Selected Press
Artsy
Maxwell Rabb
22 April 2024
5 Ways Galleries Are Making the Art World Greener
‘One single artist studio or gallery can’t shift the landscape, but collective action amplifies our efforts, builds a movement, and contributes to climate resilience.’
The New York Times
Ted Loos
19 April 2024
Roni Horn, a Restless Artist With 4 Shows and More Identities
'I think that the beauty in [my new works] is a manifestation or an artifact of this concept that I’ve developed.'
Time Magazine
Kiki Smith
17 April 2024
Jenny Holzer: Time's 100 Most Influential People of 2024
‘Jenny has allowed her art to grow by embracing collaboration and new technologies, but her singularity as an artist has always persevered and her work continues to be radical.’
Wallpaper*
Osman Can Yerebakan
17 April 2024
Berlinde De Bruyckere’s angels without faces touch down in Venice church
'There is a sense of resurrection, an element of mortality that is already a part of the environment.'
The New York Times
Andrew Maerkle
15 April 2024
Match Made in Venice: Tadao Ando and Zeng Fanzhi
‘[Tadao Ando's] design achieves a synthesis of Eastern and Western philosophies of painting, all presented through architecture. It inspired me as I worked on the paintings for the exhibition.’
Mousse Magazine
Paulo Miyada
15 April 2024
The Languages I Speak Carry Accents: Anna Maria Maiolino and Paulo Miyada in conversation
‘In art, however, I found shelter, solace, healing, a fertile territory where I could rebuild my sense of home.’
Financial Times
Claire Wrathall
4 April 2024
Mark Bradford’s art of glass
'Bradford cares 'deeply about the project and what happens to it.' But a far deeper impression has been left by 'the people I’ve come to know.'
The Brooklyn Rail
Pepe Karmel
1 April 2024
In conversation: Pat Steir with Pepe Karmel
‘I don’t have to have one style. I don’t have one hairdo in my whole life. I don’t have one jacket. Why should I have one style to identify myself? My groups of paintings are like bodies of work. They can last for a year or ten years. But they’re all research for me.’
The Art Newspaper
Gabriella Angeleti
28 March 2024
Glenn Ligon: 'The idea of coal dust being elevated into the space of art was something that interested me'
‘Baldwin talks about how the place of the 'disesteemed' is where you learn the most about how a society functions. The idea of coal dust, a waste product, elevated into the space of art was something that interested me.’
Contemporary Art Review LA
Jessica Simmons-Reid
28 March 2024
Pat Steir at Hauser & Wirth
‘Steir’s paintings appear to revel solely in the pigment’s optical and physical properties as a haptic material. And because color is primarily a matter of light, her specific focus on the color blue makes light itself an integral ingredient in the work’s visual dynamism. As such, these paintings also nod to the ineffable subjectivity of perception.’
Artforum
Annabel Osberg
25 March 2024
Critic's Picks: 'Implicit Explicit'
‘The show is rife with tensions between old and new, banality and wonder; and puts a thematic emphasis on materiality, feminism, and environmental destruction… exhibitions like this underscore how materials and techniques traditionally associated with functional or folk art can amplify meaning and symbolism.’
ARTnews
Maximilíano Durón
22 March 2024
Hauser & Wirth to Inaugurate Basel Space with Vilhelm Hammershøi Exhibition
‘Opening this space in the cultural heart of Basel will allow for intimate encounters with art of an extraordinary calibre...’
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