Diana Thater Bibliography


Cooke, Lynne, Gabriella Mark, Lisa (eds.), ‘Diana Thater: The Sympathetic Imagination’, New York: DelMonico Books-Prestel, 2015
Lorente, Raquel (ed.), ‘Art Strikes Back!’, Barcelona: Ediciones Polígrafa, 2015
Armstrong, Rachel, Bracker, Alison, et al. ‘Vita Vitale: Azerbaijan Pavilion, La Biennale di Venezia 2015’ Baku: Heydar Aliyev Foundation, 2015, p. 97 (exh. cat.)
Fondazione La Biennale di Venezia (ed.), ‘ La Biennale di Venezia. 56th International Art Exhibition. All the World’s Futures’, Verona: Litopat for Marsilio Editori, 2015, p. 022 (exh. cat.)

Bracker, Dr. Alison, ‘Here Today…’, London: Artwise Curators, 2014, pp. 102 – 103, ill. colour, (exh. cat.)

Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013
Moszynska, Anna, ‘Sculpture Now’, London: Thames & Hudson, 2013

Adrichem, Jan van, Martis, Adi [et al.](eds.), ‘Stedelijk Collection Highlights. 150 Artists from the Collection of the Stedelijk Museum Amsterdam’, Amsterdam: Stedelijk Museum, 2012

Varola, Helen, ‘Diana Thater: Between Science and Magic’, Califonia: Santa Monica Museum of Art and RAM Publications, 2010 (exh. cat.)
Martin, Sylvia, Ermacora, Beate (eds.), ‘Anonyme Skulpturen. Video und Form in der zeitgenössischen Kunst’, Nürnberg: Verlag für moderne Kunst Nürnberg, 2010, pp. 58-63, ill. in colour (exh. cat.)

Budak, Adam, Pakesch, Peter and Arends, Bergit, ‘Diana Thater: gorillagorillagorilla’, Cologne: Walther König, 2009
Holmes, Pernilla, ‘Diana Thater. Tigers and Other People’, Eastbourne: Towner Art Gallery, 2009
Welzel, Mark (ed.), ’200 Artworks 25 Years Artists’ Editions for Parkett’, Zurich: Parkett Publishers, 2009
Moore, Sanna (cur.), ‘Tigers and other people’, Eastbourne: Towner, 2009, ill. (exh. cat)
Von Habsburg, Francesca, ‘The collection book’, Cologne: Verlag Walter König, 2009

Thater, Diana (cur.), ‘...drawling, streching and fainting in coils…’, Munich: Bayrische Staatsoper, Pinakothek der Moderne, 2008, ill. (exh. cat)

Schoen, Christian (ed.), ‘Osram Art Projects 2007’, Munich: Osram Art Projects, 2007, pp. 21-29

Jäger, Joachim, Knapstein, Gabriele, Hüsch, Annette, ‘Jenseits des Kinos: Die Kunst der Projektion’, Ostfildern: Hatje Cantz Verlag, 2006, pp. 48–51
Unterdörfer, Michaela, Emslander, Fritz (eds.), ‘Ballerina in a Whirlpool’, Cologne: Snoeck, 2006, ill.

Blume, Eugen (ed.), ‘Friedrich Christian Flick Collection im Hamburger Bahnhof’, Berlin: Staatliche Museen zu Berlin, 2005, pp. 452-459, ill.
Fox, Oriana, Grant, Catherine (eds.), ‘LA Artland. Contemporary Art from Los Angeles’, London: Black Dog Publishing Ltd., 2005, ill.
O.K Centrum für Gegenwartskunst Oberösterreich, Museum Moderner Kunst Passau (eds.), ‘Die Ordnung der Natur’, Vienna/Bozen: Folio Verlag, 2005, ill.
Palazzo delle Papesse centro arte contemporanea (ed), ‘Guardami. Percezione del video’, Siena: Gli Ori, 2005, ill. (exh. cat.)
Thater, Diana, ‘Dreamland’, New York: Zwirner & Wirth, 2004 (exh. cat.)
Cooke, Lynne (ed.), ‘Robert Smithson Spiral Jetty’, (with an essay by Diana Thater ‘A Man Becomes Unstuck in Time in the Film that Became a Classic!’), Berkeley: University of California Press, 2005

Schneider, Christiane (ed.), ‘Animals’, London: Haunch of Venison, 2004
___, ‘Diana Thater: A Survey Exhibition 2004. Keep the Faith’, Siegen: Kunsthalle Bremen & Museum für Gegenwartskunst, 2004, ill. (exh. cat.)
Hoormann, Anne, ‘Diana Thater. Broken Circle’, Siegen: Museum für Gegenwartskunst, Schriften des Museums für Gegenwartskunst Siegen: Bd. 2, 2004 (exh. cat.)

The Guggenheim Bilbao (ed.), ‘Moving Pictures’, Bilbao, 2003, ill. (exh. cat.)
Goetz, Ingvild, Urbaschek, Stephan (ed.), ‘Fast Forward: Media Works from the Goetz Collection’, Munich: Kunstverlag Ingvild Goetz GmbH, 2003, pp. 368-375, 427, ill. (exh. cat.)
Jongbloed, Marjorie, Oetker, Brigitte, Schneider, Christiane (eds.), ‘Jahresring 50: Jahrbuch für moderne Kunst’ (“odels”, a sequence of works organized by Diane Thater with Jeremy Gilbert-Rolfe, T. Kelly Mason, Charles James and Alexis Teplin), Cologne: Oktagon Verlag, 2003
Christiane Schneider, Haunch of Venison (eds.), ‘Transcendence is expansion and contraction at the same time’ (Diana Thater in discussion with Christiane Schneider. Image layout by Diana Thater), London: Haunch of Vension, 2003 (exh. cat.)
Haunch of Venison (ed.), ‘Transcendence is expansion and contraction at the same time’, London, 2003 (exh. cat.)

Nikolaj Copenhagen Contemporary Art Center (ed.), ‘Making Nature’, Copenhagen, 2002, pp. 86-87, ill. (exh. cat.)
Cooke, Lynn, Kelly, Karen (eds.), ‘Knots + Surfaces’ (texts by Italo Calvino, Lynne Cooke, Adam Frank, Michael Govan, Umberto Eco and Akira Lippit, image layout by Diana Thater), New York: DIA Center for the Arts, 2001 (exh. cat)
Burgess Fuller, Diana, Salvioni, Daniela, San Jose Museum of Art (eds.), ‘Art/Women/California, 1950-2000: Paralles and Intersections’, Berkeley: University of California Press, 2002 (exh. cat.)
Kunsthalle Basel (ed.), ‘Keine Kleinigkeit. Benefiz-Auktion 9. November 2002’, Basel: Schwabe & Co Verlag, Kunsthalle Basel 58/2002

Whitney Museum of American Art (ed.), ‘BitStreams’, New York, 2001, pp. 28-29, ill. (exh.brochure)
Whitney Museum of American Art (ed.), ‘American Visionaries. Selection from the Whitney Museum of American Art’, New York, 2001, p. 305, ill.
The Museum of Contemporary Art (ed.), ‘public offerings’, New York/London: Thames & Hudson, 2001, pp. 148-155, ill. (exh. cat.)
Kelly, Karen (ed.), ‘Diana Thater: Knots + Surfaces’ (text by Lynne Cooke, Akira Lippit, foreword by Michael Govan), New York: DIA Center for the Arts, 2001, ill. (exh. cat)
Häusler, Christa, Schweeger, Elisabeth (eds.), ‘L.A.-ex Performances. Salons Kunst. Wissenschaft/Salons Art.Science’, Ostfildern-Ruit: Hatje Cantz, 2001, pp. 68-79, ill.
Blase, Christoph, ‘Art Now’, Cologne: Taschen, 2001, pp. 158-159, ill.
Nemiroff, Diana, ‘Elusive Paradise. The Millenium Prize’, Ottawa: National Gallery of Canada, 2001, p. 117, ill. (exh. cat.)
Pomona College Museum of Art (ed.), ‘POST-LANDSCAPE: Between Nature and Culture’, Claremont, 2001, pp. 30-31, ill. (exh. cat.)
Burckhardt, Jacqueline et al. (ed.), ‘Parkett Collaborations & Editions since 1984’, Zurich: Parkett Publishers, 2001, pp. 246-247, ill. (exh. cat.)
Bussmann, Klaus (et al.), ‘Intermedia – Dialog der Medien’, Siegen: Museum für Gegenwartskunst, 2001, pp. 46-49, ill. (exh. cat.)

Secession (ed.), ‘Diana Thater’, Vienna: Wiener Secession, 2000, ill. (exh. cat.)
Warr, Tracey, Jones, Amelia (eds.), ‘The Artist’s Body’, London: Phaidon, p. 43
Lunefeld, Peter, ‘Snap to Grid: A User’s Guide to Digital Arts, Media and Cultures’, Cambridge, Massachusetts: The MIT Press, 2000
Städtische Galerie Karlsruhe (ed.), ‘Herausforderung Tier – von Beuys bis Kabakov’, Karlsruhe: Städtische Galerie Karlsruhe, 2000, pp. 104-105, ill. (exh. cat.)
Lineberry, Heather Sealy, Arizona State University Art Museum (eds.), ‘Sites Around the City: Art and Environment’, Tempe: Arizona State University Art Museum, 2000, ill. (exh. cat.)

Phillips, Lisa, ‘The American Century: Art & Culture 1950-2000’, New York: Whitney Museum of American Art, 1999, pp. 371-372, ill. (exh. cat.)
Carnegie Museum of Art (ed.), ‘Carnegie International 1999/2000’, Pittsburgh: Carnegie Museum of Art, 1999, pp. 84-85, ill. (exh. cat.)
McMichael Reese, Carol, MAK Center for Art and Architecture (eds.), ‘The best animals are the flat animals – The best space is deep space’ (texts by Carol McMichael Reece, Amelia Jones, Diana Thater), Los Angeles, 1998 (exh. cat.)
Thater, Diana, Amanshauser, Hildegund (eds.), ‘A Living Theatre’ (text “Proscenium Challenged” by Diana Thater, with individual sections designed by each of the artist), Salzburg: Salzburger Kunstverein, 1999
Salzburger Kunstverein (ed.), ‘Jahresberricht 1999’ (text “A Living Theatre” by Hildegund Amanshauser and Diane Thater), Salzburg: Salzburger Kunstverein, 1999
Carnegie Museum of Art, Carnegie Institute (ed.), ‘Carnegie International 1999/2000: Artists’ Reader’, Pittsburgh: Carnegie Museum of Art, 1999, p. 199
Rinder, Lawrence (ed.), ‘Searchlight: Consciousness at the Millenium’, New York: Thames & Hudson, 1999, pp. 3, 42-43, 176-177, ill. (exh. cat.)
Riemschneider, Burkhard, Grosenick, Uta (eds.), ‘Art at the turn of the millenium: Ausblick auf das neue Jahrtausend’, Cologne: Taschen, 1999, pp. 498-501, ill. (exh. cat.)
Tordoir, Narcisse, Tuymans, Luc, Van de Sompel, Roland (eds.), ‘TroubleSpot’, Antwerpen: NICC/MUHKA, Museum van Hedendaagse Kunst, 1999, p. 103, ill. (exh. cat.)
Neumaier, Otto, ‘Diana Thater. Who are We?’, in: Detterer, Gabriele (ed.), Art Recollection. Artist’s Interviews and Statements in the Nineties, Danilo Montanari & Exit & Zona Archives, 1999, pp. 204-215, ill.

Intra, Giovanni, ‘SPAN: Jessica Bronson, Mariko Mori, Diana Thater’, Auckland/New Plymouth: Artspace, Govett-Brewster Art Gallery, 1998 (exh. cat.)
Douglas, Stan, ‘Diana Thater in Conversation with Stan Douglas’, London: Phaidon Press, 1998
Daftari, Fereshteh, ‘Projects 64: Diana Thater’, New York: Museum of Modern Art, 1998, ill. (exh.brochure)
___, ‘cream (10 curators, 10 writers, 100 artists: contemporary art in culture)’, London: Phaidon, 1998, pp. 369-399, ill.
MAK Center for Art and Architecture (ed.), ‘The best animals are the flat animals’ (text by Carol McMichael Reece, Amelia Jones, Diana Thater), Los Angeles, 1998, ill. (exh. cat.)

Kunstmuseum Bonn (ed.), ‘Multiple Identity. Amerikanische Kunst 1975-1995 aus dem Whitney Museum of American Art’ (text by Johanna Drucker, Donald Kuspit, et.al.), Gonn, 1997 (exh. cat.)
SüdwestLB-Südwestdeutsche Landesbank (ed.), ‘Kunst…Arbeit’, Mannheim, 1997, pp. 206-207, ill. (exh. cat.)
Nittve, Lars, Hackman, William R., ‘Sunshine & Noir: Art in L.A. 1960-1997’, Humlebaek, 1997 (exh. cat.)
Greater Johannesburg Metropolitan Council, South Africa and the Prince Claus Fund of Culture and Development, The Netherlands (eds.), ‘Trade Routes; History and Geography’, (text by Okwui Enwezor, Francesco Bonamai, et al.), Johannesburg, 1997 (exh. cat.)
Castello di Rivoli, Museo d’Arte Contemporanea, Whitney Museum of American Art, Edizioni Charta (eds.), ‘American Art from the Whitney Museum 1975-1997’, Milan, 1997 (exh. cat.)
Bussmann, Klaus, König, Kasper (et al.) (eds.), ‘Skulpturen. Projekte in Münster 1997’, Munster: Gerd Hatje, 1997 (exh. cat.)
The Whitney Museum of American Art (ed.), ’1997 Biennial Exhibition’ (text by Lisa Phillips, Louise Neri), New York, 1997 (exh. cat.)

Thater, Diana, Hamza, Walker, ‘Gay…Black…Female…Whatever’, in: Persona, The Renaissance Society at the University of Chicago, Kunsthalle Basel, 1996, (exh. cat.)
Kunsthalle Basel (ed.), ‘The individual as species, the object as a medium. Diana Thater. Selected Works 1992-1996’, Basel: Schwabe, 1996 (exh. cat.)
Salzburger Kunstverein (ed.), ‘Jahresbericht 1996’ (text by Amanshauser Hildegund, cover and insert by Diana Thater), Salzburg: Salzburger Kunstverein, 1996
___, ‘Electric Mind’ (a screenplay by Diana Thater, includes a introduction by Kathyrn Kanjo and the original short story “Rachel in Love” by Pat Murphy), Gent: Imschoot, uitgevers, 1996 (exh. cat.)
Albright-Knox Art Gallery (ed.), ‘Being & Time. The Emergence of Video Projection’ (text by Marc Mayer), Buffalo: Buffalo Fine Arts Academy, 1996, ill. (exh. cat.)
Rooseum Center for Contemporary Art (ed.), ‘Painting – The Extended Field’ (text by Sven-Olov Wallenstein), Malmo, 1996, ill. (exh. cat.)
Bonami, Francesco (ed.), ‘Echoes. Contemporary Art at the Age of Endless Conclusions’, New York: The Monacelli Press, Inc., 1996, ill. (exh. cat.)
Art Gallery of New South Wales (ed.), ‘Jurassic Technologies. Revenant ‘ (text by Lynne Cooke, Jonathan Crary, et al.), Sydney, 1996, ill. (exh. cat.)
The Renaissance Society, Le Creux de l’Enfer (ed.), ‘China’ (text by Diana Thater, Colin Gardner, Timothy Martin), Chicago, Thiers, 1996 (exh. cat.)

Museum Fridericianum (ed.), ‘Surroundings’, Kassel, 1995 (exh. cat.)
de With, Witte (ed.), ‘Witte de With, Cahier no. 3’, Dusseldorf: Richter Verlag, 1995, ill.
Musée d’art Contemporain de Lyon (ed.), ‘Biennale d’art Contemporain de Lyon’ (text by Thierry Prat, Thierry Raspail, Georges Rey), Lyon, 1995 (exh. cat.)
The Whitney Museum of American Art (ed.), ’1995 Biennial Exhibition’ (text by Klaus Kertess, John Shbery, et al.), New York, 1995 (exh. cat.)
Fundação de Serralves (ed.), ‘Limiares/Threshold’ (text by Dan Cameron), Porto, 1995 (exh. cat.)
Kwangju Biennale Foundation (ed.), ‘Beyond the Borders. Kwangju Biennale’ (text by Kathy Halbreich, Clive Adams, et al.), Seoul, 1995 (exh. cat.)

Deichtorhallen Hamburg (ed.), ‘temporary translation(s): Sammlung Schürmann’ (text by Zdenek, Felix), Hamburg, 1994 (exh. cat.)
Hirsch Foundation (ed.), ‘Optimism’ (Hirsch Farm Project), Northbrook, 1994 (exh. cat.)
van Kooij, Barbara (ed.), ‘Witte de With: Cahiers #3’, Rotterdam, 1994


___, ‘Intersecting Temporal Boundaries. Diana Thater: The Sympathetic Imagination’ in Aesthetica, November 2016, London/UK, p.17
Dittmann, Joan, ‘Art exhibit allows visitors to interact with images’, on: www.chicagotribune.com, Chicago IL, 10 November 2016
Levitt, Aimee, ‘At the MCA, Diana Thater transports visitors to new spaces’, on: www.chicagoreader.com, Chicago IL, 10 November 2016
Waxman, Lori, ‘Where best to experience art? At home or in the museum?’, on: www.chicagotribune.com, Chicago IL, 9 November 2016
Arvia, Janet, ‘MCA Chicago Projects Artist Diana Thater’s ‘Sympathetic Imagination’‘, on: www.rebelliousmagazine.com, Chicago MA, 8 November 2016
___, ‘Comprehensive Diana Thater Exhibit Now Showing at Chicago’s Museum of Contemporary Art’, www.creativeplanetnetwork.com, New York NY, 3 November 2016
Vitali, Marc, ‘Wild Art at MCA Chicago: Immerse Yourself in Animal Imagery’, on: chicagotonight.wttw.com, Chicago IL, 31 October 2016
___, ‘Diana Thater’s ‘Colorvision’ at 1301PE Gallery, Los Angeles’, on: www.blouinartinfo.com, New York NY, 26 October 2016
Leaver, John, ‘Both Like and Unlike’, on: x-traonline.org, Los Angeles CA, September 2016
Hanna, Noah, ‘Boundless Vividity: The Sympathetic Imagination’ in: The Seen, Chicago IL, 20 September 2016
McMillan, Katy, ‘Sun-Times Fall Arts Preview 2016 — Visual Arts’, on: chicago.suntimes.com, Chicago IL, 9 September 2016
___, ‘‘Indestructible’ at SJMA marks debuts of new acquisition by Diana Thater, commission by Evan Holm’, on: www.artfixdaily.com, New York NY, 4 August 2016
Nazif, Perwana, ‘Diana Thater’, on: www.coeval-magazine.com, Los Angeles CA, 29 April 2016
Abrams, Amah-Rose, ‘Artist Diana Thater Documents the Last Northern White Rhinos on Earth’, on: www.news.artnet.com, New York NY, 13 April 2016
Zellen, Jody, ‘Diana Thater: The Sympathetic Imagination’, in: After Image’ New York NY, March 2016, pp. 26-27
___, ‘Los Angeles County Museum of Art’, in: Sculpture Magazine, Washington DC, February 2016, p.2
Creahan, D., ‘Los Angeles – Diana Thater: “The Sympathetic Imagination”’, on: www.artobserved.com, New York NY, 18 February 2016
Lytle-Painter, Emily, ‘Installing Diana Thater’, on: www.unframed.lacma.org, Los Angeles CA, 17 February 2016
Griffin, Jonathan, ‘Diana Thater’, on: www.artinamericamagazine.com, New York NY, 1 February 2016
Cotton, Charlotte, ‘Diana Thater, Los Angeles County Museum of Art’, in: Artforum, New York NY, February 2016
Menzies, Michelle, ‘Critics Pick’s: Los Angeles’, on: www.artforum.com, New York NY, 27 January 2016
___, ‘Diana Thater: gorillagorillagorilla’, on: www.artdependence.com, Brussels/BE, January 2016
___, ‘The Sympathetic Imagination’, in: Monopol, Berlin/DE, January 2016

Vikram, Anuradha, ‘Hashtags: Dominion’, on: www.dailyserving.com, San Francisco CA, 16 December 2015
Smythe, Katie, ‘ Diana Thater at LACMA: sci-fi vibes, VHS and all the colours of the rainbow’, on: www.latimes.com, Los Angeles CA, 9 December 2015
Mizota, Sharon, ‘Diana Thater: The Sympathetic Imagination at LACMA stuns the senses’, in: www.latimes.com, Los Angeles CA, 9 December 2015
Cooke, Lynne, Govan, Michael, ‘A Conversation with Diana Thater’, Los Angeles CA, 7 December 2015
Angeleti, Gabriella, ‘Career Retrospective focuses on Diana Thater’s Ecological Concerns’, in: The Arts Newspaper, London/UK, 4 December 2015
Stromberg, Matt, ‘In Diana Thater’s Immersive Videoscapes at LACMA, Viewers Enter a World Governed by Animals’, on: www.artsy.net, New York NY, 30 November 2015
___, ‘Diana Thater: the sympathetic imagination’, on: www.thefamilysavvy.com, Los Angeles CA, 26 November 2015
Osnos, Corinne, ‘LACMA Unveils Its Largest Exhibit Dedicated to a Female Artist’, on: www.la-confidential-magazine.com, Los Angeles CA
Travers Andrew, ‘The Wild World of Diana Thater: ‘gorillagorillagorilla’ at the Aspen Art Museum’, on: www.aspentimes.com, Aspen CO, 13 November 2015
___, ‘LACMA Presents Film and Video Artist Diana Thater’s First Career Retrospective’, on: www.creativeplanetnetwork.com, New York NY, 10 November 2015
Bryant, Eric, ‘No Looking Back: LACMA Closes Out Its 50th Year’, on: www.blouinartinfo.com, New York NY, 6 November 2015
Kino, Carol, ‘Film and Video Artist Diana Thater’s First Retrospective at LACMA’, on: www.wsj.com, New York NY, 5 November 2015
Fort, Patrick, ‘Gorillas, cloth and words’, on: www.aspenpublicradio.org, Aspen CO, 4 November 2015
Miller, M.H., ‘Art Basel Miami Beach 2015 Announces Film Program’, on: www.artnews.com, New York NY, 23 October 2015
Muhlfeld, Liza, ’25 Most Collectible Midcareer Artists: Diana Thater’, on: www.blouinartinfor.com, New York NY, 27 September 2015
Schwendener, Martha, ‘Museum & Gallery Listings for the Fall and Beyond’, on: www.nytimes.com, New York NY, 7 September 2015
Berardini, Andrew, ‘Diana Thater: The Sympathetic Imagination’, in: Artforum, New York NY, September 2015, p. 212
___, ‘Diana Thater’, in: Art + Auction, New York NY, September 2015
___, ‘Diana Thater’, in: Art In America, New York NY, August 2015, p. 42
Ferguson, Joe, ‘Review: Navigating Between Science and Art in Work by Diana Thater’, on: www.sciartinamerica.com, New York NY, 28 August 2015
McQuade, Lauren, ‘The Broad Collection: Inside LA’s New Free Art Museum with Director Joanne Heyler’, on: www.artslant.com, Los Angeles CA, 26 August 2015
Chandler, Anna, ‘Come As You Are: Telfair brings ’90s to life again’, on: www.connectsavannah.com, Savannah GA, 10 June 2015
___, ‘Different Strokes’, on: artforum.com, New York NY, 5 June 2015
___, “Diana Thater: Life is a Time-Based Medium, Hauser & Wirth’, on: www.culturewhisper.com, London/UK, 19 March 2015
Neil, Jonathan T.D., ‘Diana Thater Science, Fiction. David Zwirner, New York 8 January – 21 February’, in: Art Review, New York NY, London UK, March 2015, p. 133, ill. colour
___, ‘Come As You Are: the grungiest art of the 90s – in pictures’, on: www.theguardian.com, London UK, 3 February 2015
Plagens, Peter, ‘A Tirbute to the Lowly Beetle, Plus Bringing Myths to Life’, on: www.wsj.com, New York NY, 30 January 2015
Johnson, Ken, ‘Diana Thater. ‘Science, Fiction’‘, in: The New York Times, New York NY, 30 January 2015
___, ‘Diana Thater: ‘Science, Fiction’, on: www.nytimes.com, New York NY, 29 January 2015
Creahan, Daniel, ‘New York – Diana Thater: “Science, Fiction“ At David Zwirner Through February 21st, 2015’, on: www.artobserved.com, New York NY, 24 January 2015

Finkel, Jori, Kennedy, Randy, ‘Los Angeles Museum Names a New Director’, on: www.thenewyorktimes.com, New York NY, 15 January 2014
Griffin, Kevin, ‘Twisty new downtown Vancouver tower designed to inspire’, on: www.vancouversun.com, Vancouver CA, 17 February 2014
Hirschowitz, Bianca, ‘Hauser & Wirth Heads West’, on: artlog.com, 12 June 2014
Knight, Christopher, ‘Los Angeles’ art world is bigger and wider’, on: www.latimes.com, Los Angeles CA, 12 September 2014
Spines, Christine, ‘Of animals, art and otherness: Q&A with incoming Grad Art chair, Diana Thater’, on: blogs.artcenter.edu/dottedline, Pasadena CA, 8 April 2014
Spula, Ian, ‘The Loop Has 500 New Luxury Apartments at OneEleven Wacker’, on: www.chicagomag.com, Chicago IL, 30 June 2014

Williams, Maxwell, ‘Art Los Angeles Contemporary Director Previews the Santa Monica Fair’, on: www.hollywoodreporter.com, Los Angeles CA, 16 January 2014
___, ‘New Chair: Diana Thater’, on: www.artcentermfa.net, Los Angeles CA, 1 September 2014

___, ‘Frieze Favourites. Our Pick From The London Art Fair’, on: www.ultravie.co.uk, London UK, 21 October 2013, ill.
Harris, Gareth, ‘Pinault collection gets Paris show’, in: The Art Newspaper, London UK, September 2013, p. 7
___,‘Video Artist Diana Thater’s Dreamlike Displays’, on: www.creativeplanetnetwork.com, 19 July 2013, ill.
___, ‘Hello, Babylon! The Art World is cheating on New York with Los Angeles’, in: Gallerist NY, New York NY, 18 June 2013, ill.
Crown, Kelly, ‘The Escape Artist’, on: www.online.wsj.com, New York NYC, 14 March 2013, ill.
___, ‘David Zwirner to Present Work of Diana Thater Set for THE ARMORY SHOW’, on: www.broadwayworld.com, New York NY, 26 February 2013, ill.
Mac Adam, Alfred, ‘Diana Thater-Review’, in: Art News, New York, January 2013, p.91, ill.
Neil, Jonathan T.D., ‘DinanThater: Chernobyl’, in: Art Review, London, January/February 2013, p.119, ill.

___, ‘David Zwiner reopens gallery space with exhibition by artist Diana Thater’, in: Art Daily, Online, 13 November 2012, ill.
___, ‘David Zwiner opens post-Sandy with Diana Thater’s ‘Chernobyl’ video’, in: The Los Angeles Times’, Los Angeles, 5 November 2012, ill.
___, ‘‘Mankind Will Destroy Civilization’: Diana Thater on Her David Zwirner Show’, in: Art Info, New York, 14 November 2012, ill.
___, ‘See.Inside the Zone of Alienation.Diana Thater’, in: Artlog, Online, 9 November 2012, ill.
___, ‘Silent video installation gives 20th anniversary encore at 1301 PE Gallery’, in: South California Public Radio’, Online, 17 November 2012, ill.
___, ‘The David Zwirner Gallery reopens with Dina Thater’, in: Art Media Agency, 9 November 2012, Online
Duray, Dan, ‘Diana Thater Brings (More) Devastation to Chelsea (In a Good Way)’, on: galleristny.com, New York NY, 8 November, ill.
Estefan, Kareem, ‘Chelsea After Sandy: A Roundup with Diana Thater’s ‘Chernobyl’ at David Zwirner …’, in: Art Agenda, New York, 14 November 2012, ill.
Groblar, Demetrij, ‘Diana Thater and her zoo video installations’, in: Authoria, Online, 24 October 2012, ill.
Gopnik, Blake, ‘The Daily Pic: After Sandy, Diana Thater shows that Chernobyl was even worse’, The Daily Beast, Online, 6 November 2012
Kagel, Jenna, ‘Silent Video Installation gives 20th Anniversary encore at 1301 PE Gallery’, on: www.scpr.org, 17 November 2012, Southern California, ill.
Régnier, Philippe, ‘Lancement du ‘Galapagos Project’ à Monaco’, in: Le Quotidien de l’Art, Paris, December 2012, p.9
Steinberg, Claudia, ‘New York galleries after Sandy. Uncanny parallels: Diana Thater’s video installation’, on: artstation.com, 16 November 2012, New York, ill.

Ayers, Robert, ‘Diana Thater’, in: ARTnews, New York NY, May 2010, p. 112, ill.
Neil, Jonathan T. D., ‘ Diana Thater. Between Science and Magic’, in: Art Review, London, April 2010, p. 112
Willems, Brian, ‘Diana Thater. Pet Fixations’, in: Art US, New York NY, 2009, p. 92-99, ill.

Ward, Ossian, ‘After Darwin’, in: Time Out, London, 16 July 2009, ill.
Sansone, Valentina, ‘Diana Thater, Kunsthaus Graz’, in: Flash Art, New York, May 2009, p. 88, ill.
Sholis, Brian, ‘Diana Thater: gorillagorillagorilla’, in: Artforum, New York, January 2009, p. 136, ill.

Kantor, Jordan, ‘Los Angeles. California Video’, in: Artforum, New York, No. 5, January 2008, p. 135
Hudson, Suzanne, ‘Diana Thater. David Zwirner’, in: Artforum, New York, vol. XLVI, No. 7, March 2008, pp. 359-360, ill.

Luz, Kathrin, ‘Idylle’, in: Kunstforum, Ruppichteroth, Bd. 184, March-April 2007, pp. 295-297, ill.
___, ‘Diana Thater’, in: StadtBauwelt 174, Berlin, vol. 98, No. 24, 22 June 2007, pp. 74-75, ill.

Fronz, Hans-Dieter, ‘Alles dreht sich um den Kreis’, in: Badische Zeitung, Freiburg/Breisgau, 4 October 2006, p.11, ill.
dü, ‘Ausstellung setzt Werke und Betrachter in Bewegung’, in: Badisches Tagblatt, Baden-Baden, 2 October 2006, p. 1
___, ‘Hauser & Wirth Collection in Baden-Baden’, in: Badisches Tagblatt, Baden-Baden, 30 September 2006, p. 1
Lenhardt, Christiane, ‘Spielerisch die Welt umkreisen und erklären’, in: Badisches Tagblatt, 30 September 2006, p. 1, ill.
Thiele, Carmela, ‘Wanderung in die Tiefe’, in: Badische Neueste Nachrichten, Baden-Baden, 30 September 2006, p. 1
___, ‘Die Zeit wird bei 1000 Uhren zur physischen Erfahrung’, in: Badisches Tagblatt, Baden-Baden, 28 September 2006, p. 1
___, ‘Neues aus Museen und Kunsthallen’, in: Informationsdienst Kunst, Regensburg, Nr. 360, 14 September 2006, p. 6
Berwick, Carly, ‘Whitney Biennal 2006: “Day For Night”’, in: Artnews, New York, vol. 105, no. 5, May 2006, p. 156, ill.

Thater, Diana, ‘A Man Becomes Unstuck in Time in the Film that Became a Classic!’, in: Robert Smithson Spiral Jetty, University of California Press, Berkeley, 2005
FW, ‘Printemps de septembre’, in: Modern Painters, London, December 2005/January 2006, p. 128, ill.
Smith, P.C., ‘Diana Thater at David Zwirner and Zwirner & Wirth’, in: Art in America, New York, No. 5, May 2005, p. 160
Zaunschirm, Thomas, ‘Im Zoo der Kunst II: XII. Noch ein paar naive oder falsche Fragen zu den Grenzen der Kunstgattungen’, in: Kunstforum International, Ruppichteroth, Vol. 175, April-May 2005, pp. 86-93, ill.
Avgikos, Jan, ‘Diana Thater. David Zwirner Gallery’, in: Artforum International, New York, April 2005, p. 186, ill.
CKH, ‘Diana Thater: Continuous Contiguous’, in: Modern Painters, London, March 2005, p. 99, ill.

Lindinger, Gabriele, Schmid, Karlheinz, Wirth, Iwan (eds.), ‘Kunstjahr 2004. Die Zeitschrift, die Bilanz zieht’, Regensburg: Lindinger + Schmid, 2004, pp. 252-253, ill.
Bessling, Rainer, ‘Berauschende Farbräume’, in: Foyer. Das Kulturjournal für Bremen und den Nordwesten, Bremen, no. 54, 2004, pp. 48-49, ill.
Zamudio-Taylor, Victor, ‘Art Pace A Foundation for Contemporary Art. A New Model of Contemporary Art Advocacy’, in: arco contemporary art, Madrid, no. 34, Winter 2004, pp. 38-43, ill.
Laukötter, Frank, ‘Diana Thater. Keep the faith. A survey exhibition’, in: Punkt. Kunst im Nordwesten, Bremen: Der Kunstverein in Bremen, no. 1, 2004, pp. 4-5, ill.
Schmid, Karlheinz, ‘Auf Nummer Sicher’, in: Kunstzeitung, Regensburg, no. 99, November 2004, p. 13
Claus, Jürgen, ‘Architektur aus Farblicht’, in: Kunstjahr 2004, Regensburg, no. 4, 2004, pp. 252-253, ill.
Herchenröder, Christian, ‘Debüt mit Stärken und Schwächen’, in: Handelsblatt, Dusseldorf, 24 September 2004, p. 43
Basting, Barbara, ‘Die Evangelisierung des Museums’, in: Tages Anzeiger, Zurich, 23 September 2004, p. 61
Liebs, Holger, ‘Bis in alle Ewigkeit’, in: Süddeutsche Zeitung, Munich, 22 September 2004, p. 15
Mack, Gerhard, ‘Kunst taugt nicht für Moral’, in: NZZ am Sonntag, Zurich, 19 September 2004, p. 69
Dattenberger, Simone, ‘Seriöse Moderne’, in: Oberbayerisches Volksblatt, 8 August 2004, p. 16
Knapp, Gottfried, ‘Das Kunstberfwerk’, in: Süddeutsche Zeitung, Munich, 24 July 2004, p. 13

Glover, Michael, ‘Diana Thater’, in: Artnews, New York, vol. 102, no. 8, September 2003, pp. 144-145, ill.
Darling, Michael, ‘Sitings: Installation Art 1969-2002’, in: MOCA The Contemporary, Los Angeles, September/October/November 2003, pp. 8-9, ill.
Kitamura, Katie, ‘Diana Thater: Transcendence in Expansion and Contraction at the Same Time’, in: Contemporary Magazine, London, no. 53/54, August 2003, pp. 121-122
___, ‘Diana Thater’, in: The Guardian Guide, London, 10-16 May 2003, p. 35
___, ‘Nature reserve’, in: ArtReview, London, vol. LIV, May 2003, p. 23, ill.
Menin, Samuele, Sansone, Valentina, ‘Focus Video and Film. Contemporary Video Art (Part II) ‘, in: Flash Art, Milan, vol. XXXVI, no. 229, March-April 2003, pp. 92-99, ill.

Fronz, Hans-Dieter, ‘Claude Monnet… bis zum digitalen Impressionismus. Fondation Beyeler, Riehen bei Basel’, in: Kunstforum, Ruppichteroth, no. 160, June-July 2002, pp. 426, 428, ill.
Hontoria, Javier, ‘Diana Thater’, in: Lapiz, Madrid, June 2002, p. 74
Le Foll, Nathalie, ‘Monet Moderne’, in: Connaissance des Arts, Paris, May 2002, p. 30
Neuerbourg, Hanns, ‘Seeing Monet as a Precursor to Digital Art’, in: LA Times, Los Angeles, 13 April 2002

___, ‘Dia Center for the Arts’, in: Conaissance des arts, Paris, special issue “Chelsea”, 2001, p. 32, cover, ill.
___, ‘Elusive Paradise: The Millennium Prize’, in: Vernissage, The Magazine of the National Gallery of Canada, Ottawa, vol. 3, no. 2, Spring 2001, p. 10, ill.
___, ‘Dia Center for the Arts’, in: Tema Celeste, Milan, vol. XVIII, no. 88, November-December 2001, p. 105, ill.
Barlow, Melinda, ‘Sculpture and architecture in dialogue: a conversation with Diana Thater’, in: Sculpture, Washington, October 2001, pp. 34-39
Skarf, Shayna, ‘Diana Thater, Knots + Surfaces’, in: Time Out, New York, 27 September -4 October 2001, p. 84, ill.
Pollack, Barbara, ‘Back to the Future with “BitStreams”’, in: Art in America, New York, vol. 89, no. 9, September 2001, pp. 60-63, ill.
Israel, Nico, ‘Public Offerings’, in: Artforum, New York, September 2001, p. 189
___, ‘Keine Helden. Documenta 11: Die ersten Namen – ohne Gewähr’, in: Kunstzeitung Regensburg, Regensburg, Nr. 61, September 2001, p. 9, ill.
Campbell, Clayton, ‘Public Offerings’, in: Flash Art, Milan, vol. XXXIV, no. 219, July-September 2001, p. 117
Wilson, Michael, ‘Diana Thater’, in: Art Monthly, London, July-August 2001, pp. 46-47
Cooke, Lynne, ‘Public Offerings’, in: Burlington Mazazine, London, July 2001, pp. 458-459
Tillyard, Virginia, ‘Bit Streams and Data Dynamics’, in: Burlington Magazine, London, June 2001, pp. 394-395
Gilbert, Andrea, ‘Splash: Big Names in Contemporary Art Dive to Their Limits’, in: View (lifestyle magazine of Kathimerini), Athens, June 2001, pp. 88-93, ill.
Reidemeister, Johann Christoph, ‘Gross, bunt und spannend – La vie en orange. Die Zürcher Galerie Hauser & Wirth und die amerikanische Videokünstlerin Diana Thater’, in: Neue Zürcher Zeitung, Zurich, no. 133, 12 June 2001, p. B7 (special supplement Art 32 Basel), ill.
Ihle, Pascal, ‘Ein Fluss von Elementarteilchen. “Bitstreams” – digitale Kunstwelten im Whitney Museum’, in: Neue Zürcher Zeitung, Zurich, no. 128, 6 June 2001, p. 61
Dichter, Claudia, ‘Signale in Siegen’, in: Art, Hamburg, no. 6, June 2001, p. 121, ill.
Scott, Melanie, ‘Elusive Paradise’, in: ARTnews, New York, vol. 100, no. 7, Summer 2001, p. 186
___, ‘museum für gegenwartskunst siegen’, in: Frame, Vienna, no. 7, May/June 2001, p. 18, ill.
___, ‘Public Offerings @ The L.A. MoCA’, in: Flash Art, Milan, vol. XXXIV, no. 218, May-June 2001, p. 78
___, ‘Public Offerings’, in: Tema Celeste, Milan, vol. XVIII, no. 85, May-June 2001, p. 108
Barrot, Olivier, Schmitt, Sophie, ‘New York contemporain de Chelsea au Meat Market’, in: L’Oeil, Paris, no. 526, May 2001, pp. 31-36
Muchnic, Suzanne, ‘Ascent of the Early Risers’, in: Los Angeles Times, Los Angeles, 1 April 2001
Miles, Christopher, ‘MOCA Takes Stock of the ‘90s’, in: Art & Auction, New York, 1 April 2001
Pollack, Barbara, ‘Diana Thater’, in: ARTnews, New York, vol. 100, no. 4, April 2001, p. 139, ill.
___, ‘Diana Thater’, in: Bitstreams, Whitney Museum/ New York, 22 March – 10 June 2001, pp. 28-29, ill.
___, ‘Bitstreams’, in: Tema Celeste, Milan, vol. XVIII, no 84, March-April 2001, p.116
___, ‘MOCA Examines Ponts of Emergence of Today’s Significant Artists’, in: Antiques & The Arts Weekly, Newtown, 30 March 2001
Gellatly, Andrew, ‘Enclosed and Enchanted’, in: Frieze, London, no. 56, January-February 2001, p. 114
Schendener, Martha, ‘Diana Thater. Dia Center for the Arts’, in: Artforum, New York, vol. XXXIX, no. 5, January 2001, p. 37, ill.
Tumlir, Jan, ‘Public Offerings. Museum of Contemporary Art’, in: Artforum, New York, vol. XXXIX, no. 5, January 2001, p. 43
___,‘Tenth Reunion. Jan Tumlir talks with Paul Schimmel and Howard Singerman’, in: Artforum, New York, vol. XXXIX, no. 5, January 2001, pp. 120-123
Moreau, Patric, ‘Diana Thaters visuella överdad’, in: Kristianstadsbladet, 8 January 2001, p. 5, ill.
Allerholm, Milou, ‘Diana Thater’, in: Dagens Nyheter, Stockholm, 5-11 January 2001, p. 19

Amanshauser, Hildegund, ‘Diana Thater , in: Secession (ed.), Secession magazine, Vienna: Secession, no. 1, 2000, pp. 4-5, ill.
Arrhenius, Sara, ‘Come Closer On the Intimacy of Vision in the Art of Diana Thater’, in: Parkett, Zurich, no. 60, December 2000, pp. 76-87, ill.
Haslinger, Regina, ‘Die Erinnerung der Kunst an das Tier’, in: Parkett, Zurich, no. 61, December 2000, pp. 88-101, ill.
Gilbert-Rolfe, Jeremy, ‘Water, Sun, and Thinking Bodies’, in: Parkett, Zurich, no. 61, December 2000, pp. 102-115, ill.
Thater, Diana, ‘Edition for Parkett: Untitled, 2000’, in: Parkett, Zurich, no. 61, December 2000, pp. 116-117, ill.
Ulvskog, Marita, Wigzell, Olivia, ‘Brännpunkt: Kulturell kollaps i huvudstaden’, in: Svenska Dagbladet, Stockholm, 19 December 2000, p. 18, ill.
Madestrand, Bo, ‘Spöken fran rymden’, in: Express, 12 December 2000, ill.
Andersson, Fred, ‘Solen ser oss i Tensta’, in: Svenska Dagbladet, Stockholm, 9 December 2000, ill.
Karlstam, Cristina, ‘Själva solen installerad, Ljusmaleren Diana Thater’, in: Upsala Nya Tidning, Upsala, 1 December 2000, ill.
Olofsson, Anders, ‘Tensta Konsthall: Diana Thater (18/11-28/1 2001) ‘, on: http://www.ao-ordbod.a.se/recensioner/thater.html, 29 November 2000
Ericsson, Lars O., ‘Solen blir verkligare pa video’, in: Dagens Nyheter, Stockholm, 24 November 2000, ill.
Olsoon, Thomas, ‘Videokonst utan mörka rum’, in: metro, 21 November 2000, p. 27, ill.
Uha, ‘Ein Streifzug nach Babylon und zu den Tieren. Ausstellungen und Uraufführungen im Programm der Stadt und des Badischen Staatstheaters’, in: Badische Neueste Nachrichten, 19 November 1999, ill.
T.T., ‘Rymden är vart tredje livsrum’, in: Svenska Dagbladet, Stockholm, 17 November 2000, p. 2, ill.
Schröck, Petra, ‘Diana Thater. Natur ist eine Sprache’, in: Eikon, Vienna, no. 33, September 2000, pp. 29-36, ill.
Buchhart, Dieter, ‘Diana Thater: “Delphine”’, in: Kunstforum International, Ruppichteroth, no. 151, July – September 2000, pp. 394-395, ill.
Hoffmann, Justin, ‘L.A.-ex’, in: Kunstforum International, Ruppichteroth, no. 151, July – September 2000, pp. 387-388, ill.
___, ‘Karlsruhe: ‘Herausforderung Tier-von Beuys bis Kabakov’ in der Städtischen Galerie’, in: Kunst-Bulletin, Stäfa, no. 7/8, July-August 2000, p. 45, ill.
Rajki, Florian, ‘Erhabenes’, in: Zürichsee-Zeitungen, Stäfa, 20 May 2000, p. 31
Stammen, Silvia, ‘“the future that almost wasn’t” Kein Rausch’, in: Süddeutsche Zeitung, Munich, 19 May 2000
___,‘Einsichten – Ansichten, “Herausforderung Tier” in der Städtischen Galerie’, in: Stadtzeitung, Karlsruhe, 14 May 2000
Chf., ‘Vom Umgang mit dem Tier’, in: Handelsblatt Düsseldorf, Dusseldorf, 2 May 2000
Doswald, Christoph, ‘Hollywood der Kunst’, in: Facts, Zurich, no. 15, 13 April 2000, pp. 158-164, ill.
Hübl, Michael, ‘Zwischen Osterhäschen und Versuchskarnickel’, in: Badische Neueste Nachrichten, Karlsruhe, 13 April 2000, ill.
Afr., ‘Kunststücke Zukunft. 1. Europäische Kulturtage Karlsruhe’, in: Klappe Auf, Karlsruhe, April 2000, ill.
___, ‘Natur, glücklich und herausfordernd: Das Tier’, in: Klappe Auf, Karlsruhe, April 2000
___, ’15. Europäische Kulturtage Karlsruhe’, in: Szene Aktuell, Karlsruhe, April 2000, ill.
St.G., Erd., ‘Herausforderung Tier – von Beuys bis Kabakov im Rahmen der 15. Europäischen Kulturtage Karlsruhe 2000 “KunstStückZukunft”’, in: Die Südweststadt / Bürgerzeitschrift Karlsruhe, Karlsruhe, April 2000
___, ‘Vieh Versprechend’, in: Marie Claire, Munich, April 2000, ill.
___,‘Herausforderung Tier von Beuys bis Kabakov’, in: bühnenblick/hebdoscope, Karlsurhe, no. 44, 2000, ill.
___, ‘Herausforderung Tier – von Beuys bis Kabakov’, in: tierschützer, Karlsruhe, vol. 16, no. 1, 2000, ill.
Lacayo, Richard, ‘The joyful noises’, in: Time, 30 April 2001, pp. 48-49, ill.
Renggli, Hans, ‘Analytische Magie’, in: Züritipp, Zurich: TA-Media AG, no. 13, 31 March – 6 April 2000, p. 61, ill.
M.S., ‘US-Video-Kunst in Zürich. Fischperspektiven’, in: Schweizer Illustrierte, Zurich, 27 March 2000, p. 82, ill.
Lamarche, Bernard, ‘Encore des paysages! ‘, in: Le Devoir, 17 March 2001, p. D10
Gessell, Paul, ‘Review’, in: Calgary Herald, 23 February 2001, p. C7
Hofleitner, Johanna, ‘Zeitgeist als Kopie seiner selbst’, in: Die Presse, Vienna, February 17, 2000, ill.
___, ‘Review’ in: Wienside, Vienna, no. 28, 11 February 2000, ill.
___, ‘Elusive Paradise Exhibit and ‘Nikel’‘, in: Ottawa Morning Theatre Critic, 12 February 2001
Stoffman, Judy, ‘Millenium Prize finalists capture themes of paradise in exhibition’, in: The Toronto Star, 11 February 2001, p. D6
Descôteaux, Josée, ‘Pouvoir de l’art. Paradis insaisissables’, in: Le Droit, Ottawa, 10 February 2001, p. A37
___, ‘Melancholie der Spassgesellschaft. Fast Food Restaurant von Muntean/Rosenblum und “Delphine” von Diana Thater in der Wiener Secession’, in: Neue Zeit Graz, Graz, 4 February 2000
Melchart, Erwin, ‘Eintauchen zum “Big Mäc”’, in: Neue Kronen Zeitung, Vienna, 3 February 2000
Borchhardt-Birbaumer, Brigitte, ‘Unterwassertheater und Fastfood-Lokal’, in: Wiener Zeitung, Vienna, 1 February 2000, ill.
___, ‘Diana Thater ‘, in: Vernissage. Zeitschrift für den Galeriefreund, Vienna, no. 1, February 2000
___, ‘Melancholie der Spassgesellschaft, Muntean, Rosenblum und Diana Thater in der Secession’, in: Vorarlberger Nachrichten, Bregenz, 30 January 2000
Horny, Henriette, ‘Kluge Tiere und traurige Kids’, in: Kurier, Vienna, 28 January 2000
Krumpl, Doris, ‘Flipper und der Jugend-Style’, in: Der Standard, Vienna, 27 January 2000, p. 17
___, ‘Review’, in: Die Presse, Vienna, 27 January 2000
___, ‘Review’, in: Der Standard, Vienna, 26 January 2000

Cooke, Lynne, ‘Diana Thater: On Location’, in: Parkett, Zurich, no. 56, September 1999, pp. 177-188, ill.
Becker, Ilka, ‘Spurlos vorhanden, zum Verhältnis von Raum und Betrachter in einigen Videoprojetionen’, in: Texte zu Kunst, Cologne, vol. 9, no. 36, December 1999, pp. 114-127, ill.
___, ‘Review’, in: Die Presse, Vienna, 16 December 1999
Kraynak, Kanet, ‘Diana Thater’, in: Documents, Paris, Winter 1999, pp. 33-38
Binder, Mary, ‘...And Illusion’, in: Pittsburgh City Paper, Pittsburgh, 7 July 1999
Shearing, Graham, ‘Video harnessed’, in: Tribune Review, Pittsburgh, 1 July 1999, p. 29
Thomas, Mary, ‘Thater video installation plays with the senses at Carnegie’, in: Post Gazette, 26 June 1999, ill.
Buskirk, Martha, ‘Art Around the Hub’, in: Art in America, New York, vol. 87, no. 6, June 1999, pp. 57-63, ill.
Joyce, Julie, ‘Diana Thater’, in: Art Issues, Los Angeles, March-April 1999, p. 44
Frank, Peter, ‘Diana Thater’, in: ARTnews, New York, vol. 98, no. 3, March 1999, p. 139
Hettig, Frank-Alexander, ‘Diana Thater’, in: Kunstforum International, Ruppichteroth, no. 143, January-February 1999, pp. 428-429, ill.
Intra, Giovanni, ‘La Struttura Mobile’, in: Tema Celeste, Milan, January-February 1999, pp. 50-53

Sichel, Berta, ‘Diana Thater’, in: Flash Art, Milan, vol. XXXI, no. 203, November-December 1998, p. 107
Thater, Diana, Neumaier, Otto, ‘Wer sind wir?’, in: Noëma Art Journal, Vienna, no. 49, October-November 1998, pp. 46-51, ill.
Johnson, Ken, ‘Diana Thater’, in: New York Times, New York, vol. CXLVIII, no. 51’326, 30 October 1998, p. E38
Lunenfeld, Peter, ‘Diana Thater/Constraint Decree’, in: Art/Text, Dusseldorf, no. 63, August-October 1998, pp. 66-72
Sykes, Martin, ‘Split Images’, in: New Zealand Herald, Auckland, 6 February 1998
Fogle, Douglas, ‘Diana Thater. Being Inside of a Work of Art’, in: Flash Art, Milan, vol. XXXI, no. 198, January-February 1998, pp. 86-89, ill.

___, ‘New Art’, New York: Harry N. Abrams, 1997, ill.
Thater, Diana, Mason, T. Kelly, ‘The Future that almost wasn’t’, in: Transcript, Glasgow, vol. 2, no. 3, 1997, pp. 38-43
Höpker, Thomas, ‘Szene Los Angeles’, in: Art, Hamburg: Gruner + Jahr, no. 12, December 1997, pp. 30-41, ill.
Cameron, Dan, ‘Glocal Warming. 1997 in review’, in: Artforum, New York, vol. XXXVI, no. 4, December 1997, p. 17, ill.
Dany, Hans-Christian, ‘Diana Thater’, in: Frieze, London, June-July 1997, pp. 90-91
Salvioni, Daniela, ‘The Whitney Biennial’, in: Flash Art, Milan, vol. XXX, no. 195, Summer 1997, pp. 114-117, ill.
Goodeve, Thryza Nichols, ‘Signs of the Times’, in: Artforum, New York, vol. XXXV, no. 9, May 1997, p. 25
Staniszewski, Mary Anne, ‘Diana Thater: Orchids in the Land of Technology’, in: Artforum, New York, vol. XXXV, no. 9, May 1997, p. 62, ill.
Rugoff, Ralph, ‘L.A.‘s Female Art Explosion’, in: Harper’s Bazaar, New York, April 1997, pp. 204-205, 246
Ellison, Victoria, ‘Girl is a Camera’, in: Aorta, Oakland, April 15, 1997, pp. 16-17
Mummenhoff, Julia, ‘Von Wölfen und Konstrukten’, in: Szene Hamburg, Hamburg, March 1997, pp. 70-97
Gerlach, Gunner F., ‘“Was nahe liegt ist doch so fern” und Diana Thaters Video-Räume’, in: TAZ, Hamburg, 15-16 February 1997, p. 3
Birnbaum, Daniel, ‘Painting-The Extended Field’, in: Artforum, New York, vol. 35, no. 6, February 1997, p.84
Fielder, Nadine, ‘Diana Thater at the Portland Art Museum’, in: Artweek, Vienna, January 1997
Fulcher, Dawn, ‘Diana Thater: Orchids in the Land of Technology’, in: Contemporary visual arts, London, no. 15, 1997, p. 94
Usherwood, Paul, ‘Diana Thater’, in: Art Monthly, London, no. 202, December 1996-January 1997, p. 36

Amanshauser, Hildegund, ‘Diana Thater’, in: Camera Austria, Graz, no. 54, 1996, pp. 22-28
Gragg, Randy, ‘Electric Nature’, in: The Sunday Oregonian, 20 November 1996, p. 14
Row, D.K., ‘A Small Victory’, in: Willamette Week, 20 November 1996, p. 56
Thater, Diana, ‘I Wanna Be Your Dog’, in: China, Chicago: The Renaissance Society at the University of Chicago/Le Creux de l’Enfer Centre d’Art Contemporain de Thiers, 1996
Huntington, Richard, ‘Phantom figures, screaming clowns enliven Albright-Knox video show’, in: Buffalo News, Buffalo, 10 November 1996, pp. F1, F6
Domesle, Andrea, ‘A Mouse is a Girl, is a Cat, is a Chimp’, in: Neue Zürcher Zeitung, Zurich, vol. 217, no. 244, 19 October 1996, p. 46
Spinelli, Claudia, ‘Gelb, Zyan, Grün, Magenta, Rot und Blau’, in: Kunst-Bulletin, Zurich, no. 10, October 1996, pp. 16-23
Gassert, Siegmar, ‘Neue Identität’, in: Dreiland Zeitung, 4 October 1996
Müller, Hans-Joachim, ‘Blumen, Buntheit, Bilder und Bedingungen’, in: Basler Zeitung, Basel, 17 September 1996
Spinelli, Claudia, ‘Wer sind wir? Wie verhalten wir uns? Ein Gespräch mit Diana Thater’, in: Basler Zeitung, Basel, 17 September 1996
Qualls, Larry, ‘Five Video Artists’, in: Performing Arts Journal, Baltimore, September 1996, pp. 1-13
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, New York, vol. CXLV, no. 50’439, 26 May 1996, Sec. 2, pp. 1, 29
Avgikos, Jan, ‘Sense Surround: Diana Thater’s screen scenes’, in: Artforum, New York, vol. XXXIV, no. 9, May 1996, pp. 74-77, 118, cover, ill.
Johnson, Ken, ‘Diana Thater’, in: Art in America, New York, vol. 85, no. 5, May 1996, pp. 103-104
Russ, Sabine, ‘Zwischen den Bildern’, in: Neue Bildende Kunst, Berlin, April-May 1996, pp. 82-83
Smith, Roberta, ‘Diana Thater’, in: The New York Times, New York, vol. CXLV, no. 50’346, 23 February 1996, p. C32
Wallach, Amei, ‘Up and Coming. This Video Artist Runs With the Wolves’, in: The New York Times, New York, vol. CXLV, no. 50’327, 4 February 1996

Palmer, Laurie, ‘Review’, in: Artforum, New York, vol. XXXIII, no. 10, Summer 1995, pp. 111-112, ill.

de Jonge, Piet, ‘Diana Thater’, in: Metropolis M, Utrecht, October 1994
Roos, Robbert, ‘Anders omgaan met film en video’, in: Trouw, 28 September 1994
Tjon, Carla, ‘De Verwarde Kijker’, in: Magazijn, De Bijenkorf, September 1994
Breerette, Geneviève, ‘Tout nouveau, tout beau’, in: Le Monde, Paris, 8 June 1994
Pagel, David, ‘Into the Light’, in: Frieze, London, June 1994, pp. 22-25
Saltz, Jerry, ‘L.A. Rising’, in: Art & Auction, New York, April 1994
Choon Angela, ‘Openings’, in: Art and Antiques, New York, January 1994

Ross, Adam, ‘Diana Thater’, in: Art Issues, Los Angeles, Winter 1992-1993

Gilbert-Rolfe, Jeremy, ‘Slaves of L.A. and Others’, in: Artspace, Summer 1991
Gardner, Colin, ‘Diana Thater’, in: Artforum, New York, vol. XXIX, no. 9, May 1991, pp. 152-153
Zellen, Jody, ‘Diana Thater’, in: Arts, New York, May 1991, p. 84

Own Publications

‘A living theatre’, Salzburg: Salzburger Kunstverein, 1999

‘Electric Mind’ (with a foreword by Kathryn Kanjo, and a reprint of “Rachel in Love” by Pat Murphy), Gent: Imschoot, uitgevers, 1996

Lectures, public presentations

Dia Center for the Arts, ‘A Man Becomes Unstuck in Time in the Film that Became a Classic!’, Diana Thater’s lecture on Robert Smithon’s film, ‘The Spiral Jetty’, New York

Work Group 2, ’404 Object Not Found: What remains of media art?’, International congress concerning the production, presentation and preservation of media arts. Case Study of an installation by Diana Thater, Dortmund

Dia Center for the Arts, ‘A Man Becomes Unstuck in Time in the Film that Became a Classic!’, Diana Thater’s lecture on Robert Smithon’s film, ‘The Spiral Jetty’, New York
Santa Monica Museum of Art, ‘Not Good Enough’, Lecture by Diana Thater on the exhibition ‘Art and Film in the Age of Anxiety: Selections from the 2002 Whitney Biennial’, Santa Monica

New York Institute for the Humanities, ‘Why Contemporary Artists Don’t Paint Like Ingres’, Presentation by Diana Thater as part of an Artists Response Panel at the conference, ‘Art & Optics’, moderated by Lawrence Weschler, New York

Solomon R. Guggenheim Museum of Art, ‘The Comic Spirit is a Living Thing’, Presentation by Diana Thater on panel discussion in conjunction with the exhibition ‘The Worlds of Nam June Paik’, moderated by John Hanhardt, New York

MAK Center for Art and Architecture, Untitled talk on the Münster Sculpture Project and Documenta 10 as part of the panel ‘World Cups of Art’, moderated by Carol McMichael Reese, Los Angeles

MAK Center for Art and Architecture, Untitled talk at ‘mediawork: the Southern California New Media Working Group’, Los Angeles

The Hirsch Farm Project , Untitled talk at ‘Optimism’ a conference, Madison


www.kcrw.com, ‘Diana Thater’s Science, Fiction’, Hunter Drohojowska-Philp, 30 July 2015

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