Eva Hesse

Born in Hamburg, on January 11, 1936

Studied at Cooper Union, New York, 1954-57
Received a Yale-Norfolk Fellowship, 1957
Studied at Yale University, New Haven CT, 1959

Died in New York on May 29, 1970

Solo Exhibitions

2010
Hammer Museum, ‘Eva Hesse: Spectres’, Los Angeles CA

2009
Fruitmarket Gallery, ‘Eva Hesse. Studioworks’, Edinburgh/UK [traveling exhibition]

2006
Menil Collection, ‘Eva Hesse Drawing’, Houston TX, (cur. by Catherine de Zegher, Elisabeth Sussmann) [travelled to: The Drawing Center, New York; MoCA Museum of Contemporary Art, Los Angeles CA; Walker Art Center, Minneapolis MN]
The Jewish Museum, ‘Eva Hesse: Sculpture’, New York NY

2004
Kunsthalle Wien, ‘Eva Hesse Transformationen – Die Zeit in Deutschland 1964/65 / Transformations – The Sojourn in Germany 1964/65’, Vienna/AT [travelled to: Hauser & Wirth, Zurich/CH; The Kukje Gallery, Seoul/KR]

2003
Gallery Paule Anglim, San Francisco CA

2002
San Francisco Museum of Modern Art, ‘Eva Hesse Retrospective’, San Francisco CA [travelled to: Museum Wiesbaden, Wiesbaden/DE; Tate Modern, London/UK]

1998
Robert Miller Gallery, ‘Black and white Paintings on paper from the Estate of Eva Hesse’, New York NY

1996
Robert Miller Gallery, ‘Eva Hesse: Dream Portraits, Paintings from 1960-61’, New York NY
Wexner Center for the Arts, Ohio State University, ‘Eva Hesse: Area’, Columbus OH
Robert Miller Gallery, ‘Eva Hesse: Gouaches’, New York NY
The Arts Club Chicago, ‘Eva Hesse’, Chicago IL
XXIV Bienal de Sao Paulo, Pavilhon Ciccillo Matarazzo, ‘Eva Hesse’, Sao Paulo/BR

1994
Ulmer Museum, ‘Eva Hesse, Drawing in Space-Bilder und Reliefs’, Ulm/DE
Westfälisches Landesmuseum für Kunst und Kulturgeschichte, ‘Eva Hesse-Bilder und Reliefs’, Münster/DE
Mount Saint Vincent University Art Gallery, ‘Contingent’, Nova Scotia/CA

1993
IVAM Centre Julio Gonzalez, ‘Eva Hesse’, Valencia/ES
Galerie National du Jeu de Paume, ‘Eva Hesse’, Paris/FR
Galerie Montenay, ‘Eva Hesse’, Paris/FR
Barbara Gross Galerie, ‘Eva Hesse 1936-1970’, Munich/DE

1992
Yale University Art Gallery, ‘Eva Hesse: A Retrospective’, New Haven CT
The Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, ‘Eva Hesse: A Retrospective’, Washington DC
Robert Miller Gallery, ‘Eva Hesse: Paintings 1960-1964’, New York NY
1991
Robert Miller Gallery, ‘Eva Hesse: Gouaches 1960-1961’, New York NY
Galerie Renos Xippas, ‘Eva Hesse: Gouaches 1960-1961’, Paris/FR
Stein Gallery, ‘Eva-Hesse-Exhibition’, New York NY

1990
Kicken Pauseback, ‘Eva Hesse Objekte/Malerei/Zeichnungen’, Cologne/DE

1989
Robert Miller Gallery, ‘Eva Hesse: Reliefs and Related Drawings’, New York NY

1987
Pat Hearn Gallery, ‘Eva Hesse’, New York NY

1985
Rose Art Museum, Brandeis University, ‘The Early Drawings and Selected Sculpture’, Waltham MA

1983
Metro Pictures, ‘Eva Hesse: Paintings and Reliefs’, New York NY
Grey Art Gallery, New York University, ‘A Retrospective of the Drawings’, New York NY
Baltimore Museum of Art, ‘A Retrospective of the Drawings’, Baltimore MD

1982
Allen Memorial Art Museum, Oberlin College, ‘A Retrospective of the Drawings’, Oberlin OH [travelled to: The Renaissance Society at the University of Chicago, Chicago IL; Contemporary Arts Museum, Houston TX]

1979
Whitechapel Art Gallery, ‘Eva Hesse: Sculpture’, London/UK
Rijksmuseum Kröller-Müller, ‘Eva Hesse: Sculpture’, Otterlo/NL
Kestner-Gesellschaft, ‘Eva Hesse: Sculpture’, Hanover/DE
Mayor Gallery, ‘Eva Hesse, 1936-1970: A Retrospective Exhibition of Works on Paper’, London/UK
[travelled to Otterlo/NL and Hanover/DE with the Whitechapel sculpture exhibition]

1977
Droll/Kolbert Gallery, ‘Eva Hesse’, New York NY

1975
Wadsworth Atheneum, ‘Matrix 5’, Hartford CT

1974 James Mayor Gallery, ‘Eva Hesse 1936-1970: An Exhibition of Sculpture and Drawings’, London/UK

1973
Albright-Know Art Gallery, ‘Eva Hesse: A Memorial Exhibition’, Buffalo NY
Museum of Contemporary Art, ‘Eva Hesse: A Memorial Exhibition’, Chicago IL
Pasadena Museum of Modern Art, ‘Eva Hesse: A Memorial Exhibition’, Pasadena CA
University Art Museum, ‘Eva Hesse: A Memorial Exhibition’, Berkeley CA

1972
Solomon R. Guggenheim Museum, ‘Eva Hesse: A Memorial Exhibition’, New York NY
Detroit Institute of Arts, ‘Eva Hesse’, Detroit MI

1971
Visual Arts Gallery, School of Visual Arts, ‘Eva Hesse’, New York NY

1970

Fischbach Gallery, ‘Eva Hesse: New Drawings’, New York NY

1968
Fischbach Gallery, ‘Eva Hesse: Chain Polymers’, New York NY
Allen Memorial Art Museum, Oberlin College, ‘Recent Drawings by Eva Hesse’, Oberlin OH

1965
Kunstverein für die Rheinlande und Westfalen/Kunsthalle Düsseldorf, ‘Eva Hesse: Materialbilder und Zeichnungen’, Dusseldorf/DE

1963
Allan Stone Gallery, ‘Eva Hesse, Recent Drawings’, New York NY

Group Exhibitions

2009
Germanisches Nationalmuseum, ‘Art of the Two Germanys During the Cold War’, Nuremberg/DE [travels to: Historisches Museum Berlin/DE’]

2008
Hugh Lane Gallery, ‘Now’s The Time’, Dublin/IE
Felix-Nussbaum-Haus, ‘Die Verborgene Spur. Jüdische Wege durch die Moderne’, Osnabrück/DE
Rogaland Museum of Fine Art, ‘Jan Groth. The artist and his Influences’, Stavanger/NO [travels to: Henie Onstad Art Centre Oslo/NO]
Hammer Museum, ‘Oranges and Sardines. Conversations on Abstract Painting’, Los Angeles CA
Andrea Rosen Gallery, ‘Willem de Kooning, Lucio Fontana, Eva Hesse’, New York NY
Hauser & Wirth Zürich, ‘Selections from the Collection of Helga and Walther Lauffs’, Zurich/CH
Michele Maccarone and Gavin Brown, ‘Pretty/Ugly’, New York NY
Fondation Beyeler, ‘Action Painting. Jackson Pollock and Gesture in Painting’, Riehen/Basel/CH
Kaiser Wilhelm Museum – Kunstmuseen Krefeld, ‘Der Grosse Wurf / Falling right into place – Faltungen in der Gegenwartskunst / The Fold in Contemporary Art’, Krefeld/DE

2007
Daros Exhibitions, ‘Face to Face’, Zurich/CH
David Zwirner, ‘A Point in Space is a Place for an Argument’, New York NY
documenta 12, Kassel/DE
MoCA, ‘Wack! Art and the Feminist Revolution’, Los Angeles CA [travelled to: National Museum of Women in the Arts, Washington DC]
YUAG Yale University Art Gallery, ‘Art for Yale: Aquisitions for a New Century’, New Haven CT

2006
Frith Street Gallery, ‘Resonance’, London/UK
L & M Arts, ‘ Elemental Form’, New York NY
Kunstmuseum Winterthur, ‘Plane/Figure’, Winterthur/CH
Tang Art Museum, Skidmore College, Saratoga Springs, ‘Twice Drawn’, New York NY
The Renaissance Society, ‘One Space. Many Ideas’, Chicago IL
Marian Goodman Gallery, ‘Freeing the line’, New York NY
Whitney Museum of American Art, ‘Skin is a Language’, New York NY

2005
Wexner Center for the Arts, ‘Part Object Part Sculpture’, Columbus OH
Tate Modern, ‘Open Systems Rethinking Art c. 1970’, London/UK
Kunsthalle Fridericianum, ’50 Jahre / Years documenta 1955-2005’, Kassel/DE
Antony Grant Inc., ‘Repeat Performance’, New York NY
Deutsche Guggenheim Berlin, ’25 Jahre Sammlung Deutsche Bank’, Berlin/DE

2004
MACBA, ‘Laction restreinte’, Barcelona/ES
Aspen Art Museum, ‘From Pollock to Marden: Post-War Works on Paper’, Aspen CO
Los Angeles County Museum of Art, ‘Beyond Geometry: Experiments in Form 1940-70s’, Los Angeles CA [travelled to: Miami Art Museum, Miami FL, 2004/05]
MOCA California Plaza, ‘A Minimal Future? Art as Object 1958 – 1968’, Los Angeles CA
Neue Nationalgalerie, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, Berlin/DE
Kunstmuseum Winterthur, ‘Skulptur – Werke aus der Sammlung’, Winterthur/CH
Mori Art Museum, ‘Modern Means’, Minato-Ku, Tokyo/JP

2003
Museum of Modern Art, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, New York NY
Museum of Fine Arts, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, Houston TX
Carver Gallery, ‘Top 40! The Tom and Kitty stoner collection of 20th Century Sculptors’ Drawings’, Iowa City IA
Bowdoin College of Art, ‘Drawings of Choice from a New York Collection’, Brunswick ME
Tate Modern, ‘The Stage of Drawing – Gesture and Act’, London/UK
Museum Bochum, ‘Das Recht des Bildes – Jüdische Perspektiven in der modernen Kunst’, Bochum/DE

2002
Krannert Art Museum, ‘Drawings of Choice from a New York Collection’, Champaign IL
Leo Castelli, ‘vertigo’, New York NY
Galerie Hauser & Wirth, ‘Ten Years Galerie Hauser & Wirth’, Zurich/CH
Gallery Paule Anglim, ‘Women Artists: Their Work and Influence, 1950-70’s’, San Francisco CA
Berkeley Art Museum, ‘Beyond Preconceptions’, Berkeley CA
2001
Wadsworth Atheneum Museum of Art, ‘Noncomposition: 15 Case Studies’, Hartford CT
Tate Modern, ‘Century City: Art and Culture in the Modern Metropolis’, London/UK
The Contemporary Museum, ‘Drawing is another kind of language’, Honolulu HI
Monika Sprüth, Philomene Magers, ‘Anti-Form’, Munich/DE
Lucas Schoormans, ‘Isa Genzken, Eva Hesse, Karin Sander’, New York NY

2000
Kunstmuseum Wintherthur, ‘Von Edgar Degas bis Gerhard Richter. Arbeiten auf Papier aus der Graphischen Sammlung des Kunstmuseums Winterthur’, Winterthur/CH [travelled to: Nationalgalerie Prag, Palais Kinsky, Prague/CZ; Rupertinum, 2001, Museum für Moderne und Zeitgenössische Kunst, Salzburg/AT, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster/DE, Neues Museum, Staatliches Museum für Kunst und Design, Nuremberg/DE]
Curt Marcus Gallery, ‘In Process. Photographs from the 60s and 70’, New York NY
Pollock Gallery, Southern Methodist University, ‘Contemporary American Drawings from the Sarah-Ann and Werner H. Kramarsky Collection’, Dallas TX
Nicholas Davies Gallery, ‘What I Saw and What I Understood’, New York NY
Contemporary Arts Museum, ‘Afterimage: Drawing Through Process’, Houston TX
Exit Art/The First World, ‘The End: An Independent Vision of Contemporary Culture 1982-2000’, New York NY
ICI, ‘Beyond Preconceptions: The Sixties Experiment’, New York NY [travelled to: Collection of Modern Art of the National Gallery Prague/CZ, Zacheta-National Gallery of Contemporary Art, Warsaw/PL, Museo de Arte Moderno, Buenos Aires/AR, Paço Imperial Rio de Janerio, Rio de Janeiro/BR, Museu de Arte Moderna, Sao Paulo/BR, Freedman Gallery, Albright College Center of Arts, Reading PA, Samuel P. Harn Museum, University of South Florida, Barkeley Art Museum, Pacific Film Archive, University of California, Berkeley CA]

1999
The Museum of Contemporary Art, ‘Afterimage: Drawing Through Process’, Los Angeles CA
Modern Art Museum of Forth Worth, ‘House of Sculpture’, Forth Worth TX
Curt Marcus Gallery, ‘Drawings from the 1960s: Jo Baer, Lee Bontecou, Eva Hesse, Agnes Martin’, New York NY
Fundacio de Serralves, ‘Circa 1968’, Porto/PT
Cleveland Museum of Art, ‘Modern Masterworks on Paper from The Israel Museum Jerusalem’, Cleveland OH
New York Studio School, ‘Another From: Drawing into Sculpture’, New York NY
Contemporary Museum, ‘Impact: Revealing Sources for Contemporary Art’, Baltimore MD
Whitney Museum of American Art, ‘The American Century: Art & Culture 1950-2000’, New York NY
P.S.1 MoMA, ‘Primarily Structural’, Long Island NY

1998
Parrish Art Museum, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Southampton NY [travelled to Kunstmuseum Winterthur, Winterthur/CH, Kunst-Museum Ahlen, Ahlen/DE, Akademie der Künste, Berlin/DE, Fonds régional d’art contemporain, Amiens/FR]
Robert Miller Gallery, ‘RUBBER’, New York NY
Kunsthalle Köln, ‘Mai 98: Positions In Contemporary Art Since the 1960s’, Cologne/DE
Barbara Gross, ‘Von hier aus’, Munich/DE
Basilico Fine Arts, ‘Deep Thought Part I’, New York NY
Harn Museum of Art, University of Florida, ‘Inner Eye: Contemporary Art from the Marc and Livia Straus Collection’, Gainesville FL
Margarete Roeder Gallery, ‘A Space Between’, New York NY
Sean Kelly, ‘Corpus virtu’, New York NY
Robert Miller Gallery, ‘Drawing: An Essay’, New York NY
Cheim & Read Gallery, ‘Small Paintings: Hand Painted Pictures’, New York NY
XXIV Biennial de Sao Paulo, ‘Eva Hesse e Robert Smithson’, cur. Marie Jane Jacob, Sao Paulo/BR
Wexner Center for the Arts, ‘Gerhard Richter. Eva Hesse. Brice Marden. Fabrications’, Columbus OH
Gallery Schlesinger, ‘No/Show… An Evolving Exhibition’, New York NY

1997
Setagaya Museum, ‘De-Genderism’, Tokyo/JP
Nassau County Art Museum, ‘Feminine Image’, Roslyn Harbor NY
Martin-Gropius-Bau, ‘German Images – Art from a divided land’, Berlin/DE
Arthur M. Sackler Museum, Harvard University Museum, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Cambridge MA [travelled to: San Francisco Museum of Modern Art, San Francisco CA, Miami Art Museum, Miami FL, MIT List Visual Arts Center, Cambridge MA]
Margarete Roeder Gallery, ‘Rotating Group Drawing Exhibition’, New York NY
Robert Miller Gallery, ‘About Painting (Part II)’, New York NY

1996
Dunlop Art Gallery, ‘Contingent: Small Sculpture by Eva Hesse, 1966-1968; Recent Works by Elspeth Pratt & Martha Townsend, 1992-1995’, Regina/CA
‘Sao Paulo Biennial’, Sao Paulo/BR
The Institute of Contemporary Art, ‘Inside the Visible’, Boston MA
Rose Art Museum, Brandeis University, ‘More than Minimal: Feminism & Abstraction in the 1970’s’, Waltham MA
Solomon R. Guggenheim Museum, ‘Total Risk, Freedom, Discipline’, New York NY
Montgomery Glasoe Fine Art, ‘Body of Work’, Minneapolis MN
Robert Miller Gallery, ‘Summer Group Show’, New York NY
Barbara Mathes Gallery, ‘Signs & Symbols’, New York NY
Margarete Roeder Gallery, ‘Drawings by American and European Artists’, New York NY

1995
Whitechapel Art Gallery, ‘Drawing the Line’, London/UK [travelled to: Southampton City Art Gallery, Southampton/UK, Manchester City Art Galleries, Manchester/UK, Ferens Art Gallery, Hull/UK]
Aargauer Kunsthaus, ‘Kara Dame’, Aarau/CH
Pat Hearn Gallery, ‘A Selected Survey, 1983-1995’, New York NY
Lannan Foundation, ‘Floored’, Los Angeles CA
Museum of Contemporary Art, ‘Revolution in Contemporary Art: The Art of the Sixties’, Tokyo/JP
Curt Marcus Gallery, Inc., ‘Sculpture as Objects: 1915-1995’, New York NY
Baumgartner Galleries, Inc., ‘Works on Paper’, Washington D.C.
The Art Gallery, Mount Saint Vincent University, ‘Contingent: Small Sculpture by Eva Hesse, 1966-1968; Recent Works by Elspeth Pratt & Martha Townsend, 1992-1995’, Halifax/CA
Musée National d’art moderne, Centre Georges Pompidou, ‘Féminine-Masculine’, Paris/FR

1994
National Gallery of Art, ‘From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection’, Washington D.C.
The Ueno Royal Museum, ‘Against All Odds: The Healing Powers of Art’, cur. Sam Hunter, Tokyo/JP
The Hakone Open-Air Museum, ‘The Healing Powers of Art’,Kanagawa-ken/JP
Frith Street Gallery, ‘Drawings’, London/UK
Robert Miller Gallery, ‘Abstract Works on Paper’, New York NY
Mary Delahoyd Gallery, ___, New York NY
John Weber Gallery, ‘Another Dimension: Paintings by Sculptors’, New York NY
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘The Grid: Selections from the Weatherspoon Collection’, Greensboro NC

1993
Hayward Gallery, South Bank Centre, ‘Gravity and Grace: The Changing Condition of Sculpture 1965-1975’, London/UK
David Nolan Gallery, ‘European and American Drawings 1961-1969’, New York NY
Lennon, Weinberg Inc., ‘Collage and Assemblage’, New York NY
Berlinische Galerie im Martin-Gropius-Bau, ‘Amerikanische Kunst im 20. Jahrhundert’, Berlin/DE
Royal Academy of Arts, ‘Amerikanische Kunst im 20. Jahrhundert’, London/UK
Peggy Guggenheim Collection, ‘Drawing the Line Against AIDS’, Venice/IT
Wiener Secession, ‘REAL’, Vienna/AT
Marisa del Re Gallery, ‘The Linear Image II’, New York NY
National Touring Exhibitions Service, Arts Council of Great Britain as organizer of the exhibition opening at
Aberdeen Art Gallery, ‘The Body of Drawing’, Aberdeen/UK [travelled to: Graves Art Gallery, Sheffield/UK, The Mead Gallery, Coventry/UK, Victoria Art Gallery, Bath/UK, Oriel Mostyn Gallery, Llandudno/UK]
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Crossings: Works by Sol LeWitt and Eva Hesse from the Weatherspoon Collection’, Greensboro NC

1992
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Josef Albers and His Circle’, Greensboro NC
Rosa Esman Gallery, ‘Twenty Twenty’, New York NY
Anthony Ralph Gallery, ‘Modern Drawings’, New York NY
Fundacio Cultural de Curiba/Museu da Gravura, ‘X Mostra da Gravura Cidade de Curitaba/Mostra America’, CuritIba/BR
Bellas Artes Gallery, ‘Baziotas to Basquiat: 1950’s to 1990’s’, Santa Fe NM
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Recycled Lives: Collage from the Weatherspoon Collection’, Greensboro NC

1991
Margo Leavin Gallery, ‘Twentieth-Century Collage’, Los Angeles CA
Sidney Janis Gallery, ‘Who Framed Modern Art or the Quantitative Life of Roger Rabbit’, New Work NY
Musée d’art Moderne et d’art Contemporain, ‘Twentieth-Century Collage’, Nice/F [travelled to: Centro Cultural Arte Contemporaneo, Polanco/MX]
Museum Moderner Kunst, ‘Bildlicht’, Vienna/AT
I.M.B. Gallery of Science and Art, ‘Design 1936-1965: What Modern Was’, New York NY
The Whitney Museum of American Art at Phillip Morris, ‘Drawing Acquisitions, 1980-1991 Selections from the Permanent Collection of the Whitney Museum of American Art’, New York NY
The Whitney Museum of American Art at Equitable Center, ‘Immaterial Objects’, New York NY
Parrish Art Museum, ‘Minimalism and Post-Minimalism: Drawing Distinctions’, Southampton NY
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Height Width Length: Sculptors on Paper from the Weatherspoon Collection’, Greensboro NC
Daniel Newburg Gallery, ‘1969’, New York NY
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Weatherspoon Women: An Exhibition of Women Artists from the Weatherspoon Collection’, Greensboro NC
Wadswoth Atheneum, ‘Open Mind: The LeWitt Collection’, Hartford CT
Bellas Artes, ‘Sculptor’s Drawings’, Santa Fe NM
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Greensboro Collects’, Greensboro NC

1990
565 Braodway, ‘Art Pro Choice’, New York NY
Whitney Museum of American Art, ‘The New Sculpture 1965-1975: Between Geometry and Gesture’, New York NY
Anthony Ralph Gallery, ‘Group Exhibition’, New York NY
Rosa Esman Gallery, ‘Tanglewood Press Inc. Original Editions Revisited 1965-1972’, New York NY
Galerie Georges-Phillipe Vallois, ‘Entre la Géometrie et le Geste’, Paris/FR
Rosa Esman Gallery, ‘Sculpture and Drawings’, New York NY
Museum Wiesbaden, ‘Künstlerinnen des 20. Jahrhunderts’, Wiesbaden/DE
Weatherspoon Art Gallery, University of North Carolina, ‘Changing Perceptions-The Evolutions of Twentieth Century American Art’, Greensboro NC
Wexner Center for the Arts, The Ohio State University, ‘Art in Europe and America: The 1950s and 1960s’, Columbus OH
The Katonah Gallery, ‘The Technological Muse’, Katonah NY
Holly Solomon Gallery, ‘Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor’, New York NY
The Bunkamara Museum of Art, ‘Four Centuries of Women’s Arts’, Shibuya, Tokyo/JP [travelled to
The Museum of Modern Art Kamakura, Kanagawa/JP, Sapporo Tokyo, Tokyo/JP, Matuszakaya Museum, Nagoya/JP Tenjin Iwataya, Fukuoka/JP, Daimaru Museum Umeda, Osaka/JP, Nagano Tokyu, Nagano/JP, Hiroshima Museum of Art, Hiroshima/JP]

1989
Anthony Ralph Gallery, ‘20th Century Works’, New York NY
Virginia Beach Center for the Arts, ‘Made in America’, Virginia Beach VA
Massachusetts Institute of Technology, ‘Natural Forms/Natural Forces’, Boston MA
Whitney Museum of American Art, ‘Art in Place: Fifteen Years of Acquisitions’, New York NY
Robert Miller Gallery, ‘Eva Hesse and Joan Nelson’, New York NY
Cincinnati Art Museum, ‘Making Their Mark, Women Artists move into the Mainstrem, 1970-85’, Cincinnati OH
Hillwood Art Gallery, Long Island University, ’100 Drawings by Women’, Long Island NY

1988
Whitney Museum of American Art, ‘Vital Signs: Organic Abstraction’, New York NY

1987
Xavier Fourcade, Inc., ‘Drawings’, New York NY
Wadsworth Atheneum, ‘From the Le Witt Collection’, Hartford CT
Avenue B Gallery, ‘Aspects of Conceptualism in American Work Part II’, New York NY
Solomon R. Guggenheim Museum, ‘Fifty Years of Collecting: An Anniversary Selection’, New York NY
Institute of Contemporary Art, University of Pennsylvania, ’1967: At The Crossroads’, Philadelphia PA
Kent Fine Art, ‘Assemblage’, New York NY
La Jolla Museum of Contemporary Art, ‘Contemporary Collectors’, La Jolla CA
David Winton Bell Gallery, List Art Center, Brown University, ‘Alternative Supports: Contemporary Sculpture on the Wall’, Providence RI
Kunstmuseum, ‘Brennpunkt Düsseldorf…1962-1987’, Dusseldorf/DE
Pat Hearn Gallery, ‘Group Show’, New York NY
Houston Contemporary Arts Museum, ‘The Window in Twentieth Century Art’, Houston TX
Sandor Gallery, ‘Boundaries’, New York NY
Bess Cutler Gallery, ‘Walk Out To Winter’, New York NY
Städtische Kunsthalle, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, Dusseldorf/DE
Wallach Art Gallery, Columbia University, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, New York NY
Leo Castelli, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, New York NY
Sonnabend Gallery, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, New York NY

1986
Museum of Art, ‘From the Collection of Sol LeWitt’, Fort Lauderdale FL
Museum of Art, ‘American Renaissance: Painting and Sculpture Since 1940’, Fort Lauderdale FL
Bakalar Sculpture Gallery, Albert and Vera List Visual Arts Center, Massachusetts Institute of Technology, ‘Natural Forms and Forces: Images in Contemporary American Abstract Sculpture’, Cambridge MA
Palacio de Velazquez, ‘Between Geometry and Gesture: American Sculpture, 1965-1975’, Madrid/ES
Centre Georges Pompidou, Musée National d’Art Moderne, ‘Qu’est-ce qu’est la Sculpture Moderne?’, Paris/FR
Neuberger Museum, State University of New York, ‘The Window in Twentieth Century Art’, Purchase NY
Houston Contemporary Arts Museum, ‘The Window in Twentieth Century Art’, Houston TX
Museum of Contemporary Art, ‘Individuals: A Selected History of Contemporary Art 1945-1986’, Los Angeles CA

1985
Ackland Art Museum, University of North Carolina at Chapel Hill, ‘From the Collection of Sol LeWitt’, Chapel Hill NC
Everhart Museum, ‘From the Collection of Sol LeWitt’, Scranton PA
Meadow Brook Art Gallery, Oakland University, ‘From the Collection of Sol LeWitt’, Rochester MI
Grey Art Gallery and Study Center, ‘From the Collection of Sol LeWitt’, New York NY
The Whitney Museum of American Art at Philip Morris, ‘The Box Transformed’, New York NY
Edith C. Blum Art Institute, The Bard College Center, ‘The Maximum Implication of the Minimal Line’, Annandale-on-Hudson NY
The Whitney Museum of American Art, ‘Affiliations: Recent Sculpture and Its Antecedents’, Stamford CT
Blum Helman, ‘American Eccentric Abstraction’, New York NY
Columbus Museum of Art, ‘Partners in Purchase’, Columbus OH
Hudson River Museum, ‘A New Beginning: 1968-1978’, Yonkers NY
Weatherspoon Art Gallery, University of North Carolina, ‘Summer Sculpture Exhibition’, Greensboro NC
Solomon R. Guggenheim Museum, ‘Transformations in Sculpture: Four Decades of American and European Art’, New York NY

1984
Grand Rapids Art Museum, ‘Women in Art’, Grand Rapids MI
Merian-Park, ‘Skulptur im 20. Jahrhundert’, Basel/CH
Sidney Janis Gallery, ‘American Women Artists, Part I: Twentieth Century Pioneers’, New York NY
Moderna Museet, ‘Flykt-punkter/Vanishing Points’, Stockholm/SE
The Montreal Museum of Fine Arts, ‘Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection’, Montreal/CA [travelled to: Vancouver Art Museum, Vancouver/CA; The Nickle Arts Museum, Calgary/CA; The Seagram Gallery, New York NY; London Regional Art Gallery, London/UK]
University Art Museum, California State University Long Beach, ‘From the Collection of Sol LeWitt’, Long Beach CA
Museum of Modern Art, ‘“Primitivism” in 20th Century Art’, New York NY [travelled to: Detroit Institute of Arts, Detroit MI; Dallas Museum of Art, Dallas TX]
Gesellschaft für aktuelle Kunst Düsseldorf, ‘von hier aus’, Düsseldorf/DE

1983
Whitney Museum of American Art, ‘From Minimalism to Expressionism: Painting and Sculpture Since 1965’, New York NY
Museum of Contemporary Art, ‘The First Show: Painting and Sculpture from Eight Collections, 1940-1980’, Los Angeles CA

1982
Centre d’Arts Plastiques Contemporains, ‘Sculptures, 1966 –1969’, Bordeaux/FR
University Art Museum, University of California at Berkeley, ‘Matrix’, Berkeley CA
Whitney Museum of American Art, ‘Sculpture from the Permanent Collection’, New York NY

1981
Museen der Stadt Köln, ‘Westkunst’, Cologne/DE
Yale University Art Gallery, ‘Twenty Artists: Yale School of Art, 1950-1970’, New Haven CT
Wesleyan University Art Gallery/Davison Art Center, ‘No Title: The Collection of Sol LeWitt’, Middletown CT

1980
David Winston Bell Gallery, List Art Center, Brown University, ‘Invitational’, Providence RI
Neuberger Museum, State University of New York, ‘Hidden Desires’, Purchase NY
Museum Haus Lange, ‘Zeichnungen der 50er und 70er Jahre aus dem Kaiser-Wilhelm Museum’, Krefeld/DE
Allen Memorial Art Museum, ‘From Reinhardt to Christo’, Oberlin OH

1979
Touchstone Gallery, ‘Drawings by Sculptors’, New York NY
Roosevelt Public Library, Art Workshop, ‘Lines, Points, Plains’, Roosevelt NY
The Museum of Modern Art, ‘Contemporary Sculpture: Selections from the Collection of The Museum of Modern Art’, New York NY
Toledo Museum of Art, ‘Modern Art in Toledo Collections’, Toledo/ES
Kunsthaus Zürich, ‘Weich und Plastisch – Soft Art’, Zurich/CH

1978
Bleeker Renaissance, ‘OIA’, New York NY
Storm King Art Center, ‘Sculpture: A Study in Materials’, Mountainville NY
Leo Castelli, ‘Numerals, 1924-1977’, New York NY
Stedelijk Museum, ‘Door Beeldhouwers Gemaakt; Made by Sculptors’, Amsterdam/NL
Whitney Museum of American Art, ‘Collection: American Sculpture’, New York NY
Pace Gallery, ‘Grids: Format and Image in Twentieth Century Art’, New York NY

1977
Pratt Institute Gallery, Pratt Institute, ‘Alumni Fine Art Show’, Brooklyn NY
Rosa Esman Gallery, ‘Photonotations’, New York NY
Vancouver Art Gallery, ‘Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Windsor’, Vancouver/CA
The Renaissance Society, University of Chicago, ‘Ideas in Sculpture 1965 – 1977’, Chicago IL
Brooklyn Museum Art School, ‘Contemporary Women: Consciousness and Content’, Brooklyn NY
The Fitzwilliam Museum, ‘Jubilation: American Art During the Reign of Elizabeth II’, Cambridge/UK
The Solomon R. Guggenheim Museum, ‘Recent Gifts and Purchases’, New York NY
The Whitney Museum of American Art, ‘20th Century American Art From Friend’s Collections’, New York NY
The New York State Museum, ‘The State of Art’, Albany NY
Museum of Contemporary Art, ‘A View Of A Decade 1967-1977’, Chicago IL
Museum Fridericianum/Orangerie/Neue Galerie, ‘Documenta 6: Handzeichnungen, Utopisches Design’, Kassel/DE
Neue Gesellschaft für bildende Kunst, Schloss Charlottenburg, ‘Künstlerinnen international 1877-1977’, Berlin/DE
1976
Whitney Museum of American Art, ‘Two Hundred Years of American Sculpture’, New York NY
Museum of Modern Art, ‘Drawing now’, New York NY
New Orleans Museum of Art, ‘Sculpture: American Directions 1945-1975’, New Orleans LA
Seibu Museum of Art, ‘Three Decades of American Art’, Tokyo/JP

1975
Städtisches Museum, Schloss Morsbroich, ‘USA Zeichnungen 3’, Leverkusen/DE
Whitney Museum of American Art, ‘Sculptures of the Sixties: Selections from the Permanent Collection’, New York NY
Guggenheim Museum, ‘Drawing, Painting and Sculpture from the Dorothy and Herber Vogel Collection’, New York NY
Institute of Contemporary Art, University of Pennsylvania, ‘Drawing, Painting and Sculpture from the Dorothy and Herber Vogel Collection’, Piladelphia PA
Contemporay Arts Center, ‘Drawing, Painting and Sculpture from the Dorothy and Herbert Vogel Collection’, Cincinnati OH

1974
William Zierler, Inc., ‘American Works on Paper: 1944-1974’, New York NY
International Council of the Museum of Modern Art, ‘Some Recent American Art’, (cur. Waldo Ramussen), New York NY
National Gallery of Victoria, ‘Some Recent American Art’, (cur. Waldo Ramussen), Melbourne/AU
Art Gallery of New South Wales, ‘Some Recent American Art’, (cur. Waldo Ramussen), Sydney/AU
Art Gallery of South Australia, ‘Some Recent American Art’, (cur. Waldo Ramussen), Adelaide/AU
Art Gallery of Western Australia, ‘Some Recent American Art’, (cur. Waldo Ramussen), Perth/AU
Auckland City Art Gallery, ‘Some Recent American Art’, (cur. Waldo Ramussen), Auckland/AU

1973
New York Cultural Center, ’3D into 2D: Drawings for Sculpture’, New York NY
Vancouver Art Gallery, ’3D into 2D: Drawings for Sculpture’, Vancouver/CA
National Gallery of Canada, ’3D into 2D: Drawings for Sculpture’, Ottawa/CA
Allen Memorial Art Museum, Oberlin College, ’3D into 2D: Drawings for Sculpture’, Oberlin OH
University Art Museum, University of California, ’3D into 2D: Drawings for Sculpture’, Berkeley CA
University Art Museum, University of California, ’3D into 2D: Drawings for Sculpture’, Santa Barbara CA
Whitney Museum of American Art, ‘American Drawings: 1963-1973’, New York NY
Seattle Art Pavilion, ‘American Art: Third Quater Century’, Seattle WA
Storm King Art Center, ‘The Emerging Real’, Mountainville NY
‘Young American Artists: Drawings and Graphics’, Copenhagen/DK

1972
Institute of Contemporary Art, University of Pennsylvania, ‘Grids’, Philadelphia PA
Salem Fine Arts Center, ‘Women: A Historical Survey of Works by Women Artists’, Winston-Salem NC
North Carolina Museum of Art, ‘Women: A Historical Survey of Works by Women Artists’, Raleigh NC
Kunsthaus Hamburg, ‘American Women Artist Show’, Hamburg/DE
The High Museum of Art, ‘The Modern Image’, Atlanta GA
Philadelphia Museum of Art, ‘Friends Purchase Party’, Philadelphia PA
Art Institute of Chicago, ‘Seventieth American Exhibition’, Chicago IL
Museum Fridericianum/Neue Galerie, ‘Documenta 5’, Kassel/DE

1971
’1971 Triennale of India’, New Delhi/IN, (cur. Waldo Rasmussen) [International Council of the Museum of Modern Art, New York]
Finch College Museum of Art, Contemporary Wing, ‘Projected Art: Artists at Work’, New York NY
The Corcoran Gallery of Art, ‘Depth and Presence’, Washington DC
Museum of Modern Art, Art Lending Service, ‘Summer Show’, New York NY
M. Knoedler & Co., ‘Selections of Work by Gallery Artists’, New York NY
The Aldrich Museum of Contemporary Art, ‘Sculpture and Shapes of the Last Decade’, Ridgefield CT
Katonah Gallery, ‘Materials and Methods: A New View’, Katonah NY
Museum of Contemporary Art, ‘Six Sculptors: Extended Structures’, Chicago IL
Bykert Gallery, ‘Drawings and Prints’, New York NY
School of the Museum of Fine Arts, ‘Changing Terms’, Boston MA

1970
Vancouver Art Gallery, ’955 000’, Vancouver/CA
Centro de Arte y Communicacion, ’3 549 000’, Buenos Aires/RA
Hawthorne Gallery, Skidmore College, ‘Group’, Saratoga Springs NY
Trinity College Art Gallery, ‘Works in Plastic, 1970’, Hartford CT
Sidney Janis Gallery, ‘String and Rope’, New York NY
Reese Palley Gallery, ‘Multiples and Graphics’, San Francisco CA
The Emily Lowe Gallery, Hofstra University, ‘Hanging/Leaning’, Hempstead NY
The Art Museum, Princeton University, ‘American Art Since 1960’, Princeton NJ
Owens-Corning Fiberglass Center, Tony Delap/Frank Gallo/Eva Hesse: ‘Trio’, New York NY
Owens-Corning Fiberglass Center, ‘Art in Automobile’, Detroit MI
Whitney Museum of American Art, ‘Recent Acquisitions’, New York NY
Galerie Ricke, ‘Zeichnungen Amerikanischer Künstler’, Cologne/DE
Fondation Maeght, ‘L’Art Vivant Aux Etats-Unis’, St. Paul-de Vence/FR
The Museum of Modern Art, ‘Recent Acquisitions’, New York NY
Galerie Yvon Lambert, ‘American Drawings’, Paris/FR
Institute of Contemporary Art, ‘Works Mostly on Paper’, Boston MA
Institute of Contemporary Art, University of Pennsylvania, ‘Against Order: Chance and Art’, Philadelphia PA
Milwaukee Art Center, ‘A Plastic Presence’, Milwaukee WI
San Francisco Museum of Art, ‘A Plastic Presence’, San Francisco CA
Cooper-Hewitt Museum of Decorative Arts and Design, Smithsonian Institute, ‘The Drawing Society of New York Regional Exhibition: 1970’, New York NY [organized by the American Foundation of the Arts, autumn 1970 – autumn 1971]
The Museum of Modern Art, ‘Art Lending Service’, New York NY
Janie C. Lee Gallery, ‘Drawings’, Dallas TX
University of Maryland Art Gallery, ‘Editions in Plastic’, College Park MD
Whitney Museum of American Art, ‘The Permanent Collection – Women Artists’, New York NY
Paula Cooper Gallery, ‘Drawings’, New York NY

1969
Institute of Contemporary Art, University of Pennsylvania, ‘Plastics and New Art’, Philadelphia PA
Marion Koogler McNay Art Institute, ‘Plastics and New Art’, San Antonio TX
Wilcox Gallery, Swarthmore College, ‘Hard, Soft and Plastic’, Swarthmore PA
Finch College Museum of Art, ‘Drawings: Some Recent Trends’, New York NY
New Jersey State Museum, ‘Soft Art’, Trenton NJ
New York Shakespeare Festival, Public Theatre, ‘Art/Peace Event’, New York NY
University Gallery, University of Minnesota, ‘The Artist and the Factory’, Minneapolis MN
Galerie Heiner Friedrich, ‘Drawings’, Munich/DE
Kunsthalle Bern, ‘When Attitudes Become Form/Works-Concepts-Processes-Situations-Information’, Berne/CH
Museum Haus Lange, ‘When Attitudes Become Form/Works-Concepts-Processes-Situations-Information’, Krefeld/DE
Institute of Contemporary Art, ‘When Attitudes Become Form/Works-Concepts-Processes-Situations-Information’, London/UK
The New Gallery, ‘Seven Objects’, Cleveland OH
Galerie Ricke, ‘Seven Objects’, Cologne/DE
Whitney Museum of American Art, ‘Anti-Illusion: Procedures/Materials’, New York NY
The Westmorland County Museum of Art, ‘Recent Trends in American Art’, Greensburg PA
The Aldrich Museum of Contemporary Art, ‘Highlights of the 1968-1969 Art Season’, Ridgefield CT
Fort Worth Art Museum, ‘American Drawings’, Fort Worth TX
Heckscher Museum, ‘The Expressive Line’, Huntington NY
Gallerie Ricke, ‘Profile’, Cologne/DE
Finch College Museum of Art, Contemporary Wing, ‘Art in Progress IV’, New York NY
The Jewish Museum, ‘A Plastic Presence’, New York NY
The Museum of Modern Art, ‘New Media, New Methods’, cur. Kynaston McShine, New York NY
Seattle Art Museum, ’557 087’, Seattle WA

1968
Moore College of Art, ‘American Drawings 1968’, Philadelphia PA
Galerie Ricke, ‘Programm 1’, Cologne/DE
Milwaukee Art Center, ‘Directions 1: Options, 1968’, Milwaukee WI
Museum of Contemporary Art, ‘Directions 1: Options, 1968’, Chicago IL
John Gibson Gallery, ‘Anti-Form’, New York NY
Kunsthalle, ‘Kunstmarkt 1968’, Cologne/DE
Leo Castelli (Warehouse), ‘Nine at Leo Castelli’, New York NY
Flint Institute of Arts [circulating Exhibtion organized by Lucy Lippard and Flint Institute of Art], ‘Made of Plastics’, Flint MI
Whitney Museum of American Art, ‘Annual Exhibition’, New York NY
The American Federation of the Arts, ‘Soft and Apparently Soft Sculpture’

1967
Ithaca College Museum of Art, ‘Drawings, 1967’, Ithaca NY
New York State Fair [organized in cooperation with the New York State Council of the Arts], ‘Art Today, 1967’, Syracuse NY
The Weatherspoon Gallery, University of North Carolina, ‘Art on Paper Invitational 1967’, Greensboro NC
The Lannis Museum of Normal Art, ‘Normal Art’, New York NY
Finch College Museum of Art, Contemporary Wing, ‘Art in Series’, New York NY

1966
Graham Gallery, ‘Abstract Inflationism and Stuffed Expressionism’, New York NY
Fischbach Gallery, ‘Eccentric Abstraction’, New York NY
Riverside Museum, ‘30th Annual Exhibition: “Yesterday and Today” 1933-1966’, New York NY
Visual Arts Gallery, School of Visual Arts, ‘Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art’, New York NY

1965
Home of Isabel and F. Arnhard Scheidt, ‘Tom Doyle and Eva Hesse’, Kettwig an der Ruhr/DE

1964
Park Place Gallery, ‘Invitational Show’, New York NY
Kunstverein für die Rheinlande und Westfalen/Kunsthalle Düsseldorf, ‘Winterausstellung’, Dusseldorf/DE

1963
Amel Gallery, ‘First Showing of Gallery Group’, New York NY

1961
John Heller Gallery, ‘Drawings, 3 Young Americans’, New York NY
The Wadsworth Atheneum, ‘Drawings’, Hartford CT
The Brooklyn Museum, ‘21st International Watercolor Biennial’, Brooklyn NY

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