Piero Manzoni Bibliography

Monographs

2017
Di Marineo, Rosalia Pasqualino, Gualdoni, Flaminio, Bochicchio Luca + [et al.], ‘Piero Manzoni. The Twin Paintings’, Zurich: Hauser & Wirth Publishers, Milan: Fondazione Piero Manzoni, 2017

2013
Gualdoni, Flaminio, ‘Piero Manzoni: Vita D’Artista’, Monza: Johan & Levi, 2013.
Engler, Martin (ed.), ‘Piero Manzoni. When Bodies Became Art’, Bielefeld: Kerber, 2013

2011
Pola, Francesca (ed.), ‘Piero Manzoni. Azimut Catalogue’, New York: Gagosian Gallery, 2011

2009
Celant, Germano, Scatturin, Cecilia, ‘Manzoni. A Retrospective Catalogue’, Milan: Skira

2007
Grazioli, Elio, ‘Piero Manzoni’, Turin: Bollati Boringhieri, 2007

2004
Celant, Germano (ed.), ‘Piero Manzoni. Catalogo Generale’, Milan: Skira, 2004

2000
Engler, Martin, ‘Piero Manzoni – Metonymien des Körpers’, Freiburg im Breisgau: Albert-Ludwigs-Universität Freiburg, 2000

1999
Spahn, Barbara, ‘Piero Manzoni (1933-1963). Seine Herausforderung der Grenze von Kunst und Leben’, Munich: Scaneg, 1999

1998
Celant, Germano (ed.), ‘Piero Manzoni’, London: Serpentine Gallery, 1998

1995
Vettese, Angela, (ed.), ‘Piero Manzoni. Line Drawings’, Los Angeles: The Museum of Contemporary Art, 1995

1992
Celant, Germano, ‘Piero Manzoni’, Cologne: Galerie Karsten Greve, 1992 (exh. cat.)

1991
Battino, Freddy, Palazzoli, Luca (eds.), ‘Piero Manzoni. Catalogue Raisonné’, Milan: Vanni Scheiwiller (cat. rais.)
Celant, Germano, (ed.), ‘Piero Manzoni’, Paris: Musée d’Art de la Ville de Paris, 1991

1990
Baj, Enrico (ed.), ‘Piero Manzoni’, New York: Hirschl & Adler Modern, 1990 (cat. rais.)

1989
Codognato, Mario (ed.), ‘Piero Manzoni. Works 1957-1961’, London: Karsten Schubert Ltd.

1975
Celant, Germano, ‘Piero Manzoni. Catalogo Generale’, Milan: Prearo Editore, 1975 (cat. rais.)

1974
Celant, Germano, ‘Piero Manzoni. Paintings, Reliefs, Objects’, London: The Tate Gallery, 1974 (exh. cat.)
Franzoso, Giuseppe, Calderara, Antonio, ‘Piero Manzoni. Opere Dal 1957 Al 1963’, Milano: A.G. Lucini, 1974 (exh. cat.)

1973
Celant, Germano, ‘Piero Manzoni’, Genoa: Minetti-Rebora Editori, 1973

1972
Celant, Germano, ‘Piero Manzoni’, New York: Sonnabend Press, 1972

1970
Agnetti, Vincenzo,‘Gli Achromes di Piero Manzoni’, Milan: Vanni Scheiwiller, 1970

1969
Leering, Jean, Kultermann, Udo (eds.), ‘Piero Manzoni 1933-1963’, cat. Stedelijk Van Abbemuseum, Eindhoven, 1969, pp. 236-242

1967
Comerlati, Dorina, ‘Piero Manzoni’, Milan, 1967
Del Renzio, Toni, Lucas Uliano Agliani Lucas, ‘Piero Manzoni’, Milan: Edizioni Vanni Scheiwiller, 1967

Artist’s Books & Writings

2013
Manzoni, Piero ‘Scritti Sull’Arte’, Milan; Abscondita, 2013
Marcone, Gaspare Luigi, ‘Diario’, Milan: Electa, 2013

1961
Manzoni, Piero, ‘Placentarium’ in: Zero, Düsseldorf/GE, no. 3, July, 1961
Manzoni, Piero, ‘Progetti immediati’, in: Zero, Düsseldorf/GE, no. 3, July, 1961

1960
Manzoni, Piero, Castellani, Enrico, ‘Azimuth’, Milan, May, no. 2, 1960
Manzoni, Piero, in: Geijutsu Shincho, Tokyo, no.7, July, pp.130-133

1959
Manzoni, Piero, Castellani, Enrico, ‘Azimuth’, Milan, no.1, 1960

1958
Manzoni, Piero, Baj, Enrico + [et at.], ‘Il Gesto Rassegna Internazionale Delle Forme Libere’, Milan, no.3, September 1958

Publications

2017
Molokotos, Michelle, Hussey, Amy, Goebel, Katherine (project coordinators), ‘Monochrome. A dialogue between Burri, Fontana, Klein, Manzoni and Stingel’, New York, 2017, p. 47, p. 56, ill.
Tel Aviv Museum of Art. Sam and Ayala Zacks Pavillon, ‘Red over Yellow. A Selection from a Private Collection’, Tel Aviv, Israel

2015
Pörschmann, Dirk, Schavemaker, Margriet, Visser, Mattijs + [et al.], ‘Zero’, Cologne: Walter Koenig, 2015

2014
Pola, Francesca, ‘Piero Manzoni e ZERO. Una Regione Creativa Europea’, Milan: Electa, 2014

2013
Biagi, Dario, ‘Il Ribelle Gentile. La vera storia di Piero Manzoni’, Rome: Stampa Alternativa/ Nuovi Equilibri, 2013

2012
Detheridge, Anna, ‘Scultori Della Speranza. L’Arte Nel Contesto Della Globalizzazione’, Turin: Einaudi, 2012
Dyment, Dave, Elgstrand, Gregory, ‘One for me and One to Share. Artist`s Multiples and Editions’, Toronto: Y Y Z Books, 2012

2011
Covacich, Mauro, ‘L’Arte Contemporanea Spiegata A Tuo Marito’, Bari: Editori Laterza, 2011
Eccher, Danilo (ed.), ‘Gam Galleria Civica d’Arte Moderna e Contemporanea. Collezioni’, Turin: Gam Galleria Civica d’Arte Moderna e Contemporanea, 2011
Kramer, Antje, ‘Les Grands Manifestes de l’Art des XIXe et XXe Siècles’, Paris: Beaux Arts Editions, 2011
Mininni, Massimo (ed.), ‘Le Storie dell’Arte. Grandi Nuclei d’Arte Moderna Dalle Collezioni Della Gnam’, Milan: Gangemi Editore, 2011

2010
Fergonzi, Flavio (ed.), ‘Museo del Novecento. La Collezione’, Milan: Mondadori Electa, 2010

2009
Italiano, Carolina, Rorro, Angelandreina, ‘Le Collezioni 1958-2008. Galleria Nazionale d’Arte Moderna & Maxxi’, Milan: Electa, 2009
Lenz, Anna, Gerhard (eds.), ‘Epoche Zero. Sammlung Lenz Schönberg. Leben in Kunst’, Ostfildern: Hatje Cantz, 2009
Zanchetti, Giorgio, ‘La neoavantguardia milanese, Agnetti e Manzoni’, in: Andrea Kerbaker, Antonello Negri and Alberto Cadioli (eds.), Milan: Scheiwiller, pp. 209-218

2008
Bertolino, Giorgina, ‘Saper Vedere. I Movimenti Artistici. Gruppi E Tendenze dall’Impressionismo a Oggi’, Milan: Mondadori Electa, 2008
Boatto, Alberto, ‘Di Tutti I Colori. Da Matisse A Boetti, Le Scelte Cromatiche dell’Arte’, Rome: Gius. Laterza & Figli, 2008
Dantini, Michele, ‘Modern & Contemporary Art’, New York: Sterling Publishing Company, Inc.
Graham-Dixon, Andrew, ‘Art. The Definitive Visual Guide’, London: DK, 2008
Gualdoni, Flaminio, ‘Art. Tutti I Movementi del Novecento dal Postimpressionismo al New Media’, Milan: Skira, 2008
Mirolla, Miriam, ‘Amore E Psiche’, Milan: Mondadori Electa, 2008
Pola, Francesca, ‘Carlo Cardazzo verso il futuro, tra Nord Europa e Stati Uniti’, in: Carlo Cardazzo: una Nuova Visione dell’Arte’, Venice: Collezione Peggy Guggenheim, 2008

2007
Calvesi, Maurizio, ‘Cento Anni Di Arte Italiana Alla Farnesia’, Rome: Presidenza del consiglio dei ministry, 2007
Cwalinski, Vladek, ‘L’immagine della città’, Milan: Silvana, 2007
Di Fazio, Margherita, ‘Racconti Segreti. Uno Sguardo Insolito alla Galleria Nazionale d’Arte Moderna di Roma’, Rome: La Galleria Nazionale, 2007
Levi, Corrado, ‘Mes Amis! Mes Amis! Indizi su 100 Artisti Italiani del ‘900’, Mantua: Corraini, 2007
Miller, John, ‘Excremental Value’, in: Tate Etc., no. 10, London, p.1

2006
Cotrim, Cecilia, Ferreira, Gloria, ‘Escritos de Artistas, Anos 60/70, Rio de Janeiro
Hummelen, Ijsbrand, Sille, Dionne, ‘Modern Art: Who Cares?’, London: Archetype Publications, 2006
Meneguzzo, Marco, ‘Klein et l’Italie: entre “Nucléaires” et “Spatialistes”’, in: Yves Klein. Corps, Couleur, Immatériel, Paris: Centre Georges Pompidou, p. 192
Pola, Francesca, ‘Piero Manzoni e Albisola’, in: Biennale di Ceramica Nell’Arte Contemporanea, Albisola Marina, p. 162
Pola, Francesca, ‘Piero Manzoni e Albisola (Quaderni dell’Archivio Opera Piero Manzoni, no. 1)’, Milan, p. 162
Riout, Denys, ‘La Peinture Monochrome’, Paris: Gallimard, 2006
Vettese, Angela, ‘Capire l’Arte Contemporanea’, Turin: Allemandi, 2006

2005
Barilli, Renato, ‘L’Arte Contemporanea’, Milan: Feltrinelli, 2005
Dante, Emilio, ‘Merda d’Artista’, Rome: Aracne, 2005
De Marchis, Giorgio, ‘Album di Viaggio in Quarant’Anni di Arte Italiana: 1960/2000’, Turin: U. Allemandi, 2005
Herwig, Oliver, Thallemer, Axel, ‘Air/Luft’, Stuttgart: Arnoldsche, 2005
Poli, Francesco, ‘Arte Contemporanea. Le Ricerche Internazionali Della Fine Degli Anni ’50 Oggi’, Milan: Mondadori Electa, 2005
Wieczorek, Uwe, ‘Werke aus der Hilti Art Foundation. Von Paul Gauguin bis Imi Knoebel’, Zurich: Benteli, 2005
Gale, Matthew, Miracco, Renato, ‘Beyond Painting’, London: Tate Publishing

2004
Bois, Yve-Alain, Foster, Hall, [+ et al.], ‘Art Since 1900. Modernism. Antimodernism and Postmodernism’, London: Thames & Hudson
Bonafoux, Pascal, ‘Moi Je, Par Soi-Meme. L’autoportrait au XXe Siècle’, Paris: Diane de Selliers, 2004
Clair, Jean, ‘De Immundo: Apophatisme et Apocatastase dans l’Art d’Aujourd’hui’, Paris: Editions Galilée, 2004
Dempsey, Amy, ‘Styles, Schools and Movements: The Essential Encyclopedic Guide to Modern Art’, London: Thames & Hudson, 2004
Durozoi, Gérard, ‘Regarder l’Art du XXeme siècle’, Vanves: Hazan, 2004
Engler, Martin, ‘Piero Manzoni – Gesten als pars pro toto des Künstlers’, in: Kritische Berichte (Geste II: Transformationen), no. 4, Marburg, pp. 19-35
Fer, Briony, ‘The Infinite Line’, New Haven and London: Yale University Press, 2004
Nielsen, Jan Hupfeldt, ‘Italiensk Lyrikantologi – Fra 1200 Til 2000’, Copenhagen: Gyldendal, 2004
Joppolo, Giovanni, ‘Art Italien Au Vingtième Siècle. Histoires et Idées des Artes’, Paris: L¨Harmattan, 2004
Kellein, Thomas, Lampe, Angela, ‘Das Grosse Fressen. Von Pop bis Heute’. Bielefeld: Kerber Verlag, 2004
Rouge, Isabelle, ‘Mythologies Personnelles: L’Art Contemporain et L’intime’, Paris: Scala, 2004
Morley, Simon, ‘Writing on the Wall. Word And Image in Modern Art’, London: University of California Press, 2004
Taylor, Brandon, ‘Contemporary Art’, London: Prentice Hall, 2004
Thomas, Karin, ‘Bis Heute. Stilgeschichte der Bildenden Kunst des 20. Jahrhunderts’, Cologne: DuMont Buchverlag GmbH & Co. KG, 2004
Traeger, Jörg, ‘Kopfüber, Kunst am Ende des 20. Jahrhunderts’, Munich: C.H. Beck
Vissault, Maite, ‘Cremers. Haufen’, Bielefeld: Kerber, 2004

2003
Fischer, Jean, ‘Vampire in the Text. Narratives of Contemporary Art’, London: Institute of International Visual Arts, 2002
George, Adrian, ‘Art, Lies and Videotape: Exposing Performance’, Liverpool: Tate Modern, 2002
Holm, Anna Marie, ‘Det Eksperimenterende Billedvaersted 3. Indforing I Den Kunst Neriske Proces, AV Form’, Herning, 2002
Montagnini, M. Alessandra, ‘Lezioni di Arti Visive A-B-C’, Turin: Lattes, 2002
Zuffi, Stefano, ‘Grande Atlante Della Pittura Dal Mille Al Duemila’, Milan: Mondadori Electa, 2002

2002
Wood, Paul, ‘Conceptual Art’, London: Delano Greenidge, 2002

2001
Celant, Germano, ‘Dietro il quadro: Enrico Castellani’, in: Enrico Castellani, Milan: Fondazione Prada, pp. 10- 18, 2001
Christov-Bakargiev, Carolyn, ‘Thrust into the Whirlwind’: Italian Art Before Arte Povera. 1962-1972’, London: Tate Gallery, 2001
Harrison, Charles, Wood, Paul, ‘Visual Art and Politics in France and Italy’, in: AA304. Politics, Culture and Society in France and Italy, 1943-1973. Cultural Revolution, vol. 4, Milton Keynes: Open University Worldwide, 2001

2000
Cottino, Alberto, Dantini, Michele, Guastalla, Silvia, ‘Quintetto D’Arte. Dal Postimpressionismo All’Arte Contemporanea’, Milan: Arte Moderna, 2000
Gualdoni, Flaminio, ‘Arte in Italia’, 1943-1999, Vicenza: Neri Pozza, 2000
Hopkins, David, ‘After Modern Art. 1945-2000’, Oxford: Oxford University Press, 2000
Konrad, Helmut, Kriesche, Richard, (eds.), ‘Kunst – Wissenschaft – Kommunikation. Comm. Gr2000AZ’, Graz: Stadtmuseum Graz, 2000
Warr, Tracey, Jones, Amelia, ‘The Artist’s Body’, London: Phaidon Press, 2000
1999
Bell, Julian, ‘What is Painting? Representation and Modern Art’, London: Thames and Hudson, 1999
Gualdoni, Flaminio, ‘Arte Italiana del Novecento. 1930-1960: Trentaquattro Autori Dalla A Alla Z’, Milan: Miscellanea, 1999
Parmesani, Loredana, ‘L’Arte Del Secolo. Movimenti, Teorie, Scuole E Tendenze 1900-2000’, Milan: Skira, 1999
Spahn, Barbara, ‘Piero Manzoni (1933-1963) – Seine Herausforderung der Grenze von Kunst und Leben’, Munich: scaneg Verlag, 1999
Frederikson, Finn Termann, ‘Merda D’Artista. Omkring et Kunstvaerk af Piero Manzoni’, Randers: Randers Kunstmuseum, 1999

1998
Rubinstein, Raphael, ‘The Life and Afterlife of Painting: A Descriptive Chronology of Six Decades. 1920-1980’, in: Abstract Painting Once Removed, Houston: Contemporary Art Museum, 1998, p. 30
Schulze, Sabine, ‘Das 20.Jahrhundert im Städel. Kataloge der Gemälde im Städelschen Kunstinstitut Frankfurt am Main’, vol. 3, Frankfurt: Städel Museum, 1998
Silk, Gerald, ‘All by Myself: Piero Manzoni’s Autobiographical Use of His Body, Its Parts and Its Products’, in: G. Thomas Couser and Joseph Fichtelberg (eds.), True Relations. Essays on Autobiography and the Postmodern, Westport: Greenwood Publishing Group, pp. 137-158, 1998
Visser, Irmin, Hekman, Jaap, [+ et al], ‘Kunst Overlevering, Verandering en Vernieuwing’, Heerlen: Open Universiteit, 1998

1997
Causey, Andrew, ‘Sculpture Since 1945’, Oxford and New York: Oxford University Press, 1997
Dickel, Hans, ‘Die Sammlung Paul Maenz, Vol. 1: Objekte – Bilder – Installationen’, Ostfildern: Hatje Cantz Verlag, 1997

1996
Accame, Vincenzo, Vettese, Angela, ‘Arte Italiano: Segno E Scrittura Nella Collezione Della Banca Commerciale Italiana a Milano’, Milan: Banca Commerciale Italiana, 1996
Celant, Germano, ‘Piero Manzoni, ein Künstler des Gegenwärtigen’, in: ZERO, Italien. Azimut/Azimuth, Renate Damsch-Wiehager (ed.), Ostfildern: Hatje Cantz Verlag, 1996, pp.130-132
Ruhrberg, Bettina, ‘Piero Manzoni. Kunst als Spur der Existenz’, in: Kritisches Lexikon der Gegenwartskunst’, Munich: WG Verlag
Stiles, Kristine, Selz Peter, ‘Theories and Documents of Contemporary Art’, Berkley, Los Angeles and London: University of California Press, 1996

1995
Poli, Francesco, ‘Minimalismo, Arte Povera, Arte Concettuale’, Rome and Bari: Grandi Opere, 1995
Zanetti, Paola Sega Serra, ‘Arte Astratta e Informale in Italia’, Bologna: Clueb, 1995

1994
Caramel, Luciano, ‘Arte in Italia. 1945-1960, Milan: Vita e Pensiero, 1994
Fineberg, Jonathan, ‘Art Since 1940. Strategies of Being’, New Jersey: Pearson

1993
Evangelisti, Silvia, Bonfiglioli, Pietro, ‘Fondazione Umberto Severi Pittura Contemporanea’, vol. 3, Modena: Franco Cosimo Panini
Giovanola, Gianluigi, ‘Anche gli antichi artisti erano dei maleducati’, in: Il Trattatore, no. 4, 1993
Pirovano, Carlo, ‘La Pittura in Italia. Il Novecento 2. 1945-1990’, Milan: Electa, 1993
Celant, Germano, Costantini, Anna (eds.), ‘Roma-New York. 1948-1964: An Art Exploration’, New York: The Murray and Isabella Rayburn Foundation, 1993

1992
Barocchi, Paola, ‘Storia Moderna Dell’Arte in Italia. 3.2. Tra Neorealismo ed Anni Novanta’, Turin: G. Einaudi, 1992
Blok-Boas, M. ‘Italie & Italie: Cultuurhistorische Hoofdstukk en uit het Naoorlogse Italie’, Amsterdam: Meulenhoff, 1992
Ferretti, Giorgio, Gallwitz, Klaus [+ et al], ‘Arte Italiana, Esperienze Degli Anni ’60/80. Arte Concettuale, Arte Povera, Construttivita, Arte Cinetica nella Collezione Della Banca Commerciale Italiana Francoforte’, Turin: Allemandi & C.

1991
De Marchis, Giorgio, ‘Scusi, Ma E Arte Questa?’, Milan: Mondadori, 1991
Murken, Axel and Christina, ‘Von der Avantgarde bis zur Postmoderne’, Munich: Klinkhardt & Biermann Verlagsbuchhandlung GmbH
Stéphan, Lucien, ‘Le Vrai, L’authentique et le faux’, in: Les Cahiers du Musée National D’Art Moderne, Paris, no. 36

1990
Celant, Germano, ‘L’inferno Dell’Arte Italiana. Materiali 1946-1964’, Genoa: Costa & Nolan, 1990

1989
De Martiis, Plinio, ‘Gli Anni Originali La Tartagura’, Rome: De Luca D’Edizione d’Arte, 1989
Wesseling, Janneke, ‘Alles Was Mooi: Een Geschiedenis Van de Nul-Beweging’, Amsterdam: Meulenhoff

1988
Bosma, M. ‘Verkopen is Net Zo Moeilijk als Kopen; Martin Visser en de Zorgom de Collectie’, Amsterdam: Rijksakademie van beeldende kunsten, 1988, pp. 40- 42
Celant, Germano, ‘Arte Dall’Italia’, Milan: Feltrinelli, 1988
Kersting, Hannelore, ‘Kunst Der Gegenwart. 1960 bis Ende der 80er Jahre’, Mönchengladbach: Museum Abteiberg, 1988
Kersting, Hannelore, Stemmler, Dierk, ‘Kurzführer durch das Städtische Museum Abteiberg Mönchengladbach: Museum Abteiberg, 1988
Martini, Stelio, ‘Breve Storia Dell’Avanguardia’, Naples: Nuove Edizioni, 1988
Alfano, Francesca Miglietti, ‘Arte in Italia. 1960-1985’, Milan: Politi, 1988
Mondadori, Giorgio, ‘Catalogo Dell’Arte Moderna Italiana’, Milan, 1988
Spadoni. C., ‘Intorno al Sessanta. Aspetti Dell’Arte Italiana Dopo L’Informale: 1958-1964’, vol. 7, Milan: Electa, 1988
Vergine, Lea, ‘L’Arte in Gioco’, Milan: Saggi Blu, 1988

1987
Battino, Freddy, ‘L’Impronta Blu 1957-1987’, Milan: Libri Scheiwiller, 1987
Gallwitz, Klaus (ed.), ‘Städelsches Kunstinstitut und Städtische Galerie. Verzeichnis der Gemälde’, Frankfurt, 1987
Kuthy, Sandor, ‘Hermann und Margrit Rupf-Stiftung, vol. 2, Berne: Kunstmuseum Bern

1986
De Jonge, Piet, ‘Ooghoogte Stedelijk van Abbemuseum’ 1936-1986, Eindhoven: Stedelijk Van Abbemuseum, 1986
Kuthy, Sandor, ‘Kunstmuseum Bern. Die Skulpturen und Objekte’, Berne: Kunstmuseum Bern, 1986
Frederikson, Finn Termann, ‘Piero Manzoni – Neodadaismens aerkeprovo’, in: Herning Kunstmuseum Bulletin, Herning: Kunstmuseum Herning, 1986, p. 11

1985
Bandini, Mirella, Maggio, Rosanna Serra (eds.), ‘Il Museo Sperimentale di Torino. Arte Italiana Degli Anni Sessanta Nelle Collezioni Della Galleria Civica D’Arte Moderna’, Milan: Fabbri

1984
Barilli, Renato, ‘L’Arte Contemporanea, Da Cezanne Alle Ultime Tendenze’, Milan: Feltrinelli, 1984
Bruzzone, Franco, ‘Ricognizione per P. Manzoni. Lettura/Interpretazione della sequenza’, in: Albisola Arte, 1976-1980, Savona: Coop Tipograf, 1984

1983
De Fusco, Renato, ‘Storia dell’Arte Contemporanea’, Bari: Laterza, 1983
Kuthy, Sandor, ‘Kunstmuseum Bern. Die Gemälde’, Berne: Kunstmuseum Bern, 1983

1982
Bremer, Jaap, ‘Van Abbemuseum Eindhoven’, Haarlem: Joh. Enschedé, 1982
De Marchis, Giorgio, ‘L’arte in Italia dopo la seconda guerra mondiale’, in: Storia dell’Arte Italiana, Turin, vol. 7, 1982, pp. 554-628

1981
Lux, Simonetta, Messina, Maria Grazia [+ et al], ‘Linee Della Ricerca Artistica in Italia 1960-1980. Documentazione. Universita di Roma’, Rome, 1981

1980
Caramel, Luciano, Fiorio, Maria Teresa [+ et al], ‘Galleria d’Arte Moderna. Collezione Boschi’, Milan: Electa, 1980
Kimpel, Sabine, Cladders, Johannes, ‘Bestandkatalog II. Gemälde, Skulpturen, Objekte, Zeichnungen vom Ende der Fünfziger Jahre bis Heute’, Mönchengladbach: Städtisches Museum Abteiberg, 1980

1979
Barilli, Renato, ‘L’Arte in Italia nel Secondo Dopoguerra’, Bologna: Il mulino, 1979
Gammelbo, Poul, ‘En Samling Bliver Til. Om Kirsten Og Axel P. Nielsens Samling Af Nyere Kunst’, Copenhagen: Anagram, 1979

1978
Villani, Andrea, ‘L’Economia Dell’Arte’, Milan: Vita e pensiero, 1978

1977
Celant, Germano, ‘Ambiente/ Arte dal Futurismo alla Body Art’, Venice: La Biennale die Venezia,

1977
Crispolti, Enrico, ‘Manzoni e il grado zero’, in: id., Erotismo Nell’Arte Astratta e Altre Schede Per Una Iconologia Dell’Arte Astratta’, Trapani: Celebes, 1977

1976
Massironi, Manfredo,‘Ricerche visuali’, in: Situazioni Dell’Arte Contemporanea, Rome: Librarte, pp. 50-63

1975
Gallwitz, Klaus, Beck, Herbert (eds.), ‘Städel-Jahrbuch’, Munich: Prestel, 1975

1974
Vergine, Lea, ‘Il Corpo Come Linguaggio (La Body Art E Storie Simili), Milan: Prearo Giampaolo Editore, 1974

1972
Alloway, Lawrence, ‘Zero’, Cologne, 1972

1971
Lucia, Alberto, ‘Colui Che Vide Prima’, Milan: Edizioni di Cliamen, 1971

1970
Argan, Giulio Carlo, ‘L’Arte Moderna 1770-1970’, Florence: Sansoni Firenze, 1970
Villa, Emilio, ‘Piero Manzoni (1960)’, in: Attributi dell’Arte Odierna, Milan: Feltrinelli, 1970, pp. 114-120

1969
Cabanne, Pierre, Restany, Pierre, ‘L’Avant-Garde Au XXE Siècle, Paris: Balland, 1969
Kultermann, Udo, ‘Nuove Forme Della Pittura’, Milan: Feltrinelli, 1969

1968
Crispolti, Enrico, ‘Ricerche Dopo L’informale’, Rome: Officina

1967
Göpfert, Hermann, ‘Erinnerungen an Piero Manzoni’, in: Adam Seide (ed.), Egoist 12. Hommage à Albert Schulze Vellinghausen, Hanover, vol. 3, no. 2, September, 1967, pp. 5-6
Kultermann, Udo, ‘Neue Dimensionen Der Plastik’, Tübingen: Ernst Wasmuth Verlag

1966
Dell’Arco, Maurizio Fagiolo ‘Rapporto 60. Le Arti Oggi In Italia’, Rome: Bulzoni, 1966
Celant, Germano, ‘C‘è solo da essere’, in: Notizie Supplemento Dedicato A Piero Manzoni, Turin, 1966

1965
Cirlot, Juan-Eduardo, ‘Nueva Tendencias Pictoricas (1955-1965)’, Barcelona: Seix Barral, 1965

1964
Ballo, Guido, ‘La Linea Dell’Arte Italiana Dal Simbolismo Alle Opere Moltiplicate’, Rome: Edizioni Mediteranee, 1964
De Poli, Franco, ‘Piero e Alessandro’, in: Il Discanto, Milano, vol. 2, no. 6, April/May, pp. 82-84

1962
Bjarnhof, Steen, Andersen, Aagaard, ‘En Samling I Brug. En Bog Om Kunsten På Angli’, Snekkersten, 1962
Sauvage, Tristan, ‘Art Nucleaire’, Paris: Schwarz
Tono, Yoshiaki, ‘Passport Mo. 328309’, Tokyo, 1962

1961
Dorfles, Gillo, ‘Ultime Tendenze Nell’Arte d’Oggi’, Milan: Feltrinelli, 1961
Schwalbe, Ole, ‘Fra Kubisme Til Informel Kunst’, Copenhagen: Borgen, 1961

1957
Sauvage, Tristan, ‘Pittura Italiana Del Dopoguerra, 1945-1957, Milan: Schwarz, 1957

Press
2017
Forbes, Alexander, ‘What sold at Art Basel Miami Beach’, on: www.artsy.net, 9 December 2017

2012
Galimberti, Jacopo, ‘The Intellecual and the Fool: Piero Manzoni between the Milanese Art Scene and the Land of Cockaigne’, in: Oxford Art Journal, Oxford, vol. 35, no. 1, 2012, pp. 75-94

2010
Galimberti, Jacopo, ‘Klein versus Manzoni. Le mythe et l’histoire. Histoire de l’art’, in: Art et Erotisme, Paris, no. 66, April, 2010, pp. 143- 151

2009
Palifik-Huber, Hannelore, ‘Nur dieses jetzt ist/jetzt. Zeitleben im Medium Zeichnung’, in: Kunstforum International, no. 196, April/May, 2009
Pola, Francesca, ‘Piero Manzoni a Herning’, in: Bianca, Bologna, no. 6, February/March, 2009

2008
Carey-Kent, Paul, ‘White Abstract’, in: Art World, no. 8, London, 2008
Connor, Steven, ‘Next-to-Nothing’, in: Tate Etc., no. 12, London, p. 82, 2008

2001
Mansoor, Jaleh, ‘Piero Manzoni. We Want to Organicize Disintegration’, in: October, Cambridge, Massachusetts, no. 95, Winter, pp. 29-54

1999
Politi, Giancarlo, ‘Flash Art Top Hundred / I magnifici 100’ in: Flash Art’, Milan, April/May, 1999, p. 66

1998
Morris, Frances, ‘London: Piero Manzoni’, in: The Burlington Magazine’, London, vol. 140, no. 1138, p. 405
Vettese, Angela, ‘Idee non deperibilli’, in: Slow, vol. 3, no. 10, July-September, 1998, pp. 36-41

1993
Silk, Gerald, ‘Myths and Meanings in Manzoni’s Merda d’Artista’, in: Art Journal, New York, vol. 52, no. 3, pp. 65-75

1991
Agnetti, Vincenzo, ‘Intorno alla…Piero Manzoni’, in: Apeiron, Messina, vol. 1, no. 2, December, 1991
Bourriaud, Nicolas, ‘La table des matières de Manzoni’, in: Beaux-Arts Magazine, Issy-les-Moulineaux, no. 89, April, 1991 pp. 66-71
Houman, Søren, ‘Of Cabbages, Kings and Canned Shit’, in: Art & Communication, Herning, vol.1, no. 6, pp. 21-25
Laporte, Domenique, ‘Piero Manzoni – L’ouvrir du septieme jour’, in: Art Press, Paris, no. 156, March, 1991, pp. 42-51
Masi, Alessandro, ‘Piero Manzoni. Mythologies. Appunti per un’estetica colletiva’, in: Next, Rome, vol. 7, no. 21, p. 10
Verzotti, Giorgio, ‘Piero Manzoni. Lifelines’, in: Artforum, New York, vol. 29, no. 6, February/ March, 1991, pp. 113- 117

1990
Almansi, Guido, ‘Fino all’ultimo sberleffo’, in: La Republica, Milan, 8 February, 1990
Grasso, Sebastiano, ‘Manzoni, oltre i confini della provocazione’, in: Corrire Della Sera, Milan, 15 February, 1990

1989
Bois, Yve-Alain, ‘Fontana Scatalogue’, in: Critique, no. 502, March, 1989, pp. 154-168
Vagheggi, P., ‘Il mio percorso insieme a Manzoni’, in: La Republica, Milan, 15 March, 1989

1984
Celant, Germano, ‘Complessità italiana/ The Italian Complexity’, in: Il Mondo, Los Angeles, cat. Los Angeles Institute of Contemporary Art, 1984, pp. 14-52

1983
Celant, Germano, ‘Italiens konsthistoria’, in: Paletten, Göteborg, no. 2, 1983, pp. 14-17
McEvilley, Thomas, ‘Art in the Dark’, in: Artforum, New York, vol. 21, no. 10, June, 1983, pp. 62-71
Millet, Catherine, Restany, Pierre, ‘Yves Klein. Un artiste radical dans un monde contradictoire’, in: Art Press, Paris, no. 67, February, 1989

1981
Enrichi, Michael, ‘Piero Manzoni. Il ne s’agit pas d’articuler des messages’, in: Artistes, Paris, no. 8, March/ April, 1981

1979
Briganti, Giuliano, ‘C‘è solo da essere. C‘è solo da vivere’, in: La Republica, Rome, 1/2 July, 1979
Celant, Germano, ‘Parcours dans les gouffres historique de l’expérience italienne’, in: Art Actuel. Annuel Skira, Geneva, 1979, pp. 135-138

1978
Calas, Nicolas, ‘Bodyworks and Porpoises’, in: Artforum, New York, vol. 17, no. 1, January, 1978, pp. 33-37

1976
Davis, Douglas, ‘The Size of Nonsize’, in: Artforum, New York, vol 15, no. 4, December, 1976, pp. 46-51
Tisdall, Caroline, ‘Performance Art in Italy’, in: Studio International, London, vol. 191, no. 979, January/ February, p. 22

1975
Crispolti, Enrico, ‘Piero Manzoni’, in: Vitalita, Turin, January/ February, 1975
Pluchart, F. ‘L’art corporel’, in: Artitudes International, Paris and Saint Jeannet, January/ March, 1975

1974
Oliva, Achille Bonito, ‘Process, Concept and Behaviour in Italian Art’, in: Studio International, London, January/February, 1974, pp. 3-10
Celant, Germano, ‘Das Buch als Kunstforum 1960-1970. Bibliographie 1960-1974’, in: Interfunktionen, Cologne, no. 11, 1974, pp. 80-105
Van der March, Jan, ‘Piero Manzoni’, in: Art Press, Paris, no. 9, February 1974
Wenber, P., ‘From Color Unity to Monochromian, Some Thoughts on Monochrome Art in the 50s, 60s’, in: Pantheon, vol. 30, no. 2, April-June

1973
Del Renzio, Toni, ‘Render unto Duchamp’, in: Art and Artists, London, vol. 8, no. 9, December, 1973, pp. 32-36
Van der Marck, Jan, ‘Piero Manzoni: An Exemplary Life’, in: Art in America, New York, vol. 61, no. 3, May/June 1973, pp. 74-81
Van Wetering, E., ‘Het wit bij Piero Manzoni’, in: Museum-Journaal, Eindhoven, vol. 18, no. 2, April, pp. 56-63

1972
Celant, Germano, ‘Piero Manzoni’, in: Il Verri, Milan, no. 37, February, 1972, pp. 141-159
Pincus- Witten, ‘Ryman, Marden, Manzoni: Theory, Sensibility, Mediation’, in: Artforum, New York, vol. 10, no. 10, June, pp. 50- 53

1971
P., F., ‘Le coup au corps de Manzoni’, in: Artitudes, Paris, no. 1, October, 1971, p. 20

1970
Crispolti, Enrico, ‘Petit dossier de la figuration nouvelle en Italie’, in: Opus International, Paris, no. 16, March, 1970, pp. 45-66
Trini, Tommaso, ‘Manzoni alla Blu e in Europa. La linea Manzoni’, in: NAC, Milan, no. 32, 1 March, 1970, pp. 39-43
Orlandini, Marisa Volpi, ‘L’art pauvre’, in: Opus International, Paris, March, pp. 39- 43

1969
Celant, Germano, ‘Piero Manzoni’, in: La Biennale di Venezia, Venice, vol, 19, nos. 64/65, January-June, 1969
Celant, Germano, ‘Piero Manzoni: Unica Dimensione è il Tempo’, in: Metro, Venice, no. 15, May, 1969, pp. 94-106
Dorfles, Gillo, ‘Lucio Fontana, son oeuvre et son influence’, in: Depuis 45, Brussels, 1969
Kosuth, Joseph, ‘Art after Philosophy’, in: Studio International, London, October-December, 1969
Paolini, Giulio, ‘Libri & Riviste. Michael Kirby – Happening’, in: Qui Arte Contemporanea, Rome, no. 5, March, 1969, p. 55
Peeters, Henk, in: Museum Journaal, Eindhoven, vol. 14, no. 5, 1969, pp. 236- 242
Trini, Tommasso, ‘La Linea Manzoni’, in: Qui Arte Contemporanea, Rome, no. 5, March, 1969, pp. 30-33

1968
Balestrini, Nanni, ‘La gioia di vivere’, in: Il Verri, Milan, February, 1968, pp. 91-93
Fossati, ‘Una forma vale l’altra’, in: Quindici, Rome, 9 June, 1968
Hahn, Otto, ‘Les mécènes n’aiment que les oeuvres légères’, in: L’Express, Paris, no. 899, 30 September, 6 October, 1968, p. 47
Piene, Otto, ‘Zero e il suo atteggiamento’, in: Gala, Milan, December 1968/January 1969
Tebozzi, Roberto, ‘L’estremo limite’, in: Panorama, Milan, 15 August, 1968, pp. 42-50
Trini, Tommasso, ‘Colloquio con Lucio Fontana’, in: Domus, no. 467, Milan, September, 1968
Volpi, Marisa, ‘Arte Americana e Arte Italiana. Nuove tendenze’, in: Flash Art, Rome, vol. 2, no. 7, 15 March – 15 April

1967
Borghese, Leonardo, ‘L’assoluta purezza del nulla nell’opera di Piero Manzoni’, in: Corriere della Sera, Milan, February, 1967, p.3
Livi, S., ‘L’italia riscope Piero Manzoni. Le sue famose scatole’, in: Kent, March, pp. 39-41

1966
Kultermann, Udo, ‘Die Sprache des Schweigens über das Symbolmilieu der Farbe Weiss’, in: Quadrum, Brussels, no. 20, 1966
Reichart, Jesia, ‘Simplicity and Inspired Boredom’, in: Studio International, London, vol. 171, no. 847, p.1966
Rastany, Pierre, ’1966: la Germania al secondo anno zero’, in: Domus, Milan, no. 457, April, 1966

1964
Peeters, Henk, ‘O-Nul’, in: Museum Journaal, Amsterdam, nos. 5/6, April, 1964

1963
Crispoleti, Enrico, ‘Neoconcretimso arte programmata, lavoro di gruppo’, in: Il Verri, Milan, vol.2, no. 12, 1963, pp. 325-326
Fontana, Lucio [radio interview], in: Gazzettino Padano, Milan, 1963
Jespersen, Gunnar, Andersen Aagaard [+ et al], ‘Art at Angli, Aage Damgaard Shirt Factory at Herning’, in: Mobilia, no. 98, September, 1963, p.7
Kaisserlian, Giorgio, ‘Piero Manzoni’, in: D’Ars Agency, Milan, vol. 3, No. 3, May/ June, 1963
Peeters, Henk, ‘Piero Manzoni’, in: NUL=0, Arnheim, vol. 1, no. 2, April, pp. 17-20
Peeters, Henk, ‘Made in Italy. Piero Manzoni (1933-63)’, in: Den Haagse Post, Amsterdam, vol. 50, no. 2514, 16 February,1963, p.13
___,‘Piero Manzoni’, in: Domus, Milan, no. 400, March, 1963
___,‘Piero Manzoni overleden’, in: Nieuwe Rotterdamse Courant, Rotterdam, 13 February, 1963, p.13

1962
Gaja, Filippo, ‘L’astrattismo scricchiola’, in: Settimo Giorno, Milan, vol. 15, no.50, 11 December, 1962, pp.26-30
Giampaolo, ‘Chi sono i nostri pittori piu importanti?’, in: La Domenica del Corriere, Milan, 10 June, 1962, pp. 24-26
Serra, Franco, ‘Costa ducento lire al litro il fiato del pittore che non usa i pennelli’, in: Settimana Incom Illustrata’, Milan, vol. 15, no. 50, 16 Deceber, 1962, pp. 49-51

1961
Marina, Albisola, Caputo, Antonio, ‘Piedigrotta nei quadri di Mario Russo (Manzoni consacra all’arte)’, in: Il Pensiero Nazionale, Rome, vol. 15, no. 9, 1-15 May, 1961, p.40
Cattaneo, Romano, ‘Un campione del nostro tempo’, in: Il Borghese, Milan, vol. 12, no. 38, 21 September 1961
Crispolti, Enrico, ‘Ipotesi attuali’, in: Il Verri, Milan, June 2/3, 1961
Dissing, Karen, ‘Kvaler med kunst’, in: Information, Copenhagen, 20 October, 1961
Earl, Francis, ‘Il caccautore’, in: Il Bertoldo, Milan, 20 October, 1961
Laszlo, Carl (ed.), ‘Panderma’, no.4, Basle, 23 March, 1961, p. 13
Leisberg, Alexander, ‘Neue Tendenzen’, in: Das Kunstwerk, Baden-Baden and Krefeld, vol. 14., nos. 10/11, April/ May, pp. 3-34
Mack, Heinz, Piene, Otto, ‘ZERO’, Düsseldorf, no. 3, July, 1961
Nakahara, Yosuke, ‘Manzoni and Castellani – The Battle with Formlessness’, in: Mizue, Tokyo, no. 679, November, 1961, p.51

1960
Abe, Nobuya, ‘Piero Manzoni’, in: The Geijutsu Shinchō, Tokyo, no. 3, March, 1960, pp. 184-185
Agnetti, Vincenzo, ‘Die Linien’, in: Nota. Studentische Zeitschrift für Bildende Kunst, Munich, no. 4, 1960, p. 20
___, ‘Arte e Cultura’, in: Il Gazzettino, Venice, 2 September, 1960
Ballo, Guido, ‘Lucio Fontana et le Spatialisme’, in: Cimaise, Paris, vol. 7, no. 48, April-June, 1960, pp. 12-24
___, ‘Bilder von Schwämmen und Setzeiern’, in: Der Mittag, Düsseldorf, 23 March, 1960
Cirlot, Juan-Eduardo, ‘Un nuevo idealismo? Piero Manzoni y la nueva concepción artistica’, in: Correo de las Artes, Barcelona, no. 27, September, 1960
Dorles, Gillo, ‘Breve esame della XII Triennale’, in Domus, Milan, no. 373, December, 1960, pp.10-12
___, ‘Italienerne sluger Manzonis æg raat’, in: Herning Folkeblad, Herning, 2 September, 1960
Jepsen, Peter, ‘Verdens længste streg er tegnet på’, in: Herning Avis, Herning, 5 July, 1960
Tono, Yoshiaki, ‘Birth of Monochromists’, in: Geijutsu Shincho, Tokyo, no. 11, November, 1960
Veronesi, Giulia, ‘Visites d’ateliers, Castellani et Manzoni à Milan’, in: Art Actuel, Lausanne, no. 14, 14 February, 1960
Villa, Emilio, ‘Jeunes artistes italiens’, in: Aujurd’hui, Paris, 28 September, 1960
Vivaldi, Cesare, ‘America Neodadaista’, in: Italia Domani, Rome, no. 1, 3 January, 1960, p. 17

1959
___, ‘Astrattista murale’, in: La Notte, Milan, 27/28 May, 1959
___, ‘Attività febrile nelle gallerie d’arte milanesi’, in: Umanita Nuova, Rome, no. 10, 3 March
1959
Ferret, M., ‘Piero Manzoni e Enrico Baj’, in: Panorama, Milan, 27 April, 1959
Fischer, Klaus Jürgen, ‘Die Neue Kunst in Mailand’, in: Das Kunstwerk, Baden-Baden, no.1, October, 1959, p.8
Greco, Wladimiro, ’8 domande al pittore Piero Manzoni’, in: Il Travaso, Milan, no.39, 5 October, 1959
___, ‘La “Vernice” a Milano di un pittore soncinese’, in: La Provincia, Cremona, no.1, October, 1959, p.8
___, ‘Le guarnizioni perdevano’, in: La Notte, Milan, no. 32, 2/3 March 1959
___, ‘Milanoultime’, in: Il Traviso, Milan, no. 32, 2 March, 1959
Mondadori, Fabrizio, ‘What Is Original About’, in: Direzioni Rassegna d’Arte e di Poesia Attuale’, Milan, no. 3, June, 1959, p. 5
Novelli, Gastone, ‘Le riviste d’avanguardia in Europa’, in: Almanacco Letterario Bompiani 1960, Milan, 1959, p.162
___, ‘Pittori Italiani all’estero’, in: L’Italia, Milan, no.10, 17 April, 1959
___, ‘Quadri e salumi’, in: Lo Specchio, Milan, no. 10, 11-15 March, 1959
___, ‘Zero Group International’, in: Art Actuel International’, Lausanne, vol. 2, no. 13, October, 1959, p.3

1958
___, ‘Arte. Piero Manzoni’, in: Panorama, Milan, 27 April, 1958

1957
Cambria, Adele, ‘Vivono nell’avvenire’, in: Il Giorno, Milan, 18 June, 1957
Kaisserlian, Giorgio, ‘Arte nucleare’, in: Il Popolo di Milano, Milan, 19 October, 1957
___, ‘Oltre cento artisti in soggiorno ad Albisola’, in: Il Secolo XIX, Genoa, 14/15 August, 1957
Pincus [Enrico Piceni], ‘Genio e sregolatezza’, in: Candido, Milan, 20 October 1957, p.29
Polignoto [Leonardo Borgese], ‘L’assurda garata arte e scienza’, in: Corriere d’Informatione, Milan, 14/15 August, 1957

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