Lorna Simpson Bibliography

Publications

2017
‘Soulèvements/ Uprisings’, Jeu De Paume, Paris, Jeu de Paume and Gallimard Publishers, 2017

2016
CAPP Collection 10th Anniversary University of Maryland, MD, Omeka Web Publisher, 2016 (exh. cat.)
‘The Uses of Photography: Art, Politics and the Reinvention of a Medium’, Museum of Contemporary Art San Diego, La Jolla, CA, University of California Press, 2016

2016
CAPP Collection 10th Anniversary University of Maryland, MD, Omeka Web Publisher, 2016 (exh. cat.)
‘The Uses of Photography: Art, Politics and the Reinvention of a Medium’, Museum of Contemporary Art San Diego, La Jolla, CA, University of California Press, 2016

2015
Bajac, Quentin, ‘Photography at MoMA: 1960 to Now’, Museum of Modern Art, 2015, New York, 2015 (bro.)
History in Fifty Years of African American and Black British Art (1960-2010)’, University of California Press, 2015 (exh. cat.)
Brown, Kimberly-Juanita, ‘The Repeating Body: Slavery’s Visual Resonance in the Contemporary’, Duke University Press, 2015
‘America is Hard to See’, New York: Whitney Museum of American Art, 2015 (exh. cat.)
Bunch-Davis, Carol, ‘Prefiguring Postblackness: Cultural Memory, Drama and the African American Freedom Struggle of the 1960s’, University of Mississippi Press, 2015
Harper, Phillip Brian, ‘Abstractionist Aesthetics’, New York University Press, 2015
Mullins, Charlotte, ‘Picturing People’, Thames & Hudson, 2015,

2014
Bindman, David and Henry Louis Gates, ‘The Image of the Black in Western Art’, Harvard University Press, 2014
DuBois Shaw, Gwendolyn, ‘Represent: 200 Years of African American Art’, Philadelphia Museum of Art, 2014 (exh. cat.)
Haynes, Lauren, ‘Speaking of People: Ebony, Jet and Contemporary Art’, The Studio Museum in Harlem, 2014
Schwartz, Alexandra, ‘Come As You Are: Art of the 1990s’, Montclair Art Museum, 2014 (exh. cat.)

2013
Jacobson, Heidi Zuckerman (ed.), ‘Lorna Simpson’: Works on Paper’, Aspen, Colorado: Aspen Art Press, 2013 (exh. cat.)
Miller-Keller, Andrea, ‘Lorna Simpson: Matrix 107’, Hartford, CT: Wadsworth
Simon, Joan, ‘Lorna Simpson’, Munich, London and New York: DelMonico Books, Prestel Publishing, 2013 (exh. cat.)
Copeland, Huey, ‘Bound to Appear: Figures of Slavery in the Art of Glenn Ligon, Lorna Simpson and Fred Wilson’, Chicago: University of Chicago Press, 2013 (exh. cat.)

2012
‘African American Art Since 1950: Perspectives from the David C, Driskell Center’, David C. Driskell Center, 2012 (exh. cat.)
‘The Bearden Project’, New York: Studio Museum in Harlem, 2012 (exh. cat.)
Galpin, Amy (ed.), ‘Behold, America! Art of the United States from Three San Diego Museums, San Diego: San Diego Museum of Art, 2012 (exh. cat.)
Molesworth, Helen, ‘This Will Have Been: Art, Love, and Politics in the 1980s’, Chicago: Museum of Contemporary Art, 2012 (exh. cat.)
Simpson, Bennett with contributions, ‘Blues for Smoke’, Munich, London and New York: DelMonico Books, Prestel Publishing, 2012 (exh. cat.)

2011
Desmond, Jill (ed.) ‘Companion to Light, Sound, and the Moving Image’, Denver: Denver Art Museum, 2011 (exh. cat.)
Jones, Kellie, ‘EyeMinded: Living and Writing Contemporary Art’, Durham, NC: Duke University Press, 2011, See esp., chap, 5, “(Un)seen and Overheard: Pictures by ‘Lorna Simpson’
Princenthal, Nancy (ed.), ‘The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973–1991’, Purchase, NY: Neuberger Museum; Munich: DelMonico Books • Prestel, 2011 (exh. cat.)

2010
Barson, Tanya, and Peter Gorschlüter, (eds.) ‘Afro-Modern: Journeys through the Black Atlantic’, Liverpool: Tate Liverpool, 2010 (exh. cat.)
Butler, Cornelia H, and Alexandra Schwartz, ‘Modern Women: Women Artists at the Museum of Modern Art’, New York: Museum of Modern Art, 2010 (exh. cat.)
Schuppli, Madeleine (ed.) ‘Yesterday Will Be Better: Mit der Erinnerung in die Zukunft / Taking Memory into the Future’, Aarau, Switzerland: Aargauer Kunsthaus; Bielefeld, Germany: Kerber, 2010, pp. 182-185 (exh. cat.)

2009
Ditner, Judy (ed.) ‘Dress Codes: The Third ICP Triennial of Photography and Video, New York: International Center of Photography, 2009 (exh. cat.)

2008
‘Ink’, New York: Salon 94, 2008 (exh. cat.)
Brownlee, Andrea Barnwell, and Valerie Cassel Oliver, ‘Cinema Remixed and Reloaded: Black Women Artists and the Moving Image since 1970’, Houston: Contemporary Arts Museum Houston, 2008 (exh. cat.)
Enwezor, Okwui, ‘Archive Fever: Uses of the Document in Contemporary Art’, New York: International Center for Photography; Göttingen, Germany: Steidl, 2008 (exh. cat.)
‘Konzept: Fotographie / Concept: Photography, REAL’, Frankfurt, Germany: Städel Museum, 2008 (exh. cat.)
Sterling, Susan Fisher, and Kathryn A, Wat, ‘Role Models: Feminine Identity in Contemporary American Photography’, Washington, DC: National Museum of Women in the Arts; London: Scala, 2008 (exh. cat.)

2006
Enwezor, Okwui (ed,), ‘Lorna Simpson’, New York, Abrams in association with the American Federation of Arts, 2006

2005
‘Collection Remixed’, Bronx, NY: Bronx Museum of Arts, 2005 (exh. cat.)
Conceptual Art since 1970’, Houston: Contemporary Arts Museum Houston, 2005 (exh. cat.)
Rothfuss, Joan, and Elizabeth Carpenter, ‘Bits and Pieces Put Together to Present a Semblance of the Whole: Walker Art Center Collections’, Minneapolis: Walker Art Center, 2005
Temkin, Ann, ‘Contemporary Voices: Works from the UBS Art Collection’, New York: Museum of Modern Art, 2005 (exh. cat.)

2004
Temkin, Ann, ‘Contemporary Voices: Works from the UBS Art Collection’, New York: Museum of Modern Art, 2005 (exh. cat.)
Fernandez-Cid, Gill Marta, ‘Compostela: ‘Lorna Simpson’, Santiago de Compostela, Centro Galego de Arte Contemporánea, 2004
‘Lorna Simpson’, Wooster, OH: College of Wooster Art Museum, 2004
Gili, Marta with contributions by Miguel Fernandez-Cid, ‘Lorna Simpson’, Xunta de Galicia, 2004 (exh. cat.)
‘Open House: Working in Brooklyn’, New York: Brooklyn Museum, 2004 (exh. cat.)

2003
‘Lorna Simpson: Photoworks and Films, 1986–2002’, Dublin: Irish Museum of Modern Art, 2003 (bro.)
Fusco, Coco, and Brian Wallis (eds), Only Skin Deep: Changing Visions of American Self (exh. cat.) New York: International Center of Photography, 2003
Heon, Laura Steward, Yankee Remix: Artists Take on New England (exh. cat.) North Adams, MA: MASS MoCA; Boston: Society for the Preservation of New England Antiquities, 2003
‘Imperfect Innocence: The Debra and Dennis Scholl Collection’, Baltimore: Contemporary Museum; Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2003 (exh. cat.)
Molesworth, Helen Anne, ‘Image Stream’, Columbus: Wexner Center for the Arts, Ohio State University, 2003 (exh. cat.)
Schmidt, Sabine Maria, and Cornelia Brüninghaus-Knubel, ‘Taktiken des Ego / Tactics of the Ego’, Bielefeld, Germany: Kerber; Duisburg, Germany: Stiftung Wilhelm Lehmbruck Museum, 2003 (exh. cat.)
Mercer, Kobena, ‘Travel & See: Black Diaspora Art Practices since the 1980s’, Duke University Press, 2003 (exh. cat.)

2002
‘Lorna Simpson’, Salamanca, Spain: Centro de Arte de Salamanca, Consorcio Salamanca, 2002
‘Lorna Simpson’, London: Phaidon, 2002
Cassel Oliver, Valerie, and Franklin Sirmans, ‘Double Consciousness: Black
Collins, Lisa Gail, ‘The Art of History: African American Women Artists Engage the Past’, New Brunswick, NJ: Rutgers University Press, 2002 (exh. cat.)
‘Documenta 11_Platform 5: Exhibition; Catalog Ostfildern-Ruit, Germany: Hatje Cantz, 2002 (exh. cat.)
Drake, Jennifer, ‘Variations on Negation: Breaking the Frame with ‘Lorna Simpson and Adrian Piper: in ‘Interfaces: Women, Autobiography, Image, Performance’, Sidonie Smith and Julia Watson (eds.), Ann Arbor: University of Michigan Press, 2002, pp. 211–39
Gili, Marta, ‘Lorna Simpson’, Centro de Arte de Salamanca, 2002 (exh. cat.)
Rinder, Lawrence R, Chrissie Iles, Christiane Paul, and Debra Singer, ‘2002 Biennial Exhibition’, New York: Whitney Museum of American Art, 2002 (exh. cat.)
Smith, Elizabeth A, T, Alison Pearlman, and Julie Rodrigues Widholm, ‘Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art’, Chicago, Collection, Chicago: Museum of Contemporary Art, 2002 (exh. cat.)

2001
Armstrong, Carol M, ‘Camera Women: Women Photographers in the Collection of the Princeton University Art Museum’, Princeton, NJ: Princeton University Art Museum, 2001 (exh. cat.)
Henry, Lisa, ‘I’m Thinking of a Place’, Los Angeles: UCLA Hammer Museum, 2001, (bro.)
Momin, Shamim, ‘A Way with Words: Selections from the Whitney Museum of American Art’, New York: Whitney Museum of American Art, 2001 (exh. cat.)

2000
‘Converge’, Miami: Miami Art Museum, 2000 (exh. cat.)
‘An Exuberant Bounty: Prints and Drawings by African Americans’, Philadelphia: Philadelphia Museum of Art, 2000 (exh. cat.)
‘Insites: Interior Spaces in Contemporary Art’, New York: Whitney Museum of American Art, 2000 (exh. cat.)
Rubin, David S, ‘Photography Now: An International Survey of Contemporary Photography’, New Orleans: Contemporary Arts Center, 2000 (exh. cat.) ‘Reflections in Black: A History of Black Photographers, 1840 to the Present’ (exh. cat.) Washington, DC: Anacostia Museum and Center for African American History and Culture, Smithsonian Institution, 2000 (exh. cat.)

1999
Cook, Sarah, Engberg, ‘Scenarios: Recent Work by Lorna Simpson’, Minneapolis: Walker Art Center, 1999 (bro.)
‘African Americans in Art: Selections from the Art Institute of Chicago’, Chicago: Art Institute of Chicago, 1999 (exh. cat.)
‘Institution, in association with Hatje Cantz’, 1999
Kiehl, David, Contemporary Narratives in American Prints, Stamford, CT: Whitney Museum of American Art at Champion, 1999 (exh. cat.)
Phillips, Lisa, ‘The American Century: Art and Culture, 1950–2000’, New York: Whitney Museum of American Art in association with W, W, Norton, 1999 (exh. cat.)
Benezra, Neal, and Olga M, Viso, ‘Regarding Beauty: A View of the Late Twentieth Century’, Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian, 1999 (exh. cat.)

1998
‘Lorna Simpson’: Call Waiting, Toronto: Art Gallery of Ontario, 1998 (bro.)
Ackley, Clifford S, ‘Photoimage: Printmaking, 60s to 90s’, Boston: Museum of Fine Arts, 1998 (exh. cat.)
Lahs-Gonzalez, Olivia, and Lucy Lippard, ‘Defining Eye: Women Photographers of the Twentieth Century’, Saint Louis: Saint Louis Art Museum, 1998 (exh. cat.)
‘The Hugo Boss Prize 1998’, New York: Guggenheim Museum Publications, 1998 (exh. cat.)
Amerikaanse kunst, Amsterdam: Con Rumore, 1998 (exh. cat.)
Stills: ‘A Selection from the Marieluise Hessel Collection’, Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 1998 (exh. cat.)

1997
Simpson, Lorna, and Rogers, Sarah J, ‘Lorna Simpson: Interior / Exterior, Full / Empty’, Columbus: Wexner Center for the Arts, Ohio State University, 1997 (exh. cat.)
‘Fotogramas: Arte e cinema na coleção Marieluise Hessel’, Rio de Janeiro: Centro Cultural Light, 1997 (exh. cat.)
Gips, Terry, ‘Terra Firma’, College Park: Art Gallery, University of Maryland, 1997 (exh. cat.)
‘Evidence: Photography and Site’ Columbus: Wexner Center for the Arts, Ohio State University, 1997 (exh. cat.)

1996
‘Gender beyond Memory: The Works of Contemporary Women Artists’, Tokyo: Metropolitan Museum of Photography, 1996 (exh. cat.)
‘Körper und Betrug / Body and Deception’ (exh. cat.) Berlin: Galerie Wohnmaschine, 1996 (exh. cat.)
Sangster, Gary, and Eleanor Heartney, ‘Urban Evidence: Contemporary Artists Reveal Cleveland’, 2 vol., Cleveland: Cleveland Museum of Art in association with the Cleveland Center for Contemporary Art and SPACES, 1996 (exh. cat.)
Robinson, Jontyle Theresa, ‘Bearing Witness: Contemporary Works by African American Women Artists’, Atlanta: Spelman College Museum of Fine Art; New York: Rizzoli, 1996 (exh. cat.)

1995
hooks, bell, ‘Lorna Simpson’, Vienna: Wiener Secession, 1995 (bro.)
hooks, bell, ‘Art on My Mind: Visual Politics, New York: New Press’, 1995,
Fusco, Coco, ‘English Is Broken Here: Notes on Cultural Fusion in the Americas’, New York: New Press, 1995
Lineker, Bruce, ‘Civil Rights Now’, Winston-Salem, NC: Southeastern Center for Contemporary Art, 1995 (exh. cat.)
‘Longing and Belonging: From the Faraway Nearby’, Santa Fe, NM: SITE Santa Fe, 1995 (exh. cat.)
Moore, Sylvia (ed.) ‘Gumbo Ya Ya: Anthology of Contemporary African American Women Artists’, New York: Midmarch Arts Press, 1995
Nieves, Marysol, ‘Traces: The Body in Contemporary Photography’, New York: Bronx Museum of the Arts, 1995 (exh. cat.)
Pottier, Marc, ‘Avant-garde Walk a Venezia 1995’, Italy: Edizioni d’arte fratelli Pozzo, 1995 (exh. cat.)
Pultz, John, ‘The Body and the Lens: Photography, 1839 to the Present’, New York: Abrams, 1995 (exh. cat.)
Tsai, Eugenie, ‘Fact and Fiction: Photographs from the Whitney Museum of American Art’ (exh. cat.) Stamford, CT: Whitney Museum of American Art at Champion, 1995 (exh. cat.)

1994
‘Lorna Simpson: Standing in the Water’, New York: Whitney Museum of American Art at Philip Morris, 1994, (bro.)
Herzberg, Eunice Lipton, Margo Machida, Micki McGee, Sharon F, Patton, Susan Quist, Gary Sangster, Lowery Stokes Sims, Laura Trippi, and Judith Wilson,
Decter, Joshua ‘Don’t Look Now’, New York: Thread Waxing Space, 1994 (exh. cat.)
Flam, Jack D, and Daniel Shapiro, ‘Western Artists / African Art’ (exh. cat.) New York: Museum for African Art, 1994 (exh. cat.)
Golden, Thelma, ‘Black Male: Representations of Masculinity in Contemporary American Art’, (New York: Whitney Museum of American Art, 1994 (exh. cat.)
‘Sela, Rona, 90-70-90’, Tel Aviv, Israel: Tel Aviv Museum of Art, 1994 ‘Translucent Writings’, Purchase: Neuberger Museum of Art, State University of New York; Vienna: Grita Insam Gallery, 1994 (exh. cat.)
Tucker, Marcia, ‘Bad Girls’, New York: New Museum of Contemporary Art; Cambridge, MA: MIT Press, 1994 (exh. cat.)
‘Imagining Families: Images and Voices’ Washington, DC: National African American Museum, Smithsonian Institution, 1994 (exh. cat.)
Wolf, Sylvia, Focus: Five Women Photographers, Morton Grove, IL: Whitman & Co, 1994 (exh. cat.)

1993
‘Abject Art: Repulsion and Desire in American Art’; Selections from the Permanent Collection, New York: Whitney Museum of American Art, Independent Study Program, 1993 (exh. cat.)
Butler, Cornelia H, ‘Picturing Ritual’, Woodstock, NY: Center for Photography at Woodstock, 1993 (exh. cat.)
Jacob, Mary Jane, Ivo Mesquita, and Noreen Tomassi (eds), ‘American Visions / Visiones de las Américas: Artistic and Cultural Identity in the Western Hemisphere’, New York: ACA Books in association with Arts International and Allworth Press, 1993
‘Fall from Fashion’, Ridgefield, CT: Aldrich Museum of Contemporary Art, 1993 (exh. cat.)
‘Prospect 93’, Frankfurt, Germany: Frankfurter Kunstverein, Schirn Kunsthalle, 1993 (exh. cat.) ‘The Seventh Wave’, Southampton, UK: John Hansard Gallery, University of Southampton, in association with Pale Green Press, London, 1993 (exh. cat.)
Solomon-Godeau, Abigail, and Constance Lewallen, ‘Mistaken Identities’, Santa Barbara: University Art Museum, University of California, 1993 (exh. cat.)
Sussman, Elisabeth, Thelma Golden, John G, Hanhardt, and Lisa Phillips, ‘1993 Biennial Exhibition’, New York: Whitney Museum of American Art, 1993 (exh. cat.)

1992
Gelover, Cheryl, ‘Lorna Simpson’, Elkins Park, PA: Tyler School of Art Galleries, Temple University, 1992 (bro.)
Willis, Deborah, ‘Lorna Simpson’, San Francisco: Friends of Photography, 1992 (exh. cat.)
Hartman, Saidiya V and Beryl J, Wright, ‘Lorna Simpson: For the Sake of the Viewer’, New York: Universe; Chicago: Museum of Contemporary Art, 1992 (exh. cat.)
Als, Hilton, and Frank Wagner, ‘Schwarze Kunst: Konzepte zu Politik und Identität’, Berlin: RealismusStudio, Neue Gesellschaft für bildende Kunst, 1992 (exh. cat.)
‘Dirt and Domesticity: Constructions of the Feminine’, New York: Whitney Museum of American Art, 1992 (exh. cat.)
‘Dream Singers, Story Tellers: An African-American Presence’, Fukui, Japan: Fukui Fine Arts Museum; Trenton: New Jersey State Museum, New Jersey Department of State, 1992 (exh. cat.)
Watson, Simon, and John S, Weber, ‘Dissent, Difference, and the Body Politic’, Portland, OR: Portland Art Museum, 1992 (exh. cat.)

1991
Fusco, Coco, ‘Lorna Simpson’, Hamilton, NY: Gallery of the Department of Art and Art History, Dana Art Center, Colgate University, 1991
‘Artists of Conscience: Sixteen Years of Social and Political Commentary’, New York: Alternative Museum, 1991 (exh. cat.)
Summerbell, Deirdre, ‘Beyond the Frame: American Art’, 1960–1990, Tokyo: Setagaya Art Museum, 1991
Day, Holliday T, ‘Power: Its Myths and Mores in American Art’ (exh. cat.) Indianapolis: Indianapolis Museum of Art, 1991
Jacob, Mary Jane, ‘Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival’ (exh. cat.) New York: Rizzoli, 1991
‘1991 Whitney Biennial’, New York: Whitney Museum of American Art, 1991 (exh. cat.)
Zaya, Octavio, Donald Kuspit, and John S, Weber, ‘Altrove: Fra Immagine e Identità, Fra Identità e Tradizione / Altrove: Between Image and Identity, Between Identity and Tradition’ (exh. cat.) Prato, Italy: Museo d’Arte Contemporanea Luigi Pecci, 1991
Looking Back on the Eighties’, Philadelphia: Institute of Contemporary Art, 1991 (exh. cat.) Tomidy, Paul, ‘De-Persona’, Oakland: Oakland Museum, 1991 (exh. cat.)
Harwood, Yasmin Ramirez, ‘Centric 38: ‘Lorna Simpson’, Long Beach: University Art Museum, California State University, 1990 (bro.)
Weber, John S., ‘Perspectives 15: Lorna Simpson’, Portland: Portland Art Museum and Oregon Art Institute, 1990 (bro.)
Athenaeum, 1980 (bro.) Wells, Jennifer, ‘Projects 23: Lorna Simpson’, New York: Museum of Modern Art, 1990 (bro.)
Bowman, Russell, and Dean Sobel, ‘Word as Image: American Art, 1960–1990’, Milwaukee: Milwaukee Art Museum, 1990 (exh. cat.)
Lippard, Lucy, ‘Mixed Blessings: New Art in a Multicultural America’, New York: New Press, 1990
‘San Diego Museum of Contemporary Art: Selections from the Permanent Collection’, La Jolla, CA: San Diego Museum of Contemporary Art, 1990 (exh. cat.)
‘The Decade Show: Frameworks of Identity in the 1980s’, New York: New Museum, Museum of Contemporary Hispanic Art, and Studio Museum in Harlem, 1990 (exh. cat.)
Storr, Robert, in collaboration with Judith Tannenbaum, ‘Devil on the Stairs: ‘Utopia Post Utopia: Configurations of Nature and Culture in Recent Sculpture and Photography’, Boston: Institute of Contemporary Art, 1988 (exh. cat.)
Willis, Deborah, ‘An Illustrated Bio-Bibliography of Black Photographers, 1940–1989’, New York: Garland, 1990 (exh. cat.)

1989
Jones, Kelly, ‘Lorna Simpson, New York: Josh Baer Gallery’, 1989
‘Image World: Art and Media Culture’, New York: Whitney Museum of American Art, 1989 (exh. cat.)
Willis, Deborah, and Kellie Jones, ‘Constructed Images: New Photography, New York: Schomburg Center for Research in Black Culture’, 1989

1988
‘Autobiography: In Her Own Image’, New York: INTAR Latin American Gallery, Atlanta: Nexus Contemporary Art Center, 1988 (exh. cat.)
Malen, Lenore, ‘The Politics of Gender’, Bayside, NY: Queensborough Community College of the City University of New York, 1988 (exh. cat.)
Fairbrother, Trevor J, David Joselit, and Elisabeth Sussman, ‘The Binational: American Art of the Late 80s, German Art of the Late 80s / The Binational: Amerikanische Kunst der späten 80er Jahre, Deutsche Kunst der späten 80er Jahre’, Boston: Institute of Contemporary Art and Museum of Fine Arts; Cologne: DuMont, 1988 (exh. cat.)

1987
‘9 Uptown’, New York: Harlem School of the Arts, 1987 (exh. cat.)

1985
Perrée, Rob, ‘Postcards from Black America’: Hedendaagse Afrikaans-
‘Seeing Is Believing? Photo Generated Artworks’, New York: Alternative Museum, 1985 (exh. cat.)

1983
Bernier, Celeste-Marie, ‘Imaging Resistance: Representing the Body, Memory and
Contemporary Afro-American Photography, Oberlin, OH: Allen Memorial Art Museum, Oberlin College, 1983 (exh. cat.)

Articles

2017
Joselit, David, ‘On Aggregators’, in: Bijutsu Techo, Tokyo, Japan, October 2017, p. 148-156
Brown, Kate, ‘How ‘Condo King’ Bob Rennie Became the Most Controversial Man in Canada’s Art World’, on: news.artnet.com, London, UK, 5 October 2017
‘Exquisite Corpse’, in: GARAGE, Brooklyn NY, September 2017
Smallwood, Christine, ‘Why Are So Many Artists Making Work That Lies on the Floor?’, in: T: The New York Times Style Magazine, New York, 20 August 2017, pp. 169-172
Ortved, John, ‘With All Eyes on the South, the Most Important Art Show in America Is Underway in Pittsburgh’, on: www.vogue.com, 18 August 2017
Donoghue, Katy, ‘The Fearless Lorna Simpson’, on: whitewall.com, 25 May 2017
Sargent, Antwaun, ‘Lorna Simpson at Her David Adjaye–Designed Studio’, on: galeriemagazine.com, Spring 2017
Ortved, John, ‘Frieze and the Female Gaze’, on: vougue.com, 4 May 2017
Eckardt, Stephanie, ‘The Women Artists Stealing the Spotlight at Frieze New York 2017’, on: wmagazine.com, 2 May 2016

2016
Campbell, Andrianna, ‘Lorna Simpson’, in: Artforum, 26 November 2016
Leher, Adam, ‘With New Body of Work, Artist Lorna Simpson, Recontextualizes Charged, Historical Imagery’, on: forbes.com, 2 November 2016
Cooper, Emerson, ‘The Challenge of Perception’ in: Posture Magazine, 2016, pp. 68-75
Sargent, Antwaun, ‘Lorna Simpson Shifts Gears’, in: Cultured Magazine, September 2016
Lewis, Sarah, ‘Lorna Simpson’ in: Aperture Magazine, Vision and Justice, Summer 2016
Wagoner, Mackenzie, ‘Artist Lorna Simpson Returns to Her Favorite Subject – Hair-With Exclusive New Works’ on: vogue.com. 31 March 2016

2015
Maehara, Melissa, ‘Lorna Simpson Hide Nor Hair’ in: Musée Magazine, 29 Dec 2015

2014
Feeney, Mark, Striking dualities from ‘Lorna Simpson Boston Globe’, October 21, 2014
Soulez, Juliette, ‘Lorna Simpson au Jeu de Paume’, in blouinartinfo.com, 16 July 2014
‘Mirror Images’, in: Art Monthly, 1 June 2014
Davies, Lucy, ‘Deutsche Börse Photography Prize: Lorna Simpson’, on: telegraph.com, 4 April 2014
‘Deutsche Borse Photography Prize 2014 Shortlist Announced’, on: artlyst.com, 18 April 2014
Hodgson, Barbara, ‘Baltic exhibition reflects on American artist’s 30-year career’, in: The Journal, 28 March 2014
Knelman, Sara, ‘Lorna Simpson’, in: Frieze, Summer 2014, p. 207
Lotz, Ronja, ‘Fragen stellen’, in: Münchner Feuilleton, 11 January 2014 ‘Lorna Simpson’, on: getidan.de, 9 January 2014
Seeszlen, Georg, ‘Die Farben der Cultural Studies, Jungle World’ 9 January 2014
‘Spiel mit Identitäten: Lorna Simpson’, in: Cult, 1 January 2014
Years a Slave’ for W Magazine’, in: Culture Type, 25 February 2014

2013
Kaplan, Cheryl, ‘Es ist iteressant, unsicher zu sein – Ein Gespräch mit Lorna Simpson’ on: db–artmag.com 17 December 2013
Mayerle, Astrid, ‘Review’, in: Monopol, 13 December 2013
Sachs, Brita, ‘Mädchen, hast du keine’, in: FAZ, 27 November 2013
Schulke, Sebastian, ‘Live und direkt! Kunst und Künstler hautnah spüren, KolossaI’, 1 November 2013
Mutz, Katherina, ‘Eindeutig uneindeutig, Münchner Merkur,’ 26 October 2013
‘Lorna Simpson’, in: Undo, 23 October 2013
‘Lorna Simpson im Haus der Kunst’ in: kulturonline.net, 2 October 2013
Baqué, Dominiq, ‘Lorna Simpson’, in: Art Press, 13 September 2013
Schwabsky, Barry, ‘Showing, Saying Whistling: On Lorna Simpson and and Ahlam Shibli, Two photographers focus on the difficulties of putting words to what one sees.’ on: thenation.com, 13 August 2013 ‘Lorna Simpson’ in: This is Tomorrow, 17 August 2013
Shibli Two photographers focus on the difficulties of putting words to what one sees’, in: The Nation, 13 August 2013
‘Les ouvres de Lorna’, in: Le Semaine, 6 August 2013 Seeszlen, Georg, ‘Ausstellung: Retrospektive der afroamerikanischen Künstlerin Silamo, Sabrina, ‘Identification d’une Femme, Arts Magazine’, 1 July 2013
O’Hagan, Sean, ‘Lorna Simpson’s photography: gold afros, chess players and 50s glamour’, in: The Guardian, 2013
Ollier, Brigitte, ‘Lorna Simpson hausse le temps’, on: Liberation Next, 2 August 2013
Wolinski, Natacha, ‘L’oeuvre forte de Lorna Simpson s’impose au Jeu de Paume’, in: Le Quotidien de l’Art, August 2013
Zorzi, Diane, ‘Lorna Simpson entre photographie et poésie’, on: Theoria, 15 July 2013
Remy, Cathy, ‘Lorna Simpson: artiste-polymorphe’, in: Le Monde, 21 June 2013
Morel, Guillaume, ‘Les Photos-Textes de Lorna Simpson’, in: Connaissance des Arts 1 June 2013
Zorzi, Diane, ‘Lorna Simpson’ in: Faribole, 2013, pp. 10-13

2011 ‘Lorna Simpson: Gathered’ in: New York Times, 1 July 2011
Denson, G, Roger, ‘Gender as Performance and Script: Reading the Art of Yvonne Rainer, Cindy Sherman, Sarah Charlesworth, and Lorna Simpson after Eve Sedgwick and Judith Butler’, Huffington Post, 9 June 2011
Lamm, Kimberly, ‘At the Pivot of Biopolitical: Seeing Sex and Racism in Lorna Simpson’s You’re Fine’ in: Paradoxa: International Feminist Art, July 2011, pp. 88–93
Belisle, Brooke, Felt Surface, Visible Image: ‘Lorna Simpson’s Photography and the Embodiment of Appearance, in: Photography and Culture 4 July 2011, pp.157–78
Davis, Ben, ‘Lorna Simpson Momentum at Salon 94’, on: artinfo.com, 12 May 2011

2009
‘Les métamorphoses de ‘Lorna Simpson’, in: Journal des arts, 13–27 November 2009
Duponchelle, Valérie, ‘Lorna Simpson, retour sur un double, in: Le Figaroscope, November 2009, pp. 4–10
Heilenman, Diane, ‘Artist’s Role Is That of Quiet Provocateur’, in: Courier-Journal Louisville, KY, 9 March 2009
O’Neill-Butler, Lauren, ‘Lorna Simpson: Salon 94/Salon 94 Freemans’, in: Artforum, January 2009, pp. 206–7

2008
Unsal, Merve, ‘Lorna Simpson: Ink at Salon 94 and Salon 94 Freemans’, on: artcritical.com, December 2008
York, Hildreth, ‘Seen from Above’ in: Surface Design, Spring 2008, pp. 22–29

2007
Armstrong, Carol, ‘Identity Aesthetics’, in: Artforum, September 2007, pp.131–32
Conner, Jill, ‘Questioning Reality’, in: Afterimage, July–August 2007, p. 29
Bell, Jennie, ‘Lorna Simpson’, on: artinfo.com, 11 May 2007
Underwood, Paul L, ‘James Casebere and Lorna Simpson Artists’, in: New York Times, 1 April 2007
Ammeson, Jane, ‘Lorna Simpson’s Haunting Images Permeate Exhibit,’ in: Times of Northwest Indiana, 28 July 2007
Cotter, Holland, ‘Exploring Identity as a Problematic Condition’, on: newyorktimes.com, 2 March 2007
Urbina, Sofía, ‘Lorna Simpson’, in: Arte y parte, February–March 2007, p. 144
Turner, Elisa, ‘Lorna Simpson: Miami Art Museum’, in: Art News, January 2007, pp. 138–40

2006
Valdez, Sarah, ‘Lorna Simpson: Echoes of the Unspoken’, in: Art in America December 2006, pp. 106–11
Morgan, Susan, ‘Lorna Simpson’, in: Aperture, Winter 2006, p. 12,
Zellen, Jody, ‘Lorna Simpson: Los Angeles, Art Papers 30 July–August 2006, p. 64
Hainley, Bruce, ‘Lorna Simpson Museum of Contemporary Art’, Los Angeles, in: Artforum, Summer 2006, pp. 360–61
Myers, Holly, ‘Eye Contact: Lorna Simpson’s Politics of Engagement’, in: LA Weekly, 17 May 2006
Hart, Hugh, ‘Absences Make Her Art Stronger’ in: Los Angeles Times, 17 April 2006

2005
‘April 2006 Preview: ‘Lorna Simpson’, Art in America: Annual Guide 93, August 2005, p. 45
Copeland, Huey, ‘Bye, Bye Black Girl: ‘Lorna Simpson’s Figurative Retreat’, in: Art Journal 64, Summer 2005, pp. 62–77
Hastings, Sasha, ‘Lorna Simpson Prefix ICA Toronto’, in: Canadian Art, Fall 2005, pp. 152–54
Milroy, Sarah, At the Galleries: ‘Lorna Simpson’, in: Globe and Mail Canada, 8 April 2005
Derieux, Florence, ‘Lorna Simpson’, in: Flash Art, March–April 2005, p.122
‘Lorna Simpson: Le noir dans la peau’ in: Le Figaro littéraire, 20 January 2005

2004
Lane, Tahree, ‘Owens Showcases Works by Lorna Simpson’, in: Toledo Blade, 5 November 2004
Ross, Ellen, ‘Conversation: Ellen Ross with Cindy Sherman and Lorna Simpson’, in: Yard 1, Fall 2004, pp. 20–27
Harris, Jane, ‘Lorna Simpson Sean Kelly Gallery’, Time Out New York, 13–20 May 2004, pp. 66
Derieux, Florence, ‘Lorna Simpson’, in: Flash Art, March–April 2005, p.122
Igram, Bruce, ‘Monitoring Her Life: Video Artist Lorna Simpson’s “31” Offers Glimpses of Everyday Life’ in: Evanston Review, 11 March 2004
Stamets, Bill, ‘Days in the Lives’, in: Chicago Reader, 19 February 2004
‘Lorna Simpson: Corridor’, in: für schwarze Frauen, Berliner Zeitung, 29 January 2004
Hawkins, Margaret, ‘31’ Ways to Tell the Truth, Chicago Sun-Times, January 30, 2004

2003
Malik, Amna, ‘Lorna Simpson: Then and Now at the Irish Museum of Modern Art’, Dublin, Portfolio, December 2003, pp. 90–92
Gaston, Diana, ‘Lorna Simpson at the Whitney Museum of American Art’, in: Camerawork, Spring–Summer 2003: pp. 34– 35
Kennedy, Róisín, ‘Dublin: ‘Lorna Simpson at IMMA and Laura Gannon at Hugh Lane’, in: Circa: Art Magazine, Summer 2003, pp. 76–78
Ceballos, Miguel Angel, ‘Roban videoinstalación de Lorna Simpson’ in: El Universal Mexico City, 22 May 2003
Clancy, Luke, ‘Reviews: Lorna Simpson’, in: Art Review, May 2003 p. 95
Maldonado, Ana Laura, ‘Cierran espacios de TV a la obra de Lorna Simpson’, in: El Universal Mexico City, 13 May 2003
McNatt, Glenn, ‘Much to Learn from Lorna Simpson’s Lips; Video Installation Marries Mouths to Old Standard; Object Lesson: Video Art, in: Baltimore Sun, 23 February 2003
Paik, Tricia Y, ‘Lorna Simpson: Cameos and Appearances’, in: Whitney Museum of American Art Art on Paper 7 January– February 2003, p. 76

2002
Glueck, Grace, ‘Lorna Simpson—’31 and ‘Cameos and Appearances,’ New York Times, 25 October 2002
Richard, Frances, ‘Fall 2002 Preview Lorna Simpson Whitney Museum of American Art’ in: Artforum 41 September 2002, p. 74
‘Lorna Simpson’, Kunstforum International, August–October 2002, pp. 232–33
Oriv Begoña F, ‘El Centro de Arte acoge la primera gran exposición europea de Lorna Simpson’, in: La Gaceta, 26 April 2002

2001
Scott, Andrea K, ‘Lorna Simpson at Sean Kelly Gallery, New York’, in: Tema Celeste 18 November–December 2001, p.81
Schwartz, Alexandra, ‘Lorna Simpson: University of Michigan Museum of Art’, in: New Art Examiner, 28 May–June 2001, p. 87
Bernard, Marie ‘Artist, Photographer Explores Ethnicities’, on: Michigan Daily, 14 May 2001
Armendi, Nicole, ‘Lorna Simpson’s Public Sex Series: The Voyeuristic Presence and the Embodied Figure’s Absence’ in: Athanor 2001, pp. 67–75

2000
Kelly, Niamh Ann, ‘Lorna Simpson: Irish Museum of Modern Art Dublin’, in: Art Monthly, May 2000, pp. 29–31

1999
Smith, Cherise, ‘Fragmented Documents: Works by Lorna Simpson’, Carrie Mae Weems and Willie Robert Middlebrook in the Art Institute of Chicago’, in: Museum Studies 24,1999, pp. 244–59
Brockington, Horace, ‘Logical Anonymity: Lorna Simpson, Steve McQueen, Stan Douglas’, in: the International Review of African American Art, 15 June 1999, pp. 20–29
Sausset, Damien, ‘Lorna Simpson en quête d’identité’ in: L’Oeil, May 1999
‘Walker Art Center News Lorna Simpson’, in: Flash Art 32, January–February 1999, p. 44
Burleigh, Nina, ‘Lorna Simpson Talks about Photography’, in: Chicago Tribune, 13 January 1999

1998
Turner, Grady T, ‘Lorna Simpson at Sean Kelly’, in: Art in America, May 1998, p. 123
Pagel, David, Art Review: ‘Lorna Simpson at Kohn Turner Gallery’, Los Angeles, Los Angeles Times, April 3, 1998,
Hegarty, Laurence, ‘Lorna Simpson at Sean Kelly Gallery’, New York, in: Art Papers, January–February 1998, p. 56
Autliff, Allan, ‘Lorna Simpson’, in: Lola, no. 3 January 1998, p. 86
Feaster, Felicia, ‘Lorna Simpson at Sean Kelly Gallery, New York’, in: New Art Examiner, 25 December 1997–January 1998, p. 53
Novakov, Anna, ‘Public Sex: In Conversation with Lorna Simpson’, in: Atlántica, Winter 1998, pp.172–78

1997
Koeninger, Kay, ‘Simpson’s Dark World Explores Perception, Columbus Dispatch’, 23 November 1997
White, Miles, ‘Simpson Targets Race, Gender Politics, South Bend Tribune’, 9 November 1997
‘Lorna Simpson at Sean Kelly Gallery, New York’, in: New York Times, October 3, 1997
‘Lorna Simpson at Sean Kelly’, on: artnet.com, 23 September1997
Fusco, Coco, ‘Lorna Simpson’, Bomb, Fall 1997, pp. 50–55
Kendricks, Neil, ‘Film Projects Put Conceptual Artist’s Pictures in Motion’, San Diego Union-Tribune, 13 July 1997
Álvarez Bravo, Armando, ‘Tras el lente de Lorna Simpson’ in: Miami El Nuevo Herald, 18 February 1997

1996
‘Lorna Simpson at Karen McCready Fine Art’, in: Art on Paper 1 November–December 1996, p. 37
Enwezor, Okwui, ‘Social Grace: The Work of Lorna Simpson’ in: Third Text, Summer 1996 pp. 43–58
Villaseñor, Maria Christina, ‘Lorna Simpson: Nine Props, An Interview and Art Portfolio,’ in: Paris Review, Spring 1996, pp. 72–86
Ritchie, Matthew, ‘Lorna Simpson, Sean Kelly’ in: Flash Art, 29 March–April 1996, p. 112
Aukeman, Anastasia, ‘Lorna Simpson at Sean Kelly Gallery New York’, in: Art News 95 January 1996, pp. 124–25
‘Lorna Simpson, Sean Kelly, New York’ in: Frieze, January–February 1996, pp. 67–68

1995
Hagen, Charles, ‘Lorna Simpson Sean Kelly Gallery New York City’, in: New York Times, 17 November 1995
Mahoney, Robert, ‘Lorna Simpson’, in: Time Out New York, 1–8 November 1995. p. 25
Tata, Michael Angelo, ‘Lorna Simpson: Standing in the Water’, in: Fiberarts 22 Summer 1995, p. 61
Thorson, Alice, ‘Photographer Creates Images to Expand Your Mind’, in: Kansas City Star, 22 January 1995
Whipple, Jeff, Wigged Out: ‘Lorna Simpson at Richard Levy Gallery’, in: NuCity, 25 January 1995
Wylie, Charles, ‘Lorna Simpson: Figure 1991’, in: Saint Louis Art Museum Bulletin Winter 1995, pp. 46–47
Tomlinson, Glenn C, ‘Lorna Simpson’, in: Bulletin: Philadelphia Museum of Art, Winter 1995, pp. 36–37

1994
Lillis, Karen E, ‘Lorna Simpson at Josh Baer Gallery New York’ in: Art Papers November–December 1994 pp. 61–62
Sozanski, Edward J, ‘An Intelligent Exploration of Racial Identity’, in: Philadelphia Inquirer, 11 November 1994
Steinberg, Ellen, ‘Lorna Simpson. Adam Brooks’, in: New Art Examiner, Summer 1994, pp. 51–52
Schleifer, Kristen Brooke, ‘Taking a Fall: Lorna Simpson’s New ‘Do’, in: Print Collector’s Newsletter, 25 July–August 1994, pp.92–93
‘Wig Show Cuts to the Heart of Obsession’, in: Chicago Sun-Times, 22 April 1994
CAA Honors Lorna Simpson’, in: Flash Art 27 March–April 1994, p. 55
‘Lorna Simpson: ‘Standing in Water,’ New York Times, 18 March 1994
Decter, Joshua, ‘Lorna Simpson’, in: Artforum, January 1994, pp. 90–91

1993
Hackett, Regina, ‘Lorna Simpson Finds Meaning in Absence’, Seattle, in: Post-Intelligencer, 10 December 1993
Kangas, Matthew, ‘The Artist as Social Critic: Lorna Simpson’s Polaroid Art Asks the Viewer to Ponder’, in: Seattle Times, 13 December 1993
Levin, Kim, ‘Lorna Simpson’, in: The Village Voice, 5 October 1993, p. 75
Wilkes, Andrew, ‘Lorna Simpson’, in: Aperture, Fall 1993, pp. 14–23
hooks, bell, ‘Lorna Simpson, “Waterbearer”, in: Artforum, September 1993, pp. 136–37
Art Reviews: From Confrontation to Seduction, Los Angeles Times, June 10, 1993
Curtis, Cathy, ‘Seeing in Black and White’ in: Los Angeles Times, 20 April 1993
Tribune, 20 November 1992Uncanny Dissonance: The Work of ‘Lorna Simpson’, in: Third Text, Spring 1993, pp. 27–31
Petr, Mark, ‘A Quiet Confrontation: Works by Lorna Simpson, Houston Center for Photography’, in: Spot 12 Summer 1993: 4–5.

1992
Holg, Garrett, ‘Lorna Simpson Reveals Truth through the Eye of the Beholder’, in: Chicago Sun-Times, December 13, 1992
‘Spare Power: Simpson’s Simplicity Yields Weighty Social Comment’, in: Chicago Tribune, November 22, 1992
Foerstner, Abigail ‘Simpson Challenges Racial and Gender Stereotypes’ in: Chicago Tribune, November 1992
Avgikos, Jan, ‘Lorna Simpson’, in: Artforum, October 1992 p. 104
Artner, Alan G, Simpson Photoworks Speak through Body Language, in: Chicago Tribune, March 27, 1992
Colby, Joy Hakanson, ‘Simpson Reveals the Many Sides of Race and Gender’, Detroit News, 13 March 1992
‘Photopieces Attack Stereotypes with Wit’, in: Philadelphia Inquirer, 6 February 1992
Gray, Alice R, ‘Lorna Simpson’, in: Art News, October 1992, pp. 24–25
Johnson, Ken, ‘Lorna Simpson at Josh Baer’ in: Art in America, November 1992, p.143

1991
Garfield, Donald, ‘This Exhibit Translates the Visual Vocabulary of Power Museum’ in: News, September–October 1991, pp. 31–32
De Faust, Gretchen, ‘Lorna Simpson at Josh Baer Gallery’, in: Arts Magazine, September 1991, p. 80

1990
Myers, Terry R, ‘Lorna Simpson’, in: Lápiz, November 1990, pp. 70–71
Camhi, Leslie, ‘Clue, Lorna Simpson’, in: Village Voice, 7 October 1990, p. 87
Wallach, Amei, ‘Lorna Simpson: Right Time, Right Place’, in: New York Newsday’ 19 September 1990
Gragg, Randy, ‘Simpson Show Brings New Art to Portland before It’s Gotten Old, in: Oregonian, 19 July 1990
Joseph, Regina, ‘Lorna Simpson Interview’ in: Balcon, Spring 1990, pp. 35–39
Jones, Ronald, ‘Bankers Daughters Lorna Simpson’s Documentary Photography’, in: Artscribe, March–April 1990, pp. 52– 53
‘Centric 38’: High-Minded World of New York’s ‘Lorna Simpson’, in: Los Angeles Times, 31 March 1990
McKenna, Kristine, ‘Centric 38’: Austere Art by Simpson Gets Viewing’ in: Los Angeles Times, 24 March 1990
O’Dair, Barbara, ‘Centric 38’ Demands Second Look, in: Orange County Register, 16 February 1990
Nickas, Robert, ‘New York Fax Lorna Simpson’, in: Art Issues, December 1989–January 1990, p. 36

1989
Saussy, Haun, ‘Lorna Simpson: Josh Baer/Wadsworth Athenaeum’, in: Arts Magazine, December 1989, p. 84
Hayt-Atkins, Elizabeth, ‘Lorna Simpson at Josh Baer’ in: Art News December 1989, pp. 162, 164
Ottmann, Klaus, ‘Lorna Simpson: Josh Baer, the Wadsworth Athenaeum’, in: Flash Art, November–December 1989, p. 142
Heartney, Eleanor, ‘Lorna Simpson at Josh Baer’, in: Art in America 77, November 1989, pp. 185–86
Smith, Roberta, ‘Lorna Simpson, Josh Baer Gallery’ in: New York Times, 29 September 1989

1988
Malen, Lenore, ‘The Real Politics of Lorna Simpson’, in: Women Artists News 13 Fall 1988, pp. 4, 8
Raven, Arlene, The Dark, in: The Village Voice, July 26, 1988, p. 91

1982
Lippard, Lucy, and Candace Hill-Montgomery, ‘Working Women / Working Artists / Working Together’ in: Woman’s Art, Spring–Summer 1982, pp. 19–20
Simpson, Lorna, ‘Untitled piece, In Racism Is the Is Special is Heresies’ in: 4, vol. no. 2 1982 p. 27


Articles

2017
Simpson, Lorna, ‘The Artists’ Artists’, in: Artforum, New York, December 2017, p. 73
Joselit, David, ‘On Aggregators’, in: Bijutsu Techo, Tokyo, Japan, October 2017, p. 148-156
Brown, Kate, ‘How ‘Condo King’ Bob Rennie Became the Most Controversial Man in Canada’s Art World’, on: news.artnet.com, London, UK, 5 October 2017
‘Exquisite Corpse’, in: GARAGE, Brooklyn NY, September 2017
Smallwood, Christine, ‘Why Are So Many Artists Making Work That Lies on the Floor?’, in: T: The New York Times Style Magazine, New York, 20 August 2017, pp. 169-172
Ortved, John, ‘With All Eyes on the South, the Most Important Art Show in America Is Underway in Pittsburgh’, on: www.vogue.com, 18 August 2017
Donoghue, Katy, ‘The Fearless Lorna Simpson’, on: whitewall.com, 25 May 2017
Sargent, Antwaun, ‘Lorna Simpson at Her David Adjaye–Designed Studio’, on: galeriemagazine.com, Spring 2017
Ortved, John, ‘Frieze and the Female Gaze’, on: vougue.com, 4 May 2017
Eckardt, Stephanie, ‘The Women Artists Stealing the Spotlight at Frieze New York 2017’, on: wmagazine.com, 2 May 2016

2016
Campbell, Andrianna, ‘Lorna Simpson’, in: Artforum, 26 November 2016
Leher, Adam, ‘With New Body of Work, Artist Lorna Simpson, Recontextualizes Charged, Historical Imagery’, on: forbes.com, 2 November 2016
Cooper, Emerson, ‘The Challenge of Perception’ in: Posture Magazine, 2016, pp. 68-75
Sargent, Antwaun, ‘Lorna Simpson Shifts Gears’, in: Cultured Magazine, September 2016
Lewis, Sarah, ‘Lorna Simpson’ in: Aperture Magazine, Vision and Justice, Summer 2016
Wagoner, Mackenzie, ‘Artist Lorna Simpson Returns to Her Favorite Subject – Hair-With Exclusive New Works’ on: vogue.com. 31 March 2016

2015
Maehara, Melissa, ‘Lorna Simpson Hide Nor Hair’ in: Musée Magazine, 29 Dec 2015

2014
Feeney, Mark, Striking dualities from ‘Lorna Simpson Boston Globe’, October 21, 2014
Soulez, Juliette, ‘Lorna Simpson au Jeu de Paume’, in blouinartinfo.com, 16 July 2014
‘Mirror Images’, in: Art Monthly, 1 June 2014
Davies, Lucy, ‘Deutsche Börse Photography Prize: Lorna Simpson’, on: telegraph.com, 4 April 2014
‘Deutsche Borse Photography Prize 2014 Shortlist Announced’, on: artlyst.com, 18 April 2014
Hodgson, Barbara, ‘Baltic exhibition reflects on American artist’s 30-year career’, in: The Journal, 28 March 2014
Knelman, Sara, ‘Lorna Simpson’, in: Frieze, Summer 2014, p. 207
Lotz, Ronja, ‘Fragen stellen’, in: Münchner Feuilleton, 11 January 2014 ‘Lorna Simpson’, on: getidan.de, 9 January 2014
Seeszlen, Georg, ‘Die Farben der Cultural Studies, Jungle World’ 9 January 2014
‘Spiel mit Identitäten: Lorna Simpson’, in: Cult, 1 January 2014

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