Zoe Leonard Bibliography

Writings by the artist

‘I Want A President’ in: Could Be No. 4: Radical Anticipation, edited by Miguel A. Lopez, Seoul Museum of Art, 2016, pp. 52-53
‘I Want A President’ in: Queer, Documents of Contemporary Art, edited by David J. Getsy, London / Cambridge: Whitechapel Gallery / MIT Press, 2016, p. 114
‘An Iris’ in: ‘Herstory Inventory: 100 Feminist Drawings by 100 Artists’, edited by Barbara Schröder, Karen Kelly, Ulrike Müller, Brooklyn NY: Dancing Foxes Press, 2014, p. 224

‘I Want A President’ in: Women’s Studies Quarterly, New York NY, issue 41, no. 2 & 3, Fall/Winter 2013, pp. 229-230

‘Multiverse’ in: ‘Josiah McElheny: Some Pictures of the 1Infinite, ICA Boston’, edited by Helen Molesworth, Ostfildern: Hatje Cantze, 2012, pp. 76-103
Zoe Leonard & Elisabeth Lebovici, ‘The Politics of Contemplation’ in: ‘La Voce della immagini, Paroles des Images, Voices of Images’ Venice: Palazzo Grassi / Electa, 2012
‘Muscle Memory’ in: ‘Coming After: Queer Time, arriving too late and the spectre of the recent past’, edited by Jon Davies, Toronto: The Power Plant, 2012, pp. 66-71 ’500 Words: Zoe Leonard talks about her show at the Camden Arts Center’, on: www.artforum.com, New York NY, 5 April 2012

‘James Castle: Inside out’, in: ‘James Castle: Show and Store’, Madrid: D.A.P. Museo Nacional Centro de Arte Reina Sofia, 2011, pp. 9-15
‘A Wild Patience’, in: ‘Agnes Martin’, edited by Lynne Cooke and Karen Kelly, New York NY / New Haven CT: Dia Art Foundation / Yale University Press, 2011, pp. 78-101
‘some moments from a feminist year’, in: ‘ She is the One / Survery with Contributions by Nairy Baghramian, Kerstin Cmelka, Eva Geulen, Charlotte Klonk, Gertrud Kich, Zoe Leonard, Michaela Meise, Amy Sillman, Christiane Vosse, in: Texte Zur Kunst, no. 84, Berlin DE, December 2011, pp. 72-73
Leonard, Zoe, Davey, Moyra (eds.), Blind Spot, issue 43, New York NY, 2011

‘This is where I was’ in: ‘Zoe Leonard: You See I am Here After All’, New York NY / New Haven CT: Dia Art Foundation, Yale University Press, 2010, pp. 8-21
__, ‘Deutsche Börse Photography Prize 2010: Anna Fox, Zoe Leonard, Sophie Ristelheuber, Donovan Wylie’, London: Photographer’s Gallery, 2010

‘Transcript of Lecture by Zoe Leonard’ in: ‘The Generation of Images- Reality’s Desire’, edited by Roberto Pinto, Milan: Postmedia SRL / Comune di Milano, 2003, pp. 99-121
‘Mouth Open, Teeth Showing II’, edited by Barbara Engelbach, Siegen: Museum für Gegenwartskunst, 2003 (exh. cat.)

‘Out of Time’, in: October, New York NY, no. 100, Spring 2002, pp. 88-97

‘Notes on Work’, in: Arte e Critica, Rome IT, no. 29, January-March 2002, pp. 29-30

‘The 1998 Bearded Lady Calender: Starring Jennifer Miller’ Glarus: Kunthaus Glarus, 1998
‘Fundamental Horror’, in: Studio Voice – Multi-Media Mix Magazine, Tokyo JP, vol. 272, August 1998, pp. 18-19

‘Watermelon Woman’, with Cheryl Dunye, in: Parkett no. 47, New York NY, 1996

THE ACT UP/ New York Women and AIDS Book Group’, ‘Safe Sex is Real Sex’, ‘HIV Antibody Testing and Legal Issues for HIV-Positive People’, and ‘Lesbians in the AIDS Crisis’, in: Women, Aids & Activism, Boston MA: South End Press, 1990, pp. 27-30, 55-68, 113-118
THE ACT UP/ New York Women and AIDS Book Group’, ‘Prostitution and HIV Infection’, in: Women, Aids & Activism, Boston MA: South End Press, 1990, pp. 177-186


Kelly, Karen, Schroeder, Barbara (eds.), ‘I want a president: Transcript of a Rally’, New York: Dancing Foxes Press, 2017
Gioni, Massimiliano, Brambilla, Micola, ‘The restless earth’, Milan: Electa, 2017, pp. 54, 184-185
Motta, Carlos (ed.), ‘The SPIT! Manifesto Reader’, London: Frieze Projects, 2017, p. 28
Maaz, Bernhard (ed.), ‘Pinakothek Der Moderne Munich: Modern Art Collection’, Berlin: Deutscher Kunstverlag, 2017, pp. 279, 293
Hering, Michael, Lepik, Andres + [et. al.] (eds.),‘Pinakothek Der Moderne: Art, Prints & Drawings, Design, Architecture’, Berlin: Hatje Cantz, 2017, p. 178

‘Post-Election Artists Dossier’, Grey Room 65, MIT Press, Fall 2016
Crimp, Douglas, ‘Before Pictures’, New York/Chicago: Dancing Foxes Press / The University of Chicago Press, 2016
‘Downtown (for Douglas), 2016, Artwork Zoe Leonard’ in: Document Journal, Fall/Winter 2016, Issue No. 9, pp. 344-351
Lorenz, Renate, ‘Encounter’, in: ’QUAND FONDRA LA NEIGE, OU IRA LE BLANC. Contemporary collecting at Palazzo Fortuny, Artworks from Enea Righi Collection’, Venice: Palazzo Fortuny, 2016 (exh. cat.)
‘Ein Loch in Meer’ Stuttgart: Württembergischer Kunstverein, 2016 (exh. cat.)
François Pinault, Numero 6, April/September 2016, Venice: Pinault Collection, 2016
‘Migration as Agitation’, PhotoResearcher Magazine, No. 26, Vienna: European Society for the History of Photography, 2016, pp 10-17, 26-35

Delbecq, Marcelline, ‘Oublier, voir’, Paris: Manuella Éditions, 2015, pp. 11, 13
Quentin Bajac, Lucy Gallun, Roxana Marcoci, ‘Photography at MoMa. Volume 1, 1960——-now’, New York: Museum of Modern Art, 2015
Julie Ault, Caroline Bourgeois, ‘The Slip of the Tongue’, Venice: Marsilio Editori, 2015
Alex Farquharson, Francesco Manacorda, ‘Glenn Ligon: Encounters and Collisions’, London: Nottingham Contemporary and Tate Liverpool, 2015, pp. 104-105
Jan Hoet, ‘The Sea’, Ostfildern: Hatje Cantz, 2015, p. 237
Dana Miller, Adam Weinberg, ‘Whitney Museum of Art: Handbook of the Collection’, New York: The Whitney Museum of American Art, 2015, p. 225
Matthias Michalka, ‘to expose, to demonstrate, to inform, to offer: artistic practices around 1990’, Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2015
Christine Macel, Elizabeth Sussman, ‘Collected by Thea Westreich and Ethan Wagner’, New York: The Whitney Museum of American Art, 2015, pp. 56, 302
Katherine Hart, John O’Reilly, James Tellin, ‘Collecting and Sharing: Trevor Fairbrother, Jonh T. Kirk, and the Hood Museum of Art’ Hannover: Hood Museum of Art, 2015, pp. 73, 85

Kelly, Karen, Schroeder, Barbara (eds.), ‘Zoe Leonard: Available Light’, Brooklyn NY / London: Dancing Foxes Press / Ridinghouse, 2014
Bezzola, Tobia, Ebner, Florian, ‘(Mis)Understanding Photography: Works and Manifestos’, Essen: Museum Folkwang / Steidl, 2014, pp.140, 148-151 (exh. cat.)
Meyer-Hermann, Eva (ed.), ‘Blicke! Körper! Sensationen! Ein anatomisches Wachskabinet und die Kunst, ‘Roll Up, Roll Up! An Anatomical Waxwork Cabinet Meets Art’ Dresden: Deutsches Hygiene-Museum/ Wallstein Verlag, 2014, pp. 23, 60 (exh. cat.)
Stather, Martin (ed.), ‘Art and Activism; Kunst und politischer aktivismus in New York, Sammlungen Hieber / Theising’, Mannheim: Mannheim Kunstverein, 2014. pp. 33, 63, 65, 88, 91 (exh. cat.)
Burton, Johanna, Ellegood, Anne, (eds.), ‘Take It or Leave It: Institution, Image, Ideology’, Los Angeles CA / Munich: Hammer Museum / DelMonico Books / Prestel, 2014, pp.12, 19, 22, 102–3, 184–85, 203–4, 259–60 (exh. cat.)
Schröder, Barbara, Kelly, Karen and Müller, Ulrike (eds.), ‘Herstory Inventory: 100 Feminist Drawings by 100 Artists’. Brooklyn NY: Dancing Foxes Press, 2014, p. 224
Burton, Johanna, Ellegood, Anna (eds.) ‘Take It or Leave It: Institution, Image, Ideology’, Los Angeles CA / Munich: Hammer Museum / Delmonico Books / Prestel, 2014, pp.12, 19, 22, 102–3, 184–85, 203–4, 259–60
Kalb, Peter R., ‘Art Since 1980: Charting the Contemporary’ London: Pearson, 2014, pp. 245–246

Cogeval, Guy, Dantzig, Charles, Arnaud, Claude, Ferlier, Ophélie, Comar, Phillipe (eds.), ‘Masculin / Masculin: Lʼhomme nu dans lʼart de 1800 à nos jours’, Paris: Musée dʼOrsay / Flammarion, 2013, p. 289 (exh. cat.)
Schlesser, Thomas, ‘Vues d’en haut’, Metz: Centre Pompidou Metz, 2013, p. 350 (ill.) (exh. cat.)
__, ‘Von Beckmann bis Warhol. Kunst des 20. und 21. Jahrhunderts. Die Sammlung Bayer’, Berlin: Marin-Gropius-Bau, 2013, pp. 272-273 (exh. cat.)
Gioni, Massimiliano, Carrion-Murayari, Cary, ‘NYC 1993. Experimental Jet Set, Trash and No Star’, New York NY: New Museum 2013, p. 99 (ill.) (exh. cat.)
Imhoff, Aliocha, Quiros, Kantuta (eds.), ‘Fais un effort pour te souvenir. Ou, à défaut, invente. / Make an effort to remember. Or, failing that, invent’ Paris: Bétonsalon Centre d’art et de recherche, 2013, p. 11 (exh. booklet)
König, Kasper, ‘Before the Law / Vor dem Gesetz. Skulpturen der Nachkriegsmoderne und Räume der Gegenwartskunst’, Cologne: Museum Ludwig, 2011, pp. 98-101
Matt, Gerald A., Genzmer, Synne (eds), ‘Vanity. Fashion/Photography from the F.C. Grundlach Collection’, Vienna: Kunsthalle Wien, 2011, pp. 187, 189, 190, 192, 193
Cluitmans, Laurie, Zeqo, Arnisa (eds.), ‘He Disappeared into Complete Silence. Rereading a Single artwork by Louise Bourgeoise’, Haarlem: De Hallen Haarlem, 2011, pp. 91, 103
Bucher Trantow, Katrin, Pakesch, Peter (eds.), ‘Vermessung der Welt / Measuring the World. Heterotopias and Knowledge Spaces in Art’, Graz / Cologne: Kunsthaus Graz / Universalmuseum Johanneum, 2011, pp. 71-73, 154-155
Ruby, Rich B., ‘Historical Fiction, Modern Desires – The Watermelon Woman’, in: ‘New Queer Cinema. The Directors Cut’, Durham NC / London: Duke University Press, 2013, pp. 66-71
Vogt, Christine, (ed.) ‘Hair! Hair! Das Haar in der Kunst von der Antike bis Warhol – von Tilman
Riemenschneider bis Cindy Sherman’ Oberhausen: Ludwig Galerie Schloss Oberhausen, 2013, p. 91

Fer, Briony, ‘Zoe Leonard. Observation Point’, London: Camden Arts Centre, 2012 (exh. booklet)
__, ‘Vollmilch. Der Bart als Zeichen’ Linz: Lentos Kunstmuseum Linz, 2012, pp. 26-27 (exh. booklet)
Simpson, Bennett, Lewis, George, ‘Blues for Smoke’, Los Angeles CA / New York NY: The Museum of Contemporary Art / Prestel, 2012, pp. 43, 155 (exh. cat.)
Brohm, Anna, Schneider, Valeska (eds.), ‘Ein Wunsch bleibt immer übrig’, Cologne: Museum Ludwig, 2012, pp. 168, 170, (ill.) (exh. cat.)
Borchardt-Hume, Achim (ed.), ‘Think Twice: Twenty years of Contemporary Art from Collection Sandretto Re Rebaudengo’, London: Whitechapel Gallery, 2012, pp. 66-67 (exh. cat.)
Lebovici, Elisabeth, ‘The Politics of Contemplation’, in: ‘La Voce delle immagini / Paroles des images / Voice of Images’, Venice: Electa / Palazzo Grassi, 2012, pp. 148-161 (exh. cat.)
__, ‘True Stories. Amerikanische Fotografie aus der Sammlung Moderne Kunst’, Munich: Pinakothek der Moderne, 2012, pp. 28-29 (exh. cat)
__, ‘Circus Wols. Eine Hommage’, Weserburg Museum für Moderne Kunst, Bremen, 2012, p.108, unp.
Jigarjian, Michi, Pratt, Libby (eds.), ‘Conversation between Zoe Leonard and Moyra Davey’, in: ‘Writing as practice: peripheral continuity’, New York NY: Secretary Press, 2012
Forty, Adrian, ‘Concrete and Culture. A Material History’, London: Reaktion Books, 2012, p. 42
Davies, Jon (ed.), ‘Muscle Memory’, in: ‘Coming After: queer time, arriving too late and the spectre of the recent past’, Toronto: The Power Plant, 2012, pp. 66-71

Birnbaum, Daniel [et. al.], ‘Defining Contemporary Art: 25 Years in 200 Pivotal Artworks’, London: Phaidon, 2011, pp. 206, 232-233
Nicholas Cullinan (ed.), ‘Tacita Dean: FILM’, Tate: London, 2011, p. 95
Smith, Terry, ‘Contemporary Art: World Currents’, London: Pearson, 2011, pp. 262-263
Paneque, Guillermo (ed.), ‘Entre chien et loup / Works from the Meana Larrucea Collection’, Madrid / Barcelona: Iberdrola / TF Editores, 2011, p. 169

Cooke, Lynne (ed.), ‘Zoe Leonard: You See I Am Here After All’, New York NY: Dia Art Foundation, 2010 (exh. cat.)
Georges Didi-Huberman, ‘Atlas. ¿Cómo llevar el mundo a cuestas? / Atlas: How to Carry the World on One’s Back?’, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2010, p. 311
Cooke, Lynne, Crimp, Douglas, Poor, Kirsten, ‘Mixed Use, Manhattan; Photography and Related Practices, 1970s to the Present’, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2010, pp. 4, 204-209, 276, 295
Danbolt, Mathias, Rowley, Jane, Wolthers, Louise (eds.), ‘Lost and found: Queerying the archive’, Copenhagen: Nikolaj Kunsthal, 2010
__, ‘The Visible Vagina’, New York NY: David Noland Gallery & Francis Nauman Gallery, 2010
__, ‘Identité(s)/Territorialité(s), Photographies de la collection des Frac Haute et Basse-Normandie et du Fonds National d’Art Contemporain’, Sotteville-lès-Rouen: Frac Haute Normandie, 2010
Coan, Jamie Shearn, ‘Dear Someone’, New York NY: Printed Matter, 2010

Thomas, Elizabeth (ed.), ‘Matrix/Berkeley: A Changing Exhibition of Contemporary Art’, Berkeley CA: University of California, Berkeley Art Museum, 2009, p. 296
Welzel, Mark (ed.), ’200 Artworks – 25 Years. Artists’ Editions for Parkett’, Zurich / New York NY: Parkett, 2009, pp. 254 – 255
__, ‘En todas partes’, Santiago de Compostela: Centro Galego de Arte Contemporánea, 2009 (exh. cat.) Morineau, Camille, ‘ELLES@CENTREPOMPIDOU – Artistes femmes dans la collection du Musée national d’art modern / Women Artists in the Collection’, Paris: Centre Pompidou, 2009, pp. 100-101
Belting, Hans, Buddensieg, Andrea (eds.), ‘The Global Art World. Audiences, Markets, and Museums’, Ostfildern: Hatje Cantz, 2009, p. 40 (ill), pp. 161-162 (ill.)
Cvetkovich, Ann, ‘Photographing Objects: Art as a Queer Achival Practice’, in: ‘Lost and Found: Queerying The Archive’, Copenhagen: Nikolaj Kunsthal, 2009, pp. 49-65
Cotton, Charlotte, ‘The Photograph as Contemporary Art’ London: New Edition, 2009, pp. 198, 199, 230-31
Molesworth, Helen, ‘Analogue 1998-2007’, in: ‘Antimonies of Art and Culture: Modernity, Postmodernity, Contemporaneity’, Durham NC: Duke University Press, 2009, pp. 187-203, (ill. cover)

Phillips, Lisa, Gioni, Massimiliano , ‘After Nature’, New York NY: The New Museum, 2008 (exh. cat.)
Baker, George, ‘Lateness and Longing’, in: ‘50 Moons of Saturn’, Turin / Milan: T2 Torino Triennale, 2008, pp. 47-65
Herford, Marta, ‘Ad Absurdum’, Bielefeld: Kerber Verlag, 2008 (exh. cat.)
Enwezor, Okwui, ‘Archive Fever, International Center of Photography’ New York NY: Steidl / ICP, 2008
Bock, Jürgen, ‘Drawing a Tension – Works from the Deutsche Bank Collection’, Lisbon: Calouste Gulbenkian Cultural Centre, 2008, pp. 142-143 (exh. cat.)
__, ‘Reality Check’, Copenhagen: Statens Museum for Kunst, 2008, pp.106-107 (exh. cat.)
Stather, Martin (ed.),’ Break the Rules!’ Theising / Mannheim: Sammlungen Hieber / Mannheimer Kunstverein, 2008, pp. 19, 37, 39 (exh. cat.)
Pinson, Stephen C. (ed.), ‘Eminent Domain: Contemporary Photography and the City’, New York NY: The New York Public Library, 2008, pp. 48-59 (exh. cat.)
Baur, Peter et al., ‘AIDS. A Reader: Material on AIDS and the Arts’, Vienna: REMA Print, 2008
Bostjan, Bugaric, Celigoj, Ana (eds.), ‘Public Phenomena by Temporary Services’, Chicago IL: Half Letter Press, 2008, pp. 145-146

Stahel, Urs (ed.), ‘Zoe Leonard. Photographs’, Göttingen: Fotomuseum Winterthur, 2007 (exh. cat)
Bremner, Ann, ‘Zoe Leonard: Analogue’, Columbus OH / Cambridge MA: Wexner Center for the Arts / MIT Press, , 2007 (exh. cat.)
Baur, Andreas (ed.), ‘Fliegende Kühe und andere Kometen. Nicht nur komische Dinge in der Kunst’, Esslingen / Nuremberg: Galerien der Stadt Esslingen am Neckar, 2007, pp. 62-67
Edlinger Waldvogel, Florian & Thomas (eds.), ‘BODYPOLITCX’, Rotterdam: Witte de With Center for Contemporary Art, 2007 (exh. cat.)
Lorenz, Renate, ‘Normal Love’, Berlin: Künstlerhaus Bethanien, 2007 (exh. cat.)
Buergel, Roger M., Noack, Ruth (eds.), ‘documenta 12’, Cologne: Tashcen, 2007 (exh. cat.)
__,‘Blind Date. Istanbul’, Istanbul: Deutsche Bank Kunst und Sakıp Sabancı Museum, 2007, pp. 70, 210 (exh. cat.)

Friedrich, Julia, König, Kasper, Wagner, Frank (eds.), ‘Das Achte Feld / The Eigth Square’, Cologne: Ostfildern-Ruit / Museum Ludwig, 2006, pp. 112-113 (exh. cat.)
Episalla, Joy, Garnett, Joy, Lipton, Amy, ‘Out of the blue’, Jenkintown PA: Abington Art Center, 2006 (exh. cat.)
Demos, T.J., ‘Vitamin Ph (New Perspectives in Photography)’, London: Phaidon Press, 2006
Armstrong, Carol, De Zegher, Catherine, ‘Women Artists at the Millennium’, Cambridge MA: MIT Press, 2006

Richer, Francesca, Rosenzweig, Matthew (eds.), ‘No 1: First Works by 362 Artists’, New York NY: D.A.P, 2005, p. 215
Bright, Susan, ‘Art Photography Now’, London: Thames and Hudson, 2005, pp. 124 -125

Zelanski, Paul, Fisher, Mary Pat, ‘The Art of Seeing – 6th edition’, Hoboken NJ: Pearson, 2004, pp. 344- 345
Bois, Yve-Alain, et. al, ‘Art Since 1900’, London: Thames and Hudson, 2004, pp. 610-611

Pasini, Francesca, Verzotti, Giorgio, ‘Il Racconto del Filo: Ricamo e cucito nell’arte contemporanea’, Trento / Milan: Museo d’arte moderna e contemporanea di Trento e Rovereto, 2003, pp. 114-117 (exh. cat.)
__, ‘In Nature: 10th International Biennial of Photography’, Turin: The Italian Foundation of Photography, 2003, pp. 119, 116-118 (exh. cat.)
Zdenek, Felix (ed.), ‘A Clear Vision – Photographic works from the F.C. Gundlach collection’, Hamburg: Deichtorhallen Hamburg, 2003, pp. 80-81 (exh. cat.)
Weibel, Peter (ed.), ‘Phantom of Desire – Visions of Masochism in Art’, Graz: Neue Galerie Graz, Landesmuseum Joanneum, 2003, pp. 300-303 (exh. cat.)
Steward Heon, Laura, ‘Yankee Remix – Artists take on New England’, North Adams NE: S.P.N.E, 2003, pp. 63-70 (exh. cat.)
Buskirk, Martha, ‘The Contingent Object of Comtemporary Art’, Cambridge MA / London: The MIT Press, 2003, pp. 143-147, 191, 192
Eribon, Didier, ‘Dictionnaire des Cultures Gays et Lesbiennes’, Paris: Larousse, 2003, pp. 285-286, IX

Breitwieser, Sabine (ed.), ‘Double Life, Identity and Transformation in Contemporary Arts’, Vienna / Cologne: Generali Foundation, 2002, pp. 174-179 (exh. cat.)
__, ‘Keine Kleinigkeit’, Basel: Kunsthalle Basel, 2002 (exh. cat.)
__, ‘Prophets of Boom – Werke aus der Sammlung Schürmann’, Baden-Baden: Staatliche Kunsthall, 2002, pp. 44-47 (exh. cat.)
Wolf, Sylvia, Grundberg, Andy, ‘Visions from America: Photographs from the Whitney Museum of American Art. 1940-2001’, New York NY: Whitney Museum of American Art, 2002, p. 144 (exh. cat.)
Bolliger, Thérèse, Caws, Mary Ann, Campbell, Kati (eds.), ‘Mask and Metamorphosis’, Hamilton: Art Gallery of Hamilton, 2002 (exh. cat.)
Heynen, Julian, Krystof, Doris (eds.), ‘Sie träumt von ihrem Lieblingsstar. Er spricht mit einer fremden Sprache. Vier Räume aus der Sammlung Schürmann’, Ostfildern-Ruit: K21 Düsseldorf, 2002, pp. 73-82
Schumacher, Rainald, Winzen, Matthias (eds.) ‘Staffellauf’, in: ‘Die Wohltat der Kunst. Post-feministische Positionen der neunziger Jahre aus der Sammlung Goetz’, Baden-Baden / Cologne: Staatliche Kunsthalle, 2002, p. 200 (exh. cat.)
Grosenick, Uta, Riemschneider, Burkhard (eds), ‘Art Now: Artists at the Rise of the New Millenium’, Berlin: Taschen GmbH, 2002, pp. 264-267
Grosenick, Uta (ed.), ‘Women Artists in the 20th and 21st Century’, Cologne: Tashcen, 2002, pp. 312-317
Marzona, Daniel, ‘K21 Kunstsammlung Nordrhein-Westfalen’, Düsseldorf: Kunstsamlung NRW, 2002, pp. 70-71, 73-74, 93-94 (ill.), 72-78
__, ‘Une Collection pour une région 1982-2002’, Normandy: Trafic Haute Normandie FRAC, 2002, p. 86
Adams, Rachel, ‘Sideshow USA: Freaks and the American Cultural Imagination’, Chicago IL: The University of Chicago Press, 2002, pp.135-136

Mc Donald, Helen, ‘Erotic Ambiguities – The female nude in art’, London / New York NY: Routledge, 2001
Bronfen, Elisabeth, Kavka, Misha (eds), ‘Feminist Consequences: Theory for the New Century’, New York NY: Columbia University Press, 2001, pp. 306-307
Adams, Rachel, ‘Sideshow USA: Freaks and the American Cultural Imagination’, Chicago IL: University of Chicago Press, 2001, pp. 135-136
Grosenick, Uta, Riemschneider, Burkhard, ‘Art Now’, Cologne: Taschen, 2001, pp. 96-97
Reckitt, Helena (ed.), ‘Art and Feminism’, London: Phaidon Press, 2001, pp. 43, 166, 269, 270
Lampe, Angela (ed.), ‘Die unheimliche Frau. Weiblichkeit im Surrealismus’, Bielefeld: Kunsthalle Bielefeld, 2001, pp. 156-157 (exh. cat.)
Jack Persekian, ‘Exposure, New Gate, Old City’, Al-Ma’mal Foundation for Contemporary Art, Jerusalem, 2001 (exh. cat.)
Wye, Deborah, ‘Parkett collaborations and editions since 1984’, Zurich / New York NY: Parkett, 2001, p. 295

Höffer, Barbara, Schulte-Fischedick, Valeria (eds.), ‘cross female. Metaphern des Weiblichen in der Kunst der 90er Jahre’, Berlin: Künstlerhaus Bethanien, p. 50 (exh. cat.)
Eiblmayr, Silvia, von Braun, Christina, ‘Die verletzte Diva: Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts’, Munich / Innsbruck: Kunstverein München, 2000, p. 92 (exh. cat.)
Perrin, Marie-Thérèse, Macel, Christina, Macel, Perwarden, ‘Sensitive: Printemps de Cahors’, Cahors, 2000, pp. 48-49, 108-109 (exh. cat.)
Oliver-Smith, Kerry, ‘The Swamp: On the Edge of Eden’, Gainesville FA: Samuel Harn Museum of Art / University of Florida, 2000, p. 48 (exh. cat.)
Barbara, Haskell, Phillips, Lisa, ‘The American Century: Art & Culture 1950 – 2000’, New York NY: The Whitney Museum of American Art, 2000 (exh. cat.)
Ravenal, John B. (ed.), ‘Vanitas: Meditations on Life and Death in Contemporary Art’, Richmond VA: Virginia Museum of Fine Arts, 2000 (exh. cat.)
__, ‘Voilà le monde dans la tête’, Paris: Musée d’Art Moderne de la Ville de Paris, 2000, pp. 482-483 (exh. cat.)
Tempkin, Ann et. al, ‘Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art’, Philadelphia PA: Philadelphia Museum of Art, 2000, p. 150
Kitahara, Megumi, ‘Kakuran bunshi kyōkai: āto akutivizumu II (Art Activism II)’, Tokyo: Impact Shuppankai, 2000, pp. 62, 160, 168
Hammond, Harmony, Lyon, Christopher, ‘Lesbian Art in America: A Contemporary History’, New York NY: Rizzoli, 2000, pp. 80-81, 129-131, 158, 176

Capellazzo, Amy, ‘Life Support Tree System: Works by Zoe Leonard’, Jerusalem: Gallery Anadiel, 1999 (exh. cat.)
__, ‘No Quarter Given / A sang i foc’, Castelló: Espai d´Art Contemporani de Castelló, 1999 (exh. cat.)
McShine, Kynaston, ‘ The Museum as Muse: Artists Reflect’, New York NY: The Museum of Modern Art, 1999 (exh. cat.)
Landau, Suzanne (ed.), ‘Skin-Deep: Surface and Appearance in Contemporary Art’, Jerusalem: Israel Museum, 1999 (exh. cat.)
__, ‘Two by Two for AIDS and Art’, Dallas TX: Dallas American Foundation for AIDS Research and The Dallas Museum of Art, 1999 (benefit cat.)
Bloom, Lisa (ed.), ‘With Other Eyes: Looking at Race and Gender in Visual Culture’, Minneapolis MN: University of Minnesota Press, 1999, pp. 133-138
Dery, Mark, ‘The Pyrotechnic Insanitarium: American Culture on the Brink’, New York NY: Grove Press 1999
Rosenfeld Dassel, Sara, ‘Dramatis Personae: A Look at Role Playing and Narrative in Contemporary Photography’, Boston MA: The Photographic Resource Center,1999
Uta, Grosenick, Riemschneider, Burkhard (eds), ‘Art at the Turn of the Millenium’, London: Taschen, 1999, pp. 306-309
Naisbitt, John,’ High Tech – High Touch: Technology and Our Accelerated Search for Meaning’, New York NY: Nicholas Brealey Publishing, 1999
Lebovici, Elisabeth, ‘Zoe Leonard’, Warsaw: Centre for Contemporary Art Ujazdovski Castle, 1999
Temkin, Ann, ‘Strange Fruit’, in:‘Mortality/Immortality, The Legacy of 20th Century Art’, Los Angeles CA: The Getty Conservation Institute, 1999
Grunenberg, Christoph, ‘Gothic: Transmutations of Horror in Late Twentieth Century Art’, Boston MA: The MIT Press,1999

Lebovici, Elisabeth (ed.), ‘Zoe Leonard’, Paris: Centre National de la Photographie, 1998 (exh. cat.)
__,‘Ladies and Gentlemen’, Toronto: Little Cockroach Press, 1998
Yang, Alice (ed.) ‘Strange Attractors: Signs of Chaos’, New York NY: New Museum of Contemporary Art, 1989 (exh. cat.)
Wilson, Mark (ed.), ‘What Remains. MCMLXXXXVIIII’, Groningen: Groninger Museum, 1998 (exh. cat.)
Janus, Elizabeth (ed.),’ Veronica’s Revenge: Contemporary Perspectives on Photography (Lambert Art Collection)’, Zurich: Scalo, 1998 (exh. cat.)
Gould, Claudia, Smith, Valerie (eds.), ’5000 Artists Return to Artists Space: 25 Years’, New York NY: Artists Space, 1998 (exh. cat.)
Wally, Barbara (ed.), ‘Skulptur, Figur, Weiblich’, Linz: Landesgalerie Oberösterreich, 1998 (exh. cat.)

Blume, Anna, ‘Zoe Leonard: Interview’, Vienna: Weiner Secession, 1997, p. 18 (exh. cat.)
Pakesch, Peter, Schuppli, Madeline, ‘Zoe Leonard’, Basel: Kunsthalle Basel, 1997 (exh. cat.)
Phillips, Lisa, Neri, Louise, ‘ 1997 Whitney Biennial Exhibition’, New York NY: Whitney Museum of American Art, 1997 (exh. cat.)
__, ‘Body’, Sidney: Sidney Art Gallery of New South Wales, 1997 (exh. cat.)
Cuspit, Donald, ‘Feminine Image,’ Rosalyn Harbor NY: Nassau County Museum of Art, 1997, p. 68 (exh. cat.)
Cortés, José Miguel G., Lausotua, Irudi, ‘El Rostro Velado (The Veiled Face: Transvestism and Identity in Art)’, Donostia / San Sebastián: Koldo Mitxelena Kulturunea, 1997, pp. 272-275 (exh. cat.)

Leonard, Zoe, Dunye, Cheryl, ‘The Fae Richards Photo Archive’, San Francisco CA: Artspace Books, 1996
Umemiya, Noriko, ‘Art at Home: Ideal Standard Life’, Tokyo: Spiral Garden, 1996 (exh. cat.)
__, ‘Points of View: Photography Collection’, Berkeley CA: University Art Museum at Berkeley / Pacific Film Archive, 1996 (exh. cat.)
Koike Kazuko, Sag-chō Ekikibitto, Kamakami, Kazui, ‘Sosie’, Tokyo: Sagacho Exhibit Space, 1996, pp. 24-27 (exh. cat.)
Archer, Michael, ‘Art Since 1960’, London: Thames and Hudson, 1997
Marcoci, Roxana (ed.), ‘New Art’, New York NY: Harry N Abrams, 1997
Benson, Elaine, Esten, John, ‘Unmentionables. A Brief History of Underwear’, New York NY: Simon & Schuster,1996, p. 157
Foster, Hal, ‘The Return of the Real’, Cambridge MA / London: The MIT Press, 1996
Gates, Beatrix,‘The Wild Good Lesbian Photographs and Writings on Love’, New York NY: Knopf Doubleday, 1996
Jones, Amelia (ed.), ‘Sexual Politics: Judy Chicago’s ‘Dinner Party’ in Feminist Art History’, San Francisco CA: Wight Art Gallery,1996

__, ‘Strange Fruit’, New York NY: Paula Cooper Gallery, 1995 (exh. cat.)
__, ‘Zoe Leonard’, Milan: La Casa di Arte, 1995 (exh. cat.)
Blake, Nayland, Rinder, Lawrence, Scholder, Amy (ed.), ‘In a Different Light: Visual Culture, Sexual Identity, Queer Practice’, San Francisco CA: University Art Museum,1995 (exh. cat.)
De Brugerolle, Marie, ‘Féminin/Masculin: Le Sexe de l’Art’, Paris: Centre Georges Pompidou, 1995
Soldaini, Antonella, Colombo, Paolo, ‘L’Immagine Riflessa. Una selezione di fotografia contemporanea dalla Collezione LAC, Svizzera’, Prato: Centro per L’Arte Contemporanea, 1995 (exh. cat.)
Bursatin, Manlio, Gian Ferrari, Claudia, ‘Nudo & Crudo: Sensitive Body, Visible Body’, Milan: Claudia Gian Ferrari Arte Contemporanea,1995 (exh. cat.)
Delpire, Robert, ‘Fine Art: Photography’, Zurich: Graphis Publishing, 1995, pp. 94-95
Asmus, Sigrid (ed.), ‘After Art: Rethinking 150 Years of Photography. Selections of the Joseph and Elaine Monsen Collection’, Seattle / London: Henry Art Gallery 1995, p. 63

Clearwater, Bonnie (ed.) ‘The Art of Seduction’, Miami FL: The Center Gallery / Miami-Dade Community College, 1994 (exh. cat)
Chan, Gaye, ‘Sum of the Parts’, Honolulu HI: University of Hawaii Art Gallery, 1994 (exh. cat.)

Freidrich, Julia (ed.), ‘Aus Meiner Sicht. Von der Kunst des Verschwindens’ in: documenta IX. Die Magische Dose’, Kassel / Ostfildern: Edition Cantz, 1992, pp. 13-14

Koether, Jutta, ‘Information: Zoe Leonard’, Cologne: Galerie Gisela Capitain, 1991 (exh. cat.)
Hanley, Jack, ‘Zoe Leonard’, San Francisco CA: Trans Avant-Garde Gallery, 1991 (exh. cat.)
Rinder, Lawrence (ed.), ‘Zoe Leonard’, Berkeley CA: University Art Museum at Berkeley / Pacific Film Archive, Berkeley,1991 (exh. cat.)
Wallis, Brian, ‘Democracy. A Project by Group Material’, Seattle WA: The New Press 1991, p.112

Hoet, Jan, ‘Ponton Temse’, Ghent: Museum van Hedendaagse Kunst, 1991 (exh. cat.)
New York Women & AIDS Book Group (eds), ‘Women, Aids & Activism, The ACT UP’ Boston MA: South End Press, 1990, pp. 27-30, 55-68, 113-118, 177-186

Butler, Cornelia, ‘Selections from the Artists’ File’, New York NY: Artists Space 1989 (exh. cat.)

Selected Articles

Leonard, Zoe, ‘The Artists’ Artists’, in: Artforum, New York, December 2017, p. 64
Lebovici, Elisabeth, ‘Yamina Benaï’, in L’Officiel Art, Paris, France, September-November 2017, pp. 204-205
Lebovici, Elisabeth, ‘Zoe Leonard’, in L’Officiel Art, Paris, France, September-November 2017, pp. 96-107
Provan, Alexander, ‘What Do We Know?’, in: Mousse, February & March 2017, pp. 93–98
Cole, Teju, ‘The Image of Time’, on: nytimes.com, 31 January 2017

Griffin, Tim, ‘Best of 2016: Zoe Leonard’, in ArtForum, New York NY, December 2016, p. 228-231 ‘Artists on Politics’, in: ArtForum, New York NY, November 2016, pp.226-228.
Hatfield, Zack, ‘Difficult Situations: Zoe Leonard’s In the Wake’, on: www.lareviewofbooks.org, Los Angeles CA, 8 October 2016
Cotter, Holland, ‘Review: Zoe Leonard, In the Wake’, on: www.nytimes.com, New York NY, 7 October 2016
Scott, Andrea K., ‘Zoe Leonard’, on: www.4columns.org, New York NY, 7 October 2016 ‘Goings On About Town: Zoe Leonard’, in: The New Yorker, New York NY, 3 October 2016, pp.6
‘Artist’s Project’ in: Artforum, New York NY, Summer 2016, pp. 308–311
Gaiter, Derrick, ‘Moment of Truth: Zoe Leonard Curates History’, Document, documentjournal.com, 13 September 2016
Stamler, Hannah, ‘Zoe Leonard: In the Wake’, Village Voice, villagevoice.com, September 2016
Allison, Genevieve, ‘5 Photography Exhibitions to See this Fall’, on: www.aperture.org, New York NY, 28 September 2016
Osterweil, Ara ‘Fuck You! A Feminist Guide to Surviving the Art World’ in Artforum, New York NY, Summer 2016, pp 324-325
‘Artist’s Project’ in: Artforum, New York NY, Summer 2016, pp. 308–311

Bryan-Wilson, Julia, ‘Zoe Leonard. Anthony Meier Fine Arts’, on: www.artforum.com, New York NY, September 2015
Förster, Carolin, ‘Reading Traces: The Proximate’, in: Camera Austria International, no. 130, Graz, Summer 2015, pp. 11 – 20
Yablonsky, ‘Pride of Place, ‘ on: www.artforum.com, New York NY, 1 July 2015
Morris, Matt, ‘Militant Eroticism,’ on: www.artforum.com, New York NY, June 2015
Sachs, Danica, ‘Zoe Leonard. Anthony Meier Fine Art’, on: artforum.com, New York, May 2015.
__, ‘Punta della Dogana: Slip of the Tongue,’ on: www.monopol-magazin.de, Berlin Germany, May 2015, p. 28
Yablonsky, Linda, ‘American Beauty,’ on: www.artforum.com, New York NY, 23 April 2015

‘Artists on Politics’, in: ArtForum, November 2016, New York NY pp.226-228.
Cascone, Sarah, ‘Zoe Leonard Wins Whitneyʼs Bucksbaum Award with her Giant Camera Obscura’, on: www.artnet.com, New York NY, 15 May 2014
Cotter, Holland, ‘One Last Dance in the Old Place’, in: The New York Times, New York NY, 7 March 2014, p. C25
Ebner, Shannon, ‘Interview with Zoe Leonard’, in: Bomb, no. 127, Brooklyn NY, Spring 2014, pp. 54–64
__, ‘In Conversation: First Impressions of the 2014 Whitney Biennial’, on: www.artslant.com, New York NY, 7 March 2014
Gassel, Harry, ‘Why to Visit the Whitney Biennial: Bootleg Jordans, Painted TVs and a Juggalo Yard Sale’ in: Fader, New York NY, 6 March 2014
Goldstein, Andrew M., ‘The Most Spectacular Artworks in the Whitney Biennial’, on: www.artspace.com, New York NY, 14 March 2014
Gopnik, Blake, ‘Daily Pic: An Elegy for the Breuer Whitney’ on: www.artinfo.com, New York NY, 11 March 2014
Griffin, Jonathan. ‘Take It or Leave It’ in: Art in America, New York NY, April 2014
Halle, Howard, ‘Review: 2014 Whitney Biennial’, Time Out NY, New York NY, 6 March 2014
Jackson, Nate, ‘Zoe Leonardʼs Camera Obscura Turns Marfa Inside Out and Upside Down’, in: Texas
Observer, Austin TX, 1 July 2014
McGarry, Kevin, ‘Whitney Biennial 2014’, on: www.art-agenda, New York NY, 7 March 2014
Molesworth, Helen, ‘Whitney Biennial’ in: Artforum, New York NY, May 2014, pp. 310–311
Robertson, Rebecca, ‘Photography at the Whitney Biennial: Hidden in Plain Sight’ on: www.artnews.com, New York NY, 6 March 2014
Saltz, Jerry, ‘Seeing Out Loud, 2014 Whitney Biennial Review’, in: New York Magazine, New York NY, 10 March 2014
Schafer, Ellen, ‘Zoe Leonard Wins Bucksbaum Award’, in: Art in America, New York NY, 16 May 2014
Schumacher, Mary Louise, ‘Wisconsin presence at Whitney Biennial’, in: Journal Sentinel Tap, Milwaukee MO, 14 March 2014
Silverman, Coral, ‘Review: Color and Craft at the Whitney Biennial 2014’, on: www.stagebuddy.com, New York NY, 30 May 2014
Vartanian, Hrag, ‘Whitney Biennial 2014: Anthony Elms on the Second Floor’, on: www.hyperallergic.com, Brooklyn NY, 6 March 2014
Vartanian, Hrag, ‘Whitney Biennial 2014: Grabner Michelle on the Fourth Floor’, on: www.hyperallergic.com, Brooklyn NY, 4 March 2014
Vogel, Carol, ‘State of Our Art, According to Whitney: A Guide to the 2014 Whitney Museum Biennial’ in: The New York Times, New York NY, 28 February 2014, p. C21
__, ‘Zoe Leonard_945 Madison Avenue’, on: www.freshartinternational.com, New York NY, 9 March 2014
Vik Muniz, Barney Kulok, Blind Spot Anniversary Issue, 2014, cover and back page ‘Zoe Leonard’s 100 North Nevill Street’, Chinati Newsletter volume 19, Marfa, 2014, cover, pp. 30-53

Berrebi, Sophie, ‘Platinum Blondes and a Bearded Lady’, on: blog.fotomuseum.ch, Winterthur CH, 1 March 2013
Copeland, Huey, ‘Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard’, in: Camera Obscura 28: 2, Durham NC, issue 86, 2013, pp. 176–189
Scribner, Charity, ‘Reading the Lumpenproletariat: Zoe Leonard’s Kampala Photographs’, in: Nka, Durham NC, no. 33, Fall 2013, pp. 47–55
Tottenham, John, ‘Kind of Blue. Smoke, Mirrors and All That Jazz at MOCA Geffen’, on: www.artillerymag.com, Los Angeles CA, April 2013
Zapperi, Giovanna, ‘Womanʼs Reappearance: Rethinking the Archive in Contemporary Art–Feminist
Perspectives’, in: Feminist Review, London UK, no. 105, 2013, pp. 21–47
Burton, Johanna, Cooke, Lynne , McElheny, Josiah (eds.) ‘Habitation is a Habit’ in: Interiors (CSS Readers: Perspectives on Art and Culture 1), Annadale-on-Hudson NY/Berlin DE, 2013, pp. 44-53
‘Four Images from Analogue, 1998–2009’, Art Journal 72, no. 2, Summer 2013, pp. 78–81

Abitare, Redazione, ‘Zoe Leonard. Sun photographs’, in: Abitare, Milan IT, 22 May 2012
Allsop, Laura, ‘Zoe Leonard: Observation Point’, in: Art Monthly, London UK, May 2012
__, ‘Art Galleries – Chelsea. Zoe Leonard’, in: The New Yorker, New York NY, 8 October 2012
Banks, Tom, ‘Zoe Leonard: Obsevation Point’, on: www.designweek.co.uk, London UK, 1 March 2012
Bishop, Claire, ‘Digital Divide. On Contemporary Art and New Media’, in: Artforum, New York NY, September 2012, pp. 434-441
Brown, Camilla, ‘Zoe Leonard: Observation’ in: Photomonitor, London UK, 31 March 2012
Burton, Johanna, ‘Zoe Leonard – Murray Guy’, in: Artforum, New York NY, December 2012, p. 272
__, ‘Camera Obscura, Camden Arts Centre’, NXNW Magazine, London UK, March 2012
Cavera, Valentina, ‘Fotografie impossibili’, in: www.insideart,edu, Rome IT, 19 June 2012
Choksi, Neha, ‘On Starlight and Celestial Darkness: Human Vision and Cosmic Revision, as seen in the
recent works of Zoe Leonard and and Katie Paterson’, in: X-TRA Contemporary Art Quarterly, Los Angeles CA, vol. 15, no. 2, Winter 2012
Colia, Claudia, ‘Observation Point. Mostra di Zoe Leonard a Londra’, on: New Cult Frame – Arti Visive, www.onestopart.com, Rome IT, 10 May 2012
Cooke, Lynne, ‘Best of 2012’, in: Artforum, New York NY, December 2012, p. 213
Cotton, Charlotte, ‘Zoe Leonard. Camden Arts Centre’, in: Art in America, New York NY, July 2012, p. 176
Diehl, Travis, ‘Out-of-…’, on: www.artforum.com, New York NY, 2 February 2012
Gresle, Yvette, ‘Zoe Leonard: Observation Point’, on: www.lecool.com, London UK, 16 April 2012
__, ‘Culture Fix: Zoe Leonard: Observation Point’, Vantage NW, London UK, April 2012
Fiske, Courtney, ‘In-Camera: Q+A with Zoe Leonard’, on: www.artinamericamagazine.com, New York NY, 6 November 2012
Fitzpatrick, Corrine, ‘Zoe Leonard’, on: ww.artforum.com, New York NY, 4 October 2012
__, ‘Five best London shows’, Information (supplement to The Independent), London UK, 21 April 2012
Iodice, Anna Lisa, ‘Zoe Leonard. Milano, Galleria Raffaella Cortese’, on: www.exibart.com, Rome IT, 22 June 2012
Iversen, Margaret, ‘Analogue: On Zoe Leonard and Tacita Dean’, in: Critical Inquiry, Chicago IL, volume 38, no. 4, Summer 2012, pp. 796–818
Jones, Ann, ‘World Turned Upside Down’, in: Image Object Text, London UK, 12 June 2012
Kuo, Michelle, ‘After the Deluge’, in: Artforum, New York NY, December 2012, p. 35 (ill.)
Lear, Rowan, ‘Zoe Leonard at Camden Art Centre’, in: This is Tomorrow, London UK, 21 June 2012
McLean-Ferris, Laura. ‘Zoe Leonard, Camden Arts Centre’ in: iNewspaper, London UK, 5 April 2012
McLean-Ferris, Laura, ‘Zoe Leonard, Camden Arts Centre’ in: The Independent, London UK, 2 April 2012
Minuto, Maria Elena, ‘Zoe Leonard. Sun Photographs’, on: www.doppiozero.com, Rome IT, 4 June 2012
Ou, Aurthur, ’500 Words: Zoe Leonard’, on: Artforum.com, New York NY, 5 April 2012
Padineri, Marinella, ‘Zoe Leonard, Raffaela Cortese’, Flash Art, Milan IT, no. 304, July/August/September 2012
Paderni, Marinella, ‘Zoe Leonard. Raffaella Cortese – Milano’, in: Flash Art (Italian Edition), Rome IT, Year 45, no. 304, July-September 2012
Pearson, Harriet, Cross, Maureen, Barker, Rachel ‘Protecting Impermanence: A Preliminary Investigation into the Care of Temporary Artworks’, in: Immediations, London UK, vol. 3, no. 1, 2012, pp. 26 (ill.), 27-44
Pelloso, Giovanni, ‘Sun Photographs. Zoe Leonard’, in: ViviMilano / Corriere della Sera, Milan IT, 18 May 2012
__, ‘Photographic Mediations’, Ham and High, London UK, 24 May 2012
__, ‘Pick of the Week’, Guardian Guide, London UK, 7 April 2012
Rosenberg, Karen, ‘Heart to Hand’, The New York Times, New York NY, 5 April 2012
Rosenberg, Karen, ‘Zoe Leonard’s ‘453 West 17th Street’ at Murray Guy’, on: www.nytimes.com, New York NY, 11 October 2012
Russeth, Andrew, ‘Transformers: Ambitious Installations Are Altering the Reality of New York’s Galleries. They’re all impressive, but are any of them good?’, on: www.galeristny.com, New York NY, 2 October 2012
Sherwin, Skye, ‘Zoe Leonard, London’, The Guardian Guide, London UK, April 2012
Steward, Sue. ‘Zoe Leonard: Observation Point, Camden Arts Centre – review’, London Evening Standard, London UK, 5 April 2012
Sumpter, Helen, ‘Zoe Leonard: Camden Arts Centre Major Spaces’, Time Out, London UK, 3 May 2012
Warner, Michael, ‘Queer and Then?’, The Chronicle of Higher Education, Washington D.C., 1 January 2012
__, ‘Zoe Leonard: Available Light’, in: ICON Magazine, London UK, March 2012
__, ‘Zoe Leonard – Analogue’, in: CPhoto; Slow Motion, Madrid SP, 2012, pp. 54-71
Magagnoli, Paolo, ‘Zoe Leonard: Observation Point’, in: Camera Austria International, Graz AU, no. 118, 2012, pp. 80-81
__, ‘Zoe Leonard: ‘Observation Point’, in: Time Out, London UK, 10 May 2012
__, ‘Ten Best Visual Arts’, in: iSaturday, The Independent UK, London, 21 April 2012
__, ‘Camera Obscura. Zoe Leonard im Camden Arts Center [sic]’, on: www.untitled-mag.com, London UK, 2 April 2012
Diedrichsen, Diedrich, ‘Before the Law: Post-War Sculptures and Spaces of Contemporary Art. Museum Ludwig, Cologne’, in: Artforum, New York NY, April 2012, pp. 204-205
Roberts, Catherine, ‘Zoe Leonard’s Observation Point transforms Camden Arts Centre into a camera obscura’, on: www.culture24.org.uk, London UK, 12 April 2012
__, ‘Alles wahr: Amerikanische Fotografie in München’, in: Frankfurter Allgemeine Zeitung, Frankfurt DE, no. 66, 17 March 2012, p. 34

Couanet, Catherine, ‘Sexualités & Photographie’, in: L’Harmattan, Paris FR, 2011, pp. 72-85
Buhr, Elke, ‘Seht, wie klein der Mensch doch ist: Gewichtige Installationen in Köln’, in: Monopol, Berlin DE, December 2011, p. 125
Imdahl, Georg, Vor diesem Gesetz sind wir alle ungleich. Kasper Ludwig testet Gegenwartskunst auf philosophische Tauglichkeit und Tiefe’, in: Kölner Stadt-Anzeiger, Cologne DE, 16 December 2011, p. 26
__,‘Vor dem Gesetz. Skulpturen der Nachkriegszeit und Räume der Gegenwartskunst. Eine gemeinsame Ausstellung des Museum Ludwig und der Siemens Stiftung’, 17 Dezember 2011 – 22 April 2012’, in: Stadtzauber Kulturmagazin, Cologne DE, December 2011, p. 17
Danicke, Sandra, ‘Haben wir was falsch gemacht? Kasuistisch: Das Museum Ludwig in Köln zeigt die Ausstellung, Vor dem Gesetz’, in: Süddeutsche Zeitung, Munich DE, 19 December 2011, p. 12
__, ‘Study for “Tree“’, in: Ein Magazin für Orte, Berlin DE, no. 8, Spring 2011, p. 2
Levine, Debra, ‘Another Kind of Love: A Performance of Prosthetic’, in: e-misférica, Performance and Politics in The Americas, www.hemi.nyu.edu, New York NY, issue 2.2, Fall 2011
Cooke, Lynne, ‘La camera obscura du XXIe siècle (Le meilleur du 2001: arts plastiques)’, in: Beaux Arts Magazine, Paris FR, December 2011, p. 65
Hill, Wes, ‘Zoe Leonard. Galerie Gisela Capitain Cologne’, in: Frieze, London UK, issue 143, November-December 2011, p. 147
Troeller, Jordan, ‘Against Abstraction: Zoe Leonard’s Analogue’, in: Art Journal, New York NY, vol. 69, no.4, 2011, pp. 208-123
Berg, Marc Joseph, ‘You See I Am Here After All’, in: Bomb Magazine, Brooklyn NY, no. 115, Spring 2011, p. 20

McDonough, Tom, ‘The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag Picker’, in: Afterall, London UK, Autumn 2010, pp. 18-29
Troeller, Jordan, ‘Against Abstraction: Zoe Leonard’s Analogue’, in: Art Journal, New York NY, vol. 69, no 4, 2010
Berrebi, Sophie, ‘Goats, Lamb, Veal, Breast: Strategies of Organisation in Zoe Leonard’s Analogue’, in: Afterall, London UK, Autumn 2010, pp. 30-37
Nathan, Emily, ‘Bridging the Gap’, in: www.artslant.com, New York NY, 7 November 2010
Huther, Christian, ‘Den Bildern ist nicht mehr zu trauen’, in: Frankfurter Neue Presse, www.fnp.de, Frankfurt DE, 15 July 2010
__, ‘Deutsche Börse Photography Prize 2010’ on: www.prophoto-online.de, Frankfurt DE, June 2010
Smith, Roberta, ‘Self-Fulfilling Prophecies’, in: Art in Review, The New York Times, New York NY, 16 April 2010
O’Hagen, Sean, ‘Deutsche Börse Prize 2010’, on: www.guardian.co.uk, London UK, 14 February 2010
Searle, Adrian, ‘Whiskers and War Zones at the Deutsche Börse’, on: www.guardian.co.uk, London UK, 9 February 2010
Beyfus, Drusilla, ‘Zoe Leonard: Deutsche Börse Photography Prize 2010’, on: www.telegraph.co.uk, London UK, 11 February 2010
__, ‘Zoe Leonard. Analogue’, in: Springerin, Wein AU, vol. 16, no. 1, Winter 2010, 1, pp. 25-29, cover
Genocchio, Benjamin, ‘Letting Postcards Tell Niagara Falls’ Story’, in: The New York Times, New York NY, 24 January 2010
Cox, Samantha, ‘NY artist on photography and politics’, on: www.austriantimes.at, Vienna AU, 11 January 2010

Troeller, Jordan,’ Zoe Leonard’s Object-Based Photography’, in: Prefix Photo, Toronto CA, vol. 10, no. 2, 2009, pp. 34-49
__, ‘Zoe Leonard in Wien’, on: www.kunstmarkt.com, Berlin DE, 15 December 2009
__, ‘Was vom Alltag übrig bleibt’, on: www.derstandard.at, Vienna AU, 14 December 2009
__, ‘Fotografien von Zoe Leonard in Wien’, on: www.volksfreund.de/ostsee-Zeitung.de, Berlin DE, 8 December 2009
__, ‘Fotos gegen den Mainstream im MUMOK’, on: www.orf.at, Wien AU, 4 December 2009
__, ‘Frau mit Bart: Zur Schau gestellte Schaustellung’, on: www.diepresse.com, Vienna AU, 4 December 2009
__, ‘Einfach nur Anschauen geht nicht!’, in: www.kurier.at, Vienna AU, 4 December 2009
Borchhardt-Birbaumer, Brigitte, ‘Leiser Wandel des Blickfelds’, in: Wiener Zeitung, Vienna AU, 4 December 2009
__,‘Umfassende Einzelschau zu Zoe Leonard im MUMOK’, on: www.derstandard.at, Wien AU, 4 December 2009
__, MUMOK widmet Zoe Leonard große Schau, www.orf.at, Wien AU, 3 December 2009
__, MUMOK widmet US-Fotografin Leonard Einzelschau, on: www.kleinezeitung.at, Graz AU, 3 December 2009
Ehgartner, Claudia, ‘Von der Schönheit zertretener Bubblegums’, in: Schau. Kunstmagazin. Zeitschrift für Jugendliche, Wien AU, no. 3, 2009, pp. 6-9
__, ‘Zoe Leonard. Photography/Analogue. 4 December 2009 – 7 March 2010’, on: www.artnews.org New York NY, December 2009
__, ‘Photography’s biggest award: Images form the sharp end’, in: The Independent, London UK, 2 December 2009
Becker, Ilka, ‘Bis die Augen brennen. Kunst, fotografische Blickregimes und gendered smoking’, in: Querformat, Berlin DE, no. 2, 2009, pp. 25-31
Hoog, Eckhard, Museum Abteiberg zeigt 80 Werke des Aachener Sammlers Schürmann, on: www.aachener-nachrichten.de, Aachen DE,12 October 2009
Liebs, Holger, ‘Traurig schön. Die Fotografien von Zoe Leonard in München’, in: Süddeutsche Zeitung, Munich DE, 12 May 2009, p. 13
Godfrey, Mark, ‘Analogie ist eine Stratege. Über Zoe Leonard in der Dia Art Foundation, New York / Analogy as Strategy. On Zoe Leonard at Dia Art Foundation, New York’, in: Texte zur Kunst, Berlin DE, March 2009, pp. 173-178, 213-219
Cotter, Holland, ‘Change and Permanence, Captured by Cameras’, in: The New York Times, New York NY, 6 March 2009

Burton, Johanna, ‘In Your Eyes’; Lebovici, Elisabeth ‘The Paperwork of the Poor’, Cooke, Lynne, ‘Different Subjects, Same Terrain. Zoe Leonard’, in: Parkett, New York NY, no. 84, 2008, pp. 58-100
Wei, Lilly, ‘After Nature’, on: www.artnews.com, New York NY, October 2008
Budick, Ariella, ‘After Nature, New Museum, New York’, in: Financial Times, New York NY, 3 September 2008
Saltz, Jerry, ‘Let’s Get Serious For a Moment’, in: New York Magazine, New York NY, 15 September 2008
__, ‘Sometimes the Darkest Visions Boast the Blackest Humor’, in: The New York Times, New York NY, 19 July 2008
Halkes, Petra, ‘Objects and Merchandise’, in: Ciel Variable, Montreal CA, no. 79, Summer 2008, pp. 9-15
Schjeldahl, Peter, ‘Feeling Blue’, in: The New Yorker, New York NY, 4 August 2008
Birnir, Adda, ‘Death! Fire! Mayhem! Art!’, in: The Village Voice, New York NY, 13-19 August 2008
Lacayo, Richard, ‘After Nature’, Time, on: www.time-blog.com, New York NY, 20 July 2008
Becker, Jochen, ‘Wir haben genug. Zoe Leonard: Fotografien’, Camera Austria, Graz AU, no. 101, 2008, pp. 41-42
Sorkin, Jenni, ‘Finding the Right Darkness’, Frieze, London UK, no. 113, March 2008, pp. 136–141
Godfrey, Mark, ‘Mirror Displacements’, in: Artforum, New York NY, March 2008, pp. 292–301
Verna, Sacha,’ Im Archiv treffen sich Realität und Fiktion’, on: www.tagesanzeiger.ch, Zurich CH, February 2008
Langhart, Dieter, ‘Aufsichten und Ansichten’, in: Regioartline Kunstmagazin, Zurich CH, February 2008
Krebs, Edith, ‘Spiegelung des Selbst. Zu Zoe Leonards fotografischem Werk’, in: Kunst-Bulletin, Geneva CH, no. 1/2, 2008, pp. 40-46
Tatjana Trouvé, ‘Zoe Leonard, Laurence Denimal und Claire Fontaine in der Villa Arson Nizza’, in: Kunst-Bulletin, Geneva CH, no. 1/2, 2008, pp. 70-71
Basting, Barbara, ‘Sanfte Subversion und ein fotografischer Kompaktkurs in Soziologie’, on: tagesanzeiger.ch, Zurich CH, January 2008
Geimer, Peter, ‘Boulevards wie glühende Lavaströme, Der Rahmen, durch den wir die Welt sehen: Winterthur stellt das fotografische Werk von Zoe Leonard aus’, in: Frankfurter Allgemeine Zeitung online, www.faz.net, Zurich CH, January 2008
Cotter, Holland, ‘Well, It Looks Like Truth’, in: The New York Times, New York NY, 8 January 2008
Basting, Barbara, ‘Sanfte Subversion und ein fotografischer Kompaktkurs in Soziologie’, in: Tages-Anzeiger, Zurich CH, 5 January 2008
Cremer-Schacht, Dorothea, ‘Der distanzierte Blick’, in: Südkurier, Constance DE, 17 January 2008
Mack, Joshua, Zoe Leonard, ‘Derrotero’, Time Out New York, New York NY, 20-26 November 2008, p. 79

Niederhauser, Brigitta, ‘Die Narben der Vergänglichkeit’, in: Der Bund, Bern CH, 31 December 2007
Steiner, Urs,’ Zerfall überall. Zoe Leonard im Fotomuseum in Winterthur’, on: Neue Zürcher Zeitung, www.nzz.ch, Zurich CH, 6 December 2007
Erdmann Ziegler, Ulf, ‘Preview’, in: Monopol, Berlin DE, December 2007
Zeugin, Pia, ‘Die Nachtseite der Normalität’, in: Luzerner Nachrichten / Limmattaler Tagblatt / Zofinger Tagblatt / Aargauer Zeitun, Lucerne CH, 3 December 2007
Bagattini, Renato, ‘Distanzierte Blicke, kühle Bilder’, in: Zürichsee-Zeitung / Der Sihtaler / Linth Zeitung, Zurich CH, 3 December 2007
Bagattini, Renato, ‘Der stille Kampf der Gartenzäune’, in: Schaffhauser Nachrichten, Schaffhausen DE, 6 December 2007
Cooke, Lynne, ‘Best of 2007’, in: Artforum, New York NY, December 2007, pp. 310-311
Léith, Mac Giolla, ‘An Overview’, in: Frieze, London UK, no. 109, September 2007, pp. 124-127
__, ‘String Theory. Documenta 12 is a weird thing’, in: Artforum, New York NY, September 2007, pp. 407-413
Bryan-Wilson, Julia, ‘Zoe Leonard. Fotomuseum Winterthur’, in: Artforum, New York NY, September 2007, p. 209
Pirner, Gerald, ‘Gestohlene Berührung oder das Über-Setzen der Form’, on: Kultura-Extra, www.kultura-extra.de, Berlin DE, 27 August 2007
Hieber, Lutz, ‘Verpasste Chancen’, on: www.taz.de, Berlin DE, 27 August 2007
__, ‘Zoe Leonard’, on: www.documenta12blog.com, Kassel DE, 24 August 2007
Merkel, Klaus, ‘Alle die mit uns auf Kaperfahrt gehen, müssen Schwestern mit Bärten sein’, on: Artline Kunstportal, www.regioartline.org, Friburg im Breisgau DE, 10 August 2007
Lorch, Katrin, ‘Formvollendeter Allgemeinzustand der Welt – die 12. Documenta’, in: Kunst-Bulletin, Winterthur CH, no. 7/8, 2007, pp. 24-33
Thiele, Carmen, ‘Unbeschreiblich weiblich’, on: Deutschlandradio, www.dradio.de, Cologne DE, 27 July 2007
Meixner, Christiane, ‘Böse Buben’, on: Der Tagesspiegel, www.tagesspiegel.de, Berlin DE, 23 July 2007
Wiegand, Thomas, ‘Fotografie auf der Documenta’ 12, on: Kasseler Fotoforum, www.kasselerfotoforum.de, Kassel DE, 19 July 2007
__, ‘Die Wanderung der Formen’, in: Kölner Stadt-Anzeiger, Cologne DE, 2 July 2007
Berg, Stephan, ‘Ein uneingelöstes Versprechen’, in: Kölner Stadt-Anzeiger, Cologne DE, 29 June 2007
Cotter, Holland, ‘Asking Serious Questions in a Very Quiet Voice’, in: The New York Times, New York NY, 22 June 2007
Lequeux, Emmanuelle, ‘Décevante Documenta Kassel’, in: Le Monde, Paris FR, 30 June 2007
__, ’100 days of ineptitude’, in: The Guardian, London UK, 19 June 2007
__, ’1001 Chinesen und ein Kunstliebhaber’, in: Kieler Nachrichten, Kiel DE, 16 June 2007

Fliegende Kühe und andere Kometen in Esslingen, on: kunstmarkt.com, Berlin DE, 8 August 2006
Hilal Szegin, Wenn Buben Damen werden, in: Die Zeit, Hamburg DE, 31 August 2006

Bousteau, Fabrice, ‘Sexes: images – pratiques et pensées contemporaines’, in: Beaux Arts Magazine, Paris FR, no. 237, February 2004, pp. 90
__, ‘Greater Significance?’, in: Boston Globe, Boston MA, 25 January 2004
Hall, Emily, ‘“Possessed“. Western Bridge’, in: Artforum, New York NY, September 2004,
pp. 274-275
Leonard, Zoe, ‘Periphere Sicht der Dinge’, in: Kunstforum, Wien AU, no. 168, January-February 2004, pp. 134-139
McQuaid, Cate, ‘To be specific, these artists are inspired by details’, in: The Boston Globe, Boston MA, 30 January 2004, pp, D17, D20
Solomon-Godeau, Abigail, ‘On Ghost Writing: The Fae Richards Archive’, in: artUS, Los Angeles CA, January-February 2004, pp. 26-33

Blair, Sara, ‘Jewish America Through the Lens’, in: Michigan Quarterly Review, Ann Arbor MI, 42:1, Winter 2003, pp. 95-132
D’Souza, Aruna,’ Zoe Leonard at Paula Cooper Gallery’, in: Time Out New York, New York NY, 2003
Glueck, Grace, ‘Making History a Part of Today With Some Artifacts and Whimsy’, in: The New York Times, New York NY, 15 August 2003, p. E31
Hattan, Eric, ‘Zoe Leonard at Swiss Institute’, in: The New Yorker, New York NY, 17-24 February 2003, p. 42
Halkin, Talya, ‘Zoe Leonard at PCG’, in: The New York Sun, New York NY, 27 March 2003, p. 16
Lloyd, Ann Wilson, ‘Preserving Yankee History With International Ingenuity’, in: The New York Times, New York NY, 3 August 2003
Oppenheimer, Daniel, ‘The Way We Never Were: New England Revisited at MASS MoCA’s Yankee Remix’, in: Valley Advocate, Northampton MA, 7 August 2003
Schwabsky, Barry, ‘Gallery Walk: London’, in: Art on Air, New York NY, January-February 2003, pp. 84-85
Sholis, Brian, ‘Zoe Leonard at Paula Cooper Gallery’, in: Flash Art, New York NY, July-September 2003, p. 67
Something Old, ‘Something New’, in: Museums Boston, Boston MA, Spring-Summer 2003
Stange, Raimar, ‘Draußen in der Tür. Fotos und Objekte von Zoe Leonard in der Galerie Nourbakhsch’, in: Der Tagesspiegel, Berlin DE, 12 April 2003
Temin, Christine, ‘Past becomes present in sophisticated ‘Yankee Remix’’, in: Boston Sunday Globe, Boston MA, 3 August 2003
Temin, Christine, ‘Red, white, and pink cellophane’, in: Boston Sunday Globe, Boston MA, 18 May 2003
Turino, Kenneth, ‘Artists Mix It Up’, in: Historic New England, Boston MA, Summer 2003
Valdez, Sarah, ‘Zoe Leonard at Paula Cooper Gallery’, in: Paper Magazine, New York NY, May 2003, PM section, p. 12
Vogel, Carol, ‘An Art Collection Grows on a Maryland Farm’, in: The New York Times, New York NY, 18 August 2003, pp. E1, E6
Valdez, Sarah, Naked Truths, in: ARTnews, New York NY, March 2003, pp. 98-101

Dungan, Beth, ‘An Interview with Zoe Leonard’, in: Discourse. Journal for Theoretical Studies in Media and Culture, Detroit MI, vol. 24, no. 2, Spring 2002, pp. 70-85
Azoury, Philie, ‘Elvis et Marilyn, saints et martyrs’, in: Cahiers du Cinéma, Paris FR, July-August 2002, pp. 22-23
Fulco, Elisa,’ Zoe Leonard – Raffaella Cortese’, in: Flash Art Italia, Milan IT, February-March 2002, p. 120
Hackman, Kate, ‘For Every Action’, in: The Kansas City Star, Kansas City MO, 18 January 2002, p. 23
Hochfield, Sylvia, ‘Sticks and Stones and Lemon Cough Drops’, in: ARTnews, New York NY, September 2002, pp. 116-122
Nilsson, Bo, ‘The Growing Cult of Marilyn’, in: Kultur Forvaltningen, Stockholm SE, 2002
Satorius, Katherine, ‘Women’s Work’, in: SOMA, San Francisco CA, May-June 2002, pp. 48-50
Macel, Christine, ‘Zoe Leonard rencontre Stephen Shore’, in: Beaux Arts magazine, Paris FR, 2002, pp. 14-17
Macel, Christine, ‘Zoe Leonard: une photographie-objet’, in: Beaux Arts magazine, Paris FR, 2002, pp. 52-53

Bonetti, David, ‘Time passes in Leonard’s Art’, in: San Francisco Chronicle, San Francisco CA, 1 May 2001, p. G7
Cullen, Michael, ‘Paintings for E’, in: The Sunday Times (Ireland), Dublin IE,15 July 2001
Di Blasi, Debra, ‘Breaking the Surface’, in: PitchWeekly, Kansas City MO, 29 March 2001
Gomez, Edward, ‘Where Great Dreams Often Sink Out Of Sight’, in: The New York Times, New York NY, 8 April 2001
Selby, Holly, ‘Musing on the Fruits of the Artist’s Labor’, in: Baltimore Sun, Baltimore MD, 22 August 2001, p. 3E
Stein, Judith E., ‘Army of the Dolls’, in: Art in America, New York NY, February 2001, pp. 100-103
__, ‘Taking Art to the Edges of Life and Death’, in: The Irish Times, Dublin IE, 7 September 2001
Withers, Rachel, One for Two (Double Life), in: Artforum, New York NY, May 2001, p. 77
Yablonsky, Linda, ‘Zoe Leonard. Mouth open, teeth showing’, in: Time Out New York, New York NY, 16-23 November 2000, p. 82
__, ‘Zoe Leonard’, in: Extrart, San Benedetto del Tronto IT, September 2001

Buskirk, Martha, ‘Planning for Impermanence’, in: Art in America, New York NY, April 2000, pp. 112 -119, 167
Cash, Stehanie, Ebony, David, ‘Artworld: Creative Capital Gives First Grants’, in: Art in America, New York NY, March 2000, p. 160
Delaney, Anngel, ‘For artists sake: New book on lesbian art fills a void’, in: New York Blade News, New York NY, 29 September 2000, p. 18
Everett, Deborah, ‘Zoe Leonard – Photography and Sculpture’, in: NY Arts Magazine, New York NY, November 2000, p. 64
Hoffmann, Frank, ‘Report from Kwangju: Monoculture and its discontents’, in: Art in America, New York NY, November 2000, pp. 71-79
Lebovici, Elizabeth, ‘Zoe Leonard: les taches du quotidien’, in: Libération, Paris FR, 16 June 2000, p. IV
Marinas, José-Miguel, ‘The Foundation of the Mirror’, in: Exit, London UK, November 2000, pp. 126-149
__, ‘Sex + Porno’, in: frame, Amsterdam NL, September-October 2000, pp. 50-65
Youssi, Yasmine, ‘Rendez-Vous: Zoe Leonard’, in: Paris Photography, Paris FR, September-October 2000, pp. 90-97

Debord, Matthew, ‘A Thousand Words: Zoe Leonard Talks About Her Recent Work’, in: Artforum, New York NY, January 1999, pp. 100-101
Duehr, Gary, ‘Lying In Front of the Lens’, in: The TAB, Cambridge UK, 16-22 March 1999
__, ‘Fantasy Photographs’, The Improper Bostonian Magazine, Boston MA, 24 February – 9 March 1999, p. 50
Fulcher, Dawn, ‘Sleuth’, in: Contemporary Visual Arts, London UK, issue 25, 1999, pp. 78-79
Giuliano, Charles, ‘Sidewalks Choice: Dramatis Personae’, in: Boston Sidewalk, Boston MA, 8 April 1999
Glanz, Alexandra, ‘Das gesammelte Unbehagen’, in: Hannoversche Allgemeine Zeitung, Hannover DE, 26 May 1999
Jones, Jonathan, ‘Crime Seen’, in: The Guardian, London UK, 29 June 1999, pp. 12-13
Millis, Christopher, ‘When Photos Do The Talking’, in: The Boston Phoenix, Boston MA, March 1999
McGrath, John E., ‘Sleuth: Chapter Arts Centre and Fotogallery Cardiff’, in: Portfolio, Edinburgh UK, no. 30, 1999, p. 64
__, ‘Photographic Resource Gallery’, in: Stuff Magazine, London UK, March 1999, p. 63
Schmerler, Sarah,’ Zoe Leonard’, in: Art News, New York NY, April 1999, p. 118
Silver, Joanne, ‘Fantasy Dominates in RC Photo Exhibit’, in: Boston Herald, Boston MA, 12 March 1999
Taylor, John Russell, ‘The Big Show: Sleuth’, in: The Times, London UK, 20-26 November 1999, p. 42
__, ‘The Faye Richards Photo Archive’, in: Art New England, Boston MA, April-May 1999
__, ‘Through A Lens. Darkly’, Museums Boston, Boston MA, Winter 1999, pp. 52-53
Tietenberg, Annette, Überraschung in der Mittagspause, in: Frankfurter Allgemeine Zeitung, Frankfurt DE, 21 June 1999
__, om Unbehagen der Geschlechter im Kunstverein, in: AZ, Phoenix AZ, no. 121, 28 May 1999
Wilson, Michael, ‘Sleuth’, in: Art Monthly, London UK, no. 234, 1999, pp. 33-35

Armitage, Diane, ‘SoHo/Chelsea Selections’, in: THE magazine, Seattle WA, January 1998, pp. 24-25
__, ‘Basel und Glarus. Zoe Leonard’, in: Die Wochenzeitung, Zurich CH, no. 18, 2 May 1998, p. 25
Brollo, Boris, ‘Zoe Leonard’, in: Juliet, Trieste IT, no. 86, February-March 1998, p. 56
Ridding, Alan, ‘Bugs, Transformation and Subterfuge in a Reinvented Eden’, in: The New York Times, New York NY, 1 September 1998
Cachon, Sophie, ‘Eclats: La photo de la semaine’, in: Telerama, Paris FR, 16 September 1998
De Haro, Sarah,’ Questions de genre’, in: Ex Aequo, Paris FR, September 1998, p. 49
__, ‘Gemischte Früchte: Aufsehen. Kunsthalle Basel und Kunsthaus Glarus zeigen die Amerikanerin Zoe Leonard’, in: Aargauer Zeitung, Aarau DE, 16 May 1998
Jouanna, Evelyne, ‘Reviews: Zoe Leonard’, in: Flash Art, New York NY, March-April 1998, pp. 119-120
Kagan, Dick, ‘Go West’, in: Art and Antiques, Wilmington NC, vol. 21, no. 1, January 1998, pp. 33-37
Kirsch, Elisabeth, ‘Beauty, Culture, Shoes, Pictures, and Politics’, in: Kansas City Star, Kansas City MO, 20 March 1998
Kravagna, Christian, ‘Zoe Leonard: Secession’, in: Artforum, New York NY, January 1998
__, ‘Le drôle de zoo de Zoe’, in: Libération, Paris FR, 7 October 1998
MacAdam, Barbara, ‘Zoe Leonard’, in: ARTnews, New York NY, vol. 97, no. 3, March 1998, p. 167
Orth, Roberto. ‘Zoe sammelt Spuren von Mikrodramen’, in: Cosmopolitan, Munich DE, May 1998, p. 28
__, ‘Some Strange Doings at the Museum of Art’, in: Philadelphia Inquirer, Philadelphia PA, 28 March 1998
Troester, Christian, ‘Wenn Mäuse an der Kunst nagen’, in: Die Woche, Berlin DE, 13 February 1998, p. 34
Turner, Grady T., ‘Zoe Leonard at Paula Cooper’, in: Art in America, New York NY, vol. 86, no. 6, June 1998
Unnuetzer, Petra, ‘Zoe Leonard at Galerie Gisela Capitain’, in: KUNSTFORUM International, Cologne DE, no. 141, July-September 1998, p. 371
__, ‘Zoe Leonard’, in: Nikon Flash, Melville NY, September 1998
__, ‘Zoe Leonard’, in: Le Carnet des Arts Plastiques, Aix-les-Bains FR, Fall 1998
__, ‘Zoe Leonard’, in: Arts Croisés, Brussels BE, October-November 1998
__, ‘Zoe Leonard’, in: De Witte Roaf, Maastricht NL, September-October 1998

Graw, Isabelle, ‘These are the things that move me / Über die Funktion des Biographischen im Werk von Zoe Leonard’, in: Texte zur Kunst, Berlin DE, no. 28, November 1997, pp. 65-73
Fischer, Judith, ‘Interview Subjektivierung. Subtext zu Zoe Leonard’, Berlin DE, in: Springer, no. 3, October 1997
__, Schönheit und Weiblichkeit, in: Die Presse, Vienna AU, 25 July 1997
Algus, Mitchell, Griffin, Robert, Servetar, Stuart Silas, Susan, Sillman, Amy, ‘Mob Rule at the Whitney Biennial’, in: New York Arts Magazine, New York NY, issue 10, May 1997, pp. 4-8
Altorfer, Sabine, ‘Unentschieden zwischen den Geschlechtern’, in: Aargauer Zeitung, Aarau CH, 22 May 1997
Bankowsky, Jack, ‘Whitney Watch’, in: Artforum, New York NY, March 1997
Becker, Jochen, ‘Zu zornig für Schönheit’, in: Taz, Berlin DE, 12 September 1997
Beil, Ralf, ‘Braut mit gebrochenen Fingern. Zoe Leonard in Basel und Glarus’, in: Neue Zürcher Zeitung, Zurich CH, 24 May 1997
Bonami, Francesco, ‘An Artist Today: The 1997 Whitney Biennial’, in: FlashArt, New York NY, vol. 30, no. 193, March-April 1997
Cotter, Holland, ‘Zoe Leonard’, in: The New York Times, New York NY, Art Guide, 19 September 1997, p. E38
Dilday, Kenya, ‘The Watermelon Woman’, in: Time Out New York, New York NY, 6-13 March 1997, p. 67
Zoe Leonard, ‘Kunsthalle Basel and Kunsthaus Glarus’, in: Artforum, New York NY, May 1997, p. 70
Halle, Howard, Yablonsky, Linda, Saltz, Jerry, ‘Showtime At The Whitney’, in: Time Out New York, New York NY, 3-10 April 1997, pp. 39-40
Imhof, Dora, ‘Vergänglichkeit, Verfall und Reduktion’, in: Basel Landschaftliche Zeitung, Basel CH, 5 June 1997
Jackson, Phyllis J., ‘Irreverent Seductions. B(l)ack at the Whitney’, in: The International Review of African American Art, Hampton VA, vol. 14, no. 2, 1997, pp. 50-55
Kimmelman, Michael, ‘Narratives Snagged on the Cutting Edge’, in: The New York Times, New York NY, 21 March 1997, pp. 1, 26
Lipson, Karin, ‘Battle of the Sexes’, in: Newsday, Melville NY, 7 March 1997, p. 5
Lueken, Verena, ‘Ausverkauf im Spielzeugladen’, in: Frankfurter Allgemeine Zeitung, Frankfurt DE, 11 April 1997
MacLeod, Chris, ‘Gender is Incidental’, in: Manhattan Week, New York NY, 10-16 October 1997, p. 28
Mathieu, Nicole-Claude, ‘Le Sexe Social’, in: Hors-Series Sciences et Avenir, Marseille FR, April 1997, pp. 52-56
Melchart, Erwin, ‘Ausstellung in der Secession: Zoe Leonard – Das Kunst- Blümchen’, in: Neue Kronenzeitung, Vienna AU, 24 July 1997
Metzger, Rainer, ‘Bonsai für die Postmoderne’, in: Der Standard, Vienna AU, July 1997
Nackter Baum, nackte Winde, in: Neue Zeit Graz, Graz AU, 25 July 1997
__, ‘Nackte Wände: Zoe Leonard in der Secession’, in: Vorarlberger Nachrichten, Bregenz AU, 24 July 1997
Neumaier, Otto, ‘Zoe Leonard’, in: Noema, Ramsey NJ, no. 45, September-October 1997
Nunns, Stephan, ‘The Reverend and the Representative’, in: American Theatre, New York NY, May-June 1997, pp. 44-45
Pesch, Martin, ‘Short Cuts – Anschlüsse an den Körper’, in: Frieze, London UK, issue 37, November-December 1997
Schmerler, Sarah, ‘Zoe Leonard’, in: Time Out New York, New York NY, issue 106, 2-9 October 1997, p. 47
Stockhammer, Eva, ‘Alaskan Fires Offer a picture for Life. Zoe Leonard’s Survival Experiences present an Insight Into Nature’, in: Austria Today, Canterbury UK, 16 September 1997
Temin, Christine, ‘At ICA, art that goes bum in the night’, in: The Boston Globe, Boston MA, 25 April 1997
Turner, Elisa, ‘Fruit Skins Gain Brand Appeal’, in: The Herald, Glasgow UK, Wednesday, 12 March 1997, p. 5D
Vachtova, Ludmila, ‘Der Hermaphrodit triumphiert als Femininum’, in: Die Weltwoche, Zurich CH, no. 19, 7 May 1997, p. 69
Von Däniken, Hans-Peter, ‘Auf den Spuren von Frauen mit Bärten’, in: Tages-Anzeiger, Zurich CH, 11 May 1997, p. 59
Wailand, Markus, ‘Baum der Erkenntnis;, in: Falter, Stadtzeitung Wien AU, 30 July 1997
Wallace, Michele, ‘Sex in the Watermelon’, in: The Village Voice, New York NY, 4 March 1997, p. 74
Yablonsky, Linda, ‘Can She Get A Witness? Zoe Leonard Returns to the Art World’, in: Out, New York NY, April 1997, p. 58
__, ‘Zoe Leonard’, in: The New Yorker, New York NY, 13 October 1997
Zwez, Annelise, ‘Leben lässt sich nicht zusammennähen’, in: Aargauer Zeitung, Zurich CH, 22 May 1997, p. 7

Kravagna, Christian, ‘Das Wahre, das Schöne, das Normale – Fotografie nach ihrer Kritik’, in: Springerin, Vienna AU, June-July 1996, pp. 29-30
__, ‘Insert: Zoe Leonard and Cheryl Dunye: Watermelon Woman’, in: Parkett, New York NY / Zurich CH, no. 47, 1996, pp. 153-177

Atkins, Robert, ‘Very Queer Indeed’, in: The Village Voice, New York NY, January 1995, p. 69
Bakargiev, Carolyn, ‘Dietro lo Specchio Concettuale’, in: Arte, Milan IT, no. 106, 23 April 1995
Blanchard, Tamsin, ‘Fashion Folk and Artists Despise Each Other, Right? Wrong. One Gallery is ‘Trying to Prove It’’, in: The Independent, London UK, 27 June 1995
Bonetti, David, San Francisco Show and Tell, in: Out, New York NY, April 1995, p. 52
Braunstein, Chloé, ‘Zoe Leonard – Reviews’, in: Material, Los Angeles CA, no. 26, 1995, pp.14-15
Cotter, Holland, ‘Zoe Leonard’, in: The New York Times, New York NY, 5 May 1995, p. 30
Duncan, Michael, ‘Queering the Discourse’, in: Art in America, New York NY, July 1995, pp. 27-31
‘Eye to Eye: A Candid Discussion Between Nan Goldin and Zoe Leonard’, in: Manhattan File, Brooklyn NY, April 1995, pp. 60-63
Friis-Hansen, Dana, ‘Pictures of the Real World’, in: Art + Text, London UK, no. 52, September 1995, p. 87
Hirsch, Faye, ‘Reviews – Zoe Leonard’, in: Artforum, New York NY, September 1995, p. 90
Holbert, Tom, ‘Kampf um den Körper’, in: Vogue Germany, Munich DE, April 1995, pp. 200-205, 216
Katz, Vincent, ‘A Conversation with Zoe Leonard’, in: Arti International, Zurich CH, vol. 52, May-July 1995, pp. 118-145
Killian, Kevin, Nayland, Blake, Rinder, Lawrence, ‘Preview. ‘The Secret Histories’, in: Artforum, New York NY, February 1995, pp. 23-24,104
Kotz, Liz, ‘Questions of Feminism: 25 Responses’, in: October, Cambridge MA, no. 71, Winter 1995, pp. 26-27
Leonard, Zoe, ‘So Thank You in Advance Again, x-x-x fruit’, in: Premier Issue, Hong Kong CN, Summer 1995, pp. 108-109
Princenthal, Nancy, ‘Review of Exhibitions – Zoe Leonard at 131 Essex Street’, in: Art in America, New York NY, vol. 83, no. 9, September 1995, p.105
Riding, Alan, ‘French Survey Sex in 20th-Century Art’, in: The New York Times, New York NY, 7 November 1995, pp. C13, C17
Solnit, Rebecca, ‘Berkeley Fax: In A Different Light, University Art Museum’, 11 January – 9 April, in: Art Issues, Los Angeles CA, no. 37, March-April 1995

Cotter, Holland, ‘Art after Stonewall: 12 Artists Interviewed’, in: Art in America, New York NY, June 1994, pp. 56-65
Cottingham, Laura, ‘Post – 1968’, in: Flash Art, Milan IT, January-February 1994, pp. 31-34
Gan, Stehen, Kaliardos, James and Dean, Cecilia, ‘Desire’, in: Visionaire, New York NY vol. 12, Fall 1994
Guha, Tania, Fashion Modus, ‘Art Preview’, in: Time Out London, London UK, 1994
Leonard, Zoe, ‘Race Car’, in: Whitewalls: A Journal of Language and Art, New York NY, Fall-Winter 1994, p. 30
Marks, Lisa Marie, ‘Pret A Porter’, in: Creative Camera (London), London UK, issue 336, 1994
Smith, Roberta, ‘Even Where the Show Itself is an Art Form. Group Shows Exist of Every Kind’, in: The New York Times, New York NY, 25 February 1994, p. C22

Cottingham, Laura, ‘Zoe Leonard (interview)’, in: Journal of Contemporary Art, New York NY, vol. 6, no. 1, Summer 1993, pp. 64-77
Kandel, Susan, ‘Bad Girls Don’t Cry’, in: Art & Text, London UK, September 1993, pp. 26-29
Martin, Richard, ‘Aproximating the Body’, in: New Art Examiner, Chicago IL, September 1993, pp. 16-18
Schjeldhal, Peter, ‘Missing: The pleasure principle’, in: The Village Voice, New York NY, 13 March 1993, pp. 34-38
Van der Haak, Bregtje and Steelse Blikken, ‘Een interview met Zoe Leonard’, in: Metropolis M, New York NY, April 1993, pp. 40-43

‘186 Names for the Museum of a Hundred Days (Documenta IX)’, in: The Art Newspaper, New York NY, no. 17, April 1992, p. 12
Adcock, Craig, ‘Documenta IX, in: Tema Celeste’, Syracuse NY, Winter 1992, pp. 84-85
Ammann, Jean-Christohe, ‘Die documenta-Arbeit von Zoe Leonard’, in: Luzerner Zeitung, Lucerne DE, no. 215, 16 September 1992
Ayres, Anne, Kassel FAX, in: Art Issues, Los Angeles CA, no. 24, September-October 1992, pp. 34-35
__, ‘Art Exhibitions/Photograhy’, in: New York Magazine, New York NY, 1 June 1992, p. 80
Bleckner, Ross, ‘Emerging Artists’, in: Out, New York NY, Fall 1992, pp. 41-49
Chris, Cynthia, ‘Regarding Gender’, in: Afterimage, Rochester NY, vol. 20, no. 5, December 1992, pp. 16-17
Cottingham, Laura, ‘Art Attack/Documenta IX’, in: QW, New York NY, 12 July 1992, pp. 40-41
Dector, Joshua, ‘New York in Review’, in: Arts Magazine, New York NY, March 1992, pp. 85-86
Dik, Iris, ‘Towards an Androgynous Art? On Sex, Power and Sensuality at Documenta IX’, in: ruimte, Berlin DE, vol. 9, no. 2, 1992
Hagen, Charles, ‘Art in Review. Zoe Leonard’, in: The New York Times, New York NY, 15 May 1992, p. C28
Hirsh, David, Galleries. ‘The Curious Eye’, in: New York Native, New York NY, 1 June 1992, p. 47
Hirsch, Faye, ‘A Spy in the Museum’, in: QW, Out of New York, New York NY, no. 30, 24 May 1992, pp. 38-41
Knight, Christopher, ‘Look for the American Label’, in: Los Angeles Times, Los Angeles CA, 12 July 1992, p. 84
Liebmann, Lisa, ‘Documenting Documenta’, in: Interview, New York NY, June 1992, pp. 44-50
Lux, Ulla, ‘One Hundred Days of Documenta IX’, in: ARTI, Florence IT, November-December 1992, pp. 72-79
Nesbitt, Lois, ‘Shock of the Nasty: Art’s Bad Girls’, in: Elle, New York NY, December 1992, pp. 78-80
‘Preserved Head of a Bearded Woman. Musée Orfila’, in: The Paris Review, Paris FR, vol. 34, no. 125, Winter 1992, pp. 128-133
Schjeldahl, Peter, ‘The Documenta of the Dog’, in: Art in America, New York NY, September 1992, 77, pp. 87-97
Seward, Keith, ‘Zoe Leonard. Paula Cooer Gallery’, in: Artforum, New York NY, October 1992, p. 106
Silver, Lisa, ‘Mortal Thoughts: Zoe Leonard Gets Inside’, in: Paper Magazine, New York NY, May 1992, p. 27
Smith, Roberta, ‘A Small Show Within an Enormous One’, in: The New York Times, New York NY, 22 June 1992, pp. C13, C15.
Smith, Roberta, ‘Women Artists Engage the Enemy’, The New York Times, New York NY, 16 August 1992
The Question of Gender in Art: Zoe Leonard, in: Tema Celeste, Syracuse NY, Autumn 1992, p. 70

Agar, Evelyn, ‘Outrageous Desires. Gay and Lesbian Artists Stage Exhibition at Mason Gross’, in: The Home News, Somerville NJ, 31 October, pp. D1-D2
Eelbode, Erik, Wolken, ‘watervallen en de dood: Zoe Leonard in Richard Foncke Gallery’, in: Gazet van Antwerpen, Antwerp BE, 31 May 1991
Leonard, Zoe, Graw, Isabelle, ‘Ein Interview with Zoe Leonard’, in: Texte zur Kunst, Berlin DE, Fall 1991, pp. 44-51
Graw, Isabelle, ‘Women, Aids & Activism’, in: Texte zur Kunst, Berlin DE, Summer 1991
Hirsh, David, ‘Intelligent Evolution’, in: Bay Area Reporter, New York NY, 13 April 1991, 33, p. 43
Hirsh, David, ‘Serious Exposure’, in: New York Native, New York NY, 18 November 1991, p. 32
Hirsh, David, ‘Group Consciousness’, in: New York Native, New York NY, 25 November 1991, pp. 32-33
Kuijken, Ilse, ‘Leonard lijst het kijken in’, in: De Standaard, Brussels BE, 11 June 1991, p. 7
Lambrecht, Luk, ‘Zeven dagen Kunst: Gent’, in: Weekend Knack, Brussels BE, no. 23, 5-11 June 1991, p. 16
Lambrecht, Luk, ‘Zoe Leonard: Galerie Richard Foncke’, Ghent BE, in: Forum International, September-October 1991, p. 84
Roberts, James W., ‘Exhibit Features Gay, Lesbian Art’, in: The Daily Targum, New Brunswick NJ, 4 November 1991, p. 3

Bornstein, Kate, ‘If I Said You Had a Beautiful Body… Would You Make It Illegal?’, in: Bay Area Reporter, San Francisco CA, June 1990
Hirsh, David, ‘Art as Trophy’, in: New York Native, New York NY, 18 June 1990, pp. 29-30
Hoet, Jan, ‘Zu viel wird geredet, zu wenig gesagt, zu viel wird gesagt, zu wenig getan’, in: Kunstforum, Cologne DE, vol. 110, November-December 1990, p. 206
Koether, Jutta, ‘Zoe Leonard’, in: Flash Art, Milan IT, Summer 1990, p. 154
Ponton Temse, ‘Citywide Exhibition’, in: Flash Art, Milan IT, November-December 1990, p. 171
Schwabsky, Barry, ‘Wendy Jacob / Zoe Leonard’, in: Arts Magazine, New York NY, October 1990, p. 95
Tripi, Laura, ‘The Strange Attraction of Chaos’, in: New Art International, Bergamo IT, 1990, pp. 55-61

Hirsh, David, ‘The Center Show’, in: New York Native, New York NY, 26 June 1989, p. 28
Hirsh, David, ‘Signs of Chaos’, in: New York Native, New York NY, 2 October 1989, p. 40
Hirsh, David, ‘Gay Art Now’, in: My Comrade, New York NY, December 1989
Hirsh, David, ‘East Side Story’, in: New York Native, New York NY, 19 December 1989, p. 36
Hirsh, David, ‘For Freedom of Self-Discovery’, in: New York Native, New York NY, 9 October 1989, p. 38
Hirsh, David, ‘Art Censorship and Sex’, in: New York Native, New York NY, 23 October 1989, p. 21
Nalley, Jon, ‘Battling Bigotry’, in: OutWeek, New York NY, 8 October 1989, p. 61
Raven, Arlene, ‘Fo(u)r Freedoms’, in: The Village Voice, New York NY, 10 October 1989, pp. 104

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