Publications
2011
Schlieker, Andrea, ‘Folkestone Triennial: A Million Miles from Home’, Folkestone: Cultureshock Media Ltd., 2011, pp. 52-55, ill.
Ngui, Matthew, Smith, Trevor, Storer, Russell, ‘Singapore Biennale 2011 Open House’, Singapore: Singapore Art Museum, 2011, pp. 226-227, ill.
Hainley, Bruce, Higgie, Jennifer, Moulène, Claire (et al.), ‘BigMinis’, Berlin: Sternberg Press, 2011, p. 211, ill.
2010
Bradley, Fiona, Coles, Alex, ‘Martin Creed: Down Over Up’, Edinburgh: The Fruitmarket Gallery, 2010
Creed, Martin, Gioni, Massimiliano, ‘Martin Creed Works’, London: Thames and Hudson, 2010
Eugenio Lopez Alonso Fundacion / Collection Jumex, ‘Les enfants terribles’, Mexico: Fundacion / Collecion Jumex, 2010
Staatsgalerie Stuttgart, ‘“...Nur Papier, und doch die ganze Welt…“. 200 Jahre Graphische Sammlung’, Stuttgart: Staatsgalerie Stuttgart, 2010, p. 264, ill. (exh. cat.)
Polla, Barbara, Ardenne, Paul, ‘Peintures. Please, pay attention, please’, Larmont: Editions Le Bord de L’Eau – Collection La Muette, 2010
Goldie, Peter, Schellekens, Elisabeth, ‘Who`s Afraid of Conceptual Art? ‘, New York NY: Routledge, 2010, pp. 44-45, ill.
___, ‘The first ten years: definitely not alright’, London: The art newspaper, January 2010, p. 1
2009
Griffiths, Catherine, Rees, Dan (eds.), Home for lost ideas, Turin/Berlin: Archive Books, 2009, pp. 98, ill.
Ardenne, Paul, ‘Art, Le Present: La création plasticienne au tournant du XXI. siècle’, Paris: Edition du Regard, 2009, p. 293, ill.
Kamiya, Yukie, Archer, Michael, ‘Martin Creed’, Hiroshima: City Museum of Contemporary Art, 2009 (exh. cat.)
Besson, Christian, Fabvre, Bernard, Geignebet, Claude, et al., ‘La dégelée Rabelais’, Montpellier: Méditerrane Éditions, 2009
Guglielmino, Giorgio (ed.), ‘How to Look at Contemporary Art’, London: Umbert Allemandi & Co., pp. 253-255, ill.
Toshikatsu, Omori (ed.) ‘Basic Action’, Tokio: Hiromiyoshii, 2009 (exh. cat.)
Bonham-Carter, Charlotte, Hodge, David, ‘The Contemporary Art Book’, London, Goodman, 2009, p. 55, ill.
Selby, Aimée, ‘Art and Text’, London: Black Dog Publishing, 2009, p. 106, ill.
Madden, Kathleen (ed.), ‘In the Between’, Istanbul: Egeran Art Advisory, 2009, pp. 18, ill.
Rattemeyer, Christian, ′Compass in Hand′, New York NY: The Museum of Modern Art, 2009
Hiromiyoshii, ‘Basic Action: Toshikatsu Omori on Martin Creed’, Hiromiyoshii, 2009, pp. 8, 10-11, 15, 27, 40, 54-55, 64-65 (exh. cat)
2008
Ferrand, Mylène, Fiaschi, Lorenzo (ed.), ‘Sphères 2008’, Boissy-le-Châtel: Galeria Continua /Le Moulin, 2008, pp. 50-53, ill.
Ikon Gallery, ‘Martin Creed’, Manchester: Cornerhouse Publications, 2008, (exh. cat.)
Galeria Luisa Stirna (ed.), ‘THIS IS NOT A VOID’, Sao Paulo, 2008, pp. 17, 25, ill.
Denaro, Dolores, Centre PasquArt (ed.), ‘Aurum. Gold in der zeitgenössischen Kunst / L’or dans l’art contemporain’, Nuremberg: Verlag für moderne Kunst Nuremberg / Centre PasquArt, 2008, pp. 50-51, ill.
Holzwarth, Hans Werner (ed.), ‘Art Now Vol 3’, Cologne: Taschen, 2008, pp. 101-103, ill.
Tate Britain (ed.), ‘Martin Creed. Work No. 850. 2008’, London: Tate Publishing, 2008, ill. (exh. bro.)
Steidl (ed.), ‘Steidl Spring/Summer 08’, Goettingen: Steidl, 2008, pp. 164-165, ill.
2007
Biesenbach, Klaus (ed.), ‘Into Me/Out of Me’, Ostfildern: Hatje Cantz, 2007, pp. 177-179, ill. (exh. cat.)
2006
Cattelan, Maurizio, Gioni, Massimiliano, Subotnick, Ali (ed.), ‘Of Mice and Men’, Ostfildern: Hatje Cantz, 2006, pp. 142-143, ill. (exh. cat.)
Burkard, Lene, Skjodt, Liv Camilla (ed.), ‘Reality, 10’55 Odense’, Odense: Kunsthallen Brandts, 2006, pp. 24-25, ill. (exh. bro.)
Bjorheim, Jan Kjetil, ‘Free Play’, Hå gamle prestegard, 2006, ill. (exh. cat.)
Sardo, Delfim, MARCO, Centro José Guerrero (ed.), ‘The Invisible Show’, Vigo: Museo de Arte Contemporanea de Vigo, 2006, p. 97 (exh. cat.)
British Council Switzerland (ed.), ‘Talking Art’, Berne: British Council Switzerland, 2006 (bro.)
Casino Luxembourg – Forum d’art contemporain asbl (ed.), ‘joy’, Luxembourg: Casino Luxembourg, 2006, pp. 24-25, ill. (exh. cat)
Städtisches Museum Abteiberg (ed.), ‘Strange, I`ve seen that face before’, Mönchengladbach/Cologne: Städtisches Museum Abteiberg/DuMont, 2006, p. 63 ill. (exh. cat.)
Kania, Elke, Spieler, Reinhard (ed.), ‘The Sublime is now’, Berne: Benteli, 2006, p. 80, (exh. cat)
2005
Adams, Clive, Bowes, Edwin (cur.) ‘The Art of White, The Lowry’, November 2005, p. 90 (exh. cat)
May, Susan (ed.), ‘Size Matters, Exploring Scale in the Arts Council Collection’, 2005, p. 30 (exh. cat)
Rugoff, Ralph, ‘Monuments fort he USA, Short Term Memory, CCA Wattis Institute for Contemporary Arts’, 2005 (exh. cat)
Ackermann, Marion (ed.), ‘Kunstmuseum Stuttgart’, Ostfildern: Hatje Cantz, 2005, pp. 288-289, ill.
D’Ailly, Stella, Olausso, Lisa, Sten, Maya, ‘Extra Ordinary’, Stockholm: Printfabriken, 2005, pp. 50-51, ill. (exh. cat.)
Biennale de Lyon 2005 (ed.), ‘Expérience de la durée’, Paris: Paris musées, 2005, pp. 106-109, ill. (exh. cat.)
ACCA (ed.), ‘The lights off’, Melbourne: ACCA, 2005 (exh. cat.)
Galerija Gregor Podnar (ed.), ‘Nothingness’, Frankfurt: Revolver, 2005, pp. 38-39, ill. (exh. cat.)
___, ‘Martin Creed’, in: Art Unlimited, Basel, 2005, pp. 58-59, ill.
2004
Serpentine Gallery (ed.), ‘State of Play’, London: Serpentine Gallery, 2004, pp. 16-19, ill. (exh. cat.)
ICA, Institute of Contemporary Arts (ed.), ‘Artists’ Favourites. Act I & II’, Frankfurt: Revolver, 2004 (exh. cat.)
Stefan Brüggemann (ed.), ‘Capitalism and Schizophrenia’, Nashville: Turner, 2004, (exh. cat.)
Kunsthalle Bern (ed.), ‘Martin Creed’, Bern: Kunsthalle Bern, 2004 (exh. cat.)
Centre for Contemporary Art Ujazdowski Castle (ed.), ‘Martin Creed: the whole world + the work = the whole world’, Warsaw: Centre for Contemporary Art Ujazdowski Castle, 2004 (exh. cat.)
Palais de Tokyo (ed.), ‘Live’, Paris: Palais de Tokyo, 2004 (exh. cat.)
Domaine Pommery (ed.), ‘Genesis Sculpture, Experience Pommery #1’, Reims: Dommaine Pommery, 2004 (exh. cat.)
2003
Museum Boijmans Von Beuningen (ed.), ‘Shine: Wishful Fantasies and Visions of the Future in Contemporary Art’, Rotterdam: Museum Boijmans Von Beuningen, 2003 (exh. cat.)
Longside Gallery (ed.), ‘Bad Behaviour: from the Arts Council Collection’, Yorkshire: Longside Gallery, 2003, pp. 56-57, ill. (exh. cat.)
2002
Bradley, Will, Bretton-Meyer, Henriette, Webster, Toby, ‘My Head is on Fire but my Heart is Full of Love’, Copenhagen/Glasgow: Charlottenborg Udstillingbygning/The Modern Institute, 2002 (exh. cat.)
CCAC Wattis Institute for Contemporary Arts (ed.), ‘Rock My World: Recent Art and the Memory of Rock’ n’ Roll’, San Francisco CA: CCAC Wattis Institute for Contemporary Arts, 2002 (exh. cat.)
Herkenhoff, Paolo, Marcoci, Roxana, Basilio, Miriam, ‘Tempo’, New York NY: The Museum of Modern Art, 2002 (exh. cat.)
Collection Haubrok (ed.), ‘No Return’, Mönchengladbach: Collection Haubrok, 2002, (exh. cat.)
2001
Pinto, Roberto, Williams, Gilda (ed.), ‘Arte All’Arte – V edizione 2000’, Roma/San Gimignano: Gli Ori/Arte Continua, 2001 (exh. cat)
Kamiya, Yukie (cur.), ‘Space-Jack!’, Yokohama: Yokohama Museum of Art, 2001 (exh. cat.)
2000
Button, Virginia, Esche, Charles (ed.), ‘Intelligence. New British Art 2000’, London: Tate Publishing, 2000, pp. 49-51, ill. (exh. cat.)
Southamton City Art Gallery (ed.), ‘Martin Creed Works’, Southamton: Southamton City Art Gallery, 2000 (exh. cat.)
Whitechapel Art Gallery (ed.), ‘Protest And Survive’, London: Whitechapel Art Gallery, 2000 (exh. cat.)
Shed im Eisenwerk (ed.), ‘...sabotage… ‘, Frauenfeld: Shed im Eisenwerk, 2000 (exh. cat.)
Chelsea & Westminster Hospital (ed.), ‘DON’T WORRY’, London: Chelsea & Westminster Hospital, 2000 (exh. cat.)
Buck, Louisa, ‘Moving Targets 2; A Users Guide to British Art Now’, Tate, London, 2000, pp. 118-119
1999
Rindler, Lawrence (ed.), ‘Searchlight: Consciousness at the Millennium’, London: Thames & Hudson, 1999
Collings, Metthew (ed.), ‘This is Modern Art’, London: Weidenfeld & Nicolson, 1999
Patrizio, Andrew (ed.), ‘Contemporary Sculpture in Scotland’, St. Petersburg: Craftsman House (imprint of G&B International, Sydney), 1999 (exh. cat.)
di Pietrantonio, Giacinto, Mandelinck, Gwy, ‘Serendipity’, Watou: Poëziezomers, 1999
1998
Obrist, Basualdo, Bonami, Cameron, et al., ‘cream – contemporary art in culture’, London: Phaidon, 1998
Bingham, Juliet, Watkins, Jonathan, Spark, Joe, ‘every day’, Sydney: Biennale of Sydney, 1998
Groos, Ulrike, Müller, Markus, ‘Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst’, Cologne: Oktagon, 1998
Cathrin, Pichler, ‘Crossings. Kunst zum Hören und Sehen’, Vienna/Ostfildern: Kunsthalle Wien/Hatje Cantz, 1998 (exh. cat.)
Whitechapel Art Gallery (ed.), ‘Speed’, London: Whitechapel Art Gallery, 1998 (exh. cat.)
Toppila, Paula, ‘Proper (blind date) 1-3’, Helsinki: Frame Finnish Fund for Art Exchange, 1998 (exh. cat.)
1997
Collings, Matthew, ‘Blimey. From Bohemia to Britpop’, London: 21, 1997
Gallagher, Ann, ‘Dimensions Variable – New Works for the British Council Collection’, London: The British Council, 1997
1996
Rolo, Jane, Hunt, Ian (ed.), ‘Bookworks – A Partial History and Sourcebook’, London: Bookworks, 1996
Bosse, Laurence, Obrist, Hans Ulrich (ed.), ‘Life/Live’, Paris: Paris-Musées, 1996 (exh. cat)
Creed, Martin, ‘Martin Creed: the whole world + the work = the whole world’, Geneva/London: Galerie Analix B&L Polla/Karsten Schubert Gallery, 1996
Arts Council of England (ed.), ‘Ace!’, London: Arts Council of England, 1996
Frith Street Gallery, Karsten Schubert Gallery (ed.), ‘From Figure to Object: A Century of Sculptors’, London: Frith Street Gallery/Karsten Schubert Gallery, 1996 (exh. cat.)
Norwich Gallery, Sainsbury Centre for Visual Arts (ed.), ‘EAST International’, Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts, 1996 (exh. cat.)
1994
Arts Council of England (ed.), ‘Art Unlimited: Multiples of the 1960s and 1990s’, London: Arts Council of England, 1994
Articles
2011
Cragg, Michael, ‘ New music: Box Codax-Drawning’, in: The Guardian, London, 13 October 2011
___, ‘What are you doing at Frieze?’, in: The Guardian, London, 13 October 2011, p. 13, ill.
Darwent, Charles, ‘The streets are paved with marble, the rest is solid gold’, in: The Independent on Sunday, 7 August 2011, p. 60, ill.
Jones, Jonathan, ‘Martin Creed’s stairway to heaven’, on: The Guardian.co.uk, 1 August
Lederman, Marsha, ‘A ballooning obsession’, in: The Globe and Mail, 21 May 2011, Globe Arts, unpag.
___, ‘The House of Hauser & Wirth’ in: Kilimanjaro, Issue 12, April 2011, pp. 6-9, ill.
Corner, Lena, ‘Why would anyone want to see this shite? ‘, in: ES Magazine, 17 June 2011, pp. 21-22, ill.
Ramaswamy, Chitra, ‘The Scotsman Steps get a new lease of life’, The Scotsman, 26 June 2011, unpag.
Coles, Alex, ‘An Evolving Creed’, Apollo, March 2011, pp. 126-130, ill.
Searle, Adrian, ‘Mother of all shows: Creed drives audience to delighted abstraction’, Guardian, 25 January 2011, p.11, ill.
Flanders, Judith, ‘Martin Creed, Hauser & Wirth’, in: The Arts Desk, 27 January 2011, unpag.
McLean-Ferris, Laura, ‘Striking sign has maternal appeal’, in: The Independent, 28 January 2011, p.17, ill.
Creed, Martin, ‘My week in pictures’, in: The Observer, 30 January 2011, p.9, ill.
Wright, Nicola Celia, ‘Martin Creed: Yer Maw’, in: The Skinny, 1 February 2011, unpag.
Ward, Ossian, ‘Martin Creed makes the mother of all sculptures’, in: Time Out London, 27 February 2011, p. 51, ill.
___, ‘Critic’s choice’, in: Time Out London, 27 February 2011, p.55, ill.
Clemente, José Luis, ‘Tan sencillo y tan complejo, como la vida misma’, in: Arte y parte, No. 93, 2011, pp. 46-67
2010
___, ‘art Degrees of acceptance’, in: Seven, London, 29 August 2010, p. 21, ill.
Levin, Kim, ‘Martin Creed’, in: ARTnews, New York NY, September 2010, pp. 111, ill.
___, ‘Martin Creed: Down Over Up’, in: Time Out Edinburgh Festival Guide, Edinburgh, 22 June 2010
___, ‘Festival People. Martin Creed’, in: Time Out Edinburgh Festival Guide, Edinburgh, 22 June 2010, ill.
Korek, Bettina, ‘Art Basel Exclusive’, in: The Huffington Post, New York NY, 21 June 2010, ill.
Cornwell, Tim, ‘It’s festival art – but Glasgow artist Martin Creed’s work stack up?’, in: The Scotsman Online, Edinburgh, 20 May 2010
___, ‘Martin Creed – Down Over Up’, on: creativeboom.co.uk/, London, 20 May 2010, ill.
Gompertz, Will, ‘The ups and downs of Martin Creed’, on: BBC Online, London, 30 April 2010, ill.
Brown, Jonathan, ‘Turner-winning art bequeathed to the nation (well, sort of…), in: The Independent, London, 23 April 2010, pp. 14-15
__, ‘Camden’s big rip off fort he residents’, in: The Independent, London, 2 April 2010, p. 8
Mansfield, Susan, ‘Martin Creed: Things ***’, in: The Scotsman, Edinburgh, 24 March 2010
Glover, Michael, ‘A gallery thar’s worth celebrating’, The Independent, London, 18 March 2010, p. IL 16
Barrett, David, ‘Martin Creed. Feel Better’, Catalogue Contemporary Art Magazine, London, issue 3, March 2010
___, ‘Martin Creed’, in: Contemporary Artist Files, Tokyo, vol. 62, no. 933, February 2010, p. 162, ill.
___, ‘The first ten years: definitely not alright’, in: The Art Newspaper, London, January 2010, ill.
___, ‘Ten to catch’, in: Apollo, London, February 2010, p. 16, ill.
Wade, Mike, ‘And now for my next trick – artist answers his critics with another simple slice of life’, in: The Times, London, 20 February 2010, p. 15, ill.
Miller, Phil, ‘Restless Native’, in: The Herald Magazine, Glasgow, 20 February 2010, pp. 6-10, ill.
Marie Angeletti, ‘Martin Creed’, in: Modern Painters, London, March 2010, pp. 16-17, ill.
Barnett, Laura, ‘Martin Creed, artist’, in: The Guardian G2, London, 23 February 2010, p. 23, ill.
Higgins, Charlotte, ‘Creed’s turn-ons’, in: The Guardian G2, London, 24 February 2010, p. 23, ill.
Miller, Phil, ‘Controversial Scottish artist is added to £26m d’Offay collection’, on: heraldonline.com, 21 April 2010, ill.
Jury, Louise, ‘Going up the scales… the lift that sings’, in: The Evening Standard, London, 21 April 2010, p. 3, ill.
2009
Hächler, Antoinette, ‘Martin Creed’, in: Saatchi Art & Music, London, Winter 2009, p. 41, ill.
Millar, Iain, ‘Saatchi, the starmaker, takes search for new talent to TV’, in: The Art Newspaper, London, December 2009.
Fakray, Sarah, ‘The Turner prize winner explains why he’s deadly serious about being silly’, in: Dazed & Confused, London, December 2009, p. 26, ill.
__, ‘Modern art gallery has 25 year overhaul’, on: bbc.co.uk, London, 23 November 2009
__, ‘Three takes on power’, in: ArtReview, London, November 2009, pp. 131-132, ill.
Coles, Alex, ‘Martin Creed, I`ve Got Rhythm’, in: Philips de Pury & Company MUSIC’, London, 21 November 2009, pp. 36-43, ill.
Coles, Alex, ‘Work No 1020’, in: Financial Times online, London, 28 October 2009
Crompton, Sarah, ‘Creed gives dance a thrashing’, London, 22 Oktober 2009
Anderson, Zoë, ‘Martin Creed’, in: The Independent, London, 21 October 2009, ill.
Craine, Debra, ‘Martin Creed’, in: The Times, London, 19 October 2009, ill.
___, ‘Martin Creed Debuts Ballet at Frieze’, on: artinfo.com, London/New York NY, 19 October 2009
Anderson, Zoë, ‘A brand new Creed’, in: The Independent, London, 15 October 2009, pp. 14-15, ill.
Higgins, Charlotte, ‘Five positions and a chess move: Turner winner turns to ballet’, in: The Guardian, London, 22 August 2009
Dillon, Brian, ‘The Gallery as Brain’, in: Modern Painters, New York NY, Summer 2009, pp. 26-27
Godfrey, Mark, ‘Divided Interests’, in: Artforum, New York NY, May 2009, pp. 205-213, ill.
Desment, Natalie, ‘L’invisibilité pour ne pas disparaître / Invisibility So As Not To Disappear’, in: esse arts+opinions, Montréal, Spring/Summer 09, pp. 9-11, ill.
Creed, Martin, ‘If you could live with only one piece of art what would it be?’, in: Frieze, London, issue 122, April 2009, p. 128, ill.
Toibin, Colm, ‘Art, Ordinary World’, in: Esquire, London, February 2009, p. 55, ill.
Creed, Martin, ‘the week, diary’, in: The Times, London, 31 January 2009
Toibin, Colm, ‘Ordinary World’, in: Esquire, London, February 2009, p. 55, ill.
Bonami, Francesco, ‘Now is For Ever…Again’, in: Tate etc., London, issue 15, Spring 2009, pp. 30-36, Ill.
Frater, Sarah, ‘Diaghilev Week At Sadler’s Wells’, on: whatsonstage.com, London, 15 October 2009.
___, ‘Martin Creed – Ballet (Work No. 1020)’, on: culturecritic.co.uk, London, 5 November 2009.
___, ‘ArtReview Close Encounters: Martin Creed’, on: artreview.com, London/New York NY, 13 October 2009
Mackrell, Judith, ‘Turner winner’s visuals more moving than his choreography’, in: The Guardian, London, 17 October 2009
Pavia, Will, ‘Hokey cokey at Sadler’s Wells’, in: The Times, London, 12 June 2009
Yablonsky, Linda, ‘Exhibit A-List’, in: The New York Times Style Magazine’, New York NY, Winter 2009, p. 26, ill.
2008
Hecht, Sam, ‘Conversation. Hecht/Creed’, in: Icon, London, December 2008, pp. 59-63, ill.
Duguid, Hannah, ‘Martin Creed: „I try to be true and honest. The truth is often ridiculous“’, in: The Independent, London, 1 November 2008, ill.
Trigg, David, ‘Time and Motion’, in: Art Monthly, vol. 321, November 2008, pp. 1-4, ill.
Douglas, Sarah, ‘Dealers are using savvy showmanship to take the convention center out of art fairs’, in: Art+Auction, New York NY, October 2008, ill.
Blincoe, Nicholas, ‘Fast Forward’, on: guardian.co.uk, London, 27 September 2008, ill.
Jury, Louise, ‘On your marks for the cultural olympiade’, in: Evening Standard, London, ill.
Love, Emma, ‘The Creed of Martin’s silence’, in: The Independent, London, 26 September 2008
Hickling, Alfred, ‘Martin Creed’s bad music is good art’, on: guardian.co.uk, London, 25 September 2008, ill.
___, ‘Interview mit Florian Slotawa über Martin Creeds „Arbeit Nr. 850“’, in: Art, Hamburg, September 2008, p. 18, ill.
Jones, Jonathan, ‘Reviewing Martin Creed with the benefit of reflection’, in: The Guardian, London, 30 July 2008, ill.
Lubbock, Tom, ‘Is Art running out of ideas? Artists forced to explain modern art’, on: independent.co.uk, London, 14 July 2008, ill.
Baer-Bogenschütz, ‘Martin Creed hetzt’, in: Informationsdienst Kunst, no. 406, 10 July 2008, p. 15
John, Emma, ‘Interesting idea, but has it got legs?’, on: art.guardian.co.uk/arts/news, London, 6 July 2008, ill.
Smith, Giles, ‘Art imitates sport – and sport strolls it’, on: times.online.co.uk, London, 5 July 2008
Barton, Laura, ‘Artworks that put the public centre stage’, in: The Guardian, London, 2 July 2008, ill.
Walsh, John, ‘So he dashed it off. But that doesn’t mean it’s not art’, on: independent.co.uk, London, 2 July 2008
Alberge, Dalya, ‘The latest installation at Tate that will run and run’, in: The Times, London, 1 July 2008, p.13, ill.
Searle, Adrian, ‘An Electrifying Gesture,’ in: The Guardian, London, 1 July 2008, p. 11
Demir, Anaid, ‘Being Martin Creed’ in: bc Magazine, issue 3, Summer 2008, ill.
Higgins, Charlotte, ‘Martin Creed’s new piece for Tate Britain. A show that will run and run’, in: The Guardian, London, 1 July 2008, p. 11, ill.
Brookes, Peter, ‘The latest installation at the Tate will run and run’, in: The Times, London, 1 July 2008, p. 23, ill.
___, ‘Oi, your paint is running’, on: thesun.co.uk, London, 1 July 2008, ill.
Stephens, Alex, ‘Exhibition will run and run’, in: The London Paper, London, 30 June 2008, ill.
Luke, Ben, ‘Martin Creed: Speed of Life, in Art World, London, June–July 2008, pp. 31–36, ill.
Buck, Louisa, ‘Martin Creed’s test run at Tate Britain’, in: Art Newspaper, London, 1 May 2008, p. 50
Kröner, Magdalena, ‘Art Basel Miami Beach’, in: Kunstforum, Ruppichteroth, vol. 190, March-April 2008, p. 400, ill.
Häntzschel, Jörg, ‘Leicht gedämpfter Optimismus’, in: Süddeutsche Zeitung, Munich, 29 March 2008, p. 20
___, ‘Intelligence: Martin Creed and Calvin Klein’, Wallpaper, London, March 2008, p. 108, ill.
Heuer, Megan, ‘Martin Creed’, in: ARTnews, New York NY, February 2008, p. 130, ill.
Campbell-Johnston, Rachel, ‘Is Martin Creed a genius?’, on: timesonline.co.uk, London, 16 January 2008, ill.
Weeden, John, ‘Art Risk Fun’, in: Weeden Arts Watch, weedenartswatch.blogspot.com, 15 January 2008.
Aspden, Peter, ‘Tate Displays Taste for Weirdness’ in: The Financial Times, London, 15 January 2008, p.3.
Alberge, Dalya, ‘Turner winner will be paid to give art lovers the runaround’, in: The Times, London, 15 January 2008, p. 9, ill.
Baracaia, Alexa, ‘Tate shows Creed in a fresh light’, in: The London Paper, London, 14 January 2008, p. 8, ill.
___, ‘Tate displays taste for weirdness’, in: Financial Times, London, 15 January 2008, p. 3
Brown, Mark, ‘Minimalist artist pioneers Tate Britain’s annual commission’, in: The Guardian, London, 15 January 2008
___, ‘Creed artwork for Tate Britain’, in: The Independent, London, 15 January 2008
2007
Stott, Tim, ‘Martin Creed’, in: Art Review, New York NY, issue 17, December 2007, p. 143, ill.
Harris, Gareth, ‘Razzle-dazzle, Miami Basel’, in: Financial Times, London, pp. 1-2, ill.
Chateigné, Yann, ‘Monochrome’, in: Cahiers du Fonds national d’art contemporain, Rochechouart, no. 8, October–December 2007, pp. 14-17, ill.
___, ‘Ten to catch’, in: Apollo Magazine, London, 1 December 2007, p. 16, ill.
Collinge, Miranda, ‘Strike A Pose’ in: Esquire Magazine, New York NY, November 2007, p. 159, ill.
Guner, Fisun ‘Relieve the Controversy’, in: The Metro, London, 2 October 2007, p. 25, ill.
Slyce, John, ‘Martin Creed’, in: Flash Art, Milan, no. 256, October 2007, pp. 125-126, ill.
Avgikos, Jan, ‘Martin Creed’, in: Artforum, New York NY, vol. XLVI, no. 2, October 2007, pp. 368-369, ill.
Chateigné, Yann, ‘Monochrome’, in: Cahiers du Fonds national d’art contemporain, Rochechouart, no. 8 2007, pp. 14-17, ill.
Benhamou-Huet, Judith, ‘La montée en puissance du marché londonien’, in: Artpress, Trimestriel, no. 6, August-October 2007, pp. 40-42, ill.
___, ‘Sanitär-Pragmatismus’, in: Art, Hamburg, October 2007, p. 131, ill.
Cripps, Charlotte, ‘In Praise of the Cistern’, in: The Independent Extra, London, 20 September 2007, p. 14-15, ill.
Edgers, Geoff, ‘ON and OFF’, in: The Boston Globe, Boston MA, 13 September 2007
Higgins, Charlotte, ‘Who’s Shocking Now? ‘ in: The Guardian Weekend, London, 8 September 2007, p. 32, ill.
Thon, Ute, ‘Gefangen im Palmenhain’, in: Art. Das Kunstmagazin, Hamburg, no. 8, August 2007, pp. 24-36 ill.
Gilbert, Alan, ‘From Pop to Poop’, on: villagevoice.com, New York NY, 14 August 2007, ill.
Smith, Roberta, ‘The Bearable Lightness of Martin Creed’, on: nytimes.com, New York NY, 13 July 2007, ill.
O’Reilly, Sally, ‘Martin Creed’, In: Icon Magazine, Epping, 1 July 2007, p. 87, ill.
___, ‘Performance Notes. Martin Creed’, in: The Independent, London, 16 June 2007, p. 48, ill.
Artrocker, Paul, ‘Numerical titles bring order to an unpredictable world’ in: artrocker, 6 June 2007, p. 16
Cooper, Emmanuel, ‘Creed’s credo: it’s all the best possible taste’, in: Tribune, London, 15 June 2007, p. 24, ill.
Lubbock Tom, ‘Space man’, in: The Independent, London, 11 June 2007, p. 16, ill.
Buck, Louisa, ‘Creed’s sexy farewell to Coppermill’, in: The Art Newspaper, London, no. 181, June 2007, p. 50
Shaw, Lucy, ‘My London’ in: Evening Standard Magazine, London, May 2007, p. 58, ill.
Roberts, Bill, ‘Hauser and Wirth Coppermill’, on: Your Gallery, saatchi-gallery.co.uk, London, May 2007.
Coomer, Martin, ‘Exhibition of the Week’ in: Time Out, London, May 2007, p. 45, ill.
Lack, Jessica, ‘Martin Creed’ in: The Guardian Guide, London, May 2007, p. 37, ill.
Sutcliffe, Thomas, ‘The organ that will never be art’, in: The Independent, London, 25 May 2007, ill.
___, ‘Exhibition of the week: Martin Creed’, in: Time Out, London, 16-22 May 2007, p. 45, ill.
Buck, Louisa, ‘It’s showtime’, in: Vogue, London, 1 May 2007, p. 73, ill.
___, ‘Martin Creed – London’, in: The Guardian, London, 5 May 2007, ill.
Searle, Adrian, ‘Beyond the jokes’, in: The Guardian, London, 8 May 2007, pp. 24-26, ill.
Falconer Morgan, ‘The great entertainer’, in: Times2, London, 9 May 2007, p. 15, ill.
Martin, Francesca, ‘Martin Creed’s toilets and triangles’, in: Guardian Unlimited, London, 25 April 2007, p. 26
Martin, Francesca, ‘Martin Creed’s toilets and triangles’, in: Guardian Unlimited, London, 25 April 2007, p. 26
___, ‘Martin Creed. Words and Music’ in: The Herald, 10 March 2007, p. 2, ill.
Mattioda, Mario, ‘Interview’, in: Vogue Italia, Milan, issue 679, March 2007, p. 242, ill.
Chiles, Lawrence, ‘Get Me’ in: Wonderland, London, issue 7, February-March 2007, p. 98, ill.
___, ‘Was braucht Berlin? Berlin braucht Rock`n Roll’, in: Monopol, Berlin, no. 1, January 2007, p. 42, ill.
Vogel, Carol, ‘Inside Art’ in: The New York Times, New York NY, 5 January 2007.
2006
Slyce, John, ‘Martin Creed’, in: Contemporary 21, London, issue 89, p. 49, ill.
___, ‘Oh Christmas Tree, Oh Christmas Tree’, in: The Guardian, London, 20 December 2006, front page, ill.
Cox, Roger, ‘What a lot of balls’, in: The Scotsman, Edinburgh, 9 December 2006, pp. 8-9, ill.
Donohoe, Graeme, ‘What a load of balls’, in: The Sun, London, 6 December 2006, pp. 12-13, ill.
Newbury, Tancred, ‘How was it for them? ‘, in: The Guardian, London, 6 December 2006, p. 25
Smith, Aiden, ‘Throwing up a few surprises’, in: Scotland on Sunday, 3 December 2006
Kinnes, Sally, ‘What’s over your Mantelpiece? ‘ in: The Sunday Times, New York NY, 3 December 2006
Wallach, Amei, ‘ART; The provocateur and his well-heeled collaborator’, in: The New York Times, New York NY, 12 November 2006
Gautier, Michel, ‘+/- Martin Creed ou la solution Zero’, 20/27, issue 1, p. 107, ill.
Coulson, Amanda, ‘Nothing’, in: Art Review, London, issue 4, October 2006, p. 162, ill.
Clifford, Andrew, ‘Bypassing the thinking process’, in: The New Zealand Herald, Auckland, 11 October 2006, ill.
Vetrocq, Marcia E., ‘Martin Creed, Artful Dodger’, in: Art in America, New York NY, no. 8, September 2006, pp. 146-149, ill.
Schjeldahl, Peter, ‘New and Old’, in: The New Yorker, New York NY, 11 September 2006, pp. 86-87
Baer-Bogenschütz, Dorothee, ‘Goldschatz in Texas’, Kunstzeitung, Regensburg, no. 121, September 2006, p.13
Schedlemayr, Nina, ‘Disposition. Versponnenheit schlägt blutleere’, in: Spike, Vienna, Summer 2006, no. 8, pp. 72-73
Ollman, Leah, ‘Creed’s work delivers a shock’, in: LA Times, Los Angeles LA, 25 August 2006
Hensher, Philip, ‘That’s a Hirst? It’ll never sell…’, in: The Independent, London, 4 August 2006
Falconer, Morgan, ‘Never a Hirst. Is it?’, in: The Times, London, 1 August 2006, ill.
Perra, Daniele, ‘Martin Creed-I like things’, in: Tema Celeste, Milan, July-August 2006, p. 94, ill.
Teodorczuk, Tom, ‘The pig and the penguin: ICA trots out genius of youth’, in: Evening Standard, London, 31 July 2006, p. 23, ill.
Haden-Guest, Anthony, ‘Under the influence’, in: FT Weekend, London, 30 July 2006
Moore, Christopher, ‘Scape set to transform city’, in: The Press, Christchurch, 19 July 2006, ill.
Brigante, Argano, ‘Punk rock firmato Martin Creed’, in: Arte, Milan, July 2006, p. 37, ill.
Nicolin, Paola, ‘Pink is the new Black’, in: Janus, Brussel, July 2006, pp. 43-47, ill.
___, ‘I Like Martin Creed’, in: Flash Art, Milan, vol. XXXIX, no. 258, June-July 2006, p. 45, ill.
___, ‘Qualcosa per cui lavorare. Martin Creed intervistato da Maurizio Cattelan’, in: Flash Art, Milan, vol. XXXIX, no. 258, June-July 2006, pp. 74-75, ill.
Lafuente, Pablo, ‘Martin Creed. Appunti di Filosofia’, in: Flash Art, Milan, vol. XXXIX, no. 258, June-July 2006, pp. 76- 78, ill.
Cherubini, Laura, ‘Martin Creed l`artista che spegne le luci’, in: Il Giornale, Milan, 5 June 2006, p. 23
___, ‘Martin Creed Work No. 370: Balls’, in Art Quarterly, London, 1 June 2006, p. 134, ill.
___, ‘Martin Creed’, in: Mousse, Milan, June 2006, pp. 6-9, ill.
Incardona, Laura, ‘Io gioco con l`arte’, in: Flair, Milan, June 2006, p. 138, ill.
Lissoni, Andrea, ‘Sintonizzati sul reale’, in: Rolling Stone, Milan, June 2006, p. 189, ill.
Vetter, Christian, ‘Update: Zurich’, in: We are the Artists, Zurich, no. 7, May-July, 2006, p. 7, ill.
___, ‘Ehemalige jüdische Mädchenschule, Auguststr. 11-13. Martin Creed’, in: Kunstforum, Ruppichteroth, vol. 180, May-June 2006, pp. 242-243, ill.
Del Drago, Elena, ‘A luci spente con Martin Creed’, in: Il Manifesto, Milan, 28 May 2006, p. 13, ill.
Malvern, Jack, ‘Art of noise kicks up a stink’, in: The Times, London, 23 May 2006, p. 5
Capelli, Pia, ‘Provare e riprovare a fare delle cose’, in: Libero, Milan, 17 May 2006, p. 27, ill.
Bonazzoli, Francesca, ‘Arriva Martin Creed il genio dell`arte banale’, in: Il Corriere della Sera, Milan, 16 May 2006, p. 15, ill.
Casavecchia, Barbara, ‘Scherzi da inglese nel palazzo fascista’, in: La Repubblica, Milan, 16 May 2006, p. 11, ill.
___, ‘Martin Creed in viaggio fra i dettagli’, in: City, Milan, 16 May 2006, p. 39, ill.
Mammi, Alessndra, ‘Cose da pazzi’, in: L`Espresso, Milan, 11 May 2006, p. 149, ill.
Trovato, Silvia, ‘Il ritmo della vita nelle opere di Martin Creed’, in: Quicittà, Milan, May 10, 2006, p.14, ill.
Lasalvia, Irene, ‘Un saluto all`inglese’, in: ViviMilano, Milan, May 10, 2006, p. 46, ill.
Polvaroni, Adriana, ‘Colorata e rumorosa’, in: La Repubblica, Milan, 6 May 2006, pp. 79-80, ill.
___, ‘Arte’, in: Vogue, Milan, May 2006, pp. 36-38, ill.
Martinazzoli, Luca, ‘Martin Creed’, in: Rodeo Magazine, Milan, May 2006, p. 16, ill.
Sacconago, Emanuela, ‘Creed, l`arte di giocare’, in: MyMag, Milan, May 2006, pp. 90-91, ill.
Beatrice, Luca, ‘Martin Creed, la sostenibile inconsistenza dell` arte’, in: Arte, Milan, May 2006, p. 50, ill.
Cavallo, Floriana, ‘Opening con suspense’, in: Urban, Milan, May 2006, p. 57, ill.
La Grua, Ashley, ‘My Secret Life’, in: The Independent Magazine, London, 25 March 2006, p. 5
Bruni, Lorenzo, ‘Astrazione’, in: Arte e Critica, issue 45, January-March 2006, pp. 54-55, ill.
Basting, Barbara, ‘Glanzlichter der Woche’, in: Züritipp (insert in: Tagesanzeiger), Zurich, 23 February–1 March, 2006, p. 45, ill.
Hess, Ewa, ‘Kunst, aber schnell!’, in: Sonntagszeitung, Zurich, 22 January 2006, p. 47, ill.
2005
Lissmann, Christina,‘Holy Art Space!’, in: Sleek, Berlin, Winter 2005-2006, pp. 58-63, ill.
Büsser, Martin, ‘Short Waves: Professionalisiertes Hobby’, in: Texte zur Kunst, Berlin, vol. 15, no. 60, December 2005, pp. 184-186, ill.
Stech, Fabian, ‘Kontemplation’, in: Kunstforum, Ruppichteroth, vol. 178, November 2005-January 2006, pp. 220-225, ill.
Behrman, Pryle, ‘Lyons Biennale 2005’, in: Art Monthly, London, no. 291, November 2005, pp. 21-23, ill.
Morton, Tom, ‘Lyon Biennal’, in: Frieze, London, issue 95, November-December 2005, pp. 128-129, ill.
Ta.G., ‘Le temps dans l’art’, in: Tribune des Arts, Geneva, 7 October 2005, p. 67, ill.
Schoon, Andi, ‘In Concert – Bildende Kunst und Musik. Erst denken, dann rocken’, in: Spex, Cologne, no. 10, October 2005, pp. 60-61, ill.
___, ‘Frankfurt. In concert’, in: Flash Art, Milan, vol. XXXVIII, no. 244, October 2005, p. 52, ill.
PM, ‘Design som spränger funktionens gränser’, on: st.nu (Sundsvalls Tidning), Stockholm, 26 August 2005
___, ‘Neues aus Museen und Kunsthallen’, in: Informationsdienst Kunst, Regensburg, no. 322, 11 August 2005, pp. 5-6
Meltzer, Eve, ‘Monuments for the USA’, in: Frieze, London, issue 92, June-August 2005, p. 160
___, ‘If your’re lonely’, in: The Independent, London, 30 July 2005, p. 6-7, ill.
Hardy, Katherine, ‘Martin Creed: artist or musician? ‘, in: The Art Newspaper, New York NY, 17 June 2005, p. 2, ill.
Douglas, Sarah, ‘Report from Basel’, in: Artinfo, Berlin, 16 June 2005, ill.
Cattelan, Maurizio, ‘Something to work for. Martin Creed interviewed by Maurizio Cattelan’, in: Flash Art, Milan, vol. 38, no. 242, May-June 2005, pp. 110-111, ill.
___, ‘Ludwig Wittgenstein’s… ‘, in: Flash Art International, Milan, vol. 38, no. 242, May-June 2005, pp. 112-113, ill.
Lafuente, Pablo, ‘Down up’, in: Flash Art, Milan, vol. 38, no. 242, May-June 2005, pp. 114-115, ill.
Harding, Jessica, ‘Portrait of a Lady with an Ermine’, in: Another Magazine, New York NY, Spring-Summer 2005, p. 98, ill.
Bishop, Claire, ‘But is it-Installation Art?’, in: Tate etc., London, issue 3, Spring 2005, pp. 26-35, ill.
Coles, Alex, ‘Martin Creed’, in: Frieze, London, no. 89, March 2005, pp. 130-131, ill.
Honigman, Ana Finel, ‘Nothing Fancy’, on: artnet.com, New York NY, 24 February 2005
Lafuente, Pablo, ‘Martin Creed’, in: Flash Art, Milan, vol. XXXVIII, no. 240, January-February 2005, ill.
Bailey, Martin, ‘Collector relations’, in: The Art Newspaper, London, no.154, January 2005, p. 6
2004
Eccles, Tom (ed.), ‘Plop: recent projects of the Public Art Fund’ in: Very New Art 2004, New York NY, vol. 56, no. 847, 2004, p. 68-71, ill.
Levin, Kim, ‘None of the Above’, in: Village Voice, New York NY, 23 December 2004
Herbert, Martin, ‘On the ground. London’, in: Artforum, New York NY, vol. XLIII, no. 4, December 2004, pp. 73-76
Anderson, Hephzibah, ‘Art News’, in: Metro, London, 26 November-2 December 2004
O’Reilly, Sally, ‘Martin Creed’, in: Art Monthly, London, no. 281, November 2004, pp. 34-35, ill.
Chapman, Peter, ‘Private View: Martin Creed. Hauser & Wirth, London W1’, in: Independent, London, 23-29 October 2004, p. 17, ill.
Campbell-Johnston, Rachel, ‘This Week. The Best of the Arts chosen by The Times Team of Critics’, in: Weekend Review (insert in The Times), London, 23 October 2004, p.1
Coomer, Martin, ‘Martin Creed’, in: Time Out, London, 20 October 2004, ill.
Pethick, Emily, ‘Martin Creed’, on: artforum.com, New York NY, 15 October 2004
Güner, Fisun, ‘Get the ball rolling’, in: Metro, London, 12 October 2004, p. 26, ill.
Akbar, Arifa, ‘In art, you have to kick a few ideas around’, in: The Independent, London, 8 October 2004, p. 3, ill.
Fisher, Neil, ‘First Choice’, in: The Times, London, 8 October 2004, p. 18
Byrnes, Sholto, ‘An on/off affair’, in: The Independent Review, London, 7 October 2004, pp. 6, 8, ill.
CB, ‘Martin Creed’, in: The Guide, London, 2-8 October 2004, p. 37, ill.
___, ‘Top 15’, in: Monopol, Berlin, no. 4, October-November 2004, p. 130, ill.
Groos, Ulrike, ‘Zum Stand der Dinge. Ulrike Groos über Kunst und Musik’, in: Kunstzeitung, Regensburg, October 2004, p. 22, ill.
Roberts, Alison, ‘This will put a smile on your face’, in: Evening Standard, London, 3 August 2004, p. 41, ill.
___, ‘Artists’ choice’, in: The Independent, London, 2 August 2004, pp. 16-17, ill.
Freia, Oliv, ‘Leidenschaft fürs Schlichte“, in: Münchner Merkur, Munich, 18 May 2004, ill.
Cullinan, Nicholas, ‘State of Play’, in: Frieze, London, no. 82, April 2004, pp. 93-94, ill.
Kent, Sarah, ‘No laughing matter’, in: Time Out, London, 17-24 March 2004, p. 46, ill.
Gingeras, Alison M., ‘Painting without canvas or sculpting with paint’, in: Contemporary, London, 2004, pp. 22-25, ill.
___, ‘My Secret Life: Martin Creed, artist’, in: The Independent, London, 31 January 2004, p. 7
___, ‘Martin Creed z zespolem’, in: Fluid, Warsaw, no. 38, January-February 2004, p. 10, ill.
Wolinski, Michal, ‘Zavroczenie, zaklopotanie i zagubienie’, in: Fluid, Warsaw, no. 38, January-February 2004, pp. 42-43, ill.
Durland, Corinna, ‘Martin Creed: Twenty (More) Questions’, in: Wrong Times, no. 1, 2004, pp. 2-3
2003
___, ‘L’art de l’ entre-deux’, in: Femina, Lausanne, 23 November 2003, p. 11, ill.
asz, ‘Licht an’, in: Neue Zürcher Zeitung, Zurich, 22 November 2003, p. 48
___, ‘Grenzen sprengen’, in: Annabelle, Zurich, 19 November 2003, p. 84
Darwent, Charles, ‘Visual Art; Go on then, delight me… ‘, in: The Independent on Sunday, London, 9 November 2003, p. 13
Oberholzer, Niklaus, ‘“Mit beinahe nichts so viel wie möglich“’, in: Neue Luzerner Zeitung, Lucerne, 5 November 2003, p. 43, ill.
Zwez, Annelise, ‘Mit fast nichts so wenig wie möglich’, in: Bieler Tagblatt, Biel, 5 November 2003, p. 26
Buhrfeind, Eva, ‘Ein Mann ohne Eigenschaften’, in: Aargauer Zeitung, Baden, 1 November 2003, p. 10, ill.
Jenni, Christoph, ‘Nur ein lustiger Zufall?’, in: Berner Zeitung (issue Burgdorf + Emmental), Langnau im Emmental, 1 November 2003, p. 11
kng, ‘Kunsthalle Bern: Martin Creed’, in: Basler Zeitung, Basel, 1 November 2003, p. 43, ill.
Tobler, Konrad, ‘Blitztripp nach Barcelona’, in: Berner Zeitung (issue Oberaargau), Langenthal, 30 October 2003, p. 28. ill.
sfd, ‘Fortlaufende Nummern’, in: Der Landbote, Winterthur, 27 October 2003, p. 13
sfd, ‘Martin Creeds subtile Kunst in Bern’, in: Anzeiger von Uster, Uster, 25 October 2003, p. 21
Mühlemann, Marianne, ‘Im Keller Giraffenjogurt’, in: Der Bund, Bern, no. 248, 24 October 2003, p. 35
Tobler, Konrad, ‘Nur ein wenig mehr wäre zuviel’, in: Berner Zeitung (issue Burgdorf + Emmental), Langnau im Emmental, 24 October 2003, p. 22
aes, ‘Martin Creed’, in: NZZ Ticket (insert in Neue Zürcher Zeitung), Zurich, 23 October 2003, p. 50, ill.
___, ‘Minimale Äusserungen’, in: Der Standard, Vienna, 23 October 2003, p. 19
___, ‘Zwischenwelten’, in: Bernerbär, Berne, 23 October 2003, p. 30, ill.
___, ‘Dancing with myself’, in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 14-15, ill.
Higgs, Matthew, ‘Martin Creed’, in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 20-21, ill.
Higgs, Matthew, ‘First Take’, in: Artforum, New York NY, vol. XLI, no. 5, January 2003, p. 120
Berwick, Carly, ‘A Right Kind of Wrong’, in: Artnews, New York NY, vol. 102, no. 1, January 2003, p. 25, ill.
2002
Millward, David, ‘Turner Prize treatment for House of Commons Artist aims to shed some light on politicians’, in: Daily Telegraph, London, 7 December 2002, p. 11
Donohoe, Graeme, ‘Stars are so big arted’, in: The Sun, London, 15 August 2002
Sewell, Brian, ‘Art’, in: Evening Standard, London, 30 May 2002, p. 9
Lafreniere, Steve, ‘Top Ten’, in: Artforum, New York NY, vol. XL, no. 9, May 2002, p. 47
Reindl, Uta, ‘Martin Creed. Galerie Jonen + Schöttle. Cologne’, in: Tema Celeste, Milan, April 2002, p. 92, ill.
Mahoney, Elisabeth, ‘Art: Martin Creed’s Maddening noises’, in: The Guardian, London, 5 March 2002, p.14
Donohoe, Graeme, ‘Brave art; Exclusive’, in: The Sun, London, 14 March 2002, p. 36
Vetrocq, Marcia E., ‘Arte Povera: The Recount’, in: Art in America, New York NY, no. 3, March 2002, pp. 82-91
Donohoe, Graeme, ‘The Crazy world of Martin Creed’, in: The Sun, London, 15 February 2002, p. 40, ill.
___, ‘Feuchter Anschlag auf trockenes Werk’, in: Art, Hamburg, Feburary 2002, p. 123, ill.
Irvine, Ian, ‘A capital idea’, in: The Independent, London, 31 January 2002, p. 10
Brooks, Richard, ‘Martin Creed, Biteback’, in: Sunday Times, London, 13 January 2002, p. 12
Davies, Brian, ‘Letter: Alphabet as art’, in: The Independent, London, 7 January 2002, p. 2
McGrath, Kate, ‘As easy as ABC’, in: The Scotsman, Edinburgh, 7 January 2002, p. 13
Lubbock, Tom, ‘A letter in the newspaper’, in: The Independent, London, 1 January 2002, pp. 6-7, ill.
Sans, Jerome, ‘On Stage’, in: The Curator’s Egg, no. 3, 2002
2001
Searle, Adrian, ‘Urban Outfitters’, in: the Guardian, London, 4 December 2001
Whitworth, Damian, ‘Madonna swears by her artful defence’, in: The Times, London, 20 December 2001, p. 3
Bushell, Garry, ‘Garry Bushel on the box: Turner this light off’, in: The People, London, 16 December 2001, p. 14
Collings, Matthew, ‘Where were you when the lights went out?’, in: Sunday Times, London, 16 December 2001, p. 2
Grimston, Jack, ‘Turner lights have glow of earlier art’, in: Sunday Times, London, 16 December 2001, p. 7
Vogal, Carol, ‘A proze for Lights’, in: The Times, London, 10 December 2001, Arts Section, p. E36
McGlown, Martin, ‘Protester throws eggs at Turner Prize light show’, in: Evening Standard, London, 12 December 2001, p. 5
___, ‘ Londoner’s Diary’, in: The Evening Standard, London, 11 December 2001
Brown, Craig, ‘Way of the World: The Turner dinner’, in: Daily Telegraph, London, 11 December 2001, p. 25
Reade, Brian, ‘Prize Art? Now it’s your Turner… ‘ in: The Mirror, London, 11 December 2001, p. 12-13
Campbell-Johnston, Rachel, ‘Nothing ventured’, in: The Times, London, 11 December 2001, p. 17
Mullins, Charlotte, ‘The tailor who created the emperor’s new clothes’, in: The Independent, London, 11 December 2001, p. 5
Wilson, Simon, ‘Baffled? Don’t be’, in: The Mirror, London, 11 December 2001, p. 12
sh, ‘Kunstblinklichter’, in: Tages Anzeiger, Zurich, 11 December 2001, p. 59
Waser, G., ‘Emblem für die Sterblichkeit? Der Konzeptkünstler Martin Creed gewinnt den Turner Prize’, in: Neue Zürcher Zeitung, no. 288, Zurich, 11 December 2001, p. 61
Reynolds, Nigel, ‘Turner Prize won by man who turns the lights off’, in: Daily Telegraph, London, 10 December 2001, ill.
Jury, Louise, ‘Blink and you’ll miss it, the light work that took the Turner prize’, in: The Independent, London, 10 December 2001, pp. 2-3, ill.
Gibbons, Fiachra, ‘Judges Switched on As Turner Prize Goes to the Creed of Nothingness’, in: The Guardian, London, 10 December 2001, p. 3
McGlown, Martin, ‘You can do this at home, says 20’000 pounds Turner Prize winner’, in: Evening Standard, London, 10 December 2001, p. 5
Alberge, Dalya, ‘Turner Judges see the Lights’, in: the Times, London, 10 December 2001, p. 3
Bowditch, Gillian, ‘Art? Even Martin’s in the dark’, in: The Sunday Times, London, 9 December 2001, p. 5
Steward, Helen, ‘You call that art?’, in: The Scotsman, Edinburgh, 7 December 2001, p. 4
Denny, Ned, ‘Tate that’, in: The Statesman, London, 26 November 2001
Aidin, Rose, ‘Bright lights, small islands’, in: The Times, London, 24 November 2001, pp. 42-43, ill.
Kent, Sarah, ‘A Funny Turner’, in: Time Out London, London, 14 November 2001
Cumming, Laura, ‘What, No Elephant Dung? ‘, in: The Observer, London, 11 November 2001, p. 10
McEwen, John, ‘Grave Time for Turner’, in: The Telegraph, London, 11 November 2001, p. 6
___, ‘Pandora’, in: The Independent, London, 8 November 2001, p. 4
___, ‘Artists light up prize list’, in: The Sun, London, 7 November 2001, p. 25
Gibbons, Fiachra, ‘It’s On, It’s Off, but is it Art? ‘, in: The Guardian, London, 7 November 2001
Dorment, Richard, ‘Dullness and Decadence’, in: The Daily Telegraph, London, 7 November 2001, p.18.
Bush, Kate, ‘London Field’, in: Artforum, New York NY, vol. XXXIX, no. 1, September 2001, p. 85
McGee, John, ‘Space-Jack!’, on: metropolis.japantoday.com/tokyoart/392/tokyoartinc.htm, Tokyo, 2001, ill.
P.R. ‘Einzelzimmer an Künstler abzugeben’, in: Art, Hamburg, July 2001, p. 114, ill.
___, ‘Turner art prize judges Blu it with tacky choice’, in: The Sun, London, 5 June 2001, p. 34
Johnson, David, ‘It’s pretty good rubbish and I’m not binning it’, in: Sunday Times, London, 3 June 2001, p. 2
Alberge, Dalya, ‘Familiar rubbish on Turner shortlist’, in: The Times, London, 31 May 2001, p. 3
Cummins, Fiona, ‘My blu period’, in: The Mirror, London, 31 May 2001, p. 220
Darvill, Mike, ‘A blob of blu-tack in running for art prize’, in: The Sun, London, 31 May 2001, p. 19
Searle, Adrian, ‘Appalling Fascination of a Career-enhancing Competition’, in: The Guardian, London, 31 May 2001
2000
MacMillan, Ian, ‘I’m Saying Nothing’, in: Modern Painters, 2000, pp. 42-44
Bishop, Claire, ‘The Creed of Banality’, in: Evening Standard, London, 14 November 2000, p. 57
Coles, Alex, ‘Martin Creed at City Art Gallery’, in: Art in America, New York NY, no. 11, November 2000, p. 176, ill.
McFarland, Dale, ‘Don’t Worry’, in: Frieze, London, no. 52, May 2000
Lewisohn, Cedar, ‘Art & Rock Stars’, in: Flash Art, Milan, March-April 2000, pp. 78-81, ill.
Jones, Jonathan, ‘Let there be light’, in: The Observer, London, 19 March 2000, pp. 16-17, ill.
Campbell-Johnston, Rachel, ‘He’s got the whole world in his signs’, in: The Times, London, 15 March 2000, p. 18, ill.
Buck, Louisa, ‘Martin Creed’, in: Artforum, New York NY, vol. XXXVIII, no. 6, February 2000, pp. 110-111, ill.
Cotter, Holland, ‘Surging into Chelsea’, in: The New York Times, New York NY, 21 January 2000
Searle, Adrian, ‘Is this what they call pop art?’, in: The Guardian, London, 18 January 2000, pp. 14-15, ill.
1999
___, ‘A message to our readers’, in: The Art Newspaper, London, no. 98, December 1999
Buck, Louisa, ‘London Calling by Louisa Buck’, in: The Art Newspaper, London, no. 98, December 1999
___, ‘World of Art gets it all Screwed up’, in: The Mirror, London, 12 November 1999
Meenaghan, Tony, ‘Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’’, in: The Mirror, London, 12 November 1999, p. 15
Cara, Page, ‘This Crumpled Sheet of A4 is a Work of Art’, in: The Daily Record, Glasgow, 12 November 1999
Mark, Lisa Gabrielle, ‘Frash Heir’, in: C, International Contemporary Art Publication, Toronto, no. 63, September 1999
Liebmann, Lisa, Adams, Brooks, ‘A Summer Place’, in: Art in America, New York NY, vol. 87, no. 6, June 1999, pp. 100-107, ill.
Beech, Dave, ‘Martin Creed’, in: Art Monthly, London, no. 226, May 1999
Higgs, Matthew, ‘Martin Creed: 20 Questions’, in: Untitled, London, no. 18, Spring 1999
Lillington, David, ‘Martin Creed’, in: Metropolis M, Utrecht, April 1999
Jones, Jonathan, ‘What’s so minimal about 15 000 balloons?’, in: The Observer, London, 14 March 1999
___, ‘Rubbish to some, but art of Creed has cult status’, in: Daily Mail, London, 8 March 1999, p. 27, ill.
McFarland, Dale, ‘On Martin Creed’, in: Frieze, London, 1999, pp. 66-69
Mclver, Brian, ‘Meet the modern artist who admits his work in rubbish’, in: Saturday Times, Glasgow, 6 March 1999
1998
Buck, Louisa, ‘UK Artist Q&A’, in: The Art Newspaper, London, no. 86, November 1998
Stephens, Craig, ‘Live Scene: Owada’, in: Revolver, Sydney, 28 September 1998
Buck, Louisa, ‘Faces, places and spaces to watch in 1998: your cut-out and keep guide to the future of British art’, in: New Statesman, London, 2 January 1998
1997
Pigott, Hadrian, et al., ‘Go into a shop and ask for nothing’, in: Very, New York NY, no. 2, 1997
Green, David, ‘Minimal Interventions’, in: Contemporary Visual Arts, London, no. 17, 1997
Wilson, Andrew, ‘Band Art’, in: Art Monthly, London, no. 210, October 1997
Archer, Michael, ‘The Object of Art’, in: Art Monthly, London, no. 208, July-August 1997
Kyriacou, Sotiris, ‘Propositions’, in: Art Monthly, London, no. 208, July-August 1997
Freedman, Carl, ‘Generation W(eird)’, in: The Guardian, London, 27 May 1997
Joliffe, Kira, ‘The Idler Presents: Owada’, in: The Idler, London, no. 18, Spring 1997
Coles, Alex, ‘Martin Creed – No Entry’, in: Art + Text, Los Angeles LA, no. 56, February-April 1997
van den Boogaard, Oscar, ‘zonder titel 1 T/M 4’, in: Metropolis M, Utrecht, no. 1, February 1997
1996
Williams, Gilda, ‘Martin Creed Tabula Rasa’, in: Art Monthly, London, no. 195, April 1996
1995
Piccoli, Cloe, ‘Martin Creed’, in: Flash Art Italia, Milan, December-January 1995-1996
Kent, Sarah, ‘Sound&Vision’, in: Time Out, London, 30 August–9 September 1995
___, ‘The Ruby Kelly Column’, in: Art Review, London, vol. XLVII, June 1995
Lederman, Erika, ‘Unlimited Works at Starkmann Limited’, in: Art Monthly, London, no. 185, April 1995
1994
O’Reilly, John, ‘Art for Bart’s sake’, in: The Modern Review, London, vol. 1, no. 16, August-September 1994
Searle, Adrian, ‘Martin Creed and Sam Samore’, in: Time Out, London, 21 July-27 July 1994
1992
Collings, Matthew, ‘Matthew Collings on some kind of sculpture show at Laure Genillard’, in: City Limits, London, January 1992