrence Weiner', Los Angeles CA

Samuel Dorsky Museum at SUNY New Paltz, 'Benjamin Wigfall & Communications Village', New Paltz NY

Laumeier Sculpture Park, 'Forest Through the Trees', St. Louis MO

Miriam and Ira D. Wallach Art Gallery, Columbia University, 'Dead Lecturer/distant relative: Notes from the Woodshed c. 1950-1980', New York NY

Hammer Museum, 'Lifes', Los Angeles CA

Moody Center for the Arts, Rice University, 'Soundwaves: Experimental Strategies in Art + Music', Houston TX

BMA Baltimore Museum of Art, 'How Do We Know the World?', Baltimore MD

Los Angeles County Museum of Art, 'Black American Portraits', Los Angeles CA

Vielmetter Los Angeles, '20 Years Anniversary Exhibition Part 2', Los Angeles CA

McEvoy Foundation for the Arts, 'Next to You', San Francisco CA

Getty Center, 'Photo Flux: Unshuttering L.A.', Los Angeles CA

David Kordansky Gallery, 'The Beatitudes of Malibu', Los Angeles CA

New Museum, 'Grief and Grievance: Art and Mourning in America', New York NY

Santa Monica City Hall East, 'Lives that Bind: a restorative justice installation', cur. jill moniz, Santa Monica CA

City Services Building Art Bank, 'Lives that Bind: a restorative justice installation', cur. jill moniz, Santa Monica CA

Hauser & Wirth, 'To Form a More Perfect Union', New York NY

Hauser & Wirth, 'Artists for New York', New York NY

Gladstone Gallery, 'Drawing 2020', New York NY

Para Site, 'Garden of Six Seasons', Hong Kong, China

Anderson Collection, Stanford University, ‘Process and Pattern’, Stanford CA

Marciano Art Foundation, ‘California Artists in the Marciano Collection’, Los Angeles CA

Fondation Cartier, ‘Trees’, Paris, France

Minneapolis Institute of Art, ‘Mapping Black Identities’, Minneapolis MN

Smart Museum of Art, ‘Solidary & Solitary: The Joyner/ Giuffrida Collection’, Chicago IL

SculptureCenter, ‘Searching the Sky for Rain’, New York NY

Museum of Contemporary Art, ‘Direct Message: Art, Language, and Power’, Chicago IL

Whitney Museum of American Art, ‘Programmed: Rules, Codes, and Choreographies in Art, 1965–2018’, (cur. Christiane Paul, Carol Mancusi-Ungaro), New York NY

Harn Museum of Art, University of Florida, ‘The World to Come: Art in the Age of the Anthropocene’, Gainesville FL

Praz-Delavallade, ‘As You Like It – C’est Comme Vous Voulez’, Los Angeles CA

Columbus Museum of Art, ‘A Measure of Humanity’, Columbus OH

Villa Medici, ‘Take Me (I’m yours)’, (cur. Christian Boltanski, Hans Ulrich Obrist, Chiara Parisi), L’Accademia di Francia, Rome, Italy

Paula Cooper Gallery, ‘Group Exhibition: Sophie Calle, Sam Durant, Charles Gaines, Wayne Gonzales, Hans Haacke, Zoe Leonard, Peter Moore, Andres Serrano, Carey Young’, New York, NY

Lyman Allyn Art Museum, ‘On Another Note: The Intersection of Art and Music’, (cur. Alva Greenberg), New London CT

Kurimanzutto, ‘Never Free to Rest’, (cur. Eungie Joo), Mexico City, Mexico

Remai Modern Museum, ‘Field Guide’, (cur. Gregory Burke, Sandra Guimarães), Saskatoon, Canada

Williams College Museum of Art, ‘Active Ingredients: Prompts, Props, Performance’, (cur. Lisa Dorin, Amy Holzapfel, David Levine, Marsha Ginsberg), Williamstown MA

Baltic Center for Contemporary Art, ‘Starless Midnight’, (cur. Edgar Arceneaux), Gateshead, England

Ogden Museum of Southern Art, ‘Solidary & Solitary: The Joyner/ Giuffrida Collection’, (cur. Christopher Bedford, Katy Siegel), New Orleans LA

Cornell Fine Arts Museum, Rollins College, ‘Time As Landscape: Inquiries of Art and Science’, Winter Park FL

Manetti Shrem Museum, University of California, ‘Dimensions of Black’, Davis CA

Thomas Dane Gallery, ‘Naming Rights’, London, UK

Petzel Gallery, ‘We need to talk…Artists and the public respond to the present conditions in America’, New York NY

Los Angeles County Museum of Art, ‘L.A. Exuberance: New Gifts by Artists’, Los Angeles CA

Rhona Hoffman Gallery, ‘Rhona Hoffman 40 Years, Part 1’, Chicago IL

Institute of Contemporary Art, ‘The Freedom Principle: Experiments in Art and Music, 1965 to Now’, Philadelphia PA (Travelling Exhibition)

Yale Union, ‘Trees in the Forest’, (cur. Kari Rittenbach), Portland OR

The Drawing Center, ‘Drawing Dialogues: The Sol LeWitt Collection’, (cur. Claire Gilman, Béatrice Gross), New York NY

Haus de Kuluren der Welt, ‘Nervous Systems: Quantified Life and the Social Question’, (cur. Stephanie Hankey, Marek Tuszynski), Berlin, Germany

Art, Design & Architecture Museum, University of California, ‘CALIFORNIA 101: Art from the Collection’, Santa Barbara CA

Ben Maltz Gallery, Otis College of Art and Design, ‘Performing the Grid’, Los Angeles CA

The Kitchen, ‘From Minimalism to Algorithm’, New York NY

The 8th Floor, ‘When Artists Speak Truth…’, New York NY

Catherine Bastide, ‘Afterword Via Fantasia’, Brussels, Belgium Museum of Contemporary Art, ‘The Freedom Principle: Experiments in Art and Music,1965 to Now’, (cur. Naomi Beckwith, Dieter Roelstraete), Chicago IL (Travelling Exhibition)

Galleri Opdahl, ‘Charles Gaines, Franka Hörnschemeyer & Carla Guagliardi’, Stravanger, Norway Los Angeles County Museum of Art, ‘Drawing in L.A.: The 1960s and 70s’, Los Angeles CA

56th Venice Biennale, ‘All The World’s Futures’, (cur. Okwui Enwezor), Venice, Italy

Whitney Museum of American Art, ‘America is Hard to See’, (cur. Donna De Salvo, Carter E. Foster, Dana Miller, Scott Rothkipf, Jane Panetta, Catherine Taft, Mia Curran), New York NY

White Columns, ‘Looking Back / The 9th White Columns Annual’, New York NY

University Art Gallery, University of California, ‘Paradox in Language: What I look at is never what I wish to see’, (cur. Allyson Unzicker), Irvine CA

Los Angeles Municipal Art Gallery, ‘Shangri La: Imagined Cities’, Los Angeles CA

Museum of Modern Art, ‘Sites of Reason. A Selection of Recent Acquisitions’, cur. David Platzker, Erica Papernik, New York NY

Paula Cooper Gallery, ‘Group Exhibition’, New York NY

Paula Cooper Gallery, ‘Group Exhibition’, New York NY

Smart Museum of Art, The University of Chicago, ‘State of Mind New California Art circa 1970’, Chicago IL (Travelling Exhibition)

Wexner Center for the Arts, ‘Blues for Smoke’, (cur. Bennett Simpson), Columbus OH (Travelling Exhibition)

Bronx Museum of the Arts, ‘State of Mind: New California Art Circa 1970’, (cur. Constance M. Lewallen, Karen Moss), Bronx NY (Travelling Exhibition)

Fresno Art Museum, ‘Addicott Collection’, (cur. Rodney Harder and Mark Rodriguez), Fresno CA

SITE, ‘State of Mind: New California Art Circa 1970’, (cur. Constance M. Lewallen, Karen Moss), Santa Fe NM (Travelling Exhibition)

Hammer Museum, ‘Selections from the Grunwald Center and the Hammer Contemporary Collection’, (cur. Cynthia Burlingham, Anne Ellegood), Los Angeles CA

Williams College Museum of Art, ‘Now Dig This! Art and Black Los Angeles 1960–1980’, (cur. Kellie Jones), Williamstown MA (Travelling Exhibition)

MOCA – Museum of Contemporary Art, ‘Blues for Smoke’, (cur. Bennett Simpson), Los Angeles CA (Travelling Exhibition)

Morris and Helen Belkin Art Gallery, ‘State of Mind: New California Art Circa 1970’, (cur. Constance M. Lewallen, Karen Moss), Vancouver, Canada (Travelling Exhibition)

University Art Gallery, University of California San Diego, ‘ANOMALIA’, (cur. Lucía Sanromán), La Jolla CA

Whitney Museum of American Art, ‘Blues for Smoke’, (cur. Bennett Simpson), New York NY (Travelling Exhibition)

Kent Fine Art, ‘Mind the Gap’, New York, NY

The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, ‘Dance/Draw’, (cur. Helen Molesworth), Saratoga Springs NY (Travelling Exhibition)

MoMa PS1, ‘Now Dig This! Art and Black Los Angeles 1960–1980’, (cur. Kellie Jones), Long Island City NY (Travelling Exhibition)

Columbus Museum of Art, ‘Ground Control’, Columbus OH

Mattatuck Museum, ‘Shared Sensibilities: The Art of Sol LeWitt and His Friends’, Waterbury CT

MOCA – Museum of Contemporary Art, ‘Under the Big Black Sun: California Art 1974–1981’, (cur. Paul Schimmel), Los Angeles CA

Orange County Museum of Art, ‘State of Mind: New California Art Circa 1970’, (cur. Constance M. Lewallen, Karen Moss), Newport Beach CA (Travelling Exhibition)

Institute of Contemporary Art, ‘Dance/Draw’, (cur. Helen Molesworth), Boston MA (Travelling Exhibition)

Hammer Museum, ‘Now Dig This! Art and Black Los Angeles 1960–1980’, (cur. Kellie Jones), Los Angeles CA (Travelling Exhibition)

Paula Cooper Gallery, ‘Locations’, New York NY

LACMA – Los Angeles County Museum of Art, ‘Human Nature: Contemporary Art from the Collection’, Los Angeles CA

Berkeley Art Museum and Pacific Film Archive, University of California ‘State of Mind: New California Art circa 1970’, (cur. Constance M. Lewallen, Karen Moss), Berkeley CA (Travelling Exhibition)

Hammer Museum, ‘All of This and Nothing’, (cur. Douglas Fogle, Anne Ellegood), Los Angeles CA

Galerien Der Stadt Esslingen, ‘Man Son, Vom Schrecken der Situation’, Esslingen Am Necker, Germany

University Art Museum, University of California, ‘Conceptual Works from the Collection’, Santa Barbara, CA

Brandenburgischer Kunstverein, ‘Noir Complex – City, Story, Destruction & Death’, (cur. Maik Schlüter), Potsdam, Germany (Travelling Exhibition)

MOCA – Museum of Contemporary Art, ‘The Artist’s Museum: Los Angeles Artists 1980–2010’, Los Angeles CA

Project Row Houses, ‘The Seventh House’, (cur. Edgar Arceneaux, Nery Gabriel Lemus), Houston TX

Project Row Houses, ‘Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillan, Charles Gaines, Nery Gabriel Lemus’, Houston TX

Las Cienegas Projects, ‘The Road to Hell is Paved…’, (cur. Biddy Tran), Los Angeles CA

Susanne Vielmetter Los Angeles Projects, ‘Summer Group Show’, Los Angeles CA

Magazin 4, Bregenzer Kunstverein, ‘Noir Complex – City, Story, Destruction & Death’, (cur. Maik Schlüter), Bregenz, Austria (Travelling Exhibition)

American Academy of Arts and Letters, ‘Invitational Exhibition of Visual Arts’, New York NY

Museo Regional de Guadalajara, ‘Oz: New Offerings from Angel City’, Guadalajara, Mexico

The Geffen Contemporary, MOCA – Museum of Contemporary Art, ‘Collection: MOCA’s First Thirty Years, 1980–Now’, (cur. Paul Schimmel), Los Angeles CA

The Studio Museum in Harlem, ‘30 Seconds off an Inch’, New York NY

Museum of Contemporary Art San Diego, ‘Attempt to Raise Hell, Downtown’, San Diego CA

Eighth Veil, ‘Wrong: A Program of Text and Image’, (cur. Jibade-Khalil Huffman), Los Angeles CA

New Museum, ‘Charles Gaines / Terry Adkins Collaborative: Part of Get Weird’, New York NY

MOCA – Museum of Contemorary Art, ‘Collection MOCA’s First Thirty Yearts, 1980–Now’, Los Angeles CA

Project Row Houses, ‘Thunderbolt Special: The Great Electric Show and Dance–Commemorating Sam Lightnin’ Hopkins’, (cur. Terry Adkins), Houston TX

Museum of Contemporary Art San Diego, ‘Weighing and Wanting: Selections from the Collection’, La Jolla CA

Wuerttembergischer Kunsverein, ‘Wild Signals – Artistic Postions between Symptom and Analysis’, Stuttgart, Germany

Kent Gallery, ‘Entre Chien et Loup’, New York NY

The Geffen Contemporary, MOCA – Museum of Contemporary Art, ‘Index: Conceptualism in California from the Permanent Collection’, (cur. Philipp Kaiser, Corrina Peipon), Los Angeles CA

Schneider Museum of Art, Southern Oregon University, ‘Idea, Text & Image’, Ashland OR

La Biennale di Venezia, 'Think with the Senses. Feel with the Mind Art in the Present Tense', cur. Robert Storr, Venice, Italy 

Kapinos Gallery, ‘The Best of Show, 10 Years’, Berlin, Germany 

Armory Center for the Arts, ‘Read Me. Text in Art’, cur. Malik Gaines, Pasadena CA  

Kunsthalle Göppingen, ‘Im Wort’, Göppingen, Germany 

MOCA Museum of Contemporary Art, ‘From Close to Home. Recent Acquisitions of Los Angeles Art’, Los Angeles CA 

Brigitte March Galerie, ‘Hommage to Friedrich Schiller’, Stuttgart, Germany

Galerie Kamm, ‘Kamm Gallery Anniversary Exhibition’, Berlin, Germany

Contemporary Arts Museum Houston, ‘Double Consciousness: Black Conceptual Art since 1970’, (cur. Valerie Cassel Oliver), Houston TX

Arena 1 Gallery, ‘Group Show’, Santa Monica CA

Fire Patrol No. 5 Gallery, ‘Rhythm of Structure: The Mathematical Aesthetic’, New York NY

Sixth Esslingen International Photo Triennial, Galerie de Stadt, ‘Recherche-entdeckt! Bilderarchive der Unsichtbarkeiten (Research-discovered! Picture Archive of the Invisibilities)’, Esslingen am Neckar, Germany

Luckman Gallery and Fine Arts Gallery, California State University; ‘Fade (1990–Present): African American Artists in Los Angeles, A Survey Exhibition’, (cur. Malik Gaines), Los Angeles CA

Craft and Folk Art Museum, Los Angeles CA

New Mexico State University Art Museum, ‘Prints from Segura Press’, Las Cruces NM

Wadsworth Atheneum Museum of Art, ‘Structure of Difference: Painting, Sculpture, and Photography of the Past Fifty Years’, Hartford CT

New Britain Museum of American Art, ‘Selections from the LeWitt Collection’, New Britain CT

California African American Museum, ‘Urban Aesthetics, California Artists 2003’, (cur. Sandra E. Rowe), Los Angeles CA

Fire Patrol No. 5 Gallery, ‘Rhythm of Structure: MathArt in Harlem’, New York NY

Brigitte March Galerie, ‘The Night of the Hunter’, Stuttgart, Germany

Ringling College of Art and Design, ‘Math Art’, Sarasota FL

Brigitte March Galerie, ‘What About Hegel’, Stuttgart, Germany

‘Song Poems: Lyrics into Songs into Videos, Posters and Album Covers’, New York NY

Arizona State University Art Museum, ‘Rhapsody: Selections from Valley Collections’, (cur. Jean Makin, Stephen Marc, Kim Curry-Evans), Tucson AZ

Kunsthalle Basel, ‘Deep Distance. Die Entfernung der Fotografie’, (cur. Wilhelm Schürmann), Basel, Switzerland

John Weber Gallery, ‘A Selective Survey of Political Art’, New York NY

SMoCA – Scottsdale Museum of Contemporary Art, ‘Mixed Media: Selections from the Segura Publishing Archives’, Scottsdale AZ

Richard Heller Gallery, ‘Pictures of Other People’s Bodies’, Santa Monica CA

Triennale der Photographie, Deichtorhallen, ‘More than Meets the Eye’, (cur. Wilhelm Schümann), Hamburg, Germany

Brigitte March Galerie, ‘Landschaft—Stadtlandschaft (Landscape–Cityscape)’, Stuttgart, Germany

Rosamund Felsen Gallery, ‘Landscape Memories’, (cur. Steven Hull), Santa Monica CA

Rosamund Felsen Gallery, ‘Touring the Frame’, (cur. Charles Gaines), Santa Monica CA

University Art Gallery, University of California, ‘Other Related Areas’, Irvine, CA

Staatsgalerie Stuttgart, ‘Magie der Zahl in der Kunst des 20. Jahrhunderts’, Stuttgart, Germany

LACMA – Los Angeles County Museum of Art, ‘Some Grids: The Grid in Twentieth Century Art’, Los Angeles CA

Fuel Gallery, ‘Earthworks and Landscapes’, Seattle WA John Weber Gallery, ‘Paper Work’, New York NY

Newport Harbor Art Museum, ‘Group show (works from the collection)’, Newport CA

White Columns, ‘The Naming of the Colors’, (cur. Kirby Gookin, Bill Arning), New York NY

Side Street Projects, ‘Artists Writing Reading Room’, Santa Monica CA

Contemporary Art Center, ‘L.A. Next: Six Los Angeles Artists’, New Orleans LA

Drawing Center, ‘The Return of the Cadavre Exquis’, New York NY

Wadswoth Atheneum, ‘Open Mind: The LeWitt Collection’, Hartford CT

International Kunst der Gegenwart, Schloss Presteneck, (Stein am Kocher), ‘Force/Sight’, (cur. Brigitte March), Wurzburg, Germany

California African American Museum, ‘No Justice, No Peace’, Los Angeles CA

Santa Barbara Contemporary Arts Forum, ‘Counterweight’, Santa Barbara CA

Otis Art Institute Gallery, ‘LAX: The Los Angeles Exhibition’, Los Angeles CA

Ben Shahn Galleries, ‘The Grid: Organization and Idea’, William Patterson College, Patterson NJ

University Art Museum, Calfiornia State University, ‘Landscape Visions’, Long Beach CA

Nova Southwestern University Art Museum, ‘Work from the Collection of Sol LeWitt’, Fort Lauderdale FL

Museum of Contemporary Art, ‘Selections from the William Hokin Collection’, Chicago IL

Ackland Art Museum, University of North Carolina, ‘Works from the Collection of Sol LeWitt’, Chapel Hill NC (Travelling Exhibition)

Everhart Museum of Natural History, Science, and Art, ‘Works from the Collection of Sol LeWitt’, Auckland Art Museum’, Scranton PA (Travelling Exhibition)

The Grey Art Gallery, New York University, ‘Works from the Collection of Sol LeWitt’, Scranton PA (Travelling Exhibition)

Brigitte March Galerie, ‘Process and Construction’, Munich, Germany (Travelling Exhibition)

Kunstlerwerkstatt and Lenbachaus Museum, ‘Process and Construction’, Munich, Germany (Travelling Exhibition)

Fine Arts Gallery, California State University, ‘Black and White Drawings from the David Nellis Collection’, Los Angeles CA

California State University, Los Angeles, ‘Artists Forum: Selected Faculty Artists from California State University’, Los Angeles CA

University Art Gallery, San Diego State University, ‘Contemporary Watercolors’, San Diego CA

University Art Museum, Calfiornia State University, ‘Works From the Collection of Sol LeWitt’, Long Beach CA (Travelling Exhibition)

Fleming Museum of Art, University of Vermont, ‘Selections from the Chase Manhattan Bank Art Collection’, Burlington VT (Travelling Exhibition)

David Winton Bell Gallery, Brown University, ‘Selections from the Chase Manhattan Bank Art Collection’, Providence RI (Travelling Exhibition)

Wesleyan University Art Museum, Wesleyan University, ‘Works from the Collection of Sol LeWitt’, Middletown CT (Travelling Exhibition)

Florida International University, ‘Artists from the John Weber Gallery’, Miami FL (Travelling Exhibition)

Alternative Museum, ‘Post Modernist Metaphors’, (cur. Horace Brockington), New York NY

The Aldrich Contemporary Art Museum, ‘New Dimensions in Drawing: 1950–1980’, Ridgefield CT

University of Massachusetts, ‘Selections from the Chase Manhattan Bank Art Collection’, Amherst MA (Travelling Exhibition)

Santa Barbara Museum of Art, Santa Barbara CA

Touchstone Gallery, ‘Systems, Inquiry, Translation’, New York NY

California State College, ‘An Exhibition of Drawings from the Margo Leavin Gallery’, Bakersfield CA

Leo Castelli Gallery, ‘Benefit Show for the Center for the Performing Arts’, New York NY

University of South Florida Contemporary Art Museum, ‘Artists from the John Weber Gallery’, Tampa FL (Travelling Exhibition)

Melinda Wyatt Gallery, ‘Prints from the Landfall Press’, Los Angeles CA

Henry Street Settlement, ‘Exchanges’, New York NY

Evanston Art Center, ‘The Grid’, Evanston IL

Center for the Visual Arts, ‘Portraits’, Aspen CO John Weber Gallery, ‘Gallery Artists Show’, New York NY

Young Hoffman Gallery, ‘Gallery Artists Summer Show’, Chicago IL

Texas Gallery, Houston TX

John Weber Gallery, ‘John Weber Invitational’, New York NY

Margo Leavin Gallery, ‘Works on Paper’, Los Angeles CA

Leo Castelli Gallery, ‘Numerals: Mathematical Concepts in Contemporary Art’, (cur. Rainer Crone), New York NY (Travelling Exhibition)

Yale University Art Gallery, Yale University, ‘Numerals: Mathematical Concepts in Contemporary Art’, New Haven CT

Hood Museum of Art, Dartmouth College, ‘Numerals: Mathematical Concepts in Contemporary Art’, Hanover NH (Travelling Exhibition)

University of North Dakota, ‘Numerals: Mathematical Concepts in Contemporary Art’, Grand Forks, ND (Travelling Exhibition)

University Art Gallery, University of California, ‘Numerals: Mathematical Concepts in Contemporary Art’, Irvine CA (Travelling Exhibition)

Art Museum of South Texas, ‘Numerals: Mathematical Concepts in Contemporary Art’, Corpus Christi TX (Travelling Exhibition)

Center for the Arts, Muhlenberg College, ‘Numerals: Mathematical Concepts in Contemporary Art’, Allentown PA (Travelling Exhibition)

The New Gallery, ‘Numerals: Mathematical Concepts in Contemporary Art’, Cleveland OH (Travelling Exhibition)

Minneapolis College of Arts and Design, ‘Numerals: Mathematical Concepts in Contemporary Art’, Minneapolis MN (Travelling Exhibition)

Landfall Press, ‘Recent Publications’, Chicago IL

Golden West College, Los Angeles CA

Golden West College, Los Angeles CA

Oakland Museum, Oakland CA

Whitney Museum of American Art, ‘1975 Biennial Exhibition’, New York NY

California State University, ‘Black Artists, Recent Attitudes’, Fresno CA

California Arts Council, Sacramento CA

Oakland Museum, Oakland CA

Edward MacDowell Medal, Peterborough NH

Honoree, REDCAT Gala, Los Angeles CA

Artist Award for a Distinguished Body of Work, College Art Association, New York NY

Fellowship, John Simon Guggenheim Memorial Foundation, New York NY

Fellowship for Visual Arts, California Community Foundation, Los Angeles CA

Faculty Residency, Skowhegan School of Painting and Sculpture, Skowhegan ME

Norton Family Foundation Grant, Los Angeles CA

USA Fellowship, United States Artists, Chicago IL

The Durfee Foundation Grant, Los Angeles CA

Dean’s Grant, California Institute of the Arts, Valencia CA

Adaline Kent Award, San Francisco Art Institute, San Francisco CA

Visual Artists’ Fellowship, National Endowment for the Arts, Washington DC

Hauser & Wirth, ‘Manifestos 3’, Los Angeles CA

The Village Vanguard, ‘Manifestos 2 Release’, New York NY

ICA — Institute of Contemporary Art, ‘A Visionary Recital (after Terry Adkins)’, Miami FL

Ian Potter Museum of Art, ‘Sound Text’, Melbourne, Australia

Museum of Modern Art, ‘Lone Wolf Recital Corps’, New York NY

Kurimanzutto Gallery, Mexico City, Mexico

Brooklyn Museum, ‘Sound Text’, Brooklyn NY

REDCAT – Roy and Edna Disney/CalArts Theater, ‘Manifestos 2 and Sound Text: Deep River’, Los Angeles CA

La Biennale Di Venezia, ‘Sound Text’, Venice, Italy

Museum of Modern Art, ‘Manifestos 2’, New York NY

Museum of Contemporary Art, ‘Charles Gaines Ensemble’, Los Angeles CA

Pomona College Museum of Art, Pomona CA

Third Streaming, ‘Atum (Honey From A Flower Named Blue)’, New York NY

MoMa PS1, ‘Assassination’, Long Island City NY

Hammer Museum, University of California, ‘Manifestos Scores’, Los Angeles CA

New Museum, ‘Get Weird: Charles Gaines/Terry Adkins Collaborative’, New York NY

ICA Institute of Contemporary Art Miami, 'Charles Gaines', Miami FL

Galleri Opdahl, 'Pushing The Margins: A Survey of LA Artists', cur. Charles Gaines, Stavanger, Norway

Lévy Gorvy Gallery, ‘Terry Adkins: The Smooth, The Cut, and The Assembled’, (cur. Charles Gaines), New York NY

Sweeney Art Gallery, University of California, ‘Remembering’, (cur. Charles Gaines), Riverside CA

Rosamund Felsen Gallery, ‘Touring the Frame’, (cur. Charles Gaines), Santa Monica CA

Los Angeles Contemporary Exhibitions, ‘Nor Here Neither There’, (cur. Charles Gaines, Paul McCarthy, Stephen Prina, Fran Seegul), Los Angeles CA

University of Maryland Art Gallery, University of Maryland, ‘The Theater of Refusal: Black Art and Mainstream Criticism’, (cur. Charles Gaines), College Park MD (Travelling Exhibition)

University of California, ‘The Theater of Refusal: Black Art and Mainstream Criticism’, (cur. Charles Gaines), Riverside CA (Travelling Exhibition)

Richard L. Nelson Gallery, University of California, ‘The Theater of Refusal: Black Art and Mainstream Criticism’, (cur. Charles Gaines), Davis CA (Travelling Exhibition)

University Art Gallery, University of California, ‘The Theater of Refusal: Black Art and Mainstream Criticism’, (cur. Charles Gaines), Irvine CA (Travelling Exhibition)

McGrew, Rebecca, Ennis, Ciara (eds.), ‘In the Shadow of Numbers. Charles Gaines Selected Works from 1975-2012’, Claremont: Pomona College Museum of Art, 2010, ill. (exh. cat)

Jacobson, Karen (ed.) ‘Snake River: Charles Gaines & Edgar Arceneaux, Volume 1’, Linz: Lentos Kunstmuseum Linz, Los Angeles: California Institute of the Arts/REDCAT, 2006, ill (exh. cat.)

Jacobson, Karen (ed.) ‘Snake River: Charles Gaines & Edgar Arceneaux, Volume 2’, Linz: Lentos Kunstmuseum Linz, Los Angeles: California Institute of the Arts/REDCAT, 2006, ill (exh. cat.)

Sirmans, Franklin, ‘Lurid Stories. Charles Gaines, Projects 1995–2001’, San Francisco: San Francisco Art Institute, 2001, ill. (exh. cat.)

Gookin, Kirby, ‘Charles Gaines. Survey Exhibition 1979-1991’, Los Angeles: Dorothy Goldeen Gallery, Paris: Lavignes-Bastille, 1991, ill. (exh. cat)

Gaines, Charles, 'Charles Gaines. Sylvère Lotringer and the Art of Radical Resistance', in: Grau, Donatien, 'A Tribute to Sylvère Lotringer', on: brooklynrail.org, March 2022, ill.

Gaines, Charles, ‘Artist Charles Gaines on How a Fellowship at CalArts Could Be a Model for Art Schools in Need of Change’, on: artnews.com, 16 March 2021, ill.

Gaines, Charles, ‘Diversifying the Academy’, in: ARTnews, February/March 2021, pp. 17-19, ill.

Gaines, Charles, ‘Los Angeles, November 2020’, on: flash---art.com, 28 January 2021

Gaines, Charles, ‘The Double Consciousness of the Lincoln Memorial’, on: www.artforum.com, 1 November 2018 Gaines, Charles, ‘Charles Gaines’, in: The Brooklyn Rail, October 2018

Gaines, Charles ‘Don’t Do Anything Illegal. Charles Gaines on How to Stay in the Game as an Artist’, on: artspace.com, 5 May 2016

Gaines, Charles ‘Ben Patterson: The History of Gray Matter From the Avant-Garde to the Postmodern’, in: Oliver, Valerie Cassel, ‘Benjamin Patterson. Born in the State of FLUX/us’, Houston: Contemporary Arts Museum Houston, 2011, ill (exh. cat)

Gaines, Charles, ‘The New Cosmopolitanism’, Fullerton: California State University, 2008

Gaines, Charles, ‘Theater of Refusal. Black Art and Mainstream Criticism’, in: Oliver, Valerie Cassel, Franklin, Sirmans, Adkins, Terry (et al.) ‘Double Consciousness. Black Conceptual Art Since 1970’, Houston: Contemporary Arts Museum Houston, January 2005

Gaines, Charles, ‘Edgar Arceneaux’s Search for Meaning Among Infinite Variations’, in: Afterall, London, September 2004, pp. 64-71

Gaines, Charles, ‘Art, Post History and the Paradox of Black Pluralism’, in: Merge, Stockholm, vol. 12, 2003, p. 52

Gaines, Charles, ‘Surviving Alaska: Michael Joo’s Sublime Transformations’, in: Joo, Michael, Farver, Jane, Birnbaum, Daniel (et al.), ‘Michael Joo’, Cambrige: MIT List Visual Arts Center, 2003, ill. (exh. cat)

Gaines, Charles, ‘Metonymy and the Defamiliarization of Objects’, in: Sirmans, Franklin, ‘Lurid Stories. Charles Gaines, Projects 1995–2001’, San Francisco: San Francisco Art Institute, 2001, ill. (exh. cat.)

Gaines, Charles, ‘Memories. The Art of Kyung Won Moon’, in: ‘Kung Won Moon’, Seoul: Park Ryu Sook Gallery, 1999 (exh. cat.)

Gaines, Charles, ‘Art and the Search for Origin Amidst the Scent of Flowers’, in: ‘Origins: An Exhibition of the Work of Sunhee Kim, William Raines, Anne Scheid and Manuel Vasaure’, Fresno: Fresno Art Museum, 1999, ill (exh. cat)

Gaines, Charles, ‘Avant L.A. Letter’, in: Artforum, New York, February 1999

Gaines, Charles, ‘Hotter Than July’, in: Art + Text, no. 55, September 1996, pp. 12, 16

Gaines, Charles, ‘Bear Stories’, in: Framework, vol. 7, no. 3, 1995, p. 5

Gaines, Charles, ‘Black Male’, in: World Art, January 1995

Gaines, Charles, ‘Untitled’, in: ‘Color This! A Collection of Los Angeles Artists’ Drawings’, Los Angeles: Foundation For Art Resources, Inc., 1994, p. 44

Gaines, Charles, Lord, Catherine, Berger, Maurice (et al.), 'The Theater of Refusal. Black Art and Mainstream Criticism', Irvine: University of California, Irvine, 1993, pp. 13-21, ill. (exh. cat.)

Gaines, Charles, ‘Manifesto’, New York: Mimi Somerby, S.O.S. International, and B.R.A.T., 1993, p. 33

Gaines, Charles, ‘The Devil and Mona Lisa. Confessions of an Art Heckler’, in: New Art Examiner, Chicago, December 1993, p. 24

Gaines, Charles, ‘Sandra Rowe. Androgyny and the Janusian Split’, Riverside: University of California, 1990, ill. (exh. cat.)

Gaines, Charles, ‘Sandra Rowe. Androgyny and the Janusian Split’, in: Journal of Social Theory in Art Education, no. 10, April 1990, pp. 158-163

Gosse, Johanna (ed.), 'Nervous Systems. Art Systems, and Politics since the 1960s', Raleigh: Duke University Press, 2022, pp. 103-124, ill.

Enwezor, Okwui, Gioni, Massimiliano, Beckwith, Naomi (et al.), 'Grief and Grievance. Art and Mourning in America', London: Phaidon, New York: New Museum, 2021, pp. 78-81, ill. (exh. cat.)

Anderson, Sean, Wilson, Mabel O., ‘Reconstructions: Architecture and Blackness in America’, New York: The Museum of Modern Art, 2021 (exh. cat.)

Hussey, Miciah, Alpert, Isaac, Willis, Sarah (eds.), ‘Drawing 2020’, New York: Gladstone Gallery, Köln: Verlag der Buchhandlung Walther und Franz König, 2020, p. 56, ill. (exh. cat.)

Bedford, Christopher, Siegel, Siegel, Cooks, Bridget R., ‘Generations. A History of Black Abstract Art’, Baltimore: Baltimore Museum of Art, 2019, ill. (exh. cat.)

Galpin, Amy, ‘Time As Landscape. Inquiries of Art and Science’, Winter Park: Cornell Fine Arts Museum, 2017 (exh. cat.)

Franke, Anselm, Hankey, Stephanie, Hankey, Thomson (et al.), ‘Nervous Systems: Quantified Life and the Social Question’, Berlin: Haus der Kulturen der Welt, Leipzig: Spector Books, 2016

Martin, Courtney J. (ed.), ‘Four Generations. The Joyner/Giuffrida Collection of Abstract Art’, New York: Gregory R. Miller & Co, 2016 (exh. cat.)

Abramovic, Marina, Bove, Carol, Eliasson, Olafur (et al.), ‘Akademie X. Lessons in Art + Life’, London: Phaidon, 2015, pp. 98-103, ill.

Beckwith, Naomi, Roelstraete, Dieter (eds.), ‘The Freedom Principle. Experiments in Art and Music, 1965 to Now’, Chicago: Museum of Contemporary Art Chicago/University of Chicago Press, 2015, pp. 132, 135-136 (exh. cat.)

Sirmans, Franklin (ed.), ‘Prospect.3. Notes for Now’, Munich/New York: Prestel, 2014 (exh. cat.)

Léger, Marc James (ed.), ‘The Idea of the Avant Garde’, England: Manchester University Press, 2014

Simpson, Bennett (ed.), ‘Blues for Smoke’, Los Angeles: Museum of Contemporary Art, Munich/New York: DelMonico Books/Prestel, 2012 (exh. cat.)

Jones, Kellie, Carby, Hazel V., Sirmans, Franklin ( et al.), ‘Now Dig This! Art & Black Los Angeles 1960–1980’, Los Angeles: Hammer Museum, Munich/New York: DelMonico Books/Prestel, 2011 (exh. cat.)

Molesworth, Helen Anne (ed.), ‘Dance/Draw’,Ostfildern: Hatje Cantz, Boston: The Institute of Contemporary Art, 2011, ill. (exh. cat.)

Constance M. Lewallen, Karen Moss, Bryan-Wilson, Julia (et al.), ‘State of Mind: New California Art circa 1970’, Berkeley: University of California Press, 2011 (exh. cat.)

Walla, Douglas (ed.), ‘Entre Chien et Loup’, New York: Kent Gallery, 2008 (exh. cat.)

___, ‘Rhythm of Structure’ in: International Review of African American Art, vol. 19, no. 3, 2004

Bur, Andreas, Seyfarth, Ludwig (eds.), ‘Recherche-entdeckt! Bilderarchive der Unsichtbarkeiten (Research-discovered! Picture Archive of the Invisibilities)’, Esslingen am Neckar: Galerie de Stadt, 2004 (exh. cat.)

Hull, Steven (ed.), ‘Song Poems: Lyrics into songs into Videos’, New York: Cohan Leslie and Browne Gallery, 2001

Pagel, David, ‘Themes Out of School. Art and Education in Los Angeles’, Los Angeles: CAA, 2000, p. 51

Johnston, Mark, ‘Contemporary Art in Southern California’, Sydney: Craftsman House, 1999, pp. 72–75

Schürmann, Wilhelm, ‘Wohin kein Auge reicht: von der Entdeckung des Unsichtbaren. More than meets the eye - Triennale der Photographie’, Hamburg: Arbeitskreis Photographie/Deichtorhallen, 1999 (exh. cat.)

Von Maur, Karin, ‘Magie der Zahl. In der Kunst des 20 Jahrhunderts’, Stuttgart: Staatsgalerie, 1999 Hull, Steven, ‘I’m Still In Love With You’, Los Angeles: Twentieth Century Women’s Club, 1999 (exh. cat.)

___, ‘Art Walk, ‘95’, Venice: Venice Family Clinic, 1995 Gamblin, Noriko, ‘Night/Crimes’, Santa Monica: Santa Monica Museum of Art, 1995 (exh. bro.)

Gerstler, Amy, ‘L.A. Next: Six Los Angeles Artists’, New Orleans: Contemporary Art Center, 1993

Gookin, Kirby, Arning, Bill, ‘The Naming of the Colors’, New York: White Columns, 1993, ill. (exh. cat.)

Gerstler, Amy, Fehlau, Fred, ‘LAX. The Los Angeles Exhibition’, Los Angeles: Los Angeles Municipal Art Gallery, 1992 (exh. cat.)

Hugo, Joan, ‘Counterweight’, Santa Barbara: Santa Barbara Contemporary Arts Forum, 1992

___, ‘No Justice, No Peace’, Los Angeles: California Afro-American Museum, 1992 (exh. cat.)

March, Brigitte (ed.), 'Force Sight’, Böblingen: Art Publishing, 1992 (exh. cat.)

___, ‘Landscape Visions’, Long Beach: CSU Art Gallery, 1989

CSU Los Angeles, Fine Arts Gallery, ‘Artists Forum. Selected Faculty Artists from the California State University’, Los Angeles: University Fine Arts Gallery, 1988

Miller-Keller, Andrea, Ravenal, John B., ‘From the Collection of Sol LeWitt’, New York: ICI Curators, 1985

Daneshvari, Abbas (ed.), ‘Black and White Drawings from the David Nellis Collection’, Los Angeles: University Fine Arts Gallery, 1985

Neff, Terry Ann R. (ed.), ‘Selections from the William Hokin Collection’, Chicago: Museum of Contemporary Art, 1985

___, ‘Process Und Konstruktion: 1985 in Munich', Munich: Cultural department of the state capital Munich, Stuttgart: Galerie Brigitte March, Lodz, Archives of Contemporary Thought, 1985, ill.

___, ‘Artists from the John Weber Gallery’, New York: John Weber Gallery, 1981, ill. (exh. cat.)

Paoletti, John, ‘No Title. The Collection of Sol LeWitt’, Middletown: Wesleyan University in association with the Wadsworth Atheneum Museum of Art, 1981

Brockington, Horace, ‘Post modernist Metaphors’, New York: The Alternative Museum, 1981

Anderson, Richard E., ‘New Dimensions in Drawing, 1950–1980’, Ridgefield: Aldrich Museum, 1981

Posner, Helane, ‘Selections from the Chase Manhattan Bank Art Collection’, New York: Chase Manhattan Bank, 1981

Lippard, Lucy, ‘Exchanges, Henry Street Settlement, New York City, April Portraits’, Aspen: Center for Visual Arts, 1979

Rainer, Crone, ‘Numerals. Mathematical Concepts in Contemporary Art’, New York: Leo Castelli Gallery, 1978, ill.

___, 'Recent Publications', Chicago: Landfall Press Inc., 1978, ill.

Whitney Museum of American Art (ed.), ‘Whitney Biennial’, New York: Whitney Museum of American Art, 1975, ill. (exh. cat.)

McCoubrey, Carmel, 'Our Keepers of 2023', in: The New York Times, New York, 23 December 2023, ill. 

Durón, Maximilíano, 'Critic’s Diary: Private Collections Around Miami Delight as Museum Exhibitions Disappoint', on: artnews.com, 8 December 2023, ill. 

Belci, Theo, 'Charles Gaines at the ICA Miami: algorithms, overlays, and the political strength of the walnut tree', on: theartnewspaper.com, 6 December 2023, ill. 

___, 'Best Miami Exhibitions: What to See While in Town for Art Basel 2023', on: whitewall.art, 6 December 2023, ill. 

Slenske, Michael, 'Charles Gaines Interrogates the Nature of Meaning', on: wmagazine.com, 5 December 2023, ill. 

Badajoz, Joaquín, '"Instagramables" y atajos en Art Basel Miami Beach 2023', on: elpais.com, 4 December 2023, ill. 

Cardone, Maurita, 'Miami Basel Grand Hotel', on: ilgiornaledelarte.com, 1 Decemeber 2023, ill. 

Duray, Dan, 'String Theory', in: Art | Basel. Miami Beach, Miami, December 2023, pp. 178-181, ill.

Slenske, Michael, 'Off the Grid', in: W Magazine, New York, December 2023, pp. 90-95, ill. 

Hunter Davis, Melissa, 'The Black and Basel 2023: The Black Art Guide', on: sugarcanemag.com, 25 November 2023, ill. 

Markowitz, Douglas, 'Charles Gaines Counfounds with Conceptual Art at ICA Miami', on: artburstmiami.com, 17 November 2023, ill. 

___, 'Datebook: The Art World’s Winter Happenings to Add to Your Calendar', on: artnews.com, 17 November 2023, ill. 

Aboreden, Ashley-Anna, Duran, Jose D., Medina, Sopia, 'The 17 Best Things to Do in Miami This Week', on: miaminewtimes.com, 13 November 2023, ill. 

Ricci, Emma, 'Tutto su Art Basel Miami Beach 2023: gallerie, sezioni, eventi, progetti', on: artslife.com, 13 November 2023, ill. 

___, 'This Week in Culture: November 13 - 19', on: culturedmag.com, 13 November 2023, ill. 

Valentine, Victoria L., 'November Exhibitions: 12 Museum Shows Feature African American Artists Betye Saar, Simone Leigh, Dawoud Bey, Charles White, Faith Ringgold, Kehinde Wiley & More', on: culturetype.com, 8 November 2023, ill. 

Stewart, Allison, Hinds, Kate, 'New Yorkers and New Jerseyans weigh in on their favorite "unexpected art" around NYC', on: gothamist.com, 4 November 2023, ill. 

Durón, Maximilíano, 'Charles Gaines’s Monumental Installation on Governors Island Marked a Meeting Point for Hidden Histories', on: artnews.com, 2 November 2023, ill. 

Duray, Dan, 'The cool conceptualism of Charles Gaines', on: artbasel.com, 1 November 2023, ill. 

Messman, Lauren, 'At Museums and Galleries, a Spirit of Togetherness', on: nytimes.com, 18 October 2023, ill. 

Scott, Chadd, 'What Is Radical? Decide For Yourself At The Convening In Cincinnati', on: forbes.com, 16 October 2023, ill. 

Jackson, Danielle A., 'Logic Systems: Charles Gaines', in: Seen, no. 6, Fall/Winter 2023, pp. 174-187, ill. 

Jones, Okla, '2023 Entertainment Preview: 20 Fall Exhibitions & Art Shows To Explore', on: essence.com, 10 October 2023, ill. 

Grados, Maricielo, 'Museos y galerías de Miami anuncian exposiciones de arte para el otoño boreal del 2023', on: infobae.com, 4 October 2023, ill. 

Markowitz, Douglas, '7 Can’t-Miss Art Exhibits Coming to Miami Museums and Galleries this Fall', on: miaminewtimes.com, 26 September 2023, ill.  

Schwartz, Allie, 'Three-decade survey of Charles Gaines opens at Institute of Contemporary Art', on: communitynewspapers.com, 12 September 2023, ill. 

___, 'The Municipal Art Society awards 2023 Brendan Gill Prize To Charles Gaines for "The American Manifest: Chapter 1"', on: gothamtogo.com, 29 August 2023, ill. 

Felder, Rachel, ' From World-Class Art Collections to Cool-Kid Concept Shops, Miami's Design District Is an Aesthete's Paradise', on: cntraveler.com, 24 August 2023, ill. 

Barrier, Katherine, 'Arts Nonprofits to Unite In Cincinnati To Focus On The Earth', on: citybeat.com, 25 July 2023, ill. 

Seibert, Brian, 'At River to River, Dancers Tackle Weighty Topics With a Smile', on: nytimes.com, 19 June 2023, ill. 

Lordi, Emily, 'The Black Artists Claiming More Space Than Ever Before', on: nytimes.com, 24 March 2023, ill. 

Ostrow, Saul, 'Charles Gaines' [review], in: The Brooklyn Rail, Brooklyn, March 2023, pp. 69-70, ill. 

Ostrow, Saul, 'Charles Gaines: Southern Trees' [review], on: brooklynrail.org, March 2023, ill. 

___, 'Charles Gaines: Southern Trees', on: airmail.news, 27 February 2023, ill. 

Behringer, David, 'Charles Gaines' Colorful Pixelation of Southern Trees', on: design-milk.com, 21 February 2023 ill. 

Ebgi, Anat, 'Gallerist Anat Ebgi Reflects on Why Los Angeles Is a Place "Where People are Willing to be More Provocative"', on: news.artnet.com, 16 February 2023, ill. 

O’Neill-Butler, Lauren, '"Benjamin Wigfall and Communications Village"', on: artforum.com, February 2023, ill. 

Mulgrew, Sophie, 'Exhibition Review: Charles Gaines: Southern Trees', on: museemagazine.com, 31 January 2023, ill. 

___, 'Charles Gaines: Southern Trees. Hauser & Wirth New York 22^nd Street', on: martincid.com, 18 January 2023, ill. 

___, 'Charles Gaines: Southern Trees', on: artplugged.co.uk, 17 January 2023, ill. 

___, 'Hauser & Wirth presents "Charles Gaines.Southern Trees"', on: gothamtogo.com, 17 January 2023, ill. 

Keh, Pei-Ru, McAlister-Smith, Tilly, Llyod-Smith, Harriet, 'New York art exhibitions: what to see this winter', on: wallpaper.com, 16 January 2023, ill. 

___, 'Late Staged Capital', in: Ubikwist, New York, no. 15, December 2022, pp. 74-89, ill.

___, 'The Defining Artworks of 2022', on: artnews.com, 15 December 2022, ill.

___, 'The Best Public Artworks of 2022', on: artsy.com, 13 December 2022, ill.

___, 'In Brooklyn, Loewe and Creative Time Celebrated Artist Charles Gaines', on: vogue.com, 8 December 2022, ill.

Collinge, Miranda, '12 Arty Reasons to Visit New York This Autumn', on: esquire.com, 2 November 2022, ill.

Waddoups, Ryan, 'A Colossal Ship-Like Artwork Evoking America’s Slave Trade', on: surfacemag.com, 27 October 2022, ill.

Westall, Mark, 'Charles Gaines’s Moving Chains Addresses the Reality of Systemic Racism in the United States of America Through Embodied & Visual Experience.', on: fadmagazine.com, 27 October 2022, ill.

Stewart, Jessica, 'Massive Sculpture With 1,600-Pound Moving Chains Examines the Long History of American Slavery', on: mymodernmet.com, 27 October 2022, ill.

Ebert, Grace, 'Through a Monumental Sculpture of Moving Chains, Artist Charles Gaines Confronts the Enduring Legacy of American Slavery', on: thisiscolossal.com, 25 October 2022, ill.

Cascone, Sarah, 'It Took Eight Years, an Army of Engineers, and 1,600 Pounds of Chains to Bring Artist Charles Gaines’s Profound Meditation on America to Life. Now, It’s Here', on: news.artnet.com, 25 October 2022, ill.

Lynch, Scott, 'Sculptor Charles Gaines’ Monumental "Moving Chains" Now Open on Governor’s Island', on: bkmag.com, 17 October 2022, ill.

Rahmanan, Anna, 'This giant monument made of steel and chains is heading to Governors Island', on: timeout.com, 13 October 2022, ill.

Black, Hannah, 'Exploring the Arbitrary, Conceptual Artist Charles Gaines Reveals First Public Artwork in NYC', on: culturedmag.com, 12 October 2022, ill.

Wally, Maxine, 'Charles Gaines Reframes American History', on: wmagazine.com, 10 October 2022, ill.

Vargas, Steven, 'Art and activism power a starry Hammer Museum gala', on: latimes.com, 9 October 2022, ill.

Mitter, Siddhartha, 'Evoking Our Past for the Public to See', in: New York Times, New York, 9 October 2022, p. 14, ill.

Mitter, Siddhartha, 'On Governor’s Island, a Machine That Jolts History', on: nytimes.com, 7 October 2022, ill.

Nash, David, 'Inside a Dreamy Home Perched Above the San Francisco Bay Area', on: architecturaldigest.com, 8 August 2022, ill.

___, 'Charles Gaines’ first public art project, The American Manifest debuts in New York', on: artdaily.com, 26 July 2022, ill.

Billard, Jillian, 'Charles Gaines unearths America’s deep colonial roots in an expansive serial public art project', on: theartnewspaper.com, 20 July 2022, ill.

___, 'Art contemporain : Arithmétique, palmiers et quête du Beau selon Charles Gaines', on: connaissancedesarts.com, 19 July 2022, ill.

Bowling, Suzanna, 'In Times Square the American Manifest', on: tconline.com, 16 July 2022, ill.

Velie, Elaine, 'Charles Gaines Brings Trees Back to Times Square', on: hyperallergic.com, 15 July 2022, ill.

___, '5 Free Events: "The American Manifest" and Les Ballets Afrik', on: allarts.org, 14 July 2022, ill.

___, 'Charles Gaines pianta un bosco di alberi a testa in giù a Times Square', on: artuu.it, 14 July 2022, ill.

Dong, Mingyuan, 'CHARLES GAINES Interview – Grids and Systems Art', on: picturethispost.com, 12 July 2022, ill.

Valentine, Victoria L., 'Latest News in Black Art: New Name for DuSable Museum, Public Art Works by Basil Watson, Thomas J. Price and Charles Gaines, Plus Plans for African American Dictionary', on: culturetype.org, 22 June 2022, ill.

Dafoe, Taylor, 'Charles Gaines Will Plant a Grove of Sweetgum Trees Upside Down in Times Square as Part of an Ambitious Public Art Project', on: news.artnet.com, 21 June 2022, ill.

Stoilas, Helen, 'At Frieze New York, Charles Gaines puts gains toward ambitious public art project', on: theartnewspaper.com, 20 May 2022, ill.

Valentine, Victoria L., 'Charmaine Jefferson Elected Board Chair at California Institute of the Arts, Where Charles Gaines Taught Mark Bradford, Henry Taylor, and Lauren Halsey Earned Degrees', on culturetype.org, 18 May 2022, ill.

Durón, Maximilíano, 'The Best Booths at Frieze New York, From Stabbed Footballs to Twisted Steel Creations', on: artnews.com, 18 May 2022, ill.

M.H. Schuster, Angela, 'Everything to Know About Frieze New York', on: avenuemagazine.com, 17 May 2022, ill.

___, 'Return of Frieze New York proves that small is beautiful', on: ft.com, 13 May 2022, ill.

___, 'Art Industry News: Police Arrested a Seventh Suspect in Green Vault Heist—While He Was Already in Court + Other Stories', on: news.artnet.com, 10 May 2022, ill.

Vankin, Deborah, 'Hammer Museum to honor Charles Gaines and Chase Strangio at 2022 Gala in the Garden', on: latimes.com, 9 May 2022, ill.

___, 'Solo Shows at Frieze New York 2022', on: frieze.com, 4 May 2022, ill.

Kitnick, Alex, 'Group Think. Alex Kitnick on "Lifes"', in: Artforum, New York, vol. 60, no. 9, May 2022, pp. 53-54, ill.

Holiday, Harmony, '"I’m not saying that there’s no such thing as imagination or intuition or subjectivity, but I think they’re all constructs."' [interview], in: Frieze, London, no. 227, May 2022, pp. 98-107, ill.

Holiday, Harmony, 'Charles Gaines on the Paradoxes of Seeing' [interview], on: frieze.com, 28 April 2022, ill.

Knight, Christopher, 'Review: Spanish conquistadors and plastic vomit: That’s "Lifes" at UCLA Hammer Museum', on: latimes.com, 29 March 2022, ill.

Battaglia, Andy, '"Disciplinary Promiscuity": Hammer Museum’s Ambitious New Group Show Finds Common Ground Between Aubrey Plaza, Pauline Oliveros, and Senyawa', on: artnews.com, 15 February 2022, ill.

Lloyd-Smith, Harriet, 'Cold hands, warm art: 10 winter recipes from leading artists', on: wallpaper.com, 22 December 2021, ill.

Gassman, Gay, 'Open Studio', in: Architectural Digest, New York, December 2021, pp. 86-89, ill.

___, 'Need More Holiday Food Inspiration? Try These Recipes for Charles Gaines’s Candied Yams and Ragnar Kjartansson’s Lambchops', on: news.artnet.com, 27 November 2021, ill.

Gassmann, Gay, 'Tour the L.A. Studio of Renowned Artist Charles Gaines', on: architecturaldigest.com, 5 November 2021, ill.

___, ‘“Intricate and Timely”: Troy Carter’s Top Picks on Frieze Viewing Room Los Angeles’, on: frieze.com, 27 July 2021, ill.

Forgo, Gabriela, ‘“In Focus: LA Artists,” An Exhibition at Hauser & Wirth, Los Angeles’, on: purple.fr, 21 July 2021, ill.

Donoghue, Katy, ‘Charles Gaines Shows Culture as the Lens Through Which We Make and Experience Art’ [Interview], on: whitewall.art, 6 July 2021, ill.

Westall, Mark, ‘In Focus: LA Artists’, on: fadmagazine.com, 30 June 2021, ill.

Fusco, Coco, 'On the Condition of Black Life and Black Death' [Review], in: Texte Zer Kunst, Berlin, no. 122, June 2021, p. 212, ill.

LaBarge, Emily, ‘Charles Gaines. Hauser & Wirth London | Savile Row’ [Review], in: Artforum, New York, vol. 59, no. 10, Summer 2021, ill.

___, ‘5 International Nature-Inspired Exhibitions That Make Us Very Excited for the Arrival of Summer’, on: news.artnet.com, 19 May 2021, ill.

Harris, Gareth, Jhala, Kabir, ‘Three exhibitions to see in London this weekend’, on: theartnewspaper.com, 14 May 2021, ill.

Wu, Simon, ‘“Grief and Grievance” Shows Us Profound Visions of Black Suffering’ [Review], on: frieze.com, 29 April 2021, ill.

Donoghue, Katy, ‘Charles Gaines’ [interview], in: Whitewall, New York, pp. 98-105, Spring 2021, ill.

Luke, Ben, ‘Be still my beating art! Our critic’s first week back in the galleries after lockdown’ [review], on: standard.co.uk, 16 April 2021, ill.

Waywell, Chris, ‘These London art galleries are open to visitors right now’, on: timeout.com, 15 April 2021, ill.

Rea, Naomi, ‘9 Gallery Shows to See Now in London, From a Spotlight on Young French Painters to Rachel Whiteread at Gagosian’, on: news.artnet.com, 14 April 2021, ill.

Ghosh, Ravi, ‘Charles Gaines: ‘My System is a Firewall Between My Subjectivity and the Work’’, on: elephant.art, 14 April 2021, ill.

Lloyd-Smith, Harriet, ‘Physical art exhibitions to see in London and beyond, from April 2021’, on: wallpaper.com, 12 April 2021, ill.

___, ‘10 unmissable exhibitions as London's galleries reopen’, on: culturewhisper.com, 8 April 2021, ill.

Durrant, Nancy, ‘Art lovers, get set! The exhibitions to see when London galleries open’, on: standard.co.uk, 1 April 2021, ill.

Ugelvig, Jeppe, 'Into the Grief' [Review], on: kunstkritikk.com, 23 March 2021, ill.

Bentall, Henrietta, Luke, Ben, ‘Studio jams: we made a Spotify playlist of artists’ top tunes, from Ragnar Kjartansson to Rachel Whiteread', on: theartnewspaper.com, 12 March 2021, ill.

Morillo, Rachell, ‘‘Grief and Grievance’ Honors the Weight and Wake of Racial Violence’ [review], on: hyperallergic.com, 9 March 2021, ill.

___, ‘Home Events’, in: Waitrose Weekend, London, no. 543, 4 March 2021, p. 36, ill.

Parker, Rianna Jade, ‘Behind These Differences’ [Review], in: Frieze, no. 217, March 2021, pp. 16-17, ill.

Carrier, David, 'Grief and Grievance: Art and Mourning in America', on: brooklynrail.org, March 2021, ill.

Lloyd-Smith, Harriet, ‘Artist’s palate: Charles Gaines’ Southern-style candied yams’, on: wallpaper.com, 20 February 2021, ill.

Cotter, Holland, ‘Black Grief, White Grievance: Artists Search for Racial Justice’ [review], on: nytimes.com, 18 February 2021, ill.

Smee, Sebastian, ‘A searing, all-star art show explores Black grief from the civil rights era to now’, on: washingtonpost.com, 17 February 2021, ill.

Pobric, Pac, ‘Some People See the 1970s as a Golden Age of Contemporary Art. Charles Gaines Thinks Today’s Art Is Actually Much Better’, on: artnet.com, 16 February 2021, ill.

O’Grady, Megan, ‘Once Overlooked, Black Abstract Painters Are Finally Given Their Due’, on: nytimes.com, 12 February 2021, ill.

Dodson, Jewels, ‘These Black Collectors Are Shaping the Future of the Art World’, on: artsy.com, 9 February 2021, ill.

Cumming, Laura, ‘Charles Gaines: Multiples of Nature, Trees and Faces; Hardeep Sahota: Bhangra Lexicon – review’, on: theguardian.com, 7 February 2021, ill.

Cumming, Laura, ‘Let me count the ways’, in: the new review. Special section of the newspaper ‘The Observer’, London, 7 February 2021, pp. 24-25, ill.

Lloyd-Smith, Harriet, ‘At Home with American Artist Charles Gaines’ [Interview], on: wallpaper.com, 29 January 2021, ill.

___, ‘A brush with...’ [Interview], in: The Art Newspaper, London, no. 331, February 2021, p. 42, ill.

Griffin, Jonathan, ‘Layers of complexity’, in: The Financial Times, London, 23 January 2021, ill.

Griffin, Jonathan, ‘Charles Gaines: Peeling back the layers’, on: ft.com, 21 January 2021, ill.

Saunders, Daniella, ‘The Best Virtual Art Exhibitions 2021’, on: countryandtownhouse.co.uk, 20 January 2021, ill.

Lewis, Annie, ‘Enjoy virtual Hauser & Wirth exhibitions at home’, on: townandcountrymag.com, 19 January 2021, ill.

Wessner, Gregory, ‘Charles Gaines, New National Academician’ [Interview], on: nadnowjournal.org, 10 November 2020, ill.

Schwabsky, Barry, ‘Don’t Hide the Art of Philip Guston’, on: thenation.com, 30 October 2020, ill.

Valentine, Victoria L., ‘Online: 5 Gallery Exhibitions Focus on Artists Amy Sherald, Charles Gaines, Genevieve Gaignard, Edgar Arceneaux, and The Racial Imaginary Institute’, on: culturetype.com, 30 October 2020, ill.

___, ‘Artists Envision a New Kind of Political Poster’, on: wmagazine.com, 22 October 2020, ill.

McGlone, Peggy, Smee, Sebastian, ‘Coronavirus shutdowns and charges of white supremacy: American art museums are in crisis’, on: washingtonpost.com, 12 October 2020, ill.

Pogrebin, Robin, ‘The Artist Charles Gaines Creates a Fellowship for Black Students’, on: nytimes.com, 7 October 2020, ill.

Mills, Aaron, ‘Charles Gaines wants to challenge how you see the world’, on: sohohouse.com, 27 September 2020, ill.

Di Mento, Maria, ‘Mark Zuckerberg and Priscilla Chan Donate $300 Million for Voting Security (Gifts Roundup)’, on: philanthropy.com, 8 September 2020, ill.

Keener, Katherine, ‘Three southern California institutes seek to better support underrepresented students and faculty’, on: art-critique.com, 2 September 2020, ill.

Dodson, Jewels, ‘Activist collectors don't Just want to accumulate artworks. They want to change the world’, in: ARTnews, New York, September 2020, pp. 84-91, ill.

Kinsella, Eileen, ‘Art Schools Have Historically Been Inhospitable to Black Students. Two California Philanthropists Are Trying to Change That’, on: artnet.com, 31 August 2020, ill.

Stromberg, Matt, ‘CalArts and Otis College Receive Million-Dollar Donations to Support Black Faculty and Students’, on: hyperallergic.com, 28 August 2020, ill.

Pickford, James, ‘Black artists matter: The winds of change are blowing through the art world’, on: ft.com, 24 August 2020

___, ‘Visual Language. 13 Artists Inspiring Us Right Now’, on: goop.com, 20 July 2020, ill.

___, ‘[Virtual Panel Discussion] Charles Gaines x Printed Matter. The Theater of Refusal in the Age of Liberalism’, on: curate.la, 6 July 2020

Belcove, Julie, ‘From Leonardo at the Louvre to the Rise of Jordan Casteel: The Best of the Art World’, on: robbreport.com, 16 June 2020

Valentine, Victoria L., ‘Terry Adkins Conceived His Exhibitions as a Conversational Interplay Among Objects, Installations, and Musical Performances’, on: www.culturetype.com, 1 May 2020

Schildknecht, Julieta, ‘Art as a Discipline: Charles Gaines’ [interview], on: moussemagazine.it, 30 April 2020

LALA, ‘LALA Dispatch: The Importance of Charles Gaines Legacy According to Artists’, on: www.culturedmag.com, 13 April 2020

Hamersly, Mark, ‘Culture Shock Miami: Experience performances, museum tours and art exhibits online’, on: www.miamiherald.com, 30 March 2020

Anania, Katie, ‘How to Draw a Dog’, on: brooklynrail.org, 5 March 2020

___, ‘Charles Gaines: 16 Feb — 29 Mar 2020 at Hauser & Wirth in Saint Moritz, Switzerland', on: wsimag.com, 17 February 2020

Kenney, Nancy, ‘Championing African American abstraction: inside the collection of Pamela Joyner’, on: www.theartnewspaper.com, London, 12 February 2020

Koeberle, Susanna, ‘Sound of Silence’, on: www.swiss-architects.com, Zurich, 6 February 2020

Berg, Allison, ‘Head of the Class’, in: LALA Magazine, Los Angeles, January 2020, pp. 128-135

Miranda, Carolina A., ‘Datebook: The Getty Museum digs into its photo collections to showcase the unseen’, in: Los Angeles Times, 19 December 2019

___, ‘The Don’t Miss List’, on: www.ladowntownnews.com, 16 December 2019

Miranda, Carolina A., ‘Datebook: Christopher Myers meditates on escape in textile works at Fort Gansevoort’, in: Los Angeles Times, 12 December 2019

Panero, James, ‘Generations: A History of Black Abstract Art’ and ‘Afrocosmologies: American Reflections’ Reviews: Finding a Legacy or Losing the Thread?’, on: www.wsj.com, 3 December 2019

___, ‘ICA Miami Adds More than One Hundred Works to its Collection’, on: www.artforum.com, 29 November 2019

Selvin, Claire, ‘Baltimore Museum of Art Will Only Collect Works by Women in 2020’, on: www.artnews.com, 28 November 2019

Cascone, Susan, ‘Editors’ Picks: 19 Things Not to Miss in New York’s Art World This Week’, on: news.artnet.com, 11 November 2019

Sulcas, Roslyn, ‘For a Los Angeles Dance Festival, Reviving a Homegrown Modernist’, on: www.nytimes.com, New York, 7 November 2019

Schreffler, Laura, ‘Gucci Presents the 2019 LACMA Art + Film Gala with Billie Eilish, Brie Larson, Salma Hayek & More’, on: www.hauteliving.com, 5 November 2019

Capelle, Laura, ‘LA Dance Project revives a neglected work at the Théâtre des Champs-Elysées, Paris’, on: www.ft.com, London, 4 November 2019

___, ‘Library of Ideas: A Course by Charles Gaines, Part Two’, on: www.curate.la, Los Angeles, November 2019

Perry, Barlo, ‘Charles Gaines in Conversation’, on: www.paris-la.com, Los Angeles, 30 October 2019

Miranda, Carolina A., ‘Datebook: MOCA explores an art movement inspired by feminine and domestic traditions’, in: Los Angeles TImes, 24 October 2019

Dambrot, Shana Nys, ‘Paint by Numbers: Charles Gaines Has a System’, in: LA Weekly, Los Angeles, 24 October 2019, pp. 18

Fontaine, Pearl, ‘Theaster Gates, Kenny Scharf, Tala Madani, and More Must See Los Angeles,’ on: www.whitewall.art, 11 October 2019

Zara, Janelle, ‘Even If You Don’t Get All the Details, You Can Still Follow Along’: How Charles Gaines Taught a Generation of Artists’, on: www.news.artnet.com, 7 October 2019

Miranda, Carolina A., ‘Datebook: A cross-border show inspired by a mythical California of woman warriors’, in: Los Angeles Times, Los Angeles, 3 October 2019

Zellen, Jody, ‘Picks of the Week: Charles Gaines ‘Palm Trees and Other Works’’, on: www.whatsonlosangeles.com, Los Angeles, 3 October 2019

Benliyan, Anush J., Look, Marie, ‘9 Art Shows to See at Your Favorite California Venues this Fall’, in: C Magazine, Los Angeles, October 2019, pp. 40

Berg, Allison, ‘The LALA List’, in: LALA Magazine, Los Angeles, Fall 2019, pp. 43

Young, Nate, ‘Nate Young and Charles Gaines in Conversation’, in: The Third Rail, no. 13, Fall 2019, pp. 8-16

Saden, Alexandre, ‘Visionary Systems: Charles Gaines’ Palm Trees and Other Works at Hauser & Wirth Los Angeles’, on: www.blog.lareviewofbooks.com, 28 September 2019

Stromberg, Matt, ‘Charles Gaines Designs an Art Lecture Series That’s Open to the Public’, on: www.hyperallergic.com, 25 September 2019

___, ‘Charles Gaines: ‘Palm Trees and Other Works’ @ Hauser & Wirth Los Angeles’, on: www.autre.love, 23 September 2019

Dambrot, Shana Nys, ‘Charles Gaines: Library of Ideas Lecture Series at HWLA’, on: www.laweekly.com, 23 September 2019

Finkel, Jori, ‘Three Exhibitions to See in Los Angeles this Weekend’, on: www.theartnewspaper.com, London, 19 September 2019

Nonnenberg, Sheryl, ‘Anderson Collection at Stanford marks fifth anniversary’, on: www.paloaltoonline.com, Palo Alto, 19 September 2019

Miranda, Carolina A., ‘Datebook: Stark domestic scenes by German painter Lenz Geerk’, in: Los Angeles Times, Los Angeles, 16 September 2019

Dambrot, Shana Nys, ‘Gallery Openings: Saturday, September 14: Eastbound and North’, on: www.laweekly.com, Los Angeles, 13 September 2019

___, ‘Your Concise Los Angeles Art Guide for Fall 2019’, on: www.hyperallergic.com, 10 September 2019

___, ‘Charles Gaines. Palm Trees and Other Works’, in: Hyperallergic Los Angeles Art Guide, Los Angeles, September 2019

___, ‘A Numbers Game’, in: Cultured Magazine, September-November 2019

Valentine, Victoria L., ‘Truth Teller: Next Month, Henry Taylor is Presenting a Series of New Portraits at Blum & Poe in New York’, on: www.culturetype.com, 21 August 2019

Morón, Rachel, ‘A Picturesque Voyage through Trees’, on: www.tlmagazine.com, 12 August 2019

___, ‘Charles Gaines on Philosophy and Politics in Conceptual Art’, on: www.freshartinternational.com, 29 July 2019

Locher, Anne Stark, ‘A 2019 Medal Day Reflection’, on: www.macdowellcolony.org, 24 July 2019

Selvin, Claire, ‘Baltimore Museum of Art Acquires Works by Charles Gaines, Ana Mendieta, and Others’, on: www. www.ARTnews.com, 14 June 2019

Brara, Noor, ‘The Family Business: 3 Famous Art-World Fathers and Sons Reflect on how Art Has Strengthened Their Relationships’, on: www.artnet.com, 12 June 2019

Chabon, Michael, ‘Michael Chabon on the Power of Art in Troubling Times’, in: The MacDowell Colony, Peterborough, Summer/Fall 2019, pp. 5-7

Gaines, Charles, ‘Charles Gaines Accepts the 60th Edward MacDowell Medal’, in: The MacDowell Colony, Peterborough, Summer/Fall 2019, pp. 7-8

Adam, Georgina, ‘Komal Shah’s mission to redress the art world’s balance’, in: The Financial Times, 24 April 2019.

Waxman, Lori, ‘Art by black artists forces a new look at art history in a must-see show at the Smart Museum’, on: www.chicagotribune.com 22 April 2019.

Valentine, Victoria L., ‘Charles Gaines is Latest in Long Line of Great Artists to Receive MacDowell Medal’, on: www.culturetype.com, 14 April 2019.

__, ‘Conceptual artist Charles Gaines to receive 60th Edward MacDowell Medal’, on: www.ledgertranscript.com, 9 April 2019.

__, ‘Conceptual artist Charles Gaines wins Edward MacDowell Medal’, on: www.ABCnews.com, 9 April 2019.

__, ‘Conceptual Artist Charles Gaines Wins Edward MacDowell Medal’, in: The New York Times, 9 April 2019.

__, ‘Charles Gaines Receives 2019 MacDowell Medal’ on: www.artforum.com, 8 April 2019.

Zoormandan, Taya, ‘Charles Gaines Named Recipient of MacDowell Medal,’ on blog.calarts.edu, 8 April 2019.

__, ‘Conceptual artist Charles Gaines wins Edward MacDowell Medal’, on: www.washingtonpost.com 7 April 2019.

Cohn, Gabe, ‘Charles Gaines to Receive MacDowell Colony Honors’, in: The New York Times, 7 April 2019.

Harris, Gareth, ‘LAXART’s Hamza Walker: ‘Music is a great way to get to know an artist,’ in: Financial Times, 8 February 2019.

Nash, David, ‘Pamela Joyner on African-American Art and Its Representation in the History Books’, on: www.architecturaldigest.com, 22 January 2019.

Cheng, Scarlet, ‘Q&A With Stacen Berg. Hauser & Wirth Los Angeles’ Senior Director’, in: Artillery Magazine, 2 January 2019.

Reynolds, Michael and Johnson, Stephen Kent, ‘Art As Life’, in: LALA Magazine, Winter 2019.

___, in: Artforum, November 2018, ill.

Gaines, Charles, ‘The Double Consciousness of the Lincoln Memorial’, on: www.artforum.com, 1 November 2018

Gaines, Charles, ‘Charles Gaines’, in: The Brooklyn Rail, October 2018

___, ‘Artist Activists Light Up the High Line with “Agora”’, on: www.newyorker.com, 20 August 2018

Valentine, Victoria L., ‘Los Angeles-based Conceptual Artist Charles Gaines Has Joined Hauser & Wirth Gallery’, on: www.culturetype.com, 13 August 2018

Battaglia, Andy, ‘Charles Gaines Is Now Represented by Hauser & Wirth’, on: www.ARTnews.com, 11 August 2018

Taplin, Katy, ‘Workable Identity. Charles Gaines at Paula Cooper’, on: www.artcritical.com, 9 June 2018

Takac, Balasz, ‘On Identity Politics And Other Issues. An Interview with Charles Gaines’, on: www.widewalls.ch, 29 May 2018

___, ‘Galleries–Chelsea. Charles Gaines’, in: The New Yorker, 28 May 2018, p. 8

Messina, Rab, ‘Charles Gaines Puts a Face to the Politics’, on: www.tlmagazine.com, 24 May 2018

Dambrot, Shana Nys, ‘What We Learned From Charles Gaines and Njideka Akunyili Crosby at the Broad Stage’, on: www.laweekly.com, 22 May 2018

Martinique, Elena, ‘8 Gallery Shows to See in New York During Frieze Week’, on: www.widewalls.com, 2 May 2018

___, in: Cultured Magazine, April/May 2018 Boucher, Brian, ‘9 Art Shows to See This Week On and Off Frieze Island’, on: www.vulture.com, 30 April 2018

Greenberger, Alex, ‘10 Art Events to See in New York City This Week’, on: www.ARTnews.com, 30 April 2018

Sheets, Hilarie M., ‘A Husband’s Legacy Provides Comfort’, in: The New York Times, 16 February 2018, p. C20

Hultkrans, Andrew, ‘Terry Adkins at Lévy-Gorvy, New York’, on: www.frieze.com, 31 January 2018

Green, Kate, ‘500 Words: Charles Gaines’, on: www.artforum.com, 19 December 2017

Te Paske, Joelle, ‘An Interview with 2018 Keynote Speaker Charles Gaines’, on: www.collegeart.org, 13 December 2017

Maldonado, Devon Van Houten, ‘Never Free to Rest at kurimanzutto, Mexico City’, on: www.art-agenda.com, 27 November 2017

Geer, Katie Kerns, ‘Creating Order’, in: Charleston Magazine, May 2017

Laird, Nick and Charles Gaines, ‘An Artist and a Poet Consider Commitment’, on: www.nytimes.com, 18 May 2017

Enholm, Molly, ‘2016 Top Tens. Los Angeles’, in: Art Ltd., January / February 2017

Kennedy, Randy, ‘A Permanent Plinth for New Art Coming to the High Line’, in: The New York Times, 10 January 2017

Cachia, Amanda, ‘Critics’ Pick. Charles Gaines at Susanne Vielmetter Los Angeles Projects’, on: www.artforum.com, 11 November 2016

Loos, Ted, ‘Righting Wrongs and Generating Attention for Art of the African Diaspora’, in: The New York Times, 16 October 2016

Franke, Anselm, ‘Shifting Backgrounds’, in: Mousse Magazine, July 2016

Golden, Thelma, ‘Before and After. Thelma Golden on Black Male (1994-95)’, in: Artforum, Summer 2016

Tain, Joh, ‘Lives of Others. John Tain on “The Theater of Refusal” (1993)’, in: Artforum, Summer 2016

Gaines, Charles and Kerry Tribe, ‘Double Dutey. Practicing Art and Teaching in Greater Los Angeles’, in: X-TRA, Summer 2016

Korman, Sam, ‘Live. From Minimalism into Algorithm’, in: Frieze, May 2016

Wilkerson, Emily, ‘Biennials on the International Stage’, on: www.pelicanbomb.com, 29 May 2016

Gaines, Charles ‘Don’t Do Anything Illegal. Charles Gaines on How to Stay in the Game as an Artist’, on: www.artspace.com, 5 May 2016

Kaplan, Isaac, ‘If You Don’t Understand Conceptual Art, It’s Not Your Fault’, on: www.artsy.net, 31 March 2016

Davis, Samara, ‘Critics’ Pick. Performing the Grid’, on: www.artforum.com, 29 January 2016

Knight, Christopher, ‘Best of 2015. The 10 Best art exhibitions at L.A. museums in 2015’, on: www.latimes.com 12 December 2015

Nelson, Solveig, ‘The Freedom Principle. Experiments in Art and Music, 1965 to Now’, in: Artforum: November 2015, pp. 298-299

Wagley, Catherine, ‘Layers of Leimert Park’, in: Carla, Fall 2015

Morgan, Jessica, ‘Too Much Too Soon’, in: Artforum, September 2015, pp. 318-323

Goodman, Amy, ‘Freed But Not Free. Artists at the Venice Biennale Respond to the #BlackLivesMatter Movement’, on: www.democracynow.org, 11 August 2015

Brown, A. Will and Charles Gaines, ‘Charles Gaines. I am dealing in the area of how meaning is formed’, www.studiointernational.com, 9 August 2015

Daurizio, Michele, ‘All the Worlds Futures. 56th Venice Biennale’, in: Flash Art, July – August 2015, pp. 106-107

Angaza Pitts, Greg, ‘Charles Gaines. Art + Practice. Los Angeles’, in: Artillery, July 2015, p. 49 Diehl, Travis, ‘A/The/Grid/Work’, in: X-TRA, Summer 2015, pp. 30-47

Syms, Martine and Charles Gaines, ‘Problems of Representation’, in: Flash Art, May / June 2015, pp. 65-71

Smith, Roberta, ‘Review. Art for the Planets Sake at the Venice Biennale’, in: The New York Times, 15 May 2015

Russeth, Andrew, ‘The 2015 Venice Biennale Central Show, Focused on Strife, is Uneasy, Uneven’, on: www.ARTnews.com, 6 May 2015

Zellen, Jody, ‘Charles Gaines’, in: ArtScene, April 2015

Valentine, Victoria L., ‘How Artist Charles Gaines is Influencing the Creative Economy in Los Angeles’, on: www.culturetype.com, 13 April 2015

Melrod, George, ‘Charles Gaines’, in: art ltd., March / April 2015, pp. 50-53

Sutton, Kate, ‘Practice Makes Perfect’, in: Artforum, 14 March 2015

Stromberg, Matt, ‘Charles Gaines on Reputation, the Black Art Establishment, and His Two L.A. Shows’, on: www.artsy.net, 11 March 2015

Stromberg, Matt, ‘New LA Art Space with a Mission Opens in Leimert Park’, on: www.hyperallergic.com, 10 March 2015

Dudley, Elyssa, ‘LA Artist Charles Gaines Makes Meaning with Grids and Numbers’, on: www.scpr.org, 6 March 2015

Valentine, Victoria L., ‘2015 Venice Biennale to Include More than 25 Black Artists’, on: www.culturetype.com, 5 March 2015

Kulick, Maryrose, ‘Art Exhibit Review. Charles Gaines. Gridwork 1874-1989’, in: Daily Bruin, 4 March 2015

Knight, Christopher, ‘Review. Hammer’s “Gridwork” plots Charles Gaines’ captivating process’, in: Los Angeles Times, 3 March 2015

Miranda, Carolina, ‘How the dense grids of artist Charles Gaines took the ego out of art’, in: Los Angeles Times, 3 March 2015

Berardini, Andrew, ‘Critics’ Pick. Charles Gaines at the Hammer Museum’, on: www.artforum.com, February 2015

Williams, Maxwell, ‘Charles Gaines’ Beautiful Systems’, on: www.kcet.org , 12 February 2015

Sirmans, Franklin, Contemporary Friends Acquire Seven New Works by Artists from Around the World’, on: unframed.lacma.org, 12 February 2015

Miranda, Carolina, ‘Datebook. Conceptual grids, earthy caves and lots of Italian masters’, in: Los Angeles Times, 5 February 2015

Herold, Ann, ‘The Harlem Show for Conceptual Artist Charles Gaines Hits the Hammer’, in: Los Angeles Magazine, 2 February 2015

Schwabsky, Barry, ‘Charles Gaines. Studio Museum in Harlem’, in: Artforum, November 2014, p. 279

Maliszewski, Lynn, ‘Time is of the Essence. Charles Gaines. Gridwork 1974-1989’, in: The Brooklyn Rail, September 2014

___, ‘Must See’, on: www.artforum.com, Summer – Fall 2014 Gaines, Malik, ‘The Passion of St. Charles’, in: Studio, Summer / Fall 2014, p. 45, ill.

Haines, Chelsea, ‘Critics’ Pick. Charles Gaines’, in: Artforum, August 2014

Budick, Arielle, ‘Charles Gaines. Gridwork 1974-1989, The Studio Museum in Harlem, New York’, on: www.ft.com, 31 August 2014

Pollack, Maika, ‘Charles Gaines. Gridwork (1974-1989) at the Studio Museum’, on: www.observer.com, 13 August 2014

___, ‘Of Note. Studio Museum in Harlem. Charles Gaines. Gridwork, 1974-1989’, in: The New Yorker, 4 August 2014, p. 14

O’Connell, Ainsley, ‘How One Artist’s Work tackled Big Data (40 Years Before It Existed)’, on: www.fastcompany.com, 29 July 2014

Slenske, Michael, ‘Uncovering Charles Gaines’s Lost Line Drawings’, on: www.architecturaldigest.com, 23 July 2014

Dawson, Jessica, ‘Getting Charles Gaines on the Grid’, in: The Wall Street Journal, 15 July 2014

Rosenberg, Karen, ‘The Calculus Behind Imagery’, in: The New York Times, 10 July 2014

Johnson, Ken, ‘Words That Do More Than Signify. “Sites of Reason” Underway at Museum of Modern Art’, in: The New York Times, 3 July 2014

Estefan, Kareem, ‘Review. Charles Gaines at Paula Cooper Gallery’, in: Art in America, January 2014, pp. 99-100, ill.

Berman, Aniko, ‘Review. Charles Gaines, Paula Cooper Gallery’, in: Flash Art, November-December 2013

___, ‘Art. Last Chance. Charles Gaines. “Notes on Social Injustice”’, in: The New York Times, 4 October 2013, p. C22

Philips, Rowan Ricardo, ‘Critics’ Pick. Charles Gaines’, on: www.artforum.com, September 2013, ill.

Plagens, Peter, ‘Persuasion in Pieces and Disarray. Charles Gaines. Notes on Social Justice’, in: The Wall Street Journal, 28-29 September 2013, p. A20, ill.

Cotter, Holland, ‘Art in Review. Charles Gaines, “Notes on Social Justice”’, in: The New York Times, 27 September 2013, p. C32, ill.

___, ‘Charles Gaines, “Notes on Social Justice” at Paula Cooper Gallery’, in: Time Out New York, 19-25 September 2013, p. 41

Ricardo Phillips, Rowan, ‘Critics’ Pick. Charles at Paula Cooper Gallery’, in: Artforum, 23 September 2013

___, ‘Galleries. Charles Gaines, “Notes on Social Injustice”’, in: Time Out New York, 12-18 September 2013, p. 40

Tani, Ellen Yoshi, ‘Charles Gaines and Sol Lewitt at Paula Cooper NYC’, on: www.dailyserving.com, 17 September 2013, ill.

Schwabsy, Barry, ‘Post-White? On Blues for Smoke. The Whitney’s adventurous, awkward attempt to explore abstract art through the blues’, in: The Nation, 20 May 2013

Michno, Christopher, ‘Featured Review. Charles Gaines’, in: Artillery, vol. 7, iss. 2, November/December, p. 46

Gaines, Malik, ‘”City after Fifty Years” Living. L.A.’s Differences in Relation’, in: Art Journal, vol. 71, no. 1, Spring 2012

Holte, Michael Ned, ‘Charles Gaines. Form and Content’, in: International Review of African American Art, vol. 23, no. 3, 2011

Wood, Eve, ‘Charles Gaines at Susanne Vielmetter Los Angeles Projects’, in: art ltd., November 2011

Holte, Michael Ned, ‘Differential Equations’, in: Artforum, October 2011

___, ‘Auf dem Freeway zur Kunst’, in: ART Magazine, September 2011

Soto, Paul, ‘Infinite Re-Combination. Q&A with Charles Gaines’, in: Art in America, 12 September 2011

Mizota, Sharon, ‘All of This and Nothing at the Hammer Museum’, in: Los Angeles Times, 2 March 2011

Simonson, Lily, ‘Looking at Los Angeles. Ephermerality and Eternity in “All of This and Nothing”’, on: magazine.art21.org, 24 February 2011

Knight, Christopher, ‘Charles Gaines “Manifestos” at UCLA Hammer Museum’, in: Los Angeles Times, 7 February 2011

Ta, Jennifer, ‘Hammer Museum’s “All of This and Nothing” adds the extra to the ordinary’ in: Daily Bruin, 31 January 2011

Poundstone, William, ‘”All of This and Nothing” at the Hammer’, on: www.blouinartinfo.com, 30 January 2011

Finkel, Jori, ‘Galleries join Pacific Standard Time’, in: Los Angeles Times, 20 January 2011

Stillman, Nick, ‘Edgar Arceneaux, Charles Gaines, and Rick Lowe’, in: Bomb, num. 111, Spring 2010, pp. 50-57

Merjian, Ara H., ’30 Seconds off an Inch’, in: Frieze, iss. 130, April 2010

Boehm, Mike, ‘MOCA celebrates 30 years and a rebirth’, in: Los Angeles Times, 8 November 2009

Smith, Terry, ‘The World From Europe. Mega-Exhibitions from Spring 2007’, in: X-TRA, 2008

Johnson, Ken, ‘Art in Review. Charles Gaines’, in: The New York Times, 6 November 2008

Kilston, Lyra, ‘Los Angeles. Field Guide’, in: Modern Painters, October 2008

Melrod, George, ‘California Biennial. Lauri Firstenberg Interview’, in: art ltd., October 2008

Chang, Richard, ‘A Broader Biennial’, in: Orange County Register, 26 October 2008

Chang, Richard, ‘California Biennial reaches beyond the Golden State’, on: www.ocregister.com, 24 October 2008

Mizota, Sharon, ‘Eureka moments’, in: Los Angeles Times, 19 October 2008

___, ‘What’s Up. Collection in Context. Four Decades’, in: The Studio Museum in Harlem Magazine, Summer 2008

Seyfarth, Ludwig, ‘Explosions Im Hirn, (Explosions in the Brain)’, on: www.artnet.com, 25 June 2008

___, in: Contemporary Art Quarterly, vol. 10, num. 3, Spring 2008

___, ‘”Globalization” of the Biennial Wave’, in: Art in Asia Magazine, no. 4, March – April 2008

Chang, R., ‘O.C. Museum of Art hires guest curator for biennial’, on: www.ocregister.com, 11 February 2008

Ostendorf, Yasmine, ‘De Schoonheid Van Een Ramp’, in: Mister Motely, December 2007

JS, ‘United States Artists winners’, on: www.flashart.com, 20 November 2007

Boehm, Mike, ‘USA Fellows puts artists in a flattering lights’, on: www.latimes.com, 15 November 2007

Siegel, Katy, ‘The Buck Stops Here’, in: Artforum, September 2007

Ollman, Leah, ‘Smoggy side of L.A. “Greenhouse”’, in: Los Angeles Times, 10 August 2007

Levin, Kim, ‘Death in Venice’, in: The Brooklyn Rail, July 2007

Mizota, Sharon, ‘Clarity in every crisis’, in: Los Angeles Times, 29 July 2007

___, ‘Venice Art Biennale 2007’, on: www.designboom.com, June-November 2007

Schjeldahl, Peter, ‘Big Ideas’, in: The New Yorker, 25 June 2007

Brooks, Amra, ‘Must See Art. Charles Gaines’ Greenhouse’, 25 July 2007

O’Keeffe, Alice, ‘The art of a good time’, in: New Statesman, 21 June 2007

Bedford, Christopher, ‘Charles Gaines at LAXART’, on: www.artforum.com, 19 July 2007

Mustroph, Tom, ‘Fragezeichen über Venedig’, in: Neues Deutschland, 19 June 2007

Czöppan, Gabi, ‘Augenschmaus statt Angstschweiβ’, in: Focus, 13 June 2007

Kač, Maja, ‘Policentrična umetnost tega trenutka’, in: Triera (Slovenia), 12 June 2007

Kač, Maja, ‘Policentrična umetnost tega trenutka’, in: RTV Slovenija, 12 June 2007

Haun, Anne, ‘Das grosse Kunst-Ragout’, on: www.artnet.com, 11 June 2007

Finkel, Jori, ‘A Reluctant Fraternity, Thinking Post-Black’, in: The New York Times, 10 June 2007

Schirrmeister, Benno, ‘Isa Genzkens ‘Öl für Kunst’-Programm’, on: www.taz.de, 9 June 2007

Mathonnet, Philippe, ‘A Venise, l’art s’humanise’, in: Le Temps, 9 June 2007

Lacayo, Richard, ‘And A Bit More On Storr’, in: Time, 8 June 2007

Huber-Lang, Wolfgang, ‘Zwischen Museum und Katastrophengebiet’, in: Wiener Zeitung, 8 June 2007

De Sanctis Mangelli, Flavia, ‘Paesaggi di Guerra’, in: l’Unità, 7 June 2007

Moshayedi, Aram, ‘Charles Gaines + Edgar Arceneaux’, in: Art Papers, January/February 2007

Pagel, David, ‘Connecting beauty, suffering’, in: Los Angeles Times, 22 December 2006

Blumenstein, Ellen, ‘L.A. Confidential’, in: Monopol, November/December 2006

Ollman, Leah, ‘Forks abound in “Snake River”’, in: Los Angeles Times, 4 October 2006

Muchnic, Suzanne, ‘The Art Explosion’, in: Los Angeles Times, 1 October 2006

___, ‘Snake River’, in: Photography Now, July/August/September 2006

___, ‘Kunst: Snake River im Lentos’, in: Oberösterreichblicke, May 2006

___, ‘Das Österreich-Kalendarium’, in: Reisemagazin, May 2006

___, ‘Aktuelle Ausstellungen’, in: Neues aus Linz, May 2006

___, ‘Räume und Kulturen verflochten’, in: Krone OÖ, 19 May 2006 ___, ‘Ausstellung’, in: OÖ Nachrichten, 2 May 2006

Thek, Franz, ‘Sprache von Fluss und Musik’, in: OÖ Nachrichten, 29 April 2006

Hofleitner, Johanna, ‘Der Lauf der Dinge’, Schaufenster, 28 April 2006

Hutter, Andreas, ‘Das Linzer Lentos als Kino und als “Filmproduzent”’, in: Neues Volksblatt, 28 April 2006

Haderer, Gerhard, ‘Snake River’, in: Österreichisches Pressebüro, 28 April 2006

CB, ‘Watchlist’, in: Der Standard, 27 April 2006

___, ‘”Snake River” im Lentos’, in: Tips, 25 April 2006

___, ‘Snake River’, in: Schaufenster, 21 April 2006

___, ‘Edgar Arceneaux und Charles Gaines. Snake River’, on: www.freikarte.at, 3 April 2006

Cotter, Holland, ‘Charles Gaines Survey Exhibition. 1991-2004’, in: The New York Times, 30 April 2004, p. B31

Harvey, Doug, ‘Color Theory, Fade to Black’, in: LA Weekly, 13-19 February 2004, p. 55

Haithman, Diane, ‘Crossing Generations’, in: Los Angeles Times, 19 January 2004, p. 2

Iwona Blaswick, ‘Conference Report. Beauty rears its ugly head again’, re Charles Gaines’s ‘The Paradox of Black Pluralism’, in: Art Monthly, no. 265, April 2003, pp. 44-45

Calder, Diane, ‘Charles Gaines’, on: www.artscenecal.com, April 2002

Olson, Marisa S., ‘Lurid Stories. Charles Gaines at the San Francisco Art Museum’, in: Artweek, vol. 32, iss. 9, September 2001, pp. 19-20

Gaines, Malik, ‘Remember the Grid’, in: Untitled, no. 25, Summer 2001

Bonetti, David, ‘Gaines probes darkness in “Lurid Stories” show’, in: San Francisco Chronicle, 7 July 2001, p. C1

Helfand, Glen, ‘Lurid Stories. Charles Gaines’, in: The San Francisco Bay Guardian, vol. 35, no. 40, 4-10 July 2001, p. 73.

Miles, Christopher, ‘Charles Gaines’, in: Artforum, February 2001, p. 158

Myers, Holly, ‘Disasters in the Making’, in: Los Angeles Times, 29 December 2000, p. F32

Sirmans, Franklin, ‘John Weber Gallery’, in: Time Out New York, iss. 238, 13-20 April 2000

Pagel, David, ‘Glimpses of the Drama in LA Settings’, in: Los Angeles Times, 16 July 1999, p. F31

Intra, Giovanni, ‘La struttura mobile’, in: Tema Celeste, no. 72, January/February 1999, pp. 50-55

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Walsh, Daniella, ‘A visit to “Other Related Areas”’, in: Orange County Register, 25 October 1998, p. 26

Curtis, Cathy, ‘When Seeing Isn’t Believing’, in: Los Angeles Times, 12 October 1998, p. F2

___, ‘Transfiction I’, in: Wienlexicon Kunstkalender, num. 34, April 1998

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Otto, Susan, ‘Airplanecrashclock. Richard Heller Gallery’, in: Art in America, December 1997, p. 99

Knight, Christopher, ‘There’s Evidence of Good Work Found at “Scene of Crime”’, in: Los Angeles Times, 29 July 1996, p. F1

Hale, David, ‘Was victims’ fate merely in the stars?’, in: Fresno Bee, 17 February 1996, p. H4

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Zellen, Jody, ‘Night/Crimes’, in: Art Press, September 1995, p. 11

Nolan, Timothy, ‘Lewis Baltz at Gallery Ram and Charles Gaines at the Santa Monica Museum’, in: Artweek, June 1995, p. 26

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Brooks, Rosetta, ‘”The Metaphysics of Murder. Charles Gaines” Work Explores the Human and the Cosmic’, in: L. A. Village View, 2-8 June 1995, p. 39

Green, David, ‘Net Gaines. Making a Case for Night/Crimes’, in: Los Angeles Reader, 26 May 1995

Kandel, Susan, ‘Night/Crimes’, in: Los Angeles Times, 20 April 1995

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Veneciano, Daniel, ‘No Justice, No Peace’, in: New Art Examiner, February 1993

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Ger, Suvan, ‘Group Effort Using Science Pays Off’, in: Los Angeles Times, 19 July 1991

Chattopodhyay, Collette, ‘Charles Gaines’, in: Artweek, 18 July 1991

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___, ‘Fresh Visions’, in: Los Angeles Times, 25 August 1989

Vivien Raynor, ‘Art. The Conceptualists’, in: The New York Times, 12 July 1985

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___, ‘Systems, Inquiry, Translation’, in: Artforum, November 1980

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___, in: New Art Examiner, April 1980 Artner, Alan, in: Chicago Tribune, 2 April 1980

___, in: San Francisco Chronicle, 7 February 1980

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Muchnic, Susanne, ‘Margo Leavin Gallery’, in: Los Angeles Times, 7 July 1979

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___, ‘The Grid’, in: The New Art Examiner, May 1979

___, ‘Fresno Exhibition’, in: West Art, May 1979

___, ‘Exchanges’, in: Soho News, 30 May 1979

___, in: Fresno Bee, 13 December 1978

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Hoesterey, Ingeborg, ‘Whitney Biennial. New York’, in: Art International, 15 May 1975, p. 54

Wilson, William, ‘Lumber and Beds and USC’, in: The Los Angeles Times, 23 October 1972

___, ‘Cinque Gallery exhibit’, in: Art News, May 1972

___, ‘Recent Paintings of Charles Gaines at Cinque Gallery’, in: New York Amsterdam News, vol. 1, no. 7, April 1972