The comprehensive showcase will present a chronological selection of the photographer’s most poignant and best known reportage. The exhibition commences with a selection of the photojournalist’s early professional photography, featuring his first published image in The Observer dating back to 15 February 1959. ‘The Guvnors’ was taken in Finsbury Park and marked the start of McCullin’s passionate documentation of London gang culture and impoverished urban Britain throughout the sixties and seventies. His work during this time created a harsh spotlight on the reality of life post-war, including the stark landscapes of the industrial North, the increasing unemployment and homeless levels in the capital and growing unrest across the country.
Don McCullin has witnessed some of the most harrowing humanitarian disasters of the last half century, having covered every major conflict in his adult lifetime. His assignments included: the Vietnam and Biafra War, Northern Irish ‘Troubles’, the construction of the Berlin Wall, the Lebanese civil war, Belgian Congo, the Russian invasion of Afghanistan and the fall of Phnom Penh. Never one to grow complacent, the veteran war correspondent travelled, alongside The Times journalist Anthony Loyd, on his latest assignment to cover the war in Aleppo, Syria at the age of 77. McCullin’s war documentation is undisputedly his most famous, obsessively drawn to the brutality of combat and its savage aftermath his images have adorned national newspapers and international magazines, contributing significantly to the widespread growth of anti-war feeling across the country. In 1977 he was appointed a Fellow of the Royal Photographic Society and in 1993 he became the first photojournalist to be awarded CBE.
Having immersed himself in many of the most remote regions of the world, McCullin’s interest in travel and primitive communities has naturally encompassed a large proportion of his professional profile. The photographer has dedicated a lot of his personal time to far-flung regions of Africa, India and the Middle East. Between 2003 and 2004, McCullin travelled from Addis Ababa in Ethiopia to the valley of the Omo River leading down to the border with Sudan.
For the last two decades McCullin has turned to look at the land around him, namedly the Somerset village in which he was evacuated during the Blitz. Often referring to the sweeping rural landscape as his greatest salvation, the accomplished photographer demonstrates the full mastery of his medium with stark black and white images resonating with human emotion whilst retaining the honesty and grit synonymous with his earlier works. For me photography was originally nothing to do with war, it was to do with the beautiful, Don has stated when asked about his diverse practice, and with these powerful compositions of wild heavens and flooded countryside he has finally come full circle and able to seek redemption in his surroundings.
About the Artist Don McCullin is one of the most important war photographers of the late twentieth century, best known for his broad war reportage and critical social documentation. Between 1966 and 1984, he worked for The Sunday Times Magazine under Editor-in-Chief Harold Evans and Art Editor David King, it was during this time he released his most celebrated images. He has since expanded his oeuvre with independent trips to India, Africa and the Middle East, continuing to raise awareness of global humanatarian issues and war-torn areas with unflinching honesty.
In 1977 he was made a Fellow of the Royal Photographic Society, followed by the Royal Photographic Society's Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS) in 2003. In 1993 he became the first photojournalist to be honoured with a CBE in recognition of his sustained and significant contribution to photojournalism. He has since been awarded a number of Honorary Doctorates and Degrees from The University of Bath, University of Bradford, Open University and University of Gloucestershire. In 2006 he received the Cornell Capa Infinity Award for distinguished achievement in photography" at the International Center of Photography, New York. In 2013, McCullin was honoured with an exhibition at Visa Pour L'Image, the International festival of photojournalism in Perpignan.
Critically acclaimed solo exhibitions include: Don McCullin: Sleeping with Ghosts, Barbican Centre, London (1998); Photographs 1961-2001, Maison Européenne de la Photographie, Paris (2001); Una Trayectoria Heroica, Canal de Isabell II Cultural Center, Madrid (2008); Shaped By War, exhibited at the Imperial War Museum North, Salford (2010), Victoria Art Gallery, Bath (2010), and the Imperial War Museum, London (2012); Don McCullin: Platinum, Hamiltons Gallery, London (2011); The Impossible Peace, Palazzo Magnani, Reggio Emilia, Italy (2011), Don McCullin, Tate Britain (2012); Eighty, Hamiltons Gallery, London (2015).
Notable publications include: Hearts of Darkness: Photographs by Don McCullin, Secker and Warburg, (1980); Beirut: A City in Crisis, New English Library (1983); Sleeping with Ghosts: A Life's Work in Photography, Jonathan Cape, (1994); India, Jonathan Cape, (1999); Unreasonable Behaviour: An Autobiography, Don McCullin with Lewis Chester, Vintage Books, (2002); Don McCullin in Africa, Jonathan Cape (2005); Don McCullin in England, Jonathan Cape (2007); Southern Frontiers: A Journey Across the Roman Empire, Jonathan Cape (2010).
