Otero’s practice is known for employing highly innovative techniques that challenge the parameters of his materials, revealing the intrinsic qualities of paint. His works are rooted in abstract image making and engage with ideas of memory through addressing art history, as well as his own lived experience. Otero is best known for the Oil Skin works he began in 2010, an ongoing series that demonstrates the inherently transformative nature of the artist’s practice as well as his dedication to expanding the visual field of abstract expressionism. Using oil paint layered onto glass and peeled off at a partially dried state, Otero recomposes his ‘skins’ onto canvas to make entirely new images and patterns. This methodical process is extended to his Transfer Series (2013) which utilizes imagery from his own personal history. Referencing historical etchings, the artist traces images drawn from his family photographs into horizontal lines with silicone—he eventually transfers the composition onto a large piece of paper that becomes the plate he will cover in raw pigment. Otero then lays his canvas onto these mediums to create a distorted monotype of the original imagery.
His more recent works have continued to explore chance-based processes and their potential to convey memory and history through materiality. In 2017, Otero debuted a series of large-scale sculptural oil paintings that resemble tapestry. Hanging freely, these works incorporate salvaged materials from his studio, off-cuts of previous paintings, and found objects that are significant to his native Puerto Rico. The many fragments that make up his compositions become powerful meditations on past and present.
The artist’s early childhood memories are brought to the forefront in his most recent series of paintings which see a return to figuration combined with his hallmark style of abstraction. Otero paints and collages dreamlike scenes upon his vibrant structured canvases, depicting objects and spaces that are loosely based on personal memories associated with the domestic sphere. Probing the boundaries of figuration and abstraction, Otero’s most recent works continue to expand the possibilities of painting and materiality.
Otero’s work is in numerous public and private collections including the Berezdivin Collection, Puerto Rico; Bronx Museum of the Arts, Bronx NY; DePaul Art Museum, Chicago IL; Istanbul Modern, Istanbul, Turkey; Kemper Museum of Contemporary Art, Kansas City MO; Margulies Collection, Miami FL; Nerman Museum of Contemporary Art, Overland Park KS; North Carolina Museum of Art, Raleigh NC; Solomon R. Guggenheim Museum, New York NY; Speed Art Museum, Louisville KY, UBS Art Collection, Chicago IL; and the Virginia Museum of Fine Arts, Richmond VA.
