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John Chamberlain Estate
The Estate of Eduardo Chillida
Berlinde De Bruyckere
Estate of Günther Förg
The Estate of Leon Golub
Arshile Gorky Estate
The Estate of Philip Guston
The Estate of Eva Hesse
Andy Hope 1930
Matthew Day Jackson
Allan Kaprow Estate
Mike Kelley Foundation for the Arts
The Estate of Lee Lozano
Anna Maria Maiolino
Fondazione Piero Manzoni
Estate Fabio Mauri
The Estate of Fausto Melotti
Henry Moore Family Collection
The Estate of Jason Rhoades
August Sander Family Collection
Mira Schendel Estate
The Estate of David Smith
The Estate of Alina Szapocznikow
Estate Philippe Vandenberg
Jack Whitten Estate
Jakub Julian Ziolkowski
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Asking for a Deeper Look
This year’s Whitney Biennial, which opened in May and continues through September 22, set out as one of the overarching themes for its 75 chosen...
Arshile Gorky to his daughters, summer 1947
Late spring, 1947: Agnes ‘Mougouch’ Gorky takes her children, Maro, four years old, and Natasha, not yet two, to Maine, where they remain for the...
Never See It Coming
In 1988, Bruce Nauman was asked by Joan Simon, for an Art in America interview, what he thought about when he made an artwork. His answer is worth...
The Poetry of Night Buses
On the occasion of the relocation of Hauser & Wirth Publishers to—and the opening of its new bookstore in—the historic Zurich building at...
Matthew Day Jackson in conversation with space-program engineer Don Eyles
The March 17, 1971 issue of Rolling Stone magazine carried a headline typical of the mock-screaming tenor of the publication in those days, but...
What’s Not There: Jenny Holzer’s enduring exploration of painting and power
In Catch-22, Joseph Heller’s classic World War II farce about organized human cruelty, the antihero Captain Yossarian is given the tedious task of...
Home Is Where One Starts From
Don McCullin, one of the most revered British photographers of his generation and among the most relentlessly globe-trotting (Vietnam, Cyprus,...
The Painter and the Planetarian: Luchita Hurtado
If, as Isamu Noguchi once said, ‘We are a landscape of all we have seen,’ then the painter Luchita Hurtado encompasses a particularly vast,...
The Pathos Collector:
An outsider’s mission moves inside
‘I’ve never really been a postage stamp collector, which is what I call art collectors who need one of each,’ explains Jim Linderman between sips...
Remembering Sister Wendy Beckett (1930–2018)
As an evangelist for art, Sister Wendy Beckett knew how to find God in the details. Being a Roman Catholic nun had something to do with it, but...
I Don’t Believe in Masterpieces Anyway
I remember calling Glenn O’Brien from my car on speakerphone after his advice book How to Be a Man (2011) was published. He had skipped a chapter...
Let’s Get Lost: Rediscovering a radical scholar as art shaman
When a classicist—even a revered one—decides to decamp from one university to another, it isn’t usually momentous news. This was true even back...
Down to Earth: Architect Thomas Phifer’s explorations of architecture for art
‘Clarity. And warm bread.‘ Those are the two things that architect Thomas Phifer remembers most indelibly from Italy in 1976—his first time...
Americans Doing Everyday American Things
I had known that I wanted to do the painting that became ‘Planes, rockets, and the spaces in between’ for a long time. I had the stretcher built...
This is not a photograph
Between December 1929 and February 1930, the Belgian poet and artist Paul Nougé, using an ordinary cheap camera, took a set of 19 photographs...
Mother Church Number Ten: Homage to Whitten
Once you were a saddle made of smoothed wood—
Plein Air: A Look at New Work by Roni Horn
Roni Horn’s ‘Air Burial’ (2014 – 17) belongs to an important group of cast-glass works that the artist has made since the mid-1990s. ‘Air...
Angry Birds: A Conversation with Ida Applebroog
The artist Ida Applebroog has worked in SoHo since 1974, more than 40 of those years in a high-ceilinged, whitewashed loft on Broadway near Broome...
Making Doors: Linda Goode Bryant in Conversation with Senga Nengudi
The artist Lorraine O’Grady once wrote about the joys of a ‘unique art-making moment, one when the enabling audience—the audience which allows the...
Repetition Compulsion: On the unknown correspondence between Dominick Dunne and Baroness Marion Lambert
There is nothing unusual about the tendency many of us have to fall into the loop of the repetition compulsion. We revisit the traumas or...
Ursula: A New Magazine from Hauser & Wirth
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