Writings by the Artist
2007
‘Signs and Wonders’, in: Art Forum, New York, November 2007, p. 314
2004
‘What is the Object?’, in: Frieze, London, No. 82, April 2004, p. 68
1999
‘Mary Heilmann. The All Night Movie’ [text by Jutta Koether and Mary Heilmann, edited by Galerie Hauser & Wirth], Zurich: Offizin-Verlag, 1999, ill. (exh.cat.)
1993
‘Cherchez La Femme’ Peintre (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139
‘First Day’, Rogue vol. XX, June 1993, p. 11
1992
‘Does Gender Make a Difference in Contemporary Art’ (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, Sepcial Issue, Autumn 1992, p. 63, ill.
Publications
2008
Jacobson, Karen (ed.), ‘oranges and sardines’, Los Angeles: Hammer Museum, 2008, pp. 48-49, 53-55, ill.
Madesta, Andrea (ed.), ‘abstrakt / abstract’, Cologne/ Klagenfurt: Snoeck/MMKK, 2008, pp. 56-57, ill. (exh.cat.)
Brown, Brice, Winkfield, Trevor (ed.), ‘The Sienese Shredder’, New York: Sienese Shredder Editions, 2008, pp. 299-310, ill.
Huldisch, Henriette, Momin, Shamim, ‘Whitney Biennial 2008’, New Haven: Yale University Press, 2008 (exh.cat.)
2007
Mark, Lisa Gabrielle/ Hamilton, Elizabeth (ed.), ‘WACK! Art and the feminist Revolution’, London: MIT Press/ Los Angeles: MoCA, 2007 (exh.cat.)
Hamilton, Kirstie (Hrsg.), ‘abstraction: extracting from the world’, Millenium Galleries, 2007 (exh. cat.)
Myers, Terry, ‘Mary Heilmann: Save the Last Dance for Me’, Afterall Books, 2007
Armstrong, Elizabeth; Burton, Johanna; Hickey, David, ‘Mary Heilmann. To Be Someone’, New York: Prestel Publishing 2007 (exh. cat.)
Burton, Johann, ‘Marilyn Minter’, New York: Gregory R. Miller & Co., 2007, pp. 14-27, ill. P. 16
Cole-Cunningham, Ragan, ‘Counterparts: Contemporary Painters and Their Influences’, Virginia Beach: Contemporary Art Center of Virginia, 2007 (exh.cat.)
Erf, Lisa K, ‘Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection’, Istabul: Pera Museum, 2007
Morrison, Toni, ‘Artworks: The Progressive Collection’, New York: D.A.P./Distributed Art Publishers, Inc., 2007
Thorp, David, ‘Abstraction: Extracting from the World’, Sheffield: Millenium Galleries, 2007 (exh.cat.)
2006
Villa Manin Centro d’Arte Contemporanea (ed.), ‘Infinite Painting. Pittura Contemporanea e Realismo Globale. Contemporary Painting and Global Realism’, Tolmezzo (Udine): Andrea Moro, 2006 (exh. cat.)
Von Berswordt-Wallrabe, Alexander and Silke (ed.), ‘Art for Shelter: Art Against Trafficking in Women and Sexual Exploitation’, Basel, 2006, p. 21 (exh.cat.)
Ruf, Bearix (ed.), ‘Laura Owens’, Zurich, JRP Ringier, 2006 (exh.cat.)
Siegel, Katy (ed.), ‘High Times Hard Times: New York Painting 1967-1975’, New York: Independent Curators International, 2006 (exh.cat.)
Stosuy, Brandon (ed.), ‘Up is Up But Down is Down: New York’s Downtown Literary Scene, 1974-1992’, New York: New York University Press, 2006, p. 130
‘Zeno X Gallery: 25 Years’, Antwerp. Zeno X Gallery, 2006, pp. 98-99
2005
Swiss Reinsurance Company (ed.), ‘Art at 30 St Mary Axe London’, Zurich, 2005, pp. 154-159, ill. (exh.cat.)
Moss, David (ed.), The Shape of Colour: Excursions in Colour Field Art, 1950-2005, Toronto: Art Gall
2003
Secession (ed.), ‘Mary Heilmann. All Tomorrow’s Parties’, Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.)
Hutchinson, John (ed.), Mary Heilmann. ‘The Architecture of Heaven’, Dublin: Douglas Hyde Gallery, 2003 (exh. cat.)
Curiger, Bice (ed.) ‘Georgia O’Keeffe’, Ostfildern-Ruit: Hatje Cantz Verlag, p. 182, ill. (exh. cat.)
2002
Unterdörfer, Michaela (ed.), ‘The House of Fiction. Sammlung Hauser und Wirth / 3’, Nürnberg: Verlag für moderne Kunst, 2002, pp. 69, 70, 73, ill. (exh. cat.)
‘Mary Heilmann in Conversation with David Ryan’, in: Ryan, David, ‘Talking Painting, Dialogues with Twelves Contemporary artists’, New York, Taylor and Francis Books, 2002, pp. 109 – 118, ill.
Joselit, David, ‘Mary Heilmann’s embodied Grids (1990)’, in: Ryan, David, ‘Talking Painting, Dialogues with Twelves Contemporary artists’, New York, Taylor and Francis Books, 2002, pp. 101 – 108, ill.
2001
Camden Arts Centre (ed.), ‘Mary Heilmann’, London, 2001, (ex. cat.)
2000
Kunstmuseum St. Gallen/Sammlung Hauser und Wirth (ed.), ‘Mary Heilmann. Little 9 × 9 (1973) / Blue Room (1997) ‘ [text by Konrad Bitterli], Cologne: Oktagon Verlag, 2000, ill. (exh.cat.)
1999
Galerie Hauser & Wirth (ed.), ‘Mary Heilmann. The All Night Movie’ [text by Jutta Koether], Zurich: Offizin-Verlag, 1999, ill. (exh.cat.)
1997
Stiftung für konstruktive und konkrete Kunst Zürich (ed.), ‘Mary Heilmann. This and That’, Zurich: Stiftung für konstruktive und konkrete Kunst, 1997, ill. (exh.brochure)
Kunsthaus Bregenz, Köb, Edelbert (ed.), ‘KünstlerInnen. 50 Gespräche’, Cologne: Verlag der Buchhandlung Walther König, 1997, pp. 116-120, ill. (exh.cat.)
Kunsthaus Bregenz, Köb, Edelbert (ed.), ‘KünstlerInnen. 50 Positionen zeitgenössischer internationaler Kunst. Videoportraits und Werke’, Bregenz: Kunsthaus Bregenz, 1997, p. 14, ill. (exh.brochure)
Häusler, Christa (ed.), ‘Mary Heilmann. Farbe und Lust’, Ostfildern: Cantz, 1997, ill. (exh.cat.)
Musée d’Art Moderne, Saint-Etienne (ed.), ‘Abstraction/Abstractions. Géométries Provisoires’, St. Etienne/Paris: Musée d’Art Moderne Saint-Etienne/Adagp/Spadem, 1997, pp. 38-45, ill. (exh.cat.)
1996
Herzog, Hans-Michael (ed.), ‘Abstrakte Malerei heute. nuevas abstracciones’, Bielefeld: Kunsthalle Bielefeld, 1996, ill. (exh.cat.)
1995
Wismer, Beat (ed.), ‘Karo Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute’, Aarau/Baden: Aargauer Kunsthaus/Verlag Lars Müller, 1995, pp. 378-383, ill. (exh.cat.)
Rosenthal, Mark, ‘Critiques of Pure Abstraction’, New York: Independent Curators Incorporated, 1995 (exh.cat.)
1993
König, Kaspar, Obrist, Hans-Ulrich (ed.), ‘Der zerbrochene Spiegel. Positionen zur Malerei’, Vienna: Kunsthalle Wien, 1993, pp. 94-97, ill. (exh.cat.)
Hochschule für Angewandte Kunst (ed.), ‘Future Perfect’, Vienna: Heiligenkreuzerhof, 1993 (exh.cat.)
Galleria Nazionale d’Arte Moderna (ed.), ‘Italia-America. L’Astrazione Redefinita’, San Marino, 1993 (exh.cat.)
1992
AsherFaure/RubinSpangle (ed.), ‘Bedroom Pictures’, Los Angeles, 1992 (exh.brochure)
1991
Max Protech Gallery (ed.), ‘Stubborn Painting, Now and Then’, New York, 1991 (exh.cat.)
Sidney Janis Gallery (ed.), ‘Conceptual Abstraction’, New York, 1991 (exh.brochure)
1990
Shoshana Wayne Gallery (ed.), ‘The Ends of Painting. The Edge of Abstraction’ [Text by David Pagel], Santa Monica, 1990 (exh.cat.)
Institute of Contemporary Art (ed.), ‘Mary Heilmann: A Survey’ [Text by David Joselit], Boston: Institute of Contemporary Art, 1990 (exh.cat.)
Cummings Arts Center. Connecticut College (ed.), ‘Fluid Geometry’, Connecticut, 1990 (exh.brochure)
Lawrence Oliver Gallery (ed.), ‘Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall’ [Text by Barry Schabsky], Philadelphia, 1990 (exh.cat.)
1989
New Jersey Center for Visual Arts, ‘Restructure. Subverting the Grid’, Summit, 1989 (exh.cat.)
Whitney Museum of American Art (ed.), ‘The Whitney Biennial’, New York: Whitney Museum of American Art, 1989 (exh.cat.)
University Art Museum (ed.), ‘Abstract Options’, Santa Barbara, 1989 (exh.cat.)
1988
Hunter College (ed.), ‘A Debate of Abstraction’, New York: Hunter College, 1988 (exh.cat.)
Pratt Institute/Instituto de Estudios Norteamericanos (ed.), ‘Sightings. Drawings with Color’, New York/Barcelona, 1988 (exh.cat.)
Gallery Mukai (ed.), ‘Mary Heilmann’, Tokyo, 1988, ill. (exh.brochure)
1987
Seattle Art Museum (ed.), ‘Clay Revisions. Plate, Cup & Vase’, Seattle, 1987 (exh.cat.)
Corcoran Gallery of Art (ed.), ‘40th Biennial of American Contemporary Painting’, Washington, 1987 (exh.cat.)
1986
Smith, Roberta, ‘Mary Heilmann’, New York: Pat Hearn Gallery, 1986, ill. (exh.brochure)
1985
Holly Solomon Gallery (ed.) ‘The 10th Anniversary’, New York, 1983 (exh.brochure)
1980
Holly Solomon Gallery (ed.), ‘Three More’, New York, 1980 (exh.brochure)
Jacksonville Art Museum (ed.), ‘The Norman Fisher Collection’, Jacksonville, 1980 (exh.cat.)
1977
Sarah Lawrence College (ed.), ‘Painting: 75, 76, 77’, Bronxville, 1977 (exh.brochure)
Holly Solomon Gallery (ed.), ‘The First Two Years’, New York, 1977 (exh.brochure)
1973
Contemporary Arts Center, ‘Options’, Cincinati, 1973 (exh.brochure)
Kenan Center, ‘Ten Artists Who Happen to be Women’, Fredonia, 1973 (exh.brochure)
1972
Newark Museum (ed.), ‘Painting and/or Sculpture’, Newark, 1972 (exh.brochure)
Whitney Museum of American Art (ed.), ‘Whitney Annual’, New York, 1972 (exh.cat.)
Kunsthaus Hamburg (ed.), ‘American Women Artists’, Hamburg, 1972 (exh.cat.)
Articles
2009
Mack, Joshua, ‘Special Focus: Reviews Marathon, New York’, in: Art Review, London, Issue 31, April 2009, p. 82
___, Mary Heilmann, in: ‘Texte zur Kunst-Edition Heft Nr. 73’, Texte zur Kunst, März 2009, Berlin, p. 258-259, ill.
Mittelstaedt, Debora, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.
Verwoert, Jan, ‘Life Work’, in: Frieze, London, March 2009, pp.120-125, ill.
Nelson, Maggie, ‘Oranges and Sardines, Hammer Museum Los Angeles’ in: ArtForum, New York, February 2009, pp.178-79, ill.
Collings Matthew, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.
Howard Halle (ed.), ‘Mary Heilmann + Elizabeth Peyton’, in: Time out New York, New York, January 2009, ill.
Dilligan, Thomas, ‘Review: ‘Oranges and Sardines ‘ at the Hammer’ in: Los Angeles Times, Los Angeles, January 05, 2009, ill.
2008
Skye Sherwin (ed.), ‘To be Someone’, London: Art Review, November 2008, p.47 ill.
Mac Adam, Alfred, ‘Mary Heilman at Zwirner & Wirth’ in: Art News, New York NY, November, 2008, p. 160, ill.
Griffin, Tim, ‘Oranges and Sardines: Conversations on Abstract Painting’, in: ArtForum, New York NY September 2008, p. 218.
Spears, Dorothy, ‘Mary Heilmann’s winding, abstract road to success’, International Herald Tribune, New York NY, October 6, 2008, ill.
Spears, Dorothy, ‘Swimming with the Big Fish at Last’, in: The New York Times, New York NY, October 5, 2008, ill.
Sneed, Gillian, ‘Breaking Ground. Painted’, on: NY Arts, New York NY, August 2008, pp. 232-238, pp. 277-278, ill.
Schor, Gabriele, ‘Eine Reise durch den Kosmos der Emanzipation’, in: Neue Zürcher Zeitung, Zurich/CH, April 30, 2008, p. 12
Schjeldahl, Peter, ‘Lessness: The Whitney Biennial’, in: The New Yorker, New York NY, March 17, 2008, p. 86
Johnson, Ken, ‘Striking When the Spirit Was Hot’, in: The New York Times, New York, February 15, 2008
2007
Finkel, Jori, ‘‘Rosebud’, ‘Lola’, and the ‘Jack of Hearts’‘, in: ARTnews, New York, December 2007, pp. 132-135, ill.
Goldstein, Ann, ‘Ann Goldstein / Mary Heilmann: to Be Someone’, in: Artforum, New York, December 2007, pp. 318-319, ill.
Subotnick, Ali, ‘Mary Heilmann: To Be Someone’, in: Artforum, New York, Best of 2007, December 2007, pp. 336-337, ill.
Texte zur Kunst/Burton, Johanna, ‘Nach den Meerjungfrauen’, Berlin: Texte zur Kunst, 2007, p. 299, ill.
Kalm, James, ‘Signs and Omens: A Reading’, in: The Brooklyn Rail, December 2007/January 2008, p. 63
Plagens, Peter, ‘Mary Heilmann: coloring Outside the Lines’, in: Art in America, November 2007, p. 170, cover image
Wood, Tria, ‘All About Mary’, in: Artshouston, November 2007, p. 18
Wagner, Anne M., ‘Field Trips’, in: Artforum, New York, XLVI, No. 3, November 2007, pp. 306-313, ill.
Plagens, Peter, ‘Mary Heilmann: Coloring Outside the Lines’, in: Art in America, New York, No. 10, November, 2007, pp. 170-175, ill.
___, ‘Signs and Wonders’, in: Artforum, New York, XLVI, No. 3, November 2007, pp. 314-317, ill.
Anderson, Virginia Billeaud, ‘Go ask Mary about abstract art’, in: Greater Houston Weekly, Houston, October 31, 2007, ill.
Saltz, Jerry, ‘The Artists Who Still Matter’, in: New York, October 15, 2007, pp. 40-41
Rubinstein, Raphael, ‘It’s Not Made by Great Men’, in: Art in America, September 2007, p. 61
Smith, Roberta, ‘It’s Just Clay but How About a Little Respect? ‘, in: The New York Times, September 7, 2007
Pagel, David, ‘Kristin Calabrese show at Honor Fraser Gallery Invites the Imagination into Action’, in: The Los Angeles Times, August 31, 2007
Butter, Tom, ‘Mary Heilmann Interview’, on: whitehotmagazine.com, September 2007
Burton, Johanna, ‘After the mermaids’, in: Texte zur Kunst, Berlin, Heft 67, September 2007, pp. 191-195, ill.
Burton, Johanna, ‘Nach den Meerjungfrauen’ in: Texte zur Kunst, Berlin, Heft 67, September 2007, pp. 295-301, ill.
Kazanjian, Dodie, ‘in living color’, in: Vogue US, August 2007, p. 232-239 / 277-278, ill.
Drohojowska-Philp, Hunter, ‘Finally, Somebody’, in: artnet Magazine August 2007
Falconer, Morgan, ‘High Times, Hard Times’, in: Frieze, London, June-July 2007, p. 253, ill.
Mueller, Stephen, ‘Quitidian and Enggaging: David Zwirner Group Show of Living and Dead is July’s Best’, in: Gay City News, July 12-18, 2007, p. 17
Smith, Roberta, ‘A Point in Space Is A Place for an Argument’, in: The New York Times, July 20, 2007
Armetta, Amoreen, ‘Three for Society’, in: Time Out New York, New York, July 5-11, 2007, p. 77
Knight, Christopher, ‘Life of the abstractionist party’, in: Los Angeles Times, Los Angeles, June 3, 2007, ill.
Chang, Richard, ‘Something about Mary’, in: Orange County Register, June 3, 2007
Chin, Jit Fong, ‘Mary, Mary Quite Contrary’, in: Squeeze OC, June 1, 2007
Smith, Roberta, ‘The Week Ahead’, in: The New York Times, May 13, 2007
Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, May 2007, p. 162
Landes, Jennifer, ‘Artists Chase Inspiration: Philosopher, psychologist join artists for discussion’, in: The East Hampton Star, April 26, 2007
LaRocco, Ben, ‘High Times Hard Times: New York Painting 1967-1975’, in: The Brooklyn Rail, March 2007
Goleas, Janet M, ‘The Raw Nerve of Art in the Sixties’, in: The East Hampton Star, march 22, 2007, p. C1
Myers, Terry R., ‘Heil Mary’, in: Modern Painters, New York, April 2007, pp. 74-79, ill.
Dumbadze, Alexander, ‘Making it look easy’, in: Modern Painters, New York, April 2007, pp. 80-83, ill.
Richard, Frances, High Times, Hard Times: New York Painting 1967-1975, in: Artforum, New York, XLV, No. 8, April 2007, p. 265, ill.
Smith, Roberta, ‘Painting in the Heady Days, After It Was Proclaimed Dead’, on: www.nytimes.com, February 16, 2007
Cohen, David, ‘Painting when Painting was Dead’, in: The Sun, New York, February 15, 2007
Sachs Samet, Jennifer, ‘Rewriting Recent Art History’, in: The Sun, New York, February 6, 2007
Bui, Pong, ‘Katy Siegel and David Reed’, in: The Brooklyn Rail, New York, February 2007
2006
Heffley, Lynne, ‘Mary Heilmann’, in: The Los Angeles Times, December 28, 2006
Dumbadze, Alexander, ‘High Times Hard Times: New York Paintings 1967-1975’, in: Modern Painters, October 2006, p. 101
Herstatt, Claudia, ‘Karaoke im Arbeiterviertel’, in: Der Tagesspiegel, Berlin, Nr. 19 306, September 9, 2006, p. 24
___, ‘Mary Heilmann’, in: Art in America, New York, Annual 2006-2007, August 2006, p. 45
___, ‘Mary Heilman’, In: Sonntags Zeitung, August 27, 2006, p. 49
Falconer, Morgan, ‘Show business’, in: Art Review, London, Vol. IX, January 2006, pp. 64-81, ill.
2005
___, ‘Hauser & Wirth, Zürich, London’, in: Weltkunst, München, no. 14, December 2005, p. 18, ill.
Fyfe, Joe, ‘Mary Heilmann at 303’, in: Art in America, New York, no. 6, June-July 2005, pp. 177-178, ill.
Burton, Johanna, ‘Mary Heilmann. 303 Gallery’, in: Artforum, New York, vol. XLIII, No. 9, May 2005, p. 246, ill.
Yablonsky, Linda, ‘What makes a painting a painting?’, in: Artnews, New York, Vol. 104, No. 4, April 2005, pp. 96-101, ill.
CKH, ‘Post Modern. Greene Naftali (Preview)’, in: Modern Painters, London, March 2005, p. 98, ill.
2004
___, ‘survey: Which artists from the past decades still assert a great influence on the art of today?’, in: Tema Celeste, Milan, No. 100, November/December 2004, pp. 58-63
Schütte, Christoph, ‘Himbeer auf grüner Leinwand’, in: Frankfurter Allgemeine Zeitung, Frankfurt, November 11, 2004
Goodbody, Bridget L: ‘Jenseits des Rasters. Die Malereien der Mary Heilmann / Off The Grid.
The Paintings of Mary Heilmann’, in: Spike, Vienna, no. 1, October 2004, pp. 66 – 74, ill.
Herbert, Martin, ‘Mary Heilmann. Hauser & Wirth West End’, in: Time Out, London, February 11-18, 2004, p. 53, ill.
2003
Grzonka, Patricia, ‘Mary Heilmann in der Secession’, in: Kunst-Bulletin, Zurich, No.9, September 2003, p.58, ill.
___, ‘Kunst’, in: Falter, Vienna, September 5, 2003, ill.
___, ‘Mary Heilmann: All Tomorrow’s Parties’, in: Pharma Time, Vienna, August 2003, ill.
Jäger, Susanne, ‘Der Triumph des Dilettantismus’, in: Voralberger Nachrichten, Schwarzach, August 23, 2003, ill.
Borchhardt-Birbaumer, Brigitte, ‘Fragen von Abstraktion, Repräsentation und Psyche’, in: Wiener Zeitung, Vienna, August 19, 2003
Melchart, Erwin, ‘Abstrakt, surreal und goldenes Stroh’, in: Kronen Zeitung Wien, Vienna, August 5, 2003
Scheyerer, Nicole, ‘Heiterkeit gegen Heroen’, in: Falter, Vienna, no. 29, July 18-24, 2003, p. 57, ill.
Probst, Ursula Maria, ‘Es darf getanzt werden’, in: artmagazine, Vienna, July 17, 2003, ill.
Horny, Henriette, ‘Stroh-Kunst-Vitrinen und Partystimmung’, in: Kurier, Vienna, July 16, 2003, ill.
Krumpl, Doris, ‘Abstrakte Malerei, remixed’, in: Der Standard, Vienna, July 4, 2003, p. 26, ill.
Spiegler, Almuth, ‘Goldenes Stroh für alle Parties’, in: Die Presse, Vienna, July 4, 2003, ill.
___, ‘Kunst’, in: Falter, Vienna, No. 27, July 4, 2003, ill.
___, ‘Sendung: Kulturjournal’, on: TV Channel ö 1, Austria, July 3, 2003
König, Kaspar, ‘Gespräch mit Mary Heilmann’ [interview], on: www.mip.at, Museum in Progress, Vienna, May 2003
___, ‘There she goes again: Mary Heilmann is drug-fuelled early years giving way to her’, in: Sunday Times, London, May 4, 2003, ill.
___, ‘Mary Heilmann at Douglas Hyde Gallery’, in: In Dublin, Dublin, April-May 2003, p. 56, ill.
Dunne, Aidan, ‘A promiscuous mixing of styles’, in: The Irish Times, Dublin, April 16, 2003
___, ‘Abstract Tyranny’, in: The Dubliner, Dublin, 2003, p. 30, ill.
2002
___, ‘Mary Heilmann’, in: The New Yorker, New York, November 11, 2002
___, ‘The House of Fiction’, in: Anzeiger von Uster, Uster, May 6, 2002, p. 21
Prinzhorn, Martin, ‘Images as the Symptoms of Painting: The Antitotalitarianism of Mary Heilmann’, in: Afterall, A Journal of Art, Context and Enquiry, London, Issue 05, 2002, pp. 48 – 57, ill.
Myers, Terry R., ‘Love Action: Mary Heilmann and the joy of painting’, in: Afterall, A Journal of Art, Context and Enquiry, London, Issue 05, 2002, pp. 58 – 63, ill.
2001
___, ‘Von Gehr bis Zelli, Böcklin bis Gelatin’, in: St.Galler Tagblatt, St. Gall, December 29, 2001, p. 41
Spinelli, Claudia, ‘Ohne falsche Scham’, in: Neue Zürcher Zeitung, Zurich, no. 268, November 17/18, 2001, p. 46
___, ‘Galerie Hauser & Wirth’, in: Handelszeitung, Zürich, no. 46, Nov. 14, 2001, p. 29
Ruyter, Lisa, ‘Top Ten’, in: Artforum International, New York, vol. XL, no. 1, September 2001, p. 48
Higgie, Jennifer, ‘Mary Heilmann. Camden Arts Centre’, in: Frieze, London, vol. 60, June / July 2001, p. 106, ill.
Scheyerer, Nicole, ‘Kunst kurz’, in: Falter, Vienna, no. 22, May 2001, p. 64
[preview], ‘Mary Heilmann London’, in: The Guardian Guide, Art previews, London, March 31 – April 6, 2001, ill.
Clark, Paul, ‘Going out’, in: Evening Standard, London, Thursday 5 April, 2001, ill.
___, [preview], ‘Mary Heilmann’, in: Time Out Magazine, Art Previews, London, April 4 – 11, 2001, ill.
Searle, Adrian, ‘Excess all areas’, in: The Guardian Newspaper, London, April 10, 2001, p. 12 – 13, ill.
Coomer, Martin, ‘Mary Heilmann, Camden Arts Centre’, in: Time Out, London, April 25 – May 2, 2001, p. 54, ill.
Koether, Jutta, ‘Pat Hearn, NYC (1955-2000)’, in: Texte zur Kunst, Berlin, vol. 11, no. 41, March 2001, p. 200-202
Herstatt, Claudia, ‘Galerienszene Hamburg. Die junge Kunst holt auf’, in: Handelsblatt, Düsseldorf, no. 57, March 21, 2001, p. 58
___, ‘Contributors’, in: Artforum, New York, vol. XXXIX, no. 6, February 2001, p. 18, ill.
Heilmann, Mary, ‘O Pioneer! Mary Heilmann on Pat Hearn’, in: Artforum, New York, vol. XXXIX, no. 6, February 2001, pp. 35-36, ill.
Pühringer, Alexander, ‘Zwischen nichts und allem ist es nicht weit’, in: Frame, Vienna, no. 5, February/January 2001, p. 104-107, ill.
2000
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Linth Zeitung, Rapperswil, May 31, 2000, p. 25
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Sihltaler, Adliswil, May 31, 2000, p. 25
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: March Höfe Zeitung, Lachen, May 31, 2000, p. 25
Kraft, Martin, ‘Mary Heilmann im Kunstmuseum’, in: Der Landbote, Winterthur, May 26, 2000, p. 21
___, ‘Komplexe Farbigkeit’, in: St.Galler Nachrichten, St.Gall, May 11, 2000, p. 30, ill.
Hoffmann, Gabriele, ‘Ytong-Stein in Legoland’, in: Tageszeitung, Berlin, May 2, 2000, p. 14
Engler, Martin, ‘Materialwirbel mit Shakespeare’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 96, April 25, 2000, p.54
___, ‘Zwei Amerikanerinnen in St.Gallen’, in: Zürichsee-Zeitung, Zurich, April 22, 2000, p. 19
___, ‘Inhalt erlaubt: Mary Heilmann in St.Gallen’, in: Vorarlberger Nachrichten, Bregenz, April 8-9, 2000, p. D7
Pichler, Karlheinz, ‘Wenn Vorstellungskraft und Material zum Stelldichein bitten’, in: Kultur, April 2000, pp. 30-31, ill.
___, ‘Jessica Stockholder. Mary Heilmann’, in: Schweizer Monatshefte, Zurich, April 2000, p. 55
Wäspe, Roland, ‘New York, New York. Jessica Stockholder und Mary Heilmann im Kunstmuseum St. Gallen’, in: Saiten, St. Gall, vol. 7, no. 73, April 2000, pp. 62-63
Badrutt Schoch, Ursula, ‘Strassen und Frühlingsrollen. Mary Heilmanns Malerei im Kunstmuseum St. Gallen’, in: Bodensee Tagblatt, Arbon, March 31, 2000, p. 22, ill.
Schaufelberger, Peter E., ‘Dem Gebrauchswert entrückt’, in: Südkurier, Konstanz, no. 71, March 25, 2000
Basting, Barbara, ‘Landschaft mit Parkbank und Duplosteinen’, in: Zürcher Tages-Anzeiger, Zurich, March 25, 2000, p. 55
___, ‘Freundschaftlich gegensätzlich’, in: Der Landbote, Winterthur, March 22, 2000, p. 21
___, [preview], in: Appenzeller Zeitung, Herisau, March 17, 2000, p. 57
___, [preview], in: St. Galler Tagblatt, Gossau/CH, March 17, 2000, p. 49
___, ‘Jessica Stockholder und Mary Heilmann im Kunstmuseum’, in: News the blue window, Zurich, March 17, 2000, p. 1, ill.
Jerichow, Regina, ‘Spielerischer Sieg über die Strenge’, in: Nordwest-Zeitung, March 16, 2000, ill.
___, [review], in: Nordwest-Zeitung, March 13, 2000
Schicke, Sabine, ‘Als Rebellin in der Malerei Farbe bekannt’, in: Nordwest-Zeitung, March 11, 2000
Mark, Magill, ‘Mary Heilmann’, in: Punkt. Kunst im Nordwesten, Bremen: Der Kunstverein in Bremen, no. 1, March 2000, p. 26, ill.
___, ‘Schweizer Ausstellungen. Experimentelle Einfachheit’, in: Neue Zürcher Zeitung, Zurich, no. 77, March 2000, p. 66
Casadio, Mariuccia, ‘Decopainting’, in: Vogue Italia, Milan, no. 595, March 2000, ill.
Molinari, Guido, [review], in: Flash Art, Milan, vol XXXIII, no. 220, February-March 2000
1999
Miretti, Monica, ‘Marabini e la affinità elettive’, in: La pagina dell’Arte, November 25, 1999
___, [review], in: Vogue Italia, Milan, Supplement to no. 591, November 1999
Maurer, Simon, ‘Neugier’ (review), in: Züritipp, Zurich: TA-Media AG, April 9, 1999
Bleckner, Ross, ‘Mary Heilmann’ (interview), in: Bomb. The Arts and Culture Quarterly, New York, no. 67, Spring 1999, pp. 56-63, ill.
1998
Koestenbaum, Wayne, ‘The Best of 1998’, in: Artforum, New York, vol. XXXVII, no. 4, December 1998, pp. 100-101, ill.
Davis, Whitney, ‘Männerphantasien’, in: Texte zur Kunst, Cologne, vol. 8, no. 31, September 1998, pp. 72-81, ill.
___, [review], in: The New Yorker, New York, April 13, 1998
Johnson, Ken, ‘Mary Heilmann’ (review Pat Hearn Gallery), in: The New York Times [Art Guide], New York, vol. CXLVII, no. 51,123, April 10, 1998, p. E40, ill.
Schwendener, Martha, ‘Mary Heilmann’, in: Time Out New York, New York, no. 133, April 9–16, 1998
Pedersen, Victoria, ‘Gallery Go `Round: Short List’, Paper Magazine, April 1998
Levin, Kim, Voice Choices: ‘Mary Heilmann’ (review), in: The Village Voice, New York, vol. XLIIII, no. 13, March 25-March 31, 1998, p. 86
Johnson, Ken, ‘Mary Heilmann’ (review), in: The New York Times, New York, vol. CXLVII, no. 51,109, March 27, 1998, p. E39
Schjeldahl, Peter, ‘Mary Rebop’ (review Pat Hearn Gallery), in: The Village Voice, New York, vol. XLIII, no. 12, March 18-March 24, 1998, p. 133, ill.
De Pont stichting voor hedendaagse kunst (ed.), ‘De Pont. the colllectie’, Tilburg: De Pont, 1998, pp. 100-102, ill.
1997
Reust, Hans Rudolf, ‘Mary Heilmann’, in: Artforum, New York, vol. XXXVI, no. 4, December 1997, p. 126, ill.
Hickey, David, ‘Top Tex X 12’, in: Artforum, New York, vol. XXXVI, no. 4, December 1997, p. 89
Myers, Terry R., ‘Mary Heilmann at Richard Telles’ (review), in: LA Weekly, Los Angeles, vol. 19, no. 49, October 31–November 6, 1997, p. 51
Pagel, David, ‘A Decisive Collection That’s the Picture of Ease’, in: Los Angeles Times, Los Angeles, October 17, 1997, p. F30
Heilmann, Mary: ‘Biographie’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, automne 1997, p. 136 – 138
Westfall, Stephen: ‘Motifs de sensibilité’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, automne 1997, p. 139 – 145, ill.
___, ‘Space Craft’, in: Interview Magazine, August 1997, pp. 114-115, ill.
Imdahl, Georg, ‘Die das Blau zum Glühen bringt. Konkrete Kunst voll Charme und Temperament: Die amerikanische Malerin Mary Heilmann in Zürich’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 158/28D, July 11, 1997, p. 36
VN-kapi, ‘Vor saftiger Vitalität strotzend. Arbeiten von Mary Heilmann im Zürcher Haus für konstruktive und konkrete Kunst’, in: Vorarlberger Nachrichten, Bregenz, June 28, 1997, p. 72, ill.
Zwez, Annelise, ‘Mit Lust wider die strenge Geometrie’ (review), in: Schaffhauser Nachrichten, Schaffhausen, June 20, 1997, p. 13
afk, ‘This and that. Mary Heilmann im Haus für konstruktive und konkrete Kunst’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 139, June 19, 1997, p. 54
___, ‘Mary Heilmann in Zürich’ (review), in: Cash, Zurich, June 13, 1997, p. 61
[Zürcher Wochenkalender], in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 125, June 6, 1997, p. 87, ill.
sfd, ‘Zürich: Mary Heilmanns anarchische Geometrie’ (review), in: Der Landbote, Winterthur, June 5, 1997, p. 17
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Aargauer Zeitung, Baden, June 3, 1997, p. 57, ill.
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Limmattaler Tagblatt, Dietikon, June 3, 1997, p. 27, ill.
Maurer, Simon, ‘Gepunkteter Likör, naturhaft komponiert. Mary Heilmann in Zürich’, in: Tages-Anzeiger, Zurich: TA Media AG, vol. 105, no. 124, June 2, 1997, p. 63, ill.
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Anzeiger von Uster, Uster, June 2, 1997, p. 21
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Der Zürcher Oberländer, Wetzikon, June 2, 1997, p. 21
___, ‘Abstrakte Sprache’ (review), in: Annabelle, Zurich, no. 10, May 16, 1997, p. 19, ill.
Kurjakovic, Daniel, ‘Herzergreifende Abstraktion. Malerei von Mary Heilmann und Juan Uslé in Zürich’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 109, May 14, 1997, p. 54, ill.
___, ‘Mary Heilmann in der Galerie Hauser & Wirth und in der Stiftung für konstruktive und konkrete Kunst’, in: Kunst-Bulletin, Zurich, no. 5, May 1997, p. 50, ill.
1996
Cotter, Holland, ‘The Flying Saucer Project’ (review), in: The New York Times, New York, vol. CXLVI, no. 50,654, December 27, 1996, p. A27
Goodrow, Gérard A., ‘Painting I and II’ (review Monika Sprüth Gallery), in: ARTnews, New York, vol. 95, no. 8, September 1996, p. 142
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, New York, vol. CXLV, no. 50’439, May 26, 1996, Sec2, pp. 1,29, ill.
Smith, Roberta, ‘ ‘Screen‘: Petzel Gallery’ (review), in: The New York Times, New York, vol. CXLV, no. 50,325, February 2, 1996, p. C26
Hucko, Leslie, ‘Clothing with Culture. Cristenerose Gallery’ (review), in: I.D. Industrial Design Magazine, New York, vol. 43, no. 1, January-February 1996
Pagel, David, ‘Mary Heilmann & Elizabeth Cannon: Cristinerose New York’ (review), in: Frieze, London, no. 26, January-February 1996, p. 74-75, ill.
1995
Smith, Roberta, ’2 Shows as Bookends to the Mondrian Exhibition’, in: The New York Times, New York, vol. CXLV, no. 50,262, December 1, 1995, p. C30
Humphrey, David, ‘New York Fax’, in: Art Issues, Los Angeles, no. 40, November-December 1995, pp. 30-31
Smith, Roberta, ‘Heading West, with Canvases’ (review Pat Hearn Gallery), in: The New York Times, New York, vol. CXLV, no. 50,248, November 17, 1995, p. C28
Feldman, Melissa, ‘Painting Supports my Ceramics Habit’, in: Women’s Art Magazine, November 1995, pp. 12-13
Yablonsky, Linda, ‘Mary Heilmann at Pat Hearn Gallery’ (review), in: Time Out, New York, no. 3, October 11-October 18, 1995
Doove, Edith, ‘Mary Heilmann – Zeno X, Antwerpen’, in: Metropolis M, Amsterdam, no. 3, May/June 1995, pp. 48-49
Doove, Edith, ‘Mary Heilmann: De Rechte is Krom’, in: Urudag, May 5, 1995
Doove, Edith, ‘Mary Heilmann. De Techte is Krom’, in: Artsenkrant, no. 863, May 5, 1995
Lambrecht, Luk, ‘Een Feest Met Gekleurde Ballen’, in: De Morgen, April 25, 1995
Avgikos, Jan, ‘In With the Out Crowd’ (review Whitney Biennial), in: Artforum, New York, vol. XXXIII, no. 7, March 1995, pp. 12
Goldberger, Paul, ‘The Next 15 Minutes in Art are in His Hands’, in: The New York Times Magazine, New York, February 25, 1995
Van Siclen, Bill, ‘Geometric Art Crosses the Line of Convention’, in: The Providence Journal Bulletin, Weekend Section: Lifebeat, February 10, 1995
Breen, Allison, ‘Toward the Real. New Abstraction in America’, in: Vytvarne Umeni, Prague, no. 1, January/February 1995, pp. 163-172
1994
Steletz, Werner, ‘Wo Flächen und Farben irritieren’, in: WOZ, Zurich, no. 245, October 20, 1994
Schmidt, Konrad, ‘Geometrie und Leben’, in: Ruhr Nachrichten, Dortmund, October 20, 1994
Schmidt, Konrad, ‘Quadrate und Punkte ergänzen sich im Spiel der Elemente’, in: Ruhr Nachrichten, Dortmund, October 15, 1994
Joselit, David, ‘Mary Heilmann. Embodied Grids’, in: Flash Art, Milan, vol. XXVII, no. 178, October 1994, pp. 69-71, Cover, ill.
Donohoe, Victoria, ‘Painting and Ceramics by Mary Heilmann at Beaver College’, in: The Philadelphia Inquirer, September 25, 1994
Rosenthal, Mark, ‘Critique of Pure Abstraction. Mary Heilmann’, in: Atelia International, no. 810, August 1994, pp. 86-87
Denton, Monroe, ‘Mary Heilmann’s Greatest Hits’ (review), in: Arti, Art Today, Athens, vol. 20, May/June/July 1994, pp. 140-149, ill.
___, ‘Soft Geometry’ (review Pat Hearn Gallery), in: The New Yorker, New York, vol. 70, no. 13, May 16, 1994, p. 20
Cotter, Holland, ‘‘Greatest Hits‘’ (review Pat Hearn Gallery), The New York Times, New York, vol. CXLIII, no. 49,695, May 13, 1994, p. C26
Schwabsky, Barry, ‘Mary Heilmann’, in: American Ceramics, New York, vol. 11, no. 2, Spring 1994, pp. 34-39, ill.
1993
Avgikos, Jan, ‘The Humpty Dumpty Dilemma: The Broken Mirror and American Art in the 20th Century’, in: Artforum, New York, vol. XXXII, no. 3, November 1993, pp. 85-86, 131, ill.
Kuspit, Donald, ‘Neo-News is No News: The Broken Mirror’ (review), in: Artforum, New York, vol. XXXII, no. 3, November 1993, pp. 87-88, 131
Westfall, Stephen, ‘Patterns of Sensibility’, in: Art in America, New York, vol. 81, no. 11, November 1993
Pagel, David, ‘Strange Bedfellows’, in: The Los Angeles Times, Los Angeles, November 1993
Dannat, Adrian, ‘Spotlight: The Broken Mirror’ (review), in: Flash Art, Milan, vol. XXVI, no. 172, October 1993
Searle, Adrian, ‘‘The Broken Mirror‘’ (review), in: Frieze, London, no. 12, September/October 1993
___, ‘Cherchez La Femme Peintre’ (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139
Levin, Kim, ‘Voice Choices: Mary Heilmann’ (review), in: The Village Voice, New York, vol. XXXVIII, no. 21, May 19- May 25, 1993, p. 67
Myers, Terry, in: Art Issues, Los Angeles, Spring 1993
1992
Myers, Terry, ‘Mary Heilmann, Jack Pierson, Jessica Stockholder. Pat Hearn’ (review), in: Flash Art, Milan, vol. XXV, no. 167, November/December 1992, p. 98-99, ill.
___, ‘Goings On About Time’, in: The New Yorker, New York, October 12, 1992
Stockholder, Jessica, ‘In the Studio: Mary Heilmann’, in: Artforum, New York, vol. XXXI, no. 1, September 1992, pp. 76-77, ill.
___, ‘The Question of Gender in Art’ (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, Special Issue, Autumn 1992, p. 63, ill.
Cotter, Holland, in: New York Times, June 26, 1992
Murphy, Mary, ‘Consciousness in the Abstract’, in: New York Examiner, New York, June 1992
Liebmann, Lisa, ‘Slow Art at P.S.1’ (review), in: Interview, May 1992
1991
Tager, Alisa, ‘Colors’, in: Lapiz, Madrid, October 1991
Myles, Eileen, ‘Mary Heilmann at Pat Hearn’ (review), in: Art in America, New York, vol. 79, no. 10, S. 147-148, ill.
Weinstein, Matthew, ‘Mary Heilmann – Pat Hearn Gallery’ (review), in: Artforum, New York, vol. XXX, no. 1, September 1991, pp. 127-128, ill.
Kaneda, Shirley, ‘Painting and Its Others. In the Realm of the Feminine’, in: Artforum, New York, vol. XXIX, no. 10, Summer 1991
___, ‘Goings On About Town’, in: The New Yorker, New York, May 13, 1991
Levin, Kim, ‘Voice Choices: Mary Heilmann’ (review), in: The Village Voice, New York, vol. XXXVI, no. 19, May 1-May 7, 1991, p. 95
Pagel, David, ‘The Ends of Painting. The Edgess of Abstraction’, in: Artspace, Albuquerque, January/February 1991
Schmidt, Eva, ‘Mary Heilmann, Jessica Stockholder’ (review), in: Kunstforum International, Ruppichteroth, no. 111, January-February 1991, pp. 359-360, ill.
1990
Yood, James, ‘Mary Heilmann. Robbin Lockett Gallery’ (review), in: Artforum, New York, vol. XXIX, no. 1, September 1990, p. 164, ill.
Schwabsky, Barry, ‘Mary Heilmann’, in: Arts Magazine, New York, vol. 65, no. 1, September 1990, p. 84, ill.
Artner, Alan, in: Chicago Tribune, Chicago, April 27, 1990
Temin, Christine, ‘Abstraction That Screams’, The Boston Globe, Boston, April 5, 1990
Enders, Alexandra, in: Art & Antiques, New York, April 1990
Carrier, David, ‘Abstract Working Spaces’ (review), in: Art International, Paris, no. 10, Spring 1990, p. 68-70, ill.
Baker, Kenneth, in: The San Francisco Chronicle, February 1, 1990
Myers, Terry, in: Flash Art, Milan, January 1990
1989
Stapen, Nancy, in: The Boston Herald, Boston, December 17, 1989
Zimmer, William, ‘Geometry. Sometimes Garish’, in: The New York Times [New Jersey Edition], New York, December 10, 1989
McCoy, Pat, ‘A Modern Lexicon. The Work of Mary Heilmann’, in: Arts Magazine, New York, vo. 64, no. 3, November 1989, pp. 48-51, ill.
Ettlinger, Catherine, ‘High color’ [only illustration], in: American Home, New York, Fall/Winter 1989, pp. 90-91, ill.
Yau, John, ‘Official Policy. Toward the 1990s with the Whitney Biennial’ (review), in: Arts Magazine, New York, vol. 64, no. 1, September 1989, pp. 50-54
1988
Smith, Roberta, ‘Arte Povera Installations: Engineering and Alchemy’ (review Pat Hearn Gallery), in: The New York Times, New York, vol. CXXXVII, no. 47,511, May 20, 1988, p. C25
[illustration], in: Bijutsu Techo, Tokyo, vol. 40, no. 592, March 1988, p. 85, ill.
Spector, Nancy, in: Artscribe International, London, January 1988
1987
Wei, Lilly, ‘Talking Abstract’, in: Art im America, New York, July 1987
Goldberg, Sally, in: ARTnews, New York, February 1987
Leibmann, Lisa, M.B.A. ‘Abstractionism’, in: Flash Art, Milan, January 1987
Yau, John, ‘Mary Heilmann. Pat Hearn Gallery ‘ (review), in: Artforum, New York, vol. XXV, no. 5, January 1987, p. 109, ill.
1986
Westfall, Stephen, in: Art in America, New York, December 1986
Zimmer, William, ‘A Rarefied Atmosphere in the Feisty East Village’ (review Pat Hearn Gallery), in: The New York Times, New York, vol. CXXXVI, no. 46,951, November 7, 1986, p. C27
1984
Castle,Ted, in: Art in America, New York, April 1984
Armstrong, Richard, ‘Donald Judd, Blum Helman Gallery; Mary Heilmann, the Clocktower’ (review), in: Artforum, New York, vol. XXII, no. 7, March 1984, pp. 90-91, ill.
Raynor, Vivian, ‘Forms That Function’, in: The New York Times, New York, 1984
1983
___, ‘Mary Heilmann. Artist’s Project’, in: Bomb. The Arts and Culture Quarterly, New York, no. 8, 1983
1982
___, ‘Un Tour d’Horizon’, in: Bomb. The Arts and Culture Quarterly, New York, no. 4, 1982 [Guest Editor: Mary Heilmann]
1979
Larson, Kay, ‘Can You Hear the Music?’, in: Village Voice, October 1979
1977
Frankenstein, A., in: San Francisco Chronicle, San Francisco, December 1977
Dobson, Donna, ‘Gallery Round Up’, in: The Bulletin, November 1977
1976
___, in: Art in America, New York, October 1976
Salle, David, in: Arts Magazine, New York, December 1976
Zucker, Barbara, in: ARTnews, New York, November 1976
Perrault, John, ‘Women Ain’t Losers’, in: SoHo Weekly News, New York, September 1976
1973
Forgey, Benjamin, in: Washington Star, Washington, April 1973
1972
___, in: ARTnews, New York, Summer 1972
Elderfield, John, ‘Grids’, in: Artforum, New York, May 1972
1971
Arinomis, in: Arts Magazine, New York, May 1971
Ratcliffe, Carter, in: ARTnews, New York, March 1971
1970
Linville, Kasha, in: Artforum, New York, December 1970
Glueck, Grace, in: The New York Times, New York, November 1970
Audiovisuals
1993
‘museum in progress, Künstlerporträt, Mary Heilmann’ (interview with Kasper König), May 1993 (VHS, 20 min.)