Mark Wallinger Images And Clips

  • The Black Horse, 2005
    Installation view, Sculpture in the City, London, England, 2017
  • Angel (clip), 1997
    Projected video installation, audio
    7 minutes, 30 seconds
  • The Descent of Man (clip), 2013
    Projected video installation, silent
    6 minutes, 8 seconds
  • The White Horse, 2013 and The Black Horse, 2015
    Marble, resin, stainless steel and bronze, resin, stainless steel
    196 x 273 x 67 cm each
  • Ecce Homo, 1999–2000
    White marbleised resin, gold-plated barbed wire
    life size

    Installation view ‘MARK WALLINGER MARK', Serlachius Museum Gösta, Mänttä, Finland, 2016
  • Self (Century), 2014
    Glass reinforced polyester on painted wooden base, sculpture: 180 x 84 cm, plinth: 47 x 85 x 85 cm
  • Self (Century), 2014
    Glass reinforced polyester on painted wooden base, sculpture: 180 x 84 cm, plinth: 47 x 85 x 85 cm

    Time And Relative Dimensions In Space, 2001
    Stainless steel, MDF, electric light
    281.5 x 135 x 135 cm / 110 7/8 x 53 1/8 x 53 1/8 inches
  • Self Portrait (Times New Roman), 2016
    Digital print on mesh vinyl
    1850 x 1480 cm
  • The Black Horse, 2015
    Bronze, resin, stainless steel
    196 x 273 x 67 cm / 77 1/8 x 107 1/2 x 26 3/8 in
  • Sleeper (clip), 2004
    Projected video installation, silent
    2 hours, 30 minutes, 52 seconds
  • Labyrinth, 2013
    Vitreous enamel on steel plate, powder coated black frame
    63.5 x 63.5 cm / 25 x 25 in
    Commissioned by Art on the Underground, LUL
  • Self (Engravers MT), 2016
    Glass reinforced polyester on concrete base
    Sculpture: 180 x 113 cm, plinth: 47 x 114 x 114 cm
  • Forever and Ever, 2002
    Installation view, 147 Bloomberg Space, London, 2002
    Aluminium, vinyl
    200 x 700 x 500 cm / 78.7 x 275.6 x 196.9 in
  • Installation view 'Mark Wallinger. Self Reflection', Freud Museum London, London, England 2016

    Self Reflection, 2016
    Mirrored polyester foil
    Dimensions of Sigmund Freud’s study, London
  • Labyrinth, 2013
    Vitreous enamel on steel plate, powder coated black frame
    63.5 x 63.5 cm / 25 x 25 in
    Commissioned by Art on the Underground, LUL
  • The White Horse, 2013
    Marble, resin, stainless steel
    196 x 273 x 67 cm / 77 1/8 x 107 1/2 x 26 3/8 in
  • Sinema Amnesia, 2010
    Mixed media video installation
    800 x 475 cm / 315 x 187 in
    Installation view, Çanakkale, Turkey, 2010
  • According to Mark, 2010
    100 chairs, string, marker pen, steel eye
    Installation view at Kunstnernes Hus, Oslo, 2010.
    with details of Red, 2010 and One Dimensional Sculpture, 2010
  • Red (detail), 2010
    Pair of traffic lights
  • Folk Stones, 2008
    19,240 stones, paint, sand, cement, COR-TEN steel
    900 x 900 cm / 354.3 x 354.3 in
    Folkestone, Kent, England
  • Self Portrait (Oldgate Lane Outline), 2008
    Acrylic on canvas
    185 x 113 cm / 72.8 x 44.5 in
  • State Britain, 2007
    Mixed media installation
    Installation view, Tate Britain, London, England, 2007
  • Self Portrait (Gulim), 2007
    122 x 91 cm / 48 x 35.8 in
  • Self Portrait (Engravers MT)
    122 x 91.5 cm / 48 x 36 in
  • State Britain, 2007
    Mixed media installation
    Installation view, Tate Britain, London, England, 2007
  • Self Portrait (Lucida Console Bold)
    213 x 152 cm / 83.9 x 59.8 in
  • State Britain, 2007
    Mixed media installation
    Installation view, Tate Britain, London, England, 2007
  • Time and Relative Dimensions in Space, 2001
    Stainless steel, MDF, electric light
    281.5 x 135 x 135 cm / 110.8 x 53.1 x 53.1 in
    Installation view, British Pavilion, Venice Biennale, Venice, 2001
  • Fly, 2000
    Video on monitor, sound
    11 minutes 34 seconds
    Video still
  • The Word in the Desert V, 2000
    Framed coulour photograph
    190 x 154 cm / 74.8 x 60.8 in
  • The Word in the Desert II, 2000
    Framed coulour photograph
    190 x 154 cm / 74.8 x 60.8 in
  • Prometheus, 1999
    Continuous loop video projection, audio, 2 photographs, metal, wood, leather, copper, foam, electrical equipment
    Installation view at Portikus, Frankfurt/Main, Germany
  • Construction Site (clip), 2011
    Projected video installation, silent
    1 hour, 23 minutes
  • Ecce Homo, 1999
    
White marbleized resin, gold-plated barbed wire

    Life size
    Installation view British Pavilion, Venice Biennale, 2001
  • Ecce Homo, 1999
    White marbleized resin, gold-plated barbed wire
    Life size
    Installation view, Trafalgar Square, London
  • Seeing is Believing, 1997
    Screen printed light boxes
    127 x 127 x 20.3 cm / 50 x 50 x 8 in each, 3 parts
  • Oxymoron, 1996
    Textile flag
    Installation view, Printworks, Brixton, London
  • Mark Wallinger
    31 Hayes Court
    Camberwell New Road
    Camberwell
    London
    England
    Great Britain
    Europe
    The World
    The Solar System
    The Galaxy
    The Universe
    , 1994
    Colour photograph mounted on aluminium
    320 x 480 cm / 126 x 189 in
  • Royal Ascot, 1994
    4 video monitors on flight cases, audio
    7 minutes 30 seconds
    Installation view, Tate Britain, London, 1995
  • Race, Class, Sex, 1992
    Oil on canvas
    230 x 300 cm / 90.6 x 118.1 in each, 4 parts
  • Labyrinth, 2013
    Vitreous enamel on steel plate, powder coated black frame
    63.5 x 63.5 cm / 25 x 25 in
    Commissioned by Art on the Underground, LUL
  • Threshold to the Kingdom (clip), 2000
    Projected video installation, audio
    11 minutes, 20 seconds
  • Capital, 1990
  • Capital (detail), 1990
    Oil on canvas
    266.5 x 145 cm / 104.9 x 57.1 in
    7 parts
  • Natural Selection, 1988
    Acrylic, tar and feathers on rubber
    50.8 x 76.2 cm / 20 x 30 in
  • Passport Control, 1988
    6 C-prints mounted on aluminium
    132 x 101.6 cm / 52 x 40 in each
  • Where There’s Muck, 1985
    Plywood, charcoal, corrugated iron, cellulose paint
    335 x 799 cm / 131.9 x 314.6 in