Image: Film Still from Douglas Gordon's 24 HOUR PSYCHO

Screening Room: Film Series by Roni Horn

  • Wed 8, 15 May, 6pm & Thu 9 May, 6 pm Thu 16 May, 10 am – Fri 17 May, 10 am

On the occasion of the exhibition 'Roni Horn’ at Hauser & Wirth Wooster Street, we're thrilled to present a film series by the artist in the amphitheater at our 18th Street location in Chelsea. 

The film series will take place over two weeks, May 8 to May 17, and includes:  

Wednesday 8 May 
6 pm 
JALSAGHAR: THE MUSIC ROOM (1958), Directed by Satyajit Ray
1 hr 35 min   
Click here to register. 

8 pm 
THE SERVANT (1963), Directed by Joseph Losey 
1 hr 56 min    
Click here to register. 
 
Thursday 9 May 
6 pm 
WANDA (1970), Directed by Barbara Loden 
1 hr 42 min   
Click here to register. 

8 pm 
DERSU UZALA (1975), Directed by Akiri Kurosawa 
2 hr 22 min   
Click here to register. 

Wednesday 15 May 
6 pm 
HAPPY PEOPLE: A YEAR IN THE TAIGA (2010), Directed by Werner Herzog 
1 hr 30 min   
Click here to register.  
 
8 pm 
IN A YEAR OF 13 MOONS (1978), Directed by RW Fassbinder 
2 hr 4 min 
Click here to register. 

Thursday 16 May – Friday 17 May 
10 am – 10 am 
24 HOUR PSYCHO (1993), Directed by Douglas Gordon 
Shower Scene will screen around 7.50 pm
24 hrs 
Click here to register. 

All screenings are free and open to the public; however, due to limited space, reservations are required. Please register for each film individually. 

About ‘Roni Horn’ 
Roni Horn’s work consistently generates uncertainty to thwart closure in her work. Important across her oeuvre is her longstanding interest in the protean nature of identity, meaning, and perception, as well as the notion of doubling; issues which continue to propel Horn’s practice. On 4 April, Hauser & Wirth will open an exhibition by acclaimed American artist Roni Horn at the gallery’s location on Wooster Street. Known for her conceptually oriented work in a diverse array of media, Horn will present a new series of works on paper alongside six cast-glass sculptures that explore new geometries and further the artist’s ongoing interest in identity, interpretation and multiplicity. 

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