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David Zink Yi and the Language of Ceramic Cephalopods

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About 20 years ago my friend Frank-Peter Lehmann, a director of photography who lives in Berlin and has filmed many of my documentaries, invited me to see the...
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The Making of Mark Bradford’s ‘Life Size’

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Claes Oldenburg once described the ancient art of the print in easy-to-understand contemporary terms: ‘You could say making a print is like preparing a pizza....
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Asking for a Deeper Look

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This year’s Whitney Biennial, which opened in May and continues through September 22, set out as one of the overarching themes for its 75 chosen participants...
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Down to Earth: Architect Thomas Phifer’s explorations of architecture for art

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‘Clarity. And warm bread.‘

Those are the two things that architect Thomas Phifer remembers most indelibly from Italy in 1976—his first time living...
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Plein Air: A Look at New Work by Roni Horn

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Roni Horn’s ‘Air Burial’ (2014 – 17) belongs to an important group of cast-glass works that the artist has made since the mid-1990s. ‘Air Burial’—the title...
Ursula is a quarterly art magazine from Hauser & Wirth featuring essays, profiles, interviews, original portfolios, and photography by some of the most thought-provoking writers and artists in the world.

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