Lee Lozano Bibliography


Molesworth, Helen & Nickas, Bob, ’Lozano c. 1962’, New York NY: Karma, 2017

Lehrer-Graiwer, Sarah, ‘Lee Lozano. Dropout Piece’, London: Afterall Books, 2014

The Estate of Lee Lozano (ed.), ‘Lozano Tools’, New York: An Art Service, 2011

Müller-Westermann, Iris (ed.), ‘Lee Lozano’, Ostfildern: Hatje Cantz, 2010 (exh. cat.)

Szymczyk, Adam, ‘Lee Lozano. Win first don’t last. Win last don’t care’, Basel: Schwabe AG, 2006 (exh. cat.)
Rosen, Barry, van Liere, Jaap, Timpanelli, Gioia, ‘Lee Lozano Drawings’, New Haven: Yale University Press, 2006
Kunsthalle Wien, Folie, Sabine, Matt, Gerald (eds.), ‘Lee Lozano. Seek the extremes…’ Nuremberg: Verlag für moderne Kunst Nürnberg, 2006 (exh. cat)

Rondeau, James, (ed.), ‘Lee Lozano/MATRIX 135’, Hartford: The Wadsworth Atheneum, 1998 (exh. cat.)
Kinmont, Ben (ed.), ‘Project Series: Lee Lozano’, New York: Agency, 1998

Carpenter, Gilbert F., Lawing, Eric, Mullins, K.T., ‘Lee Lozano: the Sixties,’ Greensboro: Weatherspoon Art Gallery, 1988 (exh. brochure)

Artist’s Books & Writings

Lozano, Lee, ‘Private Book 1, 1968-69 (edited January 25, 1972)’, New York: Karma, 2016

Lozano, Lee, ‘Lee Lozano: Notebooks 1967-70’, New York: Primary Information, 2009


Doyle, Oona, Franklin, Paul B. (eds.), ‘ Minimal Art from the Marzona Collection’, London: Galerie Thaddeous Ropac, 2017, n. p., ill.
Ayas, Define, Kleinman, Adam (ed.), ‘WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1 (2013-2106)’, Rotterdam: Witte de With Center for Contemporary Art, 2017, p. 242

Carroll, Alisa, ‘Art House. The Collaboration of Chara Schreyer and Gary Hutton’, New York: Assouline, 2016, pp. 74-75, 94, 220, ill. in colour
Stein, Judith, ‘Eye of the Sixties. Richard Bellamy and the Transformation of Modern Art’, New York: fsg books, 2016, p. 203, ill.
Allen, Gwen (ed.), ‘The Magazine – Documents of Contemporary Art’, Cambridge: The MIT Press, London: Whitechapel Gallery, 2016, p. 28

Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), ‘Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.’, Munich: Prestel, 2015, pp. 88-89, 132-134, ill. (exh. cat.)

Nisbet, James, ‘Ecologies, Environments, and Energy Systems in the Art of the 1960s and 1970s, Cambridge: The MIT Press, 2014, pp. 197-201, ill.
Stout, Katharine, ‘Contemporary Drawing: from the 1960s to Now’, London: Tate Publishing, 2014, p. 58, ill.

Udo Kittelmann, Joachim Jäger, Dieter Scholz (eds.), ‘Die Sammlung der Nationalgalerie 1945-1968. Der geteilte Himmel’, Berlin: Distanz Verlag
Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013

Stein, Loris (ed.), ‘The Paris Review’, New York: The Paris Review Foundation, 2012, p. 206, ill.
Morris Catherine, Bonin Vincent (ed.), ‘Materializing Six Years, Lucy R. Lippard and the Emergence of Conceptual Art’, Brooklyn: Brooklyn Museum, 2012, pp. 158-159, pp. 50-51, ill. (exh. cat.)

Berry, Ian (ed.), Shear Jack (ed.), ‘Twice Drawn. Modern and Contemporary Drawings in Context’, Munich: Prestel Verlag, pp. 86 – 88, 186 – 187, ill.
Bernardi, Donatella, Etienne, Noémie, ‘Standing on the Beach with a Gun in my Hand’, Geneva: Labor er Fides, 2011, pp. 46-49, ill. (exh.cat.)
Allen, Gwen (ed.), ‘Artists’ Magazines. An alternative space for art’, Cambridge: The MIT Press, pp. 13-41, ill.

Pirano, Michelle, ‘Target Practice: Painting Under Attack 1949-78’, Seattle: Seattle Art Museum, pp. 33, 81, ill.
Gingeras, Alison M., Bonami, Francesco (eds.), ‘Mapping the studio: Artists from the Francois Pinault Collection’, Milan: Electa, 2009, pp. 220-221, 302-303, ill.

Molesworth, Helen (ed.), ‘Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel’, Columbus: Wexner Center for the Arts, 2008
Meyer-Stoll, Christiane, ‘Sammlung Rolf Ricke – Ein Zeitdokument’, Ostfildern: Hatje Cantz, 2008, pp. 259-260; 340, ill.

Mark, Lisa Gabrielle, Hamilton, Elizabeth (edx.), ‘WACK! Art and the feminist Revolution’, London: MIT Press, Los Angeles: MoCA, 2007, ill. (exh. cat.)
Schollhammer, Georg, Ander, Heike (eds.), ‘Documenta 12 Magazine,Modernity?’, no. 1, Cologne: Documenta Museum Fridericianum, Taschen GmbH, 2007, pp. 202-207, ill.
Biesenbach, Klaus (ed.), ‘Into Me/Out of Me’, Ostfildern: Hatje Cantz, 2007, pp. 292, 293, ill.
Heiser, Jörg, ‘Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht’, Berlin: claassen/Ulstein Buchverlage, 2007, pp. 54-56

Acconci, Vito, Mayer, Bernadette (eds.), ’10 (A Late Introduction To 0 To 9), The complete magazine: 1967 – 1969’, 2006, No. 6: pp. 10, 57

Koch, Alexander, ‘Kunst verlassen #2: Kunstausstieg als kritische Praxis am Kunstfeld’, in: Transversale. Erkundungen in Kunst und Wissenschaft. Ein europäisches Jahrbuch, Paris/Paderborn: Wilhelm Fink Verlag, 2005
Van der Pol, Bik (ed.), ‘Dialogue Piece. Nixon at the Movies. Truth of Consequences’, Frankfurt: Revolver, 2005

Siegel, Katy, Mattick, Paul, ‘Art works. Geld’, Hildesheim: Gerstenberg Verlag, 2004
Neuburger, Susanne, Saxenhuber, Hedwig (eds.), ‘“Kurze Karrieren”. Im Museum Moderner Kunst, Wien’, Cologne: Verlag der Buchhandlung Walther König, 2004 (exh. cat.)

Grisebach, Lucius, Goetz, Ingvild, Hicke, Dave, + [et al.], ‘Einfach Kunst: Sammlung Rolf Ricke’, Nuremberg: Neues Museum Nürnberg, 2002 (exh. cat.)

Alberro, Alexander, Stimson, Blake (eds.), ‘Conceptual Art: A Critical Anthology’, Cambridge: The MIT Press, 2001

Briski, Mika (ed.), ‘Worthless (Invaluable)’, Ljubljana: Moderna galerija Ljubljana/Museum of Modern Art, 2000, p. 66 (exh. cat.)

Lippard, Lucy, ‘Escape Attempts’, in: Goldstein, Ann, Rorimer, Anne (ed.), Reconsidering the Object of Art: 1965, Los Angeles: Museum of Contemporary Art, 1996 (exh. cat.)

Hughes, Robert (ed.), ‘The Shock of the New’, New York: Alfred A. Knopf Inc., 1991

Weatherspoon Art Gallery (ed.), ‘Art on paper 1983’, Greensboro: Weatherspoon Art Gallery, 1983 (exh. brochure)

Pincoffs, Ruth Posey, ‘Lee Lozano’, in: University Art Museum, University of Texas (ed.), ‘The James A. Michener Collection: Twentieth Century American Painting’, [preface by Earl A. Powell III], Austin: University Art Museum, University of Texas, 1977

Lippard, Lucy (ed.), ‘Six Years: the Dematerialization of the Art Object from 1966 to 1972’, New York: Praeger Publishers Inc., 1973

Stadt Aachen, Neue Galerie im alten Kurhaus (ed.), ‘Klischee + Antiklischee. Bildformen der Gegenwart’, Aachen: Neue Galerie im Alten Kurhaus, 1970 (exh. cat.)

The Corcoran Gallery of Art (ed.), ‘Thirty-First Biennial Exhibition of Contemporary American Painting’, Washington: The Corcoran Gallery of Art, 1969 (exh. cat.)
The Museum of Modern Art (ed.), ‘Open Hearing’, New York: The Museum of Modern Art, 1969, p. 38 (exh. cat.)

Leonard, William, Christgau, Robert, ‘Gordon, Lozano, Ryman, Stanley’, Cincinnati: The Contemporary Arts Center, 1968 (exh. brochure)
Weatherspoon Gallery Association (ed.), ‘The Weatherspoon Gallery Association Bulletin 1967-68’, Greensboro: Weatherspoon Gallrey Association, 1968, p. 28 (exh. brochure)


Mansfield, Susan, ‘Arts preview of 2018: Susan Mansfield and Duncan Macmillan on the year ahead in visual art’, on: www.scotsman.com, Edinburgh, 1 January 2018

Vilalta, Helena, ‘Getting Real: Helena Vilalta on Lee Lozano at Museo Reina Sofia, Madrid’, in: Texte zur Kunst, Berlin, December 2017, pp. 249-253
Dressen, Anne, ‘Anne Dressen’, in: Artforum, New York, December 2017, p. 148
Manatakis, Alexandra, ‘Why we need absurdist art in uncertain times’, on: www.dazeddigital.com, London, 10 November 2017
Kopel, Dana, ‘Combining Histories: Alvaro Barrington’, on: moussemagazine.it, Milan, November 2017
Rhodes, David, ‘Deadeye Dick: Richard Bellamy and His Circle’, on: brooklynrail.org, New York, 2 November 2017
Fontaine, Claire, ‘Artist’s Favourites’, in: Spike Art Quarterly, Vienna, Autumn 2017, pp. 42-45
Aron, Nina Renata, ‘This radical artist ignored women for a project, but then kept up the boycott her whole life’, on: timeline.com, San Francisco, 29 September 2017
‘Deadeye Dick: Richard Bellamy and His Circle at Peter Freeman Inc, New York’, on: www.blouinartinfo.com, New York, 19 September 2017
___, ‘Lee Lozano at Museo Nacional Centro de Arte Reina Sofía’, on: www.contemporaryartdaily.com, Los Angeles, 15 September 2017
Smith, Roberta, ‘A Nervy Makeover for Post-War Art’, in: The New York Times, New York, 15 September 2017, pp. C18-19
De Zanche, Victoria, ‘Lee Lozano – Extraordinarily Intense At Reina Sofia, Madrid’, on: candidmagazine.com, London, 29 August 2017
Swirsky, Rebecca, ‘Lee Lozano’, in: Frieze, London, September 2017, p. 177
Applin, Jo, ‘Cut Out, Drop Out’, in: American Art, Chicago, Vol. 31, Spring 2017, ill.
___, ‘The provocative and radical work of Lee Lozano at the Reina Sofía Museum’, on: graffica.info, Valencia, 17 June 2017
Rubira, Sergio, ‘Lee Lozano, from the cry to silence’, on: www.elcultural.com, Madrid, 9 June 2017
Cornwell, Jane, ‘How Swiss design has moved on from cuckoo clocks, on: www.afr.com, Melbourne, 7 June 2017
Sadler, Victoria, ‘Review: Ida Appleborg and Lee Lozano, Hauser & Wirth Female Artists Reexamined’, on: www.victoriasadler.com, London, 31 May 2017, ill.
Moràn, Carmen, ’Las obsesiones fálicas de Lee Lozano llegan al Reina Sofía’, on: elpais.com, Madrid, 30 May 2017
___, ’Lee Lozano: Pulling out the Stops’, on: www.artnet.com, New York, 31 May 2017
Flores, Ana Belén García, ‘The provocative energy of Lee Lozano’, on: www.rtve.es, Madrid, 30 May 2017
Riaño, Peio H., ‘Lee Lozano, the artist who got fed up with art in 12 years’, on: www.elespanol.com, Madrid, 30 May 2017
___, ‘Lee Lozano’s defiant and lascivious legacy takes over Reina Sofía’, on: www.eldiario.es, Madrid, 30 May 2017
Moran, Carmen, ‘The phallic obsessions of Lee Lozano arrive at Reina Sofía’, on: elpais.com, Madrid, 30 May 2017
Frankel, Eddy, ‘Lee Lozano’, in: Time Out London, London, 30 May 2017
Lloyd, Joe, ‘Lee Lozano: c 1962’, on: www.studiointernational.com, New York NY, 5 May 2017
Sutphin, Eric, ‘Lee Lozano’, on: www.artinamericamagazine.com, New York, 3 February 2017, ill.
Di Franco, Karen, ‘Dropout Artist. Lee Lozano turned ‘not doing’ into her final art project, one that endured until her death alomost 30 years later. Two decades after that, her (in)action still speaks to the anxieties of the present’, in: ArtReview, London, March 2017

Gotthardt, Alexxa, ‘Escape Artists: Why These 7 Creatives Disappeared from the Art World’, on: www.artsy.net, New york, 5 July 2016, ill.
___, ‘Gemeentemuseum Den Haag acquires large painting by American artist Lee Lozano’, on: www.artdaily.org, Zurich, 2 May 2016, ill.

___, ‘Jo Applin Wins $50,000 Mellor Prize for Research on Women Artists’, on: www.artforum.com, New York, 8 October 2015, ill.
Cascone, Sarah, ‘Jo Applin’s Monograph on Art World Drop Out Lee Lozano Wins $ 50,000 Mellor Prize’, on: news.artnet.com, New York, 8 October 2015, ill.
Weiss, Judith Elisabeth, ‘Dropout als totale Revolution’, in: Kunstforum, Cologne, pp. 68-71, ill.
Herbert, Martin, ‘Maximum Withdrawl’, in: Mousse, Milan, February 2015, pp.141-151, ill.
Wang, Michael, ‘Systems Prosthetics’, in: Mousse, Milan, February 2015, pp.126-131, ill.

Spada, Sabina, ‘Feminilità. Tra eros e sofferenza’, in: Arte, Milan, April 2014, pp. 96-100, ill.

Myers-Szupinska, Julian, ‘Artists and Workers’, in: Mousse, Milan, October-November 2013, pp. 252-263, ill.
Place, Vanessa, ‘The Frictionless Witness or Us, Keeping Us Real’, in: Mousse, Milan, October-November 2013, pp. 246-249, ill.
Cras, Sophie, ‘Art as Investment and Artistic Shareholding Experiments in the 1960s’, in: American Art. Smithsonian American Art Museum, Washington, Spring 2013, pp. 3-23, ill.
Winant, Carmen, ‘Materializing “Six Years”’, in: Frieze, London, March 2013, p. 150, ill.
___,‘Materializing “Six Years”’, in: Art News, New York, February 2013, p. 92. ill.
___, ‘Odd Couple: Mitchell Algus and Amy Greenspon Are Showing–and, Yes, Selling–the Unknown, the Emergin, the Dead’, on Gallerist, New York, 29 May 2012.
Frenzel, Sebastian, ‘Wir sind dann mal weg’, in: Monopol, Berlin, November 2011, pp. 56-60, ill.
Pollack, Barbara, ‘Lee Lozano’, in: ARTnews, New York, March 2011, p. 180
Princenthal, Nancy, ‘Lee Lozano’, in: Art in America, New York, March 2011
Cotter, Holland, ‘Lee Lozano’, in: New York Times, New York, 11 February 2011, p. C30
_, ‘Lee Lozano’, in: The New Yorker, New York, 31 January 2011, p. 12
Walleston, Almee, ‘Hammering Down Lozano’s Legacy’, in: Art in America, New York, 18 January 2011, ill.
Lindblad, J., ‘Go See – New York: Lee Lozano ‚Tools’ at Hauser & Wirth’, on: www.artobserved.com, 15 January 2011
Spears, Dorothy, ‘Artist dropped out, now galleries tune in’, in: International Herald Tribune, New York, 8-9 January 2011, p.16, ill.
Spears, Dorothy, ‘Lee Lozano, Surely Defiant, Drops In’, in: The New York Times, New York, 9 January 2011, p. 23, ill.

O’Neill-Butler, Lauren, ‘Lee Lozano: Notebooks 1967-70’, in: Art Journal, Vol. 69, No. 4, 2010, p. 124
Budick, Ariella, ’Shifting the Gaze: Painting and Feminism, Jewish Museum, New York’, in: Financial Times, London, 27 October 2010, ill.
Hafner, Hans-Jürgen, ‘Rasende Lernerfolge gegen die Nostalgie’, in: Artnet, New York, 13 August 2010, ill.
Holte, Michael Ned, ‘Joint Dialogue’, in: Artforum, New York, May 2010, p. 258, ill.
Burton, Johanna, ‘Lee Lozano’, in: Artforum, New York, January 2010, p. 100
Rubin, Birgitta, ‘Kultursöndag. Rasande radikal’, in: Dagens Nyheter, Stockholm, 14 February 2010, pp. 6-9, ill.
___, ‘Lee Lozano’, in: Monopol, Berlin, March 2010, p. 116, ill.
E.S., ‘Lee Lozano. Moderna Museet, Stockholm’, in: The Art Newspaper, London, February 2010, ill.
___, ‘Lee Lozano’, in: Art Review, London, March 2010, p. 42

Tatley, Roger, ‘Nachlässe’, in: Monopol, Berlin, December 2009, p. 55.
Schreiber, Daniel, ‘Der Mann im Hintergrund’, in: Monopol, Berlin, March 2009, pp. 22-25, ill.
Herbert, Martin, ‘Whatever Happened to Sex in Scandinavia?’, in: Frieze, London, pp. 153-54, ill.
Blom, Ina, ‘Carnal Knowledge’, in: ArtForum, New York, March 2009, pp. 111-112, ill.
Kalm, James, ‘Brooklyn Dispatches’, in: Brooklyn Rail, New York, March 2009, ill.
Hochdörfer, Achim, ‘A Hidden Reserve: Painting from 1958 to 1965’, in: ArtForum, New York, February 2009, pp. 153-159, ill.

___, ‘Lee Lozano’, Kunst Bulletin, Zurich, December 2008, ill.
Binswanger, Michèle, ‘Die Frau, die nicht mehr mit Frauen sprach’, in: Berner Zeitung, Berne, 6 November 2008, ill.
Kalm, James, ‘Brooklyn Dispatches: Resurrection of a Bad-Ass Girl, Part I’, in: The Brooklyn Rail, New York, November 2008, ill.
Sharp, Chris, ‘The title of this show’, in: Art Review, London, issue 26, October 2009, p. 166, ill.
Heiss, Alanna, ‘The Principal of P.S. 1’, in: The Culture Pages, New York, May 2008, pp. 60-62, ill.
Schor, Gabriele, ‘Eine Reise durch den Kosmos der Emanzipation’, in: Neue Zürcher Zeitung, Zurich, 30 April 2008, p. 12
Siegel, Katy, ‘Lee Lozano’, in: Artforum, New York, April 2008, pp. 330, 390, ill.
Spiegler, Almuth, ‘“Mädchen-Kunst”?’, in: Morgen, Vienna, April 2008, pp. 26-30, ill.
Siegel, Katy, ‘Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel’, in: Artforum, New York, no. 5, January 2008, p. 135

Schmerler, Sarah, ‘What Is Painting? Contemporary Art from the Collection’, in: Time Out New York, New York, issue 619, 9-15 August 2007, p. 65, ill.
Boecker, Susanne, ‘Documenta 12 – Ein Rundgang’, in: Kunstforum International, Ruppichteroth, vol. 187, August-September 2007, pp. 212-213, 361-363, ill.
Orden, Abraham, ‘The Minute’, in: Artnet Magazine, New York, 16 August 2007, ill.
Cohen, David, ‘Ample Room for Argument’, in: The New York Sun, New York, 2 August 2007, p. 17, ill.
___, ‘A Point in Space is a Place for an Argument’, in: The New York Times, New York, 6 August 2007, p. 13
___, ‘Gesucht: Weiblich, wenig beachtet, tot’, in: Monopol, Berlin, No. 8, August 1, 2007, p. 15, ill.
Smith, Roberta, ‘A Point in Space is a Place for an Argument’, in: The New York Times, New York, 20 July 2007, p. 29, ill.
Smith, Roberta, ‘A Point in Space is a Place for an Argument’, in: The New York Times, New York, 27 July 2007, p. 23, ill.
___, ‘Listings: Best by Day’, in: Time Out New York, New York, 5-11 July 2007, p. 84
Baker, R.C., ‘Best in Show’, in. The Village Voice, New York, 25-31 July 2007, p. 48
Mueller, Stephen, ‘Quotidian and Engaging. David Zwirner group show of living and dead is July’s best’, in: Gay City News, New York, 12-18 July 2007, p. 17
Van der Heide, Door Bart, ‘Tussenstops’, in: Metropolis M, Utrecht, no. 3, June-July 2007, pp. 24-26, ill.
___, ‘Lee Lozano’, in: Time Out, London, 18 April 2007, p. 38, ill.
Lippard, Lucy, ‘No Regrets’, in: Art in America, New York, no. 6, June/July 2007, p. 75, ill.
Smith, Cherry, ‘Lee Lozano: No Title, 1969’, in: Art Review, New York, issue 12, June 2007, p. 148, ill.
Mummenhoff, Julia, ‘White Angel, Double Killer’, on: www.artnet.com, 29 June 2007, ill.
Schwarze, Dirk, ‘Radikale Positionen der Malerei. Wie die documenta 12 die Kunst präsentiert – Konfrontationen IV: Gerhard Richter und Lee Lozano’, in: HNA, Kassel, 9 May 2007, ill.
Ward, Ossian, ‘Lee Lozano. Hauser & Wirth West End’, in: Time Out, London, 18-24 April 2007, p. 38, ill
Sachs Samet, Jennifer, ‘Rewriting Recent Art History’, in: The Sun, New York, 6 February 2007
Bui, Pong, ‘Katy Siegel and David Reed’, in: The Brooklyn Rail, New York, February 2007

Sachs, Hinrich, ‘Lee Lozano’, in: De Witte Raaf, Brussel, no. 124, November-December 2006, p. 45
Lambrecht, Luk, ‘Lee Lozano – Van Abbemuseum in Eindhoven’, on: www.knack.be/blog, ill.
___, ‘Lee Lozano in Van Abbemuseum’, in: Weekblad voor Deurne, Deurne, 9 November 2006, p. 27, ill.
Schoonen, Rob, ‘De wondere wereld van Lee Lozano’, in: Eindhovens Dagblad, Eindhoven, 21 October 2006, p. 21, ill.
___, ‘Lee Lozano gebruikt machokunst als pamflet’, in: de Ingenieur, Amsterdam, October 6, 2006, p. 63, ill.
Kattenberg, Peter, ‘Wat zij wil’, in: Persoonlijk, Amsterdam, 14 October 2006, pp. 22, ill.
Smallenburg, Sandra, ‘Lily van der Stokker’, in: NRC – M, Amsterdam, 31 August 2006, pp. 66-67, ill.
Schambelan, Elizabeth, ‘Best of 2006-Lee Lozano’, in: Artforum, New York, vol. XLV, no. 4, December 2006, pp. 284-285, ill.
Sansom, Anna, ‘Basel: Kunsthalle’, in: Contemporary, London, issue 86, 2006, pp. 70-71, ill.
Donegan, Cheryl, ‘All Weapons are Boomerangs’, in: Modern Painters, London, October 2006, pp. 76-79, ill.
Vogel, Sabine B., ‘Re View’, in: Monopol, Berlin, no. 5/2006, October/November 2006, pp. 132-133, ill.
Hafner, Hans-Jürgen, ‘Lee Lozano’, in: Kunstforum International, Ruppichteroth, vol. 182, October/November 2006, pp. 372-374, ill.
Hainley, Bruce, ‘On E’, in: Frieze, London, issue 102, October 2006, pp. 12-12, 242–247, ill.
Wahler, Olivier, ‘Portfolio: Lee Lozano, in: Palais, Paris, Fall- Winter 2006, pp. 54-55, only ill.
Saxenhuber, Hedwig, ‘Suche die Extreme, dort spielt sich alles ab!’, in: Springerin, Vienna, Band XII, Heft 4, Autumn 2006, pp. 36-39, ill.
Gebetsroither, Ines, ‘Dorothy Iannone, Lee Lozano: Seek the Extremes…!’, in: Spike, Vienna, Autumn 2006, p. 76, ill.
Buss, Esther, ‘Art Dreamer’, in: Texte zur Kunst, Berlin, no. 63, September 2006, pp. 217-220, ill.
Molesworth, Helen, (Review) ‘Lee Lozano – Kunsthalle Basel’, in: Artforum, New York, September 2006, pp. 362-364, ill.
Rugo Jacqueline, ‘Finger im weichen Fleisch’, in: Die Tageszeitung, Berlin, 29 August 2006, p. unknown, ill.
Ackermann, Tim, Borcherdt, Gesine, Hohmann, Silke, ‘Die Guten, die Bösen und der etwas Banale’, in: Monopol kompakt, Berlin, no. 1, Summer 2007, p. 16, ill.
Merkel, Klaus, ‘Kaputt in Hollywood/Modernes Antiquariat’, on: www.regioartline.org, 17 August 2006, ill.
GM, ‘Harte Bilder, radikale Künstlerin’, in: NZZ am Sonntag, Zurich, 6 August 2006, p. 51, ill.
Vogel, Sabine B., ‘Dorothy Iannone und Lee Lozano in der Kunsthalle Wien’, in: Kunst-Bulletin, Zurich, no. 9, 2006, p. 73
Buss, Esther, ‘In Wellen an den Rändern’, in: Die Tageszeitung, Berlin, 22 July 2006, ill.
I.,T., ‘Basel Retrospektive für eine Rebellin’, in: Schweizer Illustrierte, Zurich, p. 74, ill.
Benzer, Christa, ‘Sex im Summer of Love’, in: Der Standard, Vienna, 8-9 July 2006, p. 38, ill.
Borchardt-Binrbaumer, Brigitte, ‘Reise in weibliche Extreme’, in: Wiener Zeitung, Vienna, 7 July 2006, p. unknown
Heiser, Jörg, ‘Gewinne zuletzt und dir ist’s auch egal’, in: Süddeutsche Zeitung, Munich, no. 154, 7 July 2006, p. 11, ill.
Smith, Roberta, ‘In Basel, Contemporary Art Enjoys a Bounty of Friends’ in: The New York Times, New York, 7 July 2006,
___, ‘Neues aus Museen und Kunsthallen’, in: Informationsdienst Kunst, Regensburg, no. 355, 6 Juli 2006, p. 6
Scharrer, Eva, ‘Rigoros in Kunst und Leben: Zur Werkschau von Lee Lozanoin der Kunsthalle Basel’, on: www.regioartline.org, 5 July 2006, ill.
Scharrer, Eva, ‘Ohne Rücksicht auf Verluste’, on: bazkulturmagazin, 3 July 2006, p. 8, ill.
Basting, Babara, ‘Eine originelle Rebellin der Kunst wird wieder entdeckt’, in: Tages-Anzeiger, Zurich, 29 June 2006, p. 47, ill.
Basting, Barbara, ‘Eine originelle Rebellin der Kunst wird wieder entdeckt’, in: Tages-Anzeiger, Zurich, 26 June 2006, p. 47, ill.
Binswanger, Michèle, ‘Extrem, obskur, verrückt’, in: Facts, Zurich, 15 June 2006, p. 66, ill.
Etienne, Noémie, ‘ma vie, mon art’, in: profil/Femme, 3 June 2006, p. 20, ill.
‘Twice Drawn’, in: Art on Paper, New York, vol. 10, no. 5, May/June 2006, p. 72, ill.
___, (Review) ‘Twice Drawn’, in: Art on Paper, New York, vol. 10, no. 5, May/June 2006, p. 72, ill.
Nickas, Bob, (Review)‘Lee Lozano. Kunsthalle Basel’, in: Artforum, New York, no. 9, May 2006, p. 161
Graw, Isabelle, ‘Schon gehört? Schon gesehen? Überlegungen zu Gossip, Kunst und Celebrity Culture’, in: Texte zur Kunst, Cologne, no. 61, March 2006, pp. 41-53, ill.

Binswanger, Michèle, ‘Extrem, obskur, verrückt’, in: Facts, Zurich, no. 24, 15 June 2006, pp. 66-67, ill.
Lange, Christy, ‘Bound to Fail. Open Systems-I’, in: Tate etc., London, issue 4, Summer 2005, pp. 28-35, ill.
Douglas, Sarah, ‘If you can’t beat ArtBasel/Miami Beach-copy it’, in: The Art Newspaper, New York, no. 157, April 2005, p. 58, ill.
___, ‘All the fun of the art fair’, in: The Irish Times, Dublin, 12 March 2005
Cotter, Holland, ‘Dealers Gather at the River, Convenient to Lofts With Bare Walls’, in: The New York Times, New York, 11 March 2005, p. E36
Perret, Mai-Thu, ‘Lee Lozano’, in: Metropolis M, Utrecht, no. 1, February-March 2005, pp. 98-100, ill.

Hafner, Hans-Jürgen, ‘...formely known as Lee Lozano?’, in: Spike, Vienna, December 2004, pp. 42-49, ill.
Higgs, Matthew, ‘Lee Lozano, Drawn from Life: 1961-1971’, in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 156-157, ill.
Kelsey, John, ‘On the ground’, in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 54-56, 65, ill. (cover)
Koch, Alexander, ‘Kunst verlassen #4: Waarover we (kunnen) spreken als we over het “uit de kunst stappen” spreken (Wovon wir sprechen (können), wenn wir vom Ausstieg aus der Kunst sprechen)’, in: De Witte Raaf, Brussel, no. 112, September/October 2004, pp. 6-7, ill. (cover)
Koch, Alexander, ‘Kunst verlassen #3: Macht der Kunst? “Kurze Karrieren” im Wiener Museum Moderner Kunst’, in: Texte zur Kunst, Cologne, no. 55, September 2004, pp. 194-197
Kenneth, Baker, ‘Lee Lozano re-emerges’, in: San Francisco Chronical, San Francisco, 5 June 2004
Avgikos, Jan, ‘Lee Lozano’, in: Artforum, New York, vol. XLII, no. 9, May 2004, p. 214, ill.
Schwendener, Martha, ‘Identity as Vector’, in: NYFA Current (a publication of the New York Foundation for the Arts), New York, 22 April 2004
Perreault, John, ‘Lee Lozano at PS1: A Method to Her Madness’, on: www.artsjournal.com 21 March 2004
Stillman, Nick, ‘Lee Lozano – Drawn from Life: 1961-1971’, in: The Brooklyn Rail, Brooklyn, May 2004
Morris, Catherine, ‘No woman, no why’, in: Time Out, New York, 26 February 2004, ill.
Kunitz, Daniel, ‘A Determined Anti-Decorousness’, in: The New York Sun, New York, 5 February 2004, ill.
Goddard, Donald, ‘Lee Lozano: Drawn from Life, 1961-1971’, in: New York Art World, New York NY, 2004

Reed, David, ‘The Morning After: a Roundtable’, in: Artforum, New York, vol. XLI, no. 7, March 2003, pp. 206-211, 267-270, ill.

Molesworth, Helen, ‘Tune in, Torn on, drop out: the rejection of Lee Lozano’, in: Art Journal, College Art Association of America, New York NY, Winter 2002, pp. 64-70

Lamm, April, ‘Lee Lozano and Bik van der Pol’, in: Frieze, London, no. 61, September 2001
Heidenreich, Stefan, ‘Nichts gegessen’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 28 April 2001
Siegel, Katie, Reed, David, ‘Making Waves’, in: Artforum, New York NY, vol. XL, no. 2, October 2001, pp. 120-128, ill.

Kinmont, Ben, ‘The Third Sculpture’, in: Documents sur l’art, Dijon, no. 12, 2000

Ferrell, John, ‘Process art expressed via drawing’, in: San Gabriel Valley Tribune, Covina, 9 August 1999
Johnson, Reed, ‘Under the hood of modern art’, in: Daily News, Los Angeles, 6 August 1999
Pagel, David, ‘Afterimage Reviews Artists Making Rational Art on Paper’, in: Los Angeles Times, Los Angeles, 21 April 1999
Frank, Peter, ‘Afterimage, defining eye’, in: LA Weekly, Los Angeles, 13 August 1999
Vetrocq, Marcia, ‘Conceptualism: an Expanded View’, in: Art in America, New York, July 1999
Heartney, Eleanor, ‘Lee Lozano: return of a Rebel’, in: Art in America, New York, no. 5, May 1999, pp. 146-149, ill.
Wilonsky, Robert, ‘The Dropout Piece’, in: Dallas Observer, Dallas TX, 9-15 December 1999, pp. 35-50, ill.

Beck, Martin, ‘Geschichtskorrektur’, in: Die Springerin, Vienna, no. 4, June-August 1998
Blackburn, Meg, ‘Lee Lozano’, in: NY Arts Magazine, New York, no. 20, April 1998, p. 10
Arning, Bill, ‘Lost and found: the long, strange trip of Lee Lozano’, in: Time Out, New York, no. 131, 26 March – 2 April 1998, p. 44
Johnson, Ken, ‘Lee Lozano’, in: Weekend (insert in The New York Times), 6 March 1998
Rexer, Lyle, ‘Long Live Loz’, in: Review. The Critical State of Visual Art in New York, New York, 15 February 1998, pp. 5-6 (cover)
Johnson, Ken, ‘Lee Lozano’, in: Art in Review (insert in The New York Times), New York, 6 March 1998, p. E42
McNally, Owen, ‘The Revival of a Recluse: Lee Lozano’, in: The Hartford Courant, Hartford CT, 25 January 1998, ill.
___, ‘Lee Lozano at Wadsworth’, in: Flash Art, Milan, vol. XXXI, no. 198, January-February 1998, p. 44, ill.
Zimmer, William, ‘Women Show the Courage of Their Convictions’, in: The New York Times, New York, 1 March 1998, p. 16, ill.

Cotter, Holland, ’1969: A Year Revisited’, in: Art in Review (insert in The New York Times), New York, 15 July 1994

Necol, Jane, Poirier, Maurice, ‘The 60s in Abstract: 13 Statements and an Essay’ (interview), in: Art in America, New York, vol. LXXI, no. 9, October 1983, pp. 122-137, ill.

Linville, Kasha, ‘Lee Lozano, Whitney Museum’, in: Artforum, New York, vol. IX, no. 6, February 1971

Perreault, John, ‘Art & ... ‘, in: The Village Voice, New York, vol. XV, no. 51, 17 December 1970, pp. 25-27
___, ‘Scenes’, in: The Village Voice, New York, 15 October 1970, pp. 10-11
___, ‘Time’ [review of Corocan Gallery exhibition], 7 February 1969

Castle, Frederic, ‘Threat Art’, in: ARTNews, New York, vol. 67, no. 6, October 1968, pp. 54-55, 65-66
Robins, Corinne, ‘The Circle in Orbit’, in: Art in America, New York, vol. LVI, no. 6, November/December 1968, pp. 62-69, ill.

Adrian, Dennis, ‘Lee Lozano’, in: Artforum, New York, vol. V, no. 5, January 1967

Waldman, Diane, ‘Lee Lozano’, in: ARTNews, New York, vol. LXV, no. 8, December 1966, p. 13, ill.
Benedikt, Michael, ‘Lee Lozano’, in: ARTNews, New York, vol. LXV, no. 7, November 1966, pp. 14-15

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