Phyllida Barlow Bibliography

Publications

2017
Sheffield, Graham, Dexter, Emma, ‘Phyllida Barlow: folly’, London: Black Dog Publishing, 2017, ill. (exh. cat.)
Karen Wright, Frances Morris, Stina Högkvist (et al.), ‘Entangled: Threads & Making’, Margate/UK: Turner Contemporary, 2017, ill. in colour, cover (exh. cat.)
Ackermann, Jeremy, Daly, Eileen, ‘Architecture as Metaphor’, London: Griffin Gallery, 2017, ill. (exh. cat.)
Robb, Leigh, ‘Versus Rodin: bodies across space and time’, Adelaide: Art Gallery of South Australia, 2017 (exh. cat.)

2016
Gale, Matthew (ed.), ‘Tate Modern: The Handbook’, London: Tate Publishing, 2016, McLean, Matthew, Morrill, Rebecca (eds.), ‘Frieze A to Z of Contemporary Art’, London: Phaidon Press, 2016
Cornell, Lauren, Eccles, Tom, ‘Invisible Adversaries’, Annandale-on-Hudson NY: CSS Bard College, 2016 (exh. cat.)
Evren, Süreyyya (ed.), ‘Not All That Falls Has Wings’, Istanbul: ARTER, 2016 (exh. cat.)
Wilson, Richard, ‘Summer Exhibition Illustrated 2016’, London: Royal Academy of Arts, 2016
Macuga, Goshka, Mainetti, Mario, ‘Goshka Macuga Before the Beginning and After the End’, Milan: Fondazione Prada, 2016
Schimmel, Paul, Sorkin, Jenni, ‘Revolution in the Making: Abstract Sculpture by Women 1947 – 2016’, Milan: Skira Editore, 2016 (exh. cat.)

2015
Bitterli, Konrad (ed.), ‘Phyllida Barlow. Mix’, Vienna: Verlag Für Moderne Kunst, 2015 (exh. cat.)
Bradley, Fiona (ed.), ‘Phyllida Barlow: Sculpture 1963 – 2015’, Ostfildern: Hatje Cantz, 2015 (exh. cat.)
‘Between the Lines: A Coloring Book of Drawings by Contemporary Artists, Vol. 5’, New York: RxART, 2015
A. Pergam, Elizabeth, ‘Drawing in the Twenty-First Century: The Politics and Poetics of Contemporary Practice’, Farnham: Ashgate Publishing Ltd., 2015

2014
Griffin, Jonathan, Harper, Paul + [et al.], ‘The Twenty-First Century Art Book’, London: Phaidon Press Limited, 2014, p.30, ill.
Harrison, Sara (ed.), ‘Phyllida Barlow: Fifty Years of Drawings’, Zurich: JRP | Ringier, Hauser & Wirth, 2014
Contemporary Art Society, Whitechapel Gallery (ed.), ‘The Best is Not Too Good for You’, London: Contemporary Art Society; Whitechapel Gallery, 2014
Le Feuvre, Lisa (ed.), ‘Artists’ Lives. Henry Moore Institute Essays on Sculpture journal 69’, Leeds: Henry Moore Institute, 2014, pp. 12, 29, ill.
Vicario, Gilbert (ed.), ‘Phyllida Barlow: Scree’, Des Moines: Des Moines Art Center, 2014
O’Donoghue, Hughie (ed.), ‘Summer Exhibition Illustrated 2014’, London: Royal Academy of Arts, 2014

2013
Brutvan, Cheryl and Clover Peake. ‘Phyllida Barlow: HOARD’, West Palm Beach: Norton Museum of Art, 2013
Gioni, Massimiliano, Bell, Natalie (eds.), ‘Il Palazzo Enciclopedico. Biennale Arte 2013, la Biennale di Venezia 55. Vol. 1, Exhibition’, Venice: Marsilio Editori, 2014
Fisher, Elizabeth, Fortnum, Rebecca (eds.), ‘On Not Knowing How Artists Think’, London: Black Dog Publishing, 2013
Franzen, Brigitte (ed.), ‘Phyllida Barlow: Brink’, Cologne: Verlag der Buchhandlung Walther König, 2013
Gevers, Ine. Haraway, Donna (et al.), ‘Yes Naturally. How Art Saves the World’, Rotterdam: Niet Normaal Foundation, 2013
Hammonds, Kit (ed.), ‘Ways of Working. A Mock Up’, Cambridge: Wysing Arts Centre Escalator Visual Arts/Publish And Be Damned Unrealised Projects, 2013
Herbert, Martin, Strang, Mathilda [et al.], ‘Thinking is Making. Presence and Absence in Contemporary Sculpture’, London: Black Dog Publishing, 2013
Moszynska, Anna, ‘Sculpture Now’, London: Thames & Hudson, 2013
Piranio, Michelle, Reilly, Katie (eds.), ’2013 Carnegie International’, Pittsburgh: Carnegie Museum of Art, 2013
Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013

2012
Amirsadeghi, Hossein, Eisler, Maryam Homayoun (eds.), ‘Sanctuary: Britian’s Artists and their Studios’, London: Thames & Hudson, 2012
Hauser, Ursula (ed.), ‘Menschenzellen. Acht Künstlerinnen aus der Sammlung Ursula Hauser / Human Capsules. Eight Female Artists from the Ursula Hauser Collection’, Nuremberg: Verlag für Moderne Kunst Nürnberg, 2012, pp. 46-51, ill. (exh. cat.)
König, Kaspar, Trummer, Thomas D. (eds.), ‘Before the Law: Post-War Sculptures and Spaces of Contemporary Art’, Cologne: Museum Ludwig/ Cologne: Verlag der Buchhandlung Walther König, 2012
Le Feuvre, Lisa (ed.), ‘Essays on Sculpture: Bad Copies: the drawings of Phyllida Barlow’, Leeds: Henry Moore Institute, 2012
Phillips, Lisa, Carrion-Murayari, Gary [et al.], ‘Siege’, New York: New Museum, 2012

2011
Dhillon, Kim (ed.), ‘Transfer: Angela de la Cruz’, London: Lisson Gallery, 2011
Barlow, Phyllida, Macdonald, Fiona, ‘Phyllida Barlow and Fiona Macdonald’, London: Coexist Publications, 500th Edition, 2011
Dander, Patrizia, Lorz, Julienne (eds.), ‘Skulptural Handeln/Sculptural Acts’ Münich/Ostfildern: Haus der Kunst/Hatje Cantz, 2011
Kettle’s Yard (ed.), ‘Artists for Kettle’s Yard’, Cambridge: Kettle’s Yard, 2011 (exh. cat.)
Munder, Heike, Trummer, Thomas D. (eds.), ‘Displaced Fractures. On the Break Lines of Architecture and its Bodies’, Zurich: Migros Museum für Gegenwartskunst, 2011

2010
Braathen, Melinda, Manley, James (eds.), ‘Silberkuppe Under One Umbrella’, Berlin: Sternberg Press, 2010
Kintisch, Christine (ed.), ‘Phyllida Barlow: STREET’, Vienna: BAWAG Contemporary, 2010
Rattee, Kathryn, Larner, Melissa (eds.), ‘Nairy Bagramian & Phyllida Barlow’, London/Cologne: Serpentine Gallery/ Cologne: Verlag der Buchhandlung Walther König, 2010
Rugg, Judith, ‘Exploring Site-Specific Art. Issues of Space and Internationalism’, London: I.B Tauris & Co., 2010, pp.115-133, ill.

2008
Simpson, Ronnie, Barlow, Phyllida, ‘Phyllida Barlow: STINT’, Warwick: Mead Gallery, Warwick Arts Centre, 2008

2007
Britton Newell, Laurie (ed.), ‘Out of the Ordinary: Spectacular Craft’, London: V&A Publications, 2007
Chatterton Dickson, Sam, Morton, Tom, ‘Says the Junk in the Yard’, London: Flowers East, 2007

2005
Brettell, Richard, Weiner, Karen (eds.), ‘UT Dallas Southside: The first two years’, Dallas: University of Texas, 2005
Coles, Pippa, Fabrizi, Elisabetta (eds.), ‘Phyllida Barlow: Peninsula’, Gateshead: BALTIC, 2005
Plowman, John, O’Reilly, Sally, ‘sense of place: place of sense’, Beacon: Beacon Art Project, 2005

2004
Fabrizi, Elisabetta, Coles, Pippa (eds.), ‘Phyllida Barlow: Peninsula’, Gateshead: BALTIC Centre for Contemporary Art, 2004
Godfrey, Mark, Barlow, Phyllida [et al.], ‘Objects For… And Other Things: Phyllida Barlow’, London: Black Dog Publishing, 2004

2000
Furlong, William, Miro, Victoria [et al.] (eds.), ‘Issues in art education: the dynamics of now’, London: Wimbledon School of Art/Tate Publishing, 2000
Higgs, Matthew, Godfrey, Tony [et al.] (eds.), ‘The British Art Show 5’, London: Hayward Gallery Publishing, 2000

1999
Baker, Catherine, Baraitser, Alexandra [et al.] (eds.), ‘Kettle’s Yard open: 16 East Anglian artists’, Cambridge: Kettle’s Yard, 1999
Green, Alison, ‘Dumbfounded’, London: Alison Green Publishing, 1999
Key, Joan, Herber-Percy, Paul (eds.), ‘Furniture’, London: Richard Salmon Gallery, 1999
Kool-Want, Christopher, ‘O Pas La, Surprising Spaces’, London: Aude Herail Jaeger, 1999
Maine, John, ‘Triennial Sculpture Exhibition, Royal West of England Academy’, Bristol: Royal West of England Academy,1999

1998
Gupta, Sunil, ‘Out of Place’, London: Chapter, 1998

1997
Morris, Linda, ‘EAST International’, Norwich: Norwich Art Gallery, 1997

1994
D’Olivera, Nico, Oxley, Nocola [et al.] (eds.), ‘Installation Art’, London: Thames and Hudson, 1994

Articles

2017
___, ‘New Model Star Birgit Kos Takes Venice in the Chicest Vacation-Ready Looks’ (Photographed by Mario Testino) on: www.vogue.com, August 2017, London/UK, ill.
Binlot, Ann, ‘Vive Arte Viva: Art In A Conflicted World’, on: www.harpersbazaararabia.com, Dubai/AE, 27 July 2017
Sissons, Mark, ‘State of the Art’ on: www.theglobeandmail.com, Toronto ON, 25 July 2017, ill.
Hawkins, Benedict, ‘Michael Armitage and Phyllida Barlow: Every Day is a New Day’ on: thisistomorrow.info, London/UK, 14 July 2017, ill.
___, ‘Phyllida Barlow: Untitled: 100banners2015’ on: http://vernissage.tv, Basel/CH, 13 July 2017
Barlow, Phyllida, ‘Großbritannien. Phyllida Barlow’, interviewed by Heinz-Norbert Jocks in: Kunstforum International, July 2017, Roßdorf/DE, pp. 246-249, ill.
Barlow, Phyllida, ‘Phyllida Barlow on ‘Brilliant Ideas’‘ on: www.bloomberg.com, New York NY, 10 July 2017
Detterer, Gabriele, ‘Frauenpower am Canal Grande’ in: Neue Zürcher Zeitung, Zürich/CH, 1 July, p. 51, ill.
Kaplan, Isaac, ‘The Artsy Podcast, No. 40: How Old Women Eclipsed Young Men in the Art World’ (audio) on: www.artsy.net/, New York NY, 29 June 2017
___, ‘Great Britain’ in: Bijutsu Techo, Tokyo/JP, July 2017, p.47, p.50
Thompson, Jessie, ‘Phyllida Barlow: Why the art world is abuzz for this former teacher’s artwork’ on: www.standard.co.uk, London/UK, 13 June 2017
___, ‘Die Pavilions’ in: Monopol, Berlin/DE, June 2017, p. 46
Sirlin, Deanna, ‘Women in Venice’ on: www.theartsection.com, New York NY, June 2017
Gavin, Francesca, ‘The female artists at Venice Biennale 2017 you need to know’ on: www.twinfactory.co.uk, London/UK, 12 June 2017
Tsui, Enid, ‘For Phyllida Barlow, Britain’s representative at Venice Biennale 2017, fame was 40 years coming’ on: www.scmp.com,Hong Kong/CN, 9 June 2017
___, ‘Exhibition brings together works by Phyllida Barlow, Michael Armitage and JMW Turner’ on: artdaily.com, London/UK, June 2017
___, ‘Viva Arte Viva, Responses from Different Nations. Highlights of the National Pavilions’ in: Art CO, Taipei/TW, June 2017
Buck, Louisa, ‘Venice: triumphs and talking points’ in: The Art Newspaper, London/UK, June 2017, p. 10
___, ‘Highlights – Venice Biennale 2017’ on: curamagazine.com, Rome/IT, June 2017
Muñoz, María, ‘The Venice Biennale 2017. National Pavilions’ on: www.chromart.org, London/UK, May 2017
Gaylord, Martin, ‘Huge, diverse and yet monotonous, the Venice Biennale is very like the EU’ on: www.spectator.co.uk, London/UK, 20 May 2017
Hubbard, Sue, ‘Confessions of a Biennale Virgin’ on: elephantmag.com, London/UK, May 2017
Hubbard, Sue, ‘Phyllida Barlow Great Henges Bright Coloured Forms Venice Biennale’ on: www.artlyst.com, London/UK, 16 May 2017
Herriman, Kat, ‘The 10 Best Things We Saw at the Venice Biennale’ on: www.nytimes.com, New York NY, 16 May 2017
Souter, Anna, ‘Venice Biennale 2017: The top ten pavilions’ on: www.theupcoming.co.uk, London/UK, 16 May 2017
Cumming, Laura, ‘57th Venice Biennale review – the Germans steal the show’ on: www.theguardian.com, London/UK, 14 May 2017
Pritchard, Claudia, ‘Academicians to spot in Venice: Phyllida Barlow’s British pavilion and more’ on: www.royalacademy.com, London/UK, 13 May 2017
Phillips, Sam, ’10 to see at the 2017 Venice Biennale’ on: www.royalacademy.org.uk, London/UK, 12 May 2017
Gotthardt, Alexxa, ‘The Venice Biennale’s 11 Best Pavilions’ on: www.artsy.net, New York NY, 10 May 2017
Wullschlager, Jackie, ‘Venice Biennale round-up: a rainbow thread of optimism’ on: www.ft.com, London/UK, 12 May 2017
___, ‘Venice Biennale 2017: Six highlights from the festival’ on: www.theweek.co.uk, London/UK, 11 May 2017
Glover, Michael, ‘Venice Biennale: How the artists revolt against their pavilions’ on: www.independent.co.uk, London/UK, 11 May 2017
Muñoz-Alonso, Lorena, ’5 Triumphant National Pavilions at the Venice Biennale, From Finnish Robots to Canadian Floods’ on: news.artnet.com, London/UK, 10 May 2017
Gompertz, Will, ‘Giant sculptures by Phyllida Barlow get the royal treatment at the Venice Biennale’ on: www.bbc.co.uk, London/UK, 10 May 2017
___, ‘Venice Biennale: Phyllida Barlow At The British Pavilion & Other Highlights’ on: something curated.com, London/UK, 10 May 2017
Simoncelli, Silvia, ‘Spoiler Biennale’ on: www.exibart.com, Florence/IT, 9 May 2017
___, ‘What The UK And Ireland Are Showing At The 2017 Venice Biennale’ on: www.artlyst.com, London/UK, 5 May 2017
___, ‘British Council presents sculptural installation by Phyllida Barlow at the Biennale di Venezia’ on: artdaily.com, London/UK, May 2017
Hudson, Mark, ‘Art in which nothing is quite as it seems’ in: The Daily Telegraph, London/UK, 10 May 2017, p. 25
Higgins, Charlotte, ‘Bish-bash-bosh: the rise of Phyllida Barlow’ in: The Guardian, London/UK, 10 May 2017, pp. 23-25
Searle, Adrian, ‘A theatre of ruins and flamboyance’ in: The Guardian, London/UK, 10 May 2017
Ellis-Petersen, Hannah, ‘Fame came late but the timing was perfect says Barlow, 73, as she makes Venice debut’ in: The Guardian, London/UK, 10 May 20171, p.3
Ellis-Petersen, Hannah, ‘Phyllida Barlow: I couldn’t have coped if fame came 20 years ago’ on: www.theguardian.com, London/UK, 10 May 2017
Collings, Matthew, ‘Phyllida Barlow – Folly, review: Subtle hints on a mighty scale in Venice’ on: www.standard.co.uk, London/UK, 10 May 2017
Collings, Matthew, ‘Venice Biennale 2017 – Phyllida Barlow: Folly’ in: London Evening Standard, London/UK, 10 May 2017
Campbell-Johnston, Rachel, ‘Visual art: Phyllida Barlow at the British Pavilion, Venice Biennale’ on: www.thetimes.co.uk, London/UK, 10 May 2017
Pes, Javier, Harris, Gareth, ‘State of the nations: our pick of the Venice Biennale pavilions’ on: theartnewspaper.com, London/UK, 10 May 2017
Higgins, Charlotte, ‘Bish-bash-bosh: how Phyllida Barlow conquered the art world at 73’ on: www.theguardian.com, London/UK, 9 May 2017
Searle, Adrian, ‘Phyllida Barlow review – Venice invaded by loo rolls and brilliant buffoonery’ on: www.theguardian.com, London/UK, 9 May 2017
Buck, Louisa, ‘Phyllida Barlow: folly in the British pavilion’ on: theartnewspaper.com, London/UK, 9 May 2017
Hudson, Mark, ‘Sublimely messy art in which nothing is quite as it seems – Phyllida Barlow, Folly, Venice Biennale 2017, review’ on: www.telegraph.co.uk, London/UK, 9 May 2017
Dexter, Emma, ‘‘Phyllida Barlow’s work has a spine-tingling force’’ on: www.apollo-magazine.com, London/UK, 9 May 2017
Bing, Malaika, ‘Artist Phyllida Barlow ‘spills the guts’ of the British Pavilion at the Venice Biennale’ on: thespaces.com, London/UK, 9 May 2017
Forrest, Nicholas, ‘Top 10 Must-See 2017 Venice Biennale Pavilions’ on: enit.blouinartinfo.com, Italy, 9 May 2017
___, What to see in Venice in: FT Weekend, Collecting, London/UK, 6-7 May 2017, p.7
Sooke, Alastair, ‘Phyllida Barlow on representing Britain at the Venice Biennale… and living in a slum’ on: www.telegraph.co.uk, London/UK, 6 May 2017
Sooke, Alastair, ‘The outsider’ in: The Telegraph Magazine, London/UK, 6 May 2017, pp. 29-35
Carrion-Murayari, Gary, ‘Phyllida Barlow. Improvisations’ in: Artpress, Paris/FR, May 2017, Special Venice Biennale Issue, pp. 24-25
Harrod, Tanya, ‘As Real As It Can Be’ in: Frieze, No. 187, May 2017, pp. 144-149
Peetsch, Hans, ‘Mit Phyllida Barlohns Rauminstallationen muss sich der Besucher köperlich auseinandersetzen’ in: ART: Das Kunstamagazine, Hamburg/DE, May 2017, pp. 36-67
___, ‘UK at the 57th International Art Exhibition’ in: Art Bahrain, Manama/BH, Spring/Summer 2017, pp. 38-39
Goldstein, Caroline, ’10 Tantalizing National Pavilions to Get Excited About at the 2017 Venice Biennale’ on: news.artnet.com, Berlin/DE, 4 May 2017
Luke, Ben, ‘Venice Biennale 2017: The contemporary British artists making waves at the world’s biggest art event’ on: www.standard.co.uk, London/UK, 27 April 2017
___, ‘When Lynn Barber Met Phyllida Barlow’ (video) on: www.bbc.co.uk, London/UK, 25 May 2017
Spence, Rachel, ‘Making art is a political act’ in: FT Weekend Life & Arts, London/UK, 11 March 2017
Jasper, Adam, ‘Phyllida Barlow. Kunsthalle Zürich’ in: Artforum, New York NY, March 2017
Bacon, Redmond, ’5 Things You Need to Know About Phyllida Barlow’ on: www.sleek-mag.com, Berlin/DE, February 2017
Martin, Penny, Ruiz, Cristina, ‘Phyllida Barlow. Modern Sculptures’ in: The Gentlewoman, London/UK, Spring / Summer 2017, pp.100-104
LeBrun, Lily, ‘Women in conversation: three shows put female artists in dialogue’ on: www.ft.com, London/UK, 17 February 2017
Crichton-Miller, Emma, ‘Turning women’s work into art, on: www.apollo-magazine.com, London, 15 February 2017, ill. in colour
Rosenmeyer, Aoife, ‘Phyllida Barlow. Kunsthalle Zurich’ in: Art in America, New York/NY, January 2017, pp.91-92
Crichton-Miller, Emma, ‘Turning women’s work into art’ on: www.apollo-magazine.com, London/UK, 15 February 2017
Carter Robinson, Paul, ‘British Council Announces 2017 Partnerships For 57th Venice Biennale’ on: www.artylist.com, London/UK, 10 February 2017
Dixon, Joyce, ‘The Hepworth Prize for Sculpture’ in: Art Review, London/UK, January & February 2017, p.111
Buhr, Elke, ‘In Zürich assistiert die Britin Phyllida Barlow der Kunsthalle beim Wädeeinreßen’ in: Monopol, November 2016, Berlin/DE p.128
Rosenmeyer, Aoife, ‘Phyllida Barlow at Kunsthalle Zurich’ on: www.artinamericamagazine.com, New York NY, 25 January 2017
___, ’5 Artists on Making Sculptures’ on: The Huffington Post, New York NY, 23 January 2017
Spillmann, Philipp, ‘Phyllida Barlow – Das Negativ von Skulptur’, in: Kunstbulletin, Jan/Feb 2017, Zürich/CH, pp.88-89
Gregory, Sam, ‘Blurred Boundaries, Toppled Monuments: The Hepworth Sculpture Prize’ on: thequietus.com, London/UK, 8 January 2017

2016
Cullinan, Nicholas, ‘The Work Is Never Finished. Phyllida Barlow in conversation with Nicholas Cullinan’ in: Mousse Magazine, Milan/IT, December 2016
Brewer, Jenny, ‘Phyllida Barlow to represent Britain at the Venice Art Biennale’, on: www.itsnicethat.com, London/UK, 8 December 2016
___, ‘Phyllida Barlow Chosen to Represent Britain at the 57th Venice Biennale 2017’ on: www.artfixdaily.com, London/UK, 7 December 2016
___, ‘Kunsthalle Zürich. Phyllida Barlow’ in: Parnass Kunstmagazin, December 2016, Vienna/AT, p.176
Smith-Laing, Tim, ‘The Hepworth sculpture prize exhibition is completely baffling – in a good way’, on: www.apollo-magazine.com, London/UK, 23 November 2016
Retzer, Teresa, “Phyllida Barlow: demo’ in: Spike, Winter 2017, Berlin/DE, p.182-183
Jones, Jonathan, ‘Time the Turner prize grew up: why it needs to embrace the over-50s’, on: www.theguardian.com, London/UK, 15 November 2016
___, ‘Phyllida Barlow: Demo’, in: Mousse, Milan/IT, November 2016, p. 294
___, ‘Bauen und zerstören’, in: Neue Zürcher Zeitung, Zürich/CH, 6 November 2016, p. 72
Hudson, Mark, ‘Does this really qualify as sculpture?’, in: The Daily Telegraph, London/UK, 3 November 2016, p. 26
Mason, Isabella, ‘Diana Thater at Museum of Contemporary Art, Chicago’, on: www.blouinartinfo.com, New York NY, 2 November 2016
___, ‘Kultur: Inhalt’, in: Madame, Lindu/DE, November 2016, pp. 76, 101
Parsons, Elly, ‘the startling breadth of the first Hepworth Sculpture Prize’, on: www.wallpaper.com, London/UK, 25 October 2016
Black, Paul, ‘Hepworth Prize For Sculpture: Conceptual, Kinetic, Buoyant And Poetic’, on: www.artlyst.com, London/UK, 25 October 2016
Wallis, Simon, ‘Object lessons at the Hepworth Wakefield: the importance of sculpture’, on: www.theguardian.com. London/UK, 22 October 2016
Little, Harriet Fitch, ‘The Hepworth Prize for Sculpture’, on: www.ft.com, London/UK, 21 October 2016
Arundhati Thomas, Skye, ‘Phyllida Barlow and Helen Marten Lead Race to Win First Hepworth Sculpture Prize’, on: news.artnet.com, New York NY, 21 October 2016
Buhr, Elke, ‘In Zürich assistiert die Britin Phyllida Barlow der Kunsthalle beim Wändeeinreißen’, in: Monopol, Zurich/CH, October 2016, p. 128
Huddleston, Yvette, ‘Art on the edges’, in: Yorkshire Post, Leeds/UK, 21 October 2016, Culture section, pp. 1-3
Da Silva, José, ‘Foam machines, scented curtains and cherry pips feature in first Hepworth Sculpture Prize show’, on: theartnewspaper.com, London/UK, 20 October 2016
Searle, Adrian, ‘Hepworth sculpture prize review – a brilliant beginning’, on: www.theguardian.com, London/UK, 20 October 2016
Sherwin, Adam, ‘Public asked to ’embroider’ new Hepworth Prize for Sculpture shortlisted work’, on: inews.co.uk, London/UK, 20 October 2016
Buck, Louisa, ‘Prize draw: the evolution of the art prize’, on: www.telegraph.co.uk, London/UK, 20 October 2016
___, ‘Hepworth Wakefield sculpture exhibition opens’, on: www.bbc.co.uk, London/UK, 20 October 2016
___, ‘A space for artists to take risks and pursue their ideas and dreams’, on: www.christies.com, London/UK, 3 October 2016
Bodin, Claudia, ‘Die Unbeste chlichen’, in: Das Kunstmagazin, Hamburg/DE, September 2016, pp.44-57
Barlow, Phyllida, ‘My Teacher: George Fullard’, in: Tate ETC, London/UK, Autumn 2016, pp.24-27
Cohn, Hana, ‘Revolution in the Making at Hauser Wirth & Schimmel’, on: contemporaryartreview.la, Los Angeles CA, 7 September 2016
Genç, Kaya, ‘New Istanbul show focuses on the fall and angel of history’, on: www.dailysabah.com, Istanbul/TU, 8 July 2016
Elmhirst, Sophie, ‘State of the Art’, in: Harper’s Bazaar, London/UK, July 2016, pp. 140-146
Black, Paul, ‘Found: Cornelia Parker Curates Royal Academicians At The Foundling Museum’, on: www.artlyst.com, London/UK, 23 June 2016
Cumming, Laura, ‘Tate Modern’s Switch House: art comes first’, on: www.theguardian.com, London/UK, 19 June 2016, ill.
Tipton, Gemma, ‘Jupiter Artland: An out-of-this-world experience in Edinburgh’, on: www.irishtimes.com, Dublin/IE, 18 June 2016
Judah, Hettie, ‘The New Tate Modern Building Opens with a Radical Rehang’, on: www.news.artnet.com, New York NY, 15 June 2016
Bali, Sezai, ‘Phyllida Barlow’, on: www.xoxothemag.net, Istanbul/TU, June 2016
Brown, Murray, ‘When collectors think big’, in: ‘Financial Times Weekend’, London/UK, 11 June 2016
___, ‘Group exhibition questions ‘the act of falling’ through exceptional art pieces’, on: www.dailysabah.com, Istanbul/TU, 3 June 2016
Brown, Mark, ‘Barlow finds her place in the limelight’, in: ‘The Guardian’, London/UK, 29 April 2016
Cole, Ina, ‘Simple Actions: a Converstaion with Phyllida Barlow’, in: ‘Sculpture Magazine’, Washington DC, May 2016
Bickersteth, Rupert, ‘Review: Pablo Bronstein at Tate Britain’, on: www.architectsjournal.com, London/UK, 25 April 2016
___, ‘£100,000 Freelands Foundation Artist Award Announced For Mid-career Female Artists’, on: www.artlyst.com, London/UK, 11 April 2016
___, ‘Phyllida Barlow will represent Britain at the 2017 Venice Biennale’, in: ‘Art Monthly’, London/UK, April 2016
___, ‘Hepworth will host UK’s first sculpture prize’, on: www.pontefractandcastlefordexpress.co.uk, Pontefract/UK, 26 March 2016
___, ‘Four shortlisted for £30,000 sculpture award’, on: www.bbc.co.uk, London/UK, 22 March 2016
___, ‘Shortlist for Hepworth Sculpture Prize announced’, on www.apollo-magazine.com, London/UK, 22 March 2016
Brown, Mark, ‘Phyllida Barlow on shortlist for Hepworth sculpture prize’, on: www.theguardian.com, London/UK, 21 March 2016
Moriarty, Ana, ‘Large Installation and Sculpture Artist Phyllida Barlow to Represent the UK in the Next Venice Biennale 2017’, on: www.widewalls.ch, Ermatingen/CH, 5 March 2016
___, ‘Phyllida Barlow Will Represent Britain at 57th Venice Biennale’, on: www.artforum.com, New York NY, 4 March 2016
Millard, Rosie, ‘Phyllida Barlow and the art of making it up as you go along’, on: www.independent.co.uk, London/UK, 4 March 2016
___, ‘Phyllida Barlow to represent Britain at the Venice Biennale 2017’, on: www.britishcouncil.org, London/UK, 4 March 2016
Rush, Harlie, ‘Phyllida Barlow to Represent Britain at 2017 Venice Biennale’, on: www.news.artnet.com, New York NY, 4 March 2016
___, ‘Phyllida Barlow to represent Britain at the 2017 Venice Biennale’, on: www.artreview.com, London/UK, 4 March 2016
___, ‘Phyllida Barlow to represent Britain at Venice Biennale’, on: www.bbc.co.uk, London/UK, 4 March 2016
Harris, Gareth, ‘Phyllida Barlow to represent Britain at Venice Biennale’, on: www.theartnewspaper.com, London/UK, 4 March 2016
Kennedy, Maev, ‘Phyllida Barlow to represent Britain at 2017 Venice Biennale’, on: www.theguardian.com, London/UK, 4 March 2016
Duray, Dan, ‘Tate Britain commissions Pablo Bronstein to fill Duveen with ‘deliciously jarring’ performances’, on: www.theartnewspaper.com, London/UK, 24 February 2016
Spence, Rachel, ‘Feminism in the frame’, in: ‘FT Weekend’, London/UK, 23 January 2016, p. 13
___, ‘People’, in: ‘International New York Times’, New York NY, 17 January 2016, p.21
Forrest, Nicholas, ‘Tate, NGS Add Phyllida Barlow to Artist Rooms Lineup’, on: www.blouinartinfo.com, New York NY, 15 January 2016
___, ‘Phyllida Barlow Becomes 40th Artist In Celebrated Artist Rooms Collection’, on: www.artlyst.com, New York NY, 15 January 2016
Furness, Hannah, ‘Tate promotes female artists to inspire girls’, in: The Daily Telegraph, London/UK, 15 January 2016
Brown, Mark, ‘Moving in: house in first exhibit at Tate’s new gallery’, in: The Guardian, London/UK, 15 January 2016
Sanderson, David, ‘Women rule the roost in Tate’s modern approach’, in: The Times, London/UK, 15 January 2016
Neville, Flora, ‘Herzog & de Meuron Tate modern extension to open with Louise Bourgeois’, on: www.architectsjournal.co.uk, London/UK, 14 January 2016
Forrest, Nicholas, ‘Louise Bourgeois Show to Launch Tate Modern’s Artist Rooms Gallery’, on: www.blouinartinfo.com, New York NY, 14 January 2016
Ghorashi, Hannah, ‘Louise Bourgeois Among the First Artists to be Shown at the New Tate Modern’, on: www.artnews.com, New York NY, 14 January 2016
Furness, Hannah, ‘Female artists are star of the show at Tate in bid to inspire girls’, on: www.telegraph.co.uk, London/UK, 14 January 2016 Dex,
Robert, ‘Spider sculptor Bourgeois to get first exhibition in new Tate gallery’, in: London Evening Standard, London/UK, 14 January 2016
Knott, Jonathan, ‘Artist Rooms collection to tour 30-plus UK venues over the next three years’, on: www.museumassociation.com, London/UK, 14 January 2016
___, ‘Will Phyllida’s new works pop up at Tate Modern?’, on: www.theartsnewspaper.com, London/UK, 6 January 2016
___, ‘Phyllida Barlow awarded CBE in New Year’s Honours’, on: www.artreview.com, London/UK, 4 January 2016
___, ‘Sculptor Phyllida Barlow made a CBE for services to art’, on: www.hartlepoolmail.co.uk, Hartlepool/UK, 1 January 2016

2015
Neuendorf, Henri, ‘Phyllida Barlow Receives CBE in British New Year’s Honors’, on: www.news.artnet.com, New York NY, 31 December 2015
Chilton, Martin, ‘Sculptor Phyllida Barlow gets CBE for services to art’, on: www.telegraph.co.uk, London/UK, 31 December 2015
___, ‘New Year Honours for Phyllida, Anita and Roy’, on: www.theartnewspaper.com, London/UK, 31 December 2015
Forrest, Nicholas, ‘UK Artist Phyllida Barlow Gets CBE in New Year’s Honours’, on: www.blouinartinfo.com, New York NY, 31 December 2015
___, ‘Phyllida Barlow Made CBE for Services to Art’, on: www.artforum.com, New York NY, 31 December 2015
___, ‘New Year honours 2016’, on: www.theguardian.com, London/UK, 30 December 2015
Smart, Lauren, ‘The Best and Worst of the Dallas Art Scene in 2015’, on: www.dallasobserver.com, Dallas TX, 22 December 2015
Smart, Lauren, ’10 Best Art Exhibitions of 2015’, on: www.dallasobserver.com, Dallas TX, 21 December 2015
Vázquez-Concepción, Angel, “dock 2014” at Tate Britain Museum in London’, on: www.craniumcorporation.org, San Francisco CA, 20 December 2015
Cumming, Laura, ‘The Best Art of 2015’, on: www.theguardian.com, London/UK, December 2015
Baker, Harriet, ’10 Minutes with…Phyllida Barlow RA’, on: www.royalacademy.org.uk, London/UK, 12 November 2015
Reyburn, Scott, ‘Frieze still has echoes of its subversive roots’, in: International New York Times, London/UK, 12 October 2015, p.9
Benmakhlouf, Adam, ‘This Week in Scottish Art: Good Press, Jarman Award’, on: www.theskinny.co.uk, Manchester/UK, 6 October 2015
Grandberry, Michael, ‘Bold and political, Columbian artist Doris Salcedo captures the inaugural Nasher Prize for Sculpture’, on: artsblog.dallasnews.com, Dallas TX, 30 September 2015
Gleadell, Colin, ‘Market News: redressing the gender imbalance’, on: www.telegraph.co.uk, London/UK, 29 September 2015
___, ‘Record-breaking Year for Tate Galleries Annual Report 2014-15 Reveals’, on: www.artlyst.com, London/UK, 22 September 2015
___, ‘Nasher Sculpture Center Annouces $750,000 Gift from the Kaleta A. Doolin Foundation Establishing New Acquisitions Fund for Art Created by Women’, on: www.txnp.org, San Antonio TX, 17 September 2015
Psyrra, Maro, ‘Phyllida Barlow: Set’ on: exposeartmagazine.com, London/UK, 10 September 2015
Hughes, Fiona, ‘New sculpture award the Nasher Prize is putting Dallas on the global art map’, on: www.standard.co.uk, London/UK, 3 September 2015
Higgins, Charlotte, ‘Edinburgh, through women’s eyes’, on: www.theguardian.com, London/UK, 2 September 2015
Tipton, Gemma, ‘Jupiter Ascending’ on: artforum.com, New York NY, 1 September 2015
___, ‘Vor der Zerstörung bewahrt’ on: www.tagblatt.ch, St. Gallen/CH, 21 August 2015
Genova, Christina, ‘Brüchige Antimonumente’, in: St. Gallen Tabglatt, St. Gallen/CH, 20 August 2015, p. 28
Hinrichsen, Jens, ‘Phyllida Barlow in St. Gallen, Der Sprache beraubt’, on: www.monopol-magazin.de, Hamburg/DE, 21 August 2015
___, ‘In St. Gallen bringt die Dilbhauerin Phyllida Barlow ihre Skulpturen zum Schewigen’, in: Monopol, Hamburg/DE, p. 145
___, ‘ Kunst ist kein Kinderspielplatx’, on: www.srf.ch, Zurich/CH, 17 August 2014
Granberry, Michael, ‘Nasher’s hip new fund zeroes in on work by female sculptors’, on: www.dallasnews.com, Dallas TX, 14 August 2014
Greenberger, Alex, ‘Nasher Sculpture Center Announces Acquisitions Fund for Art by Women’, on: www.artnews.com, New York NY, 11 August 2015
Durrant, Nancy, ‘Phyllida Barlow at Fruitmarket Gallery, Edinburgh’, on: www.thetimes.co.uk, London/UK, 10 August 2015
Buck, Louisa, ‘Edinburgh Art Festival must-sees’, on: www.telegraph.co.uk, London/UK, 7 August 2015
Wright, Karen, ‘Edinburgh Art Festival: Young female artists are leading the pack’, on: www.independent.co.uk, London/UK, 3 August 2015
Cummings, Laura, ‘Edinburgh art festival 2015 review- a great year for sculpture’, on: www.theguardian.com, London/UK, 2 August 2015
Jeffrey, Moira, ‘Edinburgh diplaying the art of destruction’, onL www.scotsman.com, Edinburgh/UK, 1 August 2015
Cairns, Becca, ‘Talented Artist Phyllida Barlow: Set in Edinburgh’, on: theculturetrip.com, London/UK, 1 August 2015
Pollock, David, Church, Michael, et al., ‘Edinburgh Fringe 2015: The best music, books and Art, from The Flaming Lips to Val McDermid with Nicola Sturgeon’, on: www.independent.co.uk, London/UK, 31 July 2015
___, ‘Edinburgh Art Festical: exploding meteors, Greek drama and dolphin dialogues ‘, on: www.theartnewspaper.com, London/UK, 29 July 2015
Pollock, David, ‘Art Review: Phyllida Barlow set’, on: edinburghfestival.list.co.uk, Edinburgh/UK, 20 July 2015
Brettell, Rick, ‘Dallas is a haven for private art spaces’, on: www.dallasnews.com, Dallas TX, 18 July 2015
Hetherington, Alexander, ‘Phyllida Barlow: Set’, on: thisistomorrow.com, London/UK, 18 July 2015
___, ‘Edinburgh: Celebrate Phyllida Barlow’s exhibition set and the launch of her new catalogue’, on: englandevents.co.uk, London/UK, 18 July 2015
Benmakhlouf, Adam, ‘ This Week in Scottish Art: Glamour, Rumour & Public Transport’, on: www.theskinny.co.uk, Edinburgh/UK, 14 July 2015
Carter, Steve, ‘Tryst Me’, in: ‘Modern Luxury Magazine’, Dallas TX, June 2015
___, ‘New Museum Announces Curators for 2018 Triennial’, on: artforum.com, New York NY, 10 July 2015
Kennedy, Randy, ‘New Museum Names Triennial Curators’, on: www.nytimes.com, New York NY, 9 July 2015
___, ‘Phyllida Barlow at The Fruitmarket Gallery’, on: en.artmediaagency.com, London/UK, 9 July 2015
Kahn, Tanish, ‘Unsettling ‘Bomb Site’ Appears in Camberwell Gallery’, on: londonist.com, London/UK, 2 July 2015
Sachson, Gail, ‘Trysting with Phyllida Barlow at the Nasher’, on: artandseek.net, Dallas TX, 30 June 2015
Cloughton, Rachael, ‘Festival interview: Phyllida Barlow’, on: edinburghfestival.list.co.uk, Edinburgh/UK, 30 June 2015
Patience, Jan, ‘Phyllida Barlow: Set, Fruitmarket Gallery’, on: www.heraldscotland.com, Glasgow/UK, 27 June 2015
___, ‘ Phyllida Barlow Edinburgh’, in: The Guardian Guide, London/UK, 27 June – 3 July 2015
Mansfield, Susan, ‘Sculptor Phyllida Barlow on uncompromising art’, on: www.scotsman.com, Edinburgh/UK, 27 June 2015
___, ‘Art This Week- Phyllida Barlow ‘tryst’, Part 2’, on: artthisweek.com, Dallas TX, 26 June 2015
Bourdon, Matthew, ‘Phyllida Barlow Nasher Sculpture Center’, on: artforum.com, New York NY, 26 June 2015
___, ‘Top Five: June 25, 2015 with Special Guest Star Heyd Fontenot!’, on glasstire.com, Houston TX, 25 June 2015
Brettel, Rick, ‘British sculptor’s show shakes up the Nasher’, on: www.dallasnews.com, Dallas TX, 21 June 2015
Wright, Karen, ‘The Summer Exhibition, Royal Academy of Arts, review: Has’co-ordinator’ Michael Craig-Martin made it a coherent show?’, on: www.independent.co.uk, London/UK, 8 June 2015
Haber, Holly, ‘Phyllida Barlow Talks ‘Tryst’ In Dallas’, on: wwd.com, New York NY, 5 June 2015
Green, Tyler, ‘No. 187: Phyllida Barlow’, on: manpodcast.com, Dallas TX, 4 June 2015
Hallock, Jeremy, ‘Phyllida Barlow Reimagines Sculpture and the Nasher Scultpure Center in Tryst’, on: www.dallasobserver.com, Dallas TX, 2 June 2015
Mora, Patricia, ‘Basking in Barlow at the Nasher Sculpture Center’, on www.papercitymag.com, Houston TX, 2 June 2015
Smart, Lauren, ‘Phyllida Barlow: Tryst’, on: www.dallasobserver.com, Dallas TX, 1 June 2015
Brettell, Rick, ‘The 71-year-old British artist wants to change your mind. (And she has come to Dallas to do it) ‘, on: www.fdluxe.com, Dallas TX, 30 May 2015

2014
Sam, Sherman, ‘Phyllida Barlow. Tate Modern’, in: Artforum, New York NY, December 2014, ill.
Pal Hansen, ‘The Art of Spending’, in:The Independent on Sunday, New Review, London UK, 16 November 2014, ill.
Rompel, Adam, ‘Phyllida Barlow: Fifty Years of Drawing at Hauser & Wirth’, on: dailyserving.com, ___ CA, 15 July 2014, ill.
Carey-Kent, Paul, ‘Phyllida Barlow: Fifty Years of Drawings @ Hauser & Wirth’, on: paulsartworld.blogspot.co.uk, Southampton UK, 6 July 2014, ill.
___, ‘Fifty Years of Drawings – Phyllida Barlow Exhibition’, in: ArtCo, Taiwan CN, July 2014, p. 140, ill.
Buhr, Elke, ‘Invasion der Riesenspinnen’, in: www.monopol-magazin.de, Berlin DE, 30 June 2014
Ashby, Chloë, ‘Serious Pursuits’, in: The World of Interiors, London UK, August 2014, p. 27, ill.
___, ‘Phyllida Barlow’, in: Public Art, Seoul KR, June 2014, pp. 80-89, ill.
___, ‘Phyllida Barlow Presented As Inaugural Hauser & Wirth Somerset Exhibition’, on: www.artlyst.com, London UK, 24 June 2014, ill.
Pietsch, Hans, ‘Zürich zur Natur’, in: Art Das Kunstmagazin, Berlin DE, July 2014, p. 142
___, ‘Phyllida Barlow: Fifty Years of Drawings’, on: galleriesnow.net, London UK, 17 June 2014, ill.
Forest, Tim, ‘Phyllida Barlow: Fifty Years of Drawings, Hauser & Wirth London, South Gallery, until 26th July 2014’, on: tfeanda.wordpress.com, London UK, 19 June 2014, ill.
Elwes, Luke, ‘Phyllida Barlow and Richard Smith: Works on Paper’, on: abstractcritical.com, London UK, 12 June 2014
Ford, Sarah, ‘World class Gallery’, in: Somerset Life, Market Harborough UK, pp. 134-135, ill.
Hudson, Mark, ‘Royal Academy Summer Exhibition, review: ‘not so much old or new as exhausting’‘, on: www.telegraph.co.uk, London UK, 6 June 2014
___, ‘Q’, in: Art Quarterly, London UK, Summer 2014, p. 96, ill.
Norman, Hannah, ‘The Art of Investing’, on: theluxurychannel.com, London UK, 5 June 2014, ill.
___, ‘Gross-Formate’, in: Vogue Deutsch, Munich DE, June 2014, pp. 10-13
___, ‘BBC Worldwide Cultural Calendar’, on: www.bbc.co.uk, London UK, 4 June 2014, ill.
___, ‘Hauser & Wirth’, in: L’Officiel Art, Paris FR, July – August 2014, p.36
___, ‘The summer hot list’, in: Elle Decoration, London UK, July 2014, p.118, ill.
Roux, Caroline, ‘Free Spirit’, in: Harper’s Bazaar, London UK, June 2014, Front cover, p. 101-103, ill.
___, ‘Phyllida Barlow’, in: Art Quarterly, Exhibition Guide, London UK, June-September, p.1-2, ill.
Spero, Josh, ‘Art for sale’, in: Tatler, London UK, June 2014, p. 71, ill.
___, ‘Hauser & Wirth Savile Row’, in: World of Interiors, London UK, June 2014, p.204, ill.
___, ‘Portfolio, Europe’, in: Modern Painters, New York NY, June 2014, p.30
Dawson, Richard, ‘Up, up and away’, in RA Magazine, London UK, Summer 2014, p.60-63
___, ‘Six degrees of separation’, in: RA Magazine, London UK, Summer 2014, p.30, ill.
Warde-Aldam, Digby, ‘Review: ‘Phyllida Barlow: Fifty Years of Drawings’ at Hauser & Wirth’, on: www.apollo-magazine.com, London UK, 3 June 2014, ill.
___, ‘See this: Phyllida Barlow at Hauser & Wirth Savile Row’, on: www.thewomensroom.org.uk, London UK, 31 May 2014, ill.
Jones, Jonathan, ‘Naomi Campbell, Tracey Emin and the true owner of ‘nothing’- the week in art’, on: www.theguardian.com, London UK, 30 May 2014
Davy-Osborne, Stephen, ‘Farm close to becoming an artistic mecca’, in: Western Gazette, Bruton UK, 29 May 2014, p.54-55, ill.
Milner, Catherine, ‘Barbizon comes to Bruton’, in: Country Life, London UK, 28 May 2014 Buck, Louisa, ‘All hail Phyllida Barlow’, on: www.telegraph.co.uk, London UK, 23 May, ill.
Phillips, Sam, ‘RA Recommends; Our Pick of this week’s art events: 23-29 May’, on: www.royalacademy.orh.uk/news-and-blog, London UK, 23 May 2014, ill.
Smith, Charles Samaurez, ‘Phyllida Barlow‘, on: www.charlessaumarezsmith.com, London UK, 22 May 2014
___, ‘Market News’, in: The Daily Telegraph, London UK, 20 May 2014, p.22
___, ‘Phyllida Barlow, An age if fallen monuments’, on: channel.louisiana.dk, (documentary on Phyllida Balow’s Tate Britain and Hauser & Wirth exhibitions), Humblebaek DE, May 2014
Jaques, Adam, ‘Phyllida Barlow’, in: The Independent on Sunday, New Review, London UK, 18 May 2014, p. 7, ill.
Buck, Louisa, ‘ Edge if the Seat: The Artist’s Chair’, on: www.telegraph.co.uk, London, UK, 16 May 2014
UK, p. 106
___, ‘Tate Britain Commission 2014: Phyllida Barlow’, on: www.domusweb.it/en, London UK, 13 May 2014, ill.
Roberts, Alison, ‘The battle for Tate Britain: why its director Penelope Curtis is staying put’, on: www.standard.co.uk, London UK, 7 May 2014, ill.
Spence, Rachel, ‘‘Body & Void: Echoes of Moore in Contemporary Art’ at Perry Green’, on: www.ft.com, London UK, 2 May 2014
___, ‘Phyllida Barlow Tate Britain Commission 2014’, on: blogs.arts.ac.uk/chelsea/, London UK, 30 April 2014, ill.
Dorment, Richard, ‘Sack Tate Britain’s director? What a stupid idea’, on: www.telegraph.co.uk, London UK, 28 April 2014
Lorch, Catrin, ‘Eine gute Investition’, in Süddeutsche Zeitung, Munich DE, 19-21 April 2014, p.16, ill.
Strasburg, Stephanie, ‘Carnegie International’s success keeps it as one of Pittsburgh’s art gems’, on: triblive.com, Pittsburgh PA, 15 April 2014, ill.
Blackpaint, ‘Barlow’s Faulty Towers. Phyllida Barlow; “Dock” at Tate Britain’, on: blackpaint.wordpress.com, London UK, 15 April 2014, ill.
Coomer, Martin, ‘Critic’s choice’, in: Time Out London, London UK, 15 April 2014, p. 81, ill.
Bunyard, Jesc, ‘Phyllida Barlow: Dock 2014’, in: www.hungertv.com, London UK, 13 April 2014, ill.
Khan, Tabish, ‘Playful Scaffolds By Phyllida Barlow At Tate Britain’, on: londonist.com, London UK, 3 April 2014, ill.
___, ‘Phyllida Barlow – reviews of ‘mad’ Tate Britain Commission’, on: www.theweek.co.uk, London UK, 2 April 2014, ill.
Kent, Sarah, ‘Phyllida Barlow: Dock, Tate Britain’, on: theartsdesk.com, London UK, 2 April 2014, ill.
Spence, Rachel, ‘Majestic towers of mess’, in: Finanical Times, London UK, 2 April, 2014, ill.
Amanda, ‘See this: Phyllida Barlow DOCK’, on: www.thewomensroomblog.com, London UK, 2 April 2014, ill.
Knowles, Kate, ‘Phyllida Barlow: dock | Exhibition review’, on: www.theupcoming.co.uk, London UK, 1 April 2014, ill.
___, ‘Tate Britain unveils dock 2014. Phyllida Barlow: dock 2014’, on: www.economicvoice.com, Southampton UK, 1 April 2014, ill.
Searle, Adrian, ‘The play’s the thing as dock rocks its Tate space’, in: The Guardian, 1 April 2014, p. 6, ill.
Sooke, Alastair, ‘It may look like a pile of old junk but it’s a great new sculpture’, in: The Daily Telegraph, 1 April 2014, London UK, p. 25, ill.
Sanderson, David, ‘Developers driving art out of London, warns Tate Chief’, in: The Times, London UK, 1 April 2014, p. 17, ill.
Campbell-Johnston, Rachel, ‘Visual art. Phyllida Barlow: Tate Britain’, in: The Times T2, London UK, 1 April 2014, p. 9, ill.
Lentati, Alex, ‘Board room at the Tate’, in: The Independent, London UK, 1 April 2014, pp. 4-5, ill.
Brun, Lily Le, ‘Disarmingly joyful: Phyllida Barlow’s ‘dock’ at Tate Britain’, on: www.apollo-magazine.com, April 2014, ill.
Sooke, Alastair, ‘Tate Britain Commission 2014: Phyllida Barlow, review’, on: www.telegraph.co.uk, London UK, 31 March 2014, ill.
___, ‘Phyllida Barlow Unveils Ambitious Dock 2014 Commission At Tate Britain’, on: www.artlyst.com, London UK, 31 March 2014, ill.
Luke, Ben, ‘And here’s one I made earlier … Tate’s huge sculptures created with sticky tape and card’, London Evening Standard, London UK, 31 March 2014, pp. 12-13, ill.
Searle, Adrian, ‘Phyllida Barlow at Tate Britain review: ‘In every way tremendous’‘, on: www.theguardian.com, 31 March 2014, ill.
___, ‘Defying gravity: Phyllida Barlow’s Tate Britain takeover – in pictures’, on: www.theguardian/com, London UK, 31 March 2014, ill.
Cochrane, Kira, ‘Monuments to messiness’, in: The Guardian G2, London UK, 31 March 2014, p. 16, ill.
___, ‘ Phyllida Barlow crea para la Tate Britain esculturas inspiradas en el Támesis ‘, on: noticias.lainformacion.com, Madrid ES, 31 March 2014
Lescaze, Zoë, ‘Morning Links: Injection Edition’, on: galleristny.com, New York NY, 31 March 2014
Campbell-Johnston, Rachel, ‘What’s on: critics’ choice’, in: The Times, London UK, 29 March 2014, p. 20
Sherwin, Skye, ‘Country special. Outsider Art’, in: The London Magazine, London UK, April 2014, pp. 32-33, ill.
Fox, Dan, ’2013 Carnegie International’, in: Frieze, London UK, April 2014, pp. 138-139, ill.
Coomer, Martin, ‘Phyllida Barlow interview: ‘I like accidents with sculpture’‘, in: Time Out London, London UK, 25-31 March 2014, p. 79, ill.
Shalam, Sally, ‘The Next Guggenheim?’, in: The Guardian Travel, London UK, 22 March 2014, pp. 8-9
Boucher, Brian, ‘Hauser & Wirth Expands to Rural Somerset, England’, on: artinamerica.com, New York NY, 20 March 2014
Nagesh, Ashitha, ‘Hauser & Wirth Somerset to Open in July’, on: blouinartinfo.com, New York NY, 13 March 2014
Louisa Buck, ‘Phyllida Barlow’, in: The Art Newspaper, London UK, March 2014, pp. 62-63. ill.
Thomas, Mary, ’2013 Carnegie International’s reach is local as well as global’, on: www.post-gazette.com, Pittsburgh PA, 25 January 2014
___, ’5 things to know for Tuesday in Pennsylvania’, on: www.pottsmerc.com, Pottstown PA, 21 January 2014, ill.
Pickford, James, ‘Biscuit factory development forces artists further out of London’, on: www.ft.com, London UK, 10 January 2014
___, ‘The 2013 Carnegie International’, on: art-agenda.com, New York NY, 7 January 2014
___, ‘Phyllida Barlow to create Tate Britain Commission 2014 in Duveens Galleries’, on: www.culture24.org.uk, London UK, 7 January 2014
Sjostrom, Jan, ‘Artist hopes to ‘engage all the scenes’‘, in Palm Beach Daily News, Miami FL, 7 January 2014, ill.
Cheshire, Lee, ‘The Fascinating Absurdity of Sculpture’, in: Tate Etc, London UK, Spring 2014, pp. 40-43, ill.
Prentnieks, Anne, ‘Phyllida Barlow’, on: artforum.com, New York NY, January 2014, ill.
Rich, Sarah K., ’2013 Carnegie International’, in: Artforum, New York NY, January 2014, pp. 205-206, ill.

2013
___, ‘Phyllida Barlow and Vinvent Fecteau’, in: Bomb Magazine, New York NY, December 2013, pp. 48-57, ill.
Buck, Louisa, ‘The art world in 2014: Vive la différence’, in: The Telegraph, London UK, 27 December 2013
Nagesh, Ashintha, ‘Phyllida Barlow to Create Tate Britain Commission 2014’ on: uk.blouinartinfo.com, London UK, 24 December 2013, ill.
___, ‘Phyllida Barlow Invited To Create Tate Britain Commission 2014’, on: www.artlyst.com, London UK, 21 December 2013, ill.
Duncan, Jim, ‘The year of the really big show’, in: DM City View, Des Moines IO, 18 December 2013
Caraher, Meredith, ‘Carnegie Museum Acquires Nearly 50 Works From 2013 International’, on: blogs.artinfo.com, London UK, 17 December 2013, ill.
Pitz, Marylynne, ‘Art haul nets Carnegie Museum 80 percent of International show’ on: www.post-gazette.com, Pittsburgh PA, 17 December 2013, ill.
Russeth, Andrew, ’2013 Carnegie International Acquisitions Announced’, on: galleristny.com, New York NY, 16 December 2013
___, ‘Phyllida Barlow’s “Anti-Monumental” Exhibition, HOARD, at the Norton Museum of Art: A Glorious Mess’, on: www.browardpalmbeach.com, Miami FL, 10 December 2013, ill.
___, ‘Final Day of Art Basel Miami Beach’, on: www.aestheticamagazine.com, York UK, 8 December 2013
Luke, Ben, ‘The artist who transforms the detritus of everyday life’, on: www.theartnewspaper.com, London UK, 7 December 2013, ill.
Green, Tyler, ‘The Modern Art Notes Podcast: Phyllida Barlow’, on: www.uk.blouinartinfo.com, New York NY, 6 December 2013, ill.
Valys, Phillip, ‘Phyllida Barlow: Beyond Sculpture’, on: www.southflorida.com, Fort Lauderdale FL, 3 December 2013, ill.
___, ‘Phyllida Barlow @ The Norton Museum’, on: uvuvideo.org, Miami FL, 2 December 2013
Rosenberg, Karen, ‘Phyllida Barlow’ on: www.1stdibs.com, New York NY, December 2013, ill.
___, ‘Sculptors’, RA Magazine, London UK, Winter 2013, p. 71
Wolinski, Natacha, ‘Le BUZZ de l’art’, in: The Good Life, Paris FR, November – December 2013, pp. 318-322
Sansom, Anna, ‘Hauser & Wirth 20 Years’, in: Modern Weekly, Guangzhou CN, 28 October 2013, pp. 100–103
Goodden, Sky, ‘Review: The Carnegie International 2013 Looks Forward in Looking Back’, on: www.blouinartinfo.com, 24 October 2013, ill.
Russeth, Andrew, ‘A Playground in Pittsburgh. The 56th Carnegie International is a quiet Triumph’, in: The New York Observer, New York NY, 14 October 2013, pp. B1, B4, ill.
Smith, Roberta, ‘Global Extravaganza, But on a Human Scale’, in: The New York Times, New York NY, 11 October 2013, pp. 21, 30, ill.
___, ‘The 2013 Carnegie International in Photos’, on: www.galleristny.com, New York NY, 8 October 2013
Bramowitz, Julie, ‘World Order: The 56th Carnegie International Opens in Pittsburgh’, on: www.vogue.com, New York NY, October 2013, ill.
Nootbaar, Mark, ‘Barlow’s Art Extends the Carnegie International to Forbes Avenue’, on: www.wesa.fm, Pittsburgh PA, 1 October 2013, ill.
___, ‘“Phyllida Barlow: HOARD,” Dec. 3-Feb. 23’, on: www.palmbeachdailynews.com, Miami FL, 29 September 2013
___, ‘The Power 1000 – London’s most influential people 2013: Imagineers, Artists & Curators’, on: www.standard.co.uk, London UK, 19 September 2013
Sutton, Benjamin, ‘Hauser & Wirth’s Somerset Art Farm Will Open in Summer 2014 With a Phyllida Barlow Show’, on: www.blogs.artinfo.com, New York NY, 16 September 2013, ill.
Sharp, Ron, ‘Phyllida Barlow “Fete-Inspired” Work to Open Hauser & Wirth Somerset’, on: www.uk.blouinartinfo.com, New York NY, 16 September 2013, ill.
___, ‘Curators Look to Murakami to Create 1Q84-inspired feminist utopia’, on: www.uk.blouinartinfo.com, New York NY, 10 September 2013
Thorne, Sam, ‘The Encyclopedic Palace’, in: Frieze, London UK, September 2013, pp. 104-105, ill.
___, ‘Hauser & Wirth Somerset: The First Unveiling’, on: www.countrycalling.co.uk, London UK, 2 September 2013, ill.
Nedo, Kito, ‘Brauchtumspflege’, in: Süddeutsche Zeitung, Munich DE, 17/18 August 2013, p. 14, ill.
Gardner, Belinda Grace, ‘Freilegung verborgener (Ge-)Schichten. Archäologie als ästhetisches Prinzip bei der Venedig-Biennale’, in: Kunst Zeitung, Regensburg DE, August 2013, p. 14, ill.
Duncan, Jim, ‘Phyllida Barlow’s golden years’, on: www.dmcityview.com, Des Moines IA, 17 July 2013, ill.
___, ’1. Gionis Ausstellung “The Encyclopedic Palace”’, in: Monopol, Berlin DE, July 2013, pp. 36-37, ill.
Pemble, John, ‘“Scree Stage” Premiers at Des Moines IA’, on: www.iowapublicradio.org, Des Moines IA, 27 June, ill.
Morain, Michael, ‘Art Center’s larger- than- life ‘Scree’ exhibit rocks’, on: www.desmoinesregister.com, California CA, 21 June 2013, ill.
Cembalest, Robin, ‘Vision Quest: Exploring the Venice Biennale’, on: www.artnews.com, New York NY, 18 June 2013, ill.
Maddocks, Fiona, ‘Academy. On home ground’, in: RA Magazine, London UK, Summer 2013, pp. 72 – 73, ill.
Milliard, Coline, ‘Massimiliano Gioni’s Urbane Biennale Is the Most Dazzling in Memory’, on: www.blouinartinfo.com, New York NY, 29 May 2013
Lindemann, Adam, ‘Gioni’s ¨Encyclopaedic Palace¨ Delivers’, on: www.theartnewspaper.com, London UK, 29 May 2013
___, ‘Tate to stage major exhibitions by Matisse, Turner and Mondrian’, on: www.independent.co.uk, London UK, 19 April 2013, ill.
Lacour, François, ‘Brasseur d’art’, in: MIXT, Paris FR, February 2013, pp. 244-257 ill.
___, ‘Schwitters in Britain, Tate Britain’, on: www.theartsdesk.com, London UK, 30 January 2013
___, ‘A Tribute to Dieter Roth’, in: Modern Painters, New York NY, January 2013, pp. 47 – 55, ill.

2012
___, ‘Hauser & Wirth opens a new space in Somerset’, on: www.artmediaagency.com, Paris FR, 20 December 2012
___, ‘Hauser & Wirth Gets Go-Ahead to transform 18th Century Farm Into a Massive Art Centre’, on: www.blogs.artinfo.com, New York NY, 17 December 2012
Gopnik, Blake, ‘Painting Writ Huge’, on: www.thedailybeast.com, New York NY, 13 December 2013
Yau, John, ‘Wate Not, Want Not: Phyllida Barlow’s New Work’, On: www.hyperallergic.com, New York NY, 9 December 2012
Scheifele, Kris, ‘The Cannibal: Phyllida Barlow at Hauser & Wirth’, on: www.artcritical.com, 7 December 2012
___, ‘Art Edits Part II’, In: Sleek, Berlin DE, December 2012, p. 32, ill.
Duray, Dan, ‘Picking Up The Pieces: Phyllida Barlow at Hauser & Wirth’, on: galleristny.com, New York NY, 6 November 2012, ill.
___, ‘Skulpturales Handeln’, in: Monopol, Berlin DE, 2012
Puvogel, Renate, ‘Phyllida Barlow’, in: Kunstforum, Ruppichteroth DE, August – September 2012, pp. 288-289, ill.
___, ‘British Artist Phyllida Barlow Receives Top Kiew Biennale Award’, on: www.artlyst.com, London UK, 9 August 2012, ill.
Jones, Ivan, ‘Happy Incidents’, in: Surface Magazine, New York NY, May/June 2012, p. 38, ill.
Micchelli, Thomas, ‘Phyllida Barlow at the New Museum’, on: www.slowpainting.wordpress.com, 25 June 2012, ill.
Spears, Dorothy, ‘Women on the Verge of Everything’, on: www.nytimes.com, New York NY, 31 May 2012, ill.
___, ‘Phyllida Barlow’, in: Monopol, Berlin DE, May 2012, p. 127, ill.
Walker, Adam, ‘Phyllida Barlow. Bad Copies’, on: www.abstractcritical.com, London UK, 26 May 2012, ill.
McLean, Madeline, ‘Spring Up at the New Museum: Phyllida Barlow, Tacita Dean &
Pietsch, Hans, ‘Phyllida Barlow’, on: www.art-magazin.de, Hamburg DE, 22 May 2012, ill. Gygax, Raphael, ‘Human Capsules’, in: Frieze, London UK, May 2012, p. 228, ill.
Nathalie Djurberg’, on: www.dailyserving.com, South Carolina SC, 17 May 2012, ill.
Hoog, Eckhard, ‘Ein Zaun wird hintergründig zum Symbol’, in: Aachener Zeitung, Aachen DE, 11 May 2012, p. 110, ill.
Von Negri, Anna, ‘Barlow steigt Ludwig Forum aufs Dach’, in: Aachener Zeitung, Aachen DE, 10 May 2012, p. 109, ill.
Wilson, Sarah Kate, Bowker-Jones, Sarah [et al.], ‘Malerei: Painting as Object’, in: Garageland, London UK, February 2012, pp. 44-45, ill.
___, ‘New Museum to Present First NY Solo Exhibit of Work by Phyllida Barlow’, on: www.broadwayworld.com, New York NY, 30 January 2012, ill.
Pschak, Evelyn, ‚In München kann man noch was lernen: Bildhauerei ist harte Arbeit’, in: Monopol, Berlin DE, January 2012, p. 105, ill.
Kent, Carey Kent, ‘Art Exhibitions In Review 2011 By Paul Carey Kent’, in: Art Lyst, London UK, 6 January 2012, ill.
___, ‘itinerary’, in: Sculpture, Washington D.C. WA, January 2012, pp. 10 – 14

2011
Walker, Adam, ‘Artist’s Journal’, on: adamwalkerart.tumblr.com, London UK, 30 December 2011
Thatcher, Jennifer, ‘Phyllida Barlow’, in: Art Review, London UK, December 2011, pp. 116, 117, ill.
___, ‘Phyllida Barlow Receives the Aachen Art Prize 2012’, in: Artinfo, New York NY, 13 December 2011
___, ‘Aachen Art Prize 2012 goes to Phyllida Barlow’, on: www.artnet.com, New York NY, 12 December 2012, ill.
Schroeder, Marina, ‘Novel Approaches to Sculpture’, in: The Wall Street Journal, New York NY, 18-20 November 2011, p. 15, ill.
Barlow, Phyllida, Cullinan, Nicholas, in: Mousse, Milan IT, October/November 2011, pp. 24, 63-71, ill.
___, ‘Phyllida Barlow @ Hauser & Wirth’, in: Whitehot Magazine, London UK, 21 October 2011, ill.
Greenberg, Sarah, ‘Phyllida Barlow’s ‘RIG’‘, in: RA Magazine, London UK, 21 October 2011, ill.
___, ‘Phyllida Barlow: Rig at Hauser and Wirth, London’, in: Rise Art, London UK, 20 October 2011, ill.
___, ‘The 5 Must-See Gallery Shows of Frieze Week’, New York NY, 13 October 2011
Dalley, Jan, ‘Art goes into overdrive’, in: Financial Times, Frieze Week, London UK, 12 October 2011, p. 1, ill.
Mallalieu, Huon, ‘Collecting’, in: The Times, London UK, 10 October 2011, p. 34, ill.
___, ‘Bermondsey Rising: With the Arrival of White Cube, London’s Hippest New Art’, on: www.blouinartinfo.com, New York NY, 4 October 2011
___, ‘exhibitions: Pick of the week’, in: The Guardian, London UK, 8 October 2011, p. 34
___, ‘Neighborhood Comes of Age’, in: ArtInfo, New York NY, 4 October 2011, ill.
Yau, John, ‘In conversation: Phyllida Barlow with John Yau’, in: Brooklyn Rail Online, New York NY, 4 October 2011
Sherman, Sam, ‘Phyllida Barlow’, in: Artforum Online, New York NY, 3 October 2011
___, ’10 to See. Recommended exhibitions this season’, in: Aesthetica, York UK, August / September 2011, p. 22
___, ‘Mit Poesie und Wucht’, in: Nurnberger Zeitung, Nuremberg DE, 1 March 2011
___, ‘Phyllida Barlow im Kunstverein Nuremberg’, in: gallerytalk.net, Nuremberg DE, 1 March 2011
___, ‘Im Milchhof sund die Fasser offen’, in: Nurnberger Zeitung, Nuremberg DE, 24 February 2011
Kent, Sarah, ‘Phyllida Barlow: RIG, Hauser & Wirth, London’, in: The Arts Desk Online, London UK, 8 September 2011
Brown, Griselda Murray, ‘This time it’s permanent’, in: Financial Times, London UK, 3/4 September 2011, p. 11, ill.
Smolik, Noemi, ‘Phyllida Barlow Kunstverein Nürnberg’, in: Artforum, New York NY, September 2011, p. 361, ill.
Luke, Ben, ‘Space Invader’, in: Evening Standard, London UK, 1 September 2011, pp. 42-43, ill.
Milliard, Coline, ‘Taking Up Space: Phyllida Barlow is ready to get in your way,’ in: Modern Painters, London UK, Summer 2011, p. 61-63
Cole, I., ‘Phyllida Barlow: Serpentine Gallery’, in: Sculpture, Washington, D.C. WA, July/August 2011, pp. 63-4
Stoppel, Daniela, ‘Short Waves: Betretender Baustelle Erwunscht’, in: Texte zur Kunst, Berlin DE, June 2011, p. 202 -205

2010
Chang, Helen, ‘Phyllida Barlow: BAWAG Contemporary, Vienna, Austria’, in: Frieze, London UK, November – December 2010, p. 132
Fite- Wassilak, C., ‘Nairy Baghramian/ Phyllida Barlow’, in: Flash Art (International Edition), Milan IT, July/September 2010, p. 110
___, ‘Critics’ Choice’, in: Time Out London, London UK, 5 June 2010
Paraskos, Michael, ‘The Forms of things well known’, in: The Epoch Times, New York NY, 2 June 2010
Ward, Ossian, ‘Nairy Baghramian and Phyllida Barlow’, in: Time Out London, London UK, 1 June 2010
Cooper, Emmanuel, ‘Precision, spontaneity for your delectation’, in: Tribune, London UK, 1 June 2010
Grosse, Julia, ‘Der Dialog von Innen und Aussen’, in: Frankfurter Allgemeine, Frankfurt DE, May 2010
Jorg, Hieser, Baghramian, Nairy, ‘Room to Live’, in: Frieze, London UK, May 2010, pp. 106-111
___, ‘Five Best Exhibitions’, in: Evening Standard, London UK, 28 May 2010
Sooke, Alastair, ‘Our sculptors are National Treasures’, in: The Daily Telegraph, London UK, 24 May 2010
___, ‘Five Best Shows in London’, in: Independent, London UK, 22 May 2010
Basciano, Oliver, ‘Phyllida Barlow’, in: Art Review, London UK, May 2010, pp. 72-77
Nasilowska, Justyna, ‘Phyllida Barlow and Nairy Baghramian’, in: Where Art You, London UK, 19 May 2010
Januszczak, Waldermar, ‘Tut-Tut. There’s no touching at the Serpentine’s sculpture show’, in: Culture (supp. to the Independent), London UK, 16 May 2010, pp. 30-31
Lubbock, Tom, ‘Curatorial Coup: Nairy Baghramian’, in: The Independent, London UK, 13 May 2010
Jones, Jonathan, ‘Lost in the third dimension, in: The Guardian, G2, London UK, 13 May 2010, pp. 19-21
Hervieu, Delphine, ‘A 21st Century Dialogue on Sculpture’, in: Swide Magazine, Milan IT, 9 May 2010
Campbell-Johnston, Rachel, ‘Nairy Baghramian and Phyllida Barlow’, in: The Times, London UK, 8 May 2010
McCartney, Nicola, ‘Nairy Baghramian and Phyllida Barlow’ in: Apollo Magazine, London UK, 7 May 2010
___, ‘Nairy Baghramian and Phyllida Barlow’, in: Wall Street Journal, New York NY, 7 May 2010
___, ‘The joy of creative differences’, in: The Independent, Viewspaper, London UK, 7 May 2010, pp. 12-13
Perry, Colin, ‘Why Things Are The Way They Are,’ in: Art Monthly, London UK, April 2010, pp. 1-4

2009
Gogarty, Larne, ‘Collaborators’, in: Art Monthly, London UK, May 2009, pp. 29-30
Carey-Kent, Paul, ‘Phyllida Barlow’, in: Art World, London UK, April/May 2009, pp. 68-71

2008
Dunne, Aidan, ‘All artistic eyes on the Marble City’, in: The Irish Times, Dublin IE, 15 August 2008, p. 12, ill.
De Faoite, Dara, ’85,000 expected at Kilkenny festival’, in: The Irish Times, Dublin IE, 8 August 2008, p. 2, ill.

2007
___, ‘Phyllida Barlow. Untitled: Green Bottle Rack’, in: Tate Etc., London UK, Spring 2007, p. 15, ill.

2006
___, ‘Learning Experience’, in: Frieze, London UK, September 2006, pp. 168-75
Godfrey, Mark, ‘Phyllida Barlow: Teacher and Student’, in: Frieze, London UK, September 2006

2003
Shuckburgh, Hannah, ‘The Greatest Show on Earth’, in: Art Review, London UK, 2003
Suchin, Peter, ‘Phyllida Barlow: Richard Salmon Gallery’, in: Sculpture, Washington D.C. WA, April 2003, p. 84-85

2002
Morton, Tom, ‘Phyllida Barlow at the Richard Salmon Gallery’, in: Contemporary, London UK, November 2002
Melvin, J., ‘The city as sculpture’, in: Architectural Review, London UK, 2002, pp. 86-93

2000
Hunt, Ian, ‘British Art Show 5’, in: Art Monthly’, London UK, 2000
Packer, William, ‘Brit Art by committee’, in: Financial Times, London UK, 15 April 2000, p. 7

1999
Gisbourne, Mark, ‘Dereliction Chic: Art and Domestic Spaces’, in: Contemporary Visual Culture, London UK, 1999, pp. 31-35

1998
Clark, Robert, ‘Laddy in the Lake’, in: The Guardian, London UK, 7 July 1998, p. 10

1995
Rosser, E., ‘Looking out for the picture past [Depot: Museum of Installation, London]’, in: Women’s Art Magazine, London UK, July/August 1995, p. 29
Oxley, Nicola, ‘British Art-Defining Nineties’, ‘Women’s Voices’, in: Art and Design, London UK, 1995, pp. 68-70

Publications by the artist

2012
‘Raphael Hefti: Launching Rockets Never Gets Old / interview with the artist by Phyllida Barlow’, London: Camden Arts Centre, 2012

2008
with Von Weiler, Carl, ‘Host’, Sheffield: Arts Wordspress, 2008
Delahunty, Gavin (ed.), ‘Eric Bainbridge: Forward Thinking, 1976-2008’, Middlesbrough: Middlesbrough Institute of Modern Art (MIMA), 2008

2007
‘Carl Plackman Sculpture Drawing Writing’, Huddersfield: Huddersfield Art Gallery, 2007
Wood, Jon (ed.), ‘Remembering Carl Plackman’, Huddersfield: Huddersfield Art Gallery, 2007

2006
Pollack, Griselda, Corby, Vanessa (eds.), ‘Encountering Eva Hesse’, London: Prestel, 2006

2005
‘Helsinki Photography Festival’, Finland: Valokuvagalleria Hippolite and British Council, 2005

2003
‘A Severe Weather Warning’, in: Fournel, Jaques (ed.), ‘BAG’, France: Editions Ville Saint Clair, 2003, pp. 58-59
‘Testing for Lies’, in ‘Edwards Fellows: Drawings and Photographs’, London: Rushy House, 2003

1998
with Alison Wilding, ‘Alison Wilding: Grounded’, Sunderland: Northern Gallery for Contemporary Art, 1998
Salaman, Naomi, Simplon, Ronnie (eds.), ‘Postcards on Photography: Photorealism and The Reproduction’, Cambridge: Cambridge Darkroom Gallery, 1998

Writings by the artist

2013
‘The Artists’ Artists: Melissa Appleton and Mathew Butcher, “Writtle Calling/2 Emma Toc” (Writtle, UK)’, in: Artforum, New York NY, December 2013, p. 116

2011
‘A Brilliant Way of Looking’, in: Art and Music The Saatchi Gallery Magazine, London UK, Autumn 2011, p. 32, ill.
‘In the Heat of the Moment’, in: Tate ETC, London UK, Autumn 2011, pp. 84-85

2003
‘Picture’, in: Frieze, London UK, 2003, pp. 53-54

2002
‘...From the Mouth to the Tail’, in: Slade Magazine, London UK, 2002
‘The City as Sculpture: from the plinth to the sky’, in: The Architectural Review, London UK, June 2002, pp. 90-1 ‘The Sculpture Speaks’, in ‘Aston, Liz (ed.), in: The Henry Moore Institute Newsletter, Much Hadham UK, 2002

Audiovisuals

2015
FDLuxe, ‘Phyllida Barlow at the Nasher Sculpture Center’, Christopher Mosley, 10 June 2015 (video)

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