Publications
2010
Morineau, Camille, ‘ARTISTES FEMMES. DE 1905 À NOS JOURS’, Paris: Centre Pompidou, 2010, pp. 66-67, ill.
Butler, Cornelia, Schwartz, Alexandra (eds.), ‘Modern Women. Women Artists at the Museum of Modern Art’, New York NY: MOMA, 2010, 28-29, ill. in colour (exh. cat.)
Jacob, Mary Jane, Grabner, Michelle (eds.), ‘The studio reader: On the space of artists’, London: The University of Chicago Press, Ltd., 2010, p. 54
2009
Morineau, Camille, Rimmaudo, Annalisa, ‘Women Artists, elles@centrepompidou’, Paris: Centre Pompidou, 2009
2008
Hickey, Dave, ‘Joan Mitchell: Sunflowers’, New York NY/ Göttingen: Steidl Cheim & Read
Ohlsen, Nils, ed., ‘Joan Mitchell’, Emden: Kunsthalle Emden, 2008
Kleeblat, Norman, ed., ‘Action/Abstraction’, New York NY: The Jewish Museum with Yale University Press, 2008
Mecklenburg, Virginia M., ‘Modern Masters: American Abstraction at Midcentury’, London: D Giles Limited in association with the Smithsonian American Art Museum, 2008
Kirwin, Liza, ‘A Thousand Kisses: Love Letters from the Smithsonian Archives of American Art’, Washington DC: Smithsonian Institution in association with Harper Collins, 2008
Hall-Duncan, Nancy, ‘Pleasures of Collecting, Part III: Contemporary and Cutting Edge’, Greenwich CT: Bruce Museum, 2008
Küster, Ulf, Karmel, Pepe, Boehm, Gottfreid, Fleck, Robert, Kaufman, Jason Edward, ‘Action Painting’, Basel: Fondation Beyeler, 2008
Weinberg Adams, Jill, ‘Joan Mitchell: Paintings and Pastels 1973-1983’, New York NY: Lennon, Weinberg, Inc., 2008
Bruggen, Ingrid, Steininger, Florian, ‘Monet Kandinsky Rothko; und die folgen’, Munich/ Berlin: Deutscher Kunstverlag, 2008
2007
Yau, John, ‘Joan Mitchell: Works on Paper 1956 – 1992’, New York NY/Göttingen: Steidl Cheim & Read, 2007
Molesworth, Helen, ‘Joan Mitchell: Leaving America, New York to Paris 1958 – 1964’, London/Göttingen: Steidl Hauser & Wirth, 2007
Houston, Joe, Vasseur, Dominique, Wolfe, Melissa M., Stuckey, Charles, Yood, James, ‘In Monet’s Garden; Artists and the Lure of Giverny’, Columbus: Columbus Museum of Art and Paris: Musée Marmottan with Scala Publishers, London, 2007
2006
Marshall, Richard D., ‘Joan Mitchell: A Survey 1952 – 1992’, Seoul: Kukje Gallery, 2006
2005
Kertess, Klaus, ‘Joan Mitchell: Fremicourt Paintings 1960-62’, New York NY: Cheim & Read, 2005
2002
Kernnan, Nathan, ‘Joan Mitchell, The Presence of Absense’, Cheim & Read, New York NY: Cheim & Read, 2002
Livingston, Jane, ‘The Paintings of Joan Mitchell. Whitney Museum of American Art’, New York NY, 2002
2000
Finebert, Jonathan, ‘Art Since 1940: Strategies of Being’, New York NY: Harry N. Abrams, 2000
Heller, Nancy G., et al., ‘Works form the National Museum of Women in the Arts’, Washington DC: National Museum of Women in the Arts, Rizzoli International Publications, 2000
Hunter, Sam, Jacobus, John, Wheeler, Daniel, ‘Modern Art’, New York NY: Harry N. Abrams, 2000
1999
Fischer, Peter, ed., ‘Abstraction, Gesture, Ecriture: Paintings from the Daros Collection’, Zurich: Scalo. pp. 35-60, 1999
Tobler, Jay, ed., ‘The American Art Book’, London: Phaidon Press Limited, 1999
1998
Danziger, James, ed., ‘Photographs of Joan Mitchell by Barney Rosset’, New York NY: James Danziger Gallery, 1998
Lehman, David, ‘The Last Avant-Garde: The Making of the New York School of Poets’, New York NY: Doubleday, 1998
1997
Kertess, Klaus, ‘Joan Mitchell’, New York NY: Harry N. Abrams, Inc., 1997
1996
Cheim, John (ed.), ‘Joan Mitchell: Paintings from 1956 to 1958’, New York NY: Robert Miller Gallery, 1996
Le Thorel-Daviot, Pascale, ‘Petit Dictionnaire des Artistes Contemporains’, Paris: Bordas, 1996
Coolidge, Clark (ed.), ‘Jim Brodey: Heart of the Breath (Poems 1979-1992)’, West Stockbridge MA: Hard Press, Inc6, cover illustration only, 1996
Cerrito, Joann (ed.), ‘Contemporary Artists’, Detroit MI: St. James Press, pp. 782-783, 1996
1995
___, ‘XXV Years’, San Francisco CA: John Berggruen Gallery, 1995
___, ‘Contemporary American Artists’, Manila: U.S. Embassy under of the auspices the Art in Embassies Program, U.S. Department of State, 1995
Broude, Norma, Garrard, Mary D., ‘The Power of Feminist Art’, New York NY: Harry N. Abrams, 1995
Kumada, Tsukasa, Hashizume, Stesuya, et.al., ‘Selected Works from the Collection of Osaka City Museum of Modern Art’, Osaka: Osaka City Museum of Modern Art, 1995
Hoffeld, Jeffrey, ‘The Collection of Sue and Eugene Mercy, Jr.’ New York NY: Sue and Eugene Mercy, Jr., 1995
Fisher Sterling, Susan, ‘Women Artist, The National Museum of Women in the Arts’, New York NY: Abbeville, 1995
Armstrong, Richard, ‘Carnegie International 1995’, Pittsburgh PA: The Carnegie Museum of Art, 1995
Lucie-Smith, Edward, ‘ARTODAY’, London: Phaidon, 1995
Schneider, Pierre, ‘Joan Mitchell Tilleuls 1978’, Paris: Galerie Jean Fournier, 1995
Johnson, Ellen H., ‘Modern Art and the Object , revised and enlarged edition of original book published in 1976’, New York NY: Icon, HarperCollins Publishers, 1995
Polsky, Richard, ‘Art Market Guide: Contemporary American Art’, New York NY: Distributed Art Publishers, 1995
Wood, Julia T. (ed.), ‘Gendered Relationships’, Mountain View CA: Mayfield Publishing Company, cover illustration only, 1995
Grigoteit, Ariane, ‘Tradition and Zeitgeist’, New York NY: Deutsche Bank North America, 1995
Morgan, Dahlia, Tuchman, Phyllis, ‘American Art Today: Images from Abroad’, Miami CA: The Art Museum at Florida International University, 1995
Poirier, Jean-Francois, ‘Joan Mitchell’, Galerie nationale du Jeu de paume a Paris et musée des Beaux-Arts de Nantes’, Universalia 95, April 1995
Belnap, Gillian, Introduction by Phillip M. Johnston, ‘The Carnegie Museum of Art: Collection Highlights’, Pittsburgh PA: Carnegie Museum of Art, 1995, pp. 180-181
1994
Beckett, Sister Wendy, ‘The Gaze of Love: Meditations on Art’, London: HarperCollins Religious, 1994
Erpf, Rosemary Cohane, ‘The Brushstroke and Its Guises’, New York NY: New York Studio School, exhibition pamphlet, 1994
Kertess, Klaus, ‘The Shaman as Artist/The Artist as Shaman’, Aspen CO: The Aspen Art Museum, 1994
Kraskin, Sandra, ‘Reclaiming Artists of The New York School’, New York NY: Sidny Mishkin Gallery, Baruch College, 1994
Storr, Robert, Michaud, Yves, ‘Joan Mitchell’, Paris: Galerie National du Jeu de Paume, 1994
Arthur, John, ‘Against All Odds: The Healing Powers of Art’, Kanagawa-ken: Hakone Open-Air Museum, 1994
Ballatore, Sandy, ‘Romantic Modernism, 100 Years’, Santa Fe NM: Museum of Fine Arts, Museum of New Mexico, 1994
Binai, Paul, ‘American Abstraction: A New Decade’, Loretto FL: Southern Alleghenies Museum of Art, 1994
Agee, William, ‘Paths of Abstraction: Painting in New York 1944-1981, Selections from the Ciba Art Collection’, New York NY: The Bertha and Karl Leubsdorf Art Gallery, Hunter College of The City University of New York, 1994
Olesen, Jens, ’22. Bienal Internacional Sao Paulo Salas Especials’, Sao Paulo: Fundacao
Bienal de Sao Paulo, 1994, pp. 142-157
Beckett, Sister Wendy, ‘The Story of Painting’, London: Dorling Kindersley Limited, 1994
Bahet, Kathleen, Steinberger, Emilio, ‘Martha Jackson Gallery 1953 to 1979’, New York NY: Associated American Artists, 1994
Cheim, John, ‘Joan Mitchell “…my black paintings…” 1964’, New York NY: Robert Miller Gallery, 1994
1993
Cheim, John, (ed.), with text by John Ashbery, ‘Joan Mitchell 1992’, New York NY: Robert Miller Gallery, 1993
Hartt, Frederick, ‘Art: A History of Painting Sculpture Architecture, 4th Edition’, New York NY: Prentice Hall, Inc. and Harry N. Abrams, Inc., 1993
Schwartz, Constance, ‘Intimates and Confidants in Art: Husbands, Wives, Lovers and Friends’, Rosyln Harbor, New York NY: Nassau County Museum of Art, 1993
Cheim, John, et al., ‘Drawing the Line Against AIDS’, New York NY: AMFAR International and Rizzoli International, 1993
Chandes, Hervé, ‘azur’, Jouy-en-Josas: Fondation Cartier, 1993
Pardee, Hearne, ‘Joan Mitchell , exhibition brochure’, Lynchburg VA: Maier Museum of Art,
Randolph-Macon Woman’s College, 1993
Hunter, Sam, Jacobus, John, ‘Modern Art, third edition’, New York NY: Harry N. Abrams, 1993
1992
Baigell, Matthew et.al. ‘American Art 1930-1970’, Rome: Art Catalogues Division of Gruppo Editoriale Fabbri, 1992
Beneza, Neal, Yood, James, ‘From America’s Studio. The Studio School of the Art Institute of Chicago. Two Exhibitions of Works by Alumni 125th Anniversary Celebration’, Chicago IL: Art Institute of Chicago, 1992
Porter, Katherine, ‘Painting Self-Evident: evolutions in abstraction’, Charleston SC: Piccolo Spoleto, Gibbes Museum of Art, 1992
Messinger, Lisa M., ‘The Metropolitan Museum of Art Bulletin Fall 1992’, New York NY: Metropolitan Museum of Art, 1992
Waldberg, Michel, ‘Joan Mitchell’, Paris: éditions la différence, 1992
Hoog, Michel, Dupuis-Labbé, Dominique, ‘Les Nymphéas avant et après’, Paris: Musée de l’Orangerie, 1992
Kertess, Klaus, ‘Joan Mitchell Pastel’, New York NY: Robert Miller Gallery, 1992
Kernan, Nathan, ‘Poems’, Mt. Kisco NY: Tyler Graphics Ltd, 1992
1991
____, ‘Drawing Conclusions’, New York NY: Molica Guidarte, 1991
Armstrong, Richard, et al., ’1991 Biennial Exhibition’, New York NY: Whitney Museum of American Art in association with W.W. Norton & Company, 1991
Perl, Jed, ‘Gallery Going Four Seasons in the Art World’, New York NY: Harcourt Brace Jovanovich, 1991
Le Clair, Charles, ‘Color in Contemporary Painting’, New York NY: Watson-Guptill, 1991
Wheeler, Daniel ‘Art Since Mid-Century 1945 to the Present’, New York NY: Vendome Press, 1991
Hoffman, Katherine, ‘Explorations: The Visual Arts Since 1945’, New York NY: Icon Editions, Harper Collins, 1991
Stuckey, Charles F, ‘French Painting’, Southport: Hugh Lauter Levin Associates, Inc., 1991
Beaud, Marie-Claude, Chandes, Hervé, ‘Too French’, Paris: Cartier Foundation and Hong Kong: Hong Kong Museum of Art, 1991 (exh. cat)
1990
___, ‘Polyptyques et Paravents Un Sièclede Création 1890-1990’, Paris: Galerie Bellier, 1990
Goddard, Donald, ‘American Painting’, CT: Hugh Lauter Levin Associates, Inc. Petzinger, Renate and Volker Rattemeyer, 1990
___, ‘Kunstlerinnen des 20. Jahrhunderts’, Wiesbaden: Museum Wiesbaden and Verlag Weber & Weidemeyer GmbH, Kassel, 1990
Topping, Brett, (ed.), ‘Four Centuries of Women’s Art’, Washington DC: The National Museum of Women in the Arts, exhibition catalogue forJapanese touring exhibition, 1990
1989
Collischan, Judy, ‘Lines of Vision: Drawings by Contemporary Women’, New York NY: Hudson Hills Press, 1989
____, ‘Made in America’, Virginia Beach VA: Virginia Beach Center for the Arts, 1989
Ashbery, John, ‘Reported Sightings – Art Chronicles1957-87’, edited by David Bergman, New York NY: Alfred A. Knopf, p. 98-101, 1989
Armstrong, Tom, Larson, Susan, ‘Art in PlaceFifteen Years of Acquisitions’, New York NY: Whitney Museum of American Art, 1989
_____, ‘The Linear Image, American MasterWorks on Paper’, New York NY: Marisa del Re Gallery, 1989
_____, ‘Joan Mitchell’, New York NY: Robert Miller Gallery, 1989 (exh. cat.),
1988
Bernstock, Judith E, ‘Joan Mitchell’, New York NY: Hudson Hills Press, in association with the Herbert F. Johnson Museum of Art, Cornell University, 1988
Krane, Susan, Evren, Robert, Raye, Helen, ‘The Painting and Sculpture, 1988 Collection: Acquisitions Since 1972’, New York NY: Hudson Hills Press in association with Albright-Knox Gallery, 1988
Stein, Donna, ‘Joan Mitchell – Selected Paintings Spanning Thirty Years’, Los Angeles CA: Manny Silverman Gallery, 1988
Beckett, Wendy, ‘Contemporary Women Artists’, Oxford: Phaidon Press, 1988
____, ‘Art in the Residence of the American Ambassador to the People’s Republic of China’, Beijing: International Program of the Museum of Modern Art, 1988
____, ‘Joan Mitchell: Selected Paintings spanning thirty years’, Los Angeles CA: Manny Silverman Gallery, 1988
Michaud, Yves, ‘Des Americains A Paris. 1950/1965’, Cases de Pène: Chateau de Jau, L’oeil et demi Fondation du chateau de Jau, 1988
1987
Heller, Nancy G, ‘Women Artists: An Illustrated History’, New York NY: Abbeville Press, 1987
Michaud, Yves, ‘Joan Mitchell: River, Lille, Chord’, Paris: Galerie Jean Fournier, 1987
___, National Museum of Women in the Arts, (New York NY: Harry N. Abrams), 1987
___, ‘Art Against AIDS’, New York NY: American Foundation for AIDS Research, no. 98, 1987
Sandler, Irving, Cuomo, Mario, ‘The Empire State Collection: Art for the Public’, New York NY: Harry N. Abrams, Inc., 1987
1986
___, ‘A Guide to the Collections’, Northhampton MA: Smith College Museum of Art, p. 56, 1986
Michaud, Yves, ‘Joan Mitchell New Paintings’, New York NY: Xavier Fourcade, Inc., 1986
1985
Lucie-Smith, Edward, ‘American Art Now’, Oxford: Phaidon, 1985
Rand, Harry, ‘The Martha Jackson Memorial Collection’, Washington DC: National Museum of American Art, Smithsonian Institution, 1985
___, ‘Joan Mitchell The Sixties’, New York NY: Xavier Fourcade, Inc., 1985
1984
Michaud, Yves, ‘Joan Mitchell: La Grande Vallee’, Paris: Galerie Jean Fournier, 1984
Schimmel, Paul et al., ‘Action/Precision, The New Direction in New York NY, 1955-60’, Newport Beach CA: Newport Harbor Art Museum, 1984
1983
Pomeroy, Ralph, ‘Joan Mitchell’ in: Emanuel, Muriel, et al. (ed.), Contemporary Artists, New York NY: St. Martin’s Press, 1983
1982
Pleynet, Marcelin, Rose, Barbara, ‘Joan Mitchell: Choix de peintures (1970-1982)’, Paris: Musee d’Art Moderne de la Ville de Paris, 1983
Streifer Rubinstein, Charlotte, ‘American Women Artists’, Boston MA: G.K. Hall and Co., 1983
1981
Rose, Barbara, ‘Joan Mitchell: The Bedford Series, a Group of Ten Lithographs’, Bedford NY: Tyler Graphics, 1981
Livingston, Jane, ‘The 37th Biennial Exhibition’, New York NY: Whitney Museum of American Art, 1981
Armstrong, Tom, ‘Amerikanische Malerei 1930-1980’, Munich: Haus der Kunst, 1981
1979
Munro, Eleanor, ‘Originals: American Women Artists’, New York NY: Simon and Schuster, 1979
1978
Sandler, Irving, ‘The New York School: The Painters and Sculptors of the Fifties’, New York NY: Harper & Row, 1978
1976
___, ‘Joan Mitchell: New Paintings’, New York NY: Xavier Fourcade, 1976
1974
Plous, Phyllis, ‘Five American Painters; Recent Work’, Santa Barbara CA: The Art Galleries, University of California, 1974
Tucker, Marcia, ‘Joan Mitchell’, New York NY: Whitney Museum of American Art, 1974
1973
Arnason, H.H., in ‘The Britannica Encyclopedia of American Art’, Chicago IL: Encyclopedia Britannica Educational Corp., pp. 376-377, 1973
Lippard, Lucy R., ‘Women Choose Women’, New York NY: New York Cultural Center in association with Fairleigh Dickinson University, 1973
1972
Arkus, Leon Anthony, ‘Fresh Air School, Exhibition of Paintings: Sam Francis, Joan Mitchell, Walasse Ting’, Pittsburgh PA: Museum of Art, Carnegie Institute, 1972
Harithas, James ‘Joan Mitchell: My Five Years in the Country’, Syracuse NY: Everson Museum of Art, 1972
1971
Sandler, Irving, ‘Abstract Expressionism and Art Since Mid-Century’, in: Abstract Art, vol. 1, Greenwich CT: New York Graphic Society, 1971, pp. 50-71
1966
Sandler, Irving, et al., ‘Two Decades of American Painting’, New York NY: Museum of Modern Art, International Council, 1966
1962
Goodrich, Lloyd ‘Forty Artists under Forty, from the Collection of the Whitney Museum of American Art’, New York NY: Whitney Museum of American Art, 1962
Hunter, Sam, ‘American Art since 1950’, Seattle WA: Seattle World’s Fair, 1962
Nordness, Lee, Weller, Allen S., Goodman, Lila, ‘Art USA Now’, Lucerne: C.J. Bucher, 1962
___, ‘Paintings by Joan Mitchell’, Cambridge MA: The New Gallery, Hayden Library, Massachusetts Institute of Technology, 1962
1961
Arnason, H. Harvard, ‘American Abstract Expressionists and Imagists’, New York NY: Solomon R. Guggenheim Museum, 1961
Arnason, H. Harvard, ‘Sixty American Painters, 1960: Abstract Expressionist Painting of the 1950s’, Minneapolis MN: Walker Art Center, 1961
1960
Atkinson, Tracy, ‘Contemporary American Painting’, Columbus OH: Columbus Gallery of Fine Arts, 1960
___, ‘Neue Malerei’, Munich: Stadtische Galerie im Lenbachpalais, Bayerthal, 1960
___, ‘Contemporary American Painting’, Columbus OH: The Columbus Gallery of Fine Arts, 1960
1959
Haftmann, Werner, ‘Documenta 2: Kunst nach 1945, Internationale Austellung’, Cologne: Verlag M. DuMont Schauberg, 1959
Friedman, B.H. (ed.), ‘School of New York: Some Younger Artists’, New York NY: Grove Press, pp. 42-47, 1959
1958
Marcel Brion, et al., ‘Art since 1945’, New York NY: Harry N. Abrams, 1958
Bauer, John I. H, ‘Nature in Abstraction’, New York NY: Whitney Museum of American Art, 1958
Hess, Thomas, Rosenberg, Harold, ‘Action Painting’, Dallas TX: Dallas Museum for Contemporary Art, 1958
1955
Arnason, H. Harvard, Morris, Kyle, ‘Vanguard 1955’, Minneapolis MN: Walker Art Center, 1955
1952
Calas, Nicolas, ‘Joan Mitchell’, New York NY: The New Gallery, 1952
Periodicals
2010
Adam, Georgina, ‘Fair’s Fair’, in: The Financial Times Collecting, London, 27 February 2010, p. 3
2009
____, ‘Reggio celebra l arte di Joan Mitchell’, in: Giornale di Reggio, Reggio Emilia, 22 March 2009
2008
Mathews-Berenson, Margaret with Wright, Jimmy, ‘Color Distilled from Life’, in: Pastel Journal, February 2008
Maneker, Marion, ‘A Volatile Market Sobers Up’, in: The New York Sun, New York NY, 3 March 2008
____, ‘Arts Guide’, in: International Herald Tribune, New York NY, 5-6 April 2008
Esplund, Lance, ‘America s Artistic Triumph’, in: The New York Sun, New York NY, 8 May 2008
Rosenberg, Karen, ‘Joan Mitchell: Paintings and Pastels 1973-1983’, in: The New York Times, New York NY, 23 May 2008
Esplund, Lance, ‘Nature’s Ecstasy: Joan Mitchell on Paper and Canvas’, in: The New York Sun, New York NY, 8 May 2008
____, ‘What s On’, in: The Art Newspaper, Kent, June 2008
Cohen, David, ‘The Location of the Second Generation’, in: The New York Sun, New York NY, 10 July 2008
Akasie, Jay, ‘Prints at Studio Prices’, in: The New York Sun, New York NY, 28 July 2008
____, ‘What s On’, in: The Art Newspaper, Kent, June 2008
Pincus-Witten, Robert, ‘Joan Mitchell: Lennon, Weinberg, Inc.’, in: Artforum, New York NY, October 2008
Smith, Roberta, ‘Chelsea: Art Chockablockwith Encyclopedic Range’, in: The New York Times, New York NY, 14 November 2008
Esplund, Lance, ‘Gallery Gazing in New York’, in: The Wall Street Journal, New York NY, 29-30 November 2008
von Pullman, Philip, ‘Die Hölle, die in uns brennt’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 6 December 2008
Rosenberg, Karen, ‘Joan Mitchell: Sunflowers’, in: The New York Times, New York NY, 12 December 2008
2007
Maine, Stephen, ‘Gloriously Discombobulated’, in: The New York Sun, New York NY, May 24
____, ‘Joan Mitchell.’, in: The New Yorker, New York NY, 28 May 2007
Genocchio, Benjamin, ‘Joan Mitchell: Works on Paper 1956-1992’, in: The New York Times, New York NY, 15 June 2007
Panero, James, ‘Gallery Chronicle’, in: The New Criterion, Denville NJ, June 2007
Cotter, Holland, ‘MoMA Plunge’, in: The New York Times, New York NY, 27 July 2007
Mullarky, Maureen, ‘In Paris, Freedom From Pressure’, in: The New York Sun, New York NY, 9 August 2007
Schwendener, Martha, ‘Americans in Paris’, in: The New York Times, New York NY, 31 August 2007
Grimm-Weissert, Olga, ‘Klassiker auf der Pariser Fiac’, in: Handelsblatt, Dusseldorf, 19, 20, 21 October 2007
2006
Cotter, Holland, ‘Joan Mitchell Fremicourt Paintings 1960-62’, in: The New York Times, New York NY, 17 June 2006
Smith, Roberta, ‘Women s Work’, in: The New York Times, New York NY, April 7
Kimmelman, Michael, ‘A Drip by Any Other Name’, in: The New York Times, New York NY, 12 February 2006
2005
Grant, Daniel, ‘Weak Dollar Lures Art Buyers’, in: Artnews, March 2005
Cotter, Holland, ‘Joan Mitchell Fremicourt Paintings 1960-62’, in: The New York Times, New York NY, 17 June 2005
Neil, Jonathan T.D., ‘Joan Mitchell’, in: Modern Painters , New York NY, September 2005
2004
Pierre, Amanda, ‘Art Center Unveils Exhibit’, in: Des Moines Register, 29 January 2005
2003
Kramer, Hilton, ‘Memoirs of Mitchell’, in: Art & Antiques, June 2003
Bloch-Champfort, Guy, ‘La Permanence D Une Peinture Vive’, in: Citizen K, Spring
Price, Mike, ‘The colors of Mitchell featured at Modern’, in: Fort Worth Business Press, Fort Worth FX, 19-25 September 2003
Robinson, Gaile, ‘In Living Color’, in: Star-Telegram, Fort Worth TX, 19 September 2003
Carter, Richard, ‘Relative Obscurity, Mitchell exhibit showcases little-known works’, in: Times Record News , Wichita Falls TX, 5 October 2003
2002
Nadelman, Cynthia, ‘Joan Mitchell’, in: ARTnews, October 2002
Hustvedt, Siri, ‘Remembering in Colour’, in: Modern Painters, New York NY, Autumn
Kimmelman, Michael, ‘Coming Attractions’, in: The New York Times, New York NY, 24 April 2002
Kertess, Klaus, ‘Her Passion Was Abstract but No Less Combustable.’, in: The New York Times, New York NY, 16 June 2002
Tuchman, Phyllis, ‘Joan of Art’, in: Town & Country , 1 July 2002
Kimmelman, Michael, ‘In Joyous Colors, a Hint of Joys Lost’, in: The New York Times, New York NY, 5 July 2002
Schjeldahl, Peter, ‘Tough Love’ in: The New Yorker, New York NY, 15 July 2002
Danto, Arthur, ‘Mitchell Paints a Picture’, in: The Nation, New York NY, 16 September 2002
Kalina, Richard, ‘Expressing the Abstract’, in: Art in America, New York NY, December 2002
1999
Barlow, Margaret, ‘Women Artists’, Southport CT: Hugh Lauter Levin Associates
Schjeldahl, Peter, ‘All That Jazz.’, in: The New Yorker, New York NY, October 1999
1998
Koestenbaum, Wayne, ‘The Best of 1998: Wayne Koestenbaum’, in: Artforum, New York NY, vol. 37, December 1998, pp. 100-101
Smith, Roberta, ‘Joan Mitchell: in: Paintings, 1950-55’, in: The New York Times, New York NY, 22 May 1998, p. E35
___, ‘Bare in Mind’, in: Artnews, December 1998
1997
Lippincott, Robin, ‘The Other Abstract Expressionist’, in: The New York Times, New York NY, 29 June 1997
___, ‘Joan Mitchell: Retrospective’ San Valero 7, in: Institut Francais de Valencia, no. 3, October-December, pp. 22-23
Chambers, Karen, ‘Joan Mitchell and John Chamberlain: A Juxtaposition’, in: Review, London, 15 December 1997
Slivka, Rose C.S., ‘Breathtaking Show.’, in: The East Hampton Star, New York NY, 22 May 1997, pp. III-1
Glueck, Grace, ‘Joan Mitchell and John Chamberlain: A Juxtaposition.’, in: The New York Times, 19 December 1997
1996
Carrier, David, ‘Reviews: Carnegie International’, in: Artforum, New York NY, January 1996, pp. 88-89
Davis, Lydia, ‘Joan Mitchell Les Bluets (The cornflowers), 1973’, in: Artforum, New York NY, January 1996, pp. 72-73
Adams, Brooks, ‘Domestic Globalism at the Carnegie’, in: Art in America, New York NY, February 1996, pp. 32-37
Riding, Alan, ‘French Ask: Is Art Still a Hobby?’, in: The New York Times, New York NY, 30 January 1996, pp. C11, C15
Turner, Elisa, ‘The American artist abroad’, in: The Miami Herald, Miami FL, 15 February 1996, pp. 11, 61
Kino, Carol, ‘Joan Mitchell at Robert Miller’, in: Art & Auction, New York NY, vol. XVIII, no. 9, 1996, p. 60
Gomez, Edward, ‘Joan Mitchell’, in: Art & Antiques, New York NY, April 1996
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied.’, in: The New York Times, Arts & Leisure, New York NY, 26 May 1996, p. 29
Weingrod, Carmi, ‘Larger than Life: The Intrigue of Giant Paintings’, in: American Artist , New York NY, 1 July 1996, pp. 14-19
1995
Carrier, David, ‘New York: Abstract painting and Sculpture’, in: Burlington Magazine, London, January 1995, pp. 52-53
Gayford, Martin, ‘Not Much Like Home’, in: Modern Painters, London, Winter 1995
Adams, Brooks, ‘Expatriate Dreams’, in: Art in America, New York NY, February 1995, pp. 60-69
Scott, Bill, ‘In the Eye of the Tiger’, in: Art in America, New York NY, March 1995, pp. 70-77
Schwendener, Martha, ‘Joan Mitchell Robert Miller’, in: Flashart, March-April, vol. XXVIII, no. 181, pp. 105-106
Karmel, Pepe, ‘Critics’ Choice’, in: The New York Times, New York NY, 28 April 1995, p. C1
Zorpette, Glenn, ‘All It Takes Is Common Sense and a Staff of Two’, in: Artnews, New York NY, Summer, pp. 118-119
Cotter, Holland, ’100 Works by Women, Not Intended for Women Only’, in: The New York Times, New York NY, 21 July 1995, p. C15
Smith, Roberta, ‘No Muss, No Fuss at 1995 Carnegie’, in: The New York Times, New York NY, 8 November 1995, pp. C13, C15
DeCarlo, Tessa, ‘A Very Abstract Expressionist’, in: The Wall Street Journal, New York NY, 30 November 1995
1994
Somers, Marion, ‘Creative Exit’, in: art journal, College Art Association New York NY, vol. 53, no. 1, Spring 1994, pp. 76-78
Vezin, Luc, ‘Guide: Quand Joan Mitchell peignait le sentiment d’un tournesol qui meurt’, in: Info Matin, 24-25 June 1994
Dagen, Philippe, ‘Peinture sous tension’, in: Connaissance des Arts, Paris, no. 508, July-August, pp. 42-51
___, ‘Joan Mitchell, de Chicago à Vétheuil’, in: Le Journal des Arts, Paris, July-August 1994
Dagen, Philippe, ‘La danse au-dessus du vide’, in: Le Monde, 26-27 June 1994, p. 13
Huser, France, ‘Les grands espaces de Joan Mitchell’, in: La Nouvel Observateur , 7 July 1994
Passagem, Aline Rios, ‘Joan Mitchell: le paysage lyrique’, in: Beaux Arts, Paris, July 1994
___, ‘Hommage au peintre américain Joan Mitchell’, in: Le Courrier de l’ouest, 28 June 1994
Gassiot-Talabot, Gérald, ‘Odeur du Temps’, in: Opus Inter-national, Autumn 1994
Bonnardin, Simone, ‘La Pastorale Furieuse de Joan Mitchell’, in: La Cote des Arts , September/October, no. 189, 1994 p. 6
Francblin, Catherine, ‘Joan Mitchell’, in: art press, Paris, September 1994, p. 82
___, ‘Un Jour, Je serai paysan’, in: Dada Voltige, September 1994, pp. 42, 44
___, ‘Joan Mitchell’, in: Le Mensuel: littéraire et poétique, September 1994, no. 223
Piguet, Philippe, ‘Joan Mitchell: Le Peinture comme un chant’, in: L‘œil, September 1994, pp. 70-72
___, ‘Portrait of an Expatriate Painter’, in: Watertown Daily News , Watertown NY, 10 September 1994, pp. 9-10
Cena, Olivier, ‘La morsure de l’instant’, in: Télérama , no. 2330, 4 September 1994, p. 52
Malmberg, Carl-Johan, ‘Ett konstnärkskaps bländande slutfas’, in: Svenska Dagbladet , Stockholm, 3 September 1994
Ulmann, J.-M, ‘La polyphonie chromatique’, in: Hebdo impact médecin , 2 September 1994
___, ‘Les tableaux de l‘été: Tilleul 1978 par Joan Mitchell’, in: Presse Ocean , Nantes, 21 August 1994
Dustin, Jo, ‘Frénésie Chromatique’, in: Soir, 31 August 1994, p. 7
Corbé, Isabelle, ‘Joan Mitchell exposée en grand à Nantes’, in: Ouest France , 30 August 1994
Pierrard, Jean, ‘La peinture à corps perdu’, in: Le Point, 27 August 1994, no. 1145, p. 67
L., M, ‘Joann Mitchell au Jeu de Paume’, in: Reforme, 27 August 1994
Courcelles, Pierre, ‘Joan Mitchell, une Américaine à Paris’, in: Révolution, Paris, 25 August 1994
Santacreu, Élisabeth, ‘La lumière de Joan Mitchell’, in: Le Journal de Paris, 19 August 1994
Mélèze, Josette, ‘Joan Mitchell: la peinture comme un poème’, in: Pariscope , 17 August 1994
Gauville, Hervé, ‘Joan Mitchell, les couleurs de l’ennui’, in: Liberation, 1 August 1994
Lorent, Claude, ‘Les Floraisons de Joan Mitchell’, in: Art & Culture, p. 48
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: Sunday News Tribune, Jefferson MO, 31 July 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: Democrat, Tallahassee FL, 31 July 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: Lawrence Daily Journal-World, Lawrence KS, 31 July 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: The Albany Herald, Albany NY, 29 July1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: The Mattoon Journal-Gazette, Mattoon IL, 1 August 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: The Times-Courier, Charleston IL, 1 August 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: The Times – Mail, Bedford IN, 3 August 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: The News-Journal, Mansfield OH, 5 August 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: The Daily Standard, Celina OH, 19 August 1994
August, Marilyn, ‘Paris gallery stages major exhibit of expatriate’s work’, in: Times-Herald, Montgomery County PA, 29 July 1994
Kerner, Anne, ‘l’insoutenable légèreté de Joan Mitchell’, in: Museart, July-August, pp. 100-104
H., R., ‘Joan Mitchell-Retrospektive’, in: kunst undantiquitaten, July-August 1994
Kwock-Silve, Sandra, ‘Joan Mitchell: Sunshine, shapes and sky’, in: The Paris Free Voice, Paris, vol. 17, July-August 1994, p. 14
Miller, Donald, ‘Show gives abstraction loving look’, in: Pittsburgh Post-Gazette, Pittsburgh PA, 1 October 1994
Michaud, Yves, ‘Joan Mitchell’, in: Galeries Magazine, Summer 1994
Wat, Pierre, ‘Jean Fournier ou la discrétion à l’oeuvre’, in: Beaux-Arts, Paris, July-August 1994, pp. 42-43
Boulanger, Dorothée, ‘Comme un poème’, in: Technikart, 1994, no. 14
Touraine, Liliane, ‘Joan Mitchell’, in: Politiques, July-August 1994
___, ‘Joan Mitchell’, in: Couverture Plomberie, no. 86, July 1994, pp. 51-53
Tasset, Jean-Marie, ‘La jardinière de Vétheuil’, in: Le Figaro, Paris, 26 July 1994
Jacquemont, Francois, ‘Les couleurs de l’exuberérance’, in: L’Est Républican, 17 July 1994, p. 9
Bölte, Emil, ‘Kulturflut an der Seine’, in: Westdeutsche Allegemeine, 16 July 1994
Piguet, Philippe, ‘Paysages intérieurs’, in: La Croix, 16 July 1994
Fechner-Smarsly, Thomas, ‘In unbestimmbarem Licht’, in: Frankfurter Rundschau, Frankfurt, 14 July 1994
Gibson, Michael, ‘Revelations of Color in Joan Mitchell’s Paintings’, in: International Herald Tribune, New York NY, 9-10 July 1994
Huser, France, ‘Les grands espaces de Joan Mitchell’, in: Le nouvel Observateur, 13 July 1994
___, ‘Joan Mitchell’, Art and Words, Brooklyn NY, no. 2, June-July-August 1994
Guilloux, Michel, ‘Joan Mitchell ou la violence pastorale’, in: l’Humanité, 30 June 1994
Radaelli, Severo, ‘Grandi Mostre’, in: Arte, June 1994
___, ‘Couleurs de l‘été’, in: Figaroscope, 29 June – 5 July 1994
___, ‘Joan Mitchell: Feelings’, in: la Terrasse, June 1994
___, ‘Paris, Nantes’, in: Louvre, Paris, June 1994, p. 3
Huser, France, ‘Expos: Joan Mitchell en France’, in: Officiel, no. 788, June 1994
Kimmelman, Michael, ‘Looking for the Magic in Painting’, in: The New York Times, New York NY, 21 October 1994, pp. C1, C28
___, ‘Joan Mitchell: My Black Paintings’, in: OCS News, no. 488, 14 October 1994, p. 8
Rimanelli, David, ‘Goings on About Town: Joan Mitchell’, in: The New Yorker, New York NY, 7 September 1994, p. 44
Michaud, Yves, ‘Joan Mitchell’, in: Galeries Magazine, no. 60, Summer 1994, pp. 89-90
Cotter, Holland, ‘Joan Mitchell’, in: The New York Times, New York, 4 November 1994, p. C30
Gibson, Michael, ‘Revelations of Color in Joan Mitchell’s Paintings’, in: International Herald Tribune, New York NY, 9-10 July 1994
Guilloux, Michel, ‘Joan Mitchell ou la violence pastorale’, in: l’Humanité, 30 June 1994
Guidet, Thierry, ‘Un grand bain de lumière’, in: Ouest-France, 24 June 1994
D.A.P., ‘L’abstraction selon Joan’, in: Press-Océan, 24 June 1994
Marin, J., ‘Joan Mitchell’, in: Goya, July-October 1994, p. 108
Piguet, Philippe, ‘Joan Mitchell’, in: L’Oeil , April 1994, p. 85
1993
Kertess, Klaus, ‘In Memory of Joan Mitchell’, in: Tema Celeste, International Edition, no. 39, Winter 1993
Seidner, David, ‘Joan Mitchell’, in: Vogue, Paris, 1993, pp. 164-171
Flohic, Catherine, ‘Joan Mitchell’, in: Ninety, issue no. 10, 1994, (entire issue devoted to Joan Mitchell)
___, ‘Joan Mitchell & Nathan Kernan’, in: Print Collector’s Newsletter, March/April 1993
Perl, Jed, ‘After Monet’, in: Modern Painters, London, vol. 6, no. 1, Spring 1993, pp. 30-34
Kimmelman, Michael, ‘Art in Review: Joan Mitchell’, in: The New York Times, New York NY, 9 April 1993, p. C26
Atkins, Robert, ‘Scene & Heard: Female Gazing’, in: The Village Voice, New York NY, 7 April 1993, p. 84
Anderson, John, ’2 Views of Women in the Art World’, in: New York Newsday, New York NY, 14 April 1993, pp. 63, 82
Holden, Stephen, ‘Cinematic Portrait Of the Life Of an Artist’, in: The New York Times, New York NY, 14 April 1993, p. C14
Deacon, Kathy, ‘Reel to Reel’, in: The Village Voice, New York NY, 20 April 1993, p. 58
Liebmann, Lisa, ‘Art: Last Spring’, in: The New Yorker, New York NY, 26 April 1993, p. 16
Schjeldahl, Peter, ‘Different Strokes’, in: The Village Voice, New York NY, 27 April 1993, p. 95
Sherman, Betsy, ‘Films’, in: Art New England, London, April 1993
Solomon, Deborah, ‘Frankenthaler’s Prints’, in: The Washington Post, Washington DC, 28 April 1993
___, ‘Joan Mitchell Remembered’, in: Flash Art (News), May/June 1993, p. 103
Nesbitt, Lois, ‘Women Artists Break Through’, in: Diversion, May 1993, pp. 111-115, 142
Perl, Jed, ‘Art: What there was to see’, in: The New Criterion, June 1993, pp. 53-54
Kino, Carol, ‘Times-A-Changin’‘, in: Modern Painters, London, vol. 6, no. 2, Summer 1993, pp. 74-76
Wilkin, Karen, ‘At the Galleries’, in: Partisan Review, issue 3, Summer 1993, pp. 459-468
Zinnes, Harriet, ‘Full and Magnetic’, in: Caprice, 15 May 1993, pp. 57-59
Stein, Deidre, ‘Joan Mitchell, Robert Miller, Susan Sheehan’, in: Artnews, New York NY, September 1993, pp. 168-69
Kuspit, Donald, ‘Joan Mitchell, Robert Miller and Susan Sheehan’, in: Artforum, New York NY, October 1993, pp. 88
___, ‘Maier Museum displays abstract painter’s work’, in: The News & Advance, Lynchburg VA, 10 September 1993, p. D3
Weinstein, Ann, ‘And you thought Art was Confusing’, in: Art Reviews, New York NY, vol. 3, no. 12, November 1993, p. 13
Cotter, Holland, ‘Art in Review: “Works on Paper”. Old Master to Contemporary’, in: The New York Times, New York NY, 11 March 1993, p. C30
1992
Smith, Roberta, ‘Richard Gerstl and Oskar Koskoschka’, in: The New York Times, New York NY, 10 April 1992, p. C32
Smith, Roberta, ‘From New York Painters, Work That Takes Time’, in: The New York Times, New York NY, 1 May 1992, p. C31
___, in: Goings on About Town, Whitney Museum of American Art, New York NY, 4 May 1992, p. 14
De Ferrari, Gabriella, ‘The Art of Discord’, in: Mirabella, May 1992, pp. 56-61
Cotter, Holland, ‘Joan Mitchell: Pastel’, in: The New York Times, New York NY, 8 May 1992, p. C31
Hanson, Henry, ‘Art/Works: Birthday bash brings back works by star alumni’, in: Chicago IL, vol. 41, no. 5, May 1992, p. 20
Bell, David, ‘Abstract Exhibit Transcends Style’, in: Albuquerque Journal, Albuquerque, no. 135, 14 May 1992, p. 4
Ellis, Simone, ‘Mitchell is “the” Abstract Expressionist’, in: The Santa Fe Reporter, Santa Fe NM, 22 May 1992
Bouzerand, Jacques, ‘Plein Cadre: Joan Mitchell’, in: Le Point, no. 1029, 6 June 1992, p. 101
P., J.-L, ‘Le Quête du Bonheur’, in: Le Figaroscope, 10-18 June 1993
Dagen, Philippe, ‘Fureur et mystère’, in: Le Monde, 20 June 1992, p. 18
___, ‘Cultural Guide: Art Galerie, Joan Mitchell’, in: Libération, 25 June 1992
Gilbert, Ruth, ‘Hot Line: The Tops in Town this Week’, in: New York, New York NY, 8 June 1992, p. 29
Strickland, Carol, ‘Old Friend Films a Portrait of an Artist’, in: The New York Times, New York NY, 21 June 1992, p. 13
Michaud, Yves, ‘Joan Mitchell une Américaine à Vétheuil’, in: Beaux Arts, no. 101, May 1992, pp. 36-41
Adams, Brooks, ‘New Pop Reflections’, in: Art in America, New York NY, July 1992, pp. 88-91
Cummings, Paul, ‘Joan Mitchell: Pastel, Drawing’ in: Museum and Dealer Catalogues, vol. XIV, no. 2, July-August 1992, p. 39
Dagen, Philippe, ‘La fureur de Joan Mitchell’, in: Le Monde, 2-3 August 1992, pp. 1, 11
Reed, Arden, ‘On the Scene: Santa Fe’, in: Artspace, September/October 1992, vol. 16, no. 5, p. 68
Russell, John, ‘Joan Mitchell, Abstract Artist, Is Dead at 66’, in: The New York Times, New York NY, October 31, p. 11
Warnod, Jeanine, ‘Mort du peintre américain Joan Mitchell: L’ivresse des couleurs’, in: Le Figaro, Paris, 3 November 1992
Breerette, Geneviève, ‘La dame de Vétheuil’, in: Le Monde, Paris, 1-2 November 1992
Bellet, Harry, ‘La peintre Joan Mitchell’, in: Le Monde, 1-2 November 1992, p. 15
Gauville, Hervé, ‘Joan Mitchell, une sensation disparaît’, in: Liberation, 2 November 1992
Hess, Elizabeth, ‘Joan Mitchell, 1926-1992’, in: The Village Voice, New York NY, 11-17 November 1992, p. 3
___, ‘Joan Mitchell: ‘To Define a Feeling’‘, in: Artnews, New York NY, December 1992, p. 38
Wilkes, Anastasia,Robinson, Walter, ‘Obituaries: Joan Mitchell’, in: Art in America, New York NY, December 1992, pp. 134, 136
Kertess, Klaus, ‘Joan Mitchell: The Last Decade’, in: Art in America, New York NY, vol. 80, no. 12, December 1992, pp. 94-101
Hoffeld, Jeffrey, ‘Museum and Dealer Catalogues’, in: Drawing, vol. XIV, no. 2, July-August 1992, p. 39
Johnson, Patricia C., ‘A sensual thoughtful “Summer”’, in: Houston Chronicle, Houston TX, section D, 29 July 1992, pp. 1, 10
Chadwick, Susan, ‘Summer images, abstract pieces shine at galleries’, in: The Houston Post, Houston TX, 4 August 1992, pp. E1, E8
____, ‘Died: Joan Mitchell’, in: The Art Newspaper, Kent, no. 23, December 1992, p. 3
Madoff, Steven Henry. ‘The First 90 Years’, in: Artnews, New York NY, November 1992
Gibson, Michael, ‘Joan Mitchell: Beyond Words’, in: Cimaise, no. 221, November-December, pp. 9-24 and cover
Kobayashi, Masao, ‘Joan Mitchell: spirit visualized through nature’, in: Mizue, no. 963, summer 1992, pp. 78-81
1991
Schjeldahl, Peter, ‘Cutting Hedge’, in: The Village Voice, New York NY, 30 April 1991, pp. 93-94
Larson, Kay, ‘A Shock to the System’, in: New York, New York NY, 29 April 1991, p. 86
Hess, Elizabeth, ‘Upstairs, Downstairs’, in: The Village Voice, New York NY, 30 April 1991, pp. 93-93
Russell, John, ‘Paintings That Liberate The Viewer’s Imagination’, in: The New York Times, New York NY, 12 April 1991, p. C22
Larson, Kay, ‘Mixed Messages’, in: New York, New York NY, 15 April 1991, pp. 68-69
Kimmelman, Michael, ‘At the Whitney, a Biennial That’s Eager to Please’, in: The New York Times, New York NY, 19 April 1991, pp. C1, C24
Hillman, James, ‘The Repression of Beauty’, in: Tema Celeste, international edition, May-June 1992, pp. 58-64
Hollander, Reineke, ‘Whitney Biennale bepaalt welke lunstenaar in of uit is in Amerika’, in: NRC Handelsblad , May 11, p. 7
Korall, Randall, ‘People are Talking About’, in: Vogue , May, p. 97
Perl, Jed, ‘Tradition-conscious’, in: The New Criterion , May, vol. 9, no. 9, pp. 55-59
Jones, Baird, ‘Kostabi and the Biennial’, in: Manhattan Arts , June-August, p. 6
Johnson, Ken, ‘Joan Mitchell at Robert Miller’, in: Art in America , October, vol. 79, no. 10, pp. 146-147
Moorman, Margaret, ‘Painting, Galerie Lelong’, in: Artnews, New York NY, vol. 90, no. 9, November 1991, p. 134
Hobbs, Robert, ‘Internationalism and American Art: Joan Mitchell by Judith E. Bernstock’, in: Woman’s Art Journal, vol. 12, no. 2, Fall/Winter 1991, pp. 38-40
Solomon, Deborah, ‘In Monet’s Light’, in: The New York Times Magazine, New York NY, section 6, 24 November 1991, pp. 44-50, 62-64
Lipson, Karin, ‘A Wide Sweep of America’s Terrain’, in: New York Newsday, New York NY, part II, 15 November 1991, p. 96
____, ‘In Monet’s Light’, in: The New York Times Magazine, New York NY, section 6, 15 December 1991, p. 12
1990
Cyphers, Peggy, in: Arts, vol. 64, no. 5, January 1990, p. 96
Yau, John, ‘Joan Mitchell/Robert Miller Gallery’, in: Artforum, New York NY, vol. 28, no. 6, February 1990, pp. 137-138
Moorman, Margaret, ‘Joan Mitchell, Robert Miller’, in: Artnews, New York NY, vol. 89, no. 1, January 1990, p. 159
Bass, Ruth, ‘___’, in: Art-Talk, section II, January 1990, p. 33
Tasset, Jean-Marie, ‘Joan Mitchell jardinier de l’azur’, in: Le Figaro, Paris, 12 June 1990
Lerman, Ora, ‘The Elusive Subject’, in: Arts, vol. 65, no. 1, September 1990, pp. 42-46
___, ‘Some Seventies Works’, in: The New Yorker, New York NY, 16 July 1990, p. 13
Kimmelman, Michael, ‘Joan Mitchell’, in: The New York Times, New York NY, 9 November 1990, p. C26
___, ‘From Hannah Höch to Rebecca Horn, Women’s Art of the 20th Century’,
in: The Journal of Art, October 1990, p. 14
1989
Brenson, Michael, ‘Three Who Were Warmed By the City of Light’, in: The New York Times, New York NY, 25 June 1989, pp. H31, H32
I.W., ‘Montaigne et l’art americain’, in: Beaux Arts Magazine, September 1989, no. 71
Slivka, Rose C.S, ‘From the Studio’, in: The East Hampton Star, 9 November 1989, p. 11-13
Gilbert, Ruth, ‘___’, in: Hot Line, New York NY, 6 November 1989, p. 40
Felver, Christopher, ‘Renewing the Eighties’, in: Art International, Winter 1989, p. 44
____, ‘Joan Mitchell’, in: The New Yorker, New York NY, 20 November 1989, pp. 14, 16
Kandel, S. ‘Joan Mitchell’, in: Arts, vol. 63, no. 8, 1989, p. 109
Dobrzynski, Judith H, ‘Your $20 Million May Stretch A Little Farther Now’, in: Businessweek, 25 December 1989 – 1 January 1990, pp. 150-151
1988
Flohic, Catherine, ‘Eighty’, in: Les Peintres en France Dans Le Anees 80, no. 23, May/June 1988, pp. 2-3
Chalumeau, Jean Luc, ‘Il Faut sentir quelque chose on ne peut expliquer…’, in: Eighty, no. 23, May/June 1988, pp. 4-32
Berkson, Bill, ‘In Living Chaos: Joan Mitchell’, in: Artforum, New York NY, vol. 27, no. 1, September 1988, pp. 96-99
Bouisset, Marten, ‘Joan Mitchell’, in: Beaux Arts Magazine, no. 60, September 1988, p. 80-81
___, in: Contemporanea , vol. 1, no. 2, July/August 1988, pp. 36-37
Sawin, Martica, ‘A Stretch of the Seine: Joan Mitchell Paintings’, in: Arts, vol. 62, no. 7, March 1988, pp. 29-31
Richard, Paul, ‘Joan Mitchell’s Bleak Horizon at the Corcoran, A Forty Year Look Back’, in: The Washington Post, Washington DC, 27 February 1988, pp. D1, 11
Moutet, Anne-Elisabeth, ‘An American in Paris (Ex-patriartist Joan Mitchell Keeping American Abstract Expressionism Alive and Well and Thrivingin France)’, in: Elle, February 1988, pp. 74, 76
Kimmelman, Michael, ‘This American in Paris Kept True To New York’, in: The New York Times, New York NY, Section II, 17 April 1988, p. 43
Wright, David H., ‘Joan Mitchell’s Colorful Canvasses at the San Francisco MOMA’, in: The Painterly Post, 29 June 1988
Baker, Kenneth, ‘The Colors of Concentration’, in: San Francisco Sunday Chronicle & Examiner, San Francisco CA, 12 June 1988, pp. 12-13
Wilson, William, ‘Abstracting an Abstract Expressionist’, in: Los Angeles Times, Los Angeles CA, 19 June 1988, pp. 93-95
Gaugh, Harry F., ‘Dark Victories’, in: Artnews, New York NY, vol. 87, no. 6, Summer 1988, pp. 154-159
Perl, Jed, ‘The Joans of Art’, in: Vogue , March, p. 10
Freudenheim, Susan, ‘Joan Mitchell’s Show Shines’, in: San Diego Tribune, San Diego CA, 7 December 1988, p. C1, cont. p. C7
Pincus, Robert L., ‘La Jolla Retrospective Shows Artists Deserved A Closer Look’, in: The San Diego Union, San Diego CA, 22 December 1988, p. E6
Flam, Jack, ‘The Gallery: Joan Mitchell; East Europe’s Avant-Garde’, in: The Wall Street Journal, 29 March 1988, p. 28
Fowler, Carol, ‘Artist Joan Mitchell brings her work home’, in: Contra Costa Times, ‘Fine Arts’ section, 29 May 1988
Frankel, Sara, ‘Color her “Joan Mitchell”’, in: San Francisco Examiner, San Francisco CA, 27 May 1988, pp. C1, C2
Gladysz, Thomas, ‘Joan Mitchell gets personal in art show’, in: Oakland Tribune, 7 June 1988, p. C3
Helfand, Glen, ‘Joan the Modernist’, in: San Francisco Sentinel, San Francisco CA, 10 June 1988, pp. 22, 26
Dalkey, Victoria, ‘The Poetry in the Land’, in: The Sacramento Bee, Sacramento CA,12 June 1988, pp. 3-4
Van Proyen, Mark, ‘Atmosphere and Elan Vital’, in: Art International, 25 June 1988, p. 1
Burkhart, Nancy, ‘Joan Mitchell – nature in abstraction’, in: San Jose Mercury News, San Jose CA, 12 June 1988, p. 18-19
Rybczybski, Nancy, ‘Joan Mitchell Retrospective At The Albright-Knox’, in: Arts in Buffalo, Buffalo NY, October 1988, p. 9
Piguet, Philippe, ‘Joan Mitchell’, in: L’Oeil, no. 383, 1988, pp. 80-81
1987
Hurlburt, Roger, ‘Abstraction: A Reaction to Artifices of Realism’, in: News/Sun-Sentinel, Boca-Raton FL, 25 January 1987
Faxon, Alicia, ‘Harcus Gallery/Boston-Working Women’, in: Art New England, vol. 8, no. 4, April 1987
Dobbels, Daniel, ‘Joan Mitchell, la douleur des couleurs’, in: Liberation, no. 1906, 7 July 1987
___, ‘Joan Mitchell: peintures recentes’, in: Le Monde, Paris, July 1987
Michaud, Yves, ‘Joan Mitchell’, in: Galleries Magazine, June/July 1987, pp. 62-65
1986
Masters, Greg, ‘Group Show’, in: Arts, April 1986, pp. 139-140
Newhall, Edith, ‘Diff’rent Strokes’, in: New York, New York NY, 28 April 1986, p. 38
___, ‘Art: Internationalism at La Defense’, in: The New York Times, New York NY, 25 April 1986, p. C24
Tuchman, Phyllis, ‘Joan Mitchell Paints Chaos in Color’, in: Newsday, 13 April 1986, p. 13
___, ‘Joan Mitchell’, in: Current Biography, vol. 47, no. 3, March 1986, pp. 37-40
Russell, John, ‘Joan Mitchell’, in: The New York Times, New York NY, 25 April 1986, p. C24
Seeney, Lynn, ‘Mitchell at Fourcade’, in: Art/World, vol. 10, no. 7, April 1986, pp. 1, 3
Moorman, Margaret, ‘New York Reviews’, in: Artnews, New York NY, vol. 85, no. 8, October 1986, p. 129
Cohen, Cora, Sussler, Betsy, ‘Joan Mitchell’, in: Bomb, London, no. XVIII, Fall 1986, pp. 20-24 and cover
1985
Baker, Kenneth, ‘Second Generation: Mannerism or Momentum?’, in: Art in America, New York NY, June 1985, pp. 102-111
Brenson, Michael, ‘Joan Mitchell – ‘The Sixties’‘, in: The New York Times, New York NY, 26 April 1985, p. C23
Carroll, Maurice, ‘Vandal Slashes Eight Big Paintings at Albany Mall’, in: New York Times, New York NY, 4 May 1985, p. 32
Glueck, Grace, ‘Art: Gestural Approach, in Grey Gallery Show’, in: The New York Times, New York NY, 18 January 1985, p. C22
____, ‘Action/Precision: 1980-1985’, in: The New York Times, New York NY, 18 January 1985, p. C22
Godfrey, Tony, ‘New York: The Whitney Biennial and Other Exhibitions’, in: Burlington Magazine, London, July 1985, p. 488
Westfall, Stephen, ‘Reviews of Exhibitions: Joan Mitchell at Fourcade’, in: Art in America, New York NY, October 1985, pp. 156-157
Woodville, Louisa, ‘Three Painters, Three Decades’, in: Arts, vol. 59, no. 5, January 1985, p. 19
Westfall, Stephen, ‘Then and Now: Six of the New York School Look Back’, in: Art in America, New York NY, vol. 73, no. 6, June 1985, pp. 156-157
1984
Glueck, Grace, ‘Art: Janis Presents American Women’, in: The New York Times, New York NY, 20 January 1985
Nochlin, Linda, ‘Joan Mitchell: Art and Life at Vetheuil’, in: House and Garden, vol. 156, no. 11, November 1984, pp. 192-197, 226-238
1983
Cameron, Daniel, ‘Biennial Cycle’, in: Arts, June 1983, pp. 64-68
Geldzahler, Henry, ‘American Accents’, in: Artmagazine, Summer 1983, pp. 13-17
Glueck, Grace, ‘Art: Show Honors de Kooning’, in: The New York Times, New York NY, 23 December 1983, p. C22
Hapgood, Susan, ‘Drawings: Xavier Fourcade’, in: Flash Art, November 1983, p. 68
Ratcliff, Carter, ‘The Short Life of the Sincere Stroke’, in: Art in America, New York NY, January 1983, pp. 73-79, 137
Russell, John, ‘Why the Latest Whitney Biennial is More Satisfying’, in: The New York Times, New York NY, 25 March 1983, p. C1
___, ‘American Accents: A Tribute to the Passion to Communicate’, in: The Financial Post, 25 June 1983
1982
Campbell, Joyce, ‘In the Land of Monet, American Painter Joan Mitchell More Than Pulls Her Weight’, in: People, 6 December 1982, pp. 81-84
___, ‘Joan Mitchell a l’ARC : Le Buisson ardent’, in: Le Monde, Paris, 23 August 1982, p. 7
Chalumeau, Jean-Luc, ‘Joan Mitchell, le dernier peintre americain?’, in: Tribune, no. 72, 30 July 1982, p. 3
1981
Butler, Hiram Carruthers, ‘Downtown in the Fifties’, in: Horizon, June 1981, pp. 15, 24
Henry, Gerrit, ‘New York Reviews: Joan Mitchell’, in: Artnews, vol. 80, no. 7, September 1981, pp. 236-238
Newman, David, ‘Reviews: Joan Mitchell’, in: Arts, vol. 55, no. 8, April 1981, p. 30
Romano, Lois, ‘Focus on Abstract Art at the Corcoran Gallery’, in: The Washington Star, 1981
Glueck, Grace, ‘Critics’ Choices: Art’, in: The New York Times, New York NY, Sunday ‘Guide’ section, 1981, p. 3
Hall, Carla, ‘Portraits of the Artists…and a Party for the Folks Who Put it All Together’, in: The Washington Post, 19 February 1981, pp. D1, 11
Richard, Paul, ‘Abstract Audacity: The Corcoran’s Provocative Biennial…’, in: The Washington Post, 19 February 1981, pp. D1, 7
Ostrow, Joanne, ‘Corcoran, in Living Color’, in: The Washington Post, Washington DC, ‘Weekend magazine’-issue, 20 February 1981
Jessup, Sally, ‘Heroic-sized Metaphors of Mitchell’s Landscapes’, in: Art/World, 20 February – 20 March 1981
Forgey, Benjamin, ‘The Clarity of the Corcoran Biennial: Certitude and Commitment’, in: The Washington Star, Washington DC, ‘Arts and Books’-section, 22 February 1981
Sakel, Sassona, ‘Voyages of Shapes and Contents: The Many Visions of Landscape’, in: Art/Speak, 26 February 1981
Forgey, Benjamin, ‘A Painter Who Has Yet to Get Her Due (Mitchell: A ‘Painter’s Painter’)’, in: Washington Star, Washington DC, ‘Life’-section, 28 February 1981, p. C1
Zimmer, William, ‘Joan Mitchell’, in: Soho News, New York NY, 10 March 1981
Smith, Robert, ‘Art: Joan Mitchell’, in: The Village Voice, New York NY, vol. XXVI, no. 11, 11-17 March 1981
Newman, David, ‘Joan Mitchell’, in: Arts, April 1981
Lewis, Jo Ann, ‘The New of the Best. But the Best of the New?’, in: Artnews, New York NY, May 1981, p. 153
Butler, Hiram Carruthers, ‘Downtown in the Fifties’, in: Horizon, June 1981, pp. 15, 24
Rose, Barbara, ‘The Landscape of Light: Joan Mitchell’, in: Vogue, Summer 1981, pp. 204-207, 245
Johnson, Patricia C, ‘Mitchell’s Large Paintings Overshadow Small Ones’, in: The Houston Chronicle, Houston TX, 21 October 1981, p. 7
1980
Gruen, John, ‘Women Artists: Twenty-Five Best Investments’, in: Working Woman, July 1980, pp. 30-33
O’Beil, Hedy, ‘Reviews: Joan Mitchell’, in: Arts, June 1980, p. 35
Kramer, Hilton, ‘Joan Mitchell’, in: The New York Times, New York NY, 21 March 1980, p. C19
Baily, Patricia, ‘Joan Mitchell in 1950’s Remembered Landscapes’, in: Art/World, 19 March – 19 April 1980, pp. 4-5
Zimmer, William, ‘Art Pick: Joan Mitchell, The Fifties’, in: Soho Weekly News, New York NY, 19 March 1980, p. 36
Ashbery, John, ‘On Winter’s Traces’, in: New York, New York NY, 24 March 1980, p. 59
Larson, Kay, ‘Voice Choices: Joan Mitchell’, in: The Village Voice, New York NY, 24 March 1980, p. 59
Frank, Elizabeth, ‘Joan Mitchell’, in: Art in America, New York NY, vol. 68, no. 5, May 1980, p. 154
Hackett, Regina, ‘She Strives for ‘Pure’ Responses in Her Work’, in: Seattle Post-Intelligencer, Seattle WA, 11 May 1980, p. G6
Kangas, Matthew, ‘Joan Mitchell: Landscape, Light, Love’, in: Argus, 23 May 1980, p. 7
Maubert, Franck, ‘Les lilacs de Vetheuil’, in: L’Express, 24-30 May 1980
Dunoyer, Jean-Marie, in: Le Monde, Paris, 26 May 1980
Schneider, Pierre, ‘Joan Mitchell entre East Village et Vetheuil’, in: Art Press, June 1980, pp. 10-11
Gibson, Michael, ‘Galleries in Paris’, in: New York Herald Tribune, New York NY, 1 June 1980
Levy, Mark, ‘Joan Mitchell: Richard Hines Gallery’, in: Vanguard, Lagos, Summer 1980, p. 44
Gibson, Michael, ‘Joan Mitchell’, in: Artnews, New York NY, vol. 79, no. 7, 1980, pp. 230-231
Herman, J., ‘Joan Mitchell’, in: Arts, vol. 54, no. 10, 1980, p. 35
1979
Cebulski, F, ‘Joan Mitchell’s “Projective Vision”’, in: Artweek, vol. 10, 15 December 1979, p. 6
1978
Ratcliff, Carter, ‘New York Letter: Joan Mitchell’, in: Art International, January, p. 91
Bradley, Laurel, ‘Joan Mitchell’, in: Arts, February 1978
Burnside, Madeleine, ‘Joan Mitchell’, in: Artnews, New York NY, March 1978, p. 173
Wilson, William, ‘Art Walk: Joan Mitchell’, in: Los Angeles Times, Los Angeles CA, 7 April 1978
Schipper, Merle, ‘French Painting, American Style’, in: Art Week, 15 April 1978
Schneider, Pierre, ‘Joan Mitchell et le tilleul de Monet’, in: L’Express, November
Tuchman, Phyllis, ‘Joan Mitchell’, in: Artnews, New York NY, March 1978
1977
Sargent Wooster, Anne, ‘Joan Mitchell’, in: Artnews, New York NY, February 1977, pp. 125-126
Ellenzweig, Allen, ‘Joan Mitchell’, in: Arts, February 1977, p. 22
Matthiessen, Louis, Staats, Margaret, ‘The Genetics of Art (Part III)’, in: Quest 77, July/August 1977, p. 42
Russell, John, ‘New Paintings by Joan Mitchell’, in: The New York Times, 9 December
Lubell, Ellen, ‘Joan Mitchell’, in: The Soho Weekly News, New York NY, 15 December 1977
1976
Hess, Thomas, ‘Sensations of Landscape’, in: New York, New York NY, 20 December 1976, pp. 76-78
Russell, John, ‘Joan Mitchell’, in: The New York Times, New York NY, 3 December 1976
Beatty, Frances, ‘Joan Mitchell’, in: Art/World, 11 December 1976, p. 5
Frankenstein, Alfred, ‘A Trio of Contemporary New York Shows’, in: The San Francisco Chronicle, San Francisco CA, 26 December 1976, p. 31
1974
___, ‘The Painters’ Painters’, in: Newsweek, New York NY, 13 May 1974, p. 108
Herrera, Hayden, ‘Reviews and Previews: Joan Mitchell’, in: Artnews, vol. 73, no. 6, Summer 1974, pp. 236-238
Kingsley, April, ‘New York Letter’, in: Art International, Milan, vol. XVIII, no. 6, Summer 1974, p. 43
Nemser, Cindy, ‘An Afternoon with Joan Mitchell’, in: Feminist Art Journal, vol. 3, Spring 1974, pp. 5-6, 24
Ratcliff, Carter, ‘Joan Mitchell’s Envisionments’, in: Art in America, New York NY, July-August 1974, vol. 62, pp. 34-37
Rose, Barbara, ‘First-Rate Art by the Second Sex’, in: New York, New York NY, vol. 7, no. 14, 8 April 1974, pp. 80-81
___, ‘The Landscape of Light: Joan Mitchell’, in: Vogue, June 1974, pp. 206-207, 245, (reprinted in: Pleynet, Maurice, Rose, Barbara, ‘Joan Mitchell: Choix de peintures 1970-1982’, Paris: Musee d’Art Moderne de la Ville de Paris, 1982)
___, ‘The Art World.’ in: New Yorker, New York NY, 29 April 1974, p. 71
(reprinted in: Rosenberg, Harold, ‘Art on the Edge’, Chicago IL: University of Chicago Press, 1983)
Krauss, Rosalind, ‘Painting Becomes Cyclorama’, in: Artforum, vol. XII, no. 10, June 1974, pp. 50-52
1973
Davis, Douglas, ‘Art without Limits’, in: Newsweek, New York NY, vol. 82, 24 December 1973, pp. 68-74
___, ‘Pour Joan Mitchell’, in: XXe Siecle, no. 40 vol. 35, June 1973, pp. 116-119
1972
___, ‘New York Letter’, in: Art International, Milan, Summer 1972, p. 75
Schjeldahl, Peter, ‘Joan Mitchell: To Obscurity and Back’, in: The New York Times, New York NY, 30 April 1972, p. 23
Harithas, James, ‘Weather Paint’, in: Artnews, New York NY, vol. 71, May 1972, pp. 40-43, 63
Lubell, Ellen, ‘Galleries’, in: Arts, September-October 1972, pp. 60-61
1971
Pleynet, Marcelin, ‘Des Idees, des critiques, de la peinture et des galeries: Joan Mitchell’, in: Art International, Milan, vol. 15, 20 June 1971, pp. 78, 88
Ratcliff, Carter, ‘New York Letter’, in: Art International, Milan, vol. 15, 20 September 1971, pp. 68-71
1968
Battock, Gregory, ‘In the Galleries: Joan Mitchell’, in: Arts, vol. 42, April 1968, p. 59
Finkelstein, Louis, ‘Gotham News 1945-60’, in: Artnews Annual, vol. 34, 1968, pp. 114-123
Krauss, Rosalind, ‘Painting Becomes Cyclorama’, in: Artforum, New York NY, June 1968, pp. 50-52
Lanes, Jerrold, ‘Current and Forthcoming Exhibitions: Martha Jackson Gallery’, in: Burlington Magazine, London, vol. 110, May 1968, pp. 296, 299
Lubell, Ellen, ‘Galleries’, in: Arts, Summer 1968, p. 60
___, ‘Galleries’, in: Arts, September/October 1968, pp. 60-61
Schneider, Pierre, ‘From Confession to Landscape’, in: Artnews, New York NY, vol. 67, April 1968, pp. 42-43, 72-73
Kramer, Hilton, ‘John Heliker: Under Close Scrutiny’, in: The New York Times, New York NY, 6 April 1968, p. 35
1967
Mitchell, Joan, ‘Jackson Pollock: An Artist’s Symposium, Part 2’, in: Artnews, New York NY, vol. 66, May 1967, p. 29
1965
Ashbery, John, ‘An Expressionist in Paris’, in: Artnews, New York NY, April 1965, vol. 64, pp. 44-45, 63-64
Dore, Ashton, ‘Kelly’s Unique Spatial Experiences/New York Commentary’, in: Studio International, vol. 170, July 1965, pp. 42-43
Grossberg, Jacob, ‘In the Galleries: Joan Mitchell’, in: Arts, May-June 1965, p. 58
Rose, Barbara, ‘The Second Generation: Academy and Breakthrough’, in: Artforum, New York NY, September, pp. 53-63
1963
Johnson, Ellen H, ‘Is Beauty Dead?’, in: Allen Memorial Art Museum Bulletin, Winter, vol. 20, pp. 56-66
A., J., ‘Original Works of Art Now Popular as Christmas Gifts’, in: New York Herald Tribune, New York NY, 18 December 1963, p. 5
1962
Dore, Ashton, ‘Art USA 1962’, Studio, vol. 163, March 1962, pp. 84-96
Leveque, Jean-Jacques. ‘Les Expositions a Paris: Joan Mitchell’, Aujourd’hui, vol. 6, June 1962, p. 40
Schneider, Pierre, ‘Artnews from Paris: Emergence into Classicism’, in: Artnews, vol. 61, Summer 1962, p. 43
1961
___, ‘Art’, in: Arts and Architecture, vol. 78, June 1961, pp. 4-5
Freilicher, Jane, ‘Editor’s Letters’, in: Artnews, New York NY, vol. 60, December 1961, p. 6
Munro, Eleanor G, ‘The Found Generation’, in: Artnews, New York NY, vol. 60, cover, November 1961, pp. 38-39, 75-76
Nordland, Gerald, ‘Variety and Expansion’, in: Arts, vol. 36, November 1961, pp. 48-50
Tillim, Sidney, ‘Month in Review’, in: Arts, December 1961, pp. 42-46
Tillim, Sidney, ‘In the Galleries: Joan Mitchell’, in: Arts, May-June 1961, pp. 84-85
___, ‘Au Salon de Mai’, in: L‘œil, no. 78, June 1961, pp. 46-53, 78-80
1960
Read, Sir Herbert, and H. Harvard Arnason, ‘Dialogueon Modern U.S. Painting’, in: Artnews, New York NY, vol. 59, May 1960, pp. 31-36
Schneider, Pierre, ‘Art News from Paris: Left Bank’, in: Artnews , Summer, vol. 59, p. 50
___, ‘Au Salon de Mai’, in: L‘œil, June 1960, pp. 46-53, 78-80
___. ‘The Vocal Girls’, in: Time, vol. 75, 2 May 1960, pp. 74-76
Rubin, William, ‘Younger American Painters’, in: Art International, Milan, vol. 4, no. 1, 1960, pp. 25-26
Tono, Yoshiaki, ‘New Adventures in American Art’, in: Mizue, no. 659, March 1960, pp. 23-32
1959
Rosenberg, Harold, ‘Tenth Street: A Geography of Modern Art’, in: Artnews Annual, New York NY, vol. 28, 1959 pp. 120-143, 184
(reprinted in: Rosenberg, Harold, ‘Discovering the Present: The Decades in Art, Culture and Politics’, Chicago IL: University of Chicago Press, 1972, pp. 100-109)
Fischer, K.J., ‘Die Neue Kunst in Mailand’, in: Das Kunstwerk, vol. 13, July 1959, pp. 38-39
1958
Dore, Ashton, ‘La Signature Americaine’, in: XXe Siecle, vol. 20, March 1958, pp. 62-64
Dore, Ashton, ‘Art’, in: Arts and Architecture, Santa Monica CA, vol. 75, May 1958, pp. 5, 28-29
___, ‘Reviews and Previews: Joan Mitchell’, in: Artnews, New York NY, May 1958, p. 11
Sawin, Marcia, ‘In the Galleries: Joan Mitchell’, in: Arts, vol. 32, April 1958, p. 59
Sandler, Irving, ‘Reviews and Previews’, in: Artnews, New York NY, vol. 57, April 1958, p. 12
Mitchell, Joan, ‘Is Today’s Artist with or Against the Past?, Part 2’, in: Artnews, New York NY, vol. 57, 1958, p. 41
1957
Ashton, Dore ‘Art’, in: Arts and Architecture, May, vol. 74, pp. 10-11
Mellow, James R, ‘In the Galleries: Joan Mitchell’, in: Arts , March, vol. 31, p. 54
Sandler, Irving, ‘Young Moderns and Modern Masters: Joan Mitchell’, in: Artnews, New York NY, vol. 56, March 1957, pp. 32, 64
___, ‘Mitchell Paints a Picture’, in: Artnews, New York NY, October 1957, pp. 44-47, 69-70
___, ‘Women Artists in Ascendence’, in: Life, vol. 42, 13 May 1957, pp. 74-77
1956
Butler, Barbara ‘In the Galleries: Brach, Goldberg, Goodnough, Mitchell’, in: Arts, vol. 30, June 1956, pp. 48-49
Finkelstein, Louis ‘New Look: Abstract-Impressionism’, in: Artnews, New York NY, March 1956, pp. 36-39, 66-68
Hess, Thomas B. ‘US Painting: Some Recent Directions’, in: Artnews Annual, New York NY, vol. 25, 1956, p. 82
Munro, Eleanor C, ‘Reviews and Previews: Four Americans’, in: Artnews, New York NY, vol. 55, Summer 1956, p. 50
Steinberg, Leo, ‘Month in Review’, in: Arts, vol. 30, January 1956, pp. 46-48
1955
Newbill, Al, ‘Fortnight in Review: Joan Mitchell’, in: Art Digest, vol. 29, 1 March 1955, p. 28
O’Hara, Frank, ‘Reviews and Previews: Ernest Briggs, Dugmore, Joan Mitchell’, in: Artnews, New York NY, vol. 54, September 1955, pp. 51-52
Rosenblum, Robert ‘Month in Review: Dugmore, Briggs, Mitchell’, in: Arts Digest, vol. 29, August 1955, p. 28
Seckler, Dorothy G. ‘Reviews and Previews: Joan Mitchell’, in: Artnews, New York NY, vol. 54, March 1955, p. 51
1953
Brach, Paul, ‘Fifty-seventh Street: Joan Mitchell’, in: Art Digest, vol. 27, 15 April 1953, p. 16
Fitzsimmons, James, ‘Art’, in: Arts and Architecture, Santa Monica CA, vol. 70, May 1953, pp. 8-9
Goodnough, Robert ‘Reviews and Previews: Joan Mitchell’, in: Artnews, New York NY, vol. 52, April 1953, p. 41
1952
Brach, Paul, ‘Fifty-seventh Street in Review: Joan Mitchell’, in: Art Digest, vol. 26, 15 January 1952, pp. 17-18
Holliday, Betty ‘Reviews and Previews’, in: Artnews, New York NY, vol. 52, January 1952, p. 46
Films
‘Joan Mitchell: A Portrait of an Abstract Painter’, 58 minutes, 16mm color, Directed by Marion Cajori, Produced by Christian Blackwood and Marion Cajori, New York: A Christian Blackwood Productions Inc., 1992
Videotapes
1992
Kertess, Klaus, ‘Lecture on Joan Mitchell at the Center for the Fine Arts’, Santa Fe NM, 26 May 1992
1989
in: Art Today, vol. 1, no. 1, publication of the Video News Service, Inc., ph: 212 593-9044, film of Joan Mitchell exhibition at the Robert Miller Gallery)