2009
Parmiggiani, Sandro, ed., ‘Joan Mitchell. La pittura dei Due Mondi’, Milan/IT: Skira
2008
Hickey, Dave, ‘Joan Mitchell: Sunflowers’, New York NY: Steidl Cheim & Read
Ohlsen, Nils, ed., ‘Joan Mitchell’, Emden/DE: Kunsthalle Emden
Kleeblat, Norman, ed., ‘Action/Abstraction’, New York NY: The Jewish Museum with Yale University Press
Mecklenburg, Virginia M., ‘Modern Masters: American Abstraction at Midcentury’, London/UK: D Giles Limited in association with the Smithsonian American Art Museum
Kirwin, Liza, ‘A Thousand Kisses: Love Letters from the Smithsonian’s Archives of American Art’, Washington DC: Smithsonian Institution in association with Harper Collins.
Hall-Duncan, Nancy, ‘Pleasures of Collecting, Part III: Contemporary and Cutting Edge’, Greenwich CT: Bruce Museum
Küster, Ulf, Pepe Karmel, Gottfreid Boehm, Robert Fleck, Jason Edward Kaufman, ‘Action Painting’, Basel/CH: Fondation Beyeler
Weinberg Adams, Jill, ‘Joan Mitchell: Paintings and Pastels 1973-1983’, New York NY: Lennon, Weinberg, Inc.
Bruggen, Ingrid, Steininger, Florian, ‘Monet Kandinsky Rothko; und die folgen’, Munich/DE, Berlin: Deutscher Kunstverlag
2007
Yau, John, ‘Joan Mitchell: Works on Paper 1956 – 1992’, New York NY: Steidl Cheim & Read
Molesworth, Helen, ‘Joan Mitchell: Leaving America, New York to Paris 1958 – 1964’, London/UK:
Steidl Hauser & Wirth
Houston, Joe, Dominique Vasseur, Melissa M. Wolfe, Charles Stuckey, James Yood, ‘In Monet’s Garden; Artists and the Lure of Giverny’, Columbus OH: Columbus Museum of Art and Paris: Musée Marmottan with Scala Publishers, London
2006
Marshall, Richard D., ‘Joan Mitchell: A Survey 1952 – 1992’, Seoul/KR: Kukje Gallery
2005
Kertess, Klaus, ‘Joan Mitchell: Fremicourt Paintings 1960-62’, New York NY: Cheim & Read
2002
Kernnan, Nathan, ‘Joan Mitchell, The Presence of Absense’, Cheim & Read, New York NY: Cheim & Read
Livingston, Jane, ‘The Paintings of Joan Mitchell. Whitney Museum of American Art’, New York NY
2000
Finebert, Jonathan, ‘Art Since 1940: Strategies of Being’, 2nd ed. New York NY: Harry N. Abrams
Heller, Nancy G., et al., ‘Works form the National Museum of Women in the Arts’, Washington DC: National Museum of Women in the Arts; Rizzoli International Publications
Hunter, Sam, Jacobus, John and Wheeler, Daniel, ‘Modern Art’, 3rd rev. ed. New York NY: Harry N. Abrams
1999
Marshall, Richard D, “Willem de Kooning and Joan Mitchell: The Late Paintings,” In Peter Fischer, ed., ‘Abstraction, Gesture, Ecriture: Paintings from the Daros Collection’, Zürich/CH: Scalo. pp. 35-60
Tobler, Jay, ed., ‘The American Art Book’, London/UK: Phaidon Press Limited
1998
Danziger, James, ed., ‘Photographs of Joan Mitchell by Barney Rosset’, New York NY: James Danziger Gallery
Lehman, David, ‘The Last Avant-Garde: The Making of the New York School of Poets’, New York NY: Doubleday
1997
Kertess, Klaus, ‘Joan Mitchell’, New York NY: Harry N. Abrams, Inc.
1996
Cheim, John, ed., ‘Joan Mitchell: Paintings from 1956 to 1958’, New York NY: Robert Miller Gallery
Le Thorel-Daviot, Pascale, ‘Petit Dictionnaire des Artistes Contemporains’, Paris/FR: Bordas
Coolidge, Clark, ed. ‘Jim Brodey: Heart of the Breath (Poems 1979-1992)’ West Stockbridge MA: Hard Press, Inc6, cover illustration only
Pomeroy, Ralph, “Mitchell, Joan” In Joann Cerrito, ed. ‘Contemporary Artists, 4th ed. Detroit: St. James Press, pp. 782-83
1995
__________, ‘XXV Years’, San Francisco CA: John Berggruen Gallery
__________, ‘Contemporary American Artists’, Manila/PH: U.S. Embassy under of the auspices the Art in Embassies Program, U.S. Department of State
Broude, Norma and Mary D. Garrard, ‘The Power of Feminist Art’, New York NY: Harry N. Abrams
Kumada, Tsukasa with Stesuya Hashizume et.al., ‘Selected Works from the Collection of Osaka City Museum of Modern Art’, Osaka/JP: Osaka City Museum of Modern Art
Hoffeld, Jeffrey, ‘The Collection of Sue and Eugene Mercy, Jr.’ New York NY: Sue and Eugene Mercy, Jr.
Sterling, Susan Fisher, Women Artist, The National Museum of Women in the Arts, New York NY: Abbeville
Armstrong, Richard, ‘Carnegie International 1995’, Pittsburgh PA: The Carnegie Museum of Art
Lucie-Smith, Edward, ‘ARTODAY’, London/UK: Phaidon
Schneider, Pierre, Joan Mitchell Tilleuls 1978, Paris: Galerie Jean Fournier
Johnson, Ellen H., ‘Modern Art and the Object’, revised and enlarged edition of original book published in1976, New York NY: Icon, HarperCollins Publishers
Polsky, Richard, ‘Art Market Guide: Contemporary American Art’, New York NY: Distributed Art Publishers
Wood, Julia T. ed., ‘Gendered Relationships’, Mountainview CA: Mayfield Publishing Company, cover illustration only
Grigoteit, Ariane, ‘Tradition and Zeitgeist’, New York NY: Deutsche Bank North America
Morgan, Dahlia and Tuchman, Phyllis, ‘American Art Today: Images from Abroad’, Miami FL: The Art Museum at Florida International University
Poirier, Jean-Francois, ‘Joan Mitchell’, Galerie nationale du Jeu de paume a Paris et musée des Beaux-Arts de Nantes”, Universalia 95, April
Belnap, Gillian, Introduction by Phillip M. Johnston, ‘The Carnegie Museum of Art: Collection Highlights’, Pittsburgh PA: Carnegie Museum of Art, p. 180-181
1994
Beckett, Sister Wendy, ‘The Gaze of Love: Meditations on Art’, London: HarperCollins Religious
Erpf, Rosemary Cohane, ‘The Brushstroke and Its Guises’, New York NY: New York Studio School, exhibition pamphlet
Kertess, Klaus, ‘The Shaman as Artist/The Artist as Shaman’, Aspen CO: The Aspen Art Museum
Kraskin, Sandra, ‘Reclaiming Artists of The New York School’, New York NY: Sidny Mishkin Gallery,
Baruch College
Storr, Robert and Yves Michaud, ‘Joan Mitchell’, Paris/FR: Galerie National du Jeu de Paume
Arthur, John, ‘Against All Odds: The Healing Powers of Art’, Kanagawa-ken/JP: Hakone Open-Air Museum
Ballatore, Sandy, ‘Romantic Modernism, 100 Years’, Santa Fe NM: Museum of Fine Arts, Museum of New Mexico
Binai, Paul, ‘American Abstraction: A New Decade’, Loreto PA: Southern Alleghenies Museum of Art
Agee, William, ‘Paths of Abstraction: Painting in New York 1944-1981, Selections from the Ciba Art Collection’, New York NY: The Bertha and Karl LeubsdorfArt Gallery, Hunter College of The City University of New York
Olesen, Jens, ‘22. Bienal Internacional Sao Paulo Salas Especials’ Sao Paulo BR: Fundacao
Bienal de Sao Paulo, pp. 142-157
Beckett, Sister Wendy, ‘The Story of Painting’, London/UK: Dorling Kindersley Limited.
Bahet, Kathleen and Steinberger, Emilio, ‘Martha Jackson Gallery 1953 to 1979’, New York NY:
Associated American Artists
Cheim, John, ‘Joan Mitchell “…my black paintings…” 1964’ New York NY: Robert Miller Gallery
1993
Cheim, John. ed., with text by John Ashbery, Joan Mitchell 1992, New York NY: Robert Miller Gallery
Hartt, Frederick, ‘Art: A History of Painting Sculpture Architecture’ 4th Edition, New York NY: Prentice Hall, Inc. and Harry N. Abrams, Inc.
Schwartz, Constance, ‘Intimates and Confidants in Art: Husbands, Wives, Lovers and Friends’, Rosyln Harbor, New York NY: Nassau County Museum of Art
Cheim, John, with Diego Cortez, Carmen Gimenez and Klaus Kertess, ‘Drawing the Line Against AIDS’, NewYork NY: AMFAR International and Rizzoli International
Chandes, Hervé, ‘azur’, Jouy-en-Josas/FR: Fondation Cartier
Pardee, Hearne, ‘Joan Mitchell’, exhibition brochure, Lynchburg VA: Maier Museum of Art,
Randolph-Macon Woman’s College
Hunter, Sam and John Jacobus, ‘Modern Art’, third edition, New York NY: Harry N. Abrams
1992
Baigell, Matthew, with Kenneth Baker, Renato Barilli et.al. ‘American Art 1930-1970’, Rome/IT: Art Catalogues Division of Gruppo Editoriale Fabbri
Beneza, Neal and Yood, James, ‘From America’s Studio. The Studio School of the Art Institute of Chicago. Two Exhibitions of Works by Alumni 125th Anniversary Celebration’, Chicago IL: Art Institute of Chicago
Porter, Katherine, with essay by Phillips, Michael, ‘Painting Self-Evident: evolutions in abstraction’, Charleston SC: Piccolo Spoleto, Gibbes Museum of Art
Messinger, Lisa M., “Joan Mitchell”, ‘The Metropolitan Museum of Art Bulletin Fall 1992’, New York NY: Metropolitan Museum of Art
Waldberg, Michel, ‘Joan Mitchell’, Paris/FR: éditions la différence
Hoog, Michel and Dominique Dupuis-Labbé, ‘Les Nymphéas avant et après’, Paris/FR: Musée de l’Orangerie
Kertess, Klaus, ‘Joan Mitchell Pastel’, New York NY: Robert Miller Gallery
Kernan, Nathan, ‘Poems’, Mt. Kisco NY: Tyler Graphics Ltd
1991
___________, ‘Drawing Conclusions’, New York NY: Molica Guidarte
Armstrong, Richard. with John G. Hanhardt, Richard Marshall et.al. ‘1991 Biennial Exhibition’, New York NY: Whitney Museum of American Art in association with W.W. Norton & Company
Perl, Jed, ‘Gallery Going Four Seasons in the Art World’, New York NY: Harcourt Brace Jovanovich
Le Clair, Charles, ‘Color in Contemporary Painting’, New York NY: Watson-Guptill
Wheeler, Daniel ‘Art Since Mid-Century 1945 to the Present’, New York NY: Vendome Press
Hoffman, Katherine, ‘Explorations: The Visual Arts Since 1945’, New York: Icon Editions, Harper Collins
Stuckey, Charles F, ‘French Painting’, Southport CT: Hugh Lauter Levin Associates, Inc.
Beaud, Marie-Claude and Chandes, Hervé, ‘Too French’, exhibition catalogue, FR: Cartier Foundation and Hong Kong/HK: Hong Kong Museum of Art
1990
___________, ‘Polyptyques et Paravents Un Sièclede Création 1890-1990’, Paris/FR: Galerie Bellier
Goddard, Donald, ‘American Painting’, CT: Hugh Lauter Levin Associates, Inc. Petzinger, Renate and
Volker Rattemeyer
‘Kunstlerinnen des 20. Jahrhunderts’, Wiesbaden/DE: Museum Wiesbaden and Verlag Weber & Weidemeyer GmbH, Kassel
Topping, Brett. Ed., ‘Four Centuries of Women’s Art’, Washington DC: The National Museum of Women in the Arts, exhibition catalogue forJapanese touring exhibition
1989
Collischan, Judy ‘Lines of Vision: Drawings by Contemporary Women’, New York NY: Hudson Hills Press
__________, ‘Made in America’, Virginia Beach VA: Virginia Beach Center for the Arts
Ashbery, John, ‘Reported Sightings – Art Chronicles1957-87’, edited by David Bergman, New York NY: Alfred A. Knopf, section III, Americans Abroad- Joan Mitchell, p. 98-101
Armstrong, Tom with Larson, Susan, ‘Art in PlaceFifteen Years of Acquisitions’, New York NY: Whitney Museum of American Art.
__________, ‘The Linear Image, American MasterWorks on Paper’, New York NY: Marisa del Re Gallery
___________, ‘Joan Mitchell’, (exhibition catalogue), New York NY: Robert Miller Gallery
1988
Bernstock, Judith E, ‘Joan Mitchell’, New York NY: Hudson Hills Press, in association with the Herbert F. Johnson Museum of Art, Cornell University
Krane, Susan with Robert Evren, and Helen Raye, ‘The Painting and Sculpture Collection: Acquisitions Since 1972’, Albright-Knox Gallery, Karen Lee Spaulding ed., New York/NY: Hudson Hills Press in association with Albright-Knox Gallery
Stein, Donna, ‘Joan Mitchell – Selected Paintings Spanning Thirty Years’, Los Angeles CA: Manny Silverman Gallery
Beckett, Wendy, ‘Contemporary Women Artists’, Oxford/UK: Phaidon Press
__________, ‘Art in the Residence of the American Ambassador to the People’s Republic of China’,
selected and assembled by the International Program of the Museum of Modern Art under the auspices of its International Council and published in Beijing, China
__________, ‘Joan Mitchell: Selected Paintings spanning thirty years’. Los Angeles CA: Manny Silverman Gallery
Michaud, Yves, ‘Des Americains A Paris. 1950/1965’ Cases de Pène/FR: Chateau de Jau/L’oeil et demi Fondation du chateau de Jau.
1987
Heller, Nancy G, ‘Women Artists: An Illustrated History’, New York NY: Abbeville Press
Michaud, Yves, ‘Joan Mitchell: River, Lille, Chord’, Paris/FR: Galerie Jean Fournier
__________, National Museum of Women in the Arts, (New York NY: Harry N. Abrams)
__________, ‘Art Against AIDS’, New York NY: American Foundation for AIDS Research, no. 98)
Sandler, Irving, with forward by Mario Cuomo, ‘The Empire State Collection: Art for the Public’ New York: Harry N. Abrams, Inc.
1986
__________, ‘A Guide to the Collections’, Northhampton MA: Smith College Museum of Art, p. 56.
Michaud, Yves, ‘Joan Mitchell New Paintings’, New York NY: Xavier Fourcade, Inc.
1985
Lucie-Smith, Edward, ‘American Art Now’, Oxford/UK: Phaidon
Rand, Harry, ‘The Martha Jackson Memorial Collection’, Washington DC: National Museum of American Art, Smithsonian Institution
__________, ‘Joan Mitchell The Sixties’, New York NY: Xavier Fourcade, Inc.
1984
Michaud, Yves, ‘Joan Mitchell: La Grande Vallee’, Paris/FR: Galerie Jean Fournier
Schimmel, Paul, B. H. Friedman, B. H., Myers, John Bernard and Robert Rosenblum, ‘Action/Precision:
The New Direction in New York, 1955-60’, Newport Beach CA: Newport Harbor Art Museum
1983
Pomeroy, Ralph, “Joan Mitchell” In Muriel Emanuel et al., eds., ‘Contemporary Artists’, 2nd ed. New York: St. Martin’s Press
1982
Pleynet, Marcelin and Barbara Rose, ‘Joan Mitchell: Choix de peintures (1970-1982)’, Paris/FR: Musee d’Art Moderne de la Ville de Paris
Rubinstein, Charlotte Streifer, ‘American Women Artists’, Boston, MA: G.K. Hall and Co.
1981
Rose, Barbara, ‘Joan Mitchell: The Bedford Series, a Group of Ten Lithographs’, Bedford NY: Tyler Graphics
Livingston, Jane, ‘The 37th Biennial Exhibition’, New York NY: Whitney Museum of American Art
Armstrong, Tom, ‘Amerikanische Malerei 1930-1980’, Munich/West Germany: Haus der Kunst
1979
Munro, Eleanor, ‘Originals: American Women Artists’, New York NY: Simon and Schuster
1978
Sandler, Irving, ‘The New York School: The Painters and Sculptors of the Fifties’, New York: Harper & Row
1976
__________, ‘Joan Mitchell: New Paintings’, New York NY: Xavier Fourcade
1974
Plous, Phyllis, ‘Five American Painters; Recent Work’, Santa Barbara CA: The Art Galleries, University of California
Tucker, Marcia, ‘Joan Mitchell’, New York NY: Whitney Museum of American Art
1973
Arnason, H.H., in “The Britannica Encyclopedia of American Art”, ‘Mitchell, Joan (1926 – )’, Chicago IL: Encyclopedia Britannica Educational Corp., pp. 376-377
Lippard, Lucy R., ‘Women Choose Women’, New York NY: New York Cultural Center in association with Fairleigh Dickinson University
1972
Arkus, Leon Anthony, ‘Fresh Air School, Exhibition of Paintings: Sam Francis, Joan Mitchell, Walasse Ting’ Pittsburgh PA: Museum of Art, Carnegie Institute
Harithas, James ‘Joan Mitchell: My Five Years in the Country’, Syracuse NY: Everson Museum of Art
1971
Sandler, Irving, “Abstract Expressionism and Art Since Mid-Century”, in vol. 1 of ‘Abstract Art’, Greenwich CT: New York Graphic Society, pp. 50-71
1966
Sandler, Irving et al., ‘Two Decades of American Painting’, New York NY: Museum of Modern Art, International Council
1962
Goodrich, Lloyd ‘Forty Artists under Forty, from the Collection of the Whitney Museum of American Art’, New York NY: Whitney Museum of American Art
Hunter, Sam, ‘American Art since 1950’, Seattle WA: Seattle World’s Fair
Nordness, Lee, Weller, Allen S., and Goodman, Lila, ‘Art USA Now’, Lucerne/CH: C.J. Bucher
__________, ‘Paintings by Joan Mitchell’, Cambridge MA: The New Gallery, Hayden Library, Massachusetts Institute of Technology
1961
Arnason, H. Harvard, ‘American Abstract Expressionists and Imagists’, New York NY: Solomon R. Guggenheim Museum
Arnason, H. Harvard, ‘Sixty American Painters, 1960: Abstract Expressionist Painting of the 1950s’, Minneapolis MN: Walker Art Center
1960
Atkinson, Tracy, ‘Contemporary American Painting’, Columbus OH: Columbus Gallery of Fine Arts
__________, Neue Malerei, Munich/West Germany: Stadtische Galerie im Lenbachpalais, Bayerthal
__________, ‘Contemporary American Painting’, Columbus OH: The Columbus Gallery of Fine Arts
1959
Haftmann, Werner, ‘Documenta 2: Kunst nach 1945, Internationale Austellung’, Cologne/West Germany: Verlag M. DuMont Schauberg
Sandler, Irving H, “Joan Mitchell”, in Friedman, B.H., ed., ‘School of New York: Some Younger Artists’,
New York NY: Grove Press, pp. 42-47
1958
_________, In Marcel Brion et al., ‘Art since 1945’, New York NY: Harry N. Abrams
Bauer, John I. H, ‘Nature in Abstraction’, New York NY: Whitney Museum of American Art
Hess, Thomas and Harold Rosenberg, ‘Action Painting’, Dallas TX: Dallas Museum for Contemporary Art
1955
Arnason, H. Harvard and Kyle Morris. ‘Vanguard 1955’, Minneapolis MN: Walker Art Center
1952
Calas, Nicolas, ‘Joan Mitchell’, New York NY: The New Gallery
PERIODICALS
2009
__________, “Reggio celebra l’arte di Joan Mitchell”, ‘Giornale di Reggio’, March 22
2008
Mathews-Berenson, Margaret with Wright, Jimmy, “Color Distilled from Life”, ‘Pastel Journal’,
February 2008,
Maneker, Marion, “A Volatile Market Sobers Up”, ‘The New York Sun’, March 3
__________. “Arts Guide”, ‘International Herald Tribune’, April 5-6
Esplund, Lance, “America’s Artistic Triumph”, ‘The New York Sun’, May 8
Rosenberg, Karen, “Joan Mitchell: Paintings and Pastels 1973-1983”, ‘The New York Times’, May 23
Esplund, Lance, “Nature’s Ecstasy: Joan Mitchell on Paper and Canvas”, ‘The New York Sun’, May 8
__________, “What’s On”, ‘The Art Newspaper’, June 2008
Cohen, David, “The Location of the Second Generation”, ‘The New York Sun’, July 10
Akasie, Jay, “Prints at Studio Prices”, ‘The New York Sun’, July 28
__________, “What’s On”, ‘The Art Newspaper’, June
Pincus-Witten, Robert, “Joan Mitchell: Lennon, Weinberg, Inc.”, ‘Artforum’, October
Smith, Roberta, “Chelsea: Art Chockablockwith Encyclopedic Range”, ‘The New York Times’,
November 14
Esplund, Lance, “Gallery Gazing in New York”, ‘The Wall Street Journal’, November 29-30
Pullman, Von Philip, “Die Hölle, die in uns brennt”, ‘Frankfurter Allgemeine Zeitung’, December 6
Rosenberg, Karen, “Joan Mitchell: Sunflowers”, ‘The New York Times’, December 12
2007
Maine, Stephen, “Gloriously Discombobulated”, ‘The New York Sun’, May 24
__________, “Joan Mitchell.”, ‘The New Yorker, May 28
Genocchio, Benjamin, “Joan Mitchell: Works on Paper 1956-1992”, ‘The New York Times’, June 15
Panero, James, “Gallery Chronicle”, ‘The New Criterion’, June
Cotter, Holland, “MoMA Plunge”, ‘The New York Times’, July 27
Mullarky, Maureen, “In Paris, Freedom From Pressure”, ‘The New York Sun’ August 9
Schwendener, Martha, “Americans in Paris”, ‘The New York Times’, August 31, 2007
Grimm-Weissert, Olga, “Klassiker auf der Pariser Fiac”, ‘Handelsblatt’, October 19, 20, 21
2006
Cotter, Holland, “Joan Mitchell Fremicourt Paintings 1960-62”, ‘The New York Times’, June 17
Smith, Roberta, “Women’s Work”, ‘The New York Times’, April 7
Kimmelman, Michael, “A Drip by Any Other Name”, ‘The New York Times’, February 12
2005
Grant, Daniel, “Weak Dollar Lures Art Buyers”, ‘Artnews’, March
Cotter, Holland, “Joan Mitchell Fremicourt Paintings 1960-62”, ‘The New York Times’ June 17
Neil, Jonathan T.D., “Joan Mitchell”, ‘Modern Painters’, September
2004
Pierre, Amanda, “Art Center Unveils Exhibit”, ‘Des Moines Register’, January 29
2003
Kramer, Hilton, “Memoirs of Mitchell”, ‘Art & Antiques’, June
Bloch-Champfort, Guy, “La Permanence D’Une Peinture Vive”, ‘Citizen K’, Spring
Price, Mike, “The colors of Mitchell featured at Modern”, ‘Fort Worth Business Press’, September 19-25
Robinson, Gaile, “In Living Color”, ‘Star-Telegram’, Fort Worth TX, September 19
Carter, Richard, “Relative Obscurity, Mitchell exhibit showcases little-known works”, ‘Times Record News’, October 5
2002
Nadelman, Cynthia, “Joan Mitchell”, ‘ARTnews’, October
Hustvedt, Siri, “Remembering in Colour”, ‘Modern Painters’, Autumn
Kimmelman, Michael, “Coming Attractions”, ‘The New York Times’, April 24
Kertess, Klaus, “Her Passion Was Abstract but No Less Combustable.”, ‘The New York Times’, June 16
Tuchman, Phyllis, “Joan of Art”, ‘Town & Country’, July 1
Kimmelman, Michael, “In Joyous Colors, a Hint of Joys Lost”, ‘The New York Times’, July 5
Schjeldahl, Peter, “Tough Love” ‘The New Yorker’, July 15, 2002
Danto, Arthur, “Mitchell Paints a Picture”, ‘The Nation’, September 16
Kalina, Richard, “Expressing the Abstract”, ‘Art in America’, December
1999
Barlow, Margaret, “Women Artists”, Southport CT: Hugh Lauter Levin Associates
Schjeldahl, Peter, “All That Jazz.”, ‘The New Yorker’, October
1998
Koestenbaum, Wayne, “The Best of 1998: Wayne Koestenbaum”, ‘Artforum’, 37, December, pp.100-101
Smith, Roberta, “Joan Mitchell: ‘Paintings, 1950-55.’”, ‘The New York Times’, May 22, p. E35
__________, “Bare in Mind”, ‘Artnews’, December
1997
Lippincott, Robin, “The Other Abstract Expressionist”, ‘The New York Times’, June 29
__________, “Joan Mitchell: Retrospective” San Valero 7, ‘Institut Francais de Valencia’, no. 3, October/December, pp. 22-23
Chambers, Karen, “Joan Mitchell and John Chamberlain: A Juxtaposition”, ‘Review’, December 15
Slivka, Rose C.S., “Breathtaking Show.”, ‘The East Hampton (New York) Star’, May 22, pp. III-1
Glueck, Grace, “Joan Mitchell and John Chamberlain: A Juxtaposition.”, ‘The New York Times’,
December 19
1996
Carrier, David, “Reviews: Carnegie International”, ‘Artforum’, January, pp. 88-89
Davis, Lydia, “Joan Mitchell Les Bluets (The cornflowers), 1973”, ‘Artforum’, January, p. 72-73
Adams, Brooks, “Domestic Globalism at the Carnegie”, ‘Art in America’, February, pp. 32-37
Riding, Alan, “French Ask: Is Art Still a Hobby?”, ‘The New York Times’, January 30, p. C11, C15
Turner, Elisa, “The American artist abroad”, ‘The Herald’ (Miami), February 25, p. 11, 61, section I
Kino, Carol, “Joan Mitchell at Robert Miller”, ‘Art & Auction’, April, Volume XVIII, Number 9, p.60
Gomez, Edward, “Joan Mitchell”, ‘Art & Antiques’, April
Smith, Roberta, “The Gallery Doors Open to the Long Denied.”, ‘The New York Times’, Arts & Leisure,
May 26, p.29
Weingrod, Carmi, “Larger than Life: The Intrigue of Giant Paintings”, ‘American Artist’, July 1, p.14-19
1995
Carrier, David, “New York: Abstract painting and Sculpture”, ‘Burlington Magazine’, January, pp. 52-53
Gayford, Martin, “Not Much Like Home”, ‘Modern Painters’, Winter
Adams, Brooks, “Expatriate Dreams”, ‘Art in America’, February, pp. 60-69
Scott, Bill, “In the Eye of the Tiger”, ‘Art in America’, March, pp. 70-77
Schwendener, Martha, “Joan Mitchell Robert Miller”, ‘Flashart’, March-April, vol. XXVIII, no. 181, pp.
105-106
Karmel, Pepe, “Critics’ Choice”, ‘The New York Times’, Friday, April 28, p. C1
Zorpette, Glenn, “All It Takes Is Common Sense and a Staff of Two”, ‘Artnews’, Summer, pp. 118-119
Cotter, Holland, “100 Works by Women, Not Intended for Women Only”, ‘The New York Times’, July 21, p. C15
Smith, Roberta, “No Muss, No Fuss at 1995 Carnegie”, ‘The New York Times’, November 8, pp. C13, C15
DeCarlo, Tessa, “A Very Abstract Expressionist”, ‘The Wall Street Journal’, November 30
1994
Somers, Marion, “Creative Exit”, ‘art journal’, published by the College Art Association, Spring, vol. 53,
no. 1, pp. 76-78
Vezin, Luc, “Guide: Quand Joan Mitchell peignait le sentiment d’un tournesol qui meurt”, ‘Info Matin’, June 24-25
Dagen, Philippe, “Peinture sous tension”, ‘Connaissance des Arts’, no. 508, July-August, pp. 42-51
_________, “Joan Mitchell, de Chicago à Vétheuil”, ‘Le Journal des Arts’, July-August
Dagen, Philippe, “La danse au-dessus du vide”, ‘Le Monde’, June 26-27, p. 13
Huser, France, “Les grands espaces de Joan Mitchell”, ‘La Nouvel Observateur’, July 7
Passagem, Aline Rios, “Joan Mitchell: le paysage lyrique”, ‘Beaux Arts’, July
__________, “Hommage au peintre américain Joan Mitchell”, ‘Le Courrier de l’ouest’, June 28
Gassiot-Talabot, Gérald, “Odeur du Temps”, ‘Opus Inter-national’, Autumn
Bonnardin, Simone, “La Pastorale Furieuse de Joan Mitchell”, ‘La Cote des Arts’, September/October,
no. 189, p. 6
Francblin, Catherine, “Joan Mitchell”, ‘art press’, September, p. 82
__________, “Un Jour, Je serai paysan”, ‘Dada Voltige’, September, pp. 42, 44
__________, “Joan Mitchell”, ‘Le Mensuel: littéraire et poétique’, September, no. 223
Piguet, Philippe, “Joan Mitchell: Le Peinture comme un chant”, ‘L‘œil’, September, pp. 70-72
__________, “Portrait of an Expatriate Painter”, ‘Watertown Daily News’, Watertown NY, September 10,
pp. 9-10
Cena, Olivier, “La morsure de l’instant”, ‘Télérama’, September 7, n. 2330, p. 52
Malmberg, Carl-Johan, “Ett konstnärkskaps bländande slutfas”, ‘Svenska Dagbladet’, Stockholm, September 3
Ulmann, J.-M, “La polyphonie chromatique”, ‘Hebdo impact médecin’, September 2
__________, “Les tableaux de l‘été: Tilleul 1978 par Joan Mitchell”, ‘Presse Ocean’, Nantes, August 21
Dustin, Jo, “Frénésie Chromatique”, ‘Soir’, August 31, p. 7
Corbé, Isabelle, “Joan Mitchell exposée en grand à Nantes”, ‘Ouest France’, August 30
Pierrard, Jean, “La peinture à corps perdu”, ‘Le Point’, August 27, no. 1145, p. 67
L., M, “Joann Mitchell au Jeu de Paume”, ‘Reforme’, August 27
Courcelles, Pierre, “Joan Mitchell, une Américaine à Paris”, ‘Révolution’, August 25
Santacreu, Élisabeth, “La lumière de Joan Mitchell”, ‘Le Journal de Paris’, August 19
Mélèze, Josette, “Joan Mitchell: la peinture comme un poème”, ‘Pariscope’, August 17
Gauville, Hervé, “Joan Mitchell, les couleurs de l’ennui”, ‘Liberation’, August 1
Lorent, Claude, “Les Floraisons de Joan Mitchell”, ‘Art & Culture’, p. 48
August, Marilyn, “Paris gallery stages major exhibit of expatriate’s work”, ‘Sunday News Tribune’, July 31, Jefferson MO, same article appeared in the Tallahassee, FL Democrat, July 31; the Lawrence Daily Journal-World, Lawrence KS; July 31; the Albany Herald, Albany NY, July 29; the Mattoon, IL Journal-Gazette, August 1; the Times-Courier of Charleston, IL on August 1; the Times – Mail of Bedford IN on August 3;
the News-Journal of Mansfield OH on August 5 and the Daily Standard of Celina OH on August 19; Times-Herald, July 29
Kerner, Anne, “l’insoutenable légèreté de Joan Mitchell”, ‘Museart’, July-August, pp. 100-104
H., R., “Joan Mitchell-Retrospektive”, ‘kunst undantiquitaten’, July-August
Kwock-Silve, Sandra, “Joan Mitchell: Sunshine, shapes and sky”, ‘The Paris Free Voice’, July-August,
vol. 17, p. 14
Miller, Donald, “Show gives abstraction loving look”, ‘Pittsburgh Post-Gazette’, October 1
Michaud, Yves, “Joan Mitchell”, ‘Galeries Magazine’, Summer
Wat, Pierre, “Jean Fournier ou la discrétion à l’oeuvre”, ‘Beaux-Arts’, July-August, p. 42-43
Boulanger, Dorothée, “Comme un poème”, ‘Technikart’, no. 14
Touraine, Liliane, “Joan Mitchell”, ‘Politiques’, July-August
__________, “Joan Mitchell”, ‘Couverture Plomberie’, July, no. 86, pp. 51-53
Tasset, Jean-Marie, “La jardinière de Vétheuil”, ‘Le Figaro’, July 26
Jacquemont, Francois, “Les couleurs de l’exuberérance”, ‘L’Est Républican’, July 17, p. 9
Bölte, Emil, “Kulturflut an der Seine”, ‘Westdeutsche Allegemeine’, July 16
Piguet, Philippe, “Paysages intérieurs”, ‘La Croix’, July 16
Fechner-Smarsly, Thomas, “In unbestimmbarem Licht”, ‘Frankfurter Rundschau’, July 14
Gibson, Michael, “Revelations of Color in Joan Mitchell’s Paintings”, ‘International Herald Tribune’,
July 9-10
Huser, France, “Les grands espaces de Joan Mitchell”, ‘Le nouvel Observateur’, July 13
_________, “Joan Mitchell”, Art and Words, June-July-August, no. 2
Guilloux, Michel, “Joan Mitchell ou la violence pastorale”, ‘l’Humanité’, June 30
Radaelli, Severo, “Grandi Mostre”, ‘Arte’, June
_________, “Couleurs de l‘été”, ‘Figaroscope’, June 29-July 5
__________, “Joan Mitchell: Feelings”, ‘la Terrasse’, June
__________, “Paris, Nantes”, ‘Louvre’, June, p. 3
Huser, France, “Expos: Joan Mitchell en France”, ‘Officiel’, June, no. 788
Kimmelman, Michael, “Looking for the Magic in Painting”, ‘The New York Times’, October 21, p. C1, C28
__________, “Joan Mitchell: My Black Paintings”, ‘OCS News’, October 14, no. 488, p. 8
Rimanelli, David, “Goings on About Town: Joan Mitchell”, ‘The New Yorker’, September 7, p. 44
Michaud, Yves, “Joan Mitchell”, ‘Galeries Magazine’, Summer, no. 60, pp. 89-90
Cotter, Holland, “Joan Mitchell”, ‘The New York Times’, November 4, p. C30
Gibson, Michael, “Revelations of Color in Joan Mitchell’s Paintings”, ‘International Herald Tribune’,
July 9-10
Guilloux, Michel, “Joan Mitchell ou la violence pastorale”, ‘l’Humanité’, June 30
Guidet, Thierry, “Un grand bain de lumière”, ‘Ouest-France’, June 24
D.A.P., “L’abstraction selon Joan”, ‘Press-Océan’, June 24
Marin, J., “Joan Mitchell”, ‘Goya’, July-October, p. 108
Piguet, Philippe, “Joan Mitchell”, ‘L’Oeil’, April, p. 85
1993
Kertess, Klaus, “In Memory of Joan Mitchell”, ‘Tema Celeste’, Winter, n. 39, International edition
Seidner, David, “Joan Mitchell”, ‘Vogue’ (French), pp. 164-171
Flohic, Catherine, “Joan Mitchell”, ‘Ninety’, issue no. 10, entire issue devoted to Joan Mitchell
__________, “Joan Mitchell & Nathan Kernan”, ‘Print Collector’s Newsletter’, March/April
Perl, Jed, “After Monet”, ‘Modern Painters’, Spring, vol. 6, no. 1, pp. 30-34
Kimmelman, Michael, “Art in Review: Joan Mitchell”, ‘The New York Times’, April 9, p. C26
Atkins, Robert, “Scene & Heard: Female Gazing”, ‘The Village Voice’, April 7, p. 84
Anderson, John, “2 Views of Women in the Art World”, ‘New York Newsday’, April 14, p. 63, 82
Holden, Stephen, “Cinematic Portrait Of the Life Of an Artist”, ‘The New York Times’, April 14, p. C14
Deacon, Kathy, “Reel to Reel”, ‘The Village Voice’, April 20, p. 58
Liebmann, Lisa, “Art: Last Spring”, ‘The New Yorker’, April 26, p. 16
Schjeldahl, Peter, “Different Strokes”, ‘The Village Voice’, April 27, p. 95
Sherman, Betsy, “Films”, ‘Art New England’, April
Solomon, Deborah, “Frankenthaler’s Prints”, ‘The Washington Post’, April 28
__________, “Joan Mitchell Remembered”, ‘Flash Art (News)’, May/June, p. 103
Nesbitt, Lois, “Women Artists Break Through”, ‘Diversion’, May, pp. 111-115, 142
Perl, Jed, “Art: What there was to see”, ‘The New Criterion’, June, pp. 53-54
Kino, Carol, “Times-A-Changin’”, ‘Modern Painters’, Summer, vol. 6, no. 2, p. 74-76
Wilkin, Karen, “At the Galleries”, ‘Partisan Review’, issue 3, Summer, pp. 459-468
Zinnes, Harriet, “Full and Magnetic”, ‘Caprice’, May 15, pp. 5759
Stein, Deidre, “Joan Mitchell, Robert Miller, Susan Sheehan”, ‘Artnews’, September, p. 168-69
Kuspit, Donald, “Joan Mitchell, Robert Miller and Susan Sheehan”, ‘Artforum’, October, p. 88
______________, “Maier Museum displays abstract painter’s work”, ‘The News & Advance’, Lynchburg VA, September 10, p. D3
Weinstein, Ann, ‘Art Reviews: And you thought Art was Confusing’, November, vol. 3, no. 12, p. 13
Cotter, Holland, “Art in Review: ‘Works on Paper’ ‘Old Master to Contemporary’”, ‘The New York Times’, March 11, p. C30
1992
Smith, Roberta, “Richard Gerstl and Oskar Koskoschka”, ‘The New York Times’, April 10, p. C32
Smith, Roberta, “From New York Painters, Work That Takes Time”, ‘The New York Times’, May 1, p. C31
__________, ‘Goings on About Town: Whitney Museum of American Art’, May 4, p. 14
De Ferrari, Gabriella, “The Art of Discord”, ‘Mirabella’, May, pp. 56-61
Cotter, Holland, “Joan Mitchell: Pastel”, ‘The New York Times’, May 8, p. C31
Hanson, Henry, “Art/Works: Birthday bash brings back works by star alumni”, ‘Chicago’, May, vol. 41,
no. 5, p. 20
Bell, David, “Abstract Exhibit Transcends Style”, ‘Albuquerque Journal’, May 14, no. 135, p. 4
Ellis, Simone, “Mitchell is ‘the’ Abstract Expressionist”, ‘The Santa Fe’, May 22
Bouzerand, Jacques, “Plein Cadre: Joan Mitchell”, ‘Le Point’, June 6, no. 1029, p. 101
P., J.-L, “Le Quête du Bonheur”, ‘Le Figaroscope’, June 10-18
Dagen, Philippe, “Fureur et mystère”, ‘Le Monde’, June 20, p. 18
__________, “Cultural Guide: Art Galerie, Joan Mitchell”, ‘Libération’, June 25
Gilbert, Ruth, “Hot Line: The Tops in Town this Week”, ‘New York’, June 8, p. 29
Strickland, Carol, “Old Friend Films a Portrait of an Artist”, ‘The New York Times’, June 21, p. 13
Michaud, Yves, “Joan Mitchell une Américaine à Vétheuil”, ‘Beaux Arts’, no. 101, May, pp. 36-41
Adams, Brooks, “New Pop Reflections”, ‘Art in America’, July, pp. 88-91
Cummings, Paul, “Museum and Dealer Catalogues: review of ‘Joan Mitchell: Pastel, Drawing’, vol. XIV,
no. 2, July-August, p. 39
Dagen, Philippe, “La fureur de Joan Mitchell”, ‘Le Monde’, August 2-3, p. 1, 11
Reed, Arden, “On the Scene: Santa Fe”, ‘Artspace’, September/October, vol. 16, no. 5, p. 68
Russell, John, “Joan Mitchell, Abstract Artist, Is Dead at 66”, ‘The New York Times’, October 31, p. 11
Warnod, Jeanine, “Mort du peintre américain Joan Mitchell: L’ivresse des couleurs”, ‘Le Figaro’,
November 3
Breerette, Geneviève, “La dame de Vétheuil”, ‘Le Monde’, November 1-2
Bellet, Harry, “La peintre Joan Mitchell”, ‘Le Monde’, November 1-2, p. 15
Gauville, Hervé, “Joan Mitchell, une sensation disparaît”, ‘Liberation’, November 2
Hess, Elizabeth, “Joan Mitchell, 1926-1992”, ‘The Village Voice’, November 11-17, p. 3
__________, “Joan Mitchell: ‘To Define a Feeling’”, ‘Artnews’, December, p. 38
Wilkes, Anastasia and Robinson, Walter, “Obituaries: Joan Mitchell”, ‘Art in America’, December,
pp. 134, 136
Kertess, Klaus, “Joan Mitchell: The Last Decade”, ‘Art in America’, December, vol. 80, no. 12, pp. 94-101
Hoffeld, Jeffrey, “Museum and Dealer Catalogues”, ‘Drawing’, vol. XIV, no. 2, July-August, p. 39
Johnson, Patricia C., “A sensual thoughtful ‘Summer’”, ‘Houston Chronicle’, July 29, section D, p. 1, 10
Chadwick, Susan, “Summer images, abstract pieces shine at galleries”, ‘The Houston Post’, August 4, p. E1, E8
_________, “Died: Joan Mitchell”, ‘The Art Newspaper’, December, no. 23, p. 3
Madoff, Steven Henry. “The First 90 Years”, ‘Artnews’, November
Gibson, Michael, “Joan Mitchell: Beyond Words”, ‘Cimaise’, no. 221, November-December, pp. 9-24
and cover
Kobayashi, Masao, “Joan Mitchell: spirit visualized through nature”, ‘Mizue’, no. 963, summer, pp. 78-81
1991
Schjeldahl, Peter, “Cutting Hedge”, ‘The Village Voice’, April 30, p. 93-94
Larson, Kay, “A Shock to the System”, ‘New York’, April 29, p. 86
Hess, Elizabeth, “Upstairs, Downstairs”, ‘The Village Voice’, April 30, pp. 93-93
Russell, John, “Paintings That Liberate The Viewer’s Imagination”, ‘The New York Times’, April 12, p. C22
Larson, Kay, “Mixed Messages”, ‘New York’, April 15, p. 68-69
Kimmelman, Michael, “At the Whitney, a Biennial That’s Eager to Please”, ‘The New York Times’,
April 19, pp. C1, C24
Hillman, James, “The Repression of Beauty”, ‘Tema Celeste’, May-June, international edition, pp. 58-64
Hollander, Reineke, “Whitney Biennale bepaalt welke lunstenaar in of uit is in Amerika”, ‘NRC Handelsblad’, May 11, p. 7
Korall, Randall, “People are Talking About”, ‘Vogue’, May, p. 97
Perl, Jed, “Tradition-conscious”, ‘The New Criterion’, May, vol. 9, no. 9, pp. 55-59
Jones, Baird, “Kostabi and the Biennial”, ‘Manhattan Arts’, June-August, p. 6
Johnson, Ken, “Joan Mitchell at Robert Miller”, ‘Art in America’, October, vol. 79, no. 10, pp. 146-147
Moorman, Margaret, “Painting, Galerie Lelong”, ‘Artnews’, November, vol. 90, no. 9, p. 134
Hobbs, Robert, “Internationalism and American Art: Joan Mitchell by Judith E. Bernstock”, ‘Woman’s Art Journal’. Fall/Winter, vol. 12, no. 2, pp. 38-40
Solomon, Deborah, “In Monet’s Light”, ‘The New York Times Magazine’, November 24, section 6,
pp. 44-50, 62-64
Lipson, Karin, “A Wide Sweep of America’s Terrain”, ‘New York Newsday’, November 15, part II, p. 96
___________, “In Monet’s Light”, ‘The New York Times Magazine’, December 15, section 6, p. 12
1990
Cyphers, Peggy, ‘Arts’, January, vol. 64, no. 5, p. 96
Yau, John, “Joan Mitchell/Robert Miller Gallery”, ‘Artforum’, February, vol. 28, no. 6, pp. 137-138
Moorman, Margaret, “Joan Mitchell, Robert Miller”, ‘Artnews’, January, vol. 89, no. 1, p. 159
Bass, Ruth, ‘Art-Talk’, Section II, January, p. 33
Tasset, Jean-Marie, “Joan Mitchell jardinier de l’azur”, ‘Le Figaro’, June 12
Lerman, Ora, “The Elusive Subject”, ‘Arts’, September, vol. 65, no. 1, pp. 42-46
_________, “Some Seventies Works”, ‘The New Yorker’, July 16, p. 13
Kimmelman, Michael, “Joan Mitchell”, ‘The New York Times’, November 9, p. C26
__________, “From Hannah Höch to Rebecca Horn, Women’s Art of the 20th Century”,
‘The Journal of Art’, October, p. 14
1989
Brenson, Michael, “Three Who Were Warmed By the City of Light”, ‘The New York Times’, Sunday,
June 25, pp. H31, H32
I.W., “Montaigne et l’art americain”, ‘Beaux Arts Magazine’, September, no. 71
Slivka, Rose C.S, “From the Studio”, ‘The East Hampton Star’, November 9, p. 11-13
Gilbert, Ruth, ‘Hot Line’, New York, November 6, p. 40
Felver, Christopher, “Renewing the Eighties”, ‘Art International’, Winter, p. 44
_________, “Joan Mitchell”, ‘The New Yorker’, November 20, pp. 14, 16
Kandel, S. “Joan Mitchell”, ‘Arts’, vol. 63, no. 8, p. 109
Dobrzynski, Judith H, “Your $20 Million May Stretch A Little Farther Now”, ‘Businessweek’, December 25, 1989 – January 1, 1990, p. 150-151
1988
Flohic, Catherine, “Eighty”, ‘Les Peintres en France Dans Le Anees 80’, May/June issue, no. 23, pp. 2-3
Chalumeau, Jean Luc, “Il Faut sentir quelque chose on ne peut expliquer…”, ‘Eighty’, May/June issue, no. 23, pp. 4 – 32
Berkson, Bill, “In Living Chaos: Joan Mitchell”, ‘Artforum’, September, vol. 27, no. 1, pp. 96-99
Bouisset, Marten, “Joan Mitchell”, ‘Beaux Arts Magazine’, September, no. 60, p. 80-81
__________, ‘Contemporanea’, July/August, vol. 1, no. 2, p. 36-37
Sawin, Martica, “A Stretch of the Seine: Joan Mitchell Paintings”, ‘Arts’, March, vol. 62, no. 7, pp. 29-31
Richard, Paul, “Joan Mitchell’s Bleak Horizon at the Corcoran, A Forty Year Look Back”, ‘The Washington Post’, February 27, pp. D1, 11
Moutet, Anne-Elisabeth, “An American in Paris (Ex-patriartist Joan Mitchell Keeping American Abstract Expressionism Alive and Well and Thrivingin France)”, ‘Elle’, February, pp. 74, 76
Kimmelman, Michael, “This American in Paris Kept True To New York”, ‘The New York Times’, April 17, Section II, p. 43, col. I
Wright, David H, “Joan Mitchell’s Colorful Canvasses at the San Francisco MOMA”, ‘The Painterly Post’, June 29
Baker, Kenneth, “The Colors of Concentration”, ‘San Francisco Sunday Chronicle & Examiner’, June 12,
pp. 12-13
Wilson, William, “Abstracting an Abstract Expressionist”, ‘Los Angeles Times’, June 19, pp. 93-95
Gaugh, Harry F, “Dark Victories”, ‘Artnews’, Summer, vol. 87, no. 6, pp. 154-159
Perl, Jed, “The Joans of Art”, ‘Vogue’, March, p. 10
Freudenheim, Susan, “Joan Mitchell’s Show Shines”, ‘San Diego Tribune’, Wednesday, December 7, p. C1, cont. p. C7
Pincus, Robert L, “La Jolla Retrospective Shows Artists Deserved A Closer Look”, ‘The San Diego Union’, Thursday, December 22, p. E6
Flam, Jack, “The Gallery: Joan Mitchell; East Europe’s Avant-Garde”, ‘The Wall Street Journal’, March 29,
p. 28
Fowler, Carol, “Artist Joan Mitchell brings her work home”, ‘Contra Costa Times’, Sunday, May 29, “Fine Arts” section
Frankel, Sara, “Color her ‘Joan Mitchell’”, ‘San Francisco Examiner’, May 27, p. C1, C2
Gladysz, Thomas, “Joan Mitchell gets personal in art show”, ‘Oakland Tribune’, June 7, p. C3
Helfand, Glen, “Joan the Modernist”, ‘San Francisco Sentinel’, June 10, pp. 22, 26
Dalkey, Victoria, “The Poetry in the Land”, ‘The Sacramento Bee’, June 12, p. 3-4
Van Proyen, Mark, “Atmosphere and Elan Vital”, ‘Art International’, June 25, p. 1
Burkhart, Nancy, “Joan Mitchell – nature in abstraction”, ‘San Jose Mercury News’, June 12, p. 18-19
Rybczybski, Nancy, “Joan Mitchell Retrospective At The Albright-Knox”, ‘Arts in Buffalo’, October, p. 9
Piguet, Philippe, “Joan Mitchell”, ‘L’Oeil’, no. 383, pp. 80-81
1987
Hurlburt, Roger, “Abstraction: A Reaction to Artifices of Realism”, ‘News/Sun-Sentinel’, Boca-Raton FL, ‘ January 25
Faxon, Alicia, “Harcus Gallery/Boston-Working Women”, ‘Art New England’, April, vol. 8, no. 4
Dobbels, Daniel, “Joan Mitchell, la douleur des couleurs”, ‘Liberation’, July 7, no. 1906
__________, “Joan Mitchell: peintures recentes”, ‘Le Monde’, July
Michaud, Yves, “Joan Mitchell”, ‘Galleries Magazine’, June/July, pp. 62-65
1986
Masters, Greg, “Group Show”, ‘Arts’, April, pp. 139-140
Newhall, Edith, “Diff’rent Strokes”, ‘New York’, April 28, p. 38
__________, “Art: Internationalism at La Defense”, ‘The New York Times’, April 25, p. C24
Tuchman, Phyllis, “Joan Mitchell Paints Chaos in Color”, ‘Newsday’, April 13, p. 13
__________, “Joan Mitchell”, ‘Current Biography’, March, vol. 47, no. 3, pp. 37-40
Russell, John, “Joan Mitchell”, ‘The New York Times’, April 25, p. C24
Seeney, Lynn, “Mitchell at Fourcade”, ‘Art/World’, April, vol. 10, no. 7, pp. 1, 3
Moorman, Margaret, “New York Reviews”, ‘Artnews’, October, vol. 85, no. 8, p. 129
Cohen, Cora and Betsy Sussler, “Joan Mitchell”, ‘Bomb’, Fall, no. XVIII, pp. 20-24 and cover
1985
Baker, Kenneth, “Second Generation: Mannerism or Momentum?”, ‘Art in America’, June, pp. 102-111
Brenson, Michael, “Joan Mitchell – ‘The Sixties’”, ‘The New York Times’, April 26, p. C23
Carroll, Maurice, “Vandal Slashes Eight Big Paintings at Albany Mall”, ‘New York Times’, May 4, p. 32
Glueck, Grace, “Art: Gestural Approach, in Grey Gallery Show”, ‘The New York Times’, January 18, p. C22
___________, “Action/Precision: 1980-1985”, ‘The New York Times’, January 18, p. C22
Godfrey, Tony, “New York: The Whitney Biennial and Other Exhibitions”, ‘Burlington Magazine’, July, p. 488
Westfall, Stephen, “Reviews of Exhibitions: Joan Mitchell at Fourcade”, ‘Art in America’, October,
pp. 156-157
Woodville, Louisa, “Three Painters, Three Decades”, ‘Arts’, January, vol. 59, no. 5, p. 19
Westfall, Stephen, “Then and Now: Six of the New York School Look Back”, ‘Art in America’, June,
vol. 73, no. 6, pp. 156-157
1984
Glueck, Grace, “Art: Janis Presents American Women”, ‘The New York Times’, Friday, January 20
Nochlin, Linda, “Joan Mitchell: Art and Life at Vetheuil”, ‘House and Garden’, November, vol. 156,
no. 11, pp. 192-197, 226-238
1983
Cameron, Daniel, “Biennial Cycle”, ‘Arts’, June, pp. 64-68
Geldzahler, Henry, “American Accents”, ‘Artmagazine’, Summer, pp. 13-17
Glueck, Grace, “Art: Show Honors de Kooning”, ‘The New York Times’, December 23, p. C22
Hapgood, Susan, “Drawings: Xavier Fourcade”, ‘Flash Art’, November, p. 68
Ratcliff, Carter, “The Short Life of the Sincere Stroke”, ‘Art in America’, January, pp. 73-79, 137
Russell, John, “Why the Latest Whitney Biennial is More Satisfying”, ‘The New York Times’, March 25, p. C1
__________, “American Accents: A Tribute to the Passion to Communicate”, ‘The Financial Post’, June 25
1982
Campbell, Joyce, “In the Land of Monet, American Painter Joan Mitchell More Than Pulls Her Weight”, ‘People’, December 6, pp. 81-84
__________. “Joan Mitchell a l’ARC : Le Buisson ardent”, ‘Le Monde’, August 23, p. 7
Chalumeau, Jean-Luc, “Joan Mitchell, le dernier peintre americain?”, ‘Tribune’, July 30, no. 72 p. 3
1981
Butler, Hiram Carruthers, “Downtown in the Fifties”, ‘Horizon’, June, pp. 15, 24
Henry, Gerrit, “New York Reviews: Joan Mitchell”, ‘Artnews’, September, vol. 80, no. 7, pp. 236-238
Newman, David, “Reviews: Joan Mitchell”, ‘Arts’, April, vol. 55, no. 8, p. 30
Romano, Lois, “Focus on Abstract Art at the Corcoran Gallery”, ‘The Washington Star’
Glueck, Grace, “Critics’ Choices: Art”, ‘The New York Times’, Sunday “Guide” section, p. 3
Hall, Carla, “Portraits of the Artists…and a Party for the Folks Who Put it All Together”, ‘The Washington Post’, February 19, pp. D1, 11
Richard, Paul, “Abstract Audacity: The Corcoran’s Provocative Biennial…”, ‘The Washington Post’,
February 19, pp. D1, 7
Ostrow, Joanne, “Corcoran, in Living Color”, ‘The Washington Post’, “Weekend magazine”, February 20
Jessup, Sally, “Heroic-sized Metaphors of Mitchell’s Landscapes”, ‘Art/World’, February 20 – March 20
Forgey, Benjamin, “The Clarity of the Corcoran Biennial: Certitude and Commitment”, ‘The Washington Star’, “Arts and Books” section, February 22
Sakel, Sassona, “Voyages of Shapes and Contents: The Many Visions of Landscape”, ‘Art/Speak’,
February 26
Forgey, Benjamin, “A Painter Who Has Yet to Get Her Due (Mitchell: A ‘Painter’s Painter’)”, ‘Washington Star’, “Life” section, February 28, p. C1
Zimmer, William, “Joan Mitchell”, ‘Soho News’, March 10
Smith, Robert, “Art: Joan Mitchell”, ‘The Village Voice’, March 11-17, vol. XXVI, no. 11
Newman, David, “Joan Mitchell”, ‘Arts’, April
Lewis, Jo Ann. “The New of the Best. But the Best of the New?”, ‘Artnews’, May, p. 153
Butler, Hiram Carruthers, “Downtown in the Fifties”, ‘Horizon’, June, pp. 15, 24
Rose, Barbara, “The Landscape of Light: Joan Mitchell”, ‘Vogue’, Summer, pp. 204-7, 245
Johnson, Patricia C, “Mitchell’s Large Paintings Overshadow Small Ones”, ‘The Houston Chronicle’, Wednesday, October 21, section 6, p. 7
1980
Gruen, John, “Women Artists: Twenty-Five Best Investments”, ‘Working Woman’, July, pp. 30-33
O’Beil, Hedy, “Reviews: Joan Mitchell”, ‘Arts’, June, p. 35
Kramer, Hilton, “Joan Mitchell”, ‘The New York Times’, March 21, p. C19
Baily, Patricia, “Joan Mitchell in 1950’s Remembered Landscapes”, ‘Art/World’, March 19-April 19, p. 4-5
Zimmer, William, “Art Pick: Joan Mitchell, The Fifties”, ‘Soho Weekly News’, March 19, p. 36
Ashbery, John, “On Winter’s Traces”, ‘New York’, March, 24, p. 59
Larson, Kay, “Voice Choices: Joan Mitchell”, ‘The Village Voice’, March 24, p. 59
Frank, Elizabeth, “Joan Mitchell”, ‘Art in America’, May, vol. 68, no. 5, p. 154
Hackett, Regina, “She Strives for ‘Pure’ Responses in Her Work”, ‘Seattle Post-Intelligencer’, May 11,
p. G6
Kangas, Matthew, “Joan Mitchell: Landscape, Light, Love”, ‘Argus’, May 23, p. 7
Maubert, Franck, “Les lilacs de Vetheuil”, ‘L’Express’, May 24-30
Dunoyer, Jean-Marie, ‘Le Monde’, May 26
Schneider, Pierre, “Joan Mitchell entre East Village et Vetheuil”, ‘Art Press’, June, pp. 10-11
Gibson, Michael, “Galleries in Paris”, ‘New York Herald Tribune’, June 1
Levy, Mark, “Joan Mitchell: Richard Hines Gallery”, ‘Vanguard’, Summer, p. 44
Gibson, Michael, “Joan Mitchell”, ‘Artnews’, vol. 79, no. 7, pp. 230-231
Herman, J., “Joan Mitchell”, ‘Arts’, vol. 54, no. 10, p. 35
1979
Cebulski, F, “Joan Mitchell’s ‘Projective Vision’”, ‘Artweek’, vol 10, December 15, p. 6
1978
Ratcliff, Carter, “New York Letter: Joan Mitchell”, ‘Art International’, January, p. 91
Bradley, Laurel, “Joan Mitchell”, ‘Arts’, February
Burnside, Madeleine, “Joan Mitchell”, ‘Artnews’, March, p. 173
Wilson, William, “Art Walk: Joan Mitchell”, ‘Los Angeles Times’, April 7
Schipper, Merle, “French Painting, American Style”, ‘Art Week’, April 15
Schneider, Pierre, “Joan Mitchell et le tilleul de Monet”, ‘L’Express’, November
Tuchman, Phyllis, “Joan Mitchell”, ‘Artnews’, March
1977
Sargent Wooster, Anne, “Joan Mitchell”, ‘Artnews’, February, pp. 125-126
Ellenzweig, Allen, “Joan Mitchell”, ‘Arts’, February, p. 22
Matthiessen, Louis and Margaret Staats, “The Genetics of Art (Part III)”, ‘Quest 77’, July & August, p. 42
Russell, John, “New Paintings by Joan Mitchell”, ‘The New York Times’, December 9
Lubell, Ellen, “Joan Mitchell”, ‘The Soho Weekly News’, December 15
1976
Hess, Thomas, “Sensations of Landscape”, ‘New York’, December 20, pp. 76-78
Russell, John, “Joan Mitchell”, ‘The New York Times’, Weekend Section, December 3
Beatty, Frances, “Joan Mitchell”, ‘Art/World’, December 11, p. 5
Frankenstein, Alfred, “A Trio of Contemporary New York Shows”, ‘The San Francisco Chronicle’,
December 26, p. 31
1974
__________, “The Painters’ Painters”, ‘Newsweek’, May 13, p. 108
Herrera, Hayden, “Reviews and Previews: Joan Mitchell”, ‘Artnews’, Summer, vol. 73, no. 6, pp. 236-238
Kingsley, April, “New York Letter”, Art International, ‘Summer’, vol. XVIII, no. 6, p. 43
Nemser, Cindy, “An Afternoon with Joan Mitchell”, ‘Feminist Art Journal’, Spring, vol 3, pp. 5-6, 24
Ratcliff, Carter, “Joan Mitchell’s Envisionments”, ‘Art in America’, July-August, vol. 62, pp. 34-37
Rose, Barbara, “First-Rate Art by the Second Sex”, ‘New York’, April 8, vol. 7, no. 14, pp. 80-81
__________, “The Landscape of Light: Joan Mitchell”, ‘Vogue’, June, pp. 206-207; 245, reprinted in Maurice Pleynet and Barbara Rose, ‘Joan Mitchell: Choix de peintures 1970-1982’, Paris/FR: Musee d’Art Moderne de la Ville de Paris, 1982
__________, “The Art World.” ‘New Yorker’, April 29, p. 71, Reprinted in Harold Rosenberg, ‘Art on the Edge’, Chicago IL: University of Chicago Press, 1983
Krauss, Rosalind, “Painting Becomes Cyclorama”, ‘Artforum’, June, vol. XII, no. 10, pp. 50-52
1973
Davis, Douglas, ‘Art without Limits’, Newsweek, December 24, vol. 82, pp. 68-74
__________, “Pour Joan Mitchell”, XXe Siecle, no. 40 vol. 35, June , pp. 116-119
1972
__________, “New York Letter”, ‘Art International’, Summer, p. 75
Schjeldahl, Peter, “Joan Mitchell: To Obscurity and Back”, ‘The New York Times’, April 30, Section 2, p. 23
Harithas, James, “Weather Paint”, ‘Artnews’, May, vol. 71, pp. 40-43, 63
Lubell, Ellen, “Galleries”, ‘Arts’, September-October, pp. 60-61
1971
Pleynet, Marcelin, “Des Idees, des critiques, de la peinture et des galeries: Joan Mitchell”, ‘Art International’, vol. 15, June 20, pp. 78, 88
Ratcliff, Carter, “New York Letter”, ‘Art International’, vol. 15, September 20, pp. 68-71
1968
Battock, Gregory, “In the Galleries: Joan Mitchell”, ‘Arts’, April, vol. 42, p. 59
Finkelstein, Louis, “Gotham News 1945-60”, ‘Artnews Annual’, vol. 34, pp. 114-123
Krauss, Rosalind, “Painting Becomes Cyclorama”, ‘Artforum’, June, pp. 50-52
Lanes, Jerrold, “Current and Forthcoming Exhibitions: Martha Jackson Gallery”, ‘Burlington Magazine’,
May, vol. 110, pp. 296, 299
Lubell, Ellen, “Galleries”, ‘Arts’, Summer, p. 60
__________, “Galleries”, ‘Arts’, September-October, pp. 60-61
Schneider, Pierre, “From Confession to Landscape”, ‘Artnews’, April, vol. 67, pp. 42-43, 72-73
Kramer, Hilton, “John Heliker: Under Close Scrutiny”, ‘The New York Times’, April 6, p. 35
1967
Mitchell, Joan, “Jackson Pollock: An Artist’s Symposium, Part 2”, ‘Artnews’, vol. 66, May, p. 29
1965
Ashbery, John, “An Expressionist in Paris”, ‘Artnews’, April, vol. 64, pp. 44-45, 63-64
Dore, Ashton, “Kelly’s Unique Spatial Experiences/New York Commentary”, ‘Studio International’, vol. 170,July, pp. 42-43
Grossberg, Jacob, “In the Galleries: Joan Mitchell”, ‘Arts’, May-June, p. 58
Rose, Barbara, “The Second Generation: Academy and Breakthrough”, ‘Artforum’, September, pp. 53-63
1963
Johnson, Ellen H, “Is Beauty Dead?”, ‘Allen Memorial Art Museum Bulletin’, Winter, vol. 20, pp. 56-66
A., J., “Original Works of Art Now Popular as Christmas Gifts”, ‘New York Herald Tribune’,
December 18, p. 5
1962
Dore, Ashton, “Art USA 1962”, Studio, March, vol. 163, pp. 84-96
Leveque, Jean-Jacques. “Les Expositions a Paris: Joan Mitchell”, Aujourd’hui, vol. 6, June, p. 40
Schneider, Pierre, “Artnews from Paris: Emergence into Classicism”, Artnews, Summer, vol. 61, p. 43
1961
__________, “Art”, ‘Arts and Architecture’, June, vol. 78, pp. 4-5
Freilicher, Jane, “Editor’s Letters”, ‘Artnews’, December, vol. 60, p. 6
Munro, Eleanor G, “The Found Generation”, ‘Artnews’, November, vol. 60, cover, pp. 38-39, 75-76
Nordland, Gerald, “Variety and Expansion”, ‘Arts’, November, vol. 36, pp. 48-50
Tillim, Sidney, “Month in Review”, ‘Arts’, December, pp. 42-46
Tillim, Sidney, “In the Galleries: Joan Mitchell”, ‘Arts’, May-June, pp. 84-85
__________, “Au Salon de Mai”, ‘L‘œil’, June, no. 78, pp. 46-53, 78-80
1960
Read, Sir Herbert, and H. Harvard Arnason, “Dialogueon Modern U.S. Painting”, ‘Artnews’, May,
vol. 59, pp. 31-36
Schneider, Pierre, “Art News from Paris: Left Bank”, ‘Artnews’, Summer, vol. 59, p. 50
__________, “Au Salon de Mai”, ‘L‘œil’, June, pp.46-53, 78-80
__________. “The Vocal Girls”, ‘Time’, May 2, vol. 75, pp. 74-76
Rubin, William, “Younger American Painters”, ‘Art International’, vol. 4, no. 1, pp. 25-26
Tono, Yoshiaki, “New Adventures in American Art”, ‘Mizue’, March, no. 659, pp. 23-32
1959
Rosenberg, Harold, “Tenth Street: A Geography of Modern Art”, ‘Artnews Annual’, vol. 28, pp. 120-143, 184, reprinted in Harold Rosenberg, ‘Discovering the Present: The Decades in Art, Culture and Politics’, Chicago IL: University of Chicago Press, 1972, pp. 100-109
Fischer, K.J., “Die Neue Kunst in Mailand”, ‘Das Kunstwerk’, vol. 13, July, pp. 38-39
1958
Dore, Ashton, “La Signature Americaine”, ‘XXe Siecle’, March, vol. 20, pp. 62-64
Dore, Ashton, “Art”, ‘Arts and Architecture’, May, vol. 75, pp. 5, 28-29
__________, “Reviews and Previews: Joan Mitchell”, ‘Artnews’, May, p. 11
Sawin, Marcia, “In the Galleries: Joan Mitchell”, Arts, April, vol. 32, p. 59
Sandler, Irving, “Reviews and Previews”, ‘Artnews’, vol. 57, April, p. 12
Mitchell, Joan, “Is Today’s Artist with or Against the Past?, Part 2”, ‘Artnews’, vol. 57, p. 41
1957
Ashton, Dore “Art”, ‘Arts and Architecture’, May, vol. 74, pp. 10-11
Mellow, James R, “In the Galleries: Joan Mitchell”, ‘Arts’, March, vol. 31, p. 54
Sandler, Irving, “Young Moderns and Modern Masters: Joan Mitchell”, ‘Artnews’, March, vol. 56, pp. 32, 64
__________, “Mitchell Paints a Picture”, ‘Artnews’, October, pp. 44-47, 69-70
__________, “Women Artists in Ascendence”, ‘Life’, May 13, vol. 42, pp. 74-77
1956
Butler, Barbara “In the Galleries: Brach, Goldberg, Goodnough, Mitchell”, ‘Arts’, June, vol. 30, pp. 48-49
Finkelstein, Louis “New Look: Abstract-Impressionism”, ‘Artnews’, March, pp. 36-39, 66-68
Hess, Thomas B. “US Painting: Some Recent Directions”, ‘Artnews Annual’, vol. 25, p. 82
Munro, Eleanor C, “Reviews and Previews: Four Americans”, ‘Artnews’, Summer, vol. 55, p. 50
Steinberg, Leo, “Month in Review”, ‘Arts’, January, vol. 30, pp. 46-48
1955
Newbill, Al, “Fortnight in Review: Joan Mitchell”, ‘Art Digest’, March 1, vol. 29, p. 28
O’Hara, Frank, “Reviews and Previews: Ernest Briggs, Dugmore, Joan Mitchell”, ‘Artnews’, September, vol 54, pp. 51-52
Rosenblum, Robert “Month in Review: Dugmore, Briggs, Mitchell”, ‘Arts Digest’, August, vol. 29, p. 28
Seckler, Dorothy G. “Reviews and Previews: Joan Mitchell”, ‘Artnews’, March, vol. 54, p. 51
1953
Brach, Paul, “Fifty-seventh Street: Joan Mitchell”, ‘Art Digest’, April 15, vol. 27, p. 16
Fitzsimmons, James, “Art”, ‘Arts and Architecture’, May, vol. 70, pp. 8-9
Goodnough, Robert “Reviews and Previews: Joan Mitchell”, ‘Artnews’, April, vol. 52, p. 41
1952
Brach, Paul, “Fifty-seventh Street in Review: Joan Mitchell”, ‘Art Digest’, January 15, vol. 26, p. 17-18
Holliday, Betty “Reviews and Previews”, ‘Artnews’, January, vol 52, p. 46
FILMS
“Joan Mitchell: A Portrait of an Abstract Painter”, 58 minutes, 16mm color, Directed by Marion Cajori, Produced by Christian Blackwood and Marion Cajori, New York NY: A Christian Blackwood Productions Inc., 1992
VIDEOTAPES
1992
Kertess, Klaus, Lecture on Joan Mitchell at the Center for the Fine Arts, Santa Fe, New Mexico, May 26, 1992
1989
‘Art Today’, vol. 1, no. 1, publication of the Video News Service, Inc., ph: 212 593-9044, film of
Joan Mitchell exhibition at the Robert Miller Gallery)