Wilhelm Sasnal

Polish painter and film-maker Wilhelm Sasnal is renowned for his incongruous and quietly unsettling portrayal of our collective surroundings and history. Drawing on found images from newspapers and magazines, the Internet, billboards or his personal surroundings, Sasnal’s paintings act as an archive to the mass of sprawling images that flood contemporary society. By applying a concise, photorealist approach to this eclectic subject matter, he captures stolen moments in time—his unusual cropping and graphic approach to light and color suggest a camera’s gaze, imbuing the canvases with a filmic quality.

There is a persistent preoccupation in Sasnal’s work to stay engaged with the world we live in, and perhaps more importantly, to connect the present with the past. At once curiously personal and coolly detached, Sasnal subjectively and intimately interprets the topical. Sasnal has long worked in film alongside his painting, viewing it as a complementary practice and welcoming the alternative challenges that it brings. Film’s affinity with reality, and therefore its ability to provoke, also appeals to the artist.

‘Painting is a natural activity, it’s primal,’ Sasnal has commented. ‘I think images aren’t important because of the numbers that surround us. But painting has a chance. There is always painting, like there’s song. I don’t think it needs speculation as to whether it is alive or dead… With film I am not only looking for the story but also for the language, how to depict a certain state of being.’

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Wilhelm Sasnal


Print Biography
Tarnów, Poland, 1972

Studied architecture at the Kraków Polytechnic, Poland, 1992 – 1994
Studied painting at the Academy of Fine Arts in Kraków, Poland, 1994 – 1999

Lives and works in Kraków, Poland

Selected Solo Exhibitions

The Museum of the History of Polish Jews, 'Wilhelm Sasnal', Warsaw, Poland
Kistefos-Museet, 'ENGINE', Jevnaker, Norway
Anton Kern Gallery, New York NY
Hauser & Wirth, 'Wilhelm Sasnal', Zurich, Switzerland
Johnen Galerie, Berlin, Germany
Sadie Coles, 'Columbus', London, England
Qiao Space 2555, 'Wilhelm Sasnal Paintings', Shanghai, China
Lismore Castle Arts, 'Take Me To The Other Side', Lismore, Ireland
Hauser & Wirth, 'Wilhelm Sasnal', Zurich, Switzerland
Anton Kern Gallery, 'Wilhelm Sasnal', New York NY
Haus der Kunst, Munich, Germany
Whitechapel Art Gallery, London, England
Sadie Coles HQ, London, England
Kurimanzutto, Mexico City, Mexico
Rat Hole Gallery, '16mm films', Tokyo, Japan
Anton Kern Gallery, New York NY
Johnen Galerie, Berlin, Germany
Sara Hildén Art Museum, Tampere, Finland (Travelling Exhibition)
Rochester Art Center, Rochester MN
CAC – Centro de Arte Contemporàneo, Malaga, Spain (Travelling Exhibition)
Kunstsammlung Nordrhein-Westfalen K21, Dusseldorf, Germany
Hauser & Wirth Zürich, Zurich, Switzerland
Sadie Coles HQ, London, England
Neues Museum Nürnberg, 'Presentation in the Collection Rooms: Wilhelm Sasnal. Works from the Collection Martin', Nuremberg, Germany
Galleria Civica di Arte Contemporanea, 'Wilhelm Sasnal. Lata Walki / Years of Struggle', Trento, Italy (Travelling Exhibition)
Zacheta National Gallery of Art, 'Wilhelm Sasnal. Lata Walki / Years of Struggle', Warsaw, Poland (Travelling Exhibition)
Johnen Galerie, 'Boredom', Berlin, Germany
Swiss Institute, New York NY
Hauser & Wirth Zürich, Zurich, Switzerland
Fundació la Caixa, 'Pintures', Barcelona, Spain
Anton Kern Gallery, New York NY
Douglas Hyde Gallery, Dublin, Ireland
Sadie Coles HQ, London, England
Center of Contemporary Art, Ujazdowski Castle, 'At the Very Center of Attention Part 10: Wilhelm Sasnal – USA', Warsaw, Poland
Foksal Gallery Foundation, 'The Standard of the Kilogram (Wzorzec kilograma)', Warsaw, Poland
Van Abbe Museum, 'Wilhelm Sasnal. Paintings and Films', Eindhoven, Netherlands
Kunstverein Frankfurt, 'Ist das Leben nicht schön? Gruppenausstellung in 4 Kapiteln, Kapitel 2: Wilhelm Sasnal', Frankfurt a. M., Germany
UC Berkeley Art Museum & Pacific Film Archive, 'Matrix 219', Berkeley CA
Anton Kern Gallery, New York NY
The Locker Plant, 'Wilhelm Sasnal – Chinati Artist in Residence', Marfa TX
Hauser & Wirth Zürich, 'The Band', Zurich, Switzerland
Camden Arts Centre, London, England
Galerie Rüdiger Schöttle, Munich, Germany
Galerie Johnen + Schöttle, 'ZAWA SROD', Cologne, Germany
Galerie Raster, 'Wilhelm Sasnal – Map Trap', Warsaw, Poland
Kunstverein Münster, Munster, Germany
Kunsthalle Zürich, Zurich, Switzerland
Sadie Coles HQ, London, England
Galleria Laura Pecci, 'Wilhelm Sasnal – Monika Sosnowska', Milan, Italy
Anton Kern Gallery, New York NY
MuHKA - Museum van Hedendaagse Kunst, 'Interventions: Wilhelm Sasnal', Antwerp, Belgium
Sommer Contemporary Art, 'WISLA', Tel Aviv, Israel
Galerie Johnen und Schöttle, Cologne, Germany
Foksal Gallery Foundation, Warsaw, Poland
Parel, Amsterdam, Netherlands
BWA Gallery, Zielona Gora, Poland
Foksal Gallery Foundation, 'Samachody i ludzie / Cars and Men', Warsaw, Poland
Galeria Raster, 'Zzycie codzienne w Polsce w latach 1999-2001 / Everyday Life in Poland between 1999 and 2001', Warsaw, Poland
Galeria Potocka, 'Gra planszowa / Board Game', Cracow, Poland
Galeria Zderzak, 'Sto kawalków / The Hundred Pieces', Cracow, Poland
billboards of Galeria Otwarta, 'Tlok / The Crowd', Cracow, Poland
Center of Contemporary Art, Ujazdowski Castle, 'Malarstwo / Painting', Warsaw, Poland
billboards of Galeria Otwarta, 'Prywatne-Publiczne / Private-Public', Cracow, Poland
billboards of Galeria Otwarta, 'Swieto panstwowe / A Natural Holiday', Cracow, Poland
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Selected Group Exhibitions

Sadie Coles, 'Repeater', London, UK
Anton Kern Gallery, 'Tales of Manhattan', New York NY
Anton Kern Gallery, 'Now on View at 16 East 55th Street', New York NY
Museum on the Vistula, 'Never Again. Art against War and Fascism in the 20th and 21 Centuries', Warsaw, Poland
Hall Art Foundation, Schloss Derneburg Museum, 'The Passion', Dereburg, Germany
MMK1, 'Social Facades. A Dialogue Between the MMK and DekaBank Collections', Frankfurt am Main, Germany
Louis Vuitton Foundation, 'In Tune with the World', Paris, France
Galeria Arsenal, 'Farmhands in Factories, Boas in Brasseries', Bialystok, Poland
Kunstsammlungen Chemnitz, 'From Pablo Picasso to Robert Rauschenberg', Chemnitz, Germany
Fondazione Stelline, 'The New Frontiers of Painting', Milan, Italy
Tanja Grunert Gallery, 'Equator Production & Henzel Studio: The Carpet Kartell', New York NY
Fondation Beyeler, 'Beyeler Collection/Remix', Basel, Switzerland
Wentrup Gallery, 'L’Été plus vaste que l’Empire...', Berlin, Germany
Zentrum für verfolgte Künste, 'Kunstwerk Leben', Solingen, Germany
LeeAhn Gallery, 'PAINTING', Daegu, South Korea
Haus der Kunst, ‘Random Sampling – Painting from the Goetz Collection’, Munich, Germany
Luma Westbau, Pool, 'A Blind Man in His Garden', Zurich, Switzerland
Villa Reale's Galleria d'Arte Moderna, 'Don't Shoot the Painter – UBS Art Collection', Milan, Italy
Tripostal, 'Secret Passions. Private Flemish Collections', Lille, France
The Emanuel Ringelblum Jewish Historical Institute, 'Hate speech – I'm against!', Warsaw, Poland
Belvedere, 'Love Story – Sammlung Anne & Wolfgang Tize', Vienna, Austria
Städtische Galerie Nordhorn, 'Die Beste aller Welten', Nordhorn, Germany
GEM – museum voor actuele kunst, 'Presenting the Vincent', The Hague, Netherlands
National Museum, 'A Boy Grows to Become a Knight. A Discourse on Masculinity in Polish Culture from the End of the 18th Century until Today', Krakow, Poland
CCA – Centre for Contemporary Art Ujazdowski Castle Warsaw, 'British British Polish Polish: Art from Europe's Edges in the Long '90s and Today', Warsaw, Poland
Museum of Modern Art, 'In the Heart of the Country', Warsaw, Poland
MARTa Herford, 'Showing Its Colours. What Makes Art', Herford, Germany
OK Centre for Contemporary Art, 'ExtraKino – Wilhelm Sasnal: Short Films', Linz, Austria
Centro di Cultura Contemporanea Strozzina, 'An Idea of Beauty', Florence, Italy
MOSTYN, 'Dear Portrait', Llandundo, Wales
Kunsthalle Münster, ‘About: Blank’, Muenster, Germany
Haus der Kunst, 'Image Counter Image', Munich, Germany
The National Museum of Art, Architecture and Design, 'I Wish This Was a Song. Music in Contemporary Art', Oslo, Norway
The David Roberts Art Foundation, 'A House of Leaves', London, England
Art Gallery of Alberta, 'Rearview Mirror: New Art from Central and Eastern Europe', Edmonton, Canada
Fundación Banco Santander’s, 'Paintings from the Rubell Family Collection', Madrid, Spain
Art Gallery of Alberta, 'Rearview Mirror. New Art from Central and Eastern Europe', Edmonton, Canada
ZKM – Zentrum für Kunst und Medientechnologie, 'Hirschfaktor. Die Kunst des Zitierens', Karlsruhe, Germany
Palais des Beaux-Arts BOZAR, 'The Power of Fantasy: Modern and Contemporary Art from Poland', Brussels, Belgium
CCA Wattis Institute for Contemporary Arts, 'Painting Between the Lines', San Francisco CA
MARTa Herford, 'Kraftwerk Depot: Wie Kunst altert', Herford, Germany
SMAK Stedelijk Museum voor Actuele Kunst, 'Tomorrow is the Question', Ghent, Belgium
Herzliya Museum of Contemporary Art, ' The Second Strike', Israel
MMK Museum für Moderne Kunst, 'MMK 1991 – 2011. 20 Years of Presence', Frankfurt am Main, Germany
Kunsthalle Vienna, 'Space. About a Dream', Vienna, Austria
The Power Plant, 'Rearview Mirror. New Art from Central and Eastern Europe', Toronto, Canada
BOZAR, Centre for Fine Arts, 'The Power of Fantasy. Modern and Contemporary Polish Art', Brussels, Belgium
MMK Museum für Moderne Kunst, MMK Zollamt, MainTor-Areal, 'MMK 1991 – 2011. 20 Years of Presence', Frankfurt/Main, Germany
Rubell Family Collection, 'How Soon Now', Miami FL
Villa Reykjavik, Reykjavik, Iceland
Schloss Marquardt, 'XVII. Rohkunstbau. Atlantis II – Hidden Histories – Imagined Identities', Potsdam, Germany
ZKM I Museum für Neue Kunst, 'fast forward 2. The Power of Motion. Media Art Sammlung Goetz', Karlsruhe, Germany
Johnen Galerie, 'Conversation Pieces. A Chamber Play, Act III, Scene 3', Berlin, Germany
Centre for Contemporary Art, Ujazdowski Castle, 'THINGS EVOKE FEELINGS. Selected narrations for the CCA Ujazdowski Castle', Warsaw, Poland
Galerías Hermenegildo Bustos, '¡Sin techo está pelón!', Guanajuato, Mexico
Centre d’art contemporain Passages, 'Storytellers', Troyes, France
MOCA Museum of Contemporary Art, 'The Reach of Realism', North Miami FL
Woxart, 'Abstraction + Warhol', Prague, Czech Republic
Museo d' Arte Provincia di Nuoro, 'Something Else!!! Selected Works from the Collection of the SMAK, Gent', Nuoro, Italy
Kunsthalle Düsseldorf, 'SONIC YOUTH etc.: SENSATIONAL FIX', Dusseldorf, Germany (Travelling Exhibition)
Malmö Konsthall, 'SONIC YOUTH etc.: SENSATIONAL FIX', Malmo, Sweden (Travelling Exhibition)
MARTa Herford, 'Hellwach gegenwärtig. Ausblicke auf die Sammlung MARTa', Herford, Germany
Palazzo Grassi/Punta della Dogana, 'Mapping the Studio: Artists from the François Pinault Collection', Venice, Italy
MoMA The Museum of Modern Art, 'Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection', New York NY
Städtische Galerie Nordhorn, 'Ad Absurdum – Zeitgemässe Apparate', Nordhorn, Germany
Sadie Coles HQ, 'Films. Lambie, Lloyd, Lucas, Sasnal, Wilcox', London, England
Kestner Gesellschaft, 'Back to Black. Black in current Painting', Hanover, Germany
Carnegie Museum of Art, '55th Carnegie International', Pittsburgh PA
Castello di Rivoli, 'The Painting of Modern Life', Turin, Italy (Travelling Exhibition)
LIFE, 'SONIC YOUTH etc.: SENSATIONAL FIX', St. Nazaire, France (Travelling Exhibition)
Museion, 'SONIC YOUTH etc.: SENSATIONAL FIX', Bolzano, Italy (Travelling Exhibition)
5th Berlin Biennial of Contemporary Art, 'When Things Cast no Shadow', Berlin, Germany
MARTa, 'Ad Absurdum. Energies of the Absurd from Modernism till Today', Herford, Germany
Motorenhalle, 'Du Dialogue Social', Dresden, Germany
Uqbar, 'Manual CC', Berlin, Germany
Roger Raveelmuseum, 'Biennale van de Schilderkunst: He genot van het kijken',
Machelen-Zulte, Belgium
Kunstmuseum, 'Blasted Allegories. Werke aus der Sammlung Ringier', Lucerne, Switzerland
Center for Contemporary Art, Ujazdowski Castle, 'Red Eye Effect. Polish Photography of the 21st Century', Warsaw, Poland
Johnen Galerie, 'I am never at Home', Berlin, Germany
Van Abbemuseum, 'Heartland', Eindhoven, Netherlands
Museion, 'Peripheral Vision and Collective Body', Bozen, Italy
T2 Torino Triennale, '50 Moons of Saturn', Turin, Italy
Johnen & Schöttle, 'Don`t come in, be merciful', Cologne, Germany
Site Gallery, 'Never Let the Truth Get in the Way of a Good Story', Sheffield, England
Southbank Centre – The Hayward, 'Painting of Modern Life', London, England (Travelling Exhibition)
Kunstverein Hamburg, 'Gesellschaftsbilder. Zeitgenössische Malerei', Hamburg, Germany
ZKM – Zentrum für Kunst und Medientechnologie, 'Imagination Becomes Reality', Karlsruhe, Germany
Museum Franz Gertsch, 'Frisch gestrichen', Burgdorf, Switzerland
Museum van Hedendaagse Kunst, 'Who's got the Big Picture?', Antwerp, Belgium
Museum of Modern Art, 'What is Painting?', New York NY
Centre Georges Pompidou, 'AIRS DE PARIS', Paris, France
Stedelijk Museum, 'The Present', Amsterdam, Netherlands
Laznia Center for contemporary Art, 'Last News', Danzig, Poland
Thomas Dane Gallery, 'Very Abstract and Hyper Figurative', London, England
Kunsthal Rotterdam, 'Painting now!', Rotterdam, Netherlands
Kunsthaus Zürich, 'Electronic Transformation', Zurich, Switzerland
Hauser & Wirth London, 'Old School', London, England
Künstlerhaus Stuttgart, '1,2,3…Avant Gardes', Stuttgart, Germany (Travelling Exhibition)
Sala Rekalde, '1,2,3…Avant Gardes', Bilbao, Spain (Travelling Exhibition)
Zacheta National Gallery, 'Polish Painting of the 21st Century', Warsaw, Poland
Center for Contemporary Art, Ujazdowski Castle, '1,2,3…Avant Gardes', Warsaw, Poland (Travelling Exhibition)
Galerie Patrick Seguin, 'Galerie Patrick Seguin invites Hauser & Wirth', Paris, France
Foksal Gallery Foundation, ' The Exotic Journey Ends', Warsaw, Poland
Museum Moderner Kunst Stiftung Wörlen, 'BLIND DATE PASSAU', Passau, Germany
ZKM – Zentrum für Kunst und Medientechnologie, 'FASTER! BIGGER! BETTER!', Karlsruhe, Germany
Financial-Banking Center (HOWY SWIAT 06), 'Precz z Alfonsami Sztuk. Down with the Pimps of Art', Warsaw, Poland
Stedelijk Museum, 'The Vincent 2006', Amsterdam, Netherlands
Museum van Hedendaagse Kunst, 'Attributen en Substantie', Antwerp, Belgium
Galeria Raster, 'VILLA HOLIDAY WARSAW', Warsaw, Poland
Anton Kern Gallery, 'Implosion. 10 Year Anniversary', New York NY
Sammlung Goetz, 'Imagination Become Reality V', Munich, Germany
Museu Serralves. Museu De Arte Contemporânea, 'Imagens Em Pintura', Porto, Portugal
Villa Manin Centre for Contemporary Art, 'Infinite Painting. Contemporary Painting and Global Realism', Codroipo (Udine), Italy
Sommer Contemporary Art, 'Melancholia', Tel Aviv, Israel
Georg Kargl Fine Arts, 'I still love the 20th century', Vienna, Austria
Phillips de Pury & Company, 'Artists for Chinati', New York NY
Leeds City Art Gallery, 'The Triumph of Painting', Leeds, England
Rental Gallery, 'is it better to be a good artist or a good person?', Los Angeles CA
Sculpture Centre, 'Grey Flags', Long Island NY
Museum für Junge Kunst, 'Gut und Billig', Frankfurt an der Oder, Germany
Van Abbemuseum, 'Yael Bartana, Dan Perjovschi, Wilhelm Sasnal', Eindhoven, Netherlands
Museum van Hedendaagse Kunst, 'The Collection XIII – Luz', Antwerp, Belgium
Sommer Contemporary Art, 'Goodbye Rothchild 64, Welcome Rothchild 13', Tel Aviv, Israel
Raster Gallery, 'Broniewski', Warsaw, Poland
Louisiana Contemporary, 'On Line', Louisiana LA
Kunsthaus Graz, 'M Stadt. Europäische Stadtlandschaften', Graz, Austria
Centre Cultural Andratx, 'It takes some time to open an oyster', Mallorca, Spain
Prague Biennale 2, International Contemporary Art, 'Expanded Painting', Prague, Czech Republic
Bunkier Stzuki, 'Monuments of Nowa Huta', Cracow, Poland
Reykjavik Arts Festival, 'Material Time / Work Time / Life Time', Reykjavik, Iceland
Saatchi Gallery, 'The Triumph of Painting. Part Two', London, England
Marc Jancou Fine Art, 'Accrochage: Selected Works', New York NY
Galeria BWA Zielona Góra, 'Prym', Warsaw, Poland
Staatsgalerie Stuttgart, 'Funny Cuts', Stuttgart, Germany
UC Berkeley Art Museum, 'Matrix 213: Some Forgotten Place', Berkeley CA
Westfälischer Kunstverein, 'Nowa Huta', Munster, Germany
Museum für Moderne Kunst, 'Werke aus der Sammlung Boros', Karlsruhe, Germany
Museum van Hedendaagse Kunst, 'MUHKA de collectie', Antwerp, Belgium
Stedelijk Museum, 'Time and Again', Amsterdam, Netherlands
Bienal de Sao Paulo, Brazil
Marc Jancou Fine Art, New York NY
Haus Gallus, '4 Ks 2 / 63', Frankfurt, Germany
Georg Kargl, 'From Above', Vienna, Austria
Museum Kurhaus Kleve, 'Sammlung Plum', Kleve, Germany
Art Museum of Estonia, 'Under the White and Red Flag', Tallinn, Estonia (Travelling Exhibition)
Contemporary Art Center, 'Under the White and Red Flag', Vilnius, Lithuania (Travelling Exhibition)
ZKM – Zentrum für Kunst und Medientechnologie, 'Werke aus der Sammlung Boros', Karlsruhe, Germany
Hotel pod Jeleniem, 'Hidden In A Daylight', Cieszyn, Poland
Sommer Contemporary Art, '4ever young', Tel Aviv, Israel
Johnen + Schöttle, 'Boyce, Creed, Höfer, Ruff, Sasnal u. a.', Cologne, Germany
Kunsthalle Basel, 'Keine Kleinigkeiten', Basel, Switzerland
Kunsthalle Basel, 'Painting on the Move: Nach der Wirklichkeit – Realismus und aktuelle Malerei', Basel, Switzerland
'4th Gwangju Biennale', Gwangju, China
Musée d'Art Moderne de la Ville de Paris, 'Urgent Painting', Paris, France
Museum Viadrina – Junkerhaus, 'Raster – Aktuelle Kunst aus Polen', Frankfurt / Oder, Germany
Center for Contemporary Art, Ujazdowski Castle, 'A Need For Realism. Solitude In Ujazdowski', Warsaw, Poland
Siemens artLab, 'Semiotic Landscape', Vienna, Austria (parallel exhibition at Charim Galerie, Vienna, Austria)
Hotel, 'Pod Brunatnym Jeleniem' (cur. Joanna Mytkowska, Andrzej Przywara, Adam Szymczyk), Cieszyn, Poland
Center for Contemporary Art, Ujazdowski Castle, 'New Collection of the CCA and the Loan of the Foksal Gallery, Warsaw, Poland
Galeria Raster, 'Dobro / The Good', Warsaw, Poland
'1st Tirana Biennale, Chinese Pavillion', Tirana, Albania
Foksal Gallery Foundation, 'Biurokracja / Bureaucracy', Warsaw, Poland
Bunkier Sztuki, 'Popelita / Pop-elite', Cracow, Poland
Chicago Cultural Center, 'In Between', Chicago IL
BWA gallery, 'Rybie of Fisheye', Slupsk, Poland
Center for Contemporary Art, Ujazdowski Castle, 'Scena 20', Warsaw, Poland
Edit-Russ Haus, 'Visual Art – Simple Life', Oldenburg, Germany
BWA gallery, '100 % malarstwa /10 of Painting', Poznan, Poland
BWA, 'Narmaluj mine / Paint Me', Zielone Góra, Poland
Medium Gallery, 'What you see is what you get', Bratislava, Slovakia
French Cultural Institute, 'Siedmiu miodych malarzy / Seven Young Painters', Cracow, Poland
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Special Mention Award in the NEW VISIONS category at the Copenhagen International Documentary Film Festival
The Vincent Van Gogh Biennial Award for Contemporary Art in Europe
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The Museum of History of Polish Jews, 'Swiniopas / Swineherd', Warsaw, Poland
Copenhagen International Documentary Film Festival, 'Aleksander', Copenhagen, Denmark
Artists' Film Club, The Institute of Contemporary Arts, 'It Looks Pretty from a Distance' London, Great Britain
Era New Horizons Film Festival, Wroclaw, Poland
Anthology Film Archives, 'Swiniopas / Swineherd', New York NY
Tampere Film Festival, Tampere, Finland
The 20th Bath Film Festival, Bath, England
Artprojx at Prince Charles Cinema, 'Wilhelm Sasnal. Fallout', London, England
Cinema Riffraff, 'Wilhelm Sasnal. Swiniopas', Zurich, Switzerland
Glasgow Film Festival, 'Visible Cinema', Glasgow, Scotland
Glasgow International Festival of Contemporary Visual Art, Glasgow, Scotland
Centre pour L′Image Contemporaine, '1,2,3… Avant-Gardes. Polish Film / Art between Experiment and Archive', Geneva, Switzerland
The 4th International Video Art Biennial in Israel, 'VideoZone – 4', Tel Aviv, Israel
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Searle, Adrian, Redzisz, Kasia, Dillon, Bian (et al.) 'Wilhelm Sasnal', New York: Rizzoli Electa, 2020
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Francés, Fernando, Huici, Fernando, 'Wilhem Sasnal', Málaga: Centro de Arte Contemporáneo de Málaga, 2010 (exh.cat.)
Heynen, Julian (ed.), 'Wilhelm Sasnal', Munich: Prestel Verlag, 2009 (exh.cat.)
Frances, Fernando, Huici, Fernando (eds.), 'Wilhelm Sasnal', Malaga: Centro de Arte Contemporaneo de Malaga, 2009 (exh.cat.)
Brewinska, Maria, 'Wilhelm Sasnal. Lata walki', Warsaw: Zacheta National Gallery, 2007 (exh.cat.)
Hutchinson, John (ed.), 'Wilhelm Sasnal', Dublin: The Douglas Hyde Gallery, 2006 (exh.cat.)
Ronduda, Lukasz, 'Wilhelm Sasnal – USA', Warsaw: Center of Contemporary Art Ujazdowksi Castle, 2006
Esche, Charles, Öktem, Esra Sarigedik, 'Wilhelm Sasnal. Paintings & Films', Eindhoven: Van Abbemuseum, 2006 (exh.cat.)
Huser, Natalia, 'Wilhelm Sasnal: Ein zeitgenössischer polnischer Künstler und seine Malerei im Spannungsfeld zwischen Rückbesinnung auf die kulturelle Identität und Globalisierung', (Lizenziatsarbeit der Philosophischen Fakultät der Universität Zürich) Zurich, 2005
The Hydra Workshop (ed.), 'Wilhelm Sasnal', Hydra: The Hydra Workshop, 2004 (exh.cat.)
Plath, Corina, Ruf, Beatrix (eds.), 'Wilhelm Sasnal. "Night Day Night"', Ostfildern-Ruit: Hatje Cantz Verlag, 2003, ill. (exh.cat.)
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Mazonis, Emanuela (ed.), 'Don't Shoot The Painter', Milan: Skira Editore, 2015, p. 160, ill.
Griffin, Jonathan, Harper, Paul + [et al.], 'The Twenty-First Century Art Book', London: Phaidon Press Limited, 2014, p.232, ill.
Francés, Fernando, 'Las huellas del camino. CAC Málaga, una década', Málaga: CAC Málaga, 2013 (exh.cat.)
Unterdörfer, Michaela (ed.), 'Hauser & Wirth.20 Years', Ostfildern: Hatje Cantz, 2013
National Museum for Art, Architecture and Design Sweden, 'I wish this was a song. Music in Contemporary Art', Elanders: Ingvild Krogvig, 2012, pp. 70 – 71, ill. (exh. cat.)
David Crowley, Zafia Machnicka, Andrzej Szczerski (eds.), 'The Power of Fantasy', Munich: Bazar Books & Prestel Verlag, 2011, pp. 148 – 150, ill.
Danicke, Sandra, 'Rauchende Frauen', Stuttgard: Belser, 2011, pp. 31 – 31, ill.
von Alphen, Ernst + [et al.], 'Polish! Contemporary Art From Poland', Ostfildern: Hatje Cantz Verlag, 2011, pp. 242 – 249, ill.
Deutsche Bank CC Art, 'Art works. Deutsche Bank Collection. Group Head Office, Frankfurt', Ostfildern: Hatje Cantz Verlag, 2011, pp. 146 – 147, ill. (exh.cat.)
Goetz, Ingvild, Urbaschek, Stephan, 'fast forward 2. The Power of Motion', Ostfildern: Hatje Cantz, 2010, pp. 204 – 207, 295 – 296, ill. (exh.cat.)
Gingeras, Alison M., Bonami, Francesco (eds.), 'Mapping the studio: Artists from the Francois Pinault Collection', Milan: Electa, 2009, p. 268, ill. (exh.cat.)
Welzel, Mark (ed.), '200 Artworks 25 Years Artists’ Editions for Parkett', Zurich: Parkett Publishers, 2009
Rothschild Foundation Contemporary Drawings Collection', New York: The Museum of Modern Art, 2009, pp. 200 – 201, ill. (exh. cat.)
The Museum of Modern Art (ed.), 'The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné', New York: The Museum of Modern Art, 2009, p. 243, ill.
Kestnergesellschaft Hannover (ed.), 'Back to Black. Black in Current Painting. Schwarz in der aktuellen Malerei', Heidelberg: Kehrer, 2008, pp. 122 – 127, ill.
Piranio, Michelle (ed.), 'Life on Mars. 55th Carnegie International', Pittsburgh: Carnegie Museum of Art, 2008, pp. 270-275, ill.
von Heydebreck, Amélie, 'Stations. 100 Meisterwerke zeitgenössischer Kunst', Cologne: DuMont, 2008, pp. 150, 151, ill.
Macel, Christine, Guillaume, Valérie, 'Airs de Paris', Paris: Centre Pompidou, 2007, pp. 132 – 133, ill.
Ronduda, Lukasz, Zeyfang, Florian (eds.), '1,2,3...Avant-Gardes. Film / Art between Experiment and Archive', Warsaw: CCA Ujazdowski Castle, Berlin: Sternberg Press, 2007, pp. 188 – 193, 219, ill.
Klemm, Christian, Lentzsch, Franziska, 'Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen', Zurich: Zürcher Kunstgesellschaft/Hatje Cantz, 2007, pp. 709, 710, ill.
Rugoff, Ralph (ed.), 'The Painting of Modern Life', London: Hayward Publishing/Southbank Center, 2007, pp. 144 – 149, ill.
Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin: claassen/Ulstein Buchverlage, 2007, pp. 173 – 183, ill.
Kunsthalle Rotterdam, 'Leve de Schilderkunst! Terug naar de figuur', Rotterdam: Veenman Publishers, 2007, pp. 168 – 169 (exh.cat.)
Stedelijk Museum, 'The Vincent van Gogh Biennial Award for Contemporary Art in Europe 2006', Amsterdam: Stedelijk Museum, 2006, pp. 57 – 69, ill.
Museu de Arte Contemporânea de Serralves (ed.), 'Imagens Em Pintura/Images in Painting', Porto: Fundacao Serralves, 2006
Villa Manin Centro d’Arte Contemporanea (ed.), 'Infinite Painting. Pittura Contemporanea e Realismo Globale – Contemporary Painting and Global Realism', Tolmezzo: Andrea Moro, 2006 (exh.cat.)
Saatchi Gallery (ed.), 'The Triumph of Painting', London: Jonathan Cape, 2005 (exh.cat.)
Mytkowska, Joanna, Przywara, Andrzej, Fundacja Galerii Foksal (eds.), 'Prym', Frankfurt a. M.: Revolver, 2005, columns 20 – 21, ill.
Adriani, Götz (ed.), 'Werke aus der Sammlung Boros', Ostfildern-Ruit: Hatje Cantz, 2004, pp. 264 – 285, ill. (exh.cat.)
Nakas, Kassandra, 'Funny Cuts. Cartoons and Comics in Contemporary Art', Bielefeld: Kerber Verlag, 2004 pp. 53 – 56, ill. (exh. cat.)
___, 'Vitamin P. New Perspectives in Painting', London: Phaidon Press, 2003, pp. 288 – 289, ill.
Kunstmuseum Basel – Museum für Gegenwartskunst Basel (ed.), 'Painting on the Move', Basel: Schwabe Verlag, 2002, pp. 251, 254, 256, 259, ill. (exh.cat.)
Esche, Christoph, 'Urgent Painting', Paris: Editions des musées de la Ville de Paris, 2002 (exh.cat.)
Szymczyk, Adam, '1st Tirana Biennale', Milan: Giancarlo Politi Editore, 2001, p. 372 (exh.cat.)
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___, ‘Poetic Black’ — Show at Gemeentemuseum presents its enigmatic black collection', on: https://www.blouinartinfo.com, New York/NY, 3 January 2018
___, 'Anton Kern Gallery exhibits new paintings by the Polish artist Wilhelm Sasnal', on: www.artdaily.com, Mexico City, April 2017, ill.
___, 'Artist Talk with Wilhelm Sasnal and Hans Ulrich Obrist at Fondation Beyeler', on: https://vernissage.tv/2017/09/11/artist-talk-with-wilhelm-sasnal-and-hans-ulrich-obrist-at-fondation-beyeler/, Basel, 11 September 2017
Davies, Lucy, 'Wilhelm Sasnal: in the studio', on: www.telegraph.co.uk, London, 17 May 2016, ill.
Scheller, Jörg, 'Wilhelm Sasnal', on: www.frieze.com, London, 4 May 2016, ill.
___, 'Wilhelm Sasnal on migrants, movies and The Cure', on: www.uk.phaidon.com, London, 7 March 2016, ill.
TATE, Wilhelm Sasnal | Studio Visit | TateShots, 3 March 2016 (documentary on Wilhelm Sasnal, studio visit in Kraków, Poland)
Davie, William, 'Wilhelm Sasnal at Sadie Coles HQ, London', on: www.thisistomorrow.info, London, 17 February 2015
___, 'Wilhelm Sasnal's sinister art history show', on: www.phaidon.com, 15 January 2015, ill.
Leach, Christin, 'Wilhelm Sasnal – Take Me To The Other Side', on: www.christinleach.com, Lismore, 21 September 2014
Sherlock, Amy, 'Wilhelm Sasnal. Lismore Castle Arts', in: Frieze, London, September 2014, p.__, ill.
___, 'Wilhelm Sasnal's surrealist children's show', on: www.uk.phaidon.com, London, May 2014, ill.
Dunne, Aidan, 'Wilhelm Sasnal's dark fairy tales at Lismore Castle', on: www.irishtimes.com, Dublin, 28 April 2014, ill.
Herbert, Martin, 'Wilhelm Sasnal', in: ArtReview, London, April 2014, pp. 72 – 79 and on the front cover, ill.
Abeltshauser, Thomas, 'In der Filmwelt sind wir verlorene Kinder im Nebel', on: www.monopol-magazin.de, Berlin, 12 February 2014
Grimm-Weissert, Olga, 'In Paris ist Vielfalt Trumpf', in: Handelsblatt Kunstmarkt, Düsseldorf, October 2013
___, 'Wilhelm Sasnal', in: Kunstbulletin, Zurich, July – August 2013, p. 34, ill.
___, 'Wilhelm Sasnal's space and speedway series', on: www.phaidon.com, London, 6 June 2013, ill.
___,'Wilhelm Sasnal. The story behind an artwork, in the artist's own words', in: Modern Painters, New York, March 2013, p. 41, ill.
___, 'See Wilhelm Sasnal's movie in London next month', on: www. phaidon.com, London, 25 February 2013, ill.
___, 'Gate to the Present Wilhelm Sasnal in the Haus der Kunst in Munich', on: www.db-artmag.de, Frankfurt, May 2012, ill.
Drexler, Jolanda, ' Wilhelm Sasnal', in: Kunstforum', Ruppichteroth, March – April 2012, pp. 219 -321, ill.
___, ’Künstler sind Pilger. Es gibt Werke, zu denen kehren sie immer wieder zurück. Wilhelm Sasnal zieht es nach München in die Alte Pinakothek, zu Gerard ter Borchs „Ein Knabe floht einen Hund“’, in: Monopol, March 2012, p. 28, ill.
Gockel, Cornelia, 'Chiffren des Alltäglichen', in: Art, Hamburg, February 2012, p. 96, ill.
___, 'Wilhelm Sasnal: On Our Worldwide Watchlist', in: Artslant, Los Angeles, January 2012, ill.
Williams, Eliza, 'Wilhelm Sasnal. Whitechapel Gallery London', in: Flash Art, Milan, January 2012, p. 136, ill.
___, 'Wilhelm Sasnal', in: Financial Times, London, 29 October 2011, p. 17
Searle, Adrian, 'Wilhelm Sasnal- review', in: The Guardian, London, 18 October 2011, ill.
McLean-Ferris, Laura, 'Wilhelm Sasnal, Whitechapel Gallery, London', in: The Independent, London, 17 October 2011, p. 42, ill.
Michalska, Julia, 'Home is where the art is', in: The Art Newspaper Frieze Daily, London, 14 October 2011, ill.
Wullschlager, Jackie, 'The big medium', in: Financial Times, Frieze Week, London, pp. 2, 3, ill.
Sherwin, Skye, 'Art Talks. Wilhelm Sasnal at the Whitechapel Gallery', in: AnOther, London, 11 October 2011, ill.
Blazwick, Iwona, 'Life classes', in: Time Out London, London, 13 – 19 October 2011, pp. 15 – 24, ill.
Maerkle, Andrew, 'Wilhelm Sasnal. Velocity Equals Displacement Over an Interval in Time', on: www.art-it.asia, Japan, 10 June 2010
___, 'Wilhelm Sasnal', in: New Yorker, New York, 10 May 2010, p. 13
Gladstone, Valery, 'Wilhelm Sasnal', in: CityArts, New York, 4 May, pp. 10 – 11
Heiser, Jörg, 'What is Appropriate?', in: Frieze, London, April 2010, pp. 92 – 97
Reust, Hans Rudolf, 'Wilhelm Sasnal', in: Artforum, New York, February 2010, p. 216, ill.
Latimer, Quinn, 'Wilhelm Sasnal', in: Frieze, London, January – February 2010, ill.
Altmann, Susanne, 'Ikonen der Banalität', in: art, Hamburg, September 2009, ill.
Meister, Helga, 'Flüchtiger Blick auf das Unheil', in: Westdeutsche Zeitung, 4 September 2009, ill.
Imdahl, Georg, 'Wenn es Tag wird in Krakau', in: Kölner Stadt-Anzeiger, Cologne, 30 October 2009, ill.
Kuiper, Petra, 'Malen wie besessen', in: WAZ, 5 September 2009, ill.
Müller, Bertram, 'Polnischer Malerstar', in: Rheinsche Post, 3 September 2009, ill.
Schwenke, Hans-Peter, 'Rückblenden aus dem eigenen Leben', on: Kunstmarkt.com, 12 September 2009, ill.
___, 'Wilhelm Sasnal', in: Art Forum, New York, December 2009
___, 'Wilhelm Sasnal', in: Monopol, Berlin, 10/2009, p.125, ill.
Altmann, Susanne, 'Ikonen der Banalität', in: Art das Kunstmagazin, Hamburg, September, pp. 92, ill.
Marcus, J.S., 'Polish art, on tour', in: The Wall Street Journal, London, 13 November 2009, pp. 6 – 7
Shaw, Anny, Curran, Rob, 'Wilhelm Sasnal: sleep well, my love', in: The Art Newspaper, London, 16 October 2009, ill.
Imdahl, Georg, 'Die Camouflage der fehlenden Erinnerung', on: www.artnet.de, Berlin, 2 October 2009, ill.
R.C., 'Wilhelm Sasnal, Kunstsammlung Nordheim-Westfalen K21, Düsseldorf', in: Artnewspaper, London, September 2009, ill.
Basciano, Oliver, 'Wilhelm Sasnal: Sadie Coles', in: Modern Painters, London, September 2009
Kantor, Jordan, 'Wilhelm Sasnal, K21 Kunstsammlung Nordheim-Westfalen', in: Artforum International, New York, September 2009
Kalb, Reinhard, 'Wilhelm Sasnal im Neuen Museum Nürnberg', on: www.nz-online.de, Nuremberg, 24 July 2009, ill.
Lack, Jessica, 'Artist of the week 48: Wilhem Sasnal', on: guardian.co.uk, London, 8 July 2009, ill.
McLean-Ferris, Laura, 'Exhibitionist: The best art shows to see this week', on: guardian.co.uk, London, June 2009, ill.
Mooney, Christopher, 'When Luc Tuymans met Wihlem Sasnal', in: Art Review, February 2009, pp. 42 – 49, ill.
___, 'profiles', on: www.culture.pl, Warsaw, May 2009, ill.
Altmann, Susanne, 'Made in Poland', in: Art das Kunstmagazin, Hamburg, January 2009, pp. 18 – 29, ill.
___, 'You`re telling me that, but what do you want with it, what are you aiming at?', in: Video Zone, The 4th International Video Art Biennial in Israel, pp. 186 – 178, ill.
___, 'Wilhelm Sasnal', in: Beaux Arts Magazine, Paris, November 2008, pp.152 – 155 ill.
Lavrador, Judicael, 'sonic art', in: bc 05, Winter 2008, pp. 24 – 27, ill.
McLean-Ferris, Laura, 'Glasgow International Festival', in: Art Review, London, Issue 13, June 2008, p. 140
___, 'Schlafen kannst du, wenn du tot bist', in: Monopol, Berlin, no. 4, April 2008, p. 48, ill.
Cumming, Laura, 'Glasgow makes a show of itself', in: The Observer, London, 20 April 2008, p. 18, ill.
Searle, Adrian, 'What a riot', in: The Guardian, London, 15 April 2008, pp. 23 – 25, ill.
Brewinska, Maria, Cavallucci, Fabio, 'Wilhelm Sasnall. Anni di lotta', in: Work. Art in Progress, Trento, Spring 2008, pp. 7 – 22, ill.
Sack, Adriano, 'American Beaury', in: Monopol, Berlin, March 2008, p. 58 – 67, ill.
Rodchenko, Alexander, 'Roman Signer: force of nature', in: Art World, London, Issue 3, February/March 2008, pp. 122 – 123, ill.
Morris, Jane, 'Wilhelm Sasnal: Rodchenko opens up possibilities for interpretation', in: Art World, Issue 3, February/March 2008, pp.122 – 123, ill.
Brewinska, Maria, 'Wilhelm Sasnal. Dipingere è qualcosa di ordinario', in: Flash Art Italia, Milan, February/March 2008, pp. 64 – 69.
Mooney, Christopher, 'When Luc Tuymans met Wilhelm Sasnal... ', in: Art Review, issue 19, February 2008, pp. 42 – 49, ill.
Ronduda, Lukasz, 'Wilhelm Sasnal. Delux Punk', in: MAP, London, no. 13, Spring 2008, pp. 26 – 31, ill.
Coggins, David, 'Wilhelm Sasnal at Anton Kern', in: Art in America, New York, January 2008, p. 128, ill.
___, 'Wilhelm Sasnal', in: Work. Art in Progress, Trento, Winter 2007 – 2008, p. 62, ill.
Charlesworth, JJ, 'The Painting of Modern Life', in: Art Monthly, London, November 2007, pp. 28 – 29, ill.
Büsing, Nicole; Klaas, Heiko, 'Gesellschaftsbilder. Zeitgenössische Malerei', in: Artist, Bremen, Issue 73, 2007, pp. 48 – 55, ill.
___, 'Wilhelm Sasnal', in: Monopol, Berlin, no. 10, October 2007, p. 141, ill.
Higgins, Charlotte, 'Artists's striking reworking of crash photo', on: arts.guardian.co.uk, 5 October 2007, ill.
Renner, Sascha, '“Art“-iger Glanz', in: Züritipp, Zurich, 14 June 2007, p. 35, ill.
___, 'Die teuerste Woche aller Zeiten', in: Monopol, Berlin, no. 7, July 2007, pp. 104 – 107, ill.
Gilman, Claire, 'Wilhelm Sasnal', in: Frieze, Lodnon, June-August 2007, p. 243, ill.
___, 'Neues aus den Galerien', in: Informationsdienst Kunst, Regensburg, no. 378, 31 May 2007, p. 20
___, 'art & market. Wilhelm Sasnal', in: tema celeste, Milan, March-April 2007, p. 95, ill.
___, 'Amsterdam: Vincent van Gogh Preis an Wilhelm Sasnal', in: Kunstbulletin, Zurich, January-February 2007, p. 86, ill.
___, 'Artworld', in: Art in America, New York, January 2007, p. 174
Luxembourg, Daniella, 'Polens junge Neugier', in: ARTnvestor, 1 December 2006, Nr. 6, p. 54, ill.
___, 'Wilhelm Sasnal', in: ARTnvestor, 1 December 2006, Nr. 6, p. 60, ill.
Hafner, Hans-Jürgen, 'Ist das Leben nicht schön? Kapitel 2: Wilhelm Sasnal', in: Kunstforum International, Ruppichteroth, Bd. 182, October –November 2006, pp. 349 – 349, ill.
Coomer, Martin, 'Not Being Boring: Wilhelm Sasnal', In: Art Review, London, Issue 04, October 2006, p. 36, ill.
Sasnal, Wilhelm, 'October Manifesto', In: Art Review, London, Issue 04, October 2006, p. 16, ill.
___, 'Ist das Leben nicht schön?', in: Artist Kunstmagazin 67, Bremen, July 2006, no. 2, p. 11
Danicke, Sandra, 'Der Besessene', in: Art, Hamburg, no. 7, July 2006, p. 82, ill.
___, (Review) 'Wilhelm Sasnal', in: Monopol, Berlin, no. 3, June/July 2006, p. 134, ill.
Ruchel-Stockmans, Katarzyna, 'Wilhelm Sasnal', in: Flash Art, Milan, May – June 2006, vol. XXXIX, no. 248, p. 130, ill.
Martinez, Chus, 'Looking Forward', in: Frieze, London, no. 96, January – February 2006, pp. 124 – 125, ill.
___,'United States. Our selection A-Z: New York', in: What’s on (insert in: The Art Newspaper), New York, vol. XV, no. 165, January 2006, pp. 2 – 3, ill.
Ronduda, Lukasz. 'Wilhelm Sasnal – USA', Warsaw: Center of Contemporary Art Ujazdowski Castle, 2006
Garneet, Craig, 'writing ', in Purple Fashion, Paris, No. 4, Fall-Winter 2005 – 2006, ill.
Wei, Lilly, ’Report from Iceland. Nordic Odyssey’, in: Art in America, New York, November 2005, pp. 72 – 77, ill.
___, 'Tauschgeschäft: Raster nach Berlin, Johnen nach Warschau', in: Monopol, Berlin, October/November 2005, p. 18, ill.
Bellini, Andrea, 'There Are No Rules. An Interview With Wilhelm Sasnal', in: Flash Art International, Milan, Vol. XXXVIII, No. 243, July – September 2005, pp. 88 – 90, ill.
Neuenschwander, Simone, 'Wilhelm Sasnal. New Ruins', in: Flash Art International, Milan, Vol. XXXVIII, No. 243, July – September 2005, pp. 84 – 87, ill. (cover)
Sasnal, Wilhelm, 'Replay: The prettiest child in the world', in: Flash Art, Vol. XXXVIII, No. 243, July –September 2005, p. 134, ill.
Politi, Gea, 'Reykjavik Arts Festival', in: Flash Art International, Milan, Vol. XXXVIII, No. 243, July –September 2005, p. 117, ill.
Kent, Sarah, 'Paint it back', in: Time Out, London, 13 – 20 July 2005, p. 64, ill.
Soboczynski, Adam, 'Anatomie eines Aufstiegs', in: Monopol, Berlin, No. 3, June / July 2005, pp. 64, 66, ill.
Benhamou-Huet, Judith, 'Boom sur l’art contemporain à Bâle'. In: Les Echos, Paris, 24 June 2005, p. 6, ill.
___, 'Bâle, la frénésie acheteuse', in: Le Figaro, Paris, 17 June 2005, p. 29, ill.
Manacorda, Francesco, 'Reykjavik Arts Festival', in: Artforum International, New York, Vol. XLIII, No. 9, May 2005, p. 144
Velez, Marcel Andino, 'Sasnal na Dzikim Zachodzie', in: Przekroj Weekly Magazine, Warsaw, 14 April 2005, pp. 88 – 93, ill.
___,'M Stadt. Europäische Stadtlandschaften', in: Joanneum Aktuell, Graz, no. 3, 2005, pp. 2 – 3
Kuni, Verena, 'Funny Cuts in der Staatsgalerie', in: Kunst-Bulletin, Zurich, vol. 3, March 2005, p. 54
Spiegler, Marc, 'L’ere de la spéculation est arrivée', in: Le Journal des Arts, Paris, no. 208, 4 – 17 February 2005, p. 26, ill.
Adam, Georgina, 'Welcome back to the mainstream', in: The Art Newspaper, New York, no. 154, January 2005, p. 46
Schmid, Karlheinz, 'Die Aufsteigerinnen. Die nächste Künstler-Generation tritt an', in: Kunstzeitung, Regensburg, no. 101, January 2005, p. 8
___, 'Wilhelm Sasnal', in: NZZ Ticket (insert in Neue Zürcher Zeitung), Zurich, 9 December 2004, p. 33, ill.
Spiegler, Marc, 'Ein Boom, aber noch kein Markt', in: The Art Newspaper, New York, 5 December 2004, p. 5
K.M., 'Wilhelm Sasnal. Ein Augenmensch', in: Schweizer Illustrierte, Zurich, 29 November 2004, p. 97, ill.
Kantor, Jordan, 'The Tuymans Effect', in: Artforum, New York, November 2004, pp. 164 – 171, ill.
Hoffmans, Christiane, 'Ein Boom, aber noch kein Markt', in: Welt am Sonntag, Berlin, 15 August 2004, p. 57, ill.
Von Heydebreck, Amélie, 'Hundert winzige Revolutionen, dann wären wir zufrieden', in: Monopol. Das Magazin für Leben und Kunst, Berlin, no. 2, June – July 2004, pp. 24 – 27
___,'Basel on my Mind', in: Monopol. Das Magazin für Kunst und Leben, Berlin, no. 2, June – July, 2004, pp. 14 – 21
Dailey, Meghan, 'Painting Recording/Malerei als Aufzeichnung', in: Parkett, Zurich/New York, no. 70, May 2004, pp. 60 – 69, ill.
Szymaczyk, Adam, 'Schlamm/Sludge', in: Parkett, Zurich/New York, no. 70, May 2004, pp. 71 – 80, ill.
Jansen, Gregor, 'Petite Sensation/Petite Sensation', in: Parkett, Zurich/New York, no. 70, May 2004, pp. 82 – 93, ill.
GT, 'Wilhelm Sasnal ist der polnische Roy Lichtenstein', in: Die Welt am Sonntag, Berlin, 25 April 2004
Freia, Oliv, 'Leidenschaft fürs Schlichte', in: Münchner Merkur, Munich, no. 116, 2004, p. 7, ill.
Puvogel, Renate, 'Wilhelm Sasnal', in: Kunstforum International, Ruppichteroth, no. 167, November-December 2003, pp. 338 – 340, ill.
sb, 'Wilhelm Sasnal in der Kunsthalle und im Westfälischen Kunstverein', in: Kunst-Bulletin, Zurich, no. 11, November 2003, p. 74, ill.
___, in: Artist, Bremen, no. 4, Winter 2003, p. 12
it, 'Wilhelm Sasnals eigenwillige Befragung der Medienrealität', in: Schweizer Illustrierte, Zurich, 29 October 2003, ill.
Sailer, Alexia, 'Bis zur Atombombe', in: Südkurier, Konstanz, 24 October 2003, ill.
Von Burg, Dominique, 'Wenn Lautsprecher malen können', in: Zürichsee Zeitung, Stäfa, 14 October 2003, ill.
Zsz, 'Erste Einzelausstellung', in: Zürichsee Zeitung, Stäfa, 14 October 2003, ill.
___, 'Pinselsurfer durch Stilwelten', in: Annabelle, Zurich, 8 October 2003
Illies, Florian, 'Die jungen Polen kommen!', in: Monopol. Das Magazin für Leben und Kunst, Berlin, October 2003, pp. 45 – 52, ill.
Oberholzer, Niklaus, 'In der Malerei der Welt der Bilder begegnen', in: Neue Luzerner Zeitung, Lucerne, 1 October 2003, ill.
Carmine, Giovanni, 'Wilhelm Sasnal', in: Flash Art, Milan, October 2003
Suerland, Harald, 'Räder ohne Flugzeug. Gemälde von Wilhelm Sasnal', in: Westfälische Nachrichten, no. 218, 20-21 September 2003, p. R KL 1, ill.
gm, 'Wilhelm Sasnal', in: NZZ am Sonntag, Zurich, 14 September 2003, ill.
___, 'Sasnal', in: Edelweiss, September 2003, ill.
Zappa, Désirée, 'Ein Memory-Spiel mit gefälschten Karten', in: Tages Anzeiger, Zurich, 28 August 2003, ill.
Neubauer, Susanne, 'Videoarbeiten von "malerischer" Qualität', in: Aargauer Zeitung, Aargau, 27 August 2003
Wüst, Karl, 'Eine bunte Kunstreise', in: Bieler Tagblatt, Biel, 25 August 2003
Cerf, Tristan, 'A Zurich, 42 galeries jusqu’ au bout de la nuit', in: Le Temps, Geneva, 25 August 2003
Affentranger-Kirchrath, Angelika, 'Blick aus dem Fenster', in: Neue Zürcher Zeitung, Zurich, 23/24 August 2003, ill.
alm, 'Wilhelm Sasnal', in: Basler Zeitung, Basel, 23 August 2003, ill.
___,'Wilhelm Sasnal', in: Praxis. Schweizerische Rundschau für Medizin, Berne, 20 August 2003
___,'Wilhelm Sasnal', in: www.artrepublic.com, 7 August 2003
Landsman, Mark, 'For your pleasure', in: Frieze, London, no. 75, May 2003, pp. 80 – 84, ill.
Szymczyk, Adam, 'Wilhelm Sasnal', in: Flash Art, Milan, vol. XXXIV, no. 226, October 2002, p. 95, ill.
Christofori, Ralf, 'Wilhelm Sasnals Realismus', in: Kunst-Bulletin, Zurich, no. 9, September 2002, pp. 14 – 19, ill.
Naef, Maja, 'Zwischenbilder. Painting on the move–das Zusammenspiel der Malerei', in: Kunst-Bulletin, Zurich, no. 7/8, July – August 2002, pp. 46 – 51, ill.
Koerver, Hans Peter, 'Bomben aus dem Ballon', in: Kölner Stadt-Anzeiger, Cologne, no. 114, 18/19 May 2002
Vielhaber, Christiane, 'Künstlerische Welterkundung', in: Handelsblatt, Dusseldorf, no. 30, 12 February 2002
Bartelik, Marek, 'Import/Export. The Place "In Between"', in: Art in America, New York, vol. 90, no. 1, January 2002, pp. 40 – 47, ill.
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