Paul McCarthy Bibliography

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Selected Bibliography

Publications

2009
Goldberg, RoseLee (ed.), ‘Everywhere and All at Once: An Anthology of Writings on Performa 07’, Zurich: JRP Ringier, 2009, pp. 238-261, ill.
Ardenne, Paul, ‘Art, Le Present: La création plasticienne au tournant du XXI. siècle’, Paris/FR, Edition du Regard, 2009, p. 205, ill.
van Adrichem, Jan, ‘Air Pressure – Paul McCarthy’, Utrecht: Municipality of Utrecht, Department of Cultural Affairs, ill. (exh. Cat.)
Sollins, Marybeth (ed.), ‘art:21, art in the twenty-first century’, New York: Art21, 2009, pp. 176-189, ill.
O’Reilly, Sally, ‘The Body in Contemporary Art’, London, Thames & Hudson, 2009, p. 86, ill.
Marcadé, Bernard, ’53 œuvres qui M‘Ébranlèrent le monde’, Paris: Beaux Arts Èditions, 2009, pp. 116, ill.
Evers, Elodie, Helzhey, Magdalena (eds.), ‘Eating the Universe – Vom Essen in der Kunst’, Köln: DuMont, 2009, pp. 172-177, ill.
Bronfen, Elisabeth, ‘Crossmappings, Essays zur visuellen Kultur’, Zurich/CH: Scheidegger & Spiess, 2009, pp. 191-208, ill.
Bonham-Carter, Charlotte/ Hodge, David, ‘The Contemporary Art Book’, London/UK: Goodman, 2009, p. 149, ill.
Holzwarth, Hans Werner, ’100 Contemporary Artists / Volume 2 (L-Z) ‘, Cologne/DE: Taschen, pp. 366, ill.
Welzel, Mark (ed.), ’200 Artworks 25 Years Artists’ Editions for Parkett’, Zurich, Parkett Publishers, 2009
Abenstein, Edelgard, ‘Berlin: Kunst und Architektur’, Berlin/DE: h.f.ullmann, 2009, p. 266, ill.
C. Welchman, John (ed.), ‘The Aesthetics of Risk’, Zurich/CH: JRP Ringier, pp. 314-346, ill.
Roberts, John (ed.), ‘Art, Praxis, and the community to come, Special issue, London/UK, p. 444, ill.
Michelle Pirano, ‘Target Practice: Painting Under Attack 1949-78’, Seattle/WA: Seattle Art Museum, pp. 50-51, ill.
Smith, Josh (ed.), ‘A Guest + A Host = A Ghost’, Athens/GR: Deste Foundation, n.p., ill.
McCarthy, Paul (ed.), ‘The Figure Figuration Statue Figurine Mass Production Totemism’, DE/Berlin: Pictoplasma Publishing, pp. 192-195
Robertson, Jean, McDaniel, Craig, ‘Themes of Contemporary Art: Visual Art after 1980’, New York NY:Oxford University Press, 2009, pp. 54; 73-74; 76; 256, ill.
Besson, Christan, Fabvre, Bernard [et al.], ‘La dégelée Rabelais’, Montpellier/FR: Méditerrane Éditions, 2009, p. 129, ill., (exh. cat.)
Baragiola, Francesco (ed.), ‘Un Certain Etat du Monde? ‘, Milan/IT: Skira, 2009, p. 36, ill.
Eccher, Danilo (ed.), ‘The Theatre of Performance’, Turin: Umberto Allemandi & C., 2009, pp. 160, ill.
Gingeras, Alison M./ Bonami, Francesco (eds.), ‘Mapping the studio: Artists from the Francois Pinault Collection’, Milan: Electa, 2009, pp. 198-203, ill.
Guzman, Daniel, ‘My Generation, un proyecto de Daniel Guzman’, Mexico City: Kurimanzutto, 2009, ill.
Rugoff, Ralph/Rosenthal, Stephanie/Kataoka, Mami (et al), ‘Walking in my mind’, London: Hayward Publishing, p. 12, ill.
Smith, Josh (ed.), ‘A Guest + A Host = A Ghost’, Athens: Deste Foundation, 2009
Denicke, Lars, Thaler, Peter, Scherer, Bernd M., ‘Prepare for Pictopia’, Berlin/DE: Pictoplasma Publishing, 2009
Von Habsburg, Francesca, ‘The collection book’, Cologne/DE: Verlag Walter König, 2009

2008
Careri, Giovanni, Vert, Xavier, ‘Louis Marin: Le pouvoir dans ses représentations’, Paris/FR: Institut national d’histoire de l’art, 2008, pp. 62, ill, (exh. cat).
Welchman, John C., ‘The Aesthetics of Risk’, Zurich: JRP Ringier, 2008
McCarthy, Paul; Weissman, Benjamin, ‘Paul McCarthy & Benjamin Weissman Quilting Sessions 1997-2008’, Milano/IT: Silvana Editoriale, 2008 (exh. cat.)
Iles, Chrissie, Paul McCarthy: ‘Central symmetrical rotation movement’, New York NY: Whitney Museum of American Art, 2008 (exh. cat.)
Linders, Dee et al. (ed.) ‘Free Santa’, Rotterdam/NL: De Internationale Beelden Collectie (IBC), 2008, ill.
Holzwarth, Hans Werner (ed.), Art Now Vol 3, Cologne/DE: Taschen, 2008, pp. 305-307, ill.
Beaux Arts éditions (ed.), ‘Qu’est-ce que la sculpture aujourd’hui?’, Boulogne/FR: Beaux Arts éditions, 2008, pp.130-131, ill.
Driessen, Chris; Van Mierlo, Heidi (ed.), ‘Wanderlust. Excursions in contemporary sculpture’, Tilburg/NL: Fundament Foundation, 2008, pp. 178-179, ill. (exh. cat.)
Pommereau, Claude (ed.), ‘Qu’est-ce que l’art vidéo aujourd’hui?’, Boulogne/FR: Beaux Arts éditions / TTM, 2008, pp. 144-145, ill.
Zentrum Paul Klee (ed.), ‘Lost Paradise – der Blick des Engels’, Bern: Zentrum Paul Klee, 2008, pp. 102-103, ill. (exh. cat.)
Af Petersens, Magnus (ed.), ‘Eclipse. Art in a Dark Age’, Stockholm/Göttingen: Moderna Museet/Steidl, 2008, pp. 115-128, ill. (exh. cat.)
Pillips, Glenn (ed.), ‘California Video: Artists and Histories’, Los Angeles: The J. Paul Getty Museum, 2008, pp. 170-173, ill. (exh. cat.)
Lurie, Aya, Goren, Nili (ed.), ‘Depletion. Works from the Doron Sebbag Art Collection’, Tel Aviv: Tel Aviv Museum of Art, 2008, p. 92, ill.
Museum of Contemporary Art Sydney (ed.), ‘Southern Exposure. Works from the Collection of the Museum of Contemporary Art San Diego’, Sydney: Museum of Contemporary Art, 2008, ill.
von Heydebreck, Amélie, ‘Stations. 100 Meisterwerke zeitgenössischer Kunst’, Cologne: DuMont, 2008, pp. 172-173, ill.
Barbican Art Gallery (ed.), ‘Martian Encyclopaedia of Terrestrial Life. Volume VIII’, London: Barbican Center/Merrell, p. 103, ill.
Gnemmi, Edoardo, Ratti, Iolanda, ‘Electronic Lounge. La donazione Halevim al museo del Novecento’, Milan: Carlo Cambi, 2008 (exh. cat.)
Bernardelli Francesco, ‘Arte Contemporanea. Cinque. Anni Novanta’, Milan: Mondadori Electa, 2008, pp. 108-109, ill.
Barret, Terry, ‘Why is that Art?. Aesthetics and criticism of Contemporary Art’, Oxford: University Press, 2007, pp. 186-197, ill.

2007
Linsenmaier-Wolf, Christa (ed.), ‘Bodycheck’, Cologne: Snoeck, pp. 184-189, ill.
Sanders, Mark (ed.), ‘Meet the Artists! ‘, New York/London: Deitch Projects/RS&A, 2007
Biesenbach, Klaus (ed.), ‘Into Me/Out of Me’, Ostfildern: Hatje Cantz, 2007, pp. 316-323, ill.
Schütz, Heinz (ed.), ’1a Orte – Kunstprojekt Theresienhöhe’, Munich: Landeshauptstadt München, 2007, pp. 126-129, ill.
Coetzee, Mark (ed.), ‘Red Eye. L.A. Artists from the Rubell Family Collection’, New York: Rubell Family Collection, 2007, pp. 36-46; 62-65; 69; 71; 176, 177, ill.
Essl, Karlheinz, ‘Foto.Kunst’, Vienna: Sammlung Essl, 2007, pp. 206, 207, ill.
Sterckx, Pierre, ’50 géants de l’art américain’, Paris: Beaux Arts, 2007, pp. 126-129, ill.
Denaro, Dolores (ed.), ‘Aspekte des Surrealen in der zeitgenössischen Kunst’, Biel: Verlag für Moderne Kunst Nürnberg, 2007, pp. 126-127, ill.
Franke Melanie, Knapstein, Gabriele, ‘there is never a stop and never a finsh. In memoriam Jason Rhoades’, Cologne: DuMont, 2007, ill. (exh. cat.)
Heiser, Jörg, ‘Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht’, Berlin: claassen/ Ullstein, 2007, pp. 74-82.
Nittve, Lars, ‘Art Guide. Moderna Museet’, Stockholm: The Moderna Museet, 2007, pp. 76, 77, ill.
Bloomberg SPACE, ‘No, Future’, London: Bloomberg SPACE, 2007, p. 10, ill. (exh. cat.)

2006
Lipsyte, Sam, ‘Paul McCarthy – Between Beauty and the Beast: Sculptures, Drawings and Photographs’, New York NY: Foundation 20 21, 2006 (exh cat.)
Lewis, Angharad, ’2006 – A Year in Exhibitions’, Grafik, London, December 1, 2006, pp. 80-83, ill.
Hultkrans, Andrew, Schambelan, Elizabeth (eds.), ‘Where are we going?’ Palazzo Grassi, Milan: Skira, 2006, pp. 238-239, ill. (exh. cat)
Mezil, Eric (ed.), ‘Figures de l’acteur. Le Paradoxe du Comedian’, Collection Lambert en Avignon, Paris: Gallimard, 2006, p. 218, ill. (exh. cat.)
Af Petersens, Magnus; McCarthy Paul (eds.), ‘HEAD SHOP/SHOP HEAD’, Göttingen/Stockholm: Steidl/Moderna Museet, 2006, ill. (exh. cat)
Hopkins, David, ‘Dada’s Boy’s’, Edinburgh: Fruitmarket Gallery, 2006, pp. 77-84, ill. (exh. cat)
Nemitz, Barbara, ‘Pink: The Exposed Color in Contemporary Art and Culture’, Ostfildern: Hatje Cantz, 2006, pp. 216-219, ill.
___, ‘Telle est la Télé’. L’ art contemporain et la télévision’, Paris, Cercle d’ Art, 2006
Cattelan, Gioni, Subotnick (eds.), ‘Of Mice and Men. 4th Berlin Biennial’, Germany: Hatje Cantz/KW Berlin, 2006, pp. 174-175 ill. (exh. cat)
Bonami. Francesco. Canarutto, Sarah, ‘Infinite Painting’, Villa Manin Centro d’ Arte Contemporanea, Italy, 2006, pp.114-177, ill. [exh. cat.]
Hol, Michael Juul, Kold, Anders (eds.), ‘Sip My Ocean’, Denmark: Louisiana Museum of Art, 2006, pp. 94-99, ill. (exh. cat)
Grenier, Catherine (ed.), ‘Los Angeles – 1955-1985’, Paris: Editions du Centre Pompidou, 2006, pp. 217, 239, 262, 279, 278, 331 ill.(exh. cat)

2005
Rosenthal, Stephanie (ed.), ‘LaLa Land Parody Paradise’, Ostfildern: Haus der Kunst/Hatje Cantz, 2005, ill (exh. cat.)
‘Figur Skulptur’, [texts by Essl, Karlheinz, Fleck, Robert, Hoffer, Andreas, Binder, Lucia], Klosterneuburg: Sammlung Essl, 2005, ill. (exh. cat.)
Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), ‘Faites vos jeux: Kunst und Spiel seit Dada’, Ostfildern: Hatje Cantz, pp. 126–127, ill. (exh. cat.)
Macel, Christine (ed.), ‘Dionysiac’, Paris: Centre Pompidou, 2005 (exh.cat.), ill.
Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester (et al.), ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, Milan: Skira, 2005 (exh. cat.), p. 237, ill.
Grosenick Uta, Riemschneider Burkhard (ed.), ‘ART NOW, Vol. 2’, Cologne: Taschen, 2005, pp. 276–279, ill.
Husslein-Arco Agnes (ed.), ‘Les Grands Spectacles’, Ostfildern: Hatje Cantz, 2005, p. 66, p. 244, p. 253, ill.
Kraus Chris, Tumlir Jan, McFadden Jane (ed.), ‘LA Artland’, London: Black Dog, 2005, pp. 204–205, ill.
Nobus, Dany, Quinn Malcolm, Knowing Nothing, ‘Staying Stupid’, London/New York: Routledge, 2005, ill. (cover)
Stiles, Christine, ‘Paul McCarthy: Kristine Stiles in Conversation’ [interview], Press PLAY: Contemporary Artists in Conversation, London: Phaidon, 2005, pp. 449–461, ill.
Bidner, Stefan, Feuerstein, Thomas (eds.), ‘Plus ultra: Jenseits der Moderne?/Beyond Modernity?’, Frankfurt am Main: Revolver, 2005, pp. 83–87, ill.
Blume, Eugen (ed.), ‘Friedrich Christian Flick Collection im Hamburger Bahnhof’, Berlin: Staatliche Museen zu Berlin, 2005, pp. 242-263, ill.

2004
La maison rouge – fondation Antoine de Galbert (ed.), ‘Central Station: La collection Harald Falckenberg’, Paris: La maison rouge, Fage, 2004, pp. 62–63, ill.
Karabelnik, Marianne (ed.), ‘Stripped Bare: The Body Revealed in Contemporary Art’, New York: Merrell, 2004, pp. 244–249, ill.
McCarthy Paul, ‘Piccadilly Circus: Bunker Basement’ [artist’s book], Zürich: Scalo, 2004
McCarthy, Paul, ‘Tokyo Santa’ [artist’s book], Cologne: Walther König, 2004
Meyer-Hermann, Eva, Centro de Arte Contemporáneo de Málaga (ed.), ‘Paul McCarthy: Brain Box Dream Box’, Málaga: Ayuntamiento, 2004 (exh. cat.)
Meyer-Hermann, Eva, Van Abbemuseum Eindhoven (ed.), ‘Paul McCarthy: Brain Box Dream Box’, Düsseldorf: Richter, 2004 (exh. cat.)
Kellein, Thomas, Lampe, Angela (ed.), ‘Das grosse Fressen: Von Pop bis heute’, Bielefeld: Kunsthalle Bielefeld, pp. 82–87, ill. (exh. cat.)
Waters, John, Hainley, Bruce (ed.), ‘A Sex Book’, London: Thames & Hudson, 2004
Clair, Jean (ed.), ‘The Great Parade’, New Haven/London: Yale University Press/Ottawa: National Gallery of Canada, 2004 (exh. cat.), p. 40, pp. 164–165, ill.
Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (ed.), ‘cremers.haufen’, Bielefeld: Kerber, 2004, p. 208, p. 233, ill. (exh. cat.)

2003
Biesenbach, Klaus, London, Barbara (ed.), ‘Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust’, Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.)
Dziewior, Yilmaz (ed.), ‘McCARTHY, PAUL. Videos 1970-1997’, Cologne: Walther König, 2003 (exh. cat.)
Espai d’art Contemporanei de Castello, ‘Micropolitics: Art and Everyday Life’, Vanecia: Espai d’art Contemporanei de Castello, 2003 (exh. cat.)
Neuman, David, Widbom, Mats (ed.), ‘Spiritus’, Stockholm: Magasin 3 Stockholm Konsthall, 2003 (exh. cat.)
Raspail, Thierry (ed.), ‘Avant’, Dijon: Les Presses du Réel/Fage, 2003, pp. 100–105, pp. 188–199, ill. (exh. cat.)
Tate Modern, ‘Paul McCarthy at Tate Modern’, London: Tate Publishing, 2003 (exh. cat.)
Unterdörfer, Michaela, Winzen, Matthias (ed.), ‘(In the Search of) The Perfect Love’, Ostfildern: Hatje Cantz, 2003, pp. 96–125, ill. (exh. cat.)
Dercon, Chris, Weski, Thomas (ed.),‘Partners’, Cologne: Walther König, 2003
Engelbach, Barbara, Museum für Gegenwartskunst Siegen (ed.), ‘McCarthy, Paul, Hammer, Oranges, Apple’, [Artist’s book] Frankfurt am Main: Revolver Verlag 2003
Jouannais, Jean-Yves, ‘L’Idiotie: Art, vie, politique – méthode’, Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270
Rush, Michael (ed.), ‘Video Art’, London: Thames & Hudson, 2003

2002
Butler Gallery (ed.), ‘Paul McCarthy: Video tapes’, Kilkenny: Butler Gallery, 2002 (exh. cat.)
CAN (ed.), ‘Sans consentement’, Paris: Crash, 2002, pp. 84–85, ill. (exh. cat.)
De Pury & Luxembourg (ed.), ‘Ahead of the 21st Century: The Pisces Collection’, Ostfildern: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.)
Neues Museum Weserburg (ed.), ‘Kunst nach Kunst’, Bremen: Neues Museum Weserburg, 2002, p. 148–152, ill. (exh. cat.)
Schirn-Kunsthalle Frankfurt/Hollein, Max, Grunenberg, Christoph (ed.), ‘Shopping: 100 Jahre Kunst und Konsum’, Ostfildern: Hatje Cantz, 2002, p. 244, ill. (exh. cat.)
Unterdörfer, Michaela (ed.), ‘The House of Fiction: Sammlung Hauser und Wirth/3’, Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.)
Villa Arson (ed.), ‘Paul McCarthy’, Nice: Pinocchio, 2002, ill. (exh. cat.)
Archer Michael, ‘Art Since 1960: New Edition’, London: Thames & Hudson, 2002
Beil, Ralf, ‘Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades’, Cologne: DuMont, 2002
Fundacion la Caixa, ‘Catalogue Raisonné – Collection of Fundacion la Caixa’, Barcelona: Grafiques Iberia, 2002, 2 vols.
Luc, Virginie, ‘ART à MORT’, Paris: Leo Scheer, October 2002
Morris, Simon, ‘Sinning: De-centering the Self’ [no publisher-art piece, book dedicated to Paul McCarthy], November 2002

2001
Association le printemps de septembre (ed.), ‘Printemps de septembre: Théâtres du Fantastique’, Arles/Paris: Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.)
Des Moines Art Center (ed.), ‘My Reality: Contemporary Art and the Culture of Japanese Animation’, Iowa: Des Moines Art Center, 2001, ill. (exh. cat.)
Haenlein, Carl, Ahrens, Carsten (ed.), ‘Ziviler Ungehorsam: Sammlung Falckenberg’, Hannover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh.cat.)
Secession (ed.), ‘Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis’, Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.)
Parfait, Françoise, ‘Vidéo: Un art contemporain’, Paris: Édition du Regard, 2001
Pellegrin, Julie, ‘L’Objet humain: Simulation et manipulation dans l’oeuvre de Paul McCarthy’, in: Centre Choréographique National de Grenoble (ed.), Corps/objet: Sur le rapport du corps artificiel, Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill.
Wege, Astrid, ‘Art Now’, Cologne: Taschen, 2001, pp. 106–107, ill.
___, ‘A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995’, New York: Harry N. Abrams, 2001

2000
Capc – Musée d’art contemporain de Bordeaux (ed.), ‘Présumés innocents: L’art contemporain et l’enfance’, Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.)
Dickhoff, Wilfried, König, Kasper (ed.), ‘In Between: Das Kunstprojekt der EXPO 2000’, Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.)
IKON Gallery (ed.), ‘Lost’, Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.)
Kunstmuseum Liechtenstein (ed.), ‘Kunstmuseum Liechtenstein’, Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.)
Meyer-Hermann, Eva (ed.), ‘Paul McCarthy ‘Dimensions of the Mind’: The Denial and the Desire in the Spectacle’, Cologne/St. Gallen: Oktagon/Sammlung Hauser und Wirth, 2000, ill. (exh. cat.)
New Museum of Contemporary Art (ed.), ‘Paul McCarthy’, New York/Ostfildern: New Museum of Contemporary Art/Hatje Cantz, 2000, ill. (exh. cat.)
The Power Plant Contemporary Art Gallery (ed.), ‘Mike Kelley and Paul McCarthy Collaborative Works’, Toronto, 2000 (exh. cat.)
Walker Art Center (ed.), ‘Let’s Entertain: Life’s Guilty Pleasures’, Minneapolis: Walker Art Center, 2000, ill. (exh. cat.)
Barth, Miles, Merritt, Raymond (ed.), ‘A Thousand Houndes’, Cologne: Taschen, 2000
Bauman, Gillick, Grosz, Groys, Kay, Rushkoff [et al.], ‘Fresh Cream: Contemporary Art in Culture’, London: Phaidon, 2000, p. 394
Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (ed.), ‘Uniform Order and Disorder’, Milan: Charta/Pitti Immagine, 2000, pp. 244–245, ill.
Buck, Louisa, ‘Moving Targets 2: A User’s Guide to British Art Now’, London: Tate Publishing, 2000
Fineberg, Jonathan, ‘Art Since 1940: Strategies of Being’, New York: Harry N. Abrams, Inc., 2000
Franzen, Brigitte, ‘Die Vierte Natur: Garten in der zeitgenössischen Kunst’, Cologne: Walther König, 2000
Guasch, Anna Maria, ‘El arte último del siglo XX: Del posminimalismo al lo multicultural’, Madrid: Alianza Forma, 2000, cover, ill.
Montano, Linda M., ‘Performance Artists Talking in the Eighties’, Barkeley: University of California Press, 2000
Sanders, Mark, ‘Star Culture’, London: Phaidon Press Limited, 2000
Warr, Tracey, Jones, Amelia (ed.), ‘The Artist’s Body’, London: Phaidon Press Limited, ill.
___, ‘Dazed/Confused’, London: Booth-Clibborn, 2000

1999
Wiener Secession, ‘Sod and Sodie Sock Comp: Mike Kelley und Paul McCarthy’, Wien: Secession, 1999
Edizioni Charta, ‘PROPO: Paul McCarthy’, Milan: Edizioni Charta, 1999
Galerie für zeitgenössische Kunst Leipzig (ed.), ‘Moving Images: Film – Reflexion in der Kunst’, Munich: Siemens Kulturprogramm, 1999, pp. 68–71, ill. (exh. cat.)
La Biennale di Venezia, ’48 Esposizione Internazionale d’Arte, dapertutto’, Venice 1999, pp. 54–61 (exh. cat.)
Liebau, Eckart, Unterdörfer, Michaela, Winzen, Matthias, ‘Vergiss den Ball und spiel weiter: Das Bild des Kindes in zeitgenössischer Kunst und Wissenschaft’, Cologne: Oktagon, 1999, pp. 24–27, ill. (exh. cat.)
Sammlung Hauser & Wirth (ed.), ‘Dimensions Of The Mind: The Denial and the Desire in the Spectacle’, St. Gallen: Sammlung Hauser und Wirth, 1999 (folder)
Baum, Judith, ‘This Other Being: Worüber Männer untereinander nicht reden’, Vienna: Triton, 1999, pp. 50, 66, ill.
Riemschneider, Burkhard, Grosenick, Uta, ‘Art at the Turn of the Millennium’, Cologne: Taschen, 1999, pp. 334–337, ill.
Rush, Michael, ‘New Media in Late 20th-Century Art’, London: Thames & Hudson, 1999, p. 56
___, ‘The 20th Century Artbook’, London: Phaidon, 1999
Tober, Jay, ‘The American Art Book’, London: Phaidon, 1999

1998
Perez, Pilar (ed.), ‘Double Trouble: The Patchett Collection’, San Diego: The Museum of Contemporary Art, 1998 (exh. cat.)
Prinzhorn, Martin, Silvie Liska, ‘Mike Kelly & Paul McCarthy’, Vienna: Wiener Secession, March 1998 (exh. cat.)
Museum of Contemporary Art (ed.), ‘Out of Actions: Performance and the Object’, Los Angeles: Museum of Contemporary Art, 1998 (exh. cat.)
Collings, Matthew, ‘It Hurts: New York Art from Warhol to Now’, New York: 21 Publishing, 1998
Goldberg, Rosalee, ‘Performance: Live Art Since 1960’, New York: Harry N. Abrams, 1998
Janus, Elizabeth, Lambert, Marion (ed.), ‘Veronica’s Revenge: Contemporary Perspectives on Photography; LAC Switzerland’, Zurich/Berlin/New York: Scalo, 1998
Steihaug, Jon-Ove, ‘Abject/Informe/Trauma: Discourses on the Body in American Art of the Nineties’, Oslo: FOR ART, 1998
___, ‘Yaa-Hoo’, Walther König, Cologne 1998

1997
Armand Hammer Museum of Art and Cultural Center (ed.), ‘Scene of the Crime’, Los Angeles: Armand Hammer Museum of Art and Cultural Center, 1997 (exh.cat.)
Louisiana Museum of Modern Art, ‘Sunshine & Noir: Art in LA 1960–1997’, Louisiana: Louisiana Museum of Modern Art, 1997 (exh.cat.)
Kunsthaus Bregenz/Köb, Edelbert (ed.), ‘KünstlerInnen: 50 Gespräche’, Cologne: Walther König, 1997, pp. 162–164, ill. (exh. cat.)
4e Biennale d‘art contemporain de Lyon, Lyon, 1997 (exh. cat.)

1996
Clearwater, Bonni, ‘Defining the nineties: concensus making in New York, Miami & Los Angeles’, Miami: Museum of Contemporary Art, 1996 (exh. cat.)
Rugoff, Ralph, Stiles, Kristine, Di Pietrantonio, Giacinto (ed.), ‘Paul McCarthy’, London: Phaidon, 1996

1994
Romano, Gianni, ‘Postmedia’, Milan, 1994
Studio Guenzani, ‘PROPO: Paul McCarthy’, Milan: Studio Guenzani, 1994

1993
Stooss, Toni (ed.), ‘Das Künstler-Ich als Comic-Held’, Vienna: Kunsthalle/Frankfurt, 1993

1991
Gerbel, Karl, ‘Out of Control: Ars Electronica 91’, Linz: Veritas, 1991 (exh. cat.)

1989
Beyond Baroque Festival (ed.), ‘Four Artists: Roland Brener, Paul McCarthy, Tim Quinn, Nancy Rubins’, Venice, CA, 1989
Morgan, Robert, ‘Performance and Spectacle in the Post-Industrial Age’, Toronto: Rampike, vol. 6, no. 2, 1992
Tran, Dylan, ‘Interview with Paul McCarthy’, Primer, Spring 1992

1987
Fitzgerald, ‘f-stop, Doc-u-men-tia’, San Francisco: Last Gasp, 1987

1984
Plunkett, Daniel, ‘Five Years of Performance in Lyon 1979–84’, Paris: N.D. 3, 1984
Hertz, Richard, (ed.), ‘Theories of Contemporary Art’, New York: Prentice Hall, 1984, ill.

1980
Los Angeles Performance Festival (ed.), ‘High Performance Catalog: Work for Public Spirit Live Art’, Los Angeles: Performance Festival, 1980
___, ‘Performance Anthology: Source Book for a Decade of California Performance’, San Francisco: Contemporary Artist Press, 1980

1978
Batcock, Gregory, ‘New Artists Video’, 1978

Articles

2010
Levin, Kim, ‘Paul McCarthy’, in: ARTnews, New York, February 2010, ill.
Rappolt, Mark, ‘Feature: Paul McCarthy’, in: Art Review, London, Jan – Feb 2010, pp. 60 – 64, ill.

2009
H.S., ‘Collection: MoCA’s First Thirty Years’, in: The Art Network, London, November 2009, p. 84, ill.
Verna, Sascha, ‘New York steht auf Schweizer Kunst’, in: Tagesanzeiger, November 24, 2009, p. 33.
Lowenstein, Kate, ‘Paul McCarthy „White Snow“’, in: Time Out New York, New York, November 26 – December 2, 2009, p. 47, ill.
Kino, Carol, ‘Fairy Tales, But Strictly, Adults-Only’, in: The New York Times, New York, November 22, 2009, p. 24, ill.
Bodin, Claudia, ‘Paul McCarthy/Mike Kelley: Die Bösen Märchenonkel’, in: ART das Kunstmagazin, Hamburg, November 16, 2009, ill.
212DressingRoom/Blog, ‘Art in View: Paul McCarthy’, on: 212dressingroom.com, November 6, 2009
Ramchandani, Ariel, ‘Paul McCarthy`s Cartoon Pornography’ in: The Economist, New York, 8 November 2009, ill.
___, ‘Paul McCarthy White Snow’, on: www.artslant.com, New York, 5 November 2009, ill.
Squibb, Stephen, ‘Paul McCarthy at Hauser & Wirth’, on: Idiom online, New York, 5 November 2009, ill.
___, ‘Go see this now: Paul McCarthy`s Shit Pie (White Snow)’, on: www.askyfilledwithshootingstars.com, New York, 4 November 2009, ill.
Werner, Florian, ‘Die schnöde Masse hat Substanz’, in: Monopol, Hamburg, November 2009, pp. 74-76, ill.
___, ‘McCarthyism’, in: Modern Painters, New York, November 2009, pp. 59-67, ill.
___, ‘Paul McCarthy: Snow White’, in: Bon, Stockholm, Autumn / Winter, 2009-2010, pp. 128-135, ill.
Rosenmeyer, Aoife, ‘Paul McCarthy: Hauser & Wirth’, in: Modern Painters, New York, September 2009, ill.
Muchnic, Suzanne, ‘Culture Monster’, in: Los Angeles Times, Los Angeles CA, September 5, 2009, ill.
Gohlke, Gerrit, ‘Der diskrete Scharm der Schweinehaltung’, on: www.artnet.de, July 23, 2009, ill.
Schweighöfer, Kerstin, ‘Utrecht, Quietschbunt und irritierend’, in: Art, Hamburg, July 8, 2009, ill.
Renner, Sascha, ‘Sex mit Sauce’, in: Kunst 31, Zürich, June 11-17, 2009, ill.
SUG, ‘Paul McCarthy’, in: art on parade, Indianapolis Museum of Art, 2009, pp. 64-71, ill.
Allsop, Laura, ‘Inspired: Paul McCarthy’, in: Art Review, February 2009, p. 22, ill.
Von Faber-Castell, Christian, ‘Blühende Landschaft’, in: Weltkunst, Zurich, Dezember 2009, pp. 12-19, ill.

2008
Vert, Xavier, ‘Donner à voir, Prêter à rire: Momus er priape’, in: Tourcoing/FR: Parade 8, 2008, pp. 59, ill.
___, ‘Porno Mountains’, in: Work. Art in progress, Trento, Winter 2008, Nr. 24, pp. 12-14, ill.
Piersanti, Francesca, ‘Interview with Pierangelo Schiera by Francesca Piersanti’, in: Work. Art in progress, Trento, Winter 2008, Nr. 24, pp. 38-45, ill.
Meyer, Richard, ‘Artists sometimes have feelings’, in art journal, New York, Winter 2008, Vol. 67, no. 4, pp. 41-47, ill.
Erdmann Ziegler, Ulf, ‘Jenseits der Tabus’, in: Monopol, Berlin, December 2008, pp.62-64, ill.
‘Santa`s little helper’, ‘Dough Harvey unwraps Paul McCarthy`s latest yuletide-themed work’ in: Modern Painters, December 2008/January 2009, London/UK, ill.
‘The Power 100’, 62: Paul McCarthy, in: Art Review, London, November 2008, p.140 ill.
Christina Natalicchio (ed.), ‘Porno Mountains’, in: Work, Art in Progress, Trento, Winter 2008, p.12 ill.
Carlson, Ben, ‘Paul McCarthy’, in: Modern Painters, New York, November 2008, p. 95, ill.
___, ‘Paul McCarthy and Benjamin Weissman’, in: The Art Newspaper, no. 195, October 2008, p.79, ill.
bgga, ‘Künstler Paul McCarthy: Wahrnehmung durch Disneyland konditioniert’, on: FAZ.NET, September 9, 2008, ill.
Everitt Howe, David, ‘Paul McCarthy: Central symmetrical Rotation movement: Three installations, two films’, in: Art Rewiev, Issue 26, October 2008
Levin, Kim, ‘Paul McCarthy’, in: ARTnews, New York, September 2008, ill.
___, ‘ Annual Guide to Museums: Paul McCarthy’, in: Art in America, New York, August 2008, ill.
Weissman, Benjamin, ‘The Rocky Mountain People Show. Mountain’, in: Work. Art in progress, Trento, Summer 2008, pp. 26-28, ill.
Robecchi, Michele, ‘The Rocky Mountain People Show. Paul McCarthy & Benjamin Weissman. Come and get it’, in: Work. Art in progress, Trento, Summer 2008, pp. 52-55, ill.
O’Brien, Glenn, ‘Paul McCarthy. The Peter Paul Chocolate Company’, in: Purple Fashion Magazine, Paris, Spring-Summer 2008, pp. 60-61, ill.
Parker-Starbuck, J., ‘Intervention 5: Pig #4, Paul McCarthy, „Mechanical pig“, Whitechapel Gallery, ill.
London, in: Woman &Performance: a journal of feminist theory, Oxfordshire, July, 2008, pp. 146-151, ill.
Stern, Steven, ‘Back to the future’, in: Time Out New York, New York, June-July 2008, ill.
___, ‘The Rocky Mountain People Show’, in: Work. Art in Progress, Trento, Summer 2008, pp. 20-21, ill.
Mack, Gerhard, ‘Vor den Pforten des Paradieses’, in: NZZ am Sonntag, Zurich, June 29, 2008, p. 59, ill.
Johnson, Ken, ‘A Trip Through the Revolving Doors of Perception’, on: nytimes.com, New York, June 27, 2008, ill.
___, ‘Paul McCarthy. Bunkhouse’, in: Art + Auction, New York, June 2008, p.170, ill.
Hromack, Sarah, ‘Paul McCarthy’s Low Life Slow Life: Part 1’, in: Flash Art, Milan, May-June 2008, p. 88, ill.
Kushner, Rachel, ‘Paul McCarthy. Whitney Museum of American Art’, in: Artforum, New York, vol. XLVI, no. 9, May 2008, p. 158, ill.
Herbert, Martin, ‘Paul McCarhy’, Artforum, New York, vol. XLVI, no. 9. May 2008, pp. 372-373; 406, ill.
Schröer, Carl Friedrich, ‘Von Eisbergen und Tropenhäusern’, in: Kunstzeitung, Regensburg, no. 141, May 2008, p. 29, ill.
de Brujin, Nieck, ‘Bossy Burger. Paul McCarthy’, in: Metropolis M, Amsterdam, vol. 29, no. 2, April/May 2008, pp. 16-17, ill.
McCormick, Carlo, ‘Paul McCarthy’s abject object of desire’, in: Whitewall, New York, Spring 2008, pp. 126-132, ill.
Gritz, Anna, ‘Paul McCarthy’s Low Life Slow Life: Part 1’, in: Frieze, London, April 8, 2008, ill.
Tovborg, Alexander, ‘Interview: Paul McCarthy’, on: kopenhagen.dk, Kopenhagen, April 2008, ill.
McCarthy, ‘Larry Clark. The Tulsa Kid’[Interview], in: Flash Art, Milan, March-April 2008, pp. 106-110, ill.
Demir, Anaïd, ‘trash fictions’, in: bc, Paris, Winter 2008, pp. 52-53, 122, ill.
Larkin, Graham, ‘Things Fall Apart’, in: Artforum, New York, April 2008,pp. 153-154, ill.
Thornton, Sarah, ‘Paul Mc Cathy’, in: Artforum, New York, April 2008, pp. 320-321, ill.
Zeitz, Lisa, ‘Armory Show. Alle Nervosität ist verflogen’, on: faz.net, March 29, 2008, ill.
___, ‘A meeting on a Swiss mountain top’, in: Le Journal, Paris, February 2008, p. 15, ill.
Grant, Simon, ‘Art Now: London. You’ve got to laugh’, in: Apollo Magazine, London, February 1, 2008, p.80-83
Alisop, Laura, ‘Inspired: Paul McCarthy’, in: Art Review, London, February 1, 2008, p. 24, ill.
___, ‘Fruit and Nutcase’, in: Jackdaw, London, February 1, 2008, p. 22, ill.
Sterckx, Pierre, ‘Paul McCarthy hisse le pavillon noir’, in: Beaux Arts, Paris, January 2008, pp. 53-59, ill.
Beshty, Walead, ‘On American Ingenuity (And the Failure of the Readymade) ‘, in: Afterall, London, No. 17, Spring 2008, pp. 20-34, ill.
Connor, Steven, ‘Steven Connor on air’, in: Tate etc., London, Issue 12, Spring 2008, pp. 82-91, ill.
Connor, Steven, ‘Next-to-Nothing’, in: Tate etc., London, January 1, 2008, pp. 84-88, ill.
Cunnigham, Simon, ‘Next Generation 2008’, in: Wallpaper, London, January 1, 2008, pp. 86, 87, 94, ill.
De Wavrin, Isabelle, ‘Le cadeau hot. McCarthy et la chocolaterie’, in: Beaux Arts, Paris, January 2008, p. 113, ill.
Welchman, John C., ‘San Francisco. Paul McCarthy’s Low Life Slow Life’, in: Artforum, New York, No. 5, January 2008, p. 139
Kantor, Jordan, ‘Los Angeles. California Video’, in: Artforum, New York, No. 5, January 2008, p. 135
Natalicchio, Cristina, ‘The Entertainment was here! Rewind: The Rocky Mountain People Show’, in: Work: Art in Progress, Winter 2008

2007
Mangion, Eric, ‘La “finition fétichisante” de la performance’, in: Art Press, No. 7, November-January 2008, pp. 61-68, ill.
___, ‘Schweinekram’, in: Monopol, Berlin, No. 12, 2007, ill.
Robinson, Walter, ‘Art capital’, on: artnet.com, 2007, ill.
Cotter, Holland, ‘Paul McCarthy’s Chocolate Factory’, on: newsgrist.com, December 13, 2007, ill.
Halperin, Julia, ‘When Is a Chocolate Factory Art? ‘, on: columbiaspectator.com, December 5, 2007
Yablonsky, Linda ‘McCarthy’s Lewd Little Santas, Gromley’s Fog, Baselitz’s Angst’, on: Bloomberg.com, December 4, 2007, ill.
Smith, Roberta, ‘Paul McCarthy’s Chocolate Factory’, on: nytimes.com, New York, December 7, 2007
Cotter, Holland, ‘Paul McCarthy’s Chocolate Factory’, in: The New York Times, New York, December 7, 2007, ill.
Hasewend, Reinhard (ed.), ‘Hide and Seek’, in: Sleek, Berlin, December 1, 2007, ill.
Dickson, Isobel, in: ‘Santa, you’re in deep sh*t! ‘, in. Daily Sport, London, November 29, 2007, p. 35, ill.
Falconer, Morgan, ‘Santa as a sex toy? I should cacao’, in: The Times, London, November 28, 2007, pp. 12-13, ill.
French, Georgina, ‘A bad childhood that fuelled 70 years of art’, in: Catholic Herald, London, November 23, 2007, p. 12.
Kennedy, Maev, ‘People’, The Guardian, London, November 9, 2007, p. 8, ill.
Hayon, Jaime, ‘From classical to whimsical’, in: Wall Street Journal, London, November 9, 2007, p. 6, ill.
___, ‘Sculptural Installation to Mass Produce Chocolate Figurines. Paul McCarthy’s Chocolate Factory’, on: prleap.com, November 2007
Mostoufi, Fareed, ‘Out There’, in: Time Out New York, New York, November 8-14, 2007, p. 6, ill.
Wullschläger, Jackie, ‘The last picture show’, in: Financial Times, London, November 3, 2007, pp. 32-33, ill.
Pollack, Barbara, ‘New York Reviews: Paul McCarthy’, in: Art News, New York, November 1, 2007, p. 196
___, ‘It began innocently enough’, in: Wmagazine, London, November 1, 2007, pp. 252-255, ill.
Christov-Bakargiev, Carolyn, ‘___’, in: Art News, New York, November 1, 2007, p. 204, ill.
Nishizawa, Ryue, ‘Bearable lightness’, in: Men’s Vogue, New York, November 1, 2007, pp.114-116
___, ‘State of the Art’, in: Wmagazine, London, November 1, 2007, p. 92
___, ‘Paul McCarthy’, in: Art News, New York, November 1, 2007, p. 197, ill.
Eccles, Tom, ‘Paul McCarthy’, in: Art News, New York, November 1, 2007, p. 205
Landau, Suzanne, ‘___’, in: Art News, New York, November 1, 2007, p. 208
Hennessy, Daniel, ‘Paul and the Chocolate Factory’, on: www.wmagazine.com, New York, November 2007, p.202, ill.
Kern, Ingolf, ‘Zbigniew Libera’, in: Monopol, Berlin, No. 11, 2007, p. 31
Hasewend, Reinhard/Heimburger, Kathrin/von Taube, Annika, ‘Paul McCarthy’, in: Sleek, Berlin/New York, No. 17, Winter 2007/2008, p. 70, ill.
Taylor, Kate, ‘Paul and the Chocolate Factory’, in: W Magazine, New York, November 2007, p. 202, ill.
___, ’88 Paul McCarthy’, in: Art Review, Zürich, November 1, 2007, p. 166, ill.
Lorent, Claude, ‘Pirates à l’assaut du Smak’, in: La Libre Belgique, Brussels, November 8, 2007, p. 20, ill.
Probst, Ursula Maria, ‘Traum & Trauma’, in: Kunstforum, Ruppichteroth, vol. 188, October – November 2007, pp. 449-451
Hoffmann, Jens, ‘McCarthy turns curator’, in: Art World, London, Issue 1, October/November 2007, p. 18, ill.
___, ‘Crilli Jams with Oxfam’, in: County Down Spectator, Bangor (Ireland), October 25, 2007, p. 8
De Brugerolle, Marie, ‘Play on’, in: Tate etc. (Main), London, October 1, 2007, pp. 68-71
Marinos, Christopher, ‘Dakis Joannou’, in: Flash Art, Milan, No. 256, October 2007, pp. 100-101, ill.
Hel, ‘Traum, Begierde, Spiel’, in: Berner Kulturagenda, Bern, September 2007, p. 18
___, ’10. Triennale Kleinplastik 2007’, on: www.3sat.de/kulturzeit, Mainz, September 20, 2007
Apollonio, Livia, ‘Sculture gonfiate’, in: ArteiN, September 1, 2007, pp. 115-116, ill.
Suetens, K., ‘Trash Sex’, in: Gus, September 1, 2007, pp. 80-83, ill.
___, ‘Paul McCarthy Air Born’, in: Le Petit Journal, July-August 2007, p. 3
, ‘‘, in: Süddeutsche Zeitung, München, No. 173, 2007.
Dörfert, Petra, ‘Befremdliche Objektwelt’, in: Kunstzeitung, Regensburg, No. 133, 2007, p. 19, ill.
___, ‘Bodycheck – Triennale der Kleinplastik’, in: Stern, Hamburg, No. 22, 2007, p. 174.
Bologna, Vivian, ‘Quand la réalité devient insaisissable’, in: Le Journal, Biel, August 2007, p. 12
Zwez, Annelise, ‘Eintauchen in surreale Bildwelten’, in: Bieler Tagblatt, Biel, August 2007, pp. 7, 8
Von Arx, Katia, ‘Dunkle Träume, vage Bezüge’, in: Der Bund, Bern, August 2007, p. 41, ill.
Kobel, Stefan, ‘Fellbach macht eine gute Figur’, in: Handelsblatt, Düsseldorf, August 24, 2008, p. 2, ill.
___, ‘Dunkle Träume, vage Bezüge’, in: espace.ch, August 2007
Wagner, Thomas, ‘Achtung, Provinz!’, in: FAZ, Frankfurt am Main, August 4, 2007
Christofori, Ralf, ‘Immer auf die Grossen’, on: www.tagesspiegel.de, Berlin, August 5, 2007
___, ‘Suche nach der Ästehtik des Surrealen’, espace.ch, August 2007, ill.
Wendorf, Alexandra, ‘Bodycheck – Ein neuer Blick auf die Skulptur abseits der Grand Tour überzeugt die 10. Triennale Kleinplastik in Fellbach’, in: Junge_Kunst, Frechen, No. 72, pp. 9-14, ill.
Feeser, Sigrid, ‘Bodycheck. 10. Triennale Kleinplastik Fellbach. Alte Kelter Fellbach, 23.6. – 23.9.2007’, in: Kunstforum, Ruppichteroth, No. 188, 2007, pp. 432-434.
___, ‘Paul und Damon McCarthy – Wenn der Vater mit dem Sohne’, in: Schweizer Illustrierte, July 2007, Zurich, p. 85, ill.
Hoffmann, Annette, ‘Die Kleinplastik ist tot, es lebe die Skulptur’, on: www.regioartline.org, Freiburg/Basel/Strassburg, July 27, 2007
___, ‘Kleinvieh macht auch Mist’, in: Monopol, Berlin, No. 7, 2007, p. 16.
G.G., ‘L’envers de Disneyland’, in: Le Vif/L’Expres, Brussels, July 20, 2007, pp. 45-46, ill.
Fronz, Hans-Dieter, ‘Einlass für Dinos und Mäuse’, in: Badische Zeitung, Freiburg, July 13, 2007, p. 11
___, ‘Gigantesque!’, in: Plus Magazine, Brussels, July 1, 2007, p. 115, ill.
Cd, ‘Choquant Paul McCarthy?’, in: Arts Antiques Auctions, Brussels, July 1, 2007, p. 8, ill.
Hagelsteen, Charles, ‘Freak out’, in: Mixte, Paris, No. 47, June 2007, pp. 60, 61, ill.
Kreis, Elfi, ‘Den Kinderschuhen entwachsen’, in: Kunstzeitung, Regensburg, No. 130, June, 2007, p. 27
Karcher, Eva, ‘Wer hat die schönsten Schäfchen’, in: Süddeutsche Zeitung, Munich, June 15, 2007, p.14, ill.
Harris, Gareth, ‘The circus moves on’, on: www.timesonline.co.uk, June 13, 2007, ill.
Lorent, Claude, ‘Gonflé ce Paul McCarthy! ‘, in: La Libre Belgique, Brussels, June 8, 2007, p. 25, ill.
A.DM, ‘Paul McCarthy au musée du Middelheim’, in: Les Cahiers de la Semain, Brussels, May 10, 2007, . 15, ill.
Lavrador, Judicael, ‘Rencontres du troisième type’, in: Beaux Arts, Paris, no. 275, May 2007, pp. 86-95, ill.
Bodin, Claudia, ‘Satter Gewinn’, in: Art, Hamburg, No. 5, May 2007, p. 119, ill.
Lagger, Helen, ‘Wenn Piraten eine Party feiern’, in: Berner Zeitung, Berne, p. 11, ill.
___, ‘Paul und Damon McCarthy bei Hauser & Wirth’, on: www.nzz.ch, Zurich, 2007
___, ‘Kunst als Luxuskläranlage’, on: www.zueritipp.ch, 2007
dpa, ‘Kunstmesse für Skulptur’, in: Stader Tageblatt, Staden, April 14, 2007
Hinrichsen, Jens, ‘Sanft gelandet’, in: Der Tagesspiegel, Berlin, April 14, 2007
Dpa, ‘Frankfurt eröffnet Messe-Zeit’, in: Kölnische Rundschau, Cologne, April 13, 2007
Ackermann, Klaus, ‘Kein Zurckerschlecken im Gemischtwarenladen’, in: Offenbach-Post, Offenbach, April 13, 2007
dpa, ‘Silberner Kinderwagen voller Federn’, in: Giessener Anzeiger, Giessen, April 13, 2007
Davidts, Wouter, ‘The Studio’, in: Artforum, New York, XLV, No. 10, April 2007, p. 291.
Helen Lagger, ‘Wenn Piraten eine Party feiern’, in: Berner Zeitung. Bern, April 14, 2007, p.11, ill.
Bö, ‘Schwebende Skulptur eröffnet Messe’, in: Frankfurter Neue Presse, Frankfurt, April 5, 2007
Adam, Georgina, ‘The changing landscape of the art market’, in: The Art Newspaper, London. No. 179, April 2007, p. 40, ill.
___, ‘Paul McCarthy/Damon McCarthy’, in: Bilanz, Zurich, no. 8, April 27-May 10, 2007, p. 102, ill.
Herbstreit, Mareike, Funken, Peter, ‘Kunst aus Los Angeles der 60er bis 90er Jahre’, in: Kunstforum, Ruppichteroth, Bd. 184, March-April 2007, pp. 312-314, ill.
Kröner, Magdalena, ‘Blood, Sweat and Tears’, in: Sleek, Berlin, Spring 2007, pp. 74-85, ill.
Hirsch, Annabelle, Link Alexandra, Work, Jeffrey, ‘States of Matter: Sculptural sublimations in a state of flux’, in: Sleek, Berlin, Spring 2007, pp. 86, 97-98, ill.
Rosenau, Mirja, ‘Wir haben alles, was man braucht im Leben’, in: Frankfurter Rundschau, Frankfurt, March 20, 2007
Studer, Margaret, ‘A busy calendar for new art in ‘07’, Wall Street Journal, New York, February 16, 2007, p. 3, ill.
___, ‘Paul McCarthy’, in: Tema Celeste, Milan, No. 119, January-February 2007, p. 22-23, ill.
Comer, Stuart, ‘___’, in: Frieze, January-February 2007, p. 127
Arrhenius, Sara, ‘___’, in: Frieze, January-February 2007, p. 127

2006
Schwendener, Martha, ‘Paul McCarthy’, in: The New York Times, New York, November 24, 2006
Karimzadeh, Marc, ‘Hey, Big Splendor’, in: W Magazine, Warwick, December 1, 2006, p. 212, ill.
___, ‘Dead Funny’, in: Art Monthly, London, December 1, 2006, pp. 9-11, ill.
Bock, John, ‘Galleries-Chelsea’, in: New Yorker, New York, November 27, 2006, p. 49
Arndtzén, Mårten, ‘McCarthy på Moderna’, in: Kulturnytt, Stockholm, Juni 22, 2006, ill.
Zetterström, Jelena, ‘Jelena Zetterström ser Paul McCarthy’, in: Sydsvenskan, Stockholm, Juni 30, 2006
Hebert, Niles, ‘McCarthy utforskar Amerikas mardrömmar’, in: Arbetarbladet, Stockholm, September 8, 2006, ill.
Svenle, Elna, ‘Vä lfunna vidrigheter på Moderna’, in: Kristianstadsbladet, Stockholm, Juli 15, 2006, ill.
Paulrud, Anders, ‘Hemskt mycket hemskt?’, in: Affonbladet, Stockholm, Juni 17, 2006, ill.
Poellinger, Clemens, ‘Paul McCarthy skapade konstens ketchupeffekt’, in: SvD, Stockholm, Juni 13, 2006, ill.
Forsberg, Nils, ‘Ketchup-effekten’, in: Expressen Kultur, Stockholm, Juni 26, 2006, ill.
Karlstam, Cristina, ‘Humanisten McCarthy överraskar’, in: UNT, Stockholm, Juni 18, 2006, ill.
___, ‘Moderna Museet, Stockholm: Paul McCarthy’, in: Konsten, Stockholm, 07.03.2006, ill.
Nilsson, Håkan, ‘Äckligt bra på Moderna’, in: Dagens Nyheter, Stockholm , Juni 17, 2006, ill.
Adams, Brooks, ‘The School of L.A. ‘, in: Art in America, New York, No. 10, November 2006, pp.160 –167, 225, ill.
Charlesworth, J.J., ‘The Game of Power, ArtReview`s guide to the Power 100`s various players, Paul McCarthy’, in: ArtRewiew, London, Issue 05, November 1, 2006, p.121, ill.
Hubbard, Sue, ‘Visual arts: Frieze Art Fair’, in: The Independent, London, October 17, 2006, p. 20
Campbell, Philip, ‘Conceits and provocations’, in: Nature, London, 16.11.2006, pp. 31-32, ill.
Schmitz, Edgar, ‘Surprise Surprise’, in: Kunstforum International, Ruppichteroth, Bd. 182, October-November 2006, pp.392-393
Azimi, Roxana, ‘A la FIAC, des cotes discrètes’, in: Le Monde, Paris, October 23, 2006, p. 21
Haden-Guest, Anthony, ‘When the circus comes to town’, in: The Financial Times, London, October 21, 2006, p. 14
Clewing, Ulrich, ‘Schmeichler und Skandale’, in: Der Tagesspiegel, Berlin, October 14, 2006, p. 24
Linda Norden, Richard Jackson, Paul McCarthy, Daniel Birnbaum, ‘Constructed Reality’, in: Artforum, New York, Volume XLV, No.2, October 2006, pp. 61, 62, 65, 66, 286, 288, ill.
Stasinski, Robert, ‘Paul McCarthy’, in: Flash Art, Milano, Vol. XXXIX, No. 250, October 2006, p.111, ill.
Kalina, Richard, ‘Report from Berlin, Street Life’, in: Art in America, New York, No. 9, October 2006, pp. 58-63, ill., p. 96, ill.
Coomer, Martin, ‘ Uncertain States of America’, in: Big Issue, London, October 2, 2006, pp. 30-31
Ohrt, Robert/Würthle, Michel, ‘Die Leute wollen es zwar nicht hören, aber Kunst ist masslos’, in: Spike, Vienna, Autumn 2006, pp. 24-28
Göricke, Jutta, ‘Wie sie sehen, sehen sie schwarz’, in: Süddeutsche Zeitung, Munich, September 16, 2006, p. 17
Buck, Louisa, ‘The not so fab four’, in: Art Newspaper, London, September 1, 2006, p. 28, ill.
Steeds, Lucy, ‘Surprise, Surprise’, in: Art Monthly, London, September 1, 2006, pp. 31-32, ill.
Manchester, Elizabeth, ‘Paul McCarthy: LaLa Land Parody Paradise’, Contemporary, London, issue 82, 2006, pp. 67-68, ill.
McCarthy, Paul, ‘Final Scores’, in: Artforum, New York, vol. XLIV, no. 10, Summer 2006, p. 325
___, ‘Neuerscheinung 3: Paul McCarthy’, in: Informationsdienst Kunst, Regensburg, Nr. 356, 20. Juli 2006,p. 11
Spiegler, Marc, ‘American Renaissance’, in: The Art Newspaper, London, July 1, 2006, p. 28, ill.
Fanelli, Franco; Harris, Gareth, ‘Pinault, Saatchi… Viglietta? ‘, in: The Art Newspaper, London, July 1, 2006, p. 17
Plagens, Peter, ‘East of the Louvre’, in: Newsweek, New York, June 19, 2006, pp. 62-66, ill.
___, ‘LA confidental’, in: New Statesman, London, June 13, 2006, pp. 48-49
Poellinger, Clemens, ‘Paul McCarthy skapade konstens ketchupeffekt’, in: Svenska Dagbladet, June 13, 2006, pp. 4-5, ill (cover)
Thomas, Kelly Devine, ‘Phillips`s Head Sale Driver’, in: Art News, New York, June 1, 2006, pp. 121-122
Paynter, November, ‘Reykjavik‘, in: Art Review, London, June 1, 2006, pp. 54-58, ill.
___, ‘Dada’s Boys’, in: The Guide, London, May 27-June2, 2006, p. 37
McCormack, Christopher, ‘Venice: Palacio Grassi’, Contemporary, London, issue 81, 2006, pp. 26-27, ill.
___, ‘Ketchup in the cold’, on: www.art-of-the-day.com, 15. June, 2006
___, ‘Paul McCarthy at Moderna Musset’, on: www.flashartonline.com, 19. June 2006, ill.
Siebers, Tobin, ‘Disabilitiy Aesthetics’, in: Journal for Cultural and Religious, vol. 7 no. 2, Spring/Summer, 2006, pp. 63-73, ill.
Smith, Roberta, ‘Dark, unpretty mood pervades Berlin show’, in: International Herald Tribune, London, May 10, 2006, p. 24
Fineman, Mia, ‘Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?’, The New York Times, May 7, 2006, Art +Design, www.nytimes.com, ill.
Riding, Alan, ‘The Debut of Pinault’s Coveted Art Collection, Originally Bound for Paris’, The New York Times, May 1, 2006, www.nytimes.com
Kushner, Rachel, ’Paul McCarthy. Moderna Museet’, in: Artforum International, New York, May 2006, p. 162, ill.
Farquharson, Alex, ‘Los Angeles 1955-1985’, in: Art Monthly, London, No. 296, May 2006, pp. 31-33
Heiser, Jorg, ‘4th Berlin Biennial’, Frieze, London, May 2006, pp.165-166, ill.
Conrad, Peter, ‘It’s that sinking feeling…’, in: The Observer, London, April 30, 2006, pp. 16-17
Falconer, Morgan, ‘Eyes peeled for the Surreal deal’, in: The Times, London, 29. April 2006, p. 32 – 35
___, ‘California Dreaming’, in: The Guardian, London, 18. April 2006, p. 16 -18
Hammonds, Kit, ‘Paul McCarthy – Whitechapel’, Tema Celeste, Milan, March/April 2006, p.84, ill.
Robecchi, Michele (ed.), ‘Special Issue on Collections’, Contemporary 21, London, issue 80, pp. 36-39, 52-55, 65-67, 68- 70, 73-75, 84-86, 112-115, ill.
Larson, Kay, ‘Beautiful Mutants’, in: ARTnews, New York, February 2006, pp. 106-109, ill.
Rajesh Punj, ‘Paul McCarthy: Whitechapel Gallery’, Flashart, Milan, January/February 2006, p. 105
___, ‘Pirate ship anchored’, in: East London Advertiser, London, January 12, 2006, p. 23
Lewis, Ben, ‘Private View’, in: Prospect, London, January 2006, p. 61

2005
___, ‘Der umstrittene „Santaclaus“’, in: Art, Hamburg, December 2005, p. 123, ill.
___, ‘Paul McCarthy wilde te kaap`ren varen… ‘, in: Gonzo, City unknown (Belgium), Dec.- Jan. 05/06, pp. 50-51, ill.
Dezeuse, Anna, ‘ Paul McCarthy, Whitechapel Art Gallery’, in: Art Monthly, London, December 05, p. 36, ill.
Seidl, Walter, ‘Puppets and Heavenly Creatures’, in: Contemporary, London, no. 75, 2005, pp. 30-33, ill.
Dattenberger, Simone, ‘Gipfel-Glück. Münchner Kunst-ABC für 2005’, in: Münchner Merkur, Munich, December 31, 2005, p. 34, ill.
___, ‘Five Best Exhibitions’, in: The Independent, London, December 26, 2005, p. 39
Turner, Christopher, ‘The greatest little gallery on earth‘, in: The Guardian, London, December 21, 2005, pp. 22-23
Gingeras, Alison M., ‘Paul McCarthy (Best of 2005: 11 Critics and Curators Look at the Year in Art)’, Artforum, New York, December 2005, pp. 240–241, 244–245, ill.
Bankowsky, Jack, ‘Paul McCarthy (Best of 2005: 11 Critics and Curators Look at the Year in Art)’, Artforum, New York, December 2005, pp. 240–241, 262–263, ill.
MacGilp, Ali, ‘Paul McCarthy’, in: Exit Express, Madrid, December 2005, pp. 25-26, ill.
___, ‘Paul McCarthy: LaLa Land and Parody Paradise’, in: The Guardian, London, November 28, 2005, pp. 14
J. B. – H., ‘Les choix personnels d’un marchand astucieux’, in: Les Echos, Paris, November 25, 2005, p. 5
Pomba, Susanna, ‘O Artista Pirata’, in: Publico, Lissabon, 19. November 2005, p. 20, ill.
Wullschlager, Jackie, ‘A monstruous lightness of being’, in: Financial Times, London, 9. November 2005, p. unknown, ill.
Güner, Fisun, ‘Art Review, Paul McCarthy: LaLa Land Parody Paradise’, in Metro, London, 7. November 2005, p. unknown, ill.
Glover Michael, ‘Original pirate materials’, in: The Independent, London, 4. November 2005, p. 56, ill.
Smith, Charlotte, ‘Hitting the pig time…’, in: Hackney Gazette, London, November 4, 2006, p. 26
Coomer, Martin, ‘Pirate Adventure’, Time Out, London, November 2, 2005, p. 39, ill.
Lack, Jessica, ‘Inside’, i-D, London, vol. II/X, no. 260, November 2005, p. 42, ill.
Cattelan, Robert, ‘Paul McCarthy ‚LaLa Land Parody Paradise’’, in: Flux Magazine, London. November 1, 2005, p. 109
___, ‘’Take two. World and Views: Contemporary Art from the Collection’’, in: Art News, New York, November 1, 2005, pp. 178-179
McManus, Maureen, ‘Pirates, Pigs and Penises’, in: Cen Magazine, London, November 2005, pp. 37-38, ill.
___, ‘McCarthy suffers for his art’, in: The Art Newspaper, London, November 2005, p. 43, ill.
Hackworth, Nick, ‘ Ferociously filthy’, in: London Evening Standard, London, October 31, 2005, p. unknown, ill.
___, ‘Paul McCarthy’, Sunday Telegraph, London, October 30, 2005, p. 18
Wullschlager, Jackie, ‘Meet Art’s Most Powerful Man’, Financial Times, London, October 29, 2005, pp. 1–2, ill.
Amg, ‘Ekelpaket’, in: Süddeutsche Zeitung, Munich, October 27, 2006, p. 1
Searle, Adrian, ‘Shiver Me Timbers’, The Guardian, London, October 25, 2005, pp. 18–20, ill.
Eady, Piers, ‘Artist with Attitude’, in: East End Life, London, October 23, 2005, p.17, ill.
Wullschlager, Jackie, ‘Art’, Financial Times, London, October 22, 2005, p. 39
Lack, Jessica, ‘Paul McCarthy’, in: The Guide, London, October 22-28, 2005, p. 36, ill.
___, Gossip: Pirates Captured in Whitechapel’, in: The Art Newspaper, London, October 21, 2005, p. 2, ill.
Duncan, Alistair, ‘LaLa Land Parody Paradise’, in: ES Magazine, London, October 21, 2005, p. 7, ill.
Searle, Adrian, ‘Holidays in hell’, The Guardian, London, October 11, 2005, pp. 18–20, ill.
von Hase, Bettina, ‘beyond the fringe’, Art + Auction, New York, October 2005, pp. 102–106, ill.
___, ‘A Pirate for a Prince’, Flash Art, Milano, vol. XXXVIII, no. 244, October 2005, p. 50, ill.
Lack, Jessica, ‘Combining dumb humour and human savagery, Paul McCarthy’s world is a riotous mix of political satire and sticky human goo’, in: i-D, London, vol. II/IX, no. 259, October 2005, pp. 196-199, ill.
Sibson, Gareth, ‘The Whitechapel Gallery’, in: Urban Life, London, October 2005, p. unknown, ill.
Schütz, Heinz, ‘Paul McCarthy ‚LaLa Land Parodie Paradies’’, in: Kunstforum International, Ruppichteroth, vol. 177, September/October 2005, pp. 416-418, ill.
Arendt, Paui, ‘Orgies and battles` promised at Paul McCarthy`s pirate theme park’, in: The Guardian, London, 27. September 2005, p. unknown, ill.
Harrison, Rachel, ‘California über Alles’, Artforum, vol. XLIV, no. 1, September 2005, pp. 69–70, ill.
Falconer, Morgan, ‘Paul McCarthy, Munich and London’, in: The Burlington Magazine, London, September 2005, p. 635, ill.
___, ‘The Filth and the Gory’, in i-D, London, September 2005, pp. Unknown, ill.
Filipovic, Elena, ‘Dionysac: Art in Flux’, Frieze, London, no. 93, September 2005, p. 140, ill.
Hafner, Hans-Jürgen, ‘Paul McCarthy, ‘LaLa Land: Paraody Paradise’’, Spike, Vienna, no. 5, Autumn 2005, p. 121, ill.
Sachs, Brita, ‘Mit Meerblick: Kunst am Bau’, in: Frankfurter Allgemeine Zeitung, Frankfurt, August 28, 2005, p. 55, ill.
Bartels, Daghild, ‘Spürnase für die kommenden Trends in der Kunst’, in: Handelsblatt, Düsseldorf, August 12, 2005, p. 35
Bronfen, Elisabeth, ‘LaLa Land – Parodie Paradies’, Kunst 21, Bischofszell, August 11, 2005, p. 38, ill.
Hauschild, Joachim, ‘Neues vom Hexer’, in: Art, Hamburg, August, p. 92.
Azimi, Roxana, ‘Californie: des affreuy jojos aux radicaux’, in: L’oeil, No. 571, Paris, July-August 2005, pp. 108-111, ill.
Weissmann, Benjamin, ‘The Autobiography of Paul McCarthy’, Modern Painters, London, July / August 2005, pp. 58–63, ill. (cover)
Heise, Rüdiger, ‘Flower Power’, Applaus, München, July/August 2005, p. 55, ill.
Pa, ‘Obzöne Fratzen aus Gips und Stein’, in. Frankfurter Neue Presse, Frankfurt, July 27, 2005, p. 1, ill.
Restorff, Jörg, ‘Kakophonie der Bilder’, in: Kunstzeitung, Regensburg, July 21, 2005, ill.
Erfle, Anne, ‘Disneyland, abgebrannt’, NZZ am Sonntag, Zurich, July 17, 2005, p. 50, ill.
Czöppan, Gabi, ‘Disneyland pervers’, in: Focus, Munich, July 21, 2005, ill.
Seeberger, Christoph, ‘Aufblasbare Provokation: Werkschau Paul McCarthy im ‘Haus der Kunst’‘, in: Nordbayerischer Kurier, Coburg, July 11, 2005, p.12, ill.
Falconer, Morgan, ‘Feeding frenzy’, ArtReview, vol. LVI, July 2005, p. 39, ill.
Gingeras, Alison, ‘Mad Cowboy’, on: www.artforum.com, May 28, 2005, ill.
Walde, Gabriela, ‘LaLa Land ist abgebrannt’, in: Welt kompakt, Berlin, June 24, 2005, pp. 26, ill.
Weber, Mirko, ‘Treck ins LaLaLand’, in: Die Zeit, Hamburg, June 23, 2005, p. 47
___, ‘Spotlight’, in: Sonntagszeitung, Zurich, June 19, 2005, p. 51
Mack, Gerhard, ‘Art Basel: Die Malerei liegt gross im Trend’, in: NZZ am Sonntag, Zurich, June 19, 2005, p. 69
Liebs, Holger, ‘Nie mächtiger, nie besser’, in: Süddeutsche Zeitung, Munich, June 17, 2005, p. 13
___, ‘Spucke auf der Linse’, in: Süddeutsche Zeitung Extra, Munich, June 16, 2005, p. 5
Weber, Mirko, ‘Die Hölle in der Hülle’, in: Der Tagesspiegel, Berlin, June 15, 2005, p. 23, ill.
Krieger, Hnas, ‘Wollüstig räkelt sich das Plastik-Schwein’, in: Nürnberger Nachrichten, Nürnberg, June 14, 2005, p. 26, ill.
___, ‘Parade der Prärie’, in: Süddeutsche Zeitung, Munich, June 13, 2005, p. 41
Fehr, Katrin, ‘Ein perverser Höllentrip durch das Paradies’, in: Donaukurier, Ingolstadt, June 13, 2005, p. 10, ill.
___, ‘Erwischt! Ein US-Boy beim Schuhplatteln’, in: Abendzeitung, Munich, June 13, 2005, p. 8, ill.
___, ‘Paul McCarthy im Haus der Kunst’, in: Straubiger Tagblatt, Straubingen, June 13, 2005, ill.
Tröstler Christian, ‘Blut- und Blumenträume’, in: Welt am Sonntag, Berlin, June 5, 2005, p. 68, ill.
Pko, ‘Das Haus der Kunst als Blumentopf für deutsche Geranien’, In: Südwest Presse, Ulm, June 4, 2005, p. 20, ill.
___, ‘In weiter Ferne so nah’, in: In München, Munich, June 2, 2005, p. 38, ill.
___, ‘Paul McCarthy’, in: Art Investor, Munich, No. 2, June 2005, pp. 46-58, ill.
___, ‘Violent Gems’, in: Wallpaper, London, June 2005, p. 174, ill.
Jensen, Lars, ‘Freibeuter der Phantasie’, in: Architectural Digest, Munich, June 2005, pp. 56-60, ill.
Relya, Lane, ‘A Few Words for DEAD H: Ein paar Worte für das tote H’, in: Parkett, Zurich, no. 73, pp. 102–111, ill.
Sigler, Jeremy; McCarthy, Paul, ‘A Dialogue with Language Itself’, in: Parkett, Zurich, no. 73, pp. 112–146, ill.
Burton, Johanna, ‘Paul McCarthy: Haus der Kunst’, Artforum, New York, vol. XLIII, no. 9, May 2005, p. 143, ill.
Bishop, Claire, ‘But Is It Installation Art? ‘, Tate etc., London, Issue 3, Spring 2005, pp. 26–35, ill.
Funge, Benjamin, ‘Off the Map’, ArtReview, London, March 2005

2004
Lindinger, Gabriele / Schmid, Karlheinz / Wirth, Iwan (ed.), ‘Kunstjahr 2004: Die Zeitschrift, die Bilanz zieht’, Regensburg: Lindinger + Schmid, 2004, pp. 122–123, p. 259, ill.
Herbert, Martin, ‘On the Ground’, Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 73–76
Martin, Partricia, ‘Coleccion Jumex: A learning experience’, Arco Contemporary Art, Madrid, no. 34, Winter 2004, pp. 44–49
Siviero, Viviana, ‘Tokyo Santa’, Espoarte, Albissola Marina, no. 32, December 2004–January 2005, p. 16, ill.
Rimanelli, David, ‘Disparities and Deformations: Our Grotesque’, Artforum, New York, vol. XLIII, no. 3, November 2004, pp. 215–216, ill.
Schmid, Karlheinz, ‘Auf Nummer Sicher’, Kunstzeitung, Ruppichteroth, no. 99, November 2004, p. 13, ill.
Singerman, Howard, ‘Helter Skelter’, Artforum, New York, vol. XVIII, no. 10, October 2004, pp. 125–126, p. 284, p. 286, ill.
Poschardt, Ulf, ‘Die Ideal-Lösung’, Die Welt am Sonntag, Berlin, September 26, 2004, p. 67
Cuenca, Havier, ‘La provocacion de McCarthy llega al CAC’, in: Diario Malaga, Malaga, September 25, 2004, p. 30, ill.
Baier, Uta, Walde, Gabriela, ‘Aggressiv, zerrissen, betäubend’, Die Welt, Berlin, September 22, 2004, p. 27
DW, ‘Schröder eröffnet die Flick Collection: Wir wollen die Kunst feiern’, Die Welt, Berlin, September 22, 2004, p. 22 (cover)
Edp, ‘Umstrittene Ausstellung eröffnet’, Kölner Stadt-Anzeiger, Cologne, September 22, 2004, (cover)
Fronz, Hans-Dieter, ‘Die 35. Art Basel’, in: Kunstforum International, Ruppichterroth, No. 171, July-August 2004, pp. 405-409, ill.
Heartney, Eleanor, ‘The Well-Tempered Biennial’, Art in America, New York, no. 6, June–July 2004, pp. 71–77, ill.
Bonvincini, Gyonata, Manacorda, Francesco, ‘London Calling’, Flash Art, Milan, vol. 17, no. 246, June–July 2004, pp. 116–120, ill.
Ward, Ossian, ‘Artists have their say’, in: Evening Standard, Lonson, June 1, 2004, p. 47, ill.
Kastner, Jeffrey. ‘Deviation Standard’, Artforum, New York, vol. XLII, no. 9, May 2004, pp. 73–75
Tuymans, Luc, ‘Replay’, Flash Art, Milan, vol. XXXVII, no. 235, March–April 2004, p. 120, ill.
Smith, Roberta, ‘Emerging Talent, and Plenty of It’, The New York Times (online edition), New York , March 12, 2004
Kimmelman, Michael, ‘Art Review: Touching All Bases at the Biennial’, The New York Times, New York (online edition), March 12, 2004
Saltz, Jerry, ‘OK Corral’, www.artnet.com (Magazine Features), March 2004, ill.
Feaver, William, ‘Paul McCarthy: Hauser & Wirth, London’, ARTnews, New York, vol. 103, no. 2, February 2004, p. 123, ill.
Kushner, Rachel, ’1000 Words: Paul McCarthy Talks About Piccadilly Circus’, Artforum, New York, vol. XLIII, no. 5, January 2004, p. 122, ill.
Karcher, Eva, ‘Paul McCarthy Invites You to an Infernal Tea Party’, Sleek, Hamburg, issue 4, pp. 134–139, ill.

2003
Searle, Adrian, ‘Paul McCarthy en remet une couche’, Courrier International, Paris Cedex, no. 686–687, vol. XXI, December 24, 2003–January 7, 2004, ill.
Burnichon, Marie-Cécile, ‘Special Ketchup Forces’, O2, Winter 2003–2004, p. 32, ill.
Lack, Jessica, ‘Alive and Kicking’, RA Magazine, London, Winter 2003
Bokern, Anneke, ‘Vertreibung aus dem Subventionsparadies: Dankt der holländische Liberalismus ab?’, Kunstjahr 2003, Regensburg, Winter 2003, no. 3, pp. 143–144, ill.
Herbert, Martin, ‘Biennale d’art contemporain de Lyon’, Artforum, New York, vol. XLII, no. 4, December 2003, p. 139, ill.
Allen, Jenifer, ‘Paul McCarthy’, Artforum, New York, December 2003.
Troncy, Eric, ‘Eine Zukunft, die man gerne noch etwas hinauszögern möchte’, Parkett, Zurich, no. 69, December 2003, pp. 189–193, ill.
Dalwood, Dexter, ‘How to Sound Clever About Paul McCarthy’, Arena, London, December 2003, p. 39
Darrieussecq, Marie, ‘Mon nez et moi’, Beaux Arts Magazine, Paris, no. 235, December 2003, p. 90, ill.
Rosenblum, Robert, ‘Paul McCarthy’, Artforum, New York, vol. XLII, no. 4, December 2003, p. 120–121, ill.
Buck, Louisa, ‘George Bush Bares All in Piccadilly’, The Art Newspaper, New York, no. 142, December 2003, p. 31, ill.
___, ‘Tea forTwo mit Bush’, in: Art, Hamburg, December, p. 10, ill.
Brugerolle de, Marie, ‘It Happened Tomorrow: Lyon Biennale’, Flash Art, Milan, vol. XXXVI, no. 233, November–December 2003, pp. 41, 50, ill.
Stech, Fabian, ‘Lyon reloaded’, Kunstforum International, Ruppichteroth, no. 167, November/December 2003, pp. 358–363, ill.
Poli, Francesco, ‘Biennale di lione’, Tema Celeste, Milan, no. 100, November/December 2003, p. 115, ill.
Ackermans, Heinz, Basualdo, Carlos [et al.], ‘Which Artist[s?] from the Past Decades Still Assert a Great Influence on the Art of today’, Tema Celeste, Milan, no. 100, November/December 2003, pp. 58–69
Byren, Soldo, ‘Pandora’, The Independant, London, November 18, 2003, p. 16
Searle, Adrian, ‘Not Suitable for Children: Or Adults’, The Guardian (G2), London, no. 48879, November 4, 2003, pp. 12–13, ill.
V.D., ‘Paul McCarthy, scandale à Picadilly’, Le Figaro, Paris, October 24, 2003, p. 25, ill.
Hackworth, Nick, ‘Grotesque Piccadilly Circus Heralds London’s Art Boom’, Evening Standard, London, October 16, 2003, ill.
P.T., ‘La vie militaire passeé à la tronçonneuse’, Lyoncapital, Lyon, no. 445, October 1–7, 2003, ill.
Darling, Michael, ‘SITINGS: Installation Art 1969–2002’, MOCA The Contemporary, Los Angeles, September/October/November 2003, pp. 8–9, ill.
Moss, Stephen, ‘That’s Not a Pawn, Is It?’, The Guardian, London, September 26, 2003, p. 4.
Dagen, Philippe, ‘La Violence à l’œuvre’, Le Monde, Paris, September 21, 2003.
Ardenne, Paul, ‘C’est arrivé Demain: Interview’, Art Press-Special Edition, Paris, September 2003.
Buck, Louisa, ‘London Diary: Hauser & Wirth Open New Gallery in Piccadilly’, The Art Newspaper, New York, no. 139, September 2003.
___, [review], Modern Painters, London, vol. 6, no. 2, Summer 2003, p. 129, ill.
Hartson, William, ‘Movers and Shapers’, Sunday Express, London, June 29, 2003.
Cripps, Charlotte, ‘From Chess Piece to Masterpiece’, The Independent, London, June 26, 2003, p. 14.
Farndale, Nigel, ‘Grand Master Pieces’, The Sunday Telegraph Magazine, London, June 8, pp. 32–33.
Hübel, Michael, ‘(In Search of) The Perfect Lover’, Kunstforum International, Ruppichteroth, no. 165, June/July 2003, pp. 329–331, ill.
Weissman, Benjamin, ‘Paul McCarthy’, in: Bomb, New York, Summer 2003, p. 32–37, ill.
___, ‘May. Critic’s choice’, in: Time Out London, London, April 30 – May 7, 2003, p. 8.
Januszczak, Waldemar, ‘Art: Giant, Inflatable… and Temporary…’, The Sunday Times, London, May 25, 2003.
Gayford, Martin, ‘What’s Black and Pink and Blows Up’, The Sunday Telegraph, London, May 25, 2003
Dowling, Tim, ‘Pop Art’, The Guardian, London, May 21, 2003.
Hackworth, Nick, ‘Over-Inflated but Endearingly Daft’, Evening Standard, The Arts, London, May 21, 2003.
Jones, Jonathan, ‘A Big Let-Down: The Experts View’, The Guardian, London, May 21, 2003.
Güner, Fisun, ‘Daddy nose best’, in: Metrolife, London, May 21, 2003, ill.
Aspden, Peter, ‘Paul McCarthy’, The Financial Times, London, May 20, 2003.
Freeman, Alison, ‘Inflatable Art Raises Smiles’, BBC News Online, London, May 19, 2003.
___, ‘Pinocchio looms large by Tate Modern’, in: Yorkshire Post, London, May 19, 2003, ill.
Van Gelder, Lawrence, ‘Arts Briefing; London: Solid and Airy Sculpture’, The New York Times, New York, May 19, 2003.
___, ‘Chip off the old block. Pinocchio grows up’, in: The Guardian, London, May 19, 2003, 1, ill.
___, ‘Sculpture. Paul McCarthy discusses his inflatable monoliths’, in: Tate, arts and culture, London, pp. 3; 11-13, ill.
Dipesh, Gadher, ‘Blockhead Leads March of the Artistic Giants’, The Sunday Times, London, May 18, 2003, p. 9, ill.
, ‘‘, in: The Independent on Sunday, May 18, 2003, p. 41, ill.
Hemmings, Sarah, ‘Art: Paul McCarthy, Tate Modern, London SE1’, Express, May 16, 2003.
Barber, Lynn, ‘Power and the Glory’ [interview], The Observer Magazine, London, May 11, 2003, pp. 37–41, ill.
___, ‘Paul McCarthy. London’, in: Guardian Guide, London, May 17-23, 2003, ill.
Allen, Jennifer, ‘In Rotterdam McCarthy’s Santa Claus May Lose Ist Prime Location’, Artforum, New York, vol. XLI, no. 7, April 2003, p. 27.
Frank, Peter, ‘Art Pick of the Week-High Performance: The First Five Years’, LA Weekly, Los Angeles, March 20–27, p. 132.
Restorff, Jörg, ‘Ausstellungen im März’, Kunstzeitung, Regensburg, no. 79, March 2003, ill.
Welchman, John C. , ‘Haus, Hinterhof, Atelier, Kulisse: Paul McCarthys Arbeitsräume’, Texte zur Kunst, Berlin, vol. 13, no. 49, March 2003, pp. 105–111, ill.
Kontova, Helena, ‘The Wrong Gallery’, Flash Art, Milan, January/February 2003, p. 45.
Berwick, Carly, ‘A Right Kind of Wrong’, ARTnews, New York, vol. 102, no. 1, January 2003, p. 25.
Avgikos, Jan, ‘Paul McCarthy: Luhring Augustine Gallery’, Artforum, New York, vol. XLI, no. 5, January 2003, pp. 137–138, ill.

2002
Schmid, Karlheinz, ‘Alle guten Dinge sind drei: Die Kolumne von Karlheinz Schmid’, in: Informationsdienst Kunst, December 5, 2002, pp. 12-13.
Schindler, Anna, ‘Shit Plug’, www.artforum.com/CRITICS’ PICKS, New York, Winter 2002.
Nolan, Isabel, ‘Kilkenny: Paul McCarthy at Butler’, Circa, Dublin, no. 102, Winter 2002, ill.
Sanders, Mark, ‘Paul McCarthy’, Another Magazine, London, no. 3, Autumn/Winter 2002, pp. 402–415, ill.
Smith, Roberta, ‘Paul McCarthy: Clean Thoughts’, The New York Times, New York, October 25, 2002.
Dunne, Aidan, ‘Shocking Art’, CIRCA 101, Dublin, Autumn 2002, p. 5.
___, ‘Paul Mc Carthy ‘Santa Chocolate Shop’ ‘, on: www.muenster.org, August 18, 2002.
Dunne, Aidan, ‘Heavy on the Nihilism’, Weekend, The Irish Times, Dublin, Saturday, August 17, 2002, ill.
Ossian, Ward, ‘Think About It’, Art Review, London, vol. LIII, July/August 2002.
Mcgee, Mike, ‘Paul McCarthy’, Tema Celeste, Milan, vol. XIV, no. 90, March/April 2002.
Danto, Arthur C., Rinder, Lawrence [et al.], ‘New York, November 8, 2001: a conversation’, Tema Celeste, Milan, vol. XIX, no. 89, January–February 2002, pp. 37, 39, ill.

2001
Kyander, Pontus, ‘Flytande manlighet’, Sydsvenska Dagbladet, Malmö, December 21, 2001.
McEwen, John, ‘Art of an Artful Dodger’, The Sunday Telegraph, London, December 2, 2001.
Clark, Robert, ‘In Your Face’, Art Review, London, December–January 2001/2002, ill.
Meyer, James, ‘Best of 2001’, Artforum, New York, vol. XL, no. 4, December 2001, pp. 106–107, ill.
Lubbock, Tom, ‘The Medium Is the Mess’, The Independent, London, November 27, 2001, ill.
Searle, Adrian, ‘Mucky Devil’, The Guardian, Saturday Review, London, November 10, 2001, ill.
Vahland, Kia, ‘Kunst mit Ketchup und Mayonnaise’, in: Art, Hamburg, November, p. 112, ill.
Grant, Simon, ‘Action Man’, Tate: The Tate Magazine, London/Liverpool, Winter 2001, pp. 6–7, ill.
Cumming, Laura, ‘An Unnatural Relish for Ketchup’, The Observer, London, October 21, 2001, ill.
Rc., ‘Paul McCarthy Liverpool’, The Guardian: The Guide, London, October 20–26, 2001, ill.
Chapman, Peter, ‘Paul McCarthy’, The Independent, London, October 13–19, 2001, ill.
Cowan, Amber, ‘Nationwide Choice: Paul McCarthy’, The Times, London, October 13–19, 2001, ill.
Ow., ‘Buttocks, Breasts and Beckham’, Art Review, London, October 2001.
Jp, ‘Paul McCarthy, Tate Liverpool’, Pure, vol. 1, 2001, p. 134, ill.
Lutyens, Dominic, ‘Tableaux of Disharmony’, Blueprint, October 2001, ill.
Weissman, Benjamin, ‘Notes Toward an Autobiography of Paul McCarthy’, X-Tra, Los Angeles, vol. 4, no. 2, 2001.
Lebovici, Elisabeth, ‘Le Crado est son credo’, Libération, Paris, September 18–19, 2001, pp. 22–23, ill.
M. N., ‘Paul McCarthy: Peindre au Ketchup’, Le Figaro, Paris, August 3, 2001.
Ha. B., ‘Paul McCarthy, l’affreux jojo de la création’, Le Monde, Paris, July 7, 2001, ill.
Tosi, Marco Ligas, ‘Don DeLillo’, Tema Celeste, Milan, vol. XVIII, no. 86, Summer 2001, pp. 104–105, ill.
Briggs, Patricia, ‘Painting at the Edge of the World’, Artforum, New York, vol. XXXIX, no. 10, Summer 2001, pp. 187–188.
Kolczynska, Paulina, ‘The First Quarter: ‘The Armory’ Perspective’, Tema Celeste, Milan, vol. XVIII, no. 85, May–June 2001, pp. 26–17, ill.
Gang, Jane, ‘Paul McCarthy’, Everything Magazine, London, no. 3–4, 2001, pp. 11–15, ill.
Heartney, Eleanor, ‘Chronology Dethroned’, Art in America, New York, vol. 89, no. 5, May 2001, pp. 55–63.
Gm, ‘Lockere Dialoge’, in: Cash, Zurich, May 19, 2001, p. 93.
Pollack, Barbara, ‘Paul McCarthy’, ARTnews, New York, vol. 100, no. 5, May 2001, p. 189, ill.
Klein, Jenny, ‘Paul McCarthy Rites of Masculinity’, PAJ (A Journal of Performance & Art) 1976–2001 – Celebrating 25 Years, New York, May 2001, no. 68, p. 10–17.
Brenken, Anna, ‘Das Ekelpaket’, in: in: Art, Hamburg, May, p.136,ill.
Hainley, Bruce, ‘Paul McCarthy’, Frieze, London, no. 58, April 2001, pp. 90–91, ill.
Troncy, Éric, ‘Paul McCarthy: Disney à la sauce piquante’, Beaux Arts, Paris, no. 203, April 2001, pp. 50–55, ill.
D’Arcy, David, ‘Nothing New Under the Bum’, The Art Newspaper, London, April 2001, p. 20.
Meyers, Todd, ‘Paul McCarthy: Dimensions of the Mind’, Parachute, Montréal, no. 103.
Hainley, Bruce, ‘Paul McCarthy: MoCA Los Angeles’, Frieze, London, no. 58, April 2001, pp. 90–91, ill.
Poli, Francesco, ‘Let’s Entertain – From Warhol to Kelley: Art Between the Exaltation of Consumerism and the Star System’, Tema Celeste, Milan, no. 84, March–April 2001, pp. 54–59, ill.
Williams, Alena, ‘Paul McCarthy: MoCA at the Geffen Contemporary’, Tema Celeste, Milan, no. 84, March–April 2001, p. 98.
Turner, Grady T., ‘Paul McCarthy: Inside and Outside’ [interview], Flash Art, Milan, vol. XXXIV, no. 217, March–April 2001, pp. 86–91, ill.
Saltz, Jerry, ‘Back Door Man: Surviving the McCarthy Invasion’s Rabelaisian Excess’, The Village Voice, New York, March 20, 2001.
Naves, Mario, ‘Shit Hits the Fan at the McCarthy Show’, The New York Observer, March 19, 2001.
Stevens, Mark, ‘Glop Art’, New York Magazine, New York, March 12, 2001.
Yablonsky, Linda, ‘Gross Point-Blank’, Time Out New York, New York, March 8–15, 2001.
Plagens, Peter, ‘Another Kind of McCarthy Era’, Newsweek, New York, March 5, 2001, p. 60, ill.
Newhall, Edith, ‘Drilling for Crude’, New York Magazine, New York, February 26, 2001.
Kimmelman, Michael, ‘Thwack! It Sticks in the Brain’, The New York Times, New York, February 23, 2001, pp. E31, E34, ill.
Haydt, Elizabeth, ‘If You Wow Them, They Will Come’, The New York Times, New York, February 18, 2001.
Rush, Michael, ‘Paul McCarthy an Artist with a Cattle-Prod Style’, The New York Times, New York, February 18, 2001.
Bourriaud, Nicolas, ‘Au pilori’, in: Beaux Arts, Paris, no. 201, February 2001, p. 43, ill.
Hecht, Axel, ‘Das Museum als Luna-Park’, in: Art, Hamburg, No, 2, February 2001, p. 90
Muchnic, Suzanne, ‘Paul McCarthy. Museum of Contemporary Art. Los Angeles’, in: ARTnews, New York, February 2001, p. 160, ill.
Siemens, Christine, ‘Paul McCarthy at Museum of Contemporary Art’, in: Art Issues, New York, January – February 2001, p. 46, ill.
___, ‘Ketchup, Sex and Disneyworld’, in: Frame, Vienna, no. 5, January/February 2001, p. 121, ill.
Vogel, Carol, ‘A Studio in an Atrium’, in: The New York Times, New York, January 19, 2001.
Kramer, Christine, ‘Der Pavillon im Kloster und andere Recycling-Ideen’, in: Art, Hamburg, no. 1, January 2001, p. 104, ill.
Hettig, Frank-Alexander, ‘Paul McCarthy’, in: Kunstforum, Ruppichteroth, no. 153, January-March 2001, pp. 423-425, ill.
Sausset, Damien, ‘Paul McCarthy, l’enfant terrible’, L‘Œil, Paris, no. 522, December–January 2001, p. 100, ill.
Vogel, Carol, ‘Inside Art: A Windfall For the Modern: A Studio in an Atrium’, The New York Times, New York, January 19, 2001.

2000
Young, Paul, ‘Man in the box’, in: Angeleno, Los Angeles, November – December 2000, pp. 288, 289, ill.
McCarthy, Paul, ‘Tokyo Santa, 1996’, Trans>arts.cultures.media, New York/São Paulo, no. 8, 2000, ill.
Harvey, Doug, ‘Ten Shows That Rocked My World: Paul McCarthy at MOCA’, LA Weekly, Los Angeles, December 29, 2000–January 4, 2001.
Rugoff, Ralph, ‘Bad Boy Rides the Theme Park’, The Financial Times, London, December 16, 2000.
Rugoff, Ralph, ‘Best of 2000: Paul McCarthy (Hannover Expo 2000)’, Artforum, New York, vol. XXXIX, no. 4, December 2000, pp. 122–123, ill.
Feinstein, Roni, ‘Report from Sydney, the Biennale of Reconcilition’, Art in America, New York, no. 12, December 2000, pp. 38–45.
Volk, Gregory, ‘Exposition Art’, in: Art in America, New York, vol. 88, no. 12, December 2000, pp. 46-49, ill.
Mendelssohn, Joanna, ‘The 12th Sidney Biennial’, Tema celeste, Milan, vol. XVII, no. 82, October–December 2000, p. 104, ill.
Rosenberg, Jeremy, ‘Los Angeles – Paul McCarthy’, in: Art & Auction, New York, November 1, 2000, ill.
Drohojowska-Philip, Hunter, ‘It’s not shocking to him’, in: Los Angeles Times, Los Angeles, November 5, 2000, pp. 10; 86, ill.
Knight, Christopher, ‘Compellingly Sold by the Gross’, Los Angeles Times, Los Angeles, November 14, 2000, pp. F5–F7
Harvey, Dlug, ‘The McCarthy Era’, LA Weekly, Los Angeles, November 24–30, 2000 (online)
Holert, Tom, ‘Schooled for Scandal’, Artforum, New York, vol. XXIX, no. 3, November 2000, pp. 134–141, ill.
Hill, Peter, ‘Biennale of Sydney 2000’, ARTnews, New York, vol. 99, no. 10, November 2000, p. 216
Verwoert, Jan, ‘In Between: World Fair Expo, Hannover’, Frieze, London, no. 55, November–December 2000, pp. 122–123, ill.
___, ‘6th International Triennal the Ecology and the Art: ‘American Dreams’’, in: Kunstforum International, Ruppichteroth, no. 152, October-December 2000, p. 477, ill.
Lacagnina, Salvatore, ‘In Between at the Expo of Hanover. Interview with Wilfried Dickhof’, in: Tema Celeste, Milan, vol. XVII, no. 82, October-December 2000, p. 112, ill.
___, ‘Paul McCarthy’, Frame [‘Sex & Porno’], Vienna, no. 4, September–October 2000, p. 64, ill.
Hoffmann, Jens, ‘In Between (The Hannover Expo)’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, p. 39, ill.
Hoffmann, Jens, ‘Aperto Performance’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, pp. 49–51
Ritter, Peter, ‘Let’s Entertain: Sex, Celebrity and Television’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, pp. 98–99, ill.
Turner, Grady T., ‘The Biennale of Sydney 2000’, Flash Art, vol. XXXIII, no. 214, Milan, October 2000, p. 39, p. 45
Cameron, Dan, ‘Paul McCarthy’, The Contemporary, Los Angeles: The Museum of Contemporary Art, September/October/November 2000, pp. 8–9, ill.
Birnbaum, Daniel, ‘Paul McCarthy, Museum of Contemporary Art’, Artforum, New York, vol. XXXIX, no. 1, September 2000, p. 51, ill.
Mendelsohn, Joanna, ‘12th Biennale of Sydney 2000’, Artlink, vol. 20, September 3, 2000
Wulffen, Thomas, ‘Expo 2000, Le Monde de Demain?’, Beaux Arts Magazine, Paris, no. 195, August 2000, p. 22
Bouruet-Aubertot, Véronique, ‘Exposition’, in: Beaux Arts, Paris, no. 195, August 2000, pp. 90-97, ill.
Wulffen, Thomas, ‘In Between: Kunst auf der Expo 2000’, Kunstforum International, Ruppichteroth, No. 151, July-August, 2000, pp. 470-471
Gingeras, Allison M., ‘Paul McCarthy’ [interview], Beaux Arts Magazine (Special Edition: Art 31 Basel, Art Unlimited 2000), Paris, 2000, ill.
James, Bruce, ‘Review: Paul McCarthy’, Radio National, Australia, June 9, 2000
___, ‘Gemüsefasching mit Substanz’, in: NZZ, Zurich, no. 124, May 29, 2000, p. 29, ill.
Kdo, ‘Momente der Erinnerung’, in: Neue Zürcher Zeitung, Zurich, May 26, 2000, p. 66
McEwen, John, ‘Mooning Bottoms Answer a Profound Human Need’, Sunday Telegraph, London, May 21, 2000
Darwent, Charles, ‘A World Turned Upside Down’, The Independent on Sunday, London, May 21, 2000
Jones, Johnathan, ‘Scary Masks and Sausages’, The Guardian, London, May 13, 2000
Tumlir, Jan, ‘The Fashion Show’, Artext, Los Angeles, no. 69, May–July 200
Farquharson, Alex, ‘‘Lost’: Ikon Gallery Birmingham, February 16 to April 2’, Art Monthly, London, no. 235, April 2000
Milroy, Sarah, ‘That’s Not Funny, That’s Sick – or Is It?’, National Post, Toronto, April 8, 2000
Gopnik, Blake, ‘One Bright Idea Amid the Dross’, The Globe and Mail, Toronto, April 5, 2000
Hume, Christopher, ‘Testing the Limits of Taste’, The Toronto Star, Toronto, March 23, 2000
Hainley, Bruce, ‘Paul McCarthy, Blum & Poe’, Artforum, vol. XXXVII, no. 6, New York, March 2000
Jordan, Patricia, ‘The Art of Teaching Art at UCLA’, Graduate Quarterly, Los Angeles, January 28, 2000
KS, ‘Mike Kelley and Paul McCarthy: Collaborative Works. Power Plant’, in: Artforum, New York, vol. XXXVIII, no. 5, January 2000, p. 36, ill.

1999
Cameron, Dan, ‘Best of ‘90s’, Artforum, New York, vol. XXXVIII, no. 4, December 1999, pp. 132–133, ill.
Cooper, Dennis, ‘Sensitized’, Spin, New York, vol. 15, no. 12, December 1999
McCormick, Carlo, ‘Visionary Violence: The Indelible Legacy of Paul McCarthy’, Juxtapoz, San Francisco, no. 23, November/December 1999
Baker, Daan, Visser, Catherine, ‘Dreaming of a Catalogue House’, Archis, Amsterdam, October 1999, p. 25
Politi, Giancarlo, ‘The Venice Biennale’, in: Flash Art, Milan, vol. XXXII, no. 208, October 1999, pp. 76–80, ill.
Knuspit, Donald, ‘In the Anal Universe: The Para-Art of Mike Kelly and Paul McCarthy, New Art Examiner, Chicago, October 1999
Puvogel, Renate, ‘Paul McCarthy – Dimensions of the Minds: The Denial and the Desire in the Spectacle’, Kunstforum International, no. 147, September–November 1999, pp. 443–445, ill.
Gellatly, Andrew, Heiser, Jörg, ‘Just Add Water’, Frieze, London, no. 48, September–October, pp. 66–71
McCarthy, Paul, ‘Texte zur Kunst – Edition Heft Nr. 35’, Texte zur Kunst, Berlin, no. 35, September 1999, pp. 236–237, ill.
___, ‘Dimensionen der Zeit’, in: St. Galler Tagblatt, St. Gall, September 1, 1999, p. 49
Wagner, Anselm, ‘Venezianischer Kunstsupermarkt’, in: Noema Art Journal, Berheim, no. 52, August-October 1999, pp. 89-99
Tietenberg, Annette, ‘Von Liebe, Kunst und anderen Geschäften’, in: Frankfurter Allgemeine, Frankfurt, August 21, 1999, p. 45, ill.
Mebold, Adrien, ‘Orgien der Trostlosigkeit’, in: ‘Orgien der Trostlosigkeit’, in: Der Landote, Winterthur, August 14, 1999, p. 30
Bartels, Daghild, ‘Kunst im alten Lokschuppen’, in: Handelsblatt, Düsseldorf, August 13, 1999, p. 2
___, ‘Das Schoggi-Tabu’, in: St. Galler Tagblatt, St. Ga ll, August 10, 1999, p. 41
Blase, Christoph, ‘Neue Frsiche’, in: kunst-Bulletin, Zurich, No. 7/8, July-August 1999, pp. 8-15
Mack, Gerhard, ‘Schmutzfink und Star’, in: Cash, Zurich, No. 26, July 2, 1999, p. 57, ill.
Oberholzer, Niklaus, ‘‘Maschinerue eines Vergnügungsparks’?’, in: Neue Schwyzer Zeitung, Schwyz, June 28, 1999, p. 9
Key, ‘Hauser und Wirth expandieren’, in: Der Zürcher Oberländer, Wetzikon, June 18, 1999, p. 23, ill.
Lichtensteiger, Olivia, ‘Lebendige Sammlung’, in: St. Galler Nachrichten, St. Gall, June 17, 1999, p. 11, ill.
Gerster, Ulrich, ‘Schönes neues Museum’, in: Neue Zürcher Zeitung, Zurich, June 16, 1999, p. 65, ill.
Maurer, Simon, ‘Ein Fondue azs Schokolade und Ketchup’, in: Tages Anzeiger, Zurich, June 15, 1999, p. 67, ill.
Mack, Gerhard, ‘Das grosse Verlangen’, in: Ostschweizer Tagblatt, Rorschach, June 15, 1999, p. 18, ill.
Hug, Ralph, ‘Man wähnt sich in New York’, in: Werdenberger und Obertoggenburger, Buchs, June 14, 1999, p. 8, ill.
Rietmann, Melanie, ‘‘Ein grosses Geschenk’ ‘, in: Appenzelelr Zeitung, Herisau, June 14, 1999, p. 51
Hug, Ralph, ‘Grosse Kunst in St. Galler Lokremise’, in: Der Gasterländer Seepresse, Uznach, June 14, 1999, p. 8
Wagner, Thomas, ‘Die Zukunft im Schlaf gewinnen’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 133, June 12, 1999, p. 41
Zimmermann, Christine, ‘Kippen, Drehen, Aufklappen’, in: Ostschweizer Tagbaltt, Rorschach, June 9, 1999, p. 20, ill.
Storr, Robert, ‘Prince of Tides: Robert Storr Talks with Harald Szeemann’, Artforum, New York, vol. XXXVII, no. 9, May 1999, pp. 160–165, p. 194, ill.
Hainley, Bruce, ‘Review: Paul McCarthy, Blum & Poe’, Artforum, vol. XXXVII, no. 6, March 1999, pp. 135–136
McCarthy, Paul, ‘Erotic Mammett’ [Focus on Gus van Sant], Afterall, London: Central Saint Martins College of Art & Design, 1999, no. 1, pp. 69–75, ill.
Subotnick, Ali, ‘Bucking for Trouble’, ARTnews, New York, vol. 98, no. 3, March 1999, p. 31
Cotter, Holland, ‘Propposition’, The New York Times, New York, February 12, 1999, p. E40
___, ‘Paul McCarthy – Mike Kelley Videos 1970-1998’, on: www.kunstbunker-tumulka.de, February 1999, ill.
Nesweda, Peter, ‘Paul McCarthy – ‘Painter’ ‘, in: Kunstforum International, Ruppichteroth, no. 143, January-February 1999, p. 409, ill.

1998
Huck, Brigitte, ‘Wien: Herbstlicher Ausstellungsrundgang’, in: Eikon, Vienna, no. 26/27, 1998/1999, pp. 111-114
Hayt, Elizabeth, ‘In an Era of Humanoid Art: A Forerunner Finds a Place’, The New York Times, New York, Sunday, December 13, pp. AR35, 39
Kuni, Verena, ‘Lady’s Choice: Monika Baer and Paul McCarthy’, Frieze, London, no. 43, November–December 1998, pp. 85–86
Joselit, David, ‘Between Objects and Actions’, Art in America, New York, no. 11, November 1998
McCarthy, Paul, ‘Turning Points’, Artforum, New York, vol. XXXVII, no. 2, October 1998, p. 94, ill.
___, ‘Damenwahl im Portikus’, in: Kunst-Bulletin, Zurich, no. 10, October 1998, pp. 38-39
Ise, Claudine, ‘UCLA/ART: A Portfolio of Unusually Fine Artists’, UCLA Magazine, Los Angeles, Fall 1998
Hainley, Bruce, ‘Out of Actions: Between Performance and the Object, 1949–1979’, Artforum, New York, vol. XXXVII, no. 1, September 1998, pp. 145–146
Cohen, Michael, ‘Chameleon-Like Ability’, Flash Art, Milan, vol. XXXI, no. 200, Summer 1998, p. 94
Kimmelman, Michael, ‘In Connecticut, Where Caravaggio First Landed’, The New York Times, New York, June 17, p. E35
Mistrangelo, Angelo, ‘Sunshine & Noir: Il giorno e la notte di Los Angeles’, La Stampa, Rome/Milan/Torino, May 19, 1998
Smith, Roberta, ‘Work on the Wild Side, Raw, Rank and Morbid’, The New York Times, New York, May 15, 1998, p. 34
Bonetti, David, ‘Acting Out’, San Francisco Examiner, San Francisco, May 3, 1998
Smith, Roberta, ‘When Art Became a Stage and Artists Actors’, The New York Times, New York, April 5, 1998, pp. 40-41
Birnbaum, Daniel, ‘The Good, the Bad and the Ugly’, Frieze, London, March–April 1998, 74-75
Harvey, Doug, ‘Reconstructing the Ephemeral’, LA Weekly, Los Angeles, February 20–26, 1998
Knight, Christopher, ‘Actions’ Speaks Loudly’, Los Angeles Times, Los Angeles, February 10, 1998
Isé, Claudine, ‘Tough to Swallow: Paul McCarthy’, Los Angeles Times, Los Angeles, February 6, 1998
Fouser, Robert, ‘Paul McCarthy’, Art/Text Magazine, February–April 1998, pp. 89–90
Perreau, David, ‘Dramatically Different. Une exposition moins ordinaire’, in: Omnibus, Paris, no. 23, January 1998, p. 18
Ziegler, Erdmann, ‘Wuchernde Mimikry’, Die Zeit, Hamburg, January 15, 1998
Knight, Christopher, ‘Art Window to the World’, Los Angeles Times, Los Angeles, January 6, 1998

1997
Schwerfel, Heinz-Peter, ‘‘Der Clown spiegelt meine Verfassung wider’ ‘, in: Art, Hamburg, no. 12, December 1997, pp. 54-57, ill.
Cotter, Holland, ‘Ideas from the Air, Wrapped in Paper’, The New York Times, New York, December 19, 1997, p. 39
Schröder, Johannes Lothar, ‘Sunshine & Noir: Art in LA’, Kunstforum International, Ruppichteroth, no. 139, December 1997–March 1997, pp. 409–411
Morgan, Margaret, ‘Drives, Paul McCarthy & Sam Durant’, Like Art Magazine, Melbourne, no. 3, Winter 1997
Nilsson, Håkan, ‘Sunshine & Noir ‘ [review], Flash Art, Milan, vol. XXX, no. 197, November–December 1997, p. 74
Kozloff, Max, ‘Sunshine & Noir: Art in L.A. 1960–1997’, Artforum, New York, vol. XXXVI, no. 3, November 1997, pp. 110–111
Meer, Malik, ‘Family Values’, The Face, London, October 1997
Kristine McKenna, ‘Creation of ‘Snowmen’ – A Meeting of Two Minds’, The Los Angeles Times, Los Angeles, September 18, 1997
MVDW, ‘Alpenblick: Contemporary Art and the Alpine’, in: Artforum, New York, vol. XXXVI, no. 1, September 1997, p. 68, ill.
Huici, Fernando, ‘Delicias de Microondas’, El Pais, Madrid, July 12, 1997
Parreno, José María, ‘Los Angeles, Punto de Encuentro’, ABC, Madrid, July 4, 1997
Mora, M., ‘El arte crudo de seis ‘chicos malosa’ de Los Angrles se muestra en Madrid’, El Pais, Madrid, July 1997
Walsh, Maria, ‘Natural Habitat’, Art Monthly, London, June 1997
Knight, Christopher, ‘Sunshine & Noir, The Case for L. Art’, Los Angeles Times, Calendar, Los Angeles, May 18, 1997
Larsen, Lars Bang, ‘Mister Burger King’, Politiken, Kultur, Copenhagen, May 15, 1997
Rimanelli, David, ‘Levi’s, Lipstick, and Elves, Oh My!’, Elle, April 1997
Knight, Christopher, ‘Show Time at Biennial: Send in the Big Crowds’, Los Angeles Times, Los Angeles, March 21, 1997
Schorr, Collier, ‘Paul McCarthy’, Frieze, London, March–April 1997, pp. 78–79
Kaufman, Jason Edward, ‘Made by Hand, Telling Stories and Talking to the Public’, Art Newspaper, New York, March 1997
Cameron, Dan, ‘Two Years Before the Mast’, Whitney, New York, Spring 1997
Birnbaum, Daniel, ‘Painting – The Extended Field’, Artforum, New York, vol. XXXV, no. 6, February 1997, p. 84
Wright, Anthony, ‘Independent Video Show Goes Out on a Limb’, Mexico City Times, Mexico City, January 31, 1997
Vogel, Carol, ‘Inside Art’, The New York Times, New York, January 3, 1997
Lind, Maria, ‘Hysterical Men’, Index, New York, January 1997

1996
Plagens, Peter, ‘McCarthy’s Last Stand’, Artforum, New York, vol. XXXV, no. 4, December 1996, p. 85, ill.
Frankel, David, ‘Western Affront’ (part of Best & Worst/96), Artforum, New York, vol. XXXV, no. 4, December 1996, p. 97, ill.
Burrows, David, ‘Popoccultural’, Art Monthly, London, October 30–November 27, 1996
Jansson, Peder, ‘The Lowest Form’, Siksi Index: The Nordic Art Review X1, Stockholm, no. 4, Winter 1996
Hollander, Kurt, ‘Paul McCarthy’, Poliester, Mexico City, Winter 1996
Wachholz, Helga, ‘Belebung und Erneuerung der Malerei?’, Handelsblatt, Düsseldorf, November 23, 1996
Corlin, Elisabet, ‘The Extended Field’, När & Var, November 15, 1996–February 1, 1997
Levin, Kim, ‘SHIT’, The Village Voice, New York, October 1, 1996
Schjeldahl, Peter, ‘McCarthyland’, The Village Voice, New York, September 24, 1996
Smith, Roberta, ‘A Much Wilder West Than It Ever Was’, The New York Times, New York, September 20, 1996
Schwabsky, Barry, ‘The Past Faces Off Against the Present’, The New York Times, New York, June 30, 1996
Robinson, Simon, ‘Art That’s Quicker Than the Eye’, Time Magazine, New York, June 6, 1996
Petersen, Anne Ring, ‘Incest, Violence and Video’, Berlingske Tidende, Copenhagen, March 6, 1996
Pagel, David, ‘McCarthy’s Influential, Early Photos’, Los Angeles Times, Los Angeles, January 4, 1996

1995
Greene, David A., ‘Critic’s Choice’, Los Angeles Reader, Los Angeles, December 22, 1995
Karmel, Pepe, ‘Anything Goes – As Long As It’s Not Boring’, ARTnews, New York, September 1995
McQuaid, Cate, ‘Home Alone – Currents Should Remember There’s No Place Like It’, The Boston Phoenix, Boston, August 11, 1995
Temin, Christine, ‘Familiar Places at ICA: All Over the Map’, The Boston Globe, Living Arts, Boston, July 28, 1995
___, ‘‘Painter’, Museum of Modern Art’ [review], The Village Voice, New York, July 15, 1995
Smith, Roberta, ‘Sex, Condiments and Esthetics’, The New York Times, New York, July 7, 1995
Delwyn, Marc, ‘Report from Los Angeles. New Age Subversives? ‘, in: Flash Art, Milan, June 1995, p. 96-99
Jouannais, Jean-Yves, ‘History of Infamy’, Art Press, Paris, June 1995
Brea, José Luis, ‘Cocido y crudo’, in: Flash Art, Milan, vol XVIII, no. 182, May-June 1995, p. 107
___, ‘Paul McCarthy’, The New Yorker, New York, March 27, 1995
___, ‘Pinocchio Pipenose Householddilemma’ [review], The New Yorker, New York, March 25, 1995
Conrads, Martin, ‘Paul McCarthy/Olav Westphalen: Künstlerhaus Bethanien’ [review], Metropol-Gesellschaft, Berlin, February, 1995
Werneburg, Brigitte, ‘Paul McCarthy, Künstlerhaus Bethanien’, Die Tageszeitung, Berlin, February 18–19, 1995
Schroder, Johannes Lothar, ‘Paul McCarthy: Alpträume – Alpräume’, Kunstforum International, Ruppichteroth, no. 129, January–April 1995, pp. 190-203, ill.
Koniger, Märibel, ‘Hors limites’, Kunstforum International, Ruppichteroth, no. 129, January–April 1995
Troncy, Eric, ‘Paul McCarthy, Air de Paris’, Flash Art, Milan, vol. XXVIII, no. 180, January–February 1995

1994
Hoggman, Justin, ___, Kunstforum International, Ruppichteroth, December 1994
Cornand, Brigitte, ‘Expos (Arts) Centre Pompidou, Hors Limites L’Art Et La Vie 1952–1994’, Nova Magazine, Paris, no. 1, December 1994
Borka, Max, ‘Uit de Kunst, Tegen de Stroom, On Line: Internationale galeries presenteren jonge kunstenaars’, Knack, Brussels, December 7, 1994
___, ‘News, Angouleme & Chauvigny (France) Carsten Höller & Paul McCarthy’, Flash Art, Milan, vol. XXVII, no. 179, November/December 1994
___, ‘Rumeurs… La censure artistique en France?’, Beaux Arts Magazine, Paris, no. 129, December 1994
Troncy, Eric, ‘Het Pinokkio Effect, Recent werk van Paul McCarthy’, Metropolis M, Utrecht, no. 6, December 1994
___, ‘RUSH RUSH, Artists’, Art Press, Paris, no. 197, December 1994
P. L., ‘Angouleme les secousses de McCarthy: Le Frac Poitou-Charentes frappe par la censure’, Journal Des Arts, Paris, November 1994
Rugoff, Ralph, ‘Deviations on a Theme: Paul McCarthy’, Artforum, New York, vol. XXXII, no. 12, October 1994
___, ‘15 Meter langer Penis’, Die Tageszeitung, Berlin, October 7, 1994
Lebovici, Elisabeth, ‘Jugée obscene, l’expo McCarthy d’angouleme ferme’, Libération, Paris, October 7, 1994
Dandurand, Denis, ‘Construction Déconstruction du Mythe Americain’, Technikart, Levallois Perret Cedex, no. 15, October/November 1994
___, ‘L’expo censurée’, Sud-Ouest, Paris, October 9, 1994
Attail, Danielle, ‘La Biac falt du camping’, Le Journal de Dimanche, October 9, 1994
Chaloin, Francoise, ‘Paul McCarthy, Colonial Tea Cup’, Documents, Paris, no. 6, October 1994
Bonnefous, Florence, Merino, Edouard, ‘Paul McCarthy, Pinocchio Pipenose Householddilemma’, Documents, Paris, no. 6, October 1994
Troncy, Eric, ‘Interactivité’, Documents, Paris, no. 6, October, 1994
Rénalde, Patricia, ‘Le scandale de l’art’, Exit le Journal, October 15, 1994
Interview, Viau, René, ‘Innocence, suite et fin’, Blocnotes, no. 7, October 1994
Zellen, Jody, ___ [review], Art/Text, October, 1994
Decter, Joshua, ‘Stupidity as Destiny: American Idiot Culture’, Flash Art, Milan, vol. XXVII, no. 178, October 1994, pp. 72–76, ill.
___, ‘Paul McCarthy, Figure Sculptures (Portfolio)’, Grand Street, New York, no. 50, Fall 1994
___, ‘Buffalo Bill’, Amok koma, vol. 1, no. 5, September 1994
___, ‘L’électrochoc McCarthy au FRAC’ [review], Sud-Ouest, Saint Germain de Paris, September 28, 1994
Cenni, Rene, ‘Paul McCarthy à Air de Paris’, Nice Matin, Nice, 25 Septembre, 1994
___, ‘Altered’, Artforum, New York, vol. XXXII, no. 1, September 1994
___, ‘Männerphantasien und Frauenrealität’, Mittelbayerische Zeitung, Regensburg, August 5, 1994 ___, ‘Art’, The Village Voice, New York, July 18, 1994 ___, ‘The Short List, Art. Paul McCarthy’, The Village Voice, New York, July 18, 1994
Huser, France, ‘La Semaine Expositions – Les artistes de l’extreme’, Le Nouvel Observateur, Paris, no. 1569, July 12, 1994
___, ‘Foreign Artist: Paul McCarthy’, BT Magazine, Japan, July 1994
Slonim, Jeffrey, ‘Six Takes: Jeffrey Slonim on the Most Moving Pictures’, Artforum, New York, vol. XXXII, no. 10, Summer 1994, pp. 9–10
Rugoff, Ralph, ‘The Garden of Uncanny Delight’, LA Weekly, Los Angeles, May 13–19, 1994
Kandel, Susan, ‘Paul McCarthy’s Precious Bodily Fluids’, Los Angeles Times, Los Angeles, May 12, 1994
Saltz, Jerry, ‘L.A. Rising’, Art & Auction, New York, April 1994
Greenstein, M. A., ‘Valorous Video: Film Forum’s Scratching the Belly of the Beast’, Artweek, San José, April 1994
Melrod, George, ‘Boys Will Be Boys’, Mirabella, April 1994
___, ‘Speelgoed’, NRC/Handelsblad, Rotterdam, February 11, 1994
Troncy, Eric, ‘Paul McCarthy, The Los Angeles Cannibal’, Art Press, Paris, January 1994
Tager, Alisa, ‘Action/Performance and the Photograph’ [review], and ‘Go Down Stairs Diagonally’, Art Issues, Los Angeles, January–February 1994

1993
Pagel, David, ‘Every Day Art’ [review Kim Light Gallery], Los Angeles Times, Los Angeles, December 30, 1993
Jones, Amelia, ‘‘Action/Performance and the Photograph’ Jan Turner and Turner/Krull Galleries’, in: Artforum, New York, vol. XXXII, no. 3, November 1993, p. 113
Christoph, Horst, ‘Ketchup statt Blut, Performancekünstler Paul McCarthy provoziert mit Hollywood-Horror und Disney-Design’, Profil, Vienna, October 18, 1993, p. 105, ill.
Avgikos, Jan, ‘Paul McCarthy/Mike Kelly/Heidi’, Artforum, New York, vol. XXXII, no. 1, September 1993
Vetrocq, Marcia E., ‘Identity Crisis’, Art in America, New York, September 1993
Lingner, Michael, ‘Post Human’, in: Kunstforum International, Ruppichteroth, no. 123, Summer 1993, pp. 328-330, ill.
___, ‘‘Action/Performance and the Photograph’ ‘, in: L.A. Weekly, Los Angeles, August 12, 1993
Hope Urban, ‘Mythical Images: What is the Role of the Photograph in an Artist’s Work?’, Los Angeles Reader, Los Angeles, August 6, 1993
Pagel, David, ‘Go Down Stairs Diagonally Offers an Off-Balance View’, Los Angeles Times, Art Review, Los Angeles, August 18, 1993, pp. F2–F3
Pagel, David, ‘Turning an Eye Toward Photographic Transformations’, Los Angeles Times, Art Review, Los Angeles, July 22, 1993
Zellen, Jody, ‘Action/Performance and the Photograph’, Art Scene, July/August 1993
Kazajian, Dodie, Storr, Robert, ‘What’s Up With Art?’, Interview, 1993
Schjeldahl, Peter, ‘Awash in the Venice Biennale’, Los Angeles Times, Los Angeles, June 20, 1993
Selwyn, Marc, ‘There’s a Big Difference Between Ketchup and Blood’, Flash Art, Milan, vol. XXVI, no. 170, May/June 1993, pp. 63–64, ill. and cover
Cohen, Michael, ‘Leap into the Void’, Flash Art, Milan, vol. XXVI, no. 170, May/June 1993, pp. 60–61, ill.
Duncan, Michael, ‘Daddy’s Little Helper’, Frieze, London, no. 10, May 1993, pp. 22–26, ill.
Johnson, Ken, ___ [review], Art in America, New York, no. 5, May 1993
Duncan, Michael, ‘L.A.: The Dark Side’, Art in America, New York, no. 3, March 1993
Smith, Roberta, ‘Paul McCarthy’, The New York Times, New York, February 12, 1993
Levin, Kim, ‘Sewing & Cooking’, The Village Voice, New York, February 9, 1993
Levin, Kim, ‘Paul McCarthy’, The Village Voice, New York, January 27, 1993

1992
___, ___ [review], Der Standard, Vienna, November 5, 1992, p. 9
Krumpl, Doris, ‘Bildsymbole einer kalifornischen Apokalypse’, Der Standard, Vienna, November 5, 1992
Trenkler, Thomas, ‘Ganz schön lax’, Die Wirtschafts Woche, Düsseldorf, November 5, 1992, pp. 78–79
Martin, Timothy, ‘Gespräch mit Paul McCarthy’ [interview], on: www.mip.at, Museum in Progress, Vienna, November 1992
Bonami, Francesco, ___ [review], Flash Art, Milan, vol. XXV, October 1992, p. 126
Rigby, David, ‘We Can See Your Botty-Celli’, News of the World, England, September 20, 1992
___, ___ [review], The New Yorker, New York, July 6, 1992
Pagel, David, ‘Helter Skelter at Museum of Contemporary Art’, Art Issues, Los Angeles, June 1992
Coltter, Holland, ___ [review], The New York Times, New York, 1992, p. O22
Rugoff, Ralph, ‘Helter Skelter: L.A. Art in the 90’s’, Balcon, 1992
___, “Helter Skelter” [review], The New Yorker, New York, April 27, 1992
Drohojowska, Hunter, ‘L. A. Raw’, in ARTnews, New York, April 1992
Gardner, Colin, ‘Helter Skelter: MOCA Temporary Contemporary’, Artforum, New York, vol. XXX, no. 8, April 1992
Relyea, Lane, ‘Paul McCarthy at Rosamund Felsen Gallery’ [review], Artforum, New York, vol. XXX, April 1992
Hawkins, Richard, ‘Paul McCarthy at Rosamund Felsen’ [review], Art Issues, Los Angeles, no. 22, March/April 1992
Fehlan, Fred, ‘Paul McCarthy at Rosamund Felsen’ [review], Flash Art, Milan, vol. XXV, no. 163, March/April 1993, pp. 116–117, ill.
Weintraub, Bernard, ‘Art and the Underside of Los Angeles’, The New York Times, New York, March 1992
Plagens, Peter, ‘Welcome to Manson High’, Newsweek, New York, March 2, 1992
Rugoff, Ralph, ‘MOCA Gets Nasty, Helter Skelter and the Art of Our Times’ [review], LA Weekly, Los Angeles, January 31–February 6, 1992
Knight, Christopher, ‘An Art of Darkness at MOCA’, Los Angeles Times, Los Angeles, January 1992
Muchnic, Suzanne, ‘Helter Skelter Art in the City of Angels and Demons’, Los Angeles Times, Calendar, Los Angeles, January 26, 1992

1991
Rugoff, Ralph, ‘Paul McCarthy Cuisine Art Taboos of the Kitchen and Elsewhere’ [review], LA Weekly, Los Angeles, December 13–19, 1991
Curtis, Cathy, ‘Ovarian Warriors vs. Knights of Crissum’ [review], Los Angeles Times, Los Angeles, January 11, 1991

1988
Raczka, Robert, ‘Where the Dogs Are?’, Afterimage, Rochester, NY, October 1988, p. 17
Gold, Jonathan, ‘Pick of the Week’ [review], LA Weekly, Los Angeles, July 17
Lischka, Gerhard Johann, ‘Performance and Performance Art’, Kunstforum International, Ruppichteroth, no. 96, August–October 1988, pp. 64–176

1987
Muchnic, Suzanne, ___ [review], Los Angeles Times, Los Angeles, June 26, 1987

1986
___, ‘NEA 1985 Visual Arts Fellowships’, Afterimage, Rochester, NY, January 1986
___, ‘Performance of War’, Punk on Wave, 1986

1985
Knight, Christopher, ‘‘B/W’ Is A Superb Exhibition of Drawings’ [review LAICA], The Los Angeles Times, Los Angeles, July 7, 1985
___, ___ [interview], Collage, Summer 1985
___, [review of High Performance, The Record], Domus, May 1985
Klionskunst, A., ‘The Wild Bunch’, Express, Vienna, no. 80, April 1985
Burnham, Linda, ‘Paul McCarthy: The Evolution of a Performance Artist’, High Performance, Los Angeles, no. 29, 1985
Relyea, Lane, ‘Pick of the Week’ [review], LA Weekly, Los Angeles, April 4, 1985

1984
___, ‘Paul McCarthy in Nottingham, England’ [review], High Performance Magazine, no. 27, December/January 1984
Suzuki, Dean, ___ [review], High Performance Magazine, Los Angeles, no. 23, March/April 1984

1983
Griffith, Steve, ‘Performance: Art Which Talks Back and Changes Itself’, Prodigal Sun, December 1983
Schroder, Hannes, ‘Piece for Under Marionette O. O. Inside’, High Performance Magazine, Los Angeles, November 1983
McEvilley, Thomas, ‘Art in the Dark’, Artforum, New York, vol. XXI, no. 10, Summer 1983
___, ‘Paul McCarthy: Gold Coast Performance Series, San Francisco Art Institute, ‘Death Ship’’, Art Com, no. 21, 1983
Potts, Joe, ‘‘P)M) – M)P)’, Paul McCarthy, Mark Pauline’, E.O.S. Yaso Art Front, Japan, 1983

1982
Burnham Linda, ‘Live Sex Act: A Human Sexual Response to the Performances of Barbara Smith and Paul McCarthy’, The Flue, vol. 2, no. 3, 1982
Fritz, Steve, ‘Cal Acts L.A’, LIVE Magazine, 6/7 published by Performing Arts Journal, Inc., 1982

1981
___, ‘Point Out, Paul McCarthy Points out Seven Artists’, High Performance, Los Angeles, vol. 4, no. 13, no. 1, Spring 1981

1980
Buchanan, Nancy, ‘Paul McCarthy, Monkey Man, Los Angeles Performance Festival’ [review], Live, 1980
___, ‘Settimana della Performance; American Artists in Italy’, High Performance Magazine, Los Angeles, no. 10, 1980
___, ___, Video 80: Public Eye Publication, vol. 1, no. 1, Fall 1980
Kontova, Helena, ___ [review American Performance Art Week, Florence, Italy], Flash Art, Milan, vol. XIII, no. 10, Summer 1980
Lewis, Louise, ‘Video in Southern California’, Journal, Southern California Art Magazine (LAICA), Los Angeles, March 1980
Garrone, Nicola, ‘Performances: Chris Burden e McCarthy’, La Repubblica, Rome, March 1980

1979
Burnham, Linda, ‘Performance Art in Southern California; An Overview’, High Performance Magazine, Los Angeles, September 1979
Smith, Barbara, ‘Performance Paul McCarthy’, Journal, Southern California Art Magazine, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles, January/February 1979

1978
___, ‘Artists’ Chronicle’, High Performance Magazine, Los Angeles, Winter 1978
Roth, Moira, ‘Toward a History of California Performance: Part Two’, Arts Magazine, New York, June 1978
Newton, Richard, ‘Performance Interruptus: Interview with Paul McCarthy’, High Performance Magazine, Los Angeles, June 1978
Cavaliere, Barbara, ‘Paul McCarthy Doctor Performance at Anna Canepa’, Arts Magazine, New York, 1978

1976
Ross, David, ‘A Provisional Overview of Artists’ Television’, Studio International, New York, May/June 1976
Kent, Tom, ‘Commissioned Video Works’, Artweek, San José, CA, March 20, 1976

1975
Grobel, Larry, ‘California Performance: Chris Burden, Barbara Smith, Paul McCarthy, and Suzanne Lacy’, California Magazine, Los Angeles, November 1975

1974
Polanco, Cherie, ‘Wigged Artist ‘Hot Dogs’ It with Mustard’, University Times, Los Angeles, November 7, 1974

Audiovisuals

1992
Museum in Progress: Künstlerporträt, Paul McCarthy (interview with Timothy Martin), November 1992 (VHS, 10 min.)

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