Hauser & Wirth returns to the Park Avenue Armory for this year’s IFPDA Print Fair with a selection of exceptional editions and drawings—works priced between $5,000 and $250,000—reflecting the breadth of the gallery’s international program and commitment to the time-honored bond between artists and master printers. Highlights include prints by contemporary artists Lee Bul, Jeffrey Gibson, William Kentridge, Takesada Matsutani, Amy Sherald and Pat Steir, among others, and by modern masters Louise Bourgeois, Philip Guston and Eva Hesse. As IFPDA has expanded its charter and the fair, new to this year’s presentation is a selection of important drawings, most notably a monumental 1994 ink on paper work by Nicole Eisenman.

Also on view, William Kentridge’s ‘Refugees (You will find no other seas)’ (2017), created in collaboration with Artist Proof Studio, is made up of 36 individual aquatint etchings on handmade paper mounted on raw cotton canvas that together form a single image. Kentridge has added new hand-drawn elements to this edition, which is meant to be folded and tied in a bundle, evocative of a paper map.

An early large-scale ink drawing by Nicole Eisenman entitled ‘What to Do’ (1994) depicts an artist sitting pensively with their work at an easel, crowded by an ocean of onlookers. The work is featured in the monograph published on the occasion of Eisenman’s critically acclaimed traveling retrospective ‘What Happened,’ an exhibition organized by Museum Brandhorst, Munich, in cooperation with the Whitechapel Gallery, London.

Additional contemporary highlights include Lee Bul’s unique screenprint ‘Untitled – CC’ (2023), a two-dimensional interpretation of her celebrated female cyborg sculptures created in collaboration with STPI in Singapore; kaleidoscopic prints by Jeffrey Gibson created at Tandem Press in Wisconsin; and Glenn Ligon’s ‘Study for Blue (for JB) #3’ (2025), a work on paper extending the artist’s ongoing engagement with James Baldwin’s 1953 essay ‘A Stranger in the Village.’